Amazon Music Bestsellers and Deals

Friday, 29 April 2016

"Long After Dark" by TOM PETTY and THE HEARTBREAKERS (2001 Universal/MCA 'HDCD' Reissue - Joe Gastwirt Remaster) - A Review by Mark Barry...



"...I'm Finding Out..." 

Originally released in November 1982 on Vinyl and Cassette – Tom Petty's fifth studio album "Long After Dark" seemed to slip through the cracks. While it managed a top-ten placing Stateside - no one cared enough to notice in good old Blighty. You just don't see British vinyl originals of it that much - and the initial 1980's CD reissue (a non-remaster) disappeared off the shelves only a few years after it was released.

Which brings us to this fantastic sounding 2001 'HDCD' Remaster – a properly decent audio overhaul - but yet again - overlooked in his canon of consistently good releases. "Long After Dark" is a brilliant rock album with all the trademark Petty hooks and catchy choruses - tune after tune hitting you with their economy and brilliance. Deliver me indeed. Here are the details...

UK and USA released March 2001 – "Long After Dark" by TOM PETTY and THE HEARTBREAKERS on MCA 112 446-2 (Barcode 008811244620) is a straightforward CD transfer/reissue (mastered in HDCD) of the album (36:24 minutes).

1. A One-Story Town
2. You Got Lucky
3. Deliver Me
4. Change Of Heart
5. Finding Out
6. We Stand A Chance [Side 2]
7. Straight Into Darkness
8. The Same Old You
9. Between Two Worlds
10. A Wasted Life
"Long After Dark" was released November 1982 in the USA on MCA/Backstreet Records BSR-5360 and in the UK on MCA Records MCL 1818. It peaked at No. 9 on the US LP charts and No. 45 in the UK.

The booklet is ok – reproducing the lyrics of the original vinyl album’s inner sleeve. The back inlay picture is different to the 80's issue but that’s about it. However – that’s offset by the gobsmacking audio... Remastered by Joe Gastwirt at Ocean View Digital from the original analogue master tapes - the sound on this 'High Definition Compatible Digital' reissue (one in a series of Petty Remasters) is just stupendous - clear, full of power and clarity and ready to kick your stereo in its sub-woofer proverbials. Gastwirt has done a truly fantastic remaster job here.

Co-Produced by Petty with JIMMY IOVINE (who'd worked so successfully with the band on "Damn The Torpedoes" in 1979) - "A One Story Town" opens proceedings with a tale of faraway feelings and nowhere city - all wrapped up in a driving set of riffs. The huge synth punch in "You Got Lucky" is so clear that it almost feels intrusive – audio that's too damn good. But then we get one of those fabulous Petty rockers - "Deliver Me" - where he begs his girl to "...take this heart...and deliver me..." Another belter follows - the faster-paced "Finding Out" - a shockingly good headbanger that builds and builds (cracking harmony vocals too). Side One ends on the clever voice-box guitar of "We Stand A Chance". Other winners include the deceptively sweet "A Wasted Life" - a shuffler that gets its hooks into and stays there. Both "Change Of Heart" and "Straight Into Darkness" is the band firing on all sixes - brilliant Petty rockers with huge sound (I love these songs and US radio played the hell out of "Straight Into Darkness"). No time for pretty as it ends with more monster riffage - the moody 'you haven't changed' song "The Same Old You".

I've always thought "Long After Dark" to be an absolute blinder of an album and not nearly as dated as so much Eighties cack is. And it's cheap too (use the Barcode provided above to get the right issue). You go TP...

Thursday, 28 April 2016

"Commander Cody and his Lost Planet Airmen/Tales From The Ozone/We've Got A Live One Here!" by COMMANDER CODY And HIS LOST PLANET AIRMEN (April 2016 UK Beat Goes On Records (BGO) Compilation – 3LPs onto 2CDs - Andrew Thompson Remasters) - A Review by Mark Barry...



