"Like It Is/Honey-Drippin’ Blues" by (LITTLE) JUNIOR PARKER – February 1967 US LP on Mercury and December 1969 US LP on Blue Rock Records - Both in Stereo – featuring Memphis Sessionmen Willie Mitchell, Gene 'Bowlegs' Miller, Fred Ford and Jimmy Mitchell on Horns, Bobby Emmons on Organ, Joe Hall on Piano with Reggie Young on Guitar (March 2017 UK Beat Goes On Compilation - 2LPs Remastered onto 1CD – Andrew Thompson Remasters) - A Review by Mark Barry...

This Review Along With over 200 Others Is Available in my

SOUNDS GOOD E-Book on all Amazon sites

"MANNISH BOY" 

BLUES, VOCAL GROUPS, DOO WOP, ROOTS

RHYTHM 'n' BLUES and ROCK 'n' ROLL ON CD 

Exceptional CD Reissues and Remasters 

Thousands of E-Pages

All Details and In-Depth Reviews From Discs 

(No Cut and Paste Crap)

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"...Gonna Please You...Yes I Am!"

A blindingly good twofer from England's BGO yet again – pairing two completely overlooked Blues-Soul albums that haven't seen the CD light of day prior to this - ever. 

Originally on Mercury Records and their subsidiary Blue Rock – they came out Stateside in early 1967 and late 1969 (the first even got a British release in both Mono and Stereo) and were clearly aimed at dancefloor feet rather than Blues Guitar purists. Criminally forgotten goodies comes to mind, so let's have at Little Junior cuttin' loose and cookin' his lovin' goose...

UK released March 2017 - "Like It Is/Honey-Drippin' Blues" by (LITTLE) JUNIOR PARKER on Beat Goes On BGOCD1278 (Barcode 5017261212788) offers two US Albums from 1967 and 1969 originally on Mercury Records Remastered onto 1CD and plays out as follows (61:33 minutes):

1. Country Girl [Side 1]

2. You Can Make It If You Try 

3. Wish Me Well 

4. Hey Lawdy Mama

5. Sometimes I Wonder 

6. (Ooh Wee Baby) That's The Way You Make Me Feel

7. Come Back, Baby [Side 2]

8. Just Like A Fish 

9. Baby, Please

10. You Ain't Got No Heart 

11. Cracked Up Over You

Tracks 1 to 11 are the album "Like It Is" – released February 1967 in the USA on Mercury MG-21101 (Mono) and Mercury SR-61101 (Stereo) and March 1967 in the UK on Mercury 20097 MCL (Mono) and Mercury 20097 SMCL (Stereo). Produced by BOBBY ROBINSON – it didn't chart in either country. Band included Memphis sessionmen Willie Mitchell (the Hi Records and Al Green Producer), Gene 'Bowlegs' Miller, Fred Ford and Jimmy Mitchell on Various Horns, Reggie Young on Guitar, Buddy Emmons on Organ, Joe Hall on Piano, Mike Leech on Bass with Sam Creason on Drums.  

12. Easy Lovin' [Side 1]

13. I'm So Satisfied 

14. You Can't Keep A Good Woman Down 

15. You're The One

16. Reconsider Baby 

17. Lover to Friend 

18. Your Bag Is Bringing Me Down 

19. Ain't Gon' Be No Cutting Aloose [Side 2]

20. Lovin' Man On Your Hands 

21. Your Love's All Over Me 

22. What A Fool I Was 

23. I Got Money 

24. It Must Be Love 

Tracks 12 to 24 are the album "Honey-Drippin’ Blues" – released December 1969 in the USA on Mercury/Blue Rock SRB-64004 in Stereo (no UK issue). 

The card-wrap outer slipcase lends these Beat Goes On reissues a classy feel while the 20-page booklet features all the original artwork and sleeve notes with a new appraisal of all by noted writer CHARLES WARING. He goes into both albums and gives a potted history of Parker back when he was Little Junior Parker for his album in 1961 on Crown Records called "Driving Wheel". Hip-O Select of the USA reissued that famous American LP in its reissue artwork and I've reviewed that rare CD elsewhere. 

BGO's resident mucho-experienced Audio Engineer ANDREW THOMPSON does the usual stalwart business by the transfers and even if the separation in say either "Baby Please" or "You Ain't Got No Heart" sees the drums in one speaker and the guitar and brass in another – they're so alive, kicking and clear – the feel is still great. This is a nice sounding CD reissue and the musicianship of the Memphis sessionmen is tight, contributing a lift when the arrangements needed it. The second album from 1969 sees Production values go up big time, proper Stereo – gorgeous sound in your speakers as you digest the hipster shuffle of "Easy Lovin'" and the lurve-man persuasion in "You're The One". 

Amongst the large number of covers on the "Like It Is" album is an absolute cracker in his dancing take on Memphis Slim’s "Wish Me Well" where session guitarist Reggie Young (subject of an Ace CD all by himself) does Junior Parker proud – tasty flicks throughout. Young does the same on the Jimmy Reed standard "Hey Lawdy Mama" – gotta leave this town – ain’t got no time to lose. Mercury took the opening song "Country Girl" on Side 1 and paired it up with another excellent Parker original "Sometimes I Wonder" as the flipside – but the April 1967 US 45-single on Mercury 72672 didn’t seem to take. Shame, as both are good. 

