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Monday 7 April 2014

"The Bucket List" on BLU RAY – A Review Of The 2007 Rob Reiner Film...







"…Joy To Others…" - The Bucket List on BLU RAY

Car mechanic Carter Chambers (Morgan Freeman) is at the garage tinkering with a Chevrolet Camaro – cigarette in his gob like it always has been for 45 years. He smiles as his younger co-worker quizzes him on five former American Presidents whose surnames begin with H (Carter has a thing for accumulating knowledge). He of course gets their names right. But then mid explanation on the next question (which man actually invented the radio) - his Doctor phones with test results - and the cigarette that was placed between Carter’s fingers to take the call falls to the greasy floor…

Meanwhile in a courtroom far away – four-times married multi-millionaire Edward Penniman Cole (Jack Nicholson) is assimilating hospital number 16 into his privatized portfolio. Sipping his Indonesian Kopi Luwak (the most expensive coffee in the world) from a Gold mobile dispenser - he asks his puppet assistant to give the panel of trustees "the spiel…" Their financially failing Hospital needs him and no matter what their 'moral posturing' maybe - in his moneymaking medical palaces there are two beds to every room for patients (no exceptions). But in the middle of another crass speech about how he’s running a hospital and not a health spa - Edward suddenly starts to cough something into his handkerchief that isn’t phlegm…

Next both wildly different men find themselves lumped together in the same room of a Hospital Edward Cole owns. But because of bad PR – the grouchy Cole can’t get a private room to be away from “the living dead over there”. Gradually across chemo, operations, puking and diarrhoea - they become reluctant buddies of sorts. One day Edward finds a yellow jotter page on the floor on which Carter has written "The Bucket List". It’s what his former college tutor told him to write as a young man – things you want to do before you 'kick the bucket'…

Recovered momentarily and now with a diagnosis of 6 months and one year respectively – Edward persuades Carter not to go home to his Nurse wife Veronica and his three kids to be swallowed by pity and grief – but to take a shot at all the things he’s wanted to do. After all money is not a problem. And despite his wife’s misgivings – Carter knows Edward is right. It’s now or never. So they skydive, get a tattoo, drive a Mustang Shelby 360, laugh until they cry, kiss the most beautiful woman in the world, witness something majestic…and so on.

Part of the joy of "The Bucket List" is watching two acting giants given great material - let rip with it – and that’s what you get here. The chemistry and obvious respect between Freeman and Nicholson leaps off every frame and Director Rob Reiner never interferes – even when the film is being silly and a little preposterous. In fact in the first 30 or 40 minutes as they navigate the physical and mental agonies of terminal illness in a Hospital – “The Bucket List” is truly touching movie-making - with a razor-sharp script and life observations that don’t feel obvious nor too cutesy.

Even in the second-half where the story demands they do their comedy party pieces – the conversations between them on Cole’s private jet and in a luxurious hotel bathtub are filled with classy one-liners and power delivery (beautifully scripted by Justin Zackham). And it’s funny too (most of which is provided by the incomparable Jack Nicholson). By the time it gets to The Shawshank Redemption Morgan Freeman voiceover end - when a Chock-Full-Of-Nuts tin is being carried up a mountain - you’re a willing convert.

This is major Hollywood movie and the picture quality on the BLU RAY is simply glorious. Defaulted to 1.85:1 Full Aspect – the frame fills the entire screen and there isn’t a shot that doesn’t look immaculate and impressive. Even the CGI of the chat about his daughter Emily on top of the Pyramids is convincing (title above) - as is the motorbike ride on the Great Wall of China and their walks around the Taj Mahal. Audio is Dolby Digital English, French and Spanish 5.1 for each - while the Subtitles offered are English, French and Spanish.

The Extras are delightful – interviews with both leads, Director Ron Reiner, the Screenwriter, a Making of and John Mayer’s gorgeous acoustic balled "Say".

As he treks through snow keeping a promise to a man he first despised but then grew to love - Carter Chambers says of Edward Cole - "When he died…his eyes were shut...and his heart was open…"


"The Bucket List" has been a joy to re-watch on BLU RAY. Do yourself a solid – and open your bruised ticker to this modern-day nugget...

"Cadillac Records" on BLU RAY – A Review Of The 2008 Darnell Martin Film...







