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Saturday 13 June 2015

"Original Album Series" by JIMMY WEBB (2015 Rhino/Warners Music Group 5CD Mini Box Set) - A Review by Mark Barry...




"...Words And Music..."

Now here's a genuinely cool addition to this ever-expanding series - five albums from the mighty pen of JIMMY WEBB in his Seventies prime. They're based on the 2006 and 2008 Collector's Choice Music CD masters and the audio is excellent throughout - especially on the highly polished Productions given to "Land's End" and "El Mirage". And at roughly two quid a disc - there's an awful lot of sublime music on offer here that you've probably not heard - and should. Here are the Wichita Lineman details...

UK released Monday 27 April 2015 (May 2015 in the USA) - "Original Album Series" by JIMMY WEBB on Rhino/Warner Music Group 0081227955878 (Barcode is the same number) is a 5CD Mini Box Set with 5" Card Repro Sleeves and breaks down as follows:

Disc 1 (43:25 minutes):
1. Sleepin' In The Daytime
2. P. F. Sloan
3. Love Song
4. Careless Weed
5. Psalm One-Five-O
6. Music For An Unmade Movie (In Three Parts) [i] Songseller [Side 2]
7. Music For An Unmade Movie (In Three Parts) [ii] Dorothy Chandler Blues
8. Music For An Unmade Movie (In Three Parts) [iii] Jerusalem
9. Three Songs: (Let It Be Me, Never My Love, I Wanna Be Free)
10. Once Before I Die
Tracks 1 to 10 are his second LP "Words And Music". Produced by Webb and credited to Jimmy L. Webb - it was released February 1970 in the USA on Reprise RS 6421 and January 1971 in the UK on Reprise RSLP 6421 (reissued in 1971 on Reprise K 44101). All tracks are originals except 9 which is a three-part cover versions medley - "Let It Be Me" by The Everly Brothers, "Never My Love" by The Association and "I Wanna Be Free" by The Monkees. His sister Susan Webb does uncredited duet vocals on 9 and 10. The 2006 Collector's Choice Music master is used for this CD.

Disc 2 (39:12 minutes):
1. Met Her On A Plane
2. All Night Show
3. All My Love's Laughter
4. Highpockets
5. Marionette
6. Laspitch [Side 2]
7. One Lady
8. If Ships Were Made To Sell
9. Pocketful Of Keys
10. See You Then
Tracks 1 to 10 are his 3rd LP "And So: On" - released August 1971 in the USA on Reprise RS 6448 and in the UK on Reprise K 44134. Produced by Jimmy Webb - all songs are JW originals. His sister Susan Webb (credited as The Good Sisters) provides backing vocals on "All My Love's Laughter", "Highpockets" and "Laspitch". The 2006 Collector's Choice Music CD master is used for this CD.

Disc 3 (38:51 minutes):
1. Galveston
2. Campo De Encine
3. Love Hurts
4. Simile
5. Hurt Me Well
6. Once In The Morning [Side 2]
7. Catharsis
8. Song Seller
9. When Can Brown Begin
10. Piano
Tracks 1 to 10 are his 4th album "Letters" - released September 1972 in the USA on Reprise MS 2055 and in the UK on Reprise K 44173. Produced by Larry Marks - all songs are Webb originals except "Love Hurts" by Boudleaux Bryant - a hit for The Everly Brothers and Roy Orbison. Susan Webb sings Backing Vocals on "Once In The Morning" and "When Can Brown Begin" - JONI MITCHELL sings Backing Vocals on "Simile". The 2006 Collector's Choice Music master is used for this CD.

Disc 4 (42:44 minutes):
1. Ocean In His Eyes
2. Feet In The Sunshine
3. Cloudman
4. Lady Fits Her Blue Jeans
5. Just This One Time
6. Crying In My Sleep [Side 2]
7. It's A Sin
8. Alyce Blue Gown
9. Land's End/Asleep On The Wind
Tracks 1 to 9 are his 5th album "Land's End" - released April 1974 in the USA on Asylum SD 5070 and June 1974 in the UK on Asylum SYL 9014. The 2008 Collector's Choice Music master is used for this CD.

