"Tons Of Sobs" by FREE (2016 'Island Remasters' CD Reissue - Andy Pearce/Matt Wortham Remaster) - A Review by Mark Barry...

"...Walk In My Shadow..."

Talk about a classy beginning – rough round the edges for sure – but would we have our FREE any other way. But it's another decade, so we get another version with yet another sound – and despite its niggling presentation flaws – what a barnstormer this 2016 reissue is.

FREE fans will know that the October 2001 and February 2002 CD reissue campaign of all seven of their albums (six studio and one live) came with great Peter Mew remasters, decent bonus tracks and expanded booklets to match - and were mid-price at the time (there has been a Japanese SHM-CD variant since in mini-LP repro artwork).

But here we are in September 2016 with another CD reissue campaign of all seven albums accompanied by an eight - the "The Free Story" compilation (a 2LP set onto 1CD). Unfortunately these new 2016 single-disc versions strip away those brilliant bonuses entirely and unwisely substitute the hugely informative liner notes of the 2001 and 2002 issues for booklets with only band photos. Essentially for Free's explosive debut "Tons Of Sobs" we're back to a straightforward transfer of the 10-track 1969 LP as is. But is another purchase necessary? I'd argue its 'essential'.

Despite the neutering of bonuses and the information-less booklet – this new 2016 reissue offers us one genuinely worthy consolation prize – a new 2016 ANDY PEARCE and an uncredited MATT WORTHAM Remaster that breathes wonderful naturalistic vitality back into the album. On buying and reviewing the underrated "Highway", "Free At Last" and "Heartbreaker" CDs in this 2016 reissue cluster and loving their audio – I splashed out on more and the results are equally magical. Also with most of the eight being offered on Amazon at less than five pounds including P&P – you can of course argue that the price is right - and with their generic 'Island Remasters' see-through side panelling on the jewel case – they look good too. Here are the tearful details...

UK released Friday, 9 September 2016 - "Tons Of Sobs" by FREE on Universal/Island Remasters 473 181-5 (Barcode 602547318152) is a straightforward CD Remaster of the 10-track 1969 UK LP and plays out as follows (39:04 minutes):

1. Over The Green Hills Pt. 1

2. Worry

3. Walk In My Shadow

4. Wild Indian Woman

5. Goin' Down Slow

6. I'm A Mover [Side 2]

7. The Hunter

8. Moonshine

9. Sweet Tooth

10. Over The Green Hills Pt. 2

Tracks 1 to 10 are their debut studio album "Tons Of Sobs" - released March 1969 in the UK on Island Records ILPS 9089 and August 1969 in the USA on A&M Records SP-4198. Produced by GUY STEVENS (Engineered by ANDREW JOHNS) - it didn't chart in either country.

The eight missing bonus tracks on the October 2001 Island Remasters IMCD 281 (Barcode 731458614920) version are: "I’m A Mover (BBC Session)", "Waitin’ On You (BBC Session)", "Guy Stevens Blues (Blues Jam)", "Moonshine (Alternate Take)", "Sweet Tooth (Early Take & Alternate Lyrics)", "Visions Of Hell (Unreleased Master Mix)", "Woman By The Sea (Alternative Version)" and "Over The Green Hills (BBC Session)". As you can see from this list of missing extras - your loss is considerable – most of these bonus tracks adding huge punch to the overall vibe of the 2001 reissue (the Paul Kossoff and Paul Rodgers photo spines on the jewel cases are gone too).

The new booklet is 12-pages and shows a Morgan Recording Studios Tape Box photo of 'Woman By The Sea' on Page 2 (dated 8 October 1968) as well as the black and whites of the band that featured on the inner gatefold sleeve of the original Island/A&M Records LP (the boys looking like squatters and vagrants in need of a good wash and several weeks in an Army boot camp). The cheery ‘blue coffin, tiger and bunny rabbit’ cover extends across the front and rear of the booklet while there are some new black and whites of our heroes looking older than their young ages belied (Bassist Andy Fraser had only just turned 16 while axeman Paul Kossoff was on the cusp of 18 when they recorded the album). Beneath the see-through CD tray are pictures of the seven reissued albums with the eighth being "The Free Story" double-album compilation from 1974 (for catalogue numbers see notes below) and the CD label repro's the UK Pink 'Orange and Black Eye Logo' Label design of Island Records in late 1969 (there are no liner notes giving history, details etc.).

But a fabulous new master from ANDY PEARCE and an uncredited MATT WORTHAM – who did such great work on Pentangle, Frankie Miller, Thin Lizzy, Wishbone Ash, the 2012 Rory Gallagher CD remasters and most recently the 2016 Budgie 3CD Box Set for their MCA LPs and the new 2016 'Deluxe Editions' of the Emerson, Lake & Palmer Island Records catalogue (see reviews for them all) - resoundingly compensates for all of that distasteful compromise.

I've had the October 2001 single-disc Remaster and the 2008 Japanese SHM-CD reissues for years now – both of which rock – but this new September 2016 single-disc version is an entirely different aural beast. There's suddenly staggering naturality and presence to the whole LP (just like the other albums in this series). Pearce and Wortham let things breathe (it's a trademark of their work) and the results are powerful to say the least. Their version is muscular and meaty. This is not loudness for loudness sake – not shrill so to speak – just in your face – huge power and presence - like an original tape should be. On to the music...

The segue of the 51-second Part 1 of "Over The Green Hills" into the manic "Worry" has always felt wrong to me. Just when you've begun to love the Acoustic Soulful Rock of "Green Hills" - it fades into wild Kossoff soloing that never really seems to go anywhere special. But what you do notice this time around is the Rodgers vocal and those drums - cleared than before. "Walk In My Shadow" opens proceedings proper - that huge FREE rocking sound - all four members of the band contributing to the song. And I love that 'feel' he sings - a trademark of his style. "Wild Indian Woman" that drove our Paul wild until she had his child suffers from hammy lyrics but I like the piano rolls that can now be heard better. Side 1 ends on an eight-and-a-half minute winner - the Led Zeppelin Bluesy hard rock of "Goin' Down Slow" - a James Oden song covered by stacks of luminaries including Howlin' Wolf, Bobby 'Blue' Bland, Jimmy Witherspoon and tons of hip sobbing white guys like Long John Baldry, Davy Graham and now Free. Kossoff gets a chance to show off while Fraser and Kirke anchor him with a rock solid rhythm as Rodgers pleads like he means it "...somebody please write my mother and tell her the shape I'm in..." (will do Paul).

