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Friday, 15 July 2016

"Sound System" by THE CLASH (2013 Sony Multi-Disc/Memorabilia Box Set) - A Review by Mark Barry...



"…Something About England…"

I'll openly admit to a wee tremble when this beauty got handed over by a relieved postman - his arms reverting back to normalcy. This thing is big and heavy and yet I love every mad over-the-top inch of it. There's a ton of info to get through so let's do the Armagideon Times, Badges and Dog Tags...

Released September 2013 and featuring full involvement with the band - "Sound System" by THE CLASH is a multiple CD, DVD and Memorabilia Box Set on Sony 88725460002 (Barcode 887254600022) and features the following:

A beautiful and thoughtfully put together Box Set shaped like a Ghetto Blaster Radio (270 x 420 x 100mm) - and once you open the flip-top lid - it reveals each item has been carefully placed inside in a numerical order - their exact placing within laid out in detail in the 'Service Manual'. Here are the contents - numbered 1 to 22 (1 to 8 housed in hard card book sleeves – the music is 1 to 6):

MUSIC:
1. The Clash CD (Newly Remastered by Tim Young and The Clash)
2. Give 'Em Enough Rope CD (Newly Remastered)
3. London Calling 2CD (Newly Remastered)
4. Sandinista! 3CD (Newly Remastered) [1 to 4 on the left side]
5. Combat Rock CD (Newly Remastered)
6. The Clash Extras 3CD (Newly Remastered)

EXTRAS:
7. The Clash DVD (Newly Remastered)
8. Service Manual (Hardback Book Sleeve Like The CDs) [5 to 8 on the right side]
9. Flightcase: 5 Badges and Dog Tags [centred between-and-dividing 1 to 8 CDs]
10. Flightcase: 3 DIY Stickers: 85 x 140mm [behind 1 to 4 CDs]
11. Flightcase: The Clash Paperback Book ("The Future Is Unwritten" - blank inside) [behind CDs 5 to 8]
12. The Clash Folder (contains 13 to 18 below)
13. The Armagideon Times Special Edition (36 Pages)
(Features written contributions from The Baker, Robin Banks, John Cooper Clarke, Johnny Green, Ray Jordan, Don Letts, Alex Michon, Chris Salewicz, Pennie Smith and Kosmo Vinyl. There are also essays from each member of the band - JOE STRUMMER, MICK ONES, PAUL SIMONON and TOPPER HEADON)
14. The Armagideon Times  (Reprinted Fanzine - 24 Pages)
15. The Armagideon Times 2 (Reprinted fanzine  - 24 Pages)
16. Bumper Sticker 88 x 297mm
17. Bumper Sticker 88 x 297mm
18. The Clash Vintage Sticker Set: 180 x 280mm (9 peelable stickers on one sheet)
19. Riser (Black & Yellow Card at the base of the box)
20. Poster Tube (Looks Like A Large Cigarette with a 'Clash' Filter Area)
21. Poster (15" x 15")
22. The Box Itself (inside Divider Has Number 22 on it)

Disc 1 - "The Clash" - 35:20 minutes:
1. Janie Jones
2. Remote Control
3. I'm So Bored With The U.S.A.
4. White Riot
5. Hate & War
6. What's My Name
7. Deny
8. London's Burning [Side 2]
9. Career Opportunities
10. Cheat
11. Protex Blue
12. Police & Thieves
13. 48 Hours
14. Garageland
Tracks 1 to 14 are their UK debut LP "The Clash" released April 1977 on CBS Records S CBS 82000 and August 1979 on Epic Records JE 36060 in the USA (with a Free 7" single containing "Groovy Times" and "Gates Of The West"). To sequence the USA 15-track version of their debut LP in remastered form - use the following tracks off Disc 1 and CD1 in the "Extras" 3-disc set [3/1] = Track 3 on Disc 1 etc:

1. Clash City Rockers [Track 8 - Disc 1 of 6 "Extras"]
2. I'm So Bored With The U.S.A. [3/1]
3. Remote Control [2/1]
4. Complete Control [Track 6 - Disc 1 of 6 "Extras"]
5. White Riot [4/1]
6. White Man In Hammersmith Palais [Track 10 - Disc 1 of 6 "Extras"]
7. London's Burning [8/1]
8. I Fought The Law [Track 15 - Disc 1 of 6 "Extras"]
9. Janie Jones [1/1] - Side 2
10. Career Opportunities [9/1]
11. What's My Name [6/1]
12. Hate & War [5/1]
13. Police & Thieves [12/1]
14. Jail Guitar Doors [Track 9 - Disc 1 of 6 "Extras"]
15. Garageland [14/1]
FREE SINGLE:
16. Groovy Times [Track 16 - Disc 1 of 6 "Extras"]
17. Gates Of The West [Track 17 - Disc 1 of 6 "Extras"]