Disc 5 (39:20 minutes):
1. The Highwayman
2. If You See Me Getting Smaller I'm Leaving
3. Mixed-Up Guy
4. Christiaan No
5. Moment In A Shadow
6. Sugarbird
7. Where The Universes Are [Side 2]
8. P. F. Sloan
9. Dance To The Radio
10. The Moon Is A Harsh Mistress
11. Skylark (A Meditation)
Tracks 1 to 11 are his 6th album "El Mirage" - released May 1977 in the USA on Atlantic SD 18218 and in the UK on Atlantic K 50370. The album was Produced, Arranged and Conducted by GEORGE MARTIN (of Beatles fame) and all songs are written by Jimmy Webb except "Skylark (A Meditation)" which is a co-write with Paul Skylar and "Dance To The Radio" which is written by long-time guitarist in his band - Fred Tackett. The album also features a large number of famous guests including Lowell George of Little Feat on Slide Guitar, Kenny Loggins, Billy Davis and George Hawkins on Vocals, Herb Pedersen on Banjo, Harvey Mason on Percussion, Dean Parks and Fred Tackett on Guitars, David Paich of Toto on Keyboards, Larry Knechtel on Bass and finally Clydie King, Shirley Matthews and Susan Webb on Backing Vocals. The 2006 Collector's Choice Music master is used for this CD.

As is mostly the norm with this series - none of these discs have any extras and are straightforward transfers of the original vinyl LPs (with repro artwork front and rear). Each CD label lists the tracks along with Writer and Producer credits - a good idea because the 5" Card Repro Sleeves (although they look nice) are hard if not impossible to read.

His first album proper was 1968's "Jim Webb Sings Jim Webb" on Epic in the USA and CBS in the UK - which is outside the remit of this 5CD set. His 2nd platter "Words And Music" from 1970 more than makes up for the debut's absence and is a genuine lost classic from that much-loved decade. I'm also surprised at how good this CD sounds given the records notorious 'fly-by-the-seat-of-your-pants' production values it originally got. "Sleepin' In The Daytime" is incredibly clear - all the instruments warm and present - especially the rhythm section (most instruments played by Fred Tackett). What follows next is the album's most famous song. "P.F. Sloan" is about the career trials and tribulations of Californian songwriter "P.F. Sloan" (real name Philip Schlein) - author of Barry McGuire's searing anti-war song "Eve Of Destruction" (produced by Lou Adler) - a huge hit in 1965. Sloan was a songsmith to an array of artists like The Mamas and The Papas, Johnny Rivers and The Grass Roots but famously never received the recognition he deserved. In fact Webb's song became much covered in itself (The Association in 1971 to Rumer in 2012).

What you then catch is the album's other secret weapon - the harmonizing vocals of his sister Susan Webb who does gorgeous vocal work on "P.F. Sloan", the beautiful "Love Song" (one the album's undeniable masterpieces) and "Careless Weed". I could live without the God-squad `praise him' righteousness of "Psalm One-Five-O" which Reprise actually released as a 7" single in the UK in 1971 with "P.F. Sloan" on A. Side two of the album opens with a three-parter called "Music For An Unmade Movie" with "Jerusalem" (part iii) being my favourite part. There then comes a stunning re-working of three cover versions where Webb weaves the melodies of The Everly Brothers, The Association and The Monkees into one whole. With Susan's matching vocals - his runs the three songs into a new arrangement that perfectly compliments the warmth of the originals - it's pigging genius.

After the musical high of "Words And Music" - I must admit I found 1971's "And So: On" a bit of a disappointment. It starts out well enough with the strings and melody of "Met Her On A Plane" but not only were some of the songs weaker - but his strained vocals on the fuzzed guitar rawk of "Highpockets" and "Laspitch" only makes them sound more cringeworthy. It's not all bad though. The album ends on three softer piano tunes of which "One Lady" feels like it has that melody-magic - as does "See You Then". The audio is very good throughout - hardly outstanding - but more than acceptable.

