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Wednesday, 22 June 2016

"His California Album" by BOBBY 'BLUE' BLAND (1991 MCA Records CD Remaster) - A Review by Mark Barry...




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"...I Keep Coming Back For More..."

I've been meaning to review this fantastic Soul album probably for the guts of 20 years or more.

Tennessee's Robert Calvin 'Bobby "Blue" Bland' put out his first long-player "Two Steps from The Blues" in January 1961 on Duke Records. It was a 12-track ragbag of Duke 7" singles - some titles stretching back as far as March 1957. Universal have honoured that sterling beginning as part of a fabulous CD Series they released Stateside in February 2001 called "Blues Classics - Remastered & Revisited" - 11 titles - and Bland's debut "Two Steps From The Blues" has pride of place amongst them (see separate reviews for all 11 titles).

From there on in - the rasping singer moved ever further away from his Blues and R&B roots and embraced Soul Music for the rest of his career. Which brings us to the two albums he made with Dunhill Records in the USA - kicking off his Seventies output. First up was October 1973's "His California Album", following by another absolute masterpiece - "Dreamer" in August 1974. He would go on to make three more albums for ABC - "Get On Down With Bobby Bland" in September 1975, "Reflections In Blue" in May 1977 and "Come Fly With Me" in June 1978 - eventually signing to MCA Records in 1979 for "I Feel Good, I Feel Fine".

But for many fans - the duo of LPs he made in California with Dunhill in '73 and '74 remain something of a Soul Holy Grail. Which brings us around to this great sounding but naffly presented American CD reissue from way back in August of 1991 (reissued several times since with no upgrades, May 1998 and October 2004). It offers little by way of info but man it sounds fab. Here are the details...

Originally USA released 13 August 1991 - "His California Album" by BOBBY BLUE BLAND on MCA Records MCA 10349 (Barcode 008811034924) is a straightforward transfer of the 1973 US Soul album and plays out as follows (38:08 minutes):

1. This Time I'm Gone For Good
2. Up And Down World
3. It's Not The Spotlight
4. (If Loving You Is Wrong) I Don't Want To Be Right
5. Goin' Down Slow
6. The Right Place At The Right Time [Side 2]
7. Help Me Through The Day
8. Where My Baby Went
9. Friday The 13th Child
10. I've Got To Use My Imagination
Tracks 1 to 10 are the LP "His California Album" - released October 1973 in the USA on ABC/Dunhill Records DSX-50163 and May 1974 in the UK on Probe SPB 1088. Produced by STEVE BARRI - it peaked at No. 3 in the US R&B LP charts and No. 136 on the US Pop charts (didn't chart in the UK).

Musicians:
BOBBY 'BLUE' BLAND – Vocals
BEN BENAY, DAVID COHEN, LARRY CARLTON, DEAN PARKS and MEL BROWN – Guitars
MICHAEL OMARTIAN – Piano and Organ
CHUCK FINDLEY, DICK HYDE, ERNIE WAYS, JACK KELSEY, Jr. and PAUL HUBINON – Horns
MAX BENNETT and WILDON FELDER (of The Crusaders) – Bass
ED GREENE – Drums
GINGER BLAKE, JULIA TILLMAN and MAXINE WILLARD – Backing Vocals
SID SHARP – Concert Master for Strings

There is a gatefold slip of paper for an inlay with some very basic liner notes from ANDY McKAIE – a name associated with oodles of quality R&B and Soul reissues. Apart from telling you there may be some tape hiss inherent in the transfer process (a generic disclaimer on all those early MCA CDs) – there’s no mastering credits. Yet the album sounds amazing – beautifully rich. I would add however that in my ever-forward quest for better sound on this brilliant album – I bought and reviewed the "Greatest Hits Volume Two: The ABC-Dunhill/MCA Recordings" CD from 1998 for Bobby Bland precisely because it has a couple of the "California" LP tracks in remastered form on it done by the great ERICK LABSON. They sound awesome - but again - I reiterate - despite any lack of credits - the audio on this cheap-as-chips 1991 CD is really excellent...