But then the album suddenly delivers a classic - and typically it’s the first Rodgers/Fraser credit on the LP - Side 2's fantastic opener "I'm A Mover". The massive riffage and the rhythm-section’s chug feel huge here - genuinely exciting even after all these years. We're then hit with cover number 2 - Booker T & The MG's "The Hunter" which was first aired by Albert King in August 1967 on his Stax Album "Born Under A Bad Sign". Others who'd had a go at its adaptable riff included Ike & Tina Turner, Blue Cheer and Pacific, Gas & Electric - whilst FREE would return to it with a barnstorming version on the "Free Live" album in 1971 - the crowd screaming wildly during Kossoff's incendiary solo. Time for some misery - "...sitting in a graveyard...waiting for the dawn...leaning on my tombstone...'til the night is gone..." Rodgers moans (nice) - another band effort at the Blues. "Sweet Tooth" could have been a great single to follow the non-album "Broad Daylight" which Island tried as a 45 in the UK in March 1969 (Island WIP 6054) - huge drums on this one. And were back to “Over The Green Hills” with Part 2 - two minutes of an Acoustic ballads pining for nature and clean air in the lungs.

Across the seven new 2016 reissues we probably loose thirty to thirty-five genuinely cool bonus tracks of old and all that enlightening info in the booklets too - so buying their catalogue yet again may become a chore for some fans (that Guy Stevens Blues jam is fabulous). But they’re cheap at a fiver and we do gain fabulous new audio - and for many that's probably going to be the deciding factor.

"Tons Of Sobs" is a powerful debut but it's patchy too if we’re being truthful. And yet how good is it to hear FREE and this 1969 vinyl rarity sound so awesome again after all these decades...

PS: FREE titles in the 9 Sept 2016 Island Remasters CD Reissue Series are:

1. Tons Of Sobs (March 1969 debut UK LP) - Island Remasters 473 181-5 (Barcode 602547318152)

2. Free (October 1969 UK LP) - Island Remasters 473 187-1 (Barcode 602547318718)

3. Fire And Water (June 1970 UK LP) - Island Remasters 473 187-4 (Barcode 602547318749)

4. Highway (December 1970 UK LP) - Island Remasters 473 181-9 (Barcode 602547318190)

5. Free Live! (June 1971 UK LP) - Island Remasters 473 187-6 (Barcode 602547318763)

6. Free At Last (June 1972 UK LP) - Island Remasters 473 183-9 (Barcode 602547318398)

7. Heartbreaker (January 1973 UK Final Studio LP) - Island Remasters 473 182-6 (Barcode 602547318268)

8. The Free Story (March 1974 UK 2LP Compilation) - Island Remasters 472 262-9 (Barcode 602547326294)

There is also a VINYL Box Set "FREE - The Vinyl Collection" on Universal/Island 473 187-9 released 9 September 2016 with seven LPs (Barcode 0602547318794)

PPS: Amazon have typically lumped the 2001 and 2016 issues into the same review and it would appear - the same product entry – even though they’ve two distinct barcodes and prices. Even if you use the correct Barcode 602547318152 for the 2016 single-disc reissue it will bring you to the 2001 reissue that Amazon lists 'with' bonus tracks. So if you're specifically after the 2016 reissue with its different remaster (or the 2001 release) - ask the supplier you're buying from what version it is they're selling. If you’re just buying the Amazon Store issue for £4.99 – it will always be the 2016 10-Track remaster you receive...

"Shooting At The Moon" by KEVIN AYERS and THE WHOLE WORLD (2003 EMI/Harvest 'Expanded Edition' CD Reissue - Peter Mew Remaster) - A Review by Mark Barry...

  

"…Gemini Child…"

Ex Wilde Flowers and Soft Machine Bassist and Songwriter KEVIN AYERS would pump out eight eclectic and often utterly brilliant albums between 1969 and 1978 – six on EMI’s Harvest and the other two on Island Records.

Time now for the digital variants of those fondly remembered doo-dahs and you have to say that EMI/Harvest have done a totally sterling job reissuing the lot on CD. The first batch of four came in June 2003 and the remainder in September 2009 (the last two on download only) – all bolstered with great bonus tracks and quality Peter Mew Remasters.

Soft Machine's Robert Wyatt jumped ship - but October 1970's "Shooting At The Moon" continued on from the Witty/Eccentric Rock of November 1969’s debut album "Joy Of A Toy". But for that difficult platter number two they were credited as Kevin Ayers And The Whole World and the band containing such future luminaries as Lol Coxhill, David Bedford, Mick Fincher and a pre "Tubular Bells" Mike Oldfield. Here are the longhaired memories...

UK and Europe released June 2003 (reissued September 2005) – "Shooting At The Moon" by KEVIN AYERS and THE WHOLE WORLD on EMI/Harvest 07243-582777-2-2 (Barcode 724358277722) is an 'Expanded Edition' CD Remaster and plays out as follows (67:15 minutes):

1. May I?

2. Rheinhardt & Geraldine/Colores Para Delores

3. Lunatic's Lament

4. Pisser Dans Un Violon

5. The Oyster And The Flying Fish [Side 2]

6. Underwater

7. Clarence In Wonderland

8. Red Green And You Blue

9. Shooting At The Moon

Tracks 1 to 9 make up the album "Shooting At The Moon" issued October 1970 in the UK on Harvest SHSP 4005 (no US release). Produced by KEVIN AYERS and KEITH JENNER (Engineer Peter Mew) - all songs by KEVIN AYERS.

