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Sunday, 2 October 2011

"The Dark Side Of The Moon" by PINK FLOYD (September 2011 UK EMI 'Discovery Edition' 1CD Reissue and Remaster) - A Review by Mark Barry...




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"…All That You Love…All That You Hate…”

I've reviewed the 2011 remasters of Pink Floyd's "Meddle" (1971), "Obscured By Clouds" (1972) and "Wish You Were Here" (1975) - all three are sonically amazing but hugely disappointing on the packaging front (miniscule booklets that exclude original details and don't expand your knowledge a jot). Its pretty much an identical story here...

The vinyl LP "The Dark Side Of The Moon" by PINK FLOYD was originally released 10 March 1973 on Harvest SMAS-11163 in the USA and 24 March 1973 in the UK on Harvest Records SHVL 804.

This 26 September 2011 single-disc version (released 27 Sep 2011 in the USA) on EMI 50999 028955 2 9 (Barcode 5099902895529) is a straightforward 10-track remaster of that Number 1 studio album. 

A 2CD 'Experience' Edition and a 6-Disc 'Immersion' Box Set are also released Monday 26 September 2011 (see separate entries for details). This single-disc 'Discovery' reissue comes in a gatefold card sleeve with a newly laid-out 12-page inlay inside (total playing time 42:59 minutes).

1. Speak To Me
2. Breathe
3. On The Run
4. Time
5. The Great Gig In The Sky
6. Money [Side 2]
7. Us And Them
8. Any Colour You Like It
9. Brain Damage
10. Eclipse
[Note: original copies of the vinyl LP famously came with 2 posters, 2 stickers and a titled 'Pink Floyd The Dark Side Of The Moon' sticker on the front - this new issue doesn't feature any of these original items, but instead simply uses the now familiar untitled ‘prism' artwork]

JAMES GUTHRIE and JOEL PLANTE at the Das Boot Recording Studios in Tahoe in California handled all the PINK FLOYD albums in this 14-title reissue series – including "The Dark Side Of The Moon" (Guthrie is a Sound Engineer associated with the band since 1978). The original 1st generation master tapes have obviously been given a thorough going over because it truly feels like each segment has had a staggering amount of time spent on them - worrying out every single nuance possible. The audio result is truly impressive.

God knows how many times this 'cash cow' of an album has been reissued on CD - and yet another version will probably make even the most die-hard of fans yawn and even feel a little angry. But - outside of the amazing SACD version of 2003 - this new 2011 'Discovery' edition is absolutely the best it's ever going to be for those of us with a lesser budget. The now famous opening heart-beat and 'loony' voices of "Speak To Me" sound extraordinary - which in turn lead into the sonic wall of "Breathe (In The Air)" - and it's a WOW. The remaster hasn't dampened anything or over-amplified it for the sake of volume (the dreaded loudness wars so many talk of) - it's just 'there' - all the instruments present and swirling around your speakers in superlative clarity. 

And while "Time", "Money" and the lovely "Us And Them" were always going to be audio wonderland with their myriad effects and top-drawer Alan Parsons’s production values - it's the last track on Side 1 that impresses the most. The truly gorgeous and innovative "The Great Gig In The Sky" is on the 'Immersion' mega box set in its original bare-bones state - later beefed up with the incredible Acapella Vocal of CLARE TORRY - and what a smart move that was. Even in its very quiet opening and ending passages - it sounds BEAUTIFUL - and not for the first time brought a tear to a weary eye. I also love the "Any Colour You Like" instrumental on Side 2 (some DJs have been mixing it in with Dance and Funk 12" in their sets) and by the time "Eclipse" finishes this concept of concept albums (lyrics above) - it's very hard not to be impressed at the work Guthrie and Plante have done here. 