Disc 2 - "Give 'Em Enough Rope" - 37:02 minutes:
1. Safe European Home
2. English Civil War
3. Tommy Gun
4. Julie's Been Working For The Drug Squad
5. Last Gang In Town
6. Guns On The Roof [Side 2]
7. Drug-Stabbing Time
8. Stay Free
9. Cheapskates
10. All The Young Punks (New Boots And Contracts)
Tracks 1 to 10 are their 2nd album "Give 'Em Enough Rope" - released October 1978 in the UK on CBS Records S CBS 82431 and February 1979 in the USA on Epic JE 35543

Disc 3 - "London Calling"
CD1 (33:37 minutes):
1. London Calling
2. Brand New Cadillac
3. Jimmy Jazz
4. Hateful
5. Rudie Can't Fail
6. Spanish Bombs [Side 2]
7. The Right Profile
8. Lost In The Supermarket
9. Clampdown
10. The Guns Of Brixton

CD2 (31:36 minutes):
1. Wrong 'Em Boyo [Side 3]
2. Death Or Glory
3. Koka Kola
4. The Card Cheat
5. Lover's Rock [Side 4]
6. Four Horsemen
7. I'm Not Down
8. Revolution Rock
9. Train In Vain
All 19-tracks are their 3rd album release - the double-LP "London Calling" released December 1979 in the UK on CBS Records CLASH 3. The track "Train In Vain" on the end of Side 2 was not listed on the sleeve of original copies even though it was on the album (the run-out groove gave you the name of the track). Released January 1980 in the USA on Epic E2 36328 as a 2LP set - initial copies were the same regarding "Train In Vain".

Disc 4 - "Sandinista!"
CD1 (45:42 minutes):
1. The Magnificent Seven [Side 1]
2. Hitsville U.K.
3. Junco Partner
4. Ivan Meets G.I. Joe
5. The Leader
6. Something About England
7. Rebel Waltz [Side 2]
8. Look Here
9. The Crooked Beat
10. Somebody Got Murdered
11. One More Time
12. One More Dub

CD2 (51:31 minutes)
1. Lightning Strikes (Not Once But Twice) [Side 3]
2. Up In Heaven (Not Only Here)
3. Corner Soul
4. Let's Go Crazy
5. If Music Could Talk
6. The Sound Of Sinners
7. Police On My Back [Side 4]
8. Midnight Log
9. The Equaliser
10. The Call Up
11. Washington Bullets
12. Broadway

CD 3 (47:32 minutes):
13. Lose This Skin [Side 5]
14. Charlie Don't Surf
15. Mensforth Hill
16. Junkie Slip
17. Kingston Advice
18. The Street Parade
19. Version City [Side 6]
20. Living In Fame
21. Silicone On Sapphire
22. Version Pardner
23. Career Opportunities
24. Shepherds Delight
All 36-tracks are the 3LP set "Sandinista!" - released December 1980 in the UK on CBS Records FSLN 1 and Epic E3X 37037 in the USA

Disc 5 - "Combat Rock" - 46:21 minutes:
1. Know Your Rights
2. Car Jamming
3. Should I Stay Or Should I Go
4. Rock The Casbah
5. Red Angel Dragnet
6. Straight To Hell
7. Overpowered By Funk [Side 2]
8. Atom Tan
9. Sean Flynn
10. Ghetto Defendant
11. Inoculated City
12. Death Is A Star
Tracks 1 to 12 are the album "Combat Rock" - released May 1982 in the UK on CBS Records FMLN 2 and Epic FE 37689 in the USA

"Sound System Extras" (6)
CD1 (75:25 minutes):
1. White Riot (Single Version)
2. 1977 (B-side)
3. Listen (Capitol Radio EP) / Interviews (Capitol Radio EP) - 11:08 minutes
4. Capitol Radio (Capitol Radio EP)
5. London's Burning (Live B-side Remote Control)
6. Complete Control (Single Version)
7. City Of The Dead (B-side)
8. Clash City Rockers (Original Single Version)
9. Jail Guitar Doors (B-side)
10. White Man In Hammersmith Palais (A-side)
11. The Prisoner (B-side)
12. 1-2 Crush On You (B-side Tommy Gun)
13. Time Is Tight (Black Market Clash 10" LP)
14. Pressure Drop (B-side English Civil War)
15. I Fought The Law (Cost Of Living EP)
16. Groovy Times (Cost Of Living EP)
17. Gates Of The West (Cost Of Living EP)
18. Capitol Radio (Cost Of Living EP)
19. Armagideon Time (B-side London Calling)
20. Bank Robber (A-side)
21. Rockers Galore On A UK Tour (B-side)

