"Some Things Coming/Mobius Strip" by DELANEY BRAMLETT (April 2014 United Producers Records/UP Sounds CD Remasters) - A Review by Mark Barry...

"...Keep It Going..."

When Bonnie Lynn O'Farrell (from Acton in Illinois) met and married Delaney Bramlett from Pontotoc Count in Missouri in 1967 – the two Americans thereafter became professionally known as DELANEY and BONNIE. Separating in late 1972 - both pursued solo careers that are still going to this day – friends or no.

The first digital reissue of Delaney's solo efforts came in October 2007 on Acadia ACAM 8171 (Barcode 0805772817128) offering '2 Original LPs On 1CD' and played at 70:12 minutes. I had that crappy looking CD combo for years just to have the music – but as I recall it had a gatefold slip of paper for an inlay and worse – muffled sound from an unnamed mastering engineer.

Fast forward to here (April 2014) and at last we get a decent upgrade. When I compare the audio on both – there is a definite improvement in this Roger Lomas 2014 Remaster for United Producers Records (trading as UP Sounds) – licensed from Sony Products. Its brighter, clearer and has real punch where the songs need it – something the Acadia issue seriously lacked. Here are the righteous details...

UK released 28 April 2014 – "Some Things Coming/Mobius Strip" by DELANEY BRAMLETT on United Producers Records/UP Sounds UPRS 011 CD (Barcode 5060384950112) offers 'Two Original Albums On One CD' Remastered and plays out as follows (68:56 minutes):

1. Over And Over [Side 1]

2. Thank God

3. Please Accept My Love

4. Keep It Going

5. Some Things Coming (Heartbeat)

6. Down By The Riverside [Side 2]

7. Sit Right Down

8. I'm Not Your Lover, I'm Your Lovee

9. Try A Little Harder

Tracks 1 to 9 are his debut solo LP “Some Things Coming” – released November 1972 in the USA on Columbia Records KC 31613 and in the Netherlands on CBS Records S 65131. Produced by Delaney Bramlett

DELANEY BRAMLETT – Lead Vocals and Guitars

TED HEDING – Organ

JOE DAVIS, JIM GORDON and JERRY JUMANVILLE – Saxophones

DARREL LEONARD and LARRY SAVOIE – Brass

ROBERT WILSON – Bass

RON GRAYSON – Drums

MILT HOLLAND – Percussion

CLYDIE KING, VENETTA FIELDS, GLORIA JONES and SHIRLEY MATTHEWS – Backing Vocals and Choir

GEORGE BOHANON – String Arrangements

10. Are You A Beatle Or A Rolling Stone? [Side 1]

11. What Am I Doin’ (In A Place Like This)

12. A Young Girl (In Her Garden)

13. Big Ol’ Piece Of Blues

14. Circles

15. When A Man Is In Need Of A Woman [Side 2]

16. I’m A M-A-N

17. B.B.’s Blues

18. A Little Bit Of You In Me

19. California Rain

Tracks 10 to 19 are the album “Mobius Strip” – released September 1973 in the USA on Columbia KC 32420 and in the Netherlands on CBS Records S 65760.

DELANEY BRAMLETT – Lead Vocals, Guitars and Percussion

JOHN USSERY and ART MUNSON - Guitars

RED RHODES of Bamboo and Mike Nesmith’s International Band – Pedal Steel Guitar

TED HEDING – Organ

CRAIG PORTMAN – Synthesiser

JOE DAVIS, JIM GORDON and JERRY JUMANVILLE – Saxophones [Jim Gordon also plays Bagpipes]

DARREL LEONARD and LARRY SAVOIE – Brass

ROBERT WILSON – Bass

RON GRAYSON – Drums

KING ERICKSON – Congas

CLYDIE KING, VENETTA FIELDS, GLORIA JONES and SHIRLEY MATTHEWS – Backing Vocals and Choir

GEORGE BOHANON – String Arrangements

The 8-page inlay has liner notes from BOB FISHER which pictures the front and rear of the original sleeves, provides musician credits and gives an overview of Bramlett’s career before (with The Shindigs) and after meeting Bonnie and Friends (Eric Clapton, Leon Russell, Bobby Whitlock etc). Neither of these Columbia Records albums received a British pressing – all copies being Dutch and imported into the UK in small numbers. They weren’t great sellers either (I used to see them prop up secondhand stores all the time) in their orange label CBS glory) – but that doesn’t mean there aren’t choice cuts to be had here.