I wish I could say the same for the staggeringly unimaginative packaging. The 'Pink Floyd' logo you see in all the photos advertising these new reissues turns out to be a sticker on the outer shrink-wrap that gets lost the second you unpeel it. The card sleeves are like The Beatles 09/09/09 EMI reissues - glossy and flimsy - so they smudge with finger prints the second you open them and are easy to bend and crease. The CD itself has the new generic artwork (the sticker design on the outer packaging) repeated in different colour variations throughout the series - a sort of Turquoise and Pale Green for "Meddle", a garish Red and Pink for "Obscured By Clouds", Blue and Green for "Wish You Were Here" and here - Black And Grey for "Dark Side..." But where's the beautiful band poster, the two Hipgnosis-designed stickers, the deep blue triangle/prism Harvest label of the English LP? This ludicrous new design has no relevance to the original and speaking of the disc itself - there's no protective gauze sleeve for the CD either so it will scuff on repeated plays. The inner glossy gatefold could easily have featured these - instead we get two useless sepia-tinted pictures of the pyramids - how imaginative...

But the skimpy booklet is the biggest disappointment. It has the lyrics of the original album (which were on the inner gatefold) reset in the new booklet against a background of god-awful Storm Thorgerson images. Of the millions of words written about this most famous of rock records, there isn't even a history on the album. There's no pictures of European and Worldwide 7" sleeves for "Money" and "Time" (singles lifted off the album), no pictures of the band, no 7" edit versions etc - naught to get your teeth into. OK - it does look nice and does the job adequately - but that's all. It's a lazy-assed approach on behalf of EMI and undermines the sterling work done on the sound front. I hate to come across like some nick-picking fanboy here, but it would have been nice to actually 'discover' something on this so-called 'Discovery' version (docked a star for that).

To sum up - the remaster is gobsmacking - a stone five stars - but sadly we get mediocre presentation that completely undermines the original power of the vinyl album when you got it in your hands all those decades ago. Still - with the truly beautiful sonic upgrade thrown in - the casual listener is advised to dig in, rediscover and enjoy.

Despite my gripes about presentation - "Meddle", "Obscured By Clouds" and the wonderful "Wish You Were Here" should be your next port of call. I suspect many music lovers will feel exactly the same...

PS: fans of memorabilia should note that for this launch - HMV London is giving away a titled banded-envelope containing 6 colour postcards in the same style as the one in the original "Wish You Were Here" LP (girl diving into a lake) for customers who purchase 2 titles in this reissue campaign. They're gorgeous and will probably become future collectables.

PS: fans of memorabilia should note that for this launch - HMV London is giving away a titled banded-envelope containing 6 colour postcards in the same style as the one in the original "Wish You Were Here" LP (girl diving into a lake) for customers who purchase 2 titles in this reissue campaign. They’re gorgeous and will probably become future collectables.

Thursday, 29 September 2011

"Wish You Were Here" by PINK FLOYD - September 1975 UK LP on Harvest (September 2011 EMI Reissue and Remaster and January 2016 Pink Floyd Records Reissue) - A Review by Mark Barry...




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"…Lost Souls Swimming In A Fish Bowl…"

I've reviewed the 2011 remasters of Pink Floyd's "Meddle" (1971), "Obscured By Clouds" (1972) and "The Dark Side Of The Moon" (1973) – all of which are sonically amazing - but hugely disappointing on the packaging front (miniscule booklets that exclude original details and don’t expand your knowledge a jot). It's pretty much an identical story here. But let's get to the details first...

1. Shine On You Crazy Diamond (Parts 1 to 5) [Side 1]
2. Welcome To The Machine
3. Have A Cigar [Side 2]
4. Wish You Were Here
5. Shine On You Crazy Diamond (Parts 6 to 9)
The LP "Wish You Were Here" was originally released 12 September 1975 on Columbia Records PC 33453 in the USA and 15 September 1975 on Harvest Records SHVL 814 in the UK.

This 26 September 2011 single-disc version (released 27 Sep 2011 in the USA) on EMI 50999 028945 2 2 is a straightforward 5-track remaster of that studio album. 

A 2CD 'Experience' Edition and a 6-Disc 'Immersion' Box Set both arrive on 7 November 2011 (see images below). 