Far better is the fan fave "Letters" LP where he begins proceedings with his own version of the huge hit he gave Glen Campbell - "Galveston". Its opening acoustic-strums sound beautiful and his voice perfectly pitched. In fact I'm reminded of album I love called Smith Perkins Smith on Island Records in 1972 by Smith Perkins Smith. It was issued in the UK and the States and sounds like an English version of CSNY with Jimmy Webb as the lead vocalist (isn't yet on CD unfortunately). As this truly sweet remaster of "Galveston" plays through your speakers - the record already begins to feel like a genuine lost classic. Things continue beautifully with the soaring Mexican Waltz melody of "Campo De Encino" and you can so hear the melodiousness of Big Star in the Seventies running right through to the Jayhawks in the Nineties (gorgeous audio too). The lone cover is "Love Hurts" written by Bordeleaux Bryant and made famous of course by The Everly Brothers and Roy Orbison in the early Sixties. Some hate it but I like the string arrangements and it lines up "Simile" - one of the album's masterpieces where none other than JONI MITCHELL puts in a rare Backing Vocals appearance. Playing a piano blinder - "Simile" sounds like a "Blue" outtake sung by Webb. True - Joni's contribution may be slight but it's beautifully done and so complimentary (the song is a highlight for me on the album). "Hurt Me Well" has superlative string arrangements. "Song Seller" is an amped-up re-recording of a tune that turned up on "Words And Music" in 1970 - far better is "When Can Brown Begin" which once again benefits from the backing vocals of his sister Susan Webb (she's on "Once In The Morning" too). It finishes on "Piano" - peaceful and lovely - an ending-of-the-day tune.

Production values lift off into the stratosphere with 1974's "Land's End" as Webb parted company with Reprise and went with Geffen's Asylum Records. The remaster on "Ocean In His Eyes" is superb while the echoed keyboard pings and high-strung guitars of "Cloudman" sound glorious. "Lady Fits Her Blue Jeans" is more of the same sounding not unlike David Gates or Bread. It ends on the epic nine-minutes of "Land's End/Asleep On The Wind" which sneaks in with ominous strings like some tense thriller movie and goes on like that until a song emerges about half way through. It's ambitious stuff and features huge string/choral arrangements that would impress Ennio Morricone.

Everyone and his brother came to Webb for 1977's "El Mirage" and yet much of the album left me cold. Stuff like "Sugarbird" is schlock and his re-recording of "P.F. Sloan" is good but kind of inexplicable. "The Moon Is A Harsh Mistress" is a pretty song with lovely arrangements from George Martin - but the record as a whole felt more like polish than soul (I found myself going back to "Words And Music", "Letters" and "Land's End" instead).

Terry Reid, Brinsley Schwarz and Jimmy Webb are all new 27 April 2015 additions in this "Original Album Series" - and what winners all three are. But you can't help thinking there's something just a little bit special about this entry in that increasingly brill reissue program. Jimmy Layne Webb was one of the first tunesmiths inducted into the Songwriters Hall Of Fame and has received Lifetime Achievement awards from the America's prestigious National Academy Of Songwriters. Buy this cheap-as-chips gift to your stereogram and find out why...

"The Greenwich Village FOLK SCENE - Original Album Series" by VARIOUS ARTISTS (2015 Warners Music Group/Elektra 5CD Box) - A Review by Mark Barry...


"...Bleecker and MacDougal..." 

A genius release in many ways - with the big prize for Acoustic Folk Blues lovers and collectors being the first-time-on-CD reissue of the hugely influential "The Blues Project" album on Elektra Records from 1964 (and what a winner it is). There's a sea of goodies on offer here and many illustrious guests - so let's get to the gory details...