Less successful is a girly-vocal-laden take on Smokey Robinson's "(Ooh Wee Baby) That's The Way You Make Me Feel" that feels too much like its reaching for a two-minute single hit. Far better is the chugging Blues lurch in "Come Back, Baby" – a popular Ray Charles song used on loads of Euro Atlantic Records singles in 1961 and 1962. Parker follows it with another chugger-winner in the shape of "Come Back A Fish" – a Pearl Woods song Mercury issued way ahead of the album in September 1966 as a flipside (Woods famously co-wrote "Something's Got A Hold Of Me" with Etta James). Using a truly superb smouldering cover of the Curtis Mayfield pleader "Baby Please" on the A-side of Mercury 72620 – they make for a handsome pairing. And on it goes to the Motown R&B bop of "Cracked Up Over You" – Junior Parker understated in his vocal delivery – backed up so well by Piano, Brass and Drums making it a dancefloor draw. 

The December 1969 LP "Honey-Drippin' Blues" clearly feels more produced and sounds just great for it – very much a 60ts Sexy Shuffling Soul LP more than Blues or traditional R&B. Think The Dells meets The Chi-Lites meets Northern Soul joy. His voice just so suits this material too. Hardly surprising that Blue Rock chose "Easy Lovin'" as its leadoff 45-single - it's hooky chorus bound to grab FM-attention. Coupled with the equally cool "You Can't Keep A Good Woman Down" on the flipside - Blue Rock B-4088 was released August 1969 as a US 45-single but it didn't trouble Billboard's top 200 on their R&B charts. 

Lovely warmth to the side-stepper "You’re The One" – a sexy thrill-you-with-my-love piece of slinkiness – his pleading vocals smooth as silk. Parker then cleverly reworks the Lowell Fulson classic "Reconsider Baby" with tiny nods in the arrangement to the fabulous version Presley did on the "Elvis Is Back" way back in 1960. Looky-here-baby lyrical jabs fill "Lover To Friend" as does some nice Harmonica soloing work from Parker. He goes into full-on smooch for "What A Fool I Was" sounding not unlike B.B. King realising he's been a bit of a schmuck when it comes to trusting that woman who studies all the time. 

For sure the song quality dips on album number two with "I Got Money" and the church-organ vs. girly backing singers of "It Must Be Love" feeling like Parker's chasing Aretha Franklin Gospel-Soul authenticity and not quite getting there. But still, there is so much good on this pairing that at less than seven quid in July 2021 on Amazon (brand new) - that makes me wanna advise that you to "Wish Me Well" when it comes to Beat Goes On BGOCD 1278...  

"The Complete Recordings" by ROBERT JOHNSON - Tracks recorded in Texas in 1936 and 1937 and transferred from Twelve Vocalion Mono 78s, Acetates and Other Sources (1990 US Columbia 2CD "Roots 'n' Blues" 49-Track Long Box Presentation Set of Remasters, Alternate Takes and Some Previously Unreleased) - A Review by Mark Barry...

This Review Along With over 200 Others Is Available in my

SOUNDS GOOD E-Book on all Amazon sites

"MANNISH BOY" 

BLUES, VOCAL GROUPS, DOO WOP, ROOTS

RHYTHM 'n' BLUES and ROCK 'n' ROLL ON CD 

Exceptional CD Reissues and Remasters 

Thousands of E-Pages

All Details and In-Depth Reviews From Discs 

(No Cut and Paste Crap)

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"...Someone Fishing In My Pond..."

During his short, tumultuous and staggeringly influential tenure on this ball we call Earth, Bluesman Robert Johnson had eleven 78s issued on Vocalion Records in the USA with a further posthumous issue in 1939 after his passing aged only 27 in 1938. There were also five reissues during 1937 on Perfect and Conqueror (all listed below). 

His extraordinary musical reach that began in January 1937 with the debut release of "Terraplane Blues" will quick enough reach 100 years in 2037 (his birth centenary was May 2011) – a world-spanning influence that is based largely on 22-Tracks tucked away on fragile super-rare shellac 78"s that regularly sell for six to nine-thousand dollars at auction today in 2021 - a whole lotta love from a handful of gimme. 

Born May 1911 in Hazlehurst, Mississippi to parents who had literally seen slavery, Johnson famously died at the age of only 27 in August 1938 from complications with pneumonia brought on by a malicious poisoning after he'd had an altercation with someone else's wife (something our frisky hero did a lot and not always at a crossroads either). RJ's 'Hellhound On My Trail' legend based on scratchy eerily played Vocalion 78s from 1936 and 1937 is now so profound and far-reaching, that his playing style and tunes have been covered by every major Blues Artist on the planet (man and woman) and even thrown up Movies loosely based on his much publicised liaison with Beelzebub where he supposedly traded his immortal Soul for the ability to play like no one else (all true of course). But is it justified – As Stevie Ray Vaughan and Keith Richards would say - Hell yes! 

This early American CD Box Set was part of the much-respected "Roots 'n' Blues" Reissue Series (Lawrence Cohn the Producer here). Columbia's FRANK ABBEY carried out the Digital Restoration and the 48-page black and white long booklet has appreciations (not surprisingly) from Eric Clapton, Keith Richards and a new essay on Johnson's life by musicologist, collector and researcher STEPHEN C. LaVERE. There are photos of key players in RJ's story – San Antonio and Dallas Producer Don Law, talent scout John Hammond, pal players like Son House, Elmore James, Howlin' Wolf, Sonny Boy Williamson, Elmore James, Lonnie and Tommy Johnson (and more). 

The booklet provides lyrics to every single version, a Discography and of course Reissue Credits. In 1990 there were only a handful of photos of the great man – the one on the box being the most famous – with those spider-fingers enabling him to bend notes on the fret that changed how players attacked the Blues. "The Complete Recordings" has been reissued since 1990 in a jewel-case version, but I love this original Box Set presentation. Here are Cross Road Blues...

