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Wednesday 20 August 2014

"This Is The Story: The 70's Albums Vol.1, 1970-1973 - The Jean Terrell Years" by THE SUPREMES - A Review Of The 2006 Hip-O Select 3CD Book Set...




This review is part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

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“…Can’t Make It On My Own…” - This Is The Story: The 70's Albums Vol.1, 1970-1973 - The Jean Terrell Years by THE SUPREMES (2006 Hip-O Select 3CD Book Set)

The full title of this beautifully presented set is - "This Is The Story: The 70's Albums Vol.1, 1970-1973 - The Jean Terrell Years”. It's a limited edition of 5000 and was issued in December 2006 by Universal's premium label in the States - Hip-O Select (Jean Terrell replaced Diana Ross as the new lead after Ross left for her solo career).

It gives you 5 full albums with previously unreleased material and rare sides across 3 picture-disc CDs each of which is in a card leaf at the back of the set. The 44-page booklet that precedes the discs pictures each LP (front and rear), gives detailed track-by-track information, provides liner notes on each release and has interview contributions from all concerned. The whole thing is housed in an over-sized hardback silver book sleeve with three die-cut circles at the front to show the three Supremes of the period underneath - Jean Terrell, Mary Wilson and Cindy Songbird. The words "limited edition' are embossed in gold on the back. As you can imagine, the artwork in itself is a thing of beauty and gives the whole project an air of real class. Here are the song details…

Disc 1 (77:31 minutes):
Tracks 1 to 12 are the US album "Right On", April 1970, Motown MS-705
Tracks 13 to 22 are the US album "New Ways But Love Stays", October 1970, Motown MS-720

Disc 2 (79:54 minutes):
Tracks 1 to 10 are the US album "Touch", June 1971, Motown MS-737
Tracks 11 to 23 are The "Promises Kept" Sessions, 1971.
11 to 23 are previously unreleased and were recorded for an LP release in late 1971 that never materialized
Track 24 is from the Various Artists US album called "Rock Gospel: The Key To The Kingdom", October 1971, Motown M-743L

Disc 3 (75:45 minutes):
Tracks 1 to 9 are the US album "Floy Joy", May 1972, Motown M-751L
Tracks 10 to 20 are the US album "The Supremes Produced & Arranged By Jimmy Webb", November 1972, Motown M-756L
Tracks 21 and 22 are from the US album "At Their Best", June 1978, Motown 904

ELLEN FITTON digitally remastered all tracks from the original Motown master tapes at Universal Studios in the USA and a typically stunning job has been achieved. Hip-O Select releases are consistently praised for their great sound and this peach does not disappoint.

With 68 songs on offer - the material itself is a mixed bag of the great and the ordinary. In truth, I can remember when Motown collectors tended to poo-poo this period of The Supremes story as weak and half-hearted. But that definitely needs re-assessment on the strength of this set. It's fantastic to hear "Stoned Love" and "Nathan Jones" in top sound quality at last. And the whole Smokey Robinson written/produced album "Floy Joy" can be described as a lost Motown masterpiece ignored by way too many soul fans. Their August 1972 chart hit "Your Wonderful Sweet Sweet Love" could easily grace any Northern Soul compilation and take pride of place too. Then there's the fabulous collaboration album with the "Wichita Lineman" author JIMMY WEBB - lush melodies and strings abound - and again - another forgotten sweetheart that deserves rediscovery. "5:30 Plane" for instance - from that album - is a gorgeous song presented here in truly beautiful sound quality - an undiscovered classic if there ever was one (lyrics above). It will appeal to Bacharach fans, Webb lovers and soul boys alike - a rare achievement to nail all three audiences. The anti-racism tune "When Can Brown Begin" could be cheesy, but it's not - it's beautifully handled.

Deemed not fit for release at the time, the quality of the unreleased "Promises Kept" tracks vary. I don't know whether to consider the funked-up version of "Eleanor Rigby" inspired - or a travesty - probably a bit of both! But that's then followed shortly afterwards by "Can't Get You Out Of My Mind" - a superb little number with a genuinely uplifting vibe to it.  And the cover of the Four Tops "Still Water (Love)" is lovely too - it's peppered with lovely brass breaks and lush string arrangements and a superbly soulful lead vocal too - just great.

Five star sound and packaging with three-to-four star material. Even at a price - I had to have it. I'm going to be dipping into this set a lot in the future and I would say you should too. Recommended.

"Smoked Sugar" by SMOKED SUGAR - A Review oF Their 1975 Soul Album on 20th Century Records - Now Remastered & Expanded In 2012 by Big Break Records of the UK (BBR)...