UK released Monday 23 February 2015 (March 2015 in the USA) - "The Greenwich Village FOLK SCENE" in the Original Album Series (by Various Artists) on Warner Music Group/Elektra 8122795661 (Barcode 081227956615) is a 5CD Mini Box Set with 5" Card Repro Sleeves and breaks down as follows:

Disc 1 (37:33 minutes):
1. Take Your Fingers Off Of It
2. Come On In
3. Mandolin King Rag
4. Overseas Stomp
5. Evolution Mama
6. The Even Dozens
7. I Don't Love Nobody
8. Rag Mama [Side 2]
9. France Blues
10. On The Road Again
11. Original Colossal Drag Rag
12. All Worn Out
13. Lonely One In This Town
14. Sadie Green
Tracks 1 to 14 are the album "The Even Dozen Jug Band" by THE EVEN DOZEN JUG BAND released 1964 in the USA on Elektra EKL 246 (Mono) and EKS 7246 (Stereo). It was also belatedly issued in the UK on Bounty BY 6023 in 1966 (Stereo only). The Stereo mix is used for the CD and the master is probably the 2001 Rhino/Collector's Choice Music remaster. Produced by Paul A Rothchild - the Americana group contained Pete Jacobson, John Sebastian (credited as John Benson) who formed The Loving Spoonful, Steve Katz who went on form Blood, Sweat & Tears with Al Kooper, virtuoso guitarist Stefan Grossman, keyboardist and conductor Joshua Rifkin and Maria Muldaur (then Maria D'Amato - she's visible on the album sleeve sat on the wall to the far left with a guitar).
MUSICIANS:
Pete Jacobson plays Guitar on 3, 5, 10 and 13 and sings Lead Vocals on 5, 8 and 12
Pete Siegel plays Guitar on 1 and 14, Banjo on 1, 4 and 14 and sings Lead Vocals on 1, 7, 10 and 13
Stefan Grossman plays Guitar on 1, 2, 4, 6, 8, 9, 12 and 14, Banjo on 3, 5 and 11 and sings Lead Vocals with Bob Gurland on 1
John Sebastian plays Harmonica on 9, 10 and 13 and plays Kazoo on 11
Steve Katz sings on 2, 4, 9, 10 and 14 and plays Washboard on 1, 3 and 13
Josh Rifkin plays Piano on 5, 6, 8, 11 and 14 and sings backing Vocals on 5 and 12
Maria Muldaur (as Maria D'Amato) sings Backing Vocals on 2, 4 and 9
Bob Gurland plays Trumpet on 1, 5, 7, 8 and 11 and sings Lead Vocals on 1

Disc 2 (48:08 minutes):
1. Fixin' To Die - DAVE RAY (Bukka White cover)
2. Blow Whistle Blow - ERIC VON SCHMIDT (Margaret Johnson cover)
3. My Little Woman - (SPIDER) JOHN KOERNER (Koerner song)
4. Ginger Man - GEOFF MULDAUR (Geoff Muldaur song)
5. Bad Dream Blues - DAVE VAN RONK (Van Ronk song)
6. Winding Boy - IAN BUCHANAN (Jelly Roll Morton cover)
7. I'm Troubled - DANNY KALB (a Muddy Waters cover)
8. France Blues - MARK SPOELSTRA (Spoelstra song)
9. Don't You Leave Me - DAVE VAN RONK (Jelly Roll Morton cover) [Side 2]
10. Devil Got My Woman - GEOFF MULDAUR (Skip James cover)
11. Southbound Train - (SPIDER) JOHN KOERNER (Big Bill Broonzy cover)
12. Downtown Blues - GEOFF MULDAUR (Vera Hall Ward cover)
13. Leavin' Here Blues - DAVE RAY (Dave Ray song)
14. Hello Baby Blues - DANNY KALB (Kalb song)
15. She's Gone - MARK SPOELSTRA (Jim Jackson cover)
16. Slappin' On My Black Cat Bone - DAVE RAY (John Koerner song)
Tracks 1 to 16 are the LP "The Blues Project - A Compendium Of The Very Best On The Urban Blues Scene" by VARIOUS ARTISTS released 1964 in the USA on Elektra EKL 264 (mono) and EKS 7264 (Stereo). John Sebastian of The Lovin' Spoonful plays Harmonica on "Blow Whistle Blow", "I'm Troubled" and "Downtown Blues". Eric Von Schmidt plays Mandolin on "Devil Got My Woman" and Piano on "Downtown Blues". BOB DYLAN is credited as the fictitious Bob Landy and plays Treble Piano on "Downtown Blues". "Blow Whistle Blow" is a re-working of Margaret Johnson's "When A Gator Holler, Folks Say It's A Sign Of Rain". First time on CD for this rare and influential album (Stereo mix used) - the master from the disc is dated 2014 and is definitely remastered to a very high quality.