BONUS TRACKS:

10. Gemini Child - Recorded June 1970 - first released on the February 1976 UK compilation LP "Odd Ditties" on Harvest SHSM 2005

11. Puis Je? - Non-album song - B-side to the 9 October 1970 UK 7" single for "Butterfly Dance" on Harvest HAR 5027 – French language version of the A

12. Butterfly Dance - Non-album song - A-side to the 9 October 1970 UK 7" single on Harvest HAR 5027

13. Jolie Madame - Recorded November 1970 - released as an album outtake on the "Odd Ditties" LP from February 1976 on Harvest SHSM 2005

14. Hat - Previously Unreleased 'Take 4' recorded 20 May 1970

MUSICIANS:

KEVIN AYERS, DAVID BEFORD, LOL COXHILL, MIKE OLFIELD and MICK FINCHER

Guests:

ROBERT WYATT – Vocals on "Colores Para Delores"

BRIDGET St. JOHN - Duet Vocals on "The Oyster And The Fish" and the outtakes "Jolie Madame" and "Hats [Take 4]"

Compiled, researched and produced by noted Canterbury Scene genre expert MARK POWELL (of Esoteric Recordings) – the 16-page booklet is festooned with rare photos and a detailed history of the album's genesis and fruition (black and white snaps of the boys swilling beer in a pub, brooding on someone's carpet and playing live in Hyde Park between recording sessions for the album). The colour photograph variants of the snaps that turned up on the rear sleeve grace Page 8 (where did all that hair go?) along with a handwritten note and display diagram from Ayers as to where he wanted the band photos to go on the album sleeve. Powell's liner notes fill in the history gaps - original members of Pink Floyd Peter Jenner and Andrew King liking Ayers' Acoustic demos - Drummer Mike Fincher joining the ranks although Robert Wyatt did fill in on some of the live dates and how the session outtake "Hat" contained Dandelion Records folky BRIDGET ST. JOHN on vocals (Ayers would eventually re-record it as "Hat Song" for the "Rainbow Takeaway" album in 1978). But all of that is trumped by the superb Audio...

PETER MEW (who originally engineered the record back in the day) has remastered the first generation tapes at Abbey Road Studios (February 2003) and has done a typically stunning job – really beautiful Sound Quality. Mew has handled hundreds of CD reissues including Dr. Feelgood, Davie Bowie, Deep Purple, Donovan, Blodwyn Pig, Electric Light Orchestra, Free, Jethro Tull, Duncan Browne, Horslips, Man, Robin Trower (and many more) – I've reviewed all of the ones mentioned. His work here is amongst his best and Ayers specifically asked for Mew to carry out the transfers.

The first nine-minute song comes in three separate parts - (a) is "May I?" which opens with traffic and our Kevin asking some pretty girl could he sit and stare at her for a while - her looks enough to lift his dreary day (the audio here is amazing). But that soon gives way to some rather dated-sounding Jazz Rock in (b) "Rheinhardt & Geraldine" which unfortunately descends into some unlistenable backwards tapes (drunk on despair) and finally returns to the opening music in "Colores Para Delores" which supposedly features Robert Wyatt but I'm buggered if I can actually hear him. Things get all Velvet Underground Rock-Funky with a two-parter - first up is "Lunatics Lament" - think "Loaded" meets the debut with an incessant Bass and Organ and treated vocals. That's followed by the notorious "Pisser Dans Un Violon" that sounds like an eight-minute bad trip - staccato noises attacking your speakers but I'm afraid little else - it's an appalling waste of space and time.

Side 2 opens with the sea-shanty "The Oyster And The Fish" and its acoustic strums and combined vocals (Ayers and Bridget St. John) sound incredible. "Underwater" sounds like its title - pianos and bent bass notes giving it their best rendition of gurgles - more nonsense. "Clarence In Wonderland" is short but typically Ayers - a 'sitting on the beach' ditty about a woman who approaches him and makes him a 'wine' offer he can't refuse (feels like the musicians all accepted her boozy invite too). "Red Green And You Blue" is pretty but the title song "Shooting At The Moon" is more hard work than it should be.

The Bonus Tracks rescue what I feel is a patchy LP - the stand-alone "...Lady lady won't you come here quick..." 7" single of "Butterfly Dance" has a charming French language version of "May I?" on its flip-side - both way better than all of the more indulgent tracks on the album.  Even the outtake "Gemini Child" feels like a song that should have been on the LP too while Bridget St. John's French language vocals on "Jolie Madame" again feel like they were destined for the record but dropped for something more Avant Garde.

So there you have it – in 2016 "Shooting At The Moon" is awfully dated for sure and yet occasionally brilliant too and even beautiful in places (it was 1970 after all). Both David Bedford and Mike Oldfield would return for the beginning of the biggies - 1972's "Whatevershebringswesing" - and thereafter his albums would get progressively better ("Bananamour" from 1973 and "The Confessions Of Dr. Dream And Other Stories" from 1974 are truly wonderful things). And those extras are worth owning too.

"Shooting At The Moon" was and still is hard work - but it's a fantastic sounding reissue of a Kevin Ayers rarity you never see on original vinyl LP and if you've any love for the record - then start your moon shots here...

PS: see also my reviews for his other EMI/Harvest 'Expanded Edition' CD Remasters:

"Joy Of A Toy" (1969 Debut), "Whatevershebringswesing" (1972), "Bananamour" (1973), "The Confessions Of Dr. Dream And Other Stories" (1974), "Sweet Deceiver" (1975) and "Yes We Have No Mananas, Get Your Mananas Today" (1976)

"T.Rex: Deluxe Edition" by T.REX [feat Marc Bolan and Mickey Finn] (2014 Universal/A&M 2CD 'Deluxe Edition' Reissue - Sean Magee Remasters) - A Review by Mark Barry...

"...Jewels Upon Her Lips..."

In May 1970 - Marc Bolan and Mickey Finn were still TYRANNOSAURUS REX for "Beard Of Stars" (their fourth platter under that Jurassic band name). But by the release of their self-titled fifth LP in December of that same year – the dynamic Hippy-Folk duo had wisely shortened it to T. REX and began to 'Bolan Boogie' for real. And that's where this uplifting yet oddly infuriating Universal 2CD 'Deluxe Edition' comes in.

The December 1970 album "T. Rex" was Marc Bolan going Electric – itching to rock 'n' roll your daughter and wear spangly stuff in his hair on Thursday night's 'Top Of The Pops'. And followed by the brilliant and uber-catchy "Ride A White Swan" 7" single in October 1970 – the tail end of 1970 really was the first time the British Public began to sit up and notice a genuine Pop Star in their midst. "...Wear your hair long baby..." as Bolan urged in the lyrics. Let's get to the details and the jewels on his lips...