CD2 (75:45 minutes):
1. Magnificent Dance (12" (Available On Singles Box Set)
2. Midnight To Stevens (Outtake)
3. Radio One (B-side Hitsville UK)
4. Stop The World (B-side The Call Up)
5. The Cool Out (US 12" B-side The Call Up)
6. This Is Radio Clash (A-side)
7. This Is Radio Clash (B-side 7" - Different Lyrics)
8. First Night Back In London (B-side Know Your Rights)
9. Rock The Casbah (Bob Clearmountain 12" Mix)
10. Long Time Jerk (B-side Rock The Casbah)
11. The Beautiful People Are Ugly Too (Outtake)
12. Idle In Kangaroo Court (Outtake listed as Kill Time)
13. Ghetto Defendant (Extended Version - Unedited - 6:14 minutes)
14. Cool Confusion (B-side Should I Stay Or Should I Go)
15. Sean Flynn (Extended 'Marcus Music' Version - 7:24 minutes)
16. Straight To Hell (Unedited Version from Clash On Broadway)

CD3 (35:16 minutes)
Extracts from The Clash's first-ever recording session at Beaconsfield Film School 1976 - Recorded by Julian Temple
1. I'm So Bored With The U.S.A.
2. London's Burning
3. White Riot
4. 1977
Polydor Demos - The Clash's second recording session January 1977
5. Janie Jones
6. Career Opportunities
7. London's Burning
8. 1977
9.White Riot
Live At The Lyceum, London 28th December 1979
10. City Of The Dead
11. Jail Guitar Doors
12. English Civil War
13. Stay Free
14. Cheapskates
15. I Fought The Law

DVD, Region 0:
"Julien Temple Archive" - 6:20 minutes
"White Riot Promo Film" - 7:20 minutes
Promo and Interviews with Tony Parsons
1977
White Riot
London's Burning
"Sussex University 1977" - 8:25 minutes
I'm So Bored With The U.S.A.
Hate & War
Career Opportunities
Remote Control
"Don Letts Super 8 Medley" - 11:40 minutes
White Riot
Janie Jones
City Of The Dead
Clash City Rockers
White Man In Hammersmith Palais
1977
"Clash On Broadway" - 19:50 minutes
London Calling
This Is Radio Clash
The Magnificent Seven
Guns Of Brixton
Safe European Home
"Promo Videos"
Tommy Gun
London Calling
Bank Robber
Clampdown (Live)
Train In Vain (Live)
The Call Up
Rock The Casbah
Should I Stay Or Should I Go (Live At Shea Stadium)
Career Opportunities (Live At Shea Stadium)

The detachable card list on the rear falls away easily so I simply store it inside with the 'folder' in the rear pouch. Quite apart from the sheer visual and tactile whack of this thing - the big news for fans is brand new remasters from first generation tapes by TIM YOUNG in conjunction with the band at Metropolis Studios in London. We should talk about the REMASTERS because they're fabulous. Tim Young's notes in the "Extras" 3-disc set explain that "Rope" has had the first generation tapes used for the first time to his knowledge - so I immediately went to my favourite track "Guns On The Roof" - and WOW is the only appropriate response. It sounds just incredible with all that guitar power you always thought was buried in the mix somewhere now to the fore. "Drug-Stabbing Time" and "Stay Free" are even better - leaping out of your speakers with renewed venom.

"London Calling" is like a different animal ("Jimmy Jazz", "Death Or Glory" and "Train In Vain" are unbelievably good with "Train" running out longer by about five seconds) - but to my ears "Sandinista!" feels the least improved. It's definitely clearer on the bass and rhythm section ("The Magnificent Seven" and "The Call Up" and Timon Dogg'svocal on "Lose This Skin") but the differences are not as stark as the first 3 LPs - they're just subtler. Despite the sprawl of "Sandinista!" - I've always loved it precisely because its like "The White Album" or "Exile On Main St." or "Physical Graffiti" - you can dip into it and still seemingly find something new every time. The choral brass arrangements at the beginning of "Somewhere In England" is now gorgeous while the game-machine noises on "Ivan Meets G.I. Joe" are even more manic. "Somebody Got Murdered" and their take on Eddy Grant's "Police On My Back" are much improved - ballsy as they should be. Back to "London Calling" and I'm impressed with "Lost In The Supermarket" and "Brand New Cadillac" - comparing them against my 1999 versions - there's more going on with the high hats, drums and bass. And that Rock 'n' Roll guitar as "Brand New Cadillac" begins punches way above its former weight now. I also love the way each of the CDs has their original vinyl bits reproduced - the "Armagideon Times" for "Sandinista!", the inner sleeves of "London Calling" made into one fold-out lyric poster - the inner and poster of "Combat Rock" combined in the same way - and all the CDs are black like vinyl LPs. The driving backbeat behind "Combat Rock's" Side 2 standout "Overpowered By Funk" is a little improved but I can't say I hear much difference in "Should I Stay Or Should I Go".