Disc 3 (50:47 minutes):
1. I Ain't Marching Anymore
2. In The Heat Of The Summer
3. Draft Dodger Rag
4. That's What I want To Hear
5. That Was The President
6. Iron Lady
7. The Highwayman
8. Links On The Chain [Side 2]
9. Hills Of West Virginia
10. The Men Behind The Guns
11. Talking Birmingham Jam
12. Ballad Of The Carpenter
13. Days Of Decision
14. Here's To The State Of Mississippi
Tracks 1 to 14 are the album "I Ain't Marching Anymore" by PHIL OCHS released 1965 in the USA on Elektra EKL 287 (Mono) and EKS 7287 (Stereo). Originally Produced by JAC HOLZMAN - all songs are written by Ochs except "The Highwayman" (a co-write with Alfred Noyce), "The Men Behind The Guns" (uses the words of John Rooney) and "Ballad Of The Carpenter" (a Ewan MacColl cover). The CD uses the 2001 Rhino/Elektra Bill Inglot/Dan Hersch Remaster of the Stereo mix and sounds beautiful.

Disc 4 (34:12 minutes):
1. Bleecker And MacDougal
2. Blues On The Ceiling
3. Sweet Mama
4. Little Bit Of Rain
5. Country Boy
6. Other Side To This Life
7. Mississippi Train
8. Travelin' Shoes [Side 2]
9. The Water Is Wide
10. Yonder Comes The Blues
11. Candy Man
12. Handful of Gimme
13. Gone Again
Tracks 1 to 13 are the album "Bleecker And MacDougal" by FRED NEIL  - released 1965 in the USA on Elektra EKL 293 (Mono) and EKS 7293 (Stereo). It was reissued Stateside in 1970 as "Little Bit Of Rain" on Elektra EKS 74073 in Stereo only and with a different cover. Originally Produced by PAUL A. ROTHCHILD - all songs are Fred Neil originals except the Traditional "The Water is Wide" and "Candy Man" which is a co-write with Beverley Ross and was made famous by Roy Orbison. John Sebastian of The Lovin' Spoonful plays Harmonica and Felix Pappalardi (later with Mountain and Joe Walsh's Barnstorm) plays Bass on many tracks. The CD uses the 2001 Rhino/Elektra Bill Inglot/Dan Hersch Remaster of the Stereo mix and sounds beautiful.

Disc 5 (37:18 minutes):
1. Ain't That News
2. The Willing Conscript
3. Lyndon Johnson Told The Nation
4. Hold On To Me Babe
5. The Name Of The Game Is Stud
6. Bottle Of Wine
7. The Natural Girl For Me
8. Goodman, Schwerner And Chaney [Side 2]
9. We Didn't Know
10. Buy A Gun For Your Son
11. Every Time
12. Georgie On The Freeways
13. Sully's Pail
14. I'm The Man Who Built The Bridges
Tracks 1 to 14 are the album "Ain't That News" by TOM PAXTON - released 1965 in the USA on Elektra Records EKL 298 (Mono) and EKS 7298 (Stereo). Produced by JAC HOLZMAN - all songs are written by Tom Paxton. Barry Kornfeld (of The Artie Kornfeld Tree) plays 2nd Guitar and Banjo with Felix Pappalardi on Bass. The CD uses the 2001 Rhino/Elektra Bill Inglot/Dan Hersch Remaster of the Stereo mix and sounds beautiful.