UK released March 2014 - "T. Rex: Deluxe Edition" by T. REX on Universal/A&M 534 732-2 (Barcode 600753473221) is a 2CD 'Deluxe Edition' Remaster and plays out as follows:

Disc 1 (58:34 minutes):

The Original Album

1. The Children Of Rarn

2. Jewel

3. The Visit

4. Childe

5. The Time Of Love Is Now

6. Diamond Meadows

7. Root Of Star

8. Beltane Walk

9. Is It Love?

10. One Inch Rock

11. Summer Deep

12. Seagull Woman

13. Suneye

14. The Wizard

15. The Children Of Rarn

Tracks 1 to 15 are their fifth album (first as T. Rex) "T. Rex" - released 18 December 1970 in the UK on Fly Records HIFLY 2 and in the USA on Reprise RS 6440

BONUS TRACKS:

16. Ride A White Swan - 1st single as T. Rex - 9 October 1970 UK 7" single on Fly Records BUG 1, Non-Album Track, A-side

17. Summertime Blues - Non-Album Track, 2nd B-side to "Ride A White Swan" - the LP track "Is It Love?" was Track 1 on the B-side

18. Jewel - BBC Radio One, Top Gear, Recorded 26 Oct 1970, Broadcast 7 Nov 1970

19. Woodland Bop Medley (i) Woodland Bop (ii) Conesuala (iii) The King Of The Mountain Cometh (iv) Woodland Bop

BBC Radio, John Peel's Sunday Concert, 20 Dec 1970

20. Beltane Walk - Backing Track, Mixed For BBC Radio One Club, 29 March 1971 (prepared on 2 March 1970)

21. Summertime Blues - BBC Radio One, Dave Lee Travis Show, 9 December 1970

Disc 2 (59:36 minutes):

1. The Children Of Rarn Suite

2. Jewel (Alternate Take)

3. The Visit (Alternate Take)

4. The Time Of Love Is Now (Alternate Take)

5. Diamond Meadows (Alternate Take)

6. Root Of Star (Alternate Take)

7. Beltane Walk (Alternate Take)

8. Is It Love? (Alternate Take)

10. Summer Deep (Alternate Take)

11. Seagull Woman (Alternate Take)

12. Suneye (BBC Radio One, Top Gear, 26 Oct 1970)

13. The Wizard (Alternate Take)

14. The Children Of Rarn (Take 6)

15. Ride A White Swan (Mono) - BBC TV, Top Of The Pops, 12 November 1970

16. Dark Lipped Woman (Home Demo)

17. Deep Summer (Alternate Take)

18. Meadows Of The Sea (Electric Demo)

All PREVIOUSLY UNRELEASED except Tracks 1 and 12

The four inner flaps of the gatefold card digipak are filled with repro's of NME reviews, Fly Records promotional leaflets and sepia-tinted photos of MARC BOLAN and MICKEY FINN. The original British LP came with a die-cut front sleeve where the colour photo of the two on the front would come away from the cover and is pictured on the front of the jam-packed 24-page booklet. CLIVE JONES conceived, compiled and did the Tape Research - co-ordinating his extensive efforts with JOE BLACK at Hey Joe! and NIGEL LEES at Thurderwing Productions. MARK PAYTRESS - former leading light at the Record Collector Magazine well known worldwide authority on all things Marc Bolan did the hugely detailed liner notes. They’re peppered with a large number of unseen photos, memorabilia, the lyrics and a repro of a rare "Ride A White Swan" picture sleeve. SEAN MAGEE did the mastering at Abbey Road Studios using original tapes and the Audio is different to Gary Moore's version from 2004 for the single disc reissue that came in a card slipcase. There's wonderful clarity on this new go-round of familiar material.

I'd love to state categorically that "T. Rex" is an undiscovered masterpiece - even as a fan I couldn't say that with a straight face. After a 53-second intro in "The Children Of Rarn" (the final version also under the same name is 36-seconds) - we soon get down to something way more Funky-Rock - the wickedly good "Jewel" - a nasty groove that's still exciting to me - especially that grungy sound he gets and that wild ending. That promising start is followed by five Folkies - "The Visit", "Childe" and "The Time Of Love Is Now" amongst them - those warbling acoustic strums a little clearer. It's not until we reach "Beltane Walk" does that 'commercial' T. Rex start to register and I've always loved "Is It Love?" - another clever groover. But the side and even the whole album is dominated by the nine-minute new Rex sound of "The Wizard". The "...what's it called Marc?" dialogue that preceded the 'studio chatter' version of "Ride A White Swan" along with "Poem", Take 4 of "The Visit" and the Alternate Take of "One Inch Rock" that tail-ended the 2004 Remaster are oddly absent - replaced with BBC stuff - the best of which for me is their great cover of Cochran's "Summertime Blues". Amidst Disc 2's rarities - the fifteen and a half minute version of "The Children Of Rarn" is hard to take in one swallow but that "Dark Lipped Woman" demo is fascinating as is the Electric demo of "Meadows Of The Sea".

The precursor to "Electric Warrior" in September 1971 – "T. Rex" had that hangover Tyrannosaurus material that Bolan did well to ditch. So it’s a transitional album and has always suffered from that. In fact I’d argue that the now forgotten British compilation LP "Bolan Boogie" from May 1972 (a UK No. 1) was the LP "T. Rex" wanted to be all along but just never got there.

Still there’s much to love and even though it may cost you a wee bit more than its initial LP price of 42s 5d - this T. REX 'DE' has wickedly good audio and transitional stuff worth shelling out on...

"Tales From Topographic Oceans: Definitive Edition" by YES (October 2016 Panegyric 3CD/1BLU RAY Reissue with Steve Wilson Remixes) - A Review by Mark Barry...

"...Fusions Of Wonder..."

Porcupine Tree's STEVEN WILSON has transformed the back catalogues of King Crimson and Jethro Tull in the last five years with his meticulous and sensational digital transfers – not to mention Gentle Giant, XTC, Caravan, Emerson, Lake And Palmer and Hawkwind all benefitting from his even-handed yet sympathetic ear. Artists trust their work to this man precisely because he has a love for their complexity and the technical know-how to match his and their musical passions (Ian Anderson of Tull will have their music go nowhere else). But fans of England's best experimental band YES have been licking their lips in glee over this one – Progressive Rock's most ambitious and commercially successful adventure ever – the 4-sided double-album monster that was and still is "Tales From Topographic Oceans" (December 1973, Atlantic K 80001 in the UK - Atlantic SD 2-908 in the USA).

The net-blurbs tell us that the 'go to' man for Classic Rock Masters has been working on "Tales..." for three years on and off. Well - it was worth every painstaking minute because our Stevie has wrenched absolute magic out of his aural trick bag once again. YES fans are going to have a Topographic coronary when they get a load of the fabulous audio – but I've docked it a star overall (four stars) for what I feel is the staggeringly unimaginative visual presentation - especially after all that hype and such a long wait. Here is the revealing science of details and Linear Pulse Code Modulations (LPCM to You and I mate)...