Six cuts made the top and bottom of three US 45s – September 1972 saw "Over And Over" coupled with "I'm Not Your Lover, Just Your Lovee" on Columbia 4-45696 - "Good Vibrations" came next in July 1973 sporting "Are You A Beatle Or A Rolling Stone" on the B-side of Columbia 4-45897 - while "You Don't Know (How Glad I Am)" and "California Rain" became the final A&B pairing in October 1973 for Columbia 4-45950. None particularly troubled the charts but drummed up some interest in the albums.

I used to put the Funk-Rock "Keep It Going" on Funky Funky 70s Fest CD compilations in Reckless (brought customers to the counter enquiring after it) – a fabulous hard-hitting instrumental groove with guitars and brass punctured by the ladies singing "...Keep On Singing Your Song...Keep It Going..." every now and then. The album's title track is a bizarre hybrid of Dr. John and Eugene McDaniels voodoo rhythms with an Allman Brothers rock centre - the song literally going off on a geetar tangent half way through only to return to the hoodoo vibe.  "Sit Right Down" is another album highlight - treated National Steel guitar, shaking tambourines, the ladies getting Soulful as they sing "...gonna sit right down and talk about it..." - a fab groove as that Manassas Rock-Funk of his kicks in. Southern Soul organ opens the terribly titled "I'm Not Your Lover, I'm Your Lovee" - but don't let the iffy moniker fool you - its a tasty slice of Rock-Soul. The debut solo LP rocks to a 6:13 minute finish with "Try A Little Harder" where Clydie King (I think) is the duet-featured vocalist. The tune also allows the Horn Players to solo and stretch out the Funky Funky...

Album two "Mobius Strip" (still don’t know what that title means) opens with The Beatles vs. The Stones single where some infatuated lady hopes Rock Star Delaney is a bit of both. The acoustic guitar of "What Am I Doin' (In A Place Like This)" opens up a very Stephen Stills melody, once again filled with brass and Soulful rhythms. The first ballad is "A Young Girl (In Her Garden)" - a tale of an artist and his model trying to work out their dynamic - both tentative - both hoping to make love the rule and not be about money the fool. We go Piano Chugging Boogie for "Big Ol' Piece Of Blues" - a cool piece of Seventies Brass-driven Funk. And on it goes to the pretty acoustic strums of "California Rain" where the combo of Organ and Strum make it sound very Faces - a compliment I'm sure DB would relish any day of the week.

I don't know if either album is a masterpiece in 2019 - but this 2014 UP Sounds CD Remaster has made me think that maybe we all missed a trick back in the day by not loving these albums more (they deserve it now). A cool little reissue really of two that slipped past us and shouldn't have...

"D & B Together" by DELANEY and BONNIE and FRIENDS (April 2003 Columbia/Legacy 'Expanded Edition' CD Remaster) - A Review by Mark Barry...

"...Only You Know And I Know..."

Released in the last few days of March 1972 - "D & B Together" would indeed be their last platter as a married couple and musical duo before Delaney Bramlett went solo in November of that same year with his "Some Things Coming" album (also on Columbia Records).