This Review Along With 145 Others Is Available In My
SOUNDS GOOD E-Book on all Amazon sites

MORE THAN A FEELING 
1976

Your All-Genres Guide To 
Exceptional CD Reissues & Remasters
Thousands of E-Pages - All Details and In-Depth Reviews From Discs
Just Click Below To Purchase (No Cut and Paste Crap)

https://www.amazon.co.uk/MORE-THAN-FEELING-All-Guide-Exceptional-ebook/dp/B0BGT69MVZ?crid=1RTTPB6MEK9Y7&dib=eyJ2IjoiMSJ9.aCLqQD_0x4Xc4Kd7CEKllFnbfqhZ11PdMT_72etNzX9uk4_p_dYzE7ix7BD2qIIrl8-pAv90HElKfIB-_ZesIaS7TKJ-pDCFTgEP2k9aFX6a08GeBKgOKqyKHE6gcf0WacJEY4AKfVHlvo1EyZXb-psq6hf7c8WNvfvSSQUcNdP73WQfDavTWOHn5u81XeWCHJ47XMXWJqovt2Cx2c7BHgnvhCDYy23xFnpilpsAe90.T6uf-EhIxX_KJ8LfLu5E7Pk739m39vwP0A9sw0LfGno&dib_tag=se&keywords=more+than+a+feeling+mark&qid=1717663975&sprefix=more+than+a+feeling+mark%2Caps%2C78&sr=8-4&linkCode=ll1&tag=mabasreofcdbl-21&linkId=02abe7807076077061be2311e2d581b1&language=en_GB&ref_=as_li_ss_tl

"...Honky Tonk Music..."

I'd admit that Idaho's George Frayne (Commander Cody) and his crew of permanently Lost Airmen produced Country music that is actually hard to define. You take straight up story-song pedal-steel Country as a base – and every second song you throw in some 40s Swing, 50's R&B and Rockabilly – then layer that lot with some good old knees-up-mother-brown 60ts brass backing – and you get an approximation of the ever so slightly anarchic musical stew that's on offer here. Great fun for sure when it works – but a shade short of hammy awful when it doesn't.

But all musical summations aside - if you're a fan of Commander Cody – then a state of seventh heaven awaits you here because the High Definition Audio Remaster on these 2016 British CDs is truly fabulous stuff (taken from first generation master tapes). Here are the not-so-lost details...

UK released Friday, 29 April 2016 (May 2016 in the USA) – "Commander Cody And His Lost Planet Airmen/Tales From The Ozone/We've Got A Live One Here!" by COMMANDER CODY and his LOST PLANET AIRMEN on Beat Goes On BGOCD 1238 (Barcode 5017261212382) offers 3LPs (two studio, one live double) Remastered onto 2CDs and plays out as follows:

Disc 1 (68:22 minutes):
1. Southbound
2. Don't Let Go
3. California Okie
4. Willin'
5. The Boogie Man Boogie
6. Hawaii Blues [Side 2]
7. House Of Blue Lights
8. Keep On Lovin' Her
9. Devil And Me
10. Four Or Five Times
11. That's What I Like About The South
Tracks 1 to 11 are their 5th album (debut for Warners) "Commander Cody and his Lost Planet Airmen" – released in the USA January 1975 on Warner Brothers BS 2847.

12. Minnie The Moocher
13. It's Gonna Be One Of Those Nights
14. Connie
15. I've Been To Georgia On A Fast Train
16. Honky Tonk Music
17. Lightnin’ Bar Blues
18. Paid In Advance
19. Cajun Baby
20. Tina Louise
21. The Shadow Knows
22. Roll Your Own
23. Gypsy Fiddle
Tracks 12 to 23 are their 6th album (2nd for Warners) "Tales From The Ozone" – released October 1975 on Warner Brothers BS 2883