UK released Friday, 7 October 2016 – "Tales From Topographic Oceans: Definitive Edition" by YES comes in two forms - a 2CD/2DVD-A version and this - the 3CD/1BLU RAY version on Panegyric GYRBD80001 (Barcode 633367901026). It plays out as follows:

2016 STEREO MIXES (for all three CDs)

Disc 1 CD (59:30 minutes):

1. The Revealing Science Of God – Dance Of The Dawn (Side 1 of the 2LP set - New 2016 Stereo Mix)

2. The Remembering – High The Memory (Side 2 of the 2LP set - New 2016 Stereo Mix)

3. The Ancient – Giants Under The Sun (Side 3 of the 2LP set - New 2016 Stereo Mix)

Disc 2 - CD (66:42 minutes):

1. Ritual – Nous Somme Do Soleil (Side 4 of the 2LP set - New 2016 Stereo Mix)

ADDITIONAL TRACK:

2. Dance Of The Dawn (New 2016 Stereo Mix)

ALTERNATE ALBUM:

3. Dance Of The Dawn (Studio Run-Through)

Disc 3 - CD (79:20 minutes):

1. High The Memory (Studio Run-Through)

2. Giants Under The Sun (Studio Run-Through)

3. Ritual (Live, Zurich, April 1974)

SINGLE EDITS:

4. The Revealing Science Of God (Single Edit - New 2016 Stereo Mix)

5. The Remembering (Single Edit - New 2016 Stereo Mix)

6. The Ancient (Single Edit - New 2016 Stereo Mix)

7. Ritual (Single Edit I - New 2016 Stereo Mix)

8. Ritual (Single Edit II - New 2016 Stereo Mix)

Disc 4 – Definitive Edition BLU RAY DISC:

2016 STEREO MIXES - LPCM Stereo 24/96

1. The Revealing Science Of God

2. The Remembering

3. The Ancient

4. Ritual

5. Dance Of The Dawn (Extended Version of 'The Revealing Science Of God')

5.1 SURROUND MIXES - 24/96 LPCM & DTS-HD MA

6. The Revealing Science Of God

7. The Remembering

8. The Ancient

9. Ritual

10. Dance Of The Dawn (Extended Version of 'The Revealing Science Of God')

ORIGINAL STEREO MIXES - Flat Transfer from Original Master - LPCM Stereo 24/192

11. The Revealing Science Of God (Stereo Mix)

12. The Remembering (Stereo Mix)

13. The Ancient (Stereo Mix)

14. Ritual (Stereo Mix)

BLU RAY Exclusives:

ALTERNATE TAKES - LPCM Stereo 24/96

15. Dance Of The Dawn (Studio Run-Through)

16. High The Memory (Studio Run-Through)

17. Giants Under The Sun (Studio Run-Through)

18. Ritual (Live, Zurich, April 1974)

SINGLE EDITS - LPCM Stereo 24/96

19. The Revealing Science Of God (Single Edit)

20. The Remembering (Single Edit)

21. The Ancient (Single Edit)

22. Ritual (Single Edit I)

23. Ritual (Single Edit II)

2016 STEREO INSTRUMENTAL MIXES - LPCM Stereo 24/96

24. The Revealing Science Of God

25. The Remembering

26. The Ancient

27. Ritual

28. Dance Of The Dawn (Extended Version of 'The Revealing Science Of God')

VINYL TRANSFERS - UK Needle-Drop Transfer - LPCM Stereo 24/96

29. The Revealing Science Of God

30. The Remembering

31. The Ancient

32. Ritual

US BANDED PROMO Needle-Drop Transfer - LPCM Stereo 24/96

33. The Revealing Science Of God

34. The Remembering

35. The Ancient

36. Ritual

For such a prestigious release - I was expecting visual fireworks - but the outer box slipcase has the Roger Dean painting front cover artwork only and nothing on the rear - no details of any kind. Both the gatefold 2-disc cardholders are identical - even the booklet has the same artwork. Inside each card sleeve are the four discs - but they're housed in blank black card inners without any track details (they’re only in booklet). Where's the alternate Roger Dean artwork for the second card gatefold - or how about making the card inners interesting with tour posters - magazine advert campaigns - tape boxes - even the original Atlantic LP labels.

The first gatefold card sleeve with Disc 1 and 2 in it has the beautiful inner gatefold of the original 1973 double but the lyrics and explanations of the songwriting are barely readable and not featured in larger form in the booklet. The second card sleeve with Discs 3 and 4 has at least a live shot on the band on the inner gatefold and different RD artwork on the CD label - but that's it. The oversized 20-page booklet is a pleasant enough affair but large parts of it are taken up with just tracks-lists. Pages 2 and 3 show Steve Howe standing beside the massive American billboard advert for 'Tales From Topographic Oceans on Atlantic Records & Tapes' - but I've seen it before.

On the upside there's a nice collage of concert tickets - rare label variants from around the world peppering the text – shots of their stage show from the American tour and of course Steve Wilson's copious notes on the Audio Sources and how to get the best out of the BLU RAY's massive storage capacity. The SID SMITH liner notes (penned July 2016) are suitably informational and smartly written - but with all that visual repetition there's simply no oomph to the entire package - and not using alternate Roger Dean artwork somewhere seems like a very badly missed opportunity. I do like the BLU RAY menu that opens with the album cover in black and white that then slowly morphs into glorious colour on my 55" tele with the Roger Dean 'YES' logo finally appearing as if by magic beneath the 'Topographic' LP title. And the choices within the three principal selections (2016 Mixes, Original Mixes and Audio Extras) are bewildering if not massively repetitive.

But at least all that underwhelming distaste pales when you actually play the albums – the new 2016 Stereo Mixes by Steve Wilson churning up details and clarity everywhere. I remember playing this dense 2LP beastie side to side back in the day – my poor worried parents concerned for their boy's sanity amidst all those synths and layered vocals and Sanskrit lyrics and his endless gawking at the encapsulated colour photos on the inner gatefold (more clouds - yum yum). Slagged off and beloved in equal measure – I've always thought of "Tales..." as breathtaking in its reach and this reissue only rams that home even more. That huge Wakeman synth solo during "The Revealing Science Of God" – the sheer prettiness of Side 2's opening passage as they sing of '...velvet sailors...' and '...moments that start to linger...' - the adventurous percussive Side 3 with rattling cymbals and those manic rhythms where Howe's guitar does a Japanese hula-hula dance on your speakers - ending in my favourite part - the brilliant and varied "Ritual" - Squire making his Bass heard above all that Mellotron and that genius break into percussive chanting and then dancing - 'Nous Somme Du Soleil' indeed.