I own the Singles Box Set on CD so I compared the remasters and again the "Extras" versions are far superior - that guitar into on "Clash City Rocker" and distant Strummer vocal are better - and the balls of "I Fought The Law" is truly fantastic (a cover of an old Bobby Fuller Four hit). And my favorite B-side ever - their genius take on Willie Williams reggae tune "Armagideon Time" sounds like its going to do your speakers harm. That amazing bass and percussive beginning of "The Magnificent Dance" (the 12" remix) has jaw-dropping sound quality as does the US 12" B-side "The Cool Out" (an instrumental version of "The Call Up") - both with meaty rhythm sections. The early Polydor demos show a band getting there and the expert Glyn Johns produced that amateur feel out of the first album. I'm not sure I like them having loved the originals for all these years. Other disappointments include the outtakes on Disc 2 like "The Beautiful People..." and "Kangaroo Court" which are wholly dismissible and "Sean Flynn" has huge hiss levels on it. But I'm glad to see that Metropolis again mastered the DVD because the picture quality on the Don Letts and Clash On Broadway segments is brill (you get a sense of their danger live).

To sum up - "The Last Gang In Town" and "The Only Band That Ever Mattered" - there's been an awful lot of knob written about The Clash across the years (what about the Ramones, The Pistols or even Television) - and "Sound System" conveniently exorcises out the infamous and horrible end of "Cut The Crap" in 1985. You could also argue that you'd be better off just spending twenty quid on the simpler "5 Studio Albums Box Set" released in tandem with this - but I'd say if ever a band deserved this kind of over-the-top celebration - then England's heroes The Clash are the boys. And when you think of how EMI has consistently cheaped-out Stranglers fans with card sleeves and little else - thank God Sony stumped up. I love the care and attention that went into "Sound System". So there you have it - all those old bits spangly new again and presented to us in a fabulous setting.

Tim Young has described remastering The Clash's six years of output as a 'labour of love'. Well - while the future may indeed be unwritten - I suspect his brilliant work here (in conjunction with surviving members of the band) will be written about for decades to come. Well done and 'Career Opportunities' to all involved...

"Collected" by JOE JACKSON (2010 Universal [Holland] 3CD Remasters) - A Review by Mark Barry...




"…Step Into Another World…"

“Collected” doesn’t look like much but man does it deliver. There’s a lot of JOE JACKSON on here so let’s get to the white winklepickers and dodgy watches…

Euro-released September 2010 – "Collected" by JOE JACKSON on Universal Music 533 069-5 (Barcode 600753306956) is a 3CD set out of the Netherlands and breaks down as follows:

Disc 1 (74:46 minutes)
1. Fools In Love (Album Version)
2. Is She Really Going Out With Him?
3. Look Sharp! (Album Version)
4. Got The Time
5. Sunday Papers
6. It’s Different For Girls (tracks 1 to 6 are from his debut LP “Look Sharp!” released January 1979 in the UK on A&M Records AMLH 64743)
7. I’m The Man
8. On Your Radio
9. Get That Girl (tracks 7 to 9 are from his 2nd album “I’m The Man” released October 1979 in the UK on A&M Records AMLH 64794)
10. Tilt [see 15]
11. Biology
12. Mad At You
13. Beat Crazy
14. One To One (tracks 11 to 14 are from his 3rd album “Beat Crazy” released October 1980 in the UK on A&M Records AMLH 64837)
15. The Harder They Come (tracks 15 and 10 are the A&B-sides of a non-album 7” single released June 1980 in the UK on A&M Records AMS 7536. The A is a Jimmy Cliff cover – the B-side a JJ original)
16. Jack, You’re Dead
17. Jumpin’ Jive
18. Is You Is Or is You Ain’t My Baby
19. Five Guys Named Moe
20. What’s The Use Of Getting Sober (When You’re Gonna Get Drunk Again)
Tracks 16 to 20 are from his 4th LP “Joe Jackson’s Jumpin’ Jive” released June 1981 in the UK on A&M Records AMLH 65830. The whole album is cover versions of Forties and Fifties Louis Jordan Rhythm ‘n’ Blues hits

Disc 2 (78:00 minutes):
1. Another World
2. Steppin’ Out
3. Real Men
4. A Slow Song
5. Breaking Us In Two (tracks 1 to 5 are his 5th album “Night And Day” released June 1982 in the UK on A&M Records AMLH 64906)
6. Cosmopolitan
7. 1-2-3 Go (This Town’s A Fairground)
8. Laundromat Monday (tracks 6 to 8 are from his 6th album “Mike’s Murder O.S.T.”) released September 1983 in the UK on A&M Records AMLX 64931)
9. Cha Cha Loco
10. Be My Number Two
11. You Can’t Get What You Want (Till You Know What You Want) (tracks 9 to 11 are from his 7th album “Body And Soul” released March 1984 in the UK on A&M Records AMLX 65000)
12. Happy Ending (featuring Elaine Caswell) (April 1984 UK 7” single on A&M Records AM 186)
13. Not Here, Not Now (from “Body And Soul” as per tracks 9 to 11)
14. Will Power (from his album “Will Power” released April 1987 in the UK on A&M Records AMA 3908)
15. (He’s A) Shape In A Drape (from the soundtrack LP “Tucker – A Man And His Dreams O.S.T.” released November 1988 in the UK on A&M Records AMA 3917)
16. Nineteen Forever
17. Down To London (tracks 16 and 17 are from his album “Blaze Of Glory” released April 1989 on A&M Records AMA 5249)