There is a Musicians and Vocalists list that is huge and although it doesn't tell us in this reissue who plays on what – check out these names - Leon Russell and Bobby Whitlock, Eric Clapton, Tina Turner, Dave Mason (of Traffic), Rita Coolidge, Steve Cropper of Booker T & The MG's, The Muscle Shoals Horns and Rhythm Section, Eddie Kendricks, John Hartford, Duane Allman, Patrice Holloway, Venetta Fields, Shirley Matthews and Clydie King – to name but a few! They had always traded in a sort of Rock-Soul songbook - a bit of Stax meets Atlantic meets two great vocalists who adored the genres and could pen a tune or two into the bargain. In fact the dynamic duo had clocked up five prior albums to this - "Home" on Stax and "Accept No Substitute" on Elektra in May and August 1969 and then three more on Atco - "Delaney & Bonnie and Friends On Tour With Eric Clapton" (April 1970), "To Bonnie From delaney" (October 1970) and "Motel Shot" (April 1971). And although "D & B Together" peaked at No. 133 and stayed on charts for just 6 weeks - its remembered with affection and even viewed by some as a wee bit of a lost classic. Let's get to the good things comin'...

US released April 2003 - "D & B Together" by DELANEY & BONNIE and FRIENDS on Columbia/Legacy CK 85743 (Barcode 886972450629) offers a Remaster of the 12-Track April 1972 LP Plus Six Bonus Tracks and plays out as follows (59:25 minutes):

1. Only You Know And I Know [Side 1]

2. Wade In The Water Of Jordan

3. Sound Of The City

4. Well, Well

5. I Know How It Feels To Be Lonely

6. Comin' Home

7. Move 'Em Out [Side 2]

8. Big Change Comin'

9. A Good Thing (I'm On Fire)

10. Groupie (Superstar)

11. I Know Something Good About You

12. Country Life

Tracks 1 to 12 are their sixth album "D & B Together" - released 29 March 1972 in the USA on Columbia KC 31377 and July 1972 in the UK on CBS Records S 64959. It peaked at No. 133 in the USA LP charts (didn't chart UK).

BONUS TRACKS:

13. Over And Over

14. I'm Not Your Lover, Just Your Lovee

15. Good Vibrations

16. Are You A Beatle Or A Rolling Stone

17. You Don't Know (How Glad I Am)

18. California Rain

Tracks 13 and 14 from the 1972 Delaney Bramlett LP "Some Things Coming" on Columbia KC 31631

Tracks 15 and 17 from the 1973 Bonnie Bramlett LP "Sweet Bonnie Bramlett" on Columbia KC 31786

Tracks 16 and 18 from the 1973 Delaney Bramlett LP "Mobius Strip" on Columbia KC 32420   

Tracks 13 and 14 were also the A&B-sides of a September 1972 US 7" single on Columbia 4-45696

Tracks 15 and 17 were also the A&B-sides of a July 1973 US 7" single on Columbia 4-45897

Tracks 16 and 18 were also the A&B-sides of an October 1973 US 7" single on Columbia 4-45950

The 12-page booklet has outtake photos from the original album shoot, a live shot of Jimi Hendrix joining Delaney on some stage somewhere and detailed reissue credits. The new GREG MARTIN liner notes fill in the tangled history but unfortunately someone stills hasn't waded through the tape boxes to tell us which celeb plays on what track. But what gets me a tad excited is an Audio Engineer I admire a lot - VIC ANESINI - who has handled Presley, Paul Simon, Stevie Ray Vaughan, Nilsson, The Byrds, Carole King, Roy Orbison, Santana, Mountain and other huge names. The audio here is great - to the music...

From ear I can discern backing vocals on "Sounds Of The City" by Tina Turner, Eric Clapton is on "Well, Well" while he and (I think) Duane Allman play guitars on "Comin' Home" and "Big Change Comin'".

Steve Cropper of Booker T & The MG's co-wrote "Move 'Em Out" with Bettye Crutcher – a duet between Bonnie and Delaney about moving out that old man so the new lady can move in (with you baby). I've always loved their cover of Dave Mason's - "Only You Know And I Know" – a tune Joan Osbourne would do to fantastic effect on her 2002 cover versions album - "How Sweet It Is".