You know you're in the presence of something special the moment the slow slinky Soul opener "This Time I'm Gone For Good" hits the speakers. Featuring his now trademark rasp (oh Lord!) - the Don Robey/Oscar Peter penned song was issued as a lead-off 45 for the album in November 1973 on ABC/Dunhill D-4369 with Side 2's "Where Baby Went" as its flip-side. While the Pop charts ignored it - the US R&B charts loved the song and rewarded it with a No. 5 position - his highest placing since "These Hands (Small But Mighty)" on Duke Records in 1965. To say they were a bit slow to follow-up is an understatement - Bland would have to wait until March of 1974 for the equally excellent "Goin' Down Slow" to be the next single off the LP - coupled with "Up And Down World" on ABC/Dunhill D-4379 which even then managed a respectable R&B chart placing of No. 17.

So many great songs – the 'V. Morrison' writer's credited alongside Mr. Don 'Dubious' Robey for "Up and Down World" is Vernon Morrison and not Belfast's Van - although the pair admired each other and would work together later in their careers. The fantastic and frankly beautiful "It's Not The Spotlight" written by Gerry Goffin with Barry Goldberg would be picked up on by Rod Stewart (smart boy) for his "Atlantic Crossing" LP in 1975 and by so many afterwards (love Beth Orton's version on her 1996 CD single for "She Calls Your Name").  Written by Homer Banks, Carl Hampton and Randy Jackson - the marital infidelity song "(If Loving is Wrong) I Don't Want To Be Right" is great Bobby Bland Soul. Luther Ingram had done a stone classic version of it in 1972 on Ko Ko Records. Rod Stewart would cover the torch song with the Faces and on his "Foot Loose & Fancy Free" album in 1977 (David Ruffin would have a go too in 1973 and Millie Jackson in 1974). Side 1 ends with the cool "Goin' Down Slow" - a tune that finally allows the musicians to spread out - Michael Omartian giving it some Piano and Organ throughout.

After the near perfection of Side 1 - Side 2 unfortunately has one or two 'not so good' tunes. The 'boppy' Soul of "The Right Place At The Right Time" is attributed to Don Robey but its chipper flicking-guitar and uptempo Brass feel ever so slightly forced - like they're looking for a hit single and not finding one. Things return to genius with his cover of Leon Russell's "Help Me Through The Day" - a gorgeous slow-paced Soulful rendering. Freddie King would also cut a Blues-Soulful rendering of it for his "Woman Across The River" album on Shelter Records in the same year (1973). "...I'm driving a broken-down car...cost me my every last cent...show me a man in a Cadillac...and I'll show you where my baby went..." poor Bobby moans in "Where My Baby Went" to an upbeat brassy backdrop. The bizarrely named "Friday The 13th Child" is a David Clayton-Thomas ballad and it turned up on the Blood, Sweat & Tears vocalist's 1972 "Tequila Sunrise" album on Columbia Records. The album ends on Goffin/King's "I've Got To Use My Imagination" - a return to the Side 1 form. The brass, the voice, the groove - brilliant...

The UK wouldn't see "His California Album" until May 1974 on Probe Records SPB 1088 (the last in the Probe SPB series) - only months before the October 1974 ABC Records released of "Dreamer" on ABC ABCL 5053. They didn't even try a 45 in the UK so it's no wonder the album sank without a trace. Sure the entire album isn't genius but the goodies far outweigh the ordinary any day of the week - and he would follow it with the brilliant "Dreamer" album in 1974.

"...If I ever feel the light again...shining down on me...I don't have to tell you...how welcome it will be..." - Bobby Bland sings during the moving, Soulful and profound "It's Not The Spotlight".

Welcome this beauty into your life - in whatever CD form you can find "His California Album" in...

Tuesday, 21 June 2016

"Foreigner" by CAT STEVENS - July 1973 UK and US LP on Island and A&M Records featuring Phil Upchurch, Paul Martinez, Herbie Flowers and Bernard Purdie (August 2000 UK Universal/Island CD Reissue and Remaster) - A Review by Mark Barry...




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"...Love Must’ve Made You On A Sunday..."