US released 28 August 1990 - "The Complete Recordings" by ROBERT JOHNSON on Columbia/"Roots 'n' Blues" C2K 46222 (Barcode 07464462222) features 49 Tracks from 78s and Acetates (recorded 1936 and 1937) Remastered onto 2CDs and housed in a Long Box Presentation Set. It plays out as follows:

CD1: 54:56 minutes 

1. Kindhearted Woman Blues (Take 1) 

2. Kindhearted Woman Blues (Take 2) 

3. I Believe I’ll Dust My Broom 

4. Sweet Home Chicago

5. Rambling On My Mind (Take 1)

6. Rambling On My Mind (Take 2) 

7. When You Got A Good Friend (Take 1)

8. When You Got A Good Friend (Take 2)

9. Come On In My Kitchen (Take 1)

10. Come On In My Kitchen (Take 2)

11. Terraplane Blues 

12. Phonograph Blues (Take 1)

13. Phonograph Blues (Take 2)

14. 32-20 Blues 

15. They're Red Hot

16. Dead Shrimp Blues 

17. Cross Road Blues (Take 1)

18. Cross Road Blues (Take 2)

19. Walking Blues 

20. Last Fair Deal Gone Down 

CD2: 51:57 minutes

1. Preaching Blues (Up Jumps The Devil) 

2. If I Had Possession Over Judgement Day 

3. Stones In My Passway 

4. I'm A Steady Rollin' Man 

5. From Four Till Late 

6. Hellhound On My Trail 

7. Little Queen Of Spades (Take 1)

8. Little Queen Of Spades (Take 2)

9. Malted Milk 

10. Drunken Hearted Man (Take 1)

11. Drunken Hearted Man (Take 2)

12. Me And The Devil Blues (Take 1)

13. Me And The Devil Blues (Take 2)

14. Stop Breakin' Down Blues (Take 1)

15. Stop Breakin' Down Blues (Take 2)

16. Traveling Riverside Blues 

17. Honeymoon Blues 

18. Love In Vain (Take 1)

19. Love in Vain (Take 4) 

20. Milkcow's Calf Blues (Take 2) 

21. Milkcow's Calf Blues (Take 3)

US 10-inch sized 78's 

1. Terraplane Blues b/w Kindhearted Woman Blues - January 1937, Vocalion 03416

2. 30-20 Blues b/w Last Fair Deal Gone Down - February 1937, Vocalion 03445

3. I Believe I'll Dust My Broom b/w Dead Shrimp Blues - March 1937, Vocalion 03475

4. Cross Road Blues b/w Ramblin' On My Mind - April 1937, Vocalion 03519 

5. Come On In My Kitchen b/w They're Red Hot - June 1937, Vocalion 03563

6. Sweet Home Chicago b/w Walkin' Blues - July 1937, Vocalion 03601

7. Hell Hound On My Trail b/w From Four Until Late - August 1937, Vocalion 03623 

8. Milkcow's Calf Blues b/w Malted Milk - September 1937, Vocalion 03665

9. Stones In My Passway b/w I'm A Steady Rollin' Man - November 1937, Vocalion 03723 

10. Stop Breakin' Down Blues b/w Honeymoon Blues - March 1938, Vocalion 04002

11. Me And The Devil Blues b/w Little Queen Of Spades - May 1938, Vocalion 04108

12. Love In Vain Blues b/w Preachin' Blues (Up Jumped The Devil) - February 1939, Vocalion 04630 [Posthumous Release, died August 1938] 

REISSUED 78"s

1. Terraplane Blues b/w Kindhearted Woman Blues - March 1937 reissue, Perfect 7-03-56

2. Come On In My Kitchen b/w They're Red Hot - July 1937 Reissue, Perfect 7-0757

3. Hell Hound On My Trail b/w From Four Until Late - September 1937 Reissue, Perfect 7-09-56

4.  I Believe I'll Dust My Broom b/w Dead Shrimp Blues - November 1937 Reissue, Conqueror 8871

5. Milkcow's Calf Blues b/w Malted Milk - May 1938 Reissue, Conqueror 8944

The Rolling Stones could probably put out an album's worth of Robert Johnson covers - "Love In Vain", "Stop Breakin' Down Blues" while one of my fave Led Zeppelin outtakes is their take on "Traveling Riverside Blues" - Clapton has done a whole album on RJ and of course Cream's version of "Crossroads" on the 1968 "Wheels Of Fire" double album must have sent hundreds of budding axe-players everywhere into guitar shops. For sure when you play some of the outtakes, there is a 'lot' of cackle and bumps in the 78-transfer night, but then others like "Come On In My Kitchen" are wonderfully clear. Elmore James and Peter Green's Fleetwood Mac both bow at the altar that is "Dust My Broom" while Foghat, Canned Heat and even the great discoverer himself John Hammond have had their chops in "Terraplane Blues". 

I'm reading the 2020-published hardback "Brother Robert: Growing Up With Robert Johnson" by Annye C. Anderson with Preston Lauterbach on Hachette Books. Now in her 90s, his baby sister Annye was only 11 when RJ passed, but she has finally made available 'his story' via her remembrances and even produced astonishing unseen photos. Co-author and fellow music traveller Preston Lauterbach has authored "Chitlin' Circuit" - a book I would beg you to buy if you have any love of American Rhythm and Blues from the Forties and Fifties. 

The mystery with regard to Robert Johnson continues to unfold and his legend lives on (you can buy the jewel case 2CD reissue online for less than a fiver). But if you want to know why all the muss and fuss, and if you have the readies - go for the original presentation. His genius deserves no less... 