Bonnie credits herself as Bonnie Sheridan on the so-Allmans Funky geetar been-out-on-the-road rock of "Comin' Home" recorded (I believe) as far back as 1969 with Eric and Duane. Weird jerky rhythms comes at us in the very Joe Cocker Funk Rock of "A Good Thing (I'm On Fire)" – another passion belter – more ants in his pants and ardour burning up his insides (great little tune and the kind of song they ate for breakfast). Little Feat chug-chug infuses the Delaney Bramlett and Joe Hicks song - "I Know Something Good About You" – those Muscle Shoals brass fills complimenting the guitar Funk. And on it goes. The six bonus album tracks that double-up as the A&B-sides of three singles from 1972 and 1973 are simply more of the same if not a little jaded by then (the Average White Band was effectively Bonnie's backing band for the "Sweet Bonnie Bramlett" album). 

I can't help thinking that someone like Esoteric Recordings should do a 6LP/6CD Box Set of DELANEY & BONNIE and their 1969 to 1972 output - get all their stuff out there in one cool remastered place - hopefully sometime in the future. In the meantime, give this cheap but rather cool little CD reissue a spin. "...I Know Something Good About You..." they sang 47 years ago. Indeed we do...

"Tracks Plus" by HEADS, HANDS & FEET (November 2009 and August 2018 Cherry Red CD Reissue and Remaster) - A Review by Mark Barry...

"...Warming Up The Band..."

The Seventies (especially in the early years of the decade) is littered with bands that should have been – could have been – but never did get there.

They had the chops, couple of the players might even have had the looks to make the young lassies swoon and the teenage lads emulate. In the mix you might also have scored a decent vocalist, signed to a prestigious label with hipster kudos galore and even sported the popular sound of the day (borderline Eagles Country Rock). And perhaps - if you were a real lucky chum – a big fat hit single to make everyone notice and get a slot with Pan’s People on Top Of The Pops (possibly even a hot date with Babs – the ultimate accolade).

But still - you ended up being shafted by record company mishaps, bad timing and an inexplicable indifference - a turned-on LP record/eight-track tape devouring public gobbling up anything remotely musical and interesting on any genre – anything that is but 'your music'. Our five-piece British heroes HEADS, HANDS and FEET are one of those groups...

What you get here is their second platter "Tracks" issued May 1972 in the UK on Island Records and a month later across the pond on Capitol Records. Cherry Red have also smartly chosen to ante-up this 2009 CD (itself reissued 2018) with the genuine added bonus of the groups superb first single – the non-album "Warming Up The Band" and its equally tasty B-side "Silver Mine" (albeit placed on the CD in reverse order for some reason). Here are the plus-size details...

UK released 23 November 2009 (re-issued August 2018) - "Tracks Plus" by HEADS, HANDS & FEET on Cherry Red CDMRED 424 (Barcode 5013929142428) offers their second 10-Track album from 1972 plus Two Bonus Tracks and plays out as follows (46:14 minutes):

1. Let's Get This Show On The Road [Side 1]

2. Safety In Numbers

3. Roadshow

4. Harlequin

5. Dancer

6. Hot Property [Side 2]

7. Jack Daniels (Old No. 7)

8. Rhyme And Time

9. Paper Chase

10. Song And Dance

Tracks 1 to 10 are their second studio album "Tracks" - released May 1972 in the UK on Island ILPS 9185 and June 1972 in the USA on Capitol Records ST-11051. Produced by EDDIE OFFORD (of Yes fame)

BONUS TRACKS:

11. Silver Mine

12. Warming Up The Band

Tracks 12 and 11 are the non-album A&B-Sides of their first 7" single issued November 1971 on Island Records WIP 6115 in the UK and on Capitol 3279 in the USA (Note running order, Track 12 is the A-side). The single "Warming up The Band" was released between the first album "Heads, Hands & Feet" in mid 1971 and the second album in May 1972. The British 45 was also reissued in a picture sleeve in the UK September 1976 on Island WIP 6319.