As is mostly the norm with this series - none of these discs have any extras and are straightforward transfers of the original vinyl LPs (with repro artwork front and rear). Each CD label lists the tracks along with Writer and Producer credits - a good idea because the 5" Repro Sleeves (although they look nice) are hard if not impossible to read. The Fred Neil, Phil Ochs and Tom Paxton albums turned up in October 2001 on the Rhino/Elektra "2 Elektra Classics" series of CD reissues with gorgeous Bill Inglot/Dan Hersch Remasters from original tapes - and to my ears those lovely transfers of the Stereo mixes have been used here. The Even Dozen Jug Band is probably the 2001 Rhino/Collector's Choice Music remaster and the Various Artists compilation "The Blues Project" is new - both of which are perfectly complimentary to the other three and both boasting wonderfully clear and full audio too.

Happy-wappy Jug Band Music arrives in the shape The Even Dozen Jug Band - all washboards, kazoos, banjos, mandolins and plucked acoustic guitars telling us tales of Tennessee Mamas talking about Evolution and "...gals after my money..." in "I Don't Love Nobody". It's blindingly great fun and sounds incredible given its vintage. But it gets quickly set aside for the real prize on here - "The Blues Project" album from 1964. This is sensational stuff - clued-up white singers keeping black Blues alive with a passion and a real sense of history changing. Each track features voices and acoustic guitars that have become legend in Folk Blues circles - Eric Von Schmidt, "Spider" John Koerner, Geoff Muldaur and Dave Von Ronk. None other than Bob Dylan hides behind the moniker of Bob Landy as he enters a piano duet with Eric Von Schmidt on "Downtown Blues" (the song also features John Sebastian of The Lovin' Spoonful on harmonica). Brilliant stuff. "The Blues Project" is the kind of CD that gives Americana a good name and will be a huge draw for enthusiasts.

"I must have killed a million men...now they want me back again..." - Phil Ochs sings on the brilliant "I Ain't Marching Anymore" where he documents with just his voice, his guitar and his acidic words the senseless waste of war, the US military and the hated draft in a fractured Sixties America. Every track is simple and while he doesn't possess the most powerful of voices - his conviction and wit hammers through each tale of disillusioned youth riling against the man.

I can't be rational about Fred Neil (who can) - his "Bleecker & MacDougal" album is a masterpiece and the remaster on tracks like "Gone Again", "Handful Of Gimme" and "Travellin' Shoes" is just stupendous (each features John Sebastian on Harmonica and Felix Pappalardi of Mountain and Joe Walsh's Barnstorm on Bass). His cover of the Traditional "The Water Is Wide" is about as lovely as Sixties US Folk gets - again with Sebastian warbling so beautifully in the background on his Harmonica lending the song a genuine beauty.

The politically loaded Tom Paxton album tells us about "...people opening up their eyes..." as the US President sends him a letter telling him it's "...time to put your khaki trousers on...we are sending you to Vietnam..." Relationships come into play on the lovely "Hold On To Me Babe" and the pure Folk of "Ev'ry Time (When We Are Gone)" both sounding like early Leonard Cohen. He ends it with the banjo dance of "I'm The Man That Builds Bridges" where he talks of the men who cut timber, laid track and built America - a proud song that counters the hurt of the anti-war songs that preceded it.

"...I'll never get out of these blues alive..." Fred Neil sang in 1965 - and he wasn't just singing about a state of mind but the State of the USA - as each of these superb snippets of Americana inform. A fantastic addition to an increasingly impressive series...buy it and I envy you the journey...