Disc 3 (77:05 minutes):
1. The Human Touch
2. Me And You (Against The World) (tracks 1 and 2 are from his album “Blaze Of Glory” released April 1989 on A&M Records AMA 5249)
3. When You’re Not Around
4. Stranger Than Fiction (tracks 3 and 4 from his album “Laughter & Lust” released April 1991 on Virgin America VUSLP 34)
5. Glamour And Pain
6. Happyland (tracks 5 and 6 are from “Night And Day II” released on CD October 2000 on Sony Jazz SK 89621)
7. Too Tough
8. King Pleasure Time (tracks 7 and 8 are from “Rain” released January 2008 on CD)
9. Come On (Live) (exclusive track from the compilation album “Propaganda – No Wave II” released 1979 in the UK on A&M Records AMLE 64786)
10. Right And Wrong (Live)
11. It’s A Big World (Live)
12. Forty Years (Live)
13. Home Town (Live) (tracks 10 to 13 are from his double live set “Big World” released March 1986 in the UK on A&M Records JWA 3)
14. Is She Really Going Out With Him (A Capella Version)
15. Jumpin Jive (Live) (tracks 14 and 15 are from his double live set “Live 1980/86” released May 1988 on A&M Records AMA 6706)
16. Summer In The City
17. Medley (The In Crowd/Down To London- Live) (tracks 16 and 17 are from “Summer In The City: Live In New York” released June 2000 on CD on Sony Classical SK 89237)
18. Stranger Than You (Live 2 Meter Sessies) (from “Night And Day II” released on CD October 2000 on Sony Jazz SK 89621)

You get a four-way foldout digipak with a piano on one flap and a saxophone on the other and a very basic 8-page booklet with a 2-page catch up on his career. But that’s not why I’m here. I’ve found a strange “Collected” anomaly that I’ve mentioned before (see STEELY DAN, J.J. CALE and GERRY RAFFERTY). These Universal compilations come out of Europe (the Netherlands and Germany) - mastered by QS Sound Lab (no names) - and I’d swear the audio is better than previously released issues anywhere else. I tried the 10cc set but there was no improvement. But on this Joe Jackson set its far more pronounced. The audio is gorgeous and beautifully rendered.

Fans will also know that the "This Is It: The A&M Years 1979-1989" 2CD anthology (reissued as "Gold" in 2008) is the last half decent remasters of his material – and both end at 1989. But as you can see with this tasty number and the detailed track lists I’ve provided above – it extends way beyond and is so much the better for it.

Tracks like “Down To London” and “Me And You (Against The World)” are typical of him – radio-friendly boppers with an irresistibly catchy sing-along chorus and sharp lyrics. But when he slows it down and even goes all Sloppy Joe on the romance front – Joe Jackson has a way with a melody and words that cut like a knife – even be ‘too’ real for comfort. This started happening on the “Night And Day” LP with “Real Men” and “Breaking Us In Two” and continued “Be My Number Two” “Not Here, Not Now”. It’s the same for later gems like “The Human Touch” with its Eleanor Rigby strings and gorgeous melody/words.

The first CD is chockfull of fantastic New Wave three-minutes blasts - most of which come from his brilliant debut “Look Sharp” – tracks like the smarmy “Fools In Love”, the biting “Sunday Papers” and the frantic “Got The Time” still sound vital like the first Police album. “On Your Radio” with its harmonica/guitar/bass combo was the kind of single we chewed up back in the day. But although I love Louis Jordan (see my review for the Bear Family box set) – Jackson’s “Jumpin’ Jive” project still doesn’t sound right (sound quality is ace though). Things of course took a massive leap forward with “Night And Day” – a truly sophisticated piece of work. Nice to hear that Mike’s Murder track too. He continued on that tack – his “Blaze Of Glory” is a bit of a forgotten classic.

You might think the inclusion of ‘live’ stuff is perfect compilation filler – but in the case of Joe Jackson (and the compilers) – it’s different for us (never mind girls). His incendiary version of Chuck Berry’s “Come On” is fantastic as is the brilliantly clever Acapella vocal take on “Is She Really Going Out With Him?” – the same song just told in a clever new way. The “Big World” 3-sided double-album was all new material but just to make things difficult (or fresh as he felt) it was recorded ‘live’ – and again tracks like “Right And Wrong” and “Forty Years” are stunning stuff (could easily have been “Night And Day” outtakes). The cheeky Brit even has the nerve to cover The Lovin’ Spoonful’s “Summertime In The City” in front of a New York audience – but his combo of 1965’s “In Crowd” with his own “Down To London” (from 1989) is bloody genius (you can feel the audience digging it).