Disc 2 (70:06 minutes):
1. One Of Those Nights
2. Semi Truck
3. Smoke! Smoke! Smoke!
4. Big Mammau
5. San Antonio Rose
6. 18 Wheels
7. Mama Hated Diesels
8. Lookin' At The World Through A Windshell
9. My Window Faces South
10. Milkcow Blues
11. It Should've Been Me
12. Back To Tennessee
13. Seeds And Stems
14. Rock That Boogie
15. Riot In Cell Block No. 9
16. Don't Let Go
17. Too Much Fun
18. Hot Rod Lincoln
19. Lost In The Ozone
Tracks 1 to 19 are the double live-album "We've Got A Live One Here!" – released July 1976 in the USA on Warner Brothers 2LS 2939

There's a card slipcase which always makes these BGO releases feel classy – a 16-page booklet new liner notes from noted writer JOHN O'REGAN – photos of the band recording – album credits and so on. It discusses their first four albums on Paramount and then the trio – presented here – two studios efforts for Warner Brothers and a live double that includes material from entire career stretching back to 1971. But the big news is the 'Mastered In High Definition Audiophile Recording From The Original Master' emblazoned across the top of the card slipcase. Carried out by BGO's resident sound engineer ANDREW THOMPSON – the Audio is a total triumph. There's amazing clarity and warmth on both of these CDs – a great sound that doesn't feel amped up for the sake of it. 

Hoyt Axton stumped up the opening "Southbound" – the bass and vocals so clear. Jesse Stone wrote the irrepressible bop of 'Don't Let Go" and the golden-voiced Roy Hamilton had a hit with it in 1958 on Epic Records – a great R&B dancer. Cody sticks pretty much to that bopping formula. By direct contrast is the pure country tune of "California Okie" – a lost-my-wife song supplied by Kevin 'Blackie' Farrell. They attempt a passable version of Little Feat's "Willin'" but it isn't a patch on Lowell George's hurting original. Better fun is the barrelhouse piano of "The Boogie Man Boogie" – a song about a ghost who won't leave the black and white keys alone in the dead of night. Another goody in that R&B vein is "House Of Blue Lights" – a 78" hit for Eddie Slack and Ella May Morse on Capitol Records way back in 1946 (Jerry Lee Lewis did a cover of it too). Bob Wills and his Playboys along with Phil Harris (the voice of Baloo The Bear in The Jungle Book) both had a hit with "That's Why I Like About The South" – so Cody keeps it Country and ends the album well.

Although it tries to seem like it's having fun - the 2nd Warners LP feels forced with ill-advised covers of Cab Calloway's "Minnie The Moocher" and Lieber/Stoller's "The Shadow Knows" which The Coasters did in 1958 on Atlantic. Better is "Honky Tonk Music" - a huge sing-a-long crowd pleaser. Hoyt Axton's "Lightnin' Bar Blues" is very good – a man wanting to have a brewski in peace. The live double screams good time R&B shindig more than line-dancing country – the audience whooping and hollering to "Smoke! Smoke! Smoke!" and the final flourish of R 'n' B and R 'n' R tunes like "Rock That Boogie" and Charlie Ryan's 1959 Rockabilly winner "Red Hot Lincoln".

Commander Cody and his Lost Planet Airmen and the music on these 2CDs are very much an acquired taste. But if you're partial – you'll need to own it for that truly stunning audio. And don't you just love that 'spacemen' artwork...

Wednesday, 27 April 2016

"Original Album Series" by TOMMY JAMES & THE SHONDELLS (2014 Rhino/Warners 5CD Mini Box Set) - A Review by Mark Barry...



"...Crimson And Clover..." 

My first real introduction to the mighty 60ts Pop & Rock magic of Tommy James & The Shondells was via Bruce Springsteen vinyl bootlegs in the late 70ts (he will be pleased). I can remember his 1978 encores used to include the incendiary "Mony Mony" to staggering effect – and bluntly his "She's The One" on 1975's "Born To Run" bore an uncanny resemblance to James' signature blaster sound.