This single-disc 'Discovery' reissue comes in a gatefold card sleeve with a newly laid-out 12-page inlay inside (total playing time 44:18 minutes).
[Note: original UK copies of the vinyl LP came in a 'black' shrink-wrap with a centered circular 'clasping-hands' sticker obscuring the cover underneath (US issues had 'blue' shrink-wrap). This new issue doesn’t feature either of those, but instead simply uses the now familiar artwork underneath - two men shaking hands (one of them on fire).]

Like all the other albums in this 14-title reissue series - JAMES GUTHRIE and JOEL PLANTE have remastered "Wish You Were Here" at the Das Boot Recording Studios in Tahoe in California (Guthrie is a Sound Engineer associated with the band since 1978). The original 1st generation master tapes have obviously been given a thorough going over because it truly feels like each segment has had a staggering amount of time spent on them - worrying out every single nuance possible. The audio result is truly impressive.

On original 1975 vinyl and even later Audiophile represses, this most loved of their albums has always been a sonic disappointment – and frankly the 1994 remastered CD wasn’t a whole lot better either. That’s no longer the case. Little will prepare fans for "Have A Cigar" (sung by fellow Harvest Records label mate Roy Harper) and "Wish You Were Here" (the two opening tracks on Side 2). The funky keyboards and choppy guitars of "Have…" are unbelievably clear – huge in your speakers - while David Gilmour's acoustic guitar lead that comes in at about 1:10 minutes on "Wish…" is simply gorgeous (lyrics above).

The power of the synths on "Welcome To The Machine" still thrills, but the album's centerpiece has always been the 9-part "Shine On You Crazy Diamond" which is spread across both sides of the album (Parts 1-5 opening Side One, Parts 6-9 ending Side 2). Suddenly it's as if a fog has been lifted off the recordings – by the time it hits Dick Parry’s astonishing sax solo at 11:10 minutes – I'll admit to having the same chills I had when I first heard it - all those innocent years ago. Another surprise is how good Parts 8 and 9 on Side 2 are – superb keyboard work from Rick Wright and often forgotten in favour of the more famous Parts 1 to 5 on Side 1. It's an impressive remaster, it really is – Guthrie and Plante are to be praised for their work here.

I wish I could say the same for the staggeringly unimaginative packaging. The 'Pink Floyd' logo you see in all the photos advertising these new reissues turns out to be a sticker on the outer shrink-wrap that gets lost the second you unpeel it. The card sleeves are like The Beatles 09/09/09 EMI reissues - glossy and flimsy - so they smudge with finger prints the second you open them and are easy to bend and crease. The CD itself has the new generic artwork (the sticker design on the outer packaging) repeated in different colour variations throughout the series - a sort of Turquoise and Pale Green for "Meddle", a garish Red and Pink for "Obscured By Clouds", Black and Gray for "Dark Side…" and for "Wish You Were Here" we get Blue and Green. But where is the beautifully designed sticker that graced original album sleeves on both sides of the pond - or the superb logo on the original label? This ludicrous new design has no relevance to the original and speaking of the disc itself - there’s no protective gauze sleeve for the CD either so it will scuff on repeated plays. They’ve put the postcard that came with original albums as a centre-spread in the booklet instead of printing it separately – one of the biggest bands in the world and we get this cheapo shit…

But the skimpy booklet is the biggest disappointment. Although it has the lyrics (like this is a major improvement) it seems little different to the 1994 issue. It has no history on the album (it was about Syd Barrett and the music industry), no pictures of European and Worldwide 7" sleeves for "Have A Cigar" (the single lifted off the album), the different US album artwork etc. There are a few pictures of the band in the studio; the gatefold has the man swimming through sand (newish), but naught else to get your teeth into. OK - it does look nice and does the job adequately - but that's all. It's a lazy-assed approach on behalf of EMI and undermines the sterling work done on the sound front. I hate to come across like some nick-picking fan boy here, but it would have been nice to actually 'discover' something on this so-called 'Discovery' version (docked a star for that). And the superb 17:32 minute Parts 1 to 7 'Edit' of "Shine On You Crazy Diamond" on the 2001 2CD Best of "Echoes" is A.W.O.L. too. 