Who would have thought that England’s sleepy Burton-On-Trent could produce such consistent brilliance. Like his contemporaries Graham Parker and Nick Lowe – Joe Jackson has always been bubbling under with album after album of class – looked on as ‘that guy’ by a public unwilling to keep up with his latest spin - yet beloved by fans. And yet with 55 tracks across three CDs – you get the strong feeling that this fab Euro compilation is only scraping the surface of a rock you should have looked under long ago. Looking bloody sharp my son…

PS: Artists in this Universal Euro Series are:
The Allman Brothers, The Band, J.J. Cale, The Carpenters, Creedence Clearwater Revival, Cuby + Blizzards, Fairport Convention, Golden Earring, John Hiatt, Joe Jackson, The Moody Blues, Gerry Rafferty Stealers Wheel and The Humblebums, Shocking Blue, Steely Dan, Cat Stevens, 10cc., Thin Lizzy and Gino Vannelli.

"Give 'Em Enough Rope" by THE CLASH (Inside The 2013 'Sound System' Multiple-Disc Box Set Of Remasters on Sony) - A Review by Mark Barry...







"Sound System" by THE CLASH featuring "Give 'Em Enough Rope" 

"…Kings And Queens And Generals..."

I'll openly admit to a wee tremble when this beauty got handed over by a relieved postman - his arms reverting back to normalcy. This thing is big and heavy and yet I love every mad over-the-top inch of it. Amidst its glories is their second (and for me) overlooked album from the spring of 1978 - the short but storming "Give 'Em Enough Rope". You could argue of course that you simply buy the stand-alone September 2013 CD Remaster for under a fiver and be done with it. But I'd argue that THE CLASH is worth the splurge (especially as the Box set's price has dropped from ninety to sixty quid). There's a ton of info to get through on this sucker so let's do the drug stabbing time...

Released September 2013 and featuring full involvement with the band - "Sound System" by THE CLASH is a multiple CD, DVD and Memorabilia Box Set on Sony 88725460002 (Barcode 887254600022) and features the following:

A beautiful and thoughtfully put together Box Set shaped like a Ghetto Blaster Radio (270 x 420 x 100mm) - and once you open the flip-top lid - it reveals each item has been carefully placed inside in a numerical order - their exact placing within laid out in detail in the 'Service Manual'. Here are the contents - numbered 1 to 22 (1 to 8 housed in hard card book sleeves – the music is 1 to 6):

MUSIC:
1. The Clash CD (Newly Remastered by Tim Young and The Clash)
2. Give 'Em Enough Rope CD (Newly Remastered)
3. London Calling 2CD (Newly Remastered)
4. Sandinista! 3CD (Newly Remastered) [1 to 4 on the left side]
5. Combat Rock CD (Newly Remastered)
6. The Clash Extras 3CD (Newly Remastered)

EXTRAS:
7. The Clash DVD (Newly Remastered)
8. Service Manual (Hardback Book Sleeve Like The CDs) [5 to 8 on the right side]
9. Flightcase: 5 Badges and Dog Tags [centred between-and-dividing 1 to 8 CDs]
10. Flightcase: 3 DIY Stickers: 85 x 140mm [behind 1 to 4 CDs]
11. Flightcase: The Clash Paperback Book ("The Future Is Unwritten" - blank inside) [behind CDs 5 to 8]
12. The Clash Folder (contains 13 to 18 below)
13. The Armagideon Times Special Edition (36 Pages)
(Features written contributions from The Baker, Robin Banks, John Cooper Clarke, Johnny Green, Ray Jordan, Don Letts, Alex Michon, Chris Salewicz, Pennie Smith and Kosmo Vinyl. There are also essays from each member of the band - JOE STRUMMER, MICK ONES, PAUL SIMONON and TOPPER HEADON)
14. The Armagideon Times  (Reprinted Fanzine - 24 Pages)
15. The Armagideon Times 2 (Reprinted fanzine  - 24 Pages)
16. Bumper Sticker 88 x 297mm
17. Bumper Sticker 88 x 297mm
18. The Clash Vintage Sticker Set: 180 x 280mm (9 peelable stickers on one sheet)
19. Riser (Black & Yellow Card at the base of the box)
20. Poster Tube (Looks Like A Large Cigarette with a 'Clash' Filter Area)
21. Poster (15" x 15")
22. The Box Itself (inside Divider Has Number 22 on it)

The detachable card list on the rear falls away easily so I simply store it inside with the 'folder' in the rear pouch. Quite apart from the sheer visual and tactile whack of this thing - the big news for fans is brand new remasters from first generation tapes by TIM YOUNG in conjunction with the band at Metropolis Studios in London. We should talk about the REMASTERS because they're fabulous. Tim Young's notes in the "Extras" 3-disc set explain that "Give ‘Em Enough Rope" has had the first generation tapes used for the first time to his knowledge - so I immediately went to my favourite track "Guns On The Roof" - and WOW is the only appropriate response. It sounds just incredible with all that guitar power you always thought was buried in the mix somewhere now to the fore. "Drug-Stabbing Time" and "Stay Free" are even better - leaping out of your speakers with renewed venom. Let’s get to their second album...