PS: see also 2015 reviews for 5CD Mini Box sets from Terry Reid, Jimmy Webb and Brinsley Schwarz in the "Original Album Series"

Thursday 11 June 2015

"The Singles Volume 10: 1975-1979" by JAMES BROWN featuring The JB's and Martha High (2011 US Hip-O Select 2CD Anthology - Seth Foster Remasters) - No. 10 in a Series of 11 - A Review by Mark Barry



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"…Get Up Offa That Thing…And Dance 'Til You Feel Better…"

I've been diligently collecting this series of 2CD sets since they started in 2006, and this 10th installment is the fifth twofer to cover his extraordinary Seventies output (Volumes 6, 7, 8 and 9 are the others and feature 1970 to 1975).

Volume 9 had a feeling of JB winding down in terms of quality – treading water a lot of the time, and despite Volume 10 feeling somewhat the same, there is still greatness to be heard on this latest edition. Details first...

All tracks are credited to JAMES BROWN except where noted and the pairing of numbers below are the A & B-sides of US 7" singles. 

Released 11 February 2011 on Hip-O’s own website in the USA (British released Monday 28 March 2011) - "The Singles Volume 10: 1975-1979" by JAMES BROWN on Hip-O Select/Polydor B0015279-02 (Barcode 602527622408) is a 2CD set of Remasters and breaks down as follows…(all catalogue numbers are US 7” singles unless otherwise noted):

Disc 1 (77:23 minutes):
1. Superbad, Superslick Part I
2. Superbad, Superslick Part II
Tracks 1 and 2 are Polydor PD 14295, released September 1975 (for 2, see also Track 5)

3. Dooley’s Junkyard Dogs      
4. Dooley’s Junkyard Dogs - Short Version
Tracks 3 and 4 first appeared as a Promo 7” single in November 1975 on Polydor PRO-005, then was issued as a Stock Copy in January 1976 on Polydor PD 14303

5. Hot (I Need To Be Loved, Loved, Loved, Loved)
Tracks 5 (and 2 above) are the A&B sides of Polydor PD 14301, released December 1975

6. (I Love You) For Sentimental Reasons
7. Goodnight My Love
Tracks 6 and 7 are Polydor PD 14304, released March 1976

8. Everybody Wanna Get Funky One More Time – Part 1
9. Everybody Wanna Get Funky One More Time – Part 2
Tracks 8 and 9 are People PE 664, released May 196 [credited to THE J.B.’S with JAMES BROWN]

10. Get Up Offa That Thing
11. Release The Pressure
Tracks 10 and 11 are Polydor PD 14326, released June 1976

12. I Refuse To Lose        
13. Home Again
Tracks 12 and 13 are Polydor PD 14354, released August 1976

14. Bodyheat (Part 1)
15. Bodyheat (Part 2)
Tracks 14 and 15 are Polydor PD 14360, released December 1976

16. Kiss In 77
17. Woman
Tracks 16 and 17 are Polydor PD 14388, released April 1977

Disc 2 (75:36 minutes):
1. Give Me Some Skin
2. People Wake Up And Live
Tracks 1 and 2 are Polydor PD 14409, released July 1977 [credited to JAMES BROWN AND THE J.B.’S]

3. Summertime
4. Take Me Higher And Groove Me
Tracks 3 and 4 are Polydor PD 14433, released November 1977 [A-side credited to MARTHA and JAMES (Duet Vocal With Martha High)]

5. If You Don’t Give A Dogone About It
6. People Who Criticize
Tracks 5 and 6 are Polydor PD 14438, released January 1978 [credited to JAMES BROWN and The New J.B.’s]

7. Love Me Tender
8. Have A Happy Day
Tracks 7 and 8 are Polydor PD 14460, released March 1978 [credited to JAMES BROWN and The New J.B.’s] (Track 7 was used again — as a B-side to track 11)