In truth - by the summer of 1973 - Cat Stevens was probably losing his audience. Released in July of that strange year for Rock music - "Foreigner” managed a No. 3 placing in the UK and US charts despite some critical reviews about its move away from simple three-minute songs. And 1974's occasionally musical mishmash "Buddah And The Chocolate Box" didn't help matters either. With a get-some-money-in-quick "Greatest Hits" in July 1975 - from thereon in - 1977"s "Izitso" saw him drop even further down the LP charts (No. 18) and 1979's "Back To Earth" didn't bother the UK Top 100 at all.

In fact for some fans his classic run of albums on the mighty Island Records ends with September 1972's "Catch Bull At Four". But I'd argue that the overlooked and now forgotten "Foreigner" LP is a bit of an unsung masterpiece - especially that fabulous 8-part "Foreigner Suite" occupying the whole of Side 1. And this little beauty of a CD Remaster from way back in the summer of 2000 only hammers that home. Here are the cat-like details...

UK released August 2000 - "Foreigner" by CAT STEVENS on Universal/Island IMCD 272 (Barcode 731454688727) is a straightforward CD Remaster of the 5-track 1973 LP and plays out as follows (36:07 minutes):

1. Foreigner Suite [Side 1]
2. The Hurt [Side 2]
3. How Many Times
4. Later
5. 100 I Dream
Tracks 1 to 5 are his 7th studio album "Foreigner" - released July 1973 in the UK on Island ILPS 9240 and in the USA on A&M Records SP-4391. Produced by CAT STEVENS (all songs by CS also) - it peaked at No.3 on both the US and UK LP charts.

Musicians:
CAT STEVENS – Piano, Electric Piano, Pianos III, Organ, ARP Synth, R.M.I. Electric Piano, Acoustic & Synthesized Guitars, Clavinet, Bass and all Lead Vocals
PHIL UPCHURCH – Guitar
PAUL MARTINEZ – Bass
HERBIE FLOWERS - Bass (only on "How Many Times")
BERNARD PURDIE – Drums (All Tracks except for GERRY CONWAY on Parts 2 and 4 of "Foreigner Suite")

Guests: 
JEAN ROUSSEL - Brass and String Arrangements (Electric Piano on Parts 6 and 8 of "Foreigner Suite")
PATTI AUSTIN, BARBARA MASSEY and TASHA THOMAS – Backing Vocals on Tracks 1, 2 and 4

The 12-page booklet reproduces the lyrics that were on the hard card insert that came with original vinyl LPs (front cover on the first page, back cover on the last) and that black and white painting he did of a Polar Bear. But some UK copies came with a 'Postcard' and of course that beautiful embossed sleeve that was so hard to keep clean - you don't get either. BILL LEVENSON supervised the reissue while TED JENSEN did the Remaster from original two-track analogue master tapes at Sterling Sound in New York. This CD sounds gorgeous - all the instruments clear, strong and present in your speakers. If anything - it seems to have brought the musicianship out more. A top job done...

"...There are no words...I can use...because the meaning still leaves for you to choose..." opens the 18:21 minutes of the 8-part "Foreigner Suite". Beautifully musical - the moods dip and sway - fast to slow - the production so damn good. You can hear Bernard Purdie's expert drumming, Phil Upchurch flicking those guitar strings - but most of all you can hear Cat giving it passion when he sings and the sheer range of instruments he plays. I've always loved this track - and yet at nearly nineteen minutes - it doesn't feel laboured or overstaying its welcome. The final part play-out when he sings "...The moment you fell inside my dreams...I realised all I had not seen..." is joyful and dare we say it - cool.

Preceding the album - Island Records UK tried the Side 2 opener "The Hurt" as a 45 on Island WIP 6163 in July 1973 with "Silent Sunlight" from the "Catch Bull At Four" album as its B-side. It's a great Cat Stevens melody lifted hugely by the 'oohs' and 'aahs' of the three Soulful ladies on backing vocals - Patti Austin, Barbara Massey and Tasha Thomas (Jean Roussel's String and Brass contributions help too). His always close to the surface pain and longing come screaming through the aching "How Many Times" - one of the LP's forgotten gems. Herbie Flowers plays a sweet bass but Cat’s own gentle tinkles on the piano also entrance. "Later" is a wicked foot-tapper that could also have been a lead off 7" single if not for its slightly saucy nature - Phil Upchurch, the girls and those Jean Roussel string arrangements (this one done in conjunction with Cat) all adding hugely to the overall sonic impact. "100 I Dream" has somehow always felt like the weakest song on the LP - but actually on re-hearing it in 2016 - I'm digging it a whole lot more - even if it isn't the greatest tune on the CS roster.