I wanted more - but their albums are not common outside of Anthologies and compilations. And that's where this dinky 2014 value-for-money 5CD mini box set reissue comes in. Excluding 2 LPs from 1967 ("It Only Love" and "Getting' Together") – you get their five other albums of the period (1966 to 1969) all in one neat little package. The music moves from Monkees-type pop in 1966 through to the acidic mayhem of 1969 where they come on like a laddish Kinks with killer tunes and a twinkle in their eye. Time to shake a tail feather y'all...

Originally UK and Europe released 20 January 2014 – "Original Album Series" by TOMMY JAMES & THE SHONDELLS on Rhino/Warner Brothers 2564636195 (Barcode 825646361953) is a 5CD Mini Box Set with 5" singular card sleeve repro’s and plays out as follows:

Disc 1 (30:35 minutes):
1. Hanky Panky
2. I'll Go Crazy
3. I'm So Proud
4. The Lover
5. Love Makes The World Go Round
6. Good Lovin'
7. Say I Am [Side 2]
8. Cleo's Mood
9. Don't Throw Our Love Away
10. Shake A Tail Feather
11. Soul Searchin' Baby
12. Lots Of Pretty Girls
Tracks 1 to 12 are their debut album "Hanky Panky" – released July 1966 in the USA on Roulette R 25336 (Mono) and Roulette SR 25336 (Stereo) – no UK release. The Stereo mix is used.

Disc 2 (29:24 minutes):
1. I Think We're Alone Now
2. Trust Each Other In Love
3. What I'd Give To See Your Face Again
4. Baby Let Me Down
5. Let's Be Lovers
6. Run, Run, Baby, Run
7. Mirage [Side 2]
8. I Like The Way
9. California Sun
10. (Baby, Baby) I Can't Take It
11. Gone, Gone, Gone
12. Shout
Tracks 1 to 12 are their third album "I Think We’re Alone Now" – released April 1967 in the USA on Roulette R 25353 (Mono) and Roulette SR 25353 (Stereo) – no UK release. The Stereo mix is used.

Disc 3 (27:51 minutes):
1. Mony Mony
2. Do Unto Me
3. (I'm) Taken
4. Nightime (I'm A Lover)
5. Run Away With Me
6. Somebody Cares [Side 2]
7. Get Out Now
8. I Can't Go Back To Denver
9. Some Kind Of Love
10. Gingerbread Man
11. One Two Three And I Fell
Tracks 1 to 12 are their fifth album "Mony Mony" – released July 1968 in the USA on Roulette SR 42012 (Stereo-only) and in the UK on Roulette RRLP 1 (Mono) and Roulette SRLP 1 (Stereo). The Stereo mix is used.

Disc 4 (32:31 minutes):
1. Crimson & Clover
2. Kathleen McArthur
3. I Am A Tangerine
4. Do Something For Me
5. Crystal Blue Persuasion [Side 2]
6. Sugar On Sunday
7. Breakaway
8. Smokey Roads
9. I'm Alive
10. Crimson & Clover (Reprise)
Tracks 1 to 10 are their sixth album "Crimson & Clover" – released January 1969 in the USA on Roulette SR 42023 (Stereo-only) and in the UK on Roulette RRLP 2 (Mono) and Roulette SRLP 2 (Stereo). The Stereo mix is used.

Disc 5 (42:24 minutes):
1. Cellophane Symphony
2. Makin' Good Time
3. Evergreen
4. Sweet Cherry Wine
5. Papa Rolled His Own
6. Changes [Side 2]
7. Loved One
8. I Know Who I Am
9. The Love Of A Woman
10. On Behalf Of The Entire Staff & Management
Tracks 1 to 10 are their seventh album "Cellophane Symphony" – released October 1969 in the USA on Roulette SR 42030 (Stereo-only) and in the UK on Roulette RRLP 3 (Mono) and Roulette SRLP 3 (Stereo). The Stereo mix is used.

As with all of these mini box sets there's no booklet but you do get 5 x 5" singular mini album sleeves (no gatefolds anyway) with the original front and rear cover of the American LPs on Roulette Records. The writing is tiny of course but how cool is it to see that original artwork after all these decades. The writer-credits are on the CD labels as are full track lists (no timings) with all 5 CD labels having generic colours that don’t reflect the original LP colours.