9. Eyesight
10. I Never, Never, Never Will Forget
Tracks 9 and 10 are Polydor PD 14465, released April 1978

11. The Spank
Track 11 (and Track 7) are Polydor PD 14487, released July 1878

12. Nature (Part I)
13. Nature (Part II)
Tracks 12 and 13 are Polydor PD 14512, released September 1978

14. For Goodness Sakes, Look At Those Cakes (Part 1)
15. For Goodness Sakes, Look At Those Cakes (Part 2)
Tracks 14 and 15 are Polydor PD 14522, released October 1978

16. Someone To Talk To (Part I)
17. Someone To Talk To (Part II)
Tracks 16 and 17 are Polydor PD 14540, released December 1978

18. It’s Too Funky In Here
19. Are We Really Dancing
Tracks 18 and 19 are Polydor PD 14557, released May 1979

Like Volumes 8 and 9 (see separate reviews), the 28-page booklet by noted JB expert and former tour manager ALAN LEEDS and is a joy to look at — a hugely informative read that's packed to the gills with track histories, concert posters, trade adverts, magazine covers and a thoroughly detailed recording Sessionography. The inlay beneath the see-through CD tray has an advert for a concert at the Miami Baseball Stadium with a string of guests including B.B. King - it's exceptionally well done...

And again (as in previous issues) SETH FOSTER has expertly handled the first-generation master tapes for the single mixes - he's done a truly superlative job — warm, clear and fabulously alive. There is hiss on some cuts like "Summertime" - but mostly the music jumps out of the speakers at you — gorgeous sound. The word "Limited Edition" is embossed in gold lettering on the rear inlay (it doesn’t give numbers, but presumably it's a worldwide limited edition of 5000 copies like its predecessor).

Disc 1 opens strongly with 2 great driving-funky singles — “Superbad, Superslick” and “Dooley’s Junkyard Dogs” (I think the shortened B-side is better than the longer An on Dooley’s). The sample of David Bowie’s “Fame” provides the backbeat for “Hot [I Need To Be Loved, Loved, Loved)” where James steals back a little of what everyone stole from him. Unfortunately there follows a cringingly bad disco version of the Nat King Cole 1946 standard “[I Love You) For Sentimental Reasons” with an equally cruddy version of the Jesse Belvin 1956 hit “Goodnight My Love” on the flip. Things improve on “Everybody Wanna Get Funky…” even if the false crowd start irritates a bit – it’s good – but what comes next is another league altogether. “Get Up Offa That Thing…And Dance ‘Til You Feel Better…” was shouted by JB at a lack-lustre audience and he had a hit in his brain. Done with a new band and fresh enthusiasm, they got it down in one take – and it funks like a mother. 

It’s followed by another double-winner – the fast and funky jam “I Refuse To Lose” and its bluesy B-side “Home Again” (great stuff and both sounding spectacularly clear). “Bodyheat” is superb funk too - fully deserving its Number 13 position on the USA R&B charts. “Kiss In 77” is JB in Teddy Pendergrass loverman territory and it only half works, but its B-side “Woman” is far better – stylistically harking back to his 1966 King Records classic “It’s A Man’s Man’s Man’s World”.

Disc 2 has its dogs as well – his terrible cover of Presley’s “Love Me Tender” no matter how heartfelt it was smacks of opportunism almost a full year after Elvis’ death, while the cloying “Someone To Talk” is sappy pap. His duet with Martha High on the Gershwin cover of “Summertime” is actually quite good, but when we get to tracks like “Eyesight” and “Nature”, Brown just sounds out of time – and worse – he even sounds naff. It ends on a good note though – “It’s Too Funky In Here”.

To sum up – Volume 10 is similar to Volume 9 – the good and great vying with precisely the opposite (Volumes 7 and 8 are much better). But if you really want to know why he got the title "The Godfather of Soul" in the first place - and especially why funk fans dig him so much - then buy this superbly featured reissue and concentrate only on the good stuff.

By the end of the Seventies, James Brown wasn’t troubling the national charts too much, but there’s enough on here to convince that JB truly was a genius. When all others had fallen by the wayside, he was still capable of producing the goods…

INDEX - Entries and Artist Posts in Alphabetical Order