To sum up – I’m thrilled to say we finally get five-star sound for this truly unique album, but sadly only 3-star presentation in my book. Still - with the truly beautiful sonic upgrade - the casual listener is advised to dig in, rediscover and enjoy...

Die-hard fans however might want to wait for the Japanese Editions that will inevitably arrive in 2012 on the far superior SHM-CD format (a better make of CD playable on all players). With their faithfully reproduced artwork and audiophile reproduction - they may give your bank manager a cold sweat - but they will absolutely be the ones to get if the best is all you'll accept. 

On hearing this - "Meddle", "Obscured By Clouds" and the magnum opus that is "The Dark Side Of The Moon " should be your next port of call. I suspect many will feel exactly the same...

PS: fans of memorabilia should note that for this launch - HMV London is giving away a titled banded-envelope containing 6 colour postcards in the same style as the one in the original LP (a girl diving into a lake) for customers who purchase 2 titles in this reissue campaign. They’re gorgeous and will probably become future collectables.


2CD VERSION
IMMERSION BOX MULTIPLE ITEMS VERSION 

Tuesday, 27 September 2011

"Meddle" by PINK FLOYD. A Review Of The 1971 Studio Album Now Reissued and Remastered Onto CD In 2011.


PINK FLOYD is part of my Series "SOUNDS GOOD: Exceptional CD Remasters 1970s Rock And Pop" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

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"…I’ll Climb That Hill In My Own Way…"

I’ve just come from reviewing the 2011 remaster of Pink Floyd's "Obscured By Clouds" (the album that followed “Meddle” in June 1972) - which is sonically amazing - but is also disappointingly skimpy on the packaging front (a miniscule 8-page booklet). It’s pretty much an identical story here. But to the details first...

Released 30 October 1971 on Harvest Records SMAS-832 in the USA and 13 November 1971 in the UK on Harvest Records SHVL 795 - original UK copies of the vinyl LP came in an untitled textured gatefold sleeve. American issues were titled and featured reversed artwork on a hard-card sleeve – the back of the UK cover put on the front. This 26 September 2011 version (27 Sep 2011 in the USA) on EMI 50999 028942 2 5 is a straightforward 6-track remaster of that studio album and comes in a gatefold card sleeve (using UK artwork) with a 12-page colour inlay inside (total playing time 48:51 minutes).

Like all the other albums in this 14-title reissue series - "Meddle" has been mastered by JAMES GUTHRIE and JOEL PLANTE at the Das Boot Recording Studios in Tahoe in California (Guthrie is a Sound Engineer associated with the band since 1978). The original 1st generation master tapes have obviously been given a thorough going over because it truly feels like each song has had a staggering amount of time spent on them worrying out every single nuance possible. The audio result is truly impressive.

On the 1995 remaster the six-minute opener "One Of These Days" took ages to arrive and even when it did it was somehow dull and lacklustre. How things have changed – when the huge synth riff kicks in about 2:50 on this 2011 version – the sound is incredibly clear - allowing you to hear crashes and bangs going on in the background that I’ve never heard before. Then the sort of Piltdown Man voice says "One Of These Days I'm Gonna Cut You Into Little Pieces…" and all Hell breaks loose – Gilmour's guitar indeed sounding like a musical chainsaw. It's revelatory genius and in that uniquely peculiar Pink Floyd kind of a way.

But even that is trumped by the awesome clarity of the forgotten and hugely underrated "A Pillow Of Winds". Put simply - it sounds 'beautiful'. The jaunty "San Tropez" and the rather pointless ditty that is "Seamus" are both the same – so clear and renewed. The 23:25 minute Side 2 opus "Echoes" has hiss as it opens on sonar pings – but luckily Guthrie and Plante have allowed it to breath instead of using some no-noise dampening technique. So when the funky break takes place at about seven minutes (now being used by Dance DJs in the UK as a mix in sets) it sounds just HUGE. It’s impressive stuff, it really is.