SOUND: There's no mention of Remasters but its Rhino/Warner Brothers and to my ears the Audio is wickedly good. I've got the 2009 Revola CD for "Crimson & Clover" and "Cellophane Symphony" and I'd have to say that the Audio on their release is the real deal – much better than what's on offer here. But as I say – what is on offer is excellent and at roughly two quid per album – a bit of a deal. Glitches - there was a mastering error on the "One Two Three And I Fell" track on the "Mony Mony" CD album – mistakes were admitted and Rhino have replaced it (my copy is fine).

The "Hanky Panky" album peaked at No. 46 on the US LP charts and produced two big singles – "Say I Am (What I Am)" b/w "Lots Of Pretty Girls" which hit No. 21 in August 1966 on Roulette R-4695 – and the title track "Hanky Panky" that went all the way to No. 1 in June 1966 on Roulette R-4686. Coming across like a more aggressive version of Roy Orbison and penned by the dynamic songwriting duo of Jeff Barry and Ellie Greenwich - "Hanky Panky" is a total 60ts dancing winner. The boys then show their Soul smarts by covering James Brown's "I'll Go Crazy" as well an almost vocal group take on The Impressions classic "I'm So Proud" (penned by Curtis Mayfield). "The Lover" is the first of three originals on the LP – this one penned by their Tenor Sax man George Magura and Bassist Mike Vale. The other two originals are band numbers - "Don't Throw Our Love Away" and "Soul Searchin' Baby". Soul gent Deon Jackson wouldn't cringe at their cover of his sublime "Love Makes The World Go Round" - while The Rascals might sue for identikit on "Good Lovin'". As I recall the funky Soul-Stroll of "Cleo's Mood" (penned by Junior Walker) would also turn up as an instrumental B-side to Isaac Hayes monster "Shaft" in 1971 on Stax Records. The Shondells Saxophone take on it is the kind of wicked 60ts groover you might hear in a bar and rush to the counter to find who it is. Other happy tunes include the infectious "Shake A Tail Feather" – a frat-party winner originally done by The Five Du-Tones in 1963 and picked up on again in 1967 by James & Bobby Purify.

"I Think We're Alone Now" hit No. 74 in April 1967 – it’s title track represented here in its Mono 7” single variant for some reason (weedy sound). "I Think We're Alone Now" is probably better known as a Tiffany song when the teen sensation covered it 20 years later in 1987. Producer and songwriter Phil Cordell took over the reins for the "I Think We're Alone Now" LP - proffering all the songs except their cover of The Isley Brothers classic "Shout". Winning tunes include "Baby Let Me Down" (a lovely vibe) while "California Sun" is probably the most famous groove on here a regular spin for DJs wanting to lively-up their airwaves. Another emotion-puller on here is "(Baby, Baby) I Can't Take It No More" – a fantastic piece of Sixties pop that will lift the most jaded of hearts.

Considering what a smash "Mony Mony" was as a song – it's surprising to see that the LP barely scraped No.193 in July 1968. But that doesn’t mean its weak. It opens with hand-clapping and you can literally see all those shimmy-shaker girls giving it some go-go – driving all the boys wild in their lame boots and mini-skirts (yeah baby). Taking it down several notches the pretty ballad-melody in "(I'm) Taken" is another hidden album nugget. Phil Spector fans will love the Wall Of Sound production given to "Run Away With Me" complete with speaker-to-speaker panning of the vocals. Other faves include the exit-that-bad-relationship-real-quick "Get Out Now" and the harpsichord pop of "Some Kind Of Love".