Reviewers always want to focus on 1970's breakthrough album "Tea For The Tillerman" followed by the glorious "Teaser And The Fire Cat" in 1971 - but Cat Stevens is one of those artists where I want to own everything because I know there'll be good stuff on them somewhere. And "Foreigner" contains a lot of that 'good stuff' (it’s online for peanuts too). 

"...Heaven must have programmed you..." - Cat Stevens sings on "Foreigner Suite". Indeed she did...

"Running Jumping Standing Still" by "SPIDER" JOHN KOERNER and WILLIE MURPHY (1993 Red House Records '25th Anniversary Edition' Expanded CD Remaster) - A Review by Mark Barry...





"...Good Times Don't Go To Waste..." 

"...Do you feel like an outcast...well the Red Palace is the name of the place...good times don't go to waste..." - John Koerner sings on the barrelhouse opener "Red Palace" where his six-piece ensemble of late 60ts Folk outcasts feel like The Band have hit a bar and hijacked the upright piano in the corner - drunk and fearless...

Taking its album-name from the Richard Lester Goons Film of 1960 (Directed by Lester and Peter Sellers) - Folky and Bluesman "Spider" John Koerner got together with Blues keyboardist Willie Murphy to make an album of all sorts. It's hard to describe this LP - part Folk-Rock, part Americana - it could easily be The Band album between 1968's "Music From Big Pink" and 1969's "The Band".

"Running Jumping Standing Still" is pictured and critiqued on Page 50 of the truly gorgeous hardback book that accompanies the November 2006 "Forever Changing: The Golden Age Of Elektra Records 1963-1973" 5CD Deluxe Edition Box Set - given a sort of 'overlooked' pride of place. And this gorgeous-sounding Red House Records ‘25th Anniversary Edition’ Expanded CD Reissue and Remaster brings it to audio life big time. Here are the mixed-up details...

USA released February 1993 - "Running Jumping Standing Still" by "SPIDER" JOHN KOERNER and WILLIE MURPHY on Red House Records RHR CD 63 (Barcode 033651006329) is a '25th Anniversary Edition' CD Reissue and Remaster and plays out as follows (49:43 minutes):

1. Red Palace
2. I Ain't Blue
3. Bill & Annie
4. Old Brown Dog
5. Running, Jumping, Standing Still
6. Sidestep [Side 2]
7. Magazine Lady
8. Friends And Lovers
9. Sometimes I Can't Help Myself
10. Goodnight
Tracks 1 to 10 are the album "Running Jumping Standing Still" - released June 1969 in the USA on Elektra Records EKS 74041 and in the UK on Elektra EKL 4041 (Mono) and Elektra EKS 74041 (Stereo) – reissued in the UK in 1971 on Elektra Records K 42026. Produced by FRAZIER MOHAWK and recorded at Elektra's Paxton Lodge on the Feather Rover, Keddie, California - all songs by John Koerner and Willie Murphy. The STEREO MIX was used for this CD.

BONUS TRACK (Previously Unreleased):
11. Some Sweet Nancy

Musicians:
JOHN KOERNER - Guitar and Vocals
WILLIE MURPHY - Piano, Electric Bass and Vocals
KEN JENKINS - Trombone, Tenor Saxophone, Cello and Acoustic Bass
TOD ANDERSON - Horns
JOHN WILCE - Banjo and Mandolin
SANDY KONIKOFF - Drums

The gatefold slip of paper that is the inlay has brief but informative liner notes by ERIC PELTONIEMI about the 'might have been' album and its gestation, reissue credits and so forth - it even offers a potted Koerner/Murphy discography - but no photos and a distinct lack of wow. The same can not be said of the fantastic Remaster by ROGER SIEBEL from original tapes - this Red House Records CD sounds amazing - a tiny bit hissy in places but never dampened down or pro-tooled out of existence. There's warmth to these recordings that bring in my mind of the neutrality Link Wray achieved on his Link Wray and Mordecai Jones album in the early 70ts on Polydor (see review for "3-Way Shack").