Disc 2 - "Give 'Em Enough Rope" (37:02 minutes):
1. Safe European Home
2. English Civil War
3. Tommy Gun
4. Julie's Been Working For The Drug Squad
5. Last Gang In Town
6. Guns On The Roof [Side 2]
7. Drug-Stabbing Time
8. Stay Free
9. Cheapskates
10. All The Young Punks (New Boots And Contracts)
Tracks 1 to 10 are their 2nd album "Give 'Em Enough Rope" - released October 1978 in the UK on CBS Records S CBS 82431 and February 1979 in the USA on Epic JE 35543

The second "Safe European Home" hits your speakers – the power is formidable. Like most I grew up with the British-pressed CBS Records Vinyl LP and it was good without ever being great in terms of kick-ass punch. No such problem here. On the 23rd of February 1979 – CBS took “English Civil War” out for a ride as an A-side 7" single with a non-album cover of the Toots & The Maytals classic "Pressure Drop" as its Reggae-tinted B-side (Track 14 on Disc 1 of the "Sound System Extras" 3CD set). Before that 24 November 1978 saw "Tommy Gun" be released as the LP's debut 7" single with the non-album "1-2 Crush On You" as its B-side (Track 12 on the "Sound System Extras" 3CD set). Both "English Civil War" and "Tommy Gun" rock with this new audio. I still get a giggle from "Julie's Been Working For The Drug Squad" and can remember the 'everybody's high' lyrics. Side 1 ends with the fighting song "Last Gang In Town" - and again those guitars and drums are finally unleashed.

I can't be rational about the '1-2-3-4' of "Guns On The Roof" - a truly awesome song that straddles Punk and Rock and one of the truly great Clash riffs. Strummer snarls out lyrics like 'shaking in terror' and 'killing in error’ and 'a jury of a million faces' and 'guns made to shoot'. I can still feel the hairs on my arms going up when I first heard it. Now here's a band I can love I thought - go ape to - bring it on (and the remaster is utterly amazing too). As if that's not enough Side 2 offers up another huge rocker "Drug-Stabbing Time" - a kick-ass piece of Punk Rock that still feels dangerous and alive. More superb riffage for "Stay Free" - taking no crap from teacher - thrown out - weekends go dancing - chat up the girls on the bus while you try to look cool smoking menthols. The album roars to a finish with the 'never read a book' anger in "Cheapskates" and the 'worked there for a week but got the boot' of "All The Young Punks (New Boots And Contracts)" - both with amazing Bass and Guitar clarity. What a ride the whole album is...a short but effective kick in the mental nuts...

To sum up - "The Last Gang In Town" and "The Only Band That Ever Mattered" - there's been an awful lot of knob written about The Clash across the years (what about the Ramones, The Pistols or even Television) - and "Sound System" conveniently exorcises out the infamous and horrible end of "Cut The Crap" in 1985. You could also argue that you'd be better off just spending twenty quid on the simpler "5 Studio Albums Box Set" released in tandem with this - but I'd say if ever a band deserved this kind of over-the-top celebration - then England's heroes The Clash are the boys. And when you think of how EMI has consistently cheaped-out Stranglers fans with card sleeves and little else - thank God Sony stumped up. I love the care and attention that went into "Sound System". So there you have it - all those old bits spangly new again and presented to us in a fabulous setting.

Tim Young has described remastering The Clash's six years of output as a 'labour of love'. Well - while the future may indeed be unwritten - I suspect his brilliant work here (in conjunction with surviving members of the band) will be written about for decades to come. This 2013 CD Remaster of "Give 'Em Enough Rope" is a roaring triumph. Well done to all involved and get this set into your 'Safe European Home' right soon...

"Look Sharp!" by JOE JACKSON (2001 A&M 'Expanded Edition' CD Remaster) - A Review by Mark Barry...





"...Words Of Wisdom From The World Outside..."

Never has a debut album had such an 'apt' name as "Look Sharp!" Along with Graham Parker, Elvis Costello and Ian Dury - Staffordshire's Joe Jackson was part of England's Punk and 'New Wave' explosion in the late Seventies. With razor precision - the 24-year- old's tunes were both catchy and relevant - cool bopping little slices of intelligence. 