Fans will also know that the LP variant of the "Crimson & Clover" track is known as the 'long version' because it runs to 5:26 minutes (5:33 on this CD - the single was an edit at three and half minutes). Luckily Rhino have used the 'long version' complete with the engineer saying "...do a thing...whatever..." at the beginning and that fantastic psych-out extended guitar passage. Released at the beginning of January 1969 – the album "Crimson & Clover" showed maturity in the writing and gave a nod to the druggy culture of the times. The wonderful trippy "I Am A Tangerine" is an obvious homage "I Am The Walrus" by The Beatles. "Don't worry about guys...it's all in the mix..." we’re advised at the beginning of "Sugar On Sunday" by the Producer - a song where we go heavy on the harpsichord and treated vocals – the band sounding not unlike a stoned Bee Gees. But my fave is the garage guitar of "Breakaway" – a fantastic little groover buried on Side 2.

Part concept LP – part drug-addled – "Cellophane Symphony" continued the exploration of its predecessor. It opens on what could be The James Gang or Iron Butterfly or even Zappa. The 9:36 minute guitars of "Cellophane Symphony" signal a Tommy James & The Shondells that has moved away from three-minute power pop so much as to be almost unrecognisable. The music continues on the shorter and more recognisably Tommy James "Made Good Time" - where they already sound like Canned Heat on the road (great organ solo). The ballad "Evergreen" has great Production values and feels bigger and better than its 2:07 minute playing time would suggest. The witty homemade cigarettes song "Papa Rolled His Own" has a circus-carousel vocal that's fun but a tiny bit dated. Better is the Side 2 opener "Changes" – the sort of funk-rock religious song that wouldn't have gone amiss in "Hair" (I used to have some myself in 1969). My other poison here is the deceptively deep "I Know Who I Am" which feels like Warner Brothers Dion or even one of Link Wray's Polydor Records '3-Way Shack' recordings – all languid and knowing. While "The Love Of A Woman" may indeed be their very best song – hidden away on an album that's been lost in the mists of time.

A fantastic ride then through those amazingly creative years – and the best way to rediscover some criminally forgotten 60ts joy...

"I've Always Kept A Unicorn: The Acoustic Sandy Denny" by SANDY DENNY (2016 Universal/Island 2CD Remasters) - A Review by Mark Barry...




SANDY DENNY featuring Fairport Convention, The Strawbs, Fotheringay, The Bunch, 
Richard and Linda Thompson, Trevor Lucas and Ralph McTell

"...Wondering if you know how much you mean to me..."

On page 2 of the booklet for 2016's "I've Always Kept A Unicorn: The Acoustic Sandy Denny" is an omen of reissue greatness. Sandy is sat at home on an armchair with her acoustic guitar in hand and a huge plaster-cast on her right leg which is in itself plonked up on a stool (fell off stage at the Toad Hall Folk Club in East Ham, October 1967). She's having a chat with her poodle Lucy who is stood left of her on a nearby table wondering what's that white thing on mummy's leg with her toes sticking out of it. The black and white picture is both laugh-out-loud funny and strangely poignant at one and the same time.

With all the po-faced accolades thrown at this wonderful British vocalist (the only singer to have ever duetted with Led Zeppelin) – I think it's all too easy to forget that Sandy Denny was once funny – had a sense of humour – and engendered enormous affection for precisely that. There's warmth, humanity and even ordinariness in that quirky photo. And I suspect the compilers of this double-dip into her softer Acoustic side know this and want to reclaim her as a 'person' as much as celebrate her musical legacy. There's a lot on this fab 2CD vault's trawl so let's get to the shaggy dog stories...

UK released 22 April 2016 (29 April 2016 in the USA) – "I've Always Kept A Unicorn: The Acoustic Sandy Denny" by SANDY DENNY on Universal/Island 536 735-0 (Barcode 600753673508) is a 40-Track 2CD Anthology of Demos, BBC Recordings and rare album versions with 3 Previously Unreleased Tracks and plays out as follows:

Disc 1 (71:58 minutes):
1. Who Knows Where The Time Goes
Track 1 by THE STRAWBS and SANDY DENNY
1967 Recording first released 1973 in the UK on the "All Our Own Work" LP on Hallmark SHM 813