"Spider" John Koerner and his eclectic voice/guitar tunings went way back with Elektra Records to 1963 and the legendary "Blues, Rags & Hollers" LP (followed in 1964 with "More Blues, Rags & Hollers"). Both records were Rag Mama Rag albums Koerner did with the duo of Tony "Snaker" Glover" and Dave "Liitle Sun" Ray. Those LPs shook up the Folk-Blues scene at the time and are hard to find (Rhino remastered both in 2004 onto 1CD when they began reissuing Elektra Records Folk artists in earnest). Koerner also had three songs featured on the equally legendary and wonderful "The Blues Project" LP on Elektra in 1964 - see my review of that inside February 2015 "The GREENWICH VILLAGE Folk Scene" 5CD Box Set in Rhino's "Original Album Series". Minneapolis kid Willie Murphy was a Keyboard and Bassist who would later go on to produce Bonnie Raitt's debut LP and ply his trade as Willie And The Bees following his departure from Koerner after their lone collaboration flopped.

Riding the shirt tales of November 1968’s "Music From Big Pink" by THE BAND - the Folk/Blues/Jazz/Vaudeville mash-up that is "Running Jumping Standing Still" LP hit the shops in June 1969 in the USA in a blizzard of Elektra publicity - but no one took any notice. But since its commercial failure on release – it’s gained a sort of hallowed reputation amongst Americana collectors as the illegitimate but deserving child of The Band’s musical legacy.

Actually “Running Jumping Standing Still” is a difficult record to describe. Never is this more apparent on the near eight-minute "Old Brown Dog" which is a Band amble on piano and acoustic guitar that despite its length doesn't overstay itself. And just when you think you've got a measure of its Americana folksiness - it launches into piano soloing that feels like Herbie Hancock let loose on a Steinway with a few brandies - and he don't care. It's quite brilliant really. "It Ain't Blue" has beautiful musicality in its 'lonesome' moan while "Running Jumping Standing Still" is fast and furious - like The Doors gone hillbilly. "Sidestep" is a Rock song at its guitar core while the excellent "Magazine Lady" even has slightly Psych brass sections that sound like Mungo Jerry popped a few mushrooms and turned on a microphone (it was picked as the track to represent the album on the "Forever Changing" 5CD Box Set). "Friends And Lovers" is a pretty piano ballad where they sound like Emitt Rhodes on Probe Records. "Goodnight" ends the record with Koerner 'putting to bed my tired head'. The Previously Unreleased song "Some Sweet Nancy" was meant for the record apparently but left off due to vinyl's limitations - it's excellent and similar to "Sometimes I Can't Help Myself".

A mad record - a great album - a cocktail of so many styles – "Running Jumping Standing Still" by "SPIDER" JOHN KOERNER and WILLIE MURPHY is all of these disparate things and worse. I dig it man. This is one orphaned son of The Band that deserves your cuddles...

"Dr. Feelgood And The Interns" by DR. FEELGOOD and THE INTERNS [feat Piano Red] (1962 Stereo LP inside the 1993 Bear Family CD Box Set "The Doctor's In!") - A Review by Mark Barry...




"...Bald-Headed Lena...She's Alright With Me...”

Like Amos Milburn, Smiley Lewis and Nellie Lutcher – Georgia's Willie L. Perryman (PIANO RED to you and I) was a Rhythm 'n' Blues giant and a wonder on the old Johanna. The albino boogie-woogie player even boasted that he was filled with the 'Spirit of the Universe' and that his rollicking music was 'medicine' for the great unwashed – leaving them 'feeling good for weeks after I'm gone'. And on the evidence of this rather fabulous but completely forgotten 1962 R 'n' B album on Okeh Records – who am I to disagree.