"…Hoochie Coochie Men (And The Occasional Woman)…" – Cadillac Records On BLU RAY

It's Summer 1941 in Chicago and a snotty 24-year old immigrant from Poland called Leonard Chess (a fantastic turn by Adrian Brody) is working in a junk yard promising his white girlfriend she’ll one day be riding around in a Cadillac once he gets his new business up and running. Leonard is going to open up a bar and club for Negro Artists to play and drink in – it will be called the Macomba Lounge. Her white father just sneers at this dreamer and his big ideas…

Meanwhile down South in Stovall, Mississippi a car drives up to a shack and two men exit – one of them is the legendary Folk Music collector for the Library of Congress Alan Lomax. The black man they’ve come to see is Morgan McKinleyfield – MUDDY WATERS (a stunning outing for Geoffrey Wright). Right there at his plywood home they record him – and for the first time Muddy Waters hears his own voice and unique slide technique. It’s all the mighty man needs – he packs his guitar case and meagre belongings and heads for the metropolis where a Blues Man can get noticed…

Quite apart from the obvious brilliance and groundbreaking nature of the music – there are three things that make "Cadillac Records" rock as a film.

First up is the extraordinary casting; not only is each character spot on - in some cases they actually seem to physically be the original singers. Geoffrey Wright gets the lion’s share as the mercurial and stunning Muddy Waters whose Blues made women go weak at the knees and men worship at his coiffeur (and gave the label the star and start it needed). There’s Cedric The Entertainer as the big burly double-bass playing genius songwriter WILLIE DIXON - who some would say was the true Hero of Chess Records ("My Babe", "I'm Your Hoochie Coochie Man", "Bring It On Home", "Help Me", "Little Red Rooster", "Wang Dang Doodle" and more – he wrote them all). There’s Mos Def as the lyrically-brilliant hit-writing CHUCK BERRY who dragged the label out of the declining Blues scene into the exploding Rock 'n' Roll era (despite his miserly ways and penchant for the younger ladies). And straight off the street at 17 years of age is the wildly volatile Columbus Short as the electrifying harmonica prodigy LITTLE WALTER (rated by many as the best harp player who ever lived). But it's England's Eamonn Walker as HOWLIN' WOLF and America's Beyoncé Knowles as ETTA JAMES that send the whole proceedings into the stratosphere. They bring both of these huge forces of nature to electrifying musical life right in front of you (Etta also gave Chess a lead into the burgeoning Sixties Soul market). Lesser-known names (but just as important) like Jimmie Rogers, Hubert Sumlin and James Cotton are all represented too.

The second aspect to the movie’s success is the music: using sympathetic Blues men like Chris Thomas King to remake the well-known classics – it gives their creation in the studio a stunning sense of new excitement. You feel those slide licks and harmonica warbles and power vocals - you feel the crowd and the band in those sweaty clubs heaving with the sound of freedom and sex.

And although it’s not historically accurate when it comes to the actual story of the label and its founder – the third winner is that Writer/Director Darnell Martin doesn’t shirk the darker side. We get graphic depictions of Muddy’s home-wrecking womanizing and spendthrift ways, Little Walter’s gun-totting murderous madness and descent into alcoholism, Etta’s stunning voice but volatile nature and eventual terrible drug habit - and even Leonard’s liberal attitude towards payola (Chuck Berry’s song-writing credits and therefore royalties were split and given to others like DJ Alan Freed).

The BLU RAY picture is lovely throughout and when the pink, blue and red Cadillacs are on screen – all shining chrome and garish paintjobs – they look good enough to lick. The Aspect Ratio is 2.35:1 so there are bars on the top and bottom of the screen – but even stretched to Full Aspect – it looks great.

Audio is English TRUEHD 5.1, Russian (VO) and Spanish. Subtitles include Arabic, Bulgarian, Croatian, Czech, Danish, Dutch, English, English For The Hard Of Hearing, Finnish, French, Greek, Hebrew, Hindi, Hungarian, Icelandic, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovene, Spanish, Swedish and Turkish.

Extras include a Full Commentary by Writer/Director Darnell Martin, Deleted Scenes, Playing Chess: The Making Of Cadillac Records, Once Upon A Blues: Cadillac Records By Design

I wholeheartedly admit that "Cadillac Records" is the kind of film that makes me cry and long for those musical giants. I’ve been collected the label’s musical legacy for over 45 years now and have reviewed large numbers of ‘Chess” compilations online.