2. You Never Wanted Me (Saga Album Version)
3. Milk And Honey (Re-Recorded Version)
Tracks 2 and 3 by SANDY DENNY – both are Jackson C. Frank covers
Tracks 2 and 3 originally recorded 1967 for the "Sandy & Johnny" album by Sandy Denny and Johnny Silvo on Saga EROS 8041. However, track 3 is the 're-recorded' version that first appeared in 1970 on the "It's Sandy Denny" compilation LP on Saga Eros SAGA 8153

4. Autopsy (Demo)
5. Now And Then (Demo)
6. She Moves Through The Fair (Acoustic Master)
7. Fotheringay (Acoustic Master)
Tracks 4 to 7 by FAIRPORT CONVENTION

8. The Pond And The Stream (Demo)
9. Winter Woods (Demo)
10. Wild Mountain Thyme (BBC 'Sounds Of The Seventies' Recording)
11. The Lowlands Of Holland (BBC 'Folk On One' Recording)
Tracks 8 to 11 by FOTHERINGAY

12. Wretched Wilbur (Demo)
13. The Optimist (Demo)
14. Late November (BBC 'One In Ten' Recording)
15. The North Star Grassman And The Ravens (BBC 'Paris Theatre' Recording)
16. Next Time Around (BBC 'Paris Theatre' Recording)
17. John The Gun (BBC 'Paris Theatre' Recording)
Tracks 12 to 17 by SANDY DENNY

18. Love's Made A Fool Of You (Demo)
19. When Will I Be Loved (Demo)
20. Learning The Game (Demo)
Tracks 18 to 20 by THE BUNCH and are PREVIOUSLY UNRELEASED - feature Richard Thompson and Trevor Lucas on Guitars.
Tracks 18 and 20 are Buddy Holly covers - Track 19 is by The Everly Brothers - Linda Thompson sings on Track 20

Disc 2 (73:30 minutes):
1. Quiet Joys Of Brotherhood (Demo)
2. After Halloween (Demo)
3. The Lady (Demo No. 2)
4. Bushes & Briars (Live on the BBC 'Bob Harris Show')
5. The Music Weaver (Demo)
6. No End (Demo – Piano Version)
7. Solo (BBC 'John Peel Session' – Acoustic Version)
8. Like An Old Fashioned Waltz (BBC 'John Peel Session' – Acoustic Version)
Tracks 1 to 8 by SANDY DENNY

9. The King And Queen Of England (Demo)
10. Rising For The Moon (Demo)
11. One More Chance (Demo)
12. Sandy’s Song (Take Away The Load) (Demo)
13. What Is True? (Demo)
Tracks 9 to 13 by FAIRPORT CONVENTION

14. Blackwaterside (Live on 'Marc Time')
Track 14 by SANDY DENNY

Author of "I've Always Kept A Unicorn: The Biography Of Sandy Denny" – MICK HOUGHTON knows and loves his subject. The text is full of fan-pleasing and illuminating stories as well as a comprehensive range of black and white photos - Sandy young and pretty in a local park in 1967 to outside of the Island Studios in 1974 looking quite the lady about town in her dapper furs. Having said that - you'd have to say that the track lists on Page 3 and 4 that simply list the titles line-by-line don't give you any info as to what came from where – either on original vinyl (if any) or what posthumous CD compilation they first appeared on. There are very cramped writers credits on Pages 18 and 19 – but outside of that – good luck working it out. For instance only by delving into Houghton's liner notes do you suddenly find out that Ralph McTell plays guitar on the "Moments" Demo or that Linda Thompson duets with Sandy on her cover of The Everly Brothers Classic "When Will I Be Loved" - newly discovered Bunch demos from the vaults. I had thought the three 'Previously Unreleased' tracks bookended Disc 1 would be badly recorded filler – but they're shockingly good and professionally recorded too (no dodgy bootleg feel here). Genuinely good stuff...