PIANO RED adopted the moniker DOCTOR FEELGOOD and THE INTERNS for his 2nd LP proper with the US label Okeh Records. Their self-titled debut "Dr. Feelgood And The Interns" was released June 1962 in the USA on Okeh Records OKM 12101 (Mono) and Okeh OKS 14101 (Stereo).

Best place in my books to locate the CD variant is inside "The Doctor's in!" by PIANO RED – a 4CD LP-Sized Box Set released December 1993 on Bear Family BCD 15685 DI (Barcode 4000127156853). 

The first twelve-tracks on Disc 4 feature the STEREO mix of the album and play out as follows (66:22 minutes):

Side 1:
1. Doctor Feel-good
2. I'll Give You Anything
3. The Swabble
4. I'll Be Home One Day
5. I Ain't Gonna Be A Low Down Dog No More
6. Bald-Headed Lena

Side 2:
1. What's Up, Doc
2. Mister Moonlight
3. Sea Breeze
4. Right String But The Wrong Yo-Yo
5. Love Is Amazing
6. Don't Let Me Catch You Wrong

Wilko Johnson's British pub-rock band DR. FEELGOOD took their name from this LP and band (via a Johnny Kidd & The Pirates 45 B-side cover on HMV Records) - and you can hear why. "Doctor Feel-good" is great fun - immediately chugging its way into your heart all the way down to your feet. Piano Red tells how he likes 'big women' - 400 pounds or better - and girlies had better pour on the pounds when the Doctor is in the house. "I'll Give Anything" doesn't quite work but the "The Swabble" is great.

It's here you catch the Remaster. WALTER DeVENNE and BOB JONES – both highly experienced Audio Engineers – did the Discs transfers and Mastering (Bob Jones was sadly lost to us a few years back). The Stereo on these cuts is fantastic. Other boogie treats include the witty "I Ain't Gonna Be Your Low Down Dog No More" recorded at the same 31 May 1961 session that gave us the brill "Right String But The Wrong Yo-Yo". While ballad covers of "Mister Moonlight" and "Sea Breeze" feel a little out of place amidst all the boppers ("Mr. Moonlight" was famously covered by The Beatles on their December 1964 UK LP "The Beatles For Sale") - I'm a goner for "Bald-Headed Lena" where Willie name-checks women's names and their rhyming merits. The whole album feels like a long lost R&B dancer with a couple of slowies in-between to give proceedings a bit of balance.

Bear Family Box Sets are the stuff of legend and I suppose it's a costly way of acquiring one album from 1962 - but "Doctor Feelgood And The Interns" is an overlooked boogie-woogie LP worth seeking out. And after all that hip-shaking mama - it's time for a lie down...

Monday, 20 June 2016

"Genuine Houserocking Music" by HOUND DOG TAYLOR & THE HOUSEROCKERS (1993 Alligator CD Remaster) - A Review by Mark Barry...





"...The Sun Is Shining..."

Before his sad passing in December 1975 - Mississippi's Theodore Roosevelt Taylor (aka 'Hound Dog') dragged his cheap Japanese guitar around clubs with his pals and fellow musical cohorts Brewer Phillips (Second Guitar) and Ted Harvey on Drums and made a ballsy slide-guitar racket akin to Elmore James without the finesse but with all the gutbucket passion. Think Seasick Steve circa the early 70ts and you're there. They'd play two or three hours a night - six nights a week for $45 a night - because they loved it. And man can you tell...

With his band 'The Houserockers' - they cut three albums on the newly formed US independent label Alligator Records in the Seventies - "Hound Dog Taylor And The Houserockers" (October 1971 on Alligator AL 4701), "Natural Boogie" (April 1974 on Alligator AL 4704) and "Beware Of The Dog!" (April 1976 on Alligator AL 4707). And that's where this album comes in.

Culled from those June 1971 and September 1973 sessions for the first two LPs (recorded at Sound Studios in Chicago) - Alligator put together this posthumous album of unreleased tracks "Genuine Houserocking Music" and released it as a vinyl LP in May 1982 on Alligator AL 4727. This October 1993 CD Remaster on Alligator ALCD 4727 (Barcode 045395472728) is a straightforward transfer of that 10-track album - Remastered by TOM COYNE at DMS in New York (35:25 minutes): It plays out as follows...