"I'm Your Hoochie Coochie Man" was first released as a 7” single in America on Chess 1560 in 1954. It featuring Muddy Waters punching out braggart lyrics like "I got a Mojo too…I'm gonna mess with you…"

And I for one am so glad he did.

Yeah Baby Yeah!

Saturday 5 April 2014

"Loosen Up Naturally/The Sons/Follow Your Heart" by THE SONS OF CHAMPLIN [aka THE SONS] (April 2014 UK Beat Goes On Records Compiltion (aka BGO Records) - 3LPs onto 2CDs - Andrew Thompson Remasters) - A Review by Mark Barry...




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"...Some Things To Show..."

Taking their name from bandleader and multi-instrumentalist Bill Champlin – THE SONS OF CHAMPLIN [aka The SONS] were something of well-kept West Coat secret for most British fans. But this fantastic 2014 double-CD haul on Britain’s Beat Goes On (BGO) rectifies that San Francisco hole in your life with huge style. Here are the longhaired be-speckled LSD-induced details…

UK released April 2014 – "Loosen Up Naturally/The Sons/Follow Your Heart" by THE SONS OF CHAMPLIN on Beat Goes On BGOCD 1135 (Barcode 5017261211354) contains 3 full albums Remastered onto 2CDs (one is a 2LP set) and plays out as follows…

Disc 1 (73:08 minutes):
1. 1982-A
2. The Thing I Do
3. Misery Isn’t Free
4. Rooftop
5. Everywhere [Side 2]
6. Don’t Fight It, Do It!
7. Get High
8. Black And Blue Rainbow [Side 3]
9. Hello Sunlight
10. Things Are Gettin’ Better
11. Freedom [Side 4]
Tracks 1 to 11 are the band’s debut album “Loosen Up Naturally” originally released May 1969 in the USA as a 2LP set on Capitol Records SWBB-200

12. Love Of A Woman
13. Terry’s Tune
Tracks 12 and 13 are the first two tracks on Side 1 of their 2nd American album ”The Sons” (now credited simply as The Sons) released November 1969 on Capitol Records SKAO-332

Disc 2 (71:24 minutes):
1. Boomp Boomp Chop [last track Side 1 of "The Sons"]
2. Why Do People Run From The Rain [Side 2]
3. It’s Time
4. Country Girl
5. You Can Fly
Tracks 1 to 5 are the remainder of “The Sons” LP

6. Before You Right Now
7. Children Know
8. Hey Children
9. Follow Your Heart
10. Beside You [Side 2]
11. Headway
12. The Child Continued
13. A Sound Love
14. Well Done
(Also credited as by The Sons) Tracks 6 to 14 are their 3rd American vinyl album “Follow Your Heart” released January 1971 on Capitol Records ST-675  

There’s a classy card-wrap on the outside and the chockfull 20-page booklet has typically brilliant and informative JOHN TOBLER liner notes. Tobler also rightly acknowledges CHARLIE KELLY - a former Roadie for The Sons whose website has strung together huge amounts of info about the band and its previous incarnation as THE OPPOSITE SIX. None of these three Capitol Records albums ever saw a UK release on vinyl and up until a few years ago info on the Band had remained virtually a mystery. There’s even lyrics to the 3rd LP “Follow Your Heart”. It’s impressively done.

But as ever the real news comes with the great sound… All 3 albums saw CD reissue on One Way in the mid 1990s and on Acadia in the 2000s – yet to my ears these newly minted remasters by ANDREW THOMPSON trump the lot – filled with a sonic power that is overwhelming at times. There’s wonderful clarity and presence on all three outings – a deftly handled transfer.

Proceedings open with truly fantastic clarity on the poppy “1982-A” (a title supplied by the Engineer) and continue that way with “Misery Ain’t Free” and “Rooftop”. There’s a lovely musicality to “Black And Blue Rainbow” and they even get a bit commercial on the guitar-up of “Hello Sunlight” and “Things Are Getting’ Better”. But it all comes together in the near 15-minute “Freedom” that made up the whole of Side 4. With an assault of Tenor and Baritone Saxophones fronting jagged guitars and a funky backbeat – the mammoth song sounds like a marriage between the Chicago Transit Authority 2LP set from 1969 and the first Emerson, Lake And Palmer album from 1970. Prog-like organs do battle with brass fills, punctuated intermittently by impassioned vocals and funky guitars to impressive if not long-winded effect.