But on this album my heart has always been with "Fearless"(issued as a B-side to "One Of These Days" in the USA and other European territories. It seems like I've waited literally 40 whole years to hear this fabulous song in such clarity. It's a genuine wow – and reminds me of a club I used to go to in Dublin called The Grove in the Seventies when they actually used this song as a 'lurch' (a slow tune). As it fades out to the Liverpool Football Club fans singing "You'll Never Walk Alone"” (a no.1 UK hit for Gerry & The Pacemakers in 1963) – I'm in floods (lyrics above).

I wish I could say the same for the staggeringly unimaginative packaging. The 'Pink Floyd' logo you see in all the photos advertising these new reissues turns out to be a sticker on the outer shrink-wrap that gets lost the second you unpeel it. The card sleeves are like The Beatles 09/09/09 EMI reissues - glossy and flimsy - so they smudge with finger prints the second you open them and are easy to bend and crease. The CD itself has new generic artwork that's repeated in different colour variations throughout the series - a sort of Turquoise and Pale Green for "Meddle", a garish Red and Pink for "Obscured By Clouds" etc. It has no relevance to the original albums whatsoever (where's the original Harvest label they've used on other reissues or the colourful inner bag?) but also has no protective gauze sleeve so it will scuff on repeated plays.

But the skimpy booklet is the biggest disappointment. Although it has the lyrics (like this is a major improvement) it seems little different to the 1995 issue. It has no history on the album, pictures of European and Worldwide 7” sleeves. Ok - it does look nice and does the job adequately - but that's all. It's a lazy-assed approach on behalf of EMI and undermines the sterling work done on the sound front. I hate to come across like some nick-picking fan boy here, but it would have been nice to actually 'discover' something on this so-called 'Discovery' version (docked a star for that). And there are no outtakes either...and man would they have worth a listen.

To sum up - five-star sound with 3-star presentation - but with an opening salvo price of less than a tenner in most stores - and the truly beautiful sonic upgrade thrown in - the casual listener is advised to dig in, rediscover and enjoy.

Die-hard fans however might want to wait for the Japanese Editions that will inevitably arrive in 2012 on the far superior SHM-CD format (a better make of CD playable on all players). With their faithfully reproduced artwork and audiophile reproduction - they may give your bank manager a cold sweat - but they will absolutely be the ones to get if the best is all you'll accept.

"Meddle" is a gem in the Pink Floyd canon and on the strength of the remaster alone - I'm going to have to buy the new "Dark Side Of The Moon " and "Wish You Were Here" versions too. I suspect many will feel exactly the same...

"Obscured By Clouds" by PINK FLOYD - June 1972 Album on Harvest Records (September 2011 UK EMI 'Disocvery Edition' CD Reissue and Remaster - and January 2016 Pink Floyd Records CD Reissue) - A Review by Mark Barry...




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"...Floating Softly On The Air..."

30 seconds into this 2011 remaster of Pink Floyd's "Obscured By Clouds" and little will prepare fans for the sonic assault that will hit them - it's incredible. Where has this sound quality been for the last 40 years? But I wish I could say the same of the truly naff and skimpy packaging. Still - to the details first...

Released 3 June 1972 in the UK on Harvest Records SHSP 4020 and 15 June 1972 on Harvest Records ST-11078 in the USA - original UK copies of the vinyl LP came in a round-cornered textured sleeve with a sticker on the front advising that it was "Music From La Vallee". The movie by French filmmaker Barbet Schroeder is about a group of young people seeking a mythical valley in Papua New Guinea which on maps is "...obscured by clouds".

1. Obscured By Clouds [Side 1]
2. When You're In
3. Burning Bridges
4. The Gold It's In The...
5. Wot's...Uh The Deal
6. Mudmen
7. Childhood's End [Side 2]
8. Free Four
9. Stay
10. Absolutely Curtains

This 26 September 2011 version (27 Sep 2011 in the USA) of "Obscured By Clouds" by PINK FLOYD on EMI 50999 028943 2 4 (Barcode 5099902894324) is a straightforward 10-track 'Discovery Edition' CD Remaster of that Soundtrack album and comes in a gatefold card sleeve with an 8-page colour inlay inside (total playing time 40:34 minutes).