1. Ain't Got Nobody
2. Gonna Send You Back To Georgia
3. Fender Bender
4. My Baby's Coming Home
5. Blue Guitar
6. The Sun Is Shining
7. Phillips Goes Bananas
8. What'd I Say
9. Kansas City
10. Crossroads

For someone who claimed he 'couldn't play for shit' - Hound Dog Taylor raced up and down those frets with his fingers and slide like he believed he was Stevie Ray Vaughan. I beg to differ with his own humble analysis - this hep cat could play - and wasn't too fussy about delivery neither. The results are raw and real. This is gutsy low-down Mississippi Blues - slashing slide - instrumentals that seem to have made up on the spot - along with covers of perennials like Elmore James' "The Sun Is Shining", Ray Charles' "What I'd Say", the Traditional Blues of "Crossroads" and Leiber/Stoller's 1959 hit for Wilbert Harrison - "Kansas City". The boogie instrumental "Fender Bender" is credited to second guitarist Brewer Phillips, "My Baby’s Coming Home" is co-written by Taylor with Narvel Eatmon (the song was released by Taylor as a US 45 in 1980 on Rooster Records) while the others are Taylor originals. You'd have to say that the slashing slide of "Ain't Got Nobody" and the same on the brilliant "My Baby's Coming Home" are exciting and grungy for all the right reasons. "Blue Guitar" is hard-hitting slow Blues with the second axe of Brewer Phillips distorted while Hound Dog digs into those licks for this cool instrumental (some stunning playing on this cut). And it goes like that...so good.

This was their rejects remember so it's hardly a masterpiece - but I love it. There's just something about the raw rocking nature of this ragbag LP that I dig so much (so Peter Green's Fleetwood Mac in places - Jeremy Spencer's fixation with Elmore James).

Forgotten and overlooked - check out this joyful Bluesman with his House Rocking buddies. And tell Seasick Steve fans the good news...

"Wonderful World, Beautiful People" (USA LP title) aka "Jimmy Cliff" (UK LP title) by JIMMY CLIFF (Part of Hip-O Select's 2005 4CD Remastered Book Set 'Better Days Are Coming: The A&M Years 1969-1971') - A Review by Mark Barry...

USA LP ARTWORK and TITLE

UK LP ARTWORK and TITLE

USA CD Remaster Version of The Album within this 4CD Book Set

Rear Sleeve of the Hip-O Select 4CD Book Set


"…I've Got Many Rivers To Cross...Until I Get Over…"

In the late 60ts and early 70ts - Reggae superstar JIMMY CLIFF was released on A&M Records in the USA and Island and Trojan Records in the UK – with an awful lot of crossover on the tracks between the two countries.

But if you want the best audio for his socially smart and Reggae-Soulful “Wonderful World, Beautiful People”/"Jimmy Cliff" LP (1970 in the USA, 1969 in the UK) – this gorgeous Hip-O Select 4CD Book Set out of the States is the place to locate it (and so much more). Here are the details and the many rivers to cross...

USA released October 2005 - "Better Days Are Coming: The A&M Years 1969-1971" by JIMMY CLIFF on Hip-O Select B0005362-02 (Barcode 602498322994) is a 4CD Book Set - and Disc 1 features the "Wonderful World, Beautiful People" LP (known as "Jimmy Cliff" in the UK) with one Bonus Track and plays out as follows (36:47 minutes):

Side 1:
1. Time Will Tell
2. Many Rivers To Cross
3. Viet Nam
4. I’m Gonna Use What I Got (To Get What I Need)
5. Hard Road To Travel

Side 2:
6. Wonderful World, Beautiful People
7. Sufferin’ In The Land
8. Hello Sunshine
9. My Ancestors
10. That’s The Way Life Goes
11. Come Into My Life
Tracks 1 to 11 are the album "Wonderful World, Beautiful People" released January 1970 in the USA on A&M Records SP-4251 and November 1969 in the UK as “Jimmy Cliff” on Trojan TRLS-16 with the same tracks.