BIG MAMA THORNTON - "The Complete Vanguard Recordings" – Two Albums "Jail" and "Sassy Mama!" both from 1975 on Vanguard Records, One Live, One Studio, With A Third Previously Unreleased Album From The Same Sessions - Guests Featuring Cornell Dupree, Paul Griffin, George "Harmonica" Smith, Jimmy Johnson, Buddy Lucas and more (2000 UK Ace/Vanguard Masters 3CD Set of Remasters) - A Review by Mark Barry...

This Review Along With over 200 Others Is Available in my

SOUNDS GOOD E-Book on all Amazon sites

"MANNISH BOY" 

BLUES, VOCAL GROUPS, DOO WOP, ROOTS

RHYTHM 'n' BLUES and ROCK 'n' ROLL ON CD 

Exceptional CD Reissues and Remasters 

Thousands of E-Pages

All Details and In-Depth Reviews From Discs 

(No Cut and Paste Crap)

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"...Rock Me Baby..."

Elvis made "Hound Dog" famous in 1956 (a US No. 1) and Janis Joplin blew the audience away at California's 'Monterey Pop Festival' in June 1967 singing a gut-wrenching version of "Ball And Chain". The originator of both of these loaded tunes was Blues Shouter (and occasional drummer) BIG MAMA THORNTON - born Willie Mae Thornton in Montgormery, Alabama in 1926 – one of seven children. She was the first to record Leiber & Stoller's wonderful "Hound Dog" in 1952 and penned "Ball And Chain" which Janis would put on the 1968 "Cheap Thrills" album by Big Brother and The Holding Company in all its near 10-minute Bluesy glory. 

So by the time she made this trio of albums (one live - two studio sets – the third a stunning unreleased LP) – she was already a 49-year old veteran riding the wave of yet another Blues Revival. But that’s not to say that the goods aren’t here – they are. If anything – her age and experience exude out of these recordings - sounding not unlike Etta James on a good day backed by a crack-band complimenting her guttural Blues (the studio sessions featured Texan guitar wizard Cornell Dupree). Here are the 'snooping-round-the-door' details...

UK released April 2000 (reissued in 2013) – "The Complete Vanguard Recordings" by BIG MAMA THORNTON on Ace/Vanguard Masters 3VCD 175 (Barcode 015707017527) is a 3CD set and plays out as follows:

Disc 1 - "Jail" (36:34 minutes):

1. Little Red Rooster

2. Ball And Chain 

3. Jail

4. Hound Dog [Side 2]

5. Rock Me Baby

6. Sheriff O.E. & Me 

7. Oh Happy Man 

Tracks 1 to 7 are the album "Jail" – released 1975 in the USA on Vanguard VSD 79351 (No UK release). Recorded live at two venues - The Monroe State Prison in Washington and Oregon State Reformatory, Eugene in Oregon. 

BIG MAMA THORNTON – Vocals

J.D. NICHOLS – Piano

GEORGE "Harmonica" SMITH – Harmonica

BEE HOUSTON and STEVE WACHSMAN – Guitars 

BILL PORTER – Tenor Saxophone 

BRUCE SIEVERSON – Bass

TODD NELSON - Drums

Disc 2 - "Sassy Mama!" (35:35 minutes):

1. Rolling Stone

2. Lost City 

3. Mr. Cool

4. Big Mama's New Love

5. Private Number 

6. Sassy Mama 

7. Everybody's Happy (But Me)

Tracks 1 to 7 are the album "Sassy Mama!" – released 1975 in the USA on Vanguard VSD 79354 (no UK release). Studio album. 

BIG MAMA THORNTON – Vocals

CORNELL DUPREE – Guitar 

RONNIE MILLER - Guitar on "Big Mama's New Love" only

PAUL GRIFFIN – Keyboards 

BUDDY LUCAS – Tenor Sax 

WILBUR BASCOMB – Bass 

JIMMY JOHNSON – Drums 

Disc 3 - "Big Mama Swings" - (46:08 minutes):

1. Good-Bye Baby 

2. Gonna Leave You

3. Mixed Up Feeling 

4. Special 

5. Going Fishing 

6. Big Mama Swings

7. Happy Me 

Tracks 1 to 7 are a PREVIOUSLY UNRELEASED studio album with the following line-up

BIG MAMA THORNTON – Vocals

CORNELL DUPREE – Guitar 

PAUL GRIFFIN – Keyboards

ERNIE HAYES – Piano  

BUDDY LUCAS – Tenor Sax 

WILBUR BASCOMB – Bass 

JIMMY JOHNSON – Drums 

The booklet is a fairly basic 12-page affair (for a 3CD set) with album credits and new liner notes on her career and the recordings by noted writer ED WARD. JEFF ZARAYA has carried out the 20-bit remasters from original tapes using the DCS 900 –and the audio is great – both on the live set and on the polished studio sets. There are three black and white photos of Thornton live and smiling – and even a snap of Janis Joplin in full concert flow (Thornton mentions her in the intro to "Ball And Chain" – Joplin’s loss only recent in the memory). 

The live set opens with an enthusiastic crowd losing their interned marbles to "Little Red Rooster" – a tune where the band gets to stretch out and find their feet – solos from Bill Porter on Saxophone and George Smith on Harmonica. The 7:14 minutes of "Ball And Chain" slows everything down but ups the intensity while "Hound Dog" proves to be a crowd-pleaser. But better is the solo-filled Slow Blues of "Rock Me Baby" where all three lead musicians get their spots and slaughter it (her voice is great on this one – salacious and Bluesy in a way that only a big woman shouter can be). The law-breaking story in "Sheriff O.E. & Me" allows her to tell a tale of wrongful arrest that naturally tickles the audience. She ends the gig on a hand-clapping version of "Oh Happy Day" – sounding like a hoarse Mavis Staples backed up by a Harmonica. 