But while the slightly stoned double-debut is good – the single-album follow up “The Sons” saw real improvements in the songwriting – especially restraining the brass overload that afflicted some tracks on its predecessor. Side One openers “Love Of A Woman” (Bill Champlin on Vocals) and “Terry’s Tune” (Terry Haggerty on Vocals) now featured far calmer arrangements. Mellow one moment and hip the next - Haggerty’s voice on the second sounded not unlike a pleasing rendition of Ian Anderson from Jethro Tull. The 10-minute “Boomp Boomp Chop” ended Side One sounding again like the outcome of a Blood, Sweat & Tears after hour’s party. There are trippy vocals and vibes on the short “Country Girl” and the funky finisher “You Can Fly” was an obvious single (Capitol 2786) in early 1970.

Things take a more organized and mature turn with “Follow Your Heart” and the keyboard funky opener “Before You Right Now” contains a fantastic organ solo by Champlin. The acoustic “Children Know” feels almost concept album as does the near six-minute title track – both superbly produced by John Palladino. It’s surprising the short and upbeat “Headway” wasn’t chosen as a lead off 7” single sounding like “Can’t Buy A Thrill” Steely Dan with Jeff Baxter in the ascendancy. The wordy seven-minutes of “The Child Continued” sounds Todd Rundgren in its complex yet soft reach. But most impressive of all is the trippy “A Sound Love” which has gorgeous instrumental flourishes (lyrics above) and sounds not unlike Greenslade three years prior. The upbeat “Well Done” gives it their best Three Dog Night with Guitars – and that’s not a bad thing in my book.

At times its hard to pin down The Sons Of Champlin and their sound – part Chicago part BS&T part ELP meets Todd Rundgren meets Three Dog Night… And I suppose that’s what’s made so many fans forgive the occasionally bland vocals and overdone brass – because theirs is a unique listen - varied and interesting and therefore worth returning too.

It’s not all genius by any stretch of the imagination – but there’s a huge amount of largely unheard talent on display here (one double album and two singles) – and all of it sounding just amazing on this truly great remaster.

And if you’re curious about THE SONS OF CHAMPLIN (forgotten heroes of those heady California days) - then this is 'the' place to start exploring…

"American Violet" on BLU RAY – A Review Of The 2011 Tim Disney Film






Here is a link to the 'German' BLU RAY on Amazon UK (best price):


"…The Truth Will Set You Free…" - American Violet on BLU RAY

In order to get why the film "American Violet" is such a big deal (especially in the USA) - a potted history of the deeply flawed American Justice System is needed.

Cleverly used by Politicians and District Attorneys trying to look 'tough on crime' during the 1990s and into the mid 2000s - Drug Task Forces across America routinely employed military style raids with guns and helicopters to terrorize the poor. Worse - the predominantly white hit squads of the South also stood accused of selectively targeting people of colour. Huge Federal sums would then get transferred to these Counties and the more convictions they got – the more money they kept - so the 'plea bargain' system was aggressively pursued.

A 'plea bargain' means that the accused 'accepts' a guilty verdict and thereby bypasses court and a possible 15 to 20 year jail sentence. This may seem like a foolish and morally suspect move to make (to admit guilt when you’re not) - but if you’re poor or even low to middle income – the alternatives are stark. You can have your passport removed, your job taken (and never get another because of a criminal record), have your Aid To Families With Dependent Children (AFDC) stopped, food stamps cut out and Medicare supplies terminated. If you’re housed in the 'projects' (government assisted housing) where large numbers of Black and Hispanic communities live in the bigger cities – you can be made homeless. And those threats are dangled in front of you as an enticement to settle. So it’s hardly surprising to find that a staggering 95% of cases never get to trial (or are heard before a jury) because they are ‘plea bargained’ beforehand.

And if you ‘do decide’ to fight a prosecution brought against you by the Police or the FBI – you’re arrested, cuffed and jailed until a trial date is set (up to 6 months wait). If the charges (trumped up or not) are for loss of life, narcotics possession or distribution - bail can be set at five and six-figure sums because you’re seen as a flight risk. These are sums most can’t afford - and if they do borrow to meet it – you end up shackled to crippling debt for years to come. But worst of all was the infamous ‘one informant’ law that plagued so many cases in the 90’s and 00’s and opened them to outright abuse. The police needed to supply only ‘one informant’ - and if that person said you distributed drugs – then you did.