This review is part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I


“…First Thing I Do…My Eyes Search A Lonely Room For You…” - Smoked Sugar by SMOKED SUGAR (2012 BBR Expanded CD Remaster)

This is a fantastic reissue – an obscure Funk-Soul album from 1975 that few people outside of deep circles will have heard of (including me) – and typically it’s a peach worth rediscovering.

Reissued February 2012 in the UK, Big Break Records CDBBR 099 breaks down as follows (38:02 minutes):

Tracks 1 to 10 are the album "Smoked Sugar" - originally released in the USA on 20th Century Records T-473 in early 1975

Track 11 is "My Eyes Search A Lonely Room For You (Promotional Single Version)". Track 2 is the album version at 4:09 minutes – this PROMO-ONLY single version is edited to 3:09 minutes

The jewel case is one of those new rounded corner deals and the 12-page booklet features detailed liner notes by RICO "Superbizzee" WASHINGTON – a New Yorker who has edited and contributed to American music publications like "Free" and "XLRBR" magazines. The remaster is by PETER DOELL at Universal and is superlative – incredibly clean, clear and present reflecting HADLEY MURELL'S superb production values back in the day. I can't emphasize enough how good BBR CDs sound – I've reviewed nearly 10 now (see list below) – and this is no different. A joy to listen too…

It opens with a lethal triple whammy – "I've Found Someone Like You", "My Eyes Search A Lonely Room For You" and "Bump Me". The first whacks into existence with a tremendous Al Green type vocal - while the sublime second track "My Eyes Search A Lonely Room For You" is 'the' tuneful masterpiece on here – no doubt. Imagine The Chi-Lites circa 1972 to 1974 with a grittier Al Green as the lead vocalist rather than Eugene Record (it’s gorgeous stuff - lyrics above). The funk of "Bump Me" is a great tune too. In fact the lead singer JAMES "Jimmy" CONWELL deserves special mention because his pleading voice lends every song a sort of Soul sweetness that’s worth its weight in gold. He featured with 60's bands The Exits and The Trips and had a decade of experience to bring the smooth ranks of Smoked Sugar. 

Less successful is the frantic keyboard funk of "I'm A Blues Singer, Guitar Banger" that sounds like its trying too hard to be a hit without the killer hook and words to get it there. Better is the slightly uptempo Philly feel to "I Can't Get Enough" (remastered drums and bass so clear). Nice too are "It's Funny Till I Start Crying" where they sound like mid-70’s Errol Brown of Hot Chocolate and the mid-tempo "Loving You Coming Out Of A Brand Bag" sounds like a talking Chi-Lites number. It ends on "Keeping Up My Front" co-written by Conwell and keyboardist Oliver Williams – where the slow pace changes mid-tune.

It's not all genius for sure – but the good stuff is great – and huge kudos go to BBR for reissuing the album (long prized by collectors and used by mixers for samples) – and with such top sound quality. Recommended. 

"Songs/Hey Love" by ROTARY CONNECTION featuring MINNIE RIPERTON and SIDNEY BARNES (October 1998 UK 'Ace/Beat Goes Public' Compilation - 2LPs onto 1CD - Duncan Cowell Remasters) - A Review by Mark Barry...


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"...In The Sunshine Of Your Love..."

I've had this October 1998 CD by Ace Records/Beat Goes Public for years now and treasure it like its some sort of Soul Holy Grail. It features 2LPs Remastered on one disc - Rotary Connection's "Songs" (1969) and "Hey, Love" (1971).

The albums are a tale of two worlds - "Songs" is made up entirely of cover versions and features the combined talent of singers SIDNEY BARNES, the mercurial MINNIE RIPERTON and (the mysterious) JERIMIAH – all three being principal vocalists. "Hey, Love" from 1971 saw major line-up changes and for me a huge step up in the songwriting quality. Here are the connecting details...

UK released October 1998 - "Songs/Hey, Love" by THE ROTARY CONNECTION featuring MINNIE RIPERTON on Ace/Beat Goes Public CDBGPD 115 (Barcode 0296675111520) features 2LPs Remastered onto 1CD and plays out as follows (75:27 minutes):

1. Respect
2. The Weight
3. Sunshine Of Your Love
4. I Got My Mojo Working
5. The Burning Of The Midnight Lamp
6. Tales Of Brave Ulysses
7. This Town
8. We’re Going Wrong
9. The Salt Of The earth
"Songs" was originally US released in the summer of 1969 on Chess/Cadet-Concept LPS-322 and credited to ROTARY CONNECTION. Label boss MARSHALL CHESS and the visionary CHARLES STEPNEY co-produced the record.