HEADS, HANDS & FEET were:

TONY COULTON - Lead Vocals

ALBERT LEE - Lead Guitar and Keyboards

CHAS HODGES - Fiddle, Banjo, Guitars and Vocals

RAY SMITH - Bass and Vocals

PETE GAVIN - Drums, Percussion and Vocals

Guests:

JERRY DONAHUE (of Poet & The One Man Band and Fotheringay) - Backing Vocals

JERRY HOGAN (of The Flintlocks) – Pedal Steel Guitar

The 12-page colour booklet is cleverly laid out - photos of the rare German and Japanese 1971 picture sleeves for "Warming Up The Band" - a killer cut written by the whole band and their best chance of chart action (sadly not to be). The original LP's 1972 inner gatefold with colour photos of each player is reproduced too in the centre pages and all of it complimented with extensive new liner notes from MICHAEL HEATLEY. There is a see-through CD tray with an inlay advertising similar Cherry Red releases of 2009. Heatley recalls Poet And The One Man Band and their lone 1969 album on Verve Forecast from whence much of Heads, Hands & Feet came. Cherry Red even repro the Jerry Lee Lewis album "London Session" from 1973 - where members of HHF were the Killer's backing band. But the best news is a decent Remaster by ALAN WILSON - no stranger to reissues. The Audio here feels great amplifying the original Production values by Eddie Offord (of Yes album fame). To the music...

Very much taken by Country Rock and Americana in general, the "Tracks" album feels like a British Group who has spent too much time listening to The Band whilst mainlining the funkier elements of 1969's "Farewell Alderbaran" by Judy Henske and Jerry Yester as a side order. Not a bad combo though says you – and it is. "(Let's Get This Show) On The Road" opens proceedings with a rapido Country Funk Rock groove - the Remaster bringing out all that frantic rhythm and the great playing (could even have been a single). Gavin's drums open the excellent "Safety In Numbers" - Albert Lee showing his guitar chops with sexy little flicks and a Funky little groove (again another possible 45). "Roadshow" is a piano led ballad by Albert Lee where he bemoans the waiting and the miles and his lady's indecision - waiting on you to come home. "Harlequin" is easily one of my faves - huge acoustic guitars anchoring a melody that feels fresh still - 47 years after the event - the Remaster bringing out Ray Smith's subtle bass line - Jerry Horgan of the 60ts Decca group The Flintlocks guesting on gorgeous Pedal Steel guitar. Side one ends with a very McGuinness Flint sounding "Dancer" - a sort of drunken acoustic strummer with fiddles - the boys regaling the wonders of a lady entertainer - someone they undoubtedly saw on the road - a sequined country gal helping lift up the spirits of deflated punters (amongst other things that she lifted up).

"Hot Property" opens Side Two but its beginning is a badly misjudged faster-go-faster Hillbilly instrumental portion. About a minute in, it segues into a wicked Funk-Rock groove ala Little Feat, Albert Lee zipping up and down the frets. Had someone edited out that Deliverance opener bit - it would have made for a great single. Silver dollar saloons and good whiskey inhabit "Jack Daniels (Old No. 7)" - but it feels dangerously close to an outtake from The Band's second album complete with Lynchburg Tennessee lyrics and Levon Helm vocals. Prettier is "Rhyme And Time" – a lovely melody by Albert Lee. The piano and voices melancholy "Paper Chase" flows nicely into my other fave-rave – the cool Bronco guitar-hooky "Song And Dance" – Albert Lee finding his inner Tony Joe White – sexy guitars and a sexy groove.

What a crying shame the public didn’t embrace the superb "Warming Up The Band" single – a fantastically slinky groove that should have killed the charts. In fact I can’t help thinking had it opened the second album – or Island followed it up with "Song And Dance" (a similar groove) as the second 45 – then the LP might have made real inroads – but alas...

Chas Hodges became one half of Chas and Dave – the popular barroom duo of English booze-up music (cloth caps, braces and ciggies) - whilst I last saw Albert Lee in the all-star band that accompanied Eric Clapton when he did the George Harrison tribute in the Royal Albert Hall – still whipping out those tasty licks and solos.

England's Heads, Hands & Feet are a footnote now in the history of Seventies Rock Music - but they're remembered with affection for a reason and the better tracks on this wicked-sounding CD Remaster prove why. A very cool little reissue really and I'd love to see someone tackle all three of their Seventies albums in a mini box set, and right soon...