So it’s November 2000 in the town of Melody in Texas - and as the movie opens we see the George W Bush Vs. Al Gore Presidential fiasco being played out on a television set. A young black mother (Nicole Beharie as Dee Roberts) is preparing breakfast for her 4 kids before they go to school under the watchful eye of her live-in mother (Alfre Woodard as Alma Roberts). Meanwhile uptown an all-white police force is tooling up with flak jackets, rifles, undercover trucks and helicopters for a raid on the ‘project’ estate where her family lives. This raid has been organised during election time by the 'tough on crime' Southern White District Attorney of 9 years Calvin Beckett who is seeking re-election (a fantastic show by Michael O’Keefe as and odious and arrogant bigot).

On his hit list of names - now Dee Roberts suddenly finds herself arrested in her humble waitress job and thrown in jail. She naively thinks it’s for $782 worth of accumulated parking tickets. But Dee’s been charged with distributing narcotics in a School Zone and named by a 'reliable' black informant called Eddie Porter (a brilliant early part for Anthony Mackie – the angel who helps the Matt Damon character in "The Adjustment Bureau"). Bail is set an impossible $70,000 and she is appointed a Public Defender David Higgins who is a young appeaser all-too-willing to sell her life away to put the thing to rest quickly. But both Higgins and District Attorney Beckett have picked on the wrong mother…she determines to fight.

Into this legal race-maelstrom steps ACLU Attorney David Cohen (a brilliant Tim Blake Nelson of "O Brother, Where Are Thou?" fame) with his partner Byron Hill (a stunning role for Malcolm Barrett). Cohen is a white man and Hill a black American – but both are determined to out the entire corrupt system. They of course spot the case that can do it and in order to strengthen their hand - Cohen approaches a local prosecutor Sam Conroy (played perfectly by Will Patton) - an insider with knowledge of the treacherous and notorious Texas court system. But Sam Conroy is not an idiot. He is being asked by Cohen to go up against cops he lives with and the most powerful man in the State (the District Attorney) -while the outsider Cohen can simply walk away. But knowing what must be done – he agrees and along with a local preacher (Charles S Dutton as Reverend Saunders) they file against 'the man'.

But nothing is ever going to be that easy. Tapes disappear, written files are lost, Judges won’t set the trial in a fairer county to avoid prejudice and the preliminary Deposition talks are limited to only 3 hours to question the District Attorney. And Dee Roberts herself has custody battles with her volatile ex husband (Xzibit as Darrell Hughes) and his crazy live-in lady (Karimah Westbrook as Claudia). They slowly throw everything at her and the prosecutors…

As you can imagine this is a film chock full of great parts for Black and White actors of real calibre to get their teeth into. And there is no shortage of stunning verbal exchanges as the staggering unfairness of the American Justice system is ruthlessly exposed. And on it goes to an ending that quite literally changed the law for the better…

Because the American BLU RAY on Image Entertainment is REGION A LOCKED (won't play on our machines in the UK) - I bought the German variant (quite cheaply too). It's defaulted to Full Screen Aspect and the picture quality is beautiful throughout - spotless really. The Audio is in both German and English DTS-HD 2.0 and you have to choose the English Language because it’s defaulted to play its local tongue.

If I was to fault the movie it’s that Nicole Beharie is ludicrously beautiful for the lead role – the lack of big names also gives it a slight TV movie feel and the complete absence of ‘Extras” really lets the side down. But apart from that "American Violet" is a moving film that will make you think, reel and believe that even though American Democracy is flawed – brave and admirable people will somehow bring the truth to the surface – and it will stay there.

Superbly Scripted by BILL HANEY and Directed by TIM DISNEY - "American Violet" is a top movie - and well done to all involved…

Tuesday 1 April 2014

"All The Young Dudes" by MOTT THE HOOPLE (2006 Columbia/Legacy CD Reissue - Vic Anesini Remaster) - A Review by Mark Barry...


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CLASSIC 1970s ROCK and POP - Exceptional CD Remasters  
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"…Gotta Work…"

After three albums on Island between 1970 and 1971 that saw constant touring, critical acclaim but little chart action ("Mad Shadows", "Wildlife" and "Brain Capers") – Mott The Hoople were about to throw in the towel when they finally hit paydirt with the David Bowie assisted  "All The Young Dudes" Single and LP in the heady days of 1972 (the height of Glam Rock in the UK). With the mercurial Bowie a fan and his star exploding everywhere – the timing and the song was perfect. And that’s where this wicked 2006 Expanded CD Remaster comes swaggering in. Here are the Dude-ish details...