I hadn't expected much from the 'Studio Run-Through' Alternatives or a live version of "Ritual" - but how wrong can you be. When Howe goes into that solo at the end of "Ritual" he's ripping up and down the frets like a demented Robert Fripp and then it changes into that bizarre percussive section that sounds vaguely Chinese - in the live environment - it's explosive stuff and the band’s playing virtuosity a thing of genuine wonder.

When I worked in Reckless Records in Soho – even the album’s name would engender giggles and sighs of disbelief. The young ones would look at me corkscrewed when I told them of its lofty chart position – is he mad? Yes's "Tales From Topographic Oceans" went No. 1 in the UK on release in December 1973 and achieved No. 6 in the USA - incredible for such a challenging double and a music-form referred to as naff only two years later.

Time has proven the public right – and Steven Wilson has done this YES music a powerful justice. I just wish I wasn’t so nonplussed by the visuals for something I loved so much (docked a star for that). Over to you...

"Fire And Water" by FREE (2016 Island Remasters CD - Andy Pearce/Matt Wortham Remaster) - A Review by Mark Barry...

"... Let’s Raise The Parking Rate..."

There are few Classic Seventies Rock fans that don't worship at the unfussy feet of ILPS 9120. But it's another decade, so we get another version with yet another sound – and despite its niggling flaws – what a barnstormer this 2016 reissue is.

FREE fans will know that the October 2001 and February 2002 CD reissue campaign of all seven of their albums (six studio and one live) came with great Peter Mew remasters, decent bonus tracks and expanded booklets to match - and were mid-price at the time. Then fans were hit with the motherlode – the 18 March 2008 2CD 'Deluxe Edition' set of "Fire And Water" on Universal/Island 5306090 (Barcode 600753060902) with copious amounts of bonus cuts, previously unreleased material, tasty presentation and fab sound. There has been Japanese SHM-CD variants since and a recent beautiful Half-Speed Remaster on VINYL done at Abbey Road in 2016.

But here we are in September 2016 with another CD reissue campaign of all seven albums accompanied by an eight - the "The Free Story" compilation (a 2LP set onto 1CD). Unfortunately these new 2016 single-disc versions strip away those brilliant bonuses entirely and unwisely substitute the hugely informative liner notes of the 2001 and 2002 issues for booklets with only band photos. Essentially for "Fire And Water" and we’re back to a straightforward transfer of the 7-track 1970 LP as is – but is another purchase necessary? I'd argue its 'essential'.

Despite the neutering of bonuses and the information-less booklet and even the sloppy wrong-order of tracks on the rear inlay (see photos below) – this new 2016 reissue offers us one genuinely worthy consolation prize – a new 2016 ANDY PEARCE and an uncredited MATT WORTHAM Remaster that breathes wonderful naturalistic vitality back into the album.

On buying and reviewing the underrated "Highway", "Free At Last" and "Heartbreaker" CDs in this 2016 reissue cluster and loving their audio – I splashed out on more and the results are equally magical. In fact I'd say that "Fire And Water" here has had more real work done on it than ever before and fans will need this in their homes. Also with most of the eight being offered on Amazon at less than five pounds including P&P – you can of course argue that the price is right - and with their generic 'Island Remasters' see-through side panelling on the jewel case – they look good too. Here are the details for Mr. Big and his great big hole in the ground...

UK released Friday, 9 September 2016 - "Fire And Water" by FREE on Universal/Island Remasters 473 187-4 (Barcode 602547318749) is a straightforward CD Remaster of the 7-track 1970 UK LP and plays out as follows (35:43 minutes):

1. Fire And Water

2. Oh I Wept

3. Remember

4. Heavy Load

5. Mr. Big [Side 2]

6. Don’t Say You Love Me

7. All Right Now

Tracks 1 to 7 are their 3rd studio album "Fire And Water" - released 26 June 1970 in the UK on Island Records ILPS 9120 and August 1970 in the USA on A&M Records SP-4268. Produced by FREE and JOHN KELLY (Engineered by ROY ROGER) - it peaked at No. 2 on the UK LP charts and No. 17 in the USA.

The six missing bonus tracks on the October 2001 Island Remasters IMCD 284 (Barcode 731458622727) version are: "Oh I Wept (Alternate Vocal Take)" from the "Bumpers" 2LP Island Sampler, "Fire And Water (New Stereo Mix)", " Fire And Water (BBC Session)", "All Right Now (BBC Session)", "All Right Now (Single Version)" and "All Right Now (First Version)". As you can see from this list of missing extras - your loss is considerable – most of these bonus tracks adding huge punch to the overall vibe of the 2001 reissue.

The new booklet is 16-pages and shows an 8-Track Tape-Box photo of their most famous song 'All Right Now' on Page 2 (dated 8 March 1970) as well as other black and white photos of the band and the lyrics to the songs (which is new and welcome). Even without any album release info or background details (not even a catalogue number) – its actually the prettiest of the booklets I've seen so far. Beneath the see-through CD tray are pictures of the seven reissued albums with the eight being "The Free Story" double-album compilation from 1974 (for catalogue numbers see notes below) and the CD label repro's the UK Pink 'I' Label logo design of Island Records in early 1970. There's no liner notes giving history, details etc. and the track list for the album on the rear inlay is sloppily in the wrong order (the booklet is right).

But a fabulous new master from ANDY PEARCE and an uncredited MATT WORTHAM – who did such great work on Pentangle, Frankie Miller, Thin Lizzy, Wishbone Ash, the 2012 Rory Gallagher CD remasters and most recently the 2016 Budgie 3CD Box Set and the new 'Deluxe Editions' of the Emerson, Lake & Palmer Island catalogue (see reviews for them all) - resoundingly compensates for all of that distasteful compromise.