BONUS TRACK:
12. Waterfall

US and UK 7" SINGLES around the album:
“Waterfall” was the non-album B-side of the 7" single "Wonderful World, Beautiful People" released in November 1969 on A&M Records 1146 in the USA. The song “Waterfall” had been released as the A-side of a UK 45 on Island WIP-6039 in late 1969 with “The Reward” as its B-side (no featured on this set).

A&M also issued "Viet Nam" from the album as a 45 in the USA on A&M Records AM 1167 in February 1970 with "Come Into My Life" as its B-side. Trojan Records in the UK issued "Come Into My Life" as the A-side in March 1970 on Trojan TR-7745 with the album cut "Sufferin' In The Land" as its B-side (some European territories like Germany and Italy even gave this release a picture sleeve – as they did the release that preceded it - "Viet Nam").

PACKAGING and AUDIO: 
The packaging is exceptional - a long hardback book with embossed sleeve in what feels like recycled card and paper, pictured and themed CDs, superb US and UK discographies, detailed liner notes - it's beautiful to hold and look at. But the real goods as ever lie in the sound...

GAVIN LURSSEN has remastered the original master tapes at the Mastering Lab and the sound/audio is gorgeous. One of the complaints about reggae CD reissues is that they always sound muffled and compressed compared to the whack of their original vinyl counterparts - and as a lover of old records - that's actually true. One of the reasons for this is that some small independent reggae labels had to reuse tapes for economy, so the originals don't exist - and their reissues use a copy of a copy. But this is A&M/Island Records - so the tapes are still in tact and as evidenced here - in tip-top shape. Lurssen has restored life into these songs and brought out the lovely musicianship on them, excessive hiss levels are kept to a minimum without loss of feel and track after track is a joy to listen to. The clarity of the bass, piano, drums, backing vocals and strings on "Wonderful World, Beautiful People" is just one of many examples - an absolute revelation.

An impressive nine of the eleven tracks are Jimmy Cliff originals – including some stone cold classics as “Wonderful World, Beautiful People”, “Come Into My Life” and the magisterial “Many Rivers To Cross” – bizarrely only ever a B-side on 45 to “The Harder They Come” on Island WIP 6139 in October 1972. The two covers have interesting histories – both being Soul songs from 1968. “I’m Gonna Use What I Got (To Get What I Need)” is a Jimmy Holiday A-side from his days at Minit Records (October 1968 USA 7” single on Minit 32053). Cliff takes a mid-tempo number and ratchets up the tempo with added strings and trombones and those reggae big drums. It cleverly feels like a Reggae message song. With a wickedly good organ groove and backbeat - the pride of roots come shining through in the other cover – “My Ancestors”. It’s a Bob Tubert and Demetriss Tapp song picked up by Lou Rawls in February 1968 on Capitol Records CL 15533 - a song about the singer’s son being as ‘mighty’ as his ‘ancestors’ through bloodline. He kind of rocks it up for "That's The Way It Goes" (not great really) and its easy to see why the chipper and upbeat "Come Into My Life" was picked as a 45 - the kind of crossover Reggae-Soul 7” single radio loved.

To sum up - sure it's expensive and it could have been sequenced to feature more of what we want - but "Better Days Are Coming" is still a peach - a thing of beauty to behold and more importantly to listen too. A lot of it isn’t even Reggae in the traditional sense of the word – more Reggae-Soul – with a positive vibe and message for all to hear.

If you want a cheaper CD variant of "Wonderful World, Beautiful People"/"Jimmy Cliff" - Caroline Records of the UK have issued a November 2015 ‘Expanded Edition’ of "Jimmy Cliff" (the UK title) on Caroline CAROLR026CD (Barcode 600753634790) which has the 11-track LP and a generous 13 extras – rarities – even some foreign language versions.

But for me there’s something about Lurssen’s mastering on the 2005 Hip-O Select 4CD reissue that sends me every time.

Either way - frankly - cross as many rivers as you can to get this set into your life… 

INDEX - Entries and Artist Posts in Alphabetical Order