PASCHAL BYRNE has done the superlative remastering – a name synonymous with dozens and dozens of quality reissues for Esoteric Recordings and at least five or six of Universal's 3CD Box Set overviews for labels like Deram, Decca, Vertigo, Island, Polydor and more. This is a man who knows his way around a tape or two and given the vintage and sparseness of these 'quiet' recordings – there was a danger of being hit with walls of hiss on every song. But that's just not the case. Only two are particularly bad – "Blackwaterside" and "No More Sad Refrains" from the Marc Ellington's Grampian Radio Show 'Marc Time' and there's some speaker distortion on the beautiful "After Halloween" (another highlight on Disc 2). On a slight downside - it seems a shame that someone didn’t see fit to do a track-by-track proper credit – advising what guest musicians play on what so collectors and fans can work out their bearings. Outside of that – Mick Houghton’s liner notes are properly excellent and include interviews with Linda Peters (as she was back then) that give first hand accounts of the young Denny wowing audiences and pernickety producers like Glyn Johns with her 'one take' wonders.

To the music - by rights this double-CD set should really be called 'The Acoustic and Piano Album' (most on Disc 2 are lone Piano demos) – and it has to be said that truthfully no matter how much you love the woman's voice and music - 40 tracks of this is hard to take all in one sitting. But if I pick say 10 tracks to form one coherent LP (see idea below) – the effect is sublime and actually approximates that 'long lost acoustic album' the liner notes keeps alluding to. There's also a marked jump up in audio quality when you get to Disc 2 (most of the Demos are exclusively on Piano and recorded with real fidelity).

35-seconds into "Who Knows Where The Time Goes" and I'm already tearful. It's been 40 years since I played that Hallmark LP from 1973 with The Strawbs (1967 recordings belatedly released). I know everyone adores the Fairport version – but there's something about this raw acoustic take that brings out the beautiful melody. Speaking of magic Houghton quite rightly name-checks the truly stunning "No End" – 7:34 minutes recorded 3 December 1972 in the beautiful audio vastness of the Walthamstow Assembly Hall in my own London's E17. "No End" hurts - it's atmospheric and powerful and technically the best recording by far across the 2CDs (done on a 12-foot Bechstein Grand Piano). It tantalises a fan - you can only dream of what would have happened had someone recorded a whole album with these fabulous acoustics and that instrumental simplicity.

Other highlights - I'd also cite Bryn Haworth's "Moments" which Sandy had from him before he got to release his own warm version on the "Grand Arrival" LP on A&M Records in February 1978. "Moments" is a beautiful song that seems to suit Sandy's particular longing. Mary Black's 1987 LP/CD "By The Time It Gets Dark" on Ireland's Dara Records was the last time I heard this fantastic song - another genius Denny melody and a happy tale amidst the personal darkness that dominates so much of the music on here. Those who are used to the full band versions of "I'm A Believer" and the "Full Moon" outtake (2005 CD reissue) from the much-maligned "Rendezvous" LP (1977) will have their faith restored by the gorgeous stripped-down piano-only demos presented here - her voice full of passion and love. Damn was she good...

Whatever way you look at it (and that slightly hippy-dip title aside) – "I've Always Kept A Unicorn" by Sandy Denny is surely a shoe in for 2016 'Reissue Of The Year' in any genre. Well done to the team who put it together and its No. 1 Bestseller status is thoroughly deserved.

"...Wondering if you know how much you mean to me..." - Sandy sings on the lovely "Full Moon". We miss you beautiful lady...

PS:
A track list for my mock Acoustic & Piano Sandy Denny LP – "Not Long Before The Dawn"
Title taken from lyrics in the song "No End"

Side 1.
1. By The Time It Gets Dark
2. After Halloween
3. No End
4. Moments
5. I'm A Dreamer

Side 2:
1. Bushes And Briars
2. Full Moon
3. One Way Donkey Ride
4. Sandy's Song (Take Away The Load)
5. Who Knows Where The Time Goes

INDEX - Entries and Artist Posts in Alphabetical Order