I've had the October 2001 single-disc Remaster and the March 2008 Deluxe Edition 2CD Reissues for years now – both of which rock – but this new September 2016 single-disc version is an entirely different aural beast. There's suddenly staggering naturality and presence to the whole LP. Pearce and Wortham let things breathe (it's a trademark of their work) – and this notoriously lo-fi recording which was apparently rejected by Island's Chris Blackwell on first hearing – has always been a brute to get right. In a recent interview with Andy Pearce on the old dog and bone – I've learned than he and Wortham (both huge fans of the band) spent more hours with “Fire And Water” than any of the others and are proud of the outcome (even if Universal forgot to credit Wortham in the booklet - a fact they're trying to rectify on the second run). The results are powerful to say the least. Their version is muscular and meaty. This is not loudness for loudness sake – not shrill so to speak – just in your face – huge power and presence - like an original tape should be. In short this CD sounds fabulous. On to the music...

Prepped by the edited single of "All Right Now" in May 1970 which raced up to number 2 in the British charts (Island WIP 6082) - the vinyl album delivered what the public seemed to already know - here was a truly great British Rock band hitting its stride. And while Lead Singer PAUL RODGERS and Guitarist PAUL KOSSOFF always pull the plaudits – both SIMON KIRKE the Drummer and especially the Bassist ANDY FRASER added so much to the mix too. Andy Fraser was only 18 at the time and along with Rodgers they co-wrote five of the sevens songs - "Fire And Water", "Remember", "Heavy Load", "Don’t Say You Love Me" and of course the mighty slayer "All Right Now". Kossoff co-wrote "Oh I Wept" with Rodgers and Fraser also had a part in the fabulous "Mr. Big" as it was written by all four.

The simplicity of "Fire And Water" is still touching somehow – barely any credits – no inner sleeve – just the basic cover and the music. The rear sleeve of the American LP on A&M Records (Tan Label) simply referred to the big hit single as "All Right Now" (5:32 minutes) - but the British album had been preceded by a truncated 7" single in May 1970 with the instrumental "Mouthful Of Grass" from their 2nd album "Free" as its B-side (superb two-sider if ever there was one) - so they called it '(Long version)' on the original Island LP sleeves so that fans would know there was a difference between the LP cut and the 45.

It opens with "Fire And Water" where the elements have apparently '...made you their daughter...' and immediately you're struck by the power of the band. The remaster is fantastic – FREE in your living room – drums and guitars - all hairy and wearing unbuttoned shirts as they leer at your worryingly interested underage daughter. The surprisingly lovely "Oh I Wept" feels incredibly clean - that strummed guitar and gently patted high-hat followed by Fraser's clear-as-a-bell Bass - a wonderful job done. "Remember" still has that slightly odd guitar arrangement with the riff upfront and the licks in the background - it's clearer as Rodgers sings '...wish I had you near me...' like he's already pining for a less cluttered life. "Heavy Load" closes Side 1 on an 'ancient song' where the Piano features strongly - adding a Soulfulness to Free's brand of 'rawk'.

Side 2 is perfection to me - only three tracks - but each an absolute balls-to-the-wall winner. "Mr. Big" has Rodgers warning a potential suitor of his girl to watch out no matter what his connections are. The thud of that opening Drum followed by superb Kossoff Guitar and Fraser's wickedly effective Bass run make "Mr. Big" feel the single that should have followed "All Right Now". The Bass is incredible in the Remaster - dominating your speaker cones throughout even as Kossoff sails off into that drawn-notes solo before the big chiming build-up. Surely they're best ballad - "Don't Say You Love Me" is unfortunately still smitten with heavy amounts of tape hiss which I noticed was dampened for the 2008 version. Here its way more obvious but does sound warmer as the band kicks in around 1:30 minutes. And what can you say about their signature song "All Right Now" - it comes roaring out of your speakers here like it was recorded yesterday and not 46 years ago. This transfer alone should sooth the savage naysayers - well done Remaster boys...

Across the seven new 2016 reissues we probably loose thirty to thirty-five genuinely cool bonus tracks of old and all that enlightening info in the booklets too - so buying their catalogue yet again may become a chore for some fans. But they’re cheap at a fiver and we do gain fabulous new audio - and for many that's probably going to be the deciding factor.

"Fire And Water" is back with a bang - and how good is it to hear FREE sound so awesome again after all these decades...

PS: FREE titles in the 9 Sept 2016 Island Remasters CD Reissue Series are:

1. Tons Of Sobs (March 1969 debut UK LP) - Island Remasters 473 181-5 (Barcode 602547318152)

2. Free (October 1969 UK LP) - Island Remasters 473 187-1 (Barcode 602547318718)

3. Fire And Water (June 1970 UK LP) - Island Remasters 473 187-4 (Barcode 602547318749)

4. Highway (December 1970 UK LP) - Island Remasters 473 181-9 (Barcode 602547318190)

5. Free Live! (June 1971 UK LP) - Island Remasters 473 187-6 (Barcode 602547318763)

6. Free At Last (June 1972 UK LP) - Island Remasters 473 183-9 (Barcode 602547318398)

7. Heartbreaker (January 1973 UK Final Studio LP) - Island Remasters 473 182-6 (Barcode 602547318268)

8. The Free Story (March 1974 UK 2LP Compilation) - Island Remasters 472 262-9 (Barcode 602547326294)

There is also a VINYL Box Set "FREE - The Vinyl Collection" on Universal/Island 473 187-9 released 9 September 2016 with seven LPs (Barcode 0602547318794)

PPS: Amazon have typically lumped the 2001, 2008 and 2016 issues into the same review and it would appear - the same product entry – even though they’ve three distinct barcodes and prices. Even if you use the correct Barcode 602547318268 for the 2016 single-disc reissue it will bring you to the 2008 2CD Deluxe Edition entry. So if you're specifically after the 2016 reissue with its different remaster - ask the supplier you're buying from what version it is they're selling. If you’re just buying the Amazon Store issue for £4.99 – it will always be the 2016 7-Track remaster you receive...

"Aladdin Sane: 40th Anniversary Edition" by DAVID BOWIE (April 2013 UK EMI CD '40th Anniversary Ediition' Reissue with Ray Staff, Kevin Reeve and Jo Blair Remasters) - A Review by Mark Barry...

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"...He Screams And He Bawls…"

Bowie fans have had their fair share of reissue rehashes - 'Anniversary' markers on Seventies Classics that crassly milk an endless reservoir of affection. Yawns and sighs can only have greeted the announcement of yet another. But that is until you actually 'hear' this astonishing 2013 audio overhaul.