UK released April 2006 – "All The Young Dudes" by MOTT THE HOOPLE on Columbia/Legacy 82796938092 (Barcode 827969380925) is an 'Expanded Edition' CD Remaster and breaks down as follows (72:57 minutes):

1. Sweet Jane
2. Momma’s Little Jewel
3. All The Young Dudes
4. Sucker
5. Jerkin' Crocus
6. One Of The Boys [Side 2]
7. Soft Ground
8. Ready For Love/After Lights
9. Sea Diver
Tracks 1 to 9 are their 4th studio album "All The Young Dudes" – released September 1972 in the UK on CBS Records S 65184 and November 1972 in the USA on Columbia KC 31750

BONUS TRACKS:
10. One Of The Boys (Demo Version)
11. Black Scorpio (Demo Of "Momma's Little Jewel")
12. Ride On The Sun (Demo Version of "Sea Diver")
13. One Of The Boys (UK 7" Single Version) – released August 1972 on CBS Records S 8271 as the B-side to "All The Young Dudes"
14. Sucker (Live 1973 At The Hammersmith Odeon, London)
15. Sweet Jane (Live 1973 At The Hammersmith Odeon, London)

DAVID BOWIE originally produced the album and also plays Sax on some tracks (doesn’t say which). KEITH SMITH – Editor of the MTH Fanzine "Two Miles From Heaven" - provides the liner notes but I have to say that its 8-pages feels disappointingly slight – sporting centre spread liner notes by Ben Edmonds, recording details and precious little else… But the meat and potatoes lies in a fantastic new remaster by tape wizard VIC ANESINI whose credits include Simon & Garfunkel, Stevie Ray Vaughan, The Jayhawks, Elvis Presley, Carole King, Hall & Oates, The Isley Brothers and Santana to name but a few. His name is a mark of Audio Quality I actively seek out.

It opens with a great cover of Lou Reed's "Sweet Jane" (lyrics above) where Mick Ralphs puts in some fantastically fluid Guitar playing. The muscle on the piano and guitar of the "Don’t Stop!" Intro to "Momma's Little Jewel" is just great as is Verden Allen’s slightly Prog Rock organ soloing throughout. It’s the first properly cool Hunter song on the album (co-written with Bass player Overend Watts). I’d have to admit a possible travesty here – I’ve always loathed the title track – it seemed hammy to me then and still does now – and it hung around the band's musical neck for decades. But at least it got the job done.

Far better is the menace of "Sucker" and the fabulous snotty British Rock 'n' Roll of "Jerkin' Crocus" (a B-side to the USA 7" single of "Sweet Jane"). It's back to Prog Organ for Verden Allen's "Soft Ground" where he unwisely ruins the song by taking Lead Vocals. Better is the Mick Ralphs double "Ready For Love/After Lights" where you can 'so' hear the beginnings of Bad Company (Hunter and Ralphs share vocals on this one). It ends on a short but poignant Ian Hunter piano balled "Sea Diver" – for me a real highlight - and like "Trudi's Song" on 1974's "The Hoople" – a hidden gem in their catalogue.  

The bonus tracks are shockingly good – especially "Black Scorpio" which is a pumping Rock Demo Version of "Momma's Little Jewel" and "Ride On The Sun" which is an equally delicate demo of "Sea Diver" but with different lyrics. It's still odd to hear David Bowie actually sing "All The Young Dudes" - but it actually suits him more. In fact what a single this previously unreleased duet between Bowie and Hunter would have made (as a double credit perhaps?). The reissue finishes with the huge guitar punch of "Sucker" and "Sweet Jane" - a track that will thrill fans of the Lou Reed live classic "Rock 'n' Roll Animal" – both recorded before a triumphant crowd at London’s Hammersmith Odeon.

So there you have it – a great album and a properly fab trip down Rock’s Memory Lane. It's a real shame that the booklet doesn’t celebrate "Dudes" a bit more (an Indie label would have splashed out 20-pages or more) but what is on offer is sonically brilliant - a fantastic remaster by Anesini.

With principal song-writer and singer Ian Hunter still at the helm – the band would go on to even better things with the beautifully presented "Mott" album in 1973 and the underrated 6th LP "The Hoople" in 1974 (see reviews). Now in 2015 - this remastered Mott The Hoople CD is cheaper than a stick of eyeliner at Boots. Get this nugget into your home right away...

INDEX - Entries and Artist Posts in Alphabetical Order