JON STRICKLAND played a fuzz guitar as they laid into Cream's "Sunshine Of Your Love", "We're Going Wrong" and "Tales Of Brave Ulysses", The Band's "The Weight" and "This Town" by Stevie Wonder. There are also stabs at Otis Redding's "Respect", Jimi Hendrix's "The Burning Of The Midnight Lamp", "Salt Of The Earth" by The Stones and "I've Got My Mojo Working" by Muddy Waters. “Songs” is not a slave-the-original album - the covers are tear 'em up re-workings and I love what they did. The fuzz guitar in "Mojo" is amazing. Sidney Barnes also had the most beautifully expressive voice - the velvet of Brook Benton meets the soulfulness of Marvin Gaye circa "What's Going On". But admittedly with its heavily laden string-arrangements and lush vocal backings (Minnie soaring into the octaves) - it may not be everyone's purist idea of Soul - but for me the better moments (the trio of radically re-worked Cream covers) make it so worthwhile. However, things moved on immeasurably and undeniably with the next record.

10. If I Sing My Song
11. The Sea & She
12. I Am The Black Gold Of The Sun
13. Hangin' Round The Bee Tree
14. Hey, Love
15. Love Has Fallen On Me
16. Song For Everyman
17. Love Is
18. Vine Of Happiness

I've always considered "Hey, Love" to be a bit of a masterpiece (see my separate review for the new 2013 remaster out of Japan on the "Chess Best Collection" series). Originally released on vinyl in the States on Chess/Cadet Concept CC 50006 in August 1971 and credited to THE NEW ROTARY CONNECTION - it features the hand of writer/arranger/player maestro CHARLES STEPNEY. Stepney was Chess's answer to Norman Whitfield - a man with a conscience and a way with a funky and soulful tune. The other attractions are MINNIE RIPERTON, KITTY HAYWOOD, SHIRLEY WAHLS and DAVE SCOTT all on Lead Vocals with Stepney playing a huge number of instruments as well as arranging. 

Top session-men include superb guitarists PHIL UPCHURCH (see my review of his stunning 1971 double-album "Darkness Darkness" also on Japanese CD) and the axework of PAT FERRERI. The album also featured RICHARD RUDOLPH (Minnie Riperton's husband of the time) - he solo wrote both "Hanging Round The Bee Tree" and "The Sea & She" and excepting one other - co-wrote the rest of the album with Stepney.

The album's big tune is the magnificent "I Am The Black Gold Of The Sun" which was rescued from obscurity by British/US Funksters NUYORCIAN SOUL featuring JOCELYN BROWN when they sampled and covered it in November 1997 on the Talkin' Loud label. They brought the song and Rotary Connection in general into the charts (to 31). Ace then reissued this CD the following year (Oct 1998) and there's been vinyl repros of the "Hey, Love" LP in the West End of London ever since - meeting the demands of those constantly searching for something cool and Soulful to rediscover.

Besides "Gold" there are 4 other masterpieces on here - the echoed and swirling vocals of "Hanging Round The Bee Tree" (graced many of my Reckless in-store play lists), the gorgeous and sunny upbeat title track "Hey, Love" followed by Kitty Haywood letting it vocally rip on the sublime "Love Has Fallen For Me" (covered by Chaka Khan on her "I'm Every Woman" LP). But the best for me is the lone TERRY CALLIER track (a songwriter Stepney was plugging) called "Song For Everyman" - it is just brilliant and sends me every time I hear it (lyrics from it title this review). 

We should also mention the sublime vocals of SIDNEY BARNES who never seemed to get the credit he so richly deserved. And what can you say about the voice of MINNIE RIPERTON who could make grown men cry by just hitting an octave most couldn't reach…

The DEAN RUDLAND liner notes are superb (I've raved about his writing across so many Ace and Kent Soul reissues) and the remaster by Sound Mastering of London used the original master tapes (probably DUNCAN COWELL). It's lovely - full of presence and vocals swirling around your speakers – properly fab.

So why didn't they make it? I suspect that with all those hippy-dip lyrical references to helping out your brother and bombing others with love - the group was perceived as a poor man's Fifth Dimension - a sort of watered down gathering peddling a lame "Hair" musical. This of course did for them commercially and is just plain wrong as an assessment. Typically it took British Soul fans to reignite interest and a torrent of well-deserved praise has followed ever since.

Charles Stepney is a sort of underground cult figure now amongst aficionados - spoken about in hushed tones. Minnie Riperton went solo and produced a string of gorgeous Soul albums in the mid-Seventies only to sadly succumb to breast cancer at a criminally young age in 1979.Still - they all have this legacy to remind us. A fantastic CD – and one you need to discover...

PS: see also my in-depth review of the singular "Hey, Love" reissue out of Japan in 2013 as part of their "Chess Best Collection" Series - and a separate review for their first album just called "Rotary Connection"...

INDEX - Entries and Artist Posts in Alphabetical Order