Hot on the heels of a 20th and 30th Anniversary CD remaster of Bowie's "Aladdin Sane" (both with bonus tracks) - here comes a straightforward transfer of the 1973 LP in April 2013 as a '40th Anniversary' reissue (41:47 minutes). This time it's been done in conjunction with David Bowie.com and remaster engineer RAY STAFF - assisted by Kevin Reeve and Jo Blair who co-ordinated the project for EMI. Kevin Reeve is a name familiar to me - his credentials have popped up many times when I'm trawling for quality remasters. Reeve has in fact done large swathes of much-praised reissues for Universal (see my Tag for their "Originals" series). But the aural hero this time is one RAY STAFF - who needs to be put on DB's staff retainer-list right away. What a job he's done. His name was always Buddy and here are the painted-face details...

1. Watch That Man

2. Aladdin Sane (1913-1938-19??)

3. Drive-In Saturday

4. Panic In Detroit

5. Cracked Actor

6. Time

7. The Prettiest Star

8. Let’s Spend The Night Together

9. The Jean Genie

10. Lady grinning Soul

Released on CD April 2013 - "Aladdin Sane: 40th Anniversary Edition" by DAVID BOWIE is on EMI DBAS 40 (Barcode 5099993447423) and reproduces the April 1973 UK/USA vinyl LP packaging of RCA Records RS 1001. The 5" gatefold repro card cover even goes as far as the inner lyric sleeve - and a very nice touch indeed is a tiny facsimile of the rare I Love You David Fan-Club Invite that came with original copies of the LP (a 55p postal order and fandom was yours). Even the CD label reflects the original yellow RCA Records label. It's tastefully done. But the real fireworks comes with the stunning remaster...

The second you play the opening song "Watch That Man" - this sonic overhaul makes mincemeat of those that went before. But it's not until you hear the fabulous piano playing of MIKE GARSON on "Aladdin Sane (1913-1938-197?)" that your jaw drops. As others have commented - it feels like he's in the room - it's a true audio revelation. Bowie then gets vaudeville funky with Twig The Wonder Kid on "Drive In Saturday" while the wonderful MICK RONSON gives us some Glam Rock swagger guitar on "Panic In Detroit" (T.J. Bolder's Bass is so clear too).

The lyrics of "Time" still have the power to shock - as does the superb melody of the "Lie Lie Lie" sing-a-long chorus. Once again Ronson's guitar leaps out at you on "The Prettiest Star". And I cannot get enough of Bowie's fantastic remake of The Rolling Stones "Let's Spend The Night Together" - a rollicking guitar fest - and just what the album needed at that point on Side 2 ("...our love comes

Bowie fans have had their fair share of reissue rehashes - 'Anniversary' markers on Seventies Classics that crassly milk an endless reservoir of affection. Yawns and sighs can only have greeted the announcement of yet another. But that is until you actually 'hear' this astonishing 2013 audio overhaul.

Hot on the heels of a 20th and 30th Anniversary CD remaster of Bowie's "Aladdin Sane" (both with bonus tracks) - here comes a straightforward transfer of the 1973 LP in April 2013 as a '40th Anniversary' reissue (41:47 minutes). This time it's been done in conjunction with David Bowie.com and remaster engineer RAY STAFF - assisted by Kevin Reeve and Jo Blair who co-ordinated the project for EMI. Kevin Reeve is a name familiar to me - his credentials have popped up many times when I'm trawling for quality remasters. Reeve has in fact done large swathes of much-praised reissues for Universal (see my Tag for their "Originals" series). But the aural hero this time is one RAY STAFF - who needs to be put on DB's staff retainer-list right away. What a job he's done. His name was always Buddy and here are the painted-face details...

1. Watch That Man

2. Aladdin Sane (1913-1938-19??)

3. Drive-In Saturday

4. Panic In Detroit

5. Cracked Actor

6. Time

7. The Prettiest Star

8. Let’s Spend The Night Together

9. The Jean Genie

10. Lady grinning Soul

Released on CD April 2013 - "Aladdin Sane: 40th Anniversary Edition" by DAVID BOWIE is on EMI DBAS 40 (Barcode 5099993447423) and reproduces the April 1973 UK/USA vinyl LP packaging of RCA Records RS 1001. The 5" gatefold repro card cover even goes as far as the inner lyric sleeve - and a very nice touch indeed is a tiny facsimile of the rare I Love You David Fan-Club Invite that came with original copies of the LP (a 55p postal order and fandom was yours). Even the CD label reflects the original yellow RCA Records label. It's tastefully done. But the real fireworks comes with the stunning remaster...

The second you play the opening song "Watch That Man" - this sonic overhaul makes mincemeat of those that went before. But it's not until you hear the fabulous piano playing of MIKE GARSON on "Aladdin Sane (1913-1938-197?)" that your jaw drops. As others have commented - it feels like he's in the room - it's a true audio revelation. Bowie then gets vaudeville funky with Twig The Wonder Kid on "Drive In Saturday" while the wonderful MICK RONSON gives us some Glam Rock swagger guitar on "Panic In Detroit" (T.J. Bolder's Bass is so clear too).

The lyrics of "Time" still have the power to shock - as does the superb melody of the "Lie Lie Lie" sing-a-long chorus. Once again Ronson's guitar leaps out at you on "The Prettiest Star". And I cannot get enough of Bowie's fantastic remake of The Rolling Stones "Let's Spend The Night Together" - a rollicking guitar fest - and just what the album needed at that point on Side 2 ("...our love comes from above..."). Thinking it can't get any better - it does - "The Jean Genie" is still a huge fan favourite to this day. It ends on more piano clarity on "Lady Grinning Soul".

In the same way that STEVE WILSON has revitalised the JETHRO TULL and YES catalogues - I'm pretty certain Bowie fans want this nice RAY STAFF geezer set loose on those other nuggets. Let's hope we don't have to wait another bloody decade to see his catalogue finally be given the respect it so obviously deserves...

from above..."). Thinking it can't get any better - it does - "The Jean Genie" is still a huge fan favourite to this day. It ends on more piano clarity on "Lady Grinning Soul".

In the same way that STEVE WILSON has revitalised the JETHRO TULL and YES catalogues - I'm pretty certain Bowie fans want this nice RAY STAFF geezer set loose on those other nuggets. Let's hope we don't have to wait another bloody decade to see his catalogue finally be given the respect it so obviously deserves...