She opens the very cool studio set with a cover of the Muddy Waters 'I wish I was a catfish' song "Rolling Stone" where she pines for men in a way that's real and not preening for the sake of it. Paul Griffin gives it some wonderful Booker T type organ on the slinky and sexy "Mr. Cool" – jabbing away at his keyboard as she draws out the 7:45 minutes – only to be joined for the second half by Cornell Dupree doing his best B.B. King/Albert King fretboard impressions. Ronnie Miller makes his Guitar known on the Piano Funky Blues of "Big Mama's New Love" (sounds fab too). Things gets Bluesy Mellow with "Private Number" where the operator won't give Big Mama her man's phone number so that she can get monogamous peace of mind (fab Sax solo from Buddy Lucas). Back to Funk-Blues with the hugely likeable "Sassy Mama" - the kind of tune that's going to turn up on a Kent-Soul CD compilation real soon. Proceedings end with the 'blue as I can be' Jeannie Evan’s cover "Everybody's Happy (But Me)" – the Piano and Sax doing battle in left and right speaker coolsville. 

I had expected the unreleased "Big Mama Swings" studio album to be filler – but if anything – it’s probably the strongest set of the three! Superbly produced by ED BLAND and mostly featuring the same band as "Sassy Mama!" with slight alterations – it's that album Part 2 – only better. "Big Mama Swings" opens strongly with the shuffling barroom boogie of "Good-Bye Baby" but then lurches into some fireworks - a nine-minute slow Blues called "Gonna Leave You". Both Ernie Hayes (Piano) and Buddy Lucas (Saxophone) add so much to her whining vocals – later joined by the fluid fretwork of Cornell Dupree on Guitar (stunning track). 

More emotional Funk Blues with "Mixed Up Feeling" because her baby won’t love her 'that way' and she can't find his door in the alleyway (nice Sax work and guitar licks) - while "Special" could be Etta James on Chess circa 1974 – updated and Funky but still anchored in that 60ts R&B sound. We go full-on Catfish Bluesy with the superb "Going Fishing" – 7:21 minutes of slow rolling piano and 'since I've been left behind' lyrics (she wants to know who's tugging on his line now). Hearing both the stepper-boogie "Big Mama Swings" and the killer Blues of "Happy Me" – it's a real wonder as to why this excellent album wasn’t released? At least it's available through this Ace/Vanguard Masters Reissue...

Willie Mae Thornton would have made the History books with "Hound Dog" and "Ball and Chain" alone – but how good is it to know that she had more Blues/Soul/Funk in her in the mid Seventies. Almost last of the big shouters – she passed away in July 1984 aged 58 – and this 3CD set does her legacy proud...

"Dancin' And Twistin'" by HANK BALLARD And THE MIDNIGHTERS – Tracks from 1959 to 1969 on Federal and King Records (October 2000 UK Ace Records CD Compilation with Duncan Cowell Remasters) - A Review by Mark Barry...

This Review Along With over 200 Others Is Available in my

SOUNDS GOOD E-Book on all Amazon sites

"MANNISH BOY" 

BLUES, VOCAL GROUPS, DOO WOP, ROOTS

RHYTHM 'n' BLUES and ROCK 'n' ROLL ON CD 

Exceptional CD Reissues and Remasters 

Thousands of E-Pages

All Details and In-Depth Reviews From Discs 

(No Cut and Paste Crap)

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"…Mary Is Doin' It! 

So Is Sue! 

It's Twistin' Time!"

Now here's a sweetie CD covering Ballard's stay at King and Federal from 1958 to 1969 concentrating on his dance-craze string of American 45's. Here are the hip-swivelling details…

UK released October 2000 – "Dancin'’ And Twistin'" by HANK BALLARD & THE MIDNIGHTERS on Ace Records CHDCD 779 (Barcode 029667177924) is a CD Compilation of Remasters that breaks down as follows (65:40 minutes):

HANK BALLARD & THE MIDNIGHTERS

1. The Twist (1959, King 5171, A)

THE MIDNIGHTERS

2. Rock And Roll Wedding (1955, Federal 12240, A)

3. Henry's Got Flat Feet (Can't Dance No More) (1955, Federal 12224, A)

4. E Basta Cosi (1957, Federal 12293, A)

5. Rock, Granny, Roll (1956, Federal 12260, A)

HANK BALLARD & THE MIDNIGHTERS

6. The Coffee Grind (1960, King 5312, A)

7. Finger Poppin' Time (1960, King 5341, A)

8. Let's Go, Let's Go, Let's Go ((1960, King 5400, A)

9. The Hoochi Coochi Coo (1960, King 5430, A)

10. The Continental Walk (1961, King 5491, A)

11. Let's Go Again (Where We Went Last Night) (1961, King 5459, A)

12. The Float (1961, King 5510, A)

13. The Switch-A-Roo (1961, King 5510, B)

14. Keep On Dancing (1961, King 5535, A)

15. It's Twistin’ Time (1962, King 5601, A)

16. Good Twistin' Tonight (1962, King 5635, A)

17. Do You Know How To Twist? (1962, King 5593, A)

HANK BALLARD

18. That Low Down Move (1963, King 5719, A)

19. (I'm Going Back To) The House On The Hill (1963, King 5719, A)

20. Poppin' The Whip (1965, King 5996, A)

21. Sleep And Slide (1965, King 6018, A)

22. Dance Till It Hurtcha (1967, King 6092, A)

23. Funky Soul Train (1967, King 6131, A)

24. Butter Your Popcorn (1969, King 6244, A)

Compiled by JOHN BROVEN and PAUL HARRIS – Harris' liner notes in the 12-page booklet are peppered with label repros - pictures of Federal 12224 ("Henry's Got Flat Feet (Can't Dance No More)", Federal 12240 ("Rock And Roll Wedding"), Federal 12260 ("Rock, Granny, Roll"), King 5593 ("Do You Know How To Twist"), the British 45 for his iconic hit "Let's Go, Let's Go, Let's GO” on Parlophone 45-R 4707 and a few others. 