Mastered by JAMES GUTHRIE and JOEL PLANTE at Das Boot Recording Studios in Tahoe in California in 2011 - the original 1st generation master tapes have been given a thorough going over (Guthrie is a Sound Engineer associated with the band since 1978). In fact - each song feels like these experts have spent a staggering amount of time worrying over every single nuance - because the audio result is truly impressive.

Highlights include the opening track "Obscured By Clouds" (the first of four instrumentals) which fades in with a synth and drum beat - and when it turns on the power at about 23 seconds - the audio is like a punch in the face - clear, warm and swirling around your speakers with amazing presence. "When You're In" is the same though this time with Gilmour's guitar to the fore. "Burning Bridges" sums up the languid feel to so many of the lyric songs - it feels like someone relaxing with a nice bottle of wine in rural France (lyrics above). The acoustic guitars of "Wot's ...Uh The Deal" are gorgeous while the clarity of "Childhood's End" has made me hear instruments I missed before (Gilmour's solo in particular comes at you with an energy it's never had before). "Mudmen" and "Absolutely Curtains" are the other two excellent instrumentals and even the hissy (but lovely) "Stay" hasn't had the air sucked out of it by some no-noise techniques - the two engineers have let it breath. It's all impressive stuff, it really is...

I wish I could say the same for the staggeringly unimaginative packaging. The 'Pink Floyd' logo you see in all the photos advertising these new reissues turns out to be a sticker on the outer shrink-wrap that gets lost the second you unpeel it. The card sleeves are like The Beatles 09/09/09 EMI reissues - glossy and flimsy - so they smudge with finger prints the second you open them and are easy to bend and crease. The CD itself has new generic artwork that's repeated in different colour variations throughout the series - a garish Red and Pink for "Obscured By Clouds", a sort of Turquoise and Pale Green for "Meddle" etc... It has no relevance to the original albums whatsoever (where's the original Harvest label they've used on other reissues or the colourful inner bag?) but also has no protective gauze sleeve so it will scuff on repeated plays.

The front artwork of the original LP is a soft-focus blurred picture of a man in a tree in the rain with the EMI/Harvest logo in the top left hand corner. This new variant drops the logo and has a darker looking picture that to my mind completely looses the aesthetic feel of the original. It just looks wrong somehow. In its favour - when opened the new gatefold shows a beautiful colour still of men on horses being greeted by natives and some other film shots background the lyrics (lead actress Bulle Ogier is on Page 3). But the skimpy booklet is a huge disappointment. Although it has the lyrics (like this is a major improvement), it has no history on the album, pictures of the band etc... 

The album produced 7" singles in the USA ("Free Four" b/w "Stay") as well as a myriad of European and Worldwide picture sleeves - but again no show. Ok - it does look nice and does the job adequately - but that's all. It's a lazy-assed approach on behalf of EMI and undermines the sterling work done on the sound front. I hate to come across like some nick-picking fan boy here, but it would have been nice to actually 'discover' something on this so-called 'Discovery' version (docked a star). And there's no outtakes nor DVD of the film either...

To sum up - we finally get five-star sound, but in skimpy 3-star presentation. Still, with the truly beautiful sonic upgrade - the casual listener is advised to dig in, rediscover and enjoy.

Die-hard fans however might want to wait for the Japanese Editions that will inevitably arrive in 2012 on the far superior SHM-CD format (a better make of CD playable on all players). With their faithfully reproduced artwork and audiophile reproduction - they may give your bank manager a cold sweat - but they will absolutely be the ones to get if the best is all you'll accept.

"Obscured By Clouds" seems to have always been the runt of the Pink Floyd litter and I've never understood this - it's a cohesive work and contains some of their most musical compositions. For such a famous band it's a weirdly overlooked album when it shouldn't be.

Hopefully this flawed reissue will draw many newcomers in. I've also just listened to "Meddle" as well and it's even more astonishing - so audio-wise neither it nor "Clouds" are obscured any more. Onwards and upwards folks...

This CD was reissued January 2016 in the same packaging on Pink Floyd Records

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