The back page has sheet music to "Finger Poppin' Time" (in colour), a photo of the band having a laugh as they do 'The Twist' live, trade adverts for King Records and even a rare 45 picture sleeve that gives typed instructions as to "How To Do The Continental Walk". It's a fun read as you can imagine and all of it complimented by DUNCAN COWELL Remasters from original analogue master tapes.

The audio quality on stuff like "Rock And Roll Wedding" is fantastic ("…there was a boy named Rock and a girl named Roll…") - the same for "The Coffee Grind" with the drums bashing away as the girls sing, "They did the Susie Q!" after each verse.

I've always dug the upbeat dancer "Let's Go, Let's Go, Let's Go" while the faster pace of "The Switch-A-Roo" sounds like a hit and it was (it went to Number 3 on the American R&B charts). Of his solo Hank Ballard sides, he sounds closest to James Brown on "That Low Down Move" and "Poppin' The Whip" while "Funky Soul Train" has a great Stereo remaster complete with brass fills in-between the driving beat. "It's Twistin' Time" is probably the best of his dance craze themed songs ("Mary is doing it…so is Sue…") and again it's here in great sound quality.

Not all genius of course, but the good stuff is great and with that top drawer audio – a must buy for fans…

"The Okeh Rhythm & Blues Story 1949-1957" by VARIOUS ARTISTS (1993 US Epic/Legacy 3CD 78-Track Long Box Set of Vic Anesini Remasters with Twenty Tracks Previously Unreleased) - A Review by Mark Barry...

This Review Along With over 200 Others Is Available in my

SOUNDS GOOD E-Book on all Amazon sites

"MANNISH BOY" 

BLUES, VOCAL GROUPS, DOO WOP, ROOTS

RHYTHM 'n' BLUES and ROCK 'n' ROLL ON CD 

Exceptional CD Reissues and Remasters 

Thousands of E-Pages

All Details and In-Depth Reviews From Discs 

(No Cut and Paste Crap)

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"...Peas, Beans and Gravy..."

One of the earliest Box Sets from a major label to document old-time Forties and Fifties Blues and R’n’B – Epic/Legacy’s “The Okeh Rhythm & Blues Story 1949-1957” is a 3CD long box from the Summer of 1993. And with its 78-tracks (20 of which are previously unreleased) and truly fabulous VIC ANESINI remasters – it still packs an American baseball-bat of a wallop in 2021 (and it looks good too). Here are the Poontang, Ring Ding Doo and Rock The Joint details…

USA released July 1993 – "The Okeh Rhythm & Blues Story 1949-1957" by VARIOUS ARTISTS on Epic/Okeh/Legacy E3K 48912 (Barcode 07464489122) is a 3CD Long Box Set of Remasters and it breaks down as follows: 

Disc 1 (69:37 minutes):

1. Rock The Joint – CHRIS POWELL & THE FIVE BLUE FLAMES (September 1949 Okeh/Columbia recording)

2. That’s Right! – CHRIS POWELL & THE FIVE BLUE FLAMES (September 1949, Previously Unreleased Alternate Version)

3. Chicken Shack Boogie – THE FIVE SCAMPS (February 1949 Okeh/Columbia recording)

4. No Wine, No Women – MR. GOOGLE EYES with BILLY FORD & HIS MUSICAL V-8’s (October 1949, Okeh 6820, A)

5. Red Hit – THE FIVE SCAMPS (February 1949, Okeh/Columbia recording)

6. Rough And Rocky Road - MR. GOOGLE EYES with BILLY FORD & HIS MUSICAL V-8’s (October 1949, Okeh 6820, B)

7. Hot Dog - CHRIS POWELL & THE FIVE BLUE FLAMES (April 1949 Okeh/Columbia recording)

8. Fine Like Wine – THE FIVE SCAMPS (February 1949 Okeh/Columbia recording)

9. CHI (Chicago) – JUMPIN’ JOE WILLIAMS with RED SAUNDERS & HIS ORCHESTRA (May 1950 Okeh/Columbia recording – Previously Unissued)

10. Lyin’ Girl Blues - JUMPIN’ JOE WILLIAMS with RED SAUNDERS & HIS ORCHESTRA (May 1950 Okeh/Columbia recording)

11. Gotta Find My Baby – THE RAVENS (October 1950 Okeh/Columbia recording)

12. Let’s Jump Tonight – CHUCK WILLIS (January 1951, Okeh 6805)

13. I Want A Lavender Cadillac – MAURICE KING & HIS WOLVERINES with BEA BAKER (April 1951, Okeh 6800)

14. If You Ever Had The Blues – EARL WILLIAMS (April 1951 Okeh/Columbia recording)

15. Catch ‘Em Young, Treat ‘Em Rough, Tell ‘Em Nothin’ – THE BILL DAVIS TRIO (May 1951, Okeh 6808)

16. Weekday Blues - JUMPIN’ JOE WILLIAMS with RED SAUNDERS & HIS ORCHESTRA (April 1951 Okeh/Columbia recording)

17. My Run Around Baby – IRLTON FRENCH with CHUCK THOMAS & HIS ALL STARS (May 1951, Okeh 6816)

18. Stuttering Blues – THE FIVE SCAMPS (March 1951, Previously Unissued)

19. She Did Me Wrong – LEROY JOHNSON (May 1951, Previously Unissued)

20. Honey I Don’t Want You – THE RAVENS (March 1951 Okeh/Columbia recording)

21. Work Baby Work – LARRY DARNELL (November 1951, Okeh 6848)

22. Camp Meeting – PINNOCHIO JAMES (October 1951, Okeh 6881)

23. Come On Daddy (Let’s Go Play Tonight) – PEARL TRAYLOR with CHUCK THOMAS & HIS ALL STARS (May 1951, Okeh 6822, A)

24. I Feel So Good – MAURICE KING & HIS WOLVERINES with RUBY JACKSON (Vocals) (April 1951 Okeh/Columbia recording – Previously Unissued)

25. Three Ball Sam (The Pawn Shop Man) - PEARL TRAYLOR with CHUCK THOMAS & HIS ALL STARS (May 1951, Okeh 6822, B)

26. Brother’s Blues – LITTLE BROTHER BROWN (September 1951, Previously Unissued)

Tracks 9, 18, 19, 24 and 26 are PREVIOUSLY UNRELEASED 

Disc 2 (69:18 minutes):

1. Hey Bartender Give That Man A Drink - JUMPIN’ JOE WILLIAMS with RED SAUNDERS & HIS ORCHESTRA (August 1951 Okeh/Columbia recording – Previously Unissued Alternate Take)

2. Goof Boogie – LITTLE BROTHER BROWN (September 1951 recording, Previously Unissued)

3. I Rule My House – CHUCK WILLIS (May 1951, Okeh 6810)

4. Pinnochio’s Blues – PINNOCHIO JAMES (October 1951 recording, Previously Unissued)

5. I’ll Be Sittin’, I’ll Be Rockin’ – LARRY DARNELL (May 1952 recording, Okeh 6954)

6. It’s Been A Long Time – ANNIE LAURIE (April 1952 recording, Okeh 6873)

7. Jump Back Honey – HADDA BROOKS (August 1952 recording, Okeh 6924)

8. Got So Much Trouble – TITUS TURNER (April 1952 recording, Okeh 6883)

9. Gas Happy Mama – THE ROYALS (May 1952 recording, Previously Unissued)

10. My Story – CHUCK WILLIS with THE ROYALS (May 1952 recording, Okeh 6905)

11. Gabbin’ Blues – BIG MAYBELLE (October 1952 recording, Okeh 6931)

12. The Moondog – THE TRENIERS (October 1952 recording, Okeh 6937)

13. Stop Talkin’ And Start Walkin’ – ANNIE LAURIE (August 1952 recording, Okeh 6933)

14. Dig This Menu Please! – RED RODNEY SEXTET (May 1952 recording, Okeh 6899)

15. It Ain’t Nothing Happening – PAUL GAYTEN (November 1952, Okeh 6972)

16. You Broke My Heart – CHUCK WILLIS (November 1952 recording, Previously Unissued)

17. Poontang – THE TRENIERS (October 1952 recording, Okeh 6937)

18. Brook’s Boogie – HADDA BROOKS (December 1952 recording, Okeh 6939)

19. Jimmy Mule – BIG MAYBELLE (May 1953 recording, Okeh 6998)

20. Livin’ In Misery – TITUS TURNER (February 1953, Okeh 6961)

21. Voodoo Blues - JUMPIN’ JOE WILLIAMS with RED SAUNDERS & HIS ORCHESTRA (January 1953 recording, Previously Unissued)

22. Bring The Money In – THE BILL DAVIS TRIO (January 1953 recording, Okeh 7201)

23. You The Kind Of Women – SAMMY COTTON (September 1953 recording, Okeh 7014)

24. I’m In The Mood For You – ANNIE LAURIE (December 1953 recording, Okeh 7025)

25. Make Up Your Mind – CHUCK WILLIS (September 1953 recording, Previously Unissued)

26. Cow Cow Blues – PAUL GAYTEN (May 1953 recording, Okeh 6982)

Tracks 1, 2, 4, 9, 16, 21 and 25 are PREVIOUSLY UNRELEASED 

Disc 3 (66:43 minutes):

1. But Officer! – CLIFF “KING” SOLOMON (September 1953 recording, Okeh 7010)

2. Give Me One More Drink – SAMMY COTTON (September 1953 recording, Okeh 7014)

3. Leave It To Me – ANNIE LAURIE (December 1953 recording, Previously Unissued)

4. Square Dance Boogie - CLIFF “KING” SOLOMON with ERNESTINE ANDERSON (Vocals) (September 1953 recording, Okeh 7022)

5. Your Cash Ain’t Nothin’ But Trash – BIG JOHN & THE BUZZARDS (August 1954, Okeh 7045)

6. One Monkey Don’t Stop No Show – BIG MAYBELLE (September 1954 recording, Okeh 7060)

7. My Lonely Room – TITUS TURNER (January 1954 recording, Okeh 7027)

8. Uh Oh (Get Out Of The Car) – THE TRENIERS (November 1954 recording, Okeh 7050)

9. Creole Alley – PAUL GAYTEN featuring LEE ALLEN (November 1954 recording, Previously Unissued)

10. Give Me Your Love – LARRY DARNELL (April 1954 recording, Previously Unissued)

11. Bad, Bad Women – THE SHUFFLERS (May 1954 recording, Previously Unissued)

12. I’m Getting’ Long All Right – BIG MAYBELLE (March 1954 recording, Okeh 7042)

13. Oop Shoop – BIG JOHN & THE BUZZARDS (August 1954 recording, Okeh 7045)

14. Jump Ted! – THE SHUFFLERS (May 1954 recording, Previously Unreleased)

15. Ocean Of Tears – BIG MAYBELLE (March 1955 recording, Previously Unreleased)

16. Ring Ding Doo – CHUCK WILLIS (July 1955 recording, Okeh 7062)

17. Little Demon – SCREAMIN’ JAY HAWKINS (September 1956 recording, Okeh 7072)

18. I Put A Spell On You – SCREAMIN’ JAY HAWKINS (September 1956 recording, Okeh 7072)

19. Bacon fat – ANDREW WILLIAMS (Mr. Rhythm) (November 1956, Epic/Okeh 9196)

20. The Last Meal – HURRICANE HARRY (October 1956 recording, Okeh 7074)

21. Let’s Do The Slop – LITTLE JOE & THE THRILLERS (October 1956 recording, Okeh 7073)

22. Where You Been – LLOYD FATMAN (September 1956 recording, Okeh 7073)

23. Miss Mushmouth – LLOYD FATMAN (September 1956, Okeh 7083)

24. Wyatt Earp – THE MARQUEES (featuring Marvin Gaye and Bo Diddley on Guitar) (September 1957 recording, Previously Unissued Alternate Version)

25. Billy’s Heartache – BILLY STEWART (with Bo Diddley on Guitar) (September 1957 recording, Previously unissued Alternate Version)

26. Yellow Coat – SCREAMIN’ JAY HAWKINS (February 1957 recording, from the 1958 USA LP “At Home With Screamin’ Jaw Hawkins” on Epic/Okeh LN 3488)

Tracks 3, 9, 10, 11, 14, 15, 24 and 25 are PREVIOUSLY UNRELEASED 

Although the booklet is box set long and pretty in some places (full length Michael Ochs photos of The Ravens, Annie Laurie, Earl Williams and The Treniers) – at 34-pages it feels way too slight for such a fantastic sounding release. Even the entries for each track only tell you when the song was recorded (which I’ve listed above) – but not when the 78” or 7” was released (a tad lazy really). But there are some nice photos as I say and witty/informational liner notes from JAMES MARSHALL (aka “The Hound, WFMU, New Jersey) on each artist. But all of that pales into the background against the awesome sound – Archival and Digital Remastering by VIC ANESINI and WARREN WEBERG. Anesini has a long list of prestigious credits to his name – The Byrds, Simon & Garfunkel, Elvis Presley, Stevie Ray Vaughan, Janis Joplin, Carole King, Hall & Oates and The Jayhawks to name but a few. The audio here is truly fabulous. Listening to something like “Hot Dog” on Disc 1 is amazing – bass, vocals, the shuffle of the high-hat and the rolling piano – all clear as a bell. Bit of a wow frankly…

The Five Scamps give us “Hello Jack…just got back…” on their amped-up version of Amos Milburn’s 1949 monster hit “Chicken Shack Boogie”. Drinking kicks in with the wonderfully titled Mr. Google Eyes. Even on something like “Lyin’ Gal Blues” – the saxophone solo is electrifying when it hits the speakers (“…men are just like streetcars, I can catch one any day…”). Amazing vocals kick in The Ravens (first of the bird groups) in the form of Jimmy Ricks – wonderful audio quality. 

Disc 2 has some great club shakers – tunes like “I’ll Be Sittin, I’ll Be Rockin’” with that wicked Joe Turner Atlantic Records vibe – party music (and fabulous audio given its vintage). Groove to the saxophone dancer “Dig The Menu Please!” with its 25 cents run down of grub that turns our Rodney on – “Peas, beans and gravy are the kind of food I crave…for a big pot of dumplings I’d be anyone’s slave!” And although it’s presented here in lesser sound quality - Paul Gayten’s “It Ain’t Nothing Happening” is still a great bopper with an irresistible jiving back beat tail-ended by some wild sax. 

In “But Officer!” on Disc 3 Cliff “King” Soloman says, “I keep telling you- that is my real name!” but the copper is having none of it. “That was a straight line!” he reasons but I’m not sure he isn’t going to jail for being in the wrong part of town. Sassy blues with big brassy breaks comes in the shape of Annie Laurie whose “Leave It To Me” is one of the Previously Unreleased gems on offer. Just as cool is the lesser-heard Big John & The Buzzards deep-voiced version of “Your Cash Ain’t Nothin’ But Trash” where out hero pleads, “I told her she could have all my gold…but she said…this is ain’t no circus and I don’t need no clown!” The obscure Big John Otherbody is the lead singer with the deep as an ocean tone – and it’s a genuine rarity worth having. Another gem is “Uh Oh…” by The Treniers where you get to hear in-studio chatter before Take 6 blasts in – cool! Takes 10 and 11 of Billy Stewart’s “Billy’s Heartache” go all Salsa to not much effect - but far better is the shouting colours song “Yellow Coat” by the ‘baby don’t quit it’ Screamin’ Jay Hawkins – a witty and loony way to finish a box set that is a lot more fun that it looks - all dolled up in gold lettering. 

You can still get this set for fewer than fifteen quid – and with its hidden treasures and that fantastic remastered sound – is one you should seek out like a Ring Ding Doo…