Like his compatriots in musical crime - David Ian Jackson was part of that emerging breed of songwriters who saved us from Rock's tired and bloated last gasps with angry-young-man vignettes - hard-hitting but truthful songs that had one eye on the dancehall and the other on the social pulse of the time (as well as last orders at the bar).

It's a measure of "Look Sharp!" and the lasting impact it had when you know that 5 of its 11 tracks regularly feature on "Gold" 2CD anthologies to this day - still leaving album winners like "One More Time", "Happy Loving Couples" and "Look Sharp!" for the devoted to rediscover. Hell even Mod Revivalists and Dancers have loved its bopping charms for decades now and coveted those original A&M Records vinyl LPs - Euro Soul Boys picking up a copy on their visits to Blighty. And this fantastic 2001 Remaster from Universal's top man ERICK LABSON has only made me love it all over again. Here are the white boy's winklepickers...

US released 14 August 2001 (imported into the UK) - "Look Sharp!" by JOE JACKSON on A&M 314 586 194-2 (Barcode 731458619420) is an 'Expanded Edition' CD Remaster with Two Bonus Tracks and plays out as follows (42:55 minutes):

1. One More Time
2. Sunday Papers
3. Is She Really Going Out With Him?
4. Happy Loving Couples
5. Throw It Away
6. Baby Stick Around
7. Look Sharp!
8. Fools In Love
9. (Do The) Instant Mash
10. Pretty Girls
11. Got The Time
Tracks 1 to 11 are his debut album "Look Sharp!" - released January 1979 in the UK on A&M Records AMLH 64743 and April 1979 in the USA on A&M Records SP 4743. Produced by DAVID KERSHENBAUM – it peaked at No. 40 in the UK and No. 20 in the USA.

BONUS TRACKS:
12. Don't Ask Me - non-album B-side to "One More Time" released May 1979 in the UK on A&M Records AMS 7433
13. You Got The Fever - non-album B-side to the reissue of "Is She Really Going Out With Him?" released July 1979 in the UK on A&M Records AMS 7459. "Is She Really Going Out With Him?" was his debut solo 45 in the UK released September 1978 on A&M Records AMS 7392 with the album cut "(Do The) Instant Mash" as its flipside.

The 12-page booklet is a concise but pleasing affair. SCOTT SCHINDER provides two pages of informative and affection liner notes - you get lyrics to all the songs including the two album outtakes that turned up as B-sides ("Don't Ask Me" and "You Got The Fever") including four A&M trade adverts for the singles and album. The back of the booklet and the photo beneath the see-through CD tray have our Joe trying to look sharp at the camera but actually looking a bit of place and confused (too much pressure man). But all of that pales against the 96K/24-Bit Remaster from one of Universal's Top Audio Engineer's - ERICK LABSON. Having handled The Who, Three Dog Night, The Mama's and The Papa's, Wishbone Ash, Buddy Holly and almost everything on the mammoth Chess label of artists - Labson is an Engineer with over 1200 audio restoration credits to his name. Always a punchy album - here its leaps back to life - real muscle without being overly trebled.

It opens on the choppy guitars of "One More Time" and instantly this is 'not' Rock but something sharper. The UK issued it as a 45 in May 1979 with the non-album "Don't Ask Me" on the flipside - featured on this CD as one of the Bonus Tracks. I absolutely flip for the Reggae-Rock of "Sunday Papers" (so Police first album) where words of wisdom from the world outside tell us about 'stains on the mattress' and the deal between 'the bishop and actress'. The single "Is She Really Going Out With Him?" broke him in both countries - in the USA first in May 1979 (No. 21) and July 1979 in the UK (No.13). If you wanted proof of 'sharp' audio then "Happy Loving Couples" is the cheesecake - absolutely amazing clarity and what clever lyrics - self-knowing and yet with that hint of loneliness and hurt. "Throw It Away" is about as Punk as the album gets - Gary Sandford letting rip on the guitar while Graham Maby slaps those heavy bass strings.

"Look Sharp!" is genius - a fantastically hooky song with 'no illusions' lyrics. It also features a very distinctive Joe Jackson piano-break that would practically redefine his sound for his "Night And Day" LP in 1982 and the "Body And Soul" album from 1984. "Fools In Love" is a vicious little sucker dressed up in a huge Bass Line while Sandford does his best Andy Summers on a Reggae tip impression. Bit of a Rock boogie comes in the shape of "(Do The) Instant Mash" - a great tune but one that sounds slightly out of place alongside the other later tracks. Mini-skirt frustration runs through the brill and infectious "Pretty Girls" where our Joe implores God to turn off his rampant libido (the loose clothing of women's liberation is doing his nut in). It ends on the Bass Race of "Got The Time" - another rapid-paced Rocker that killed whenever it was featured 'live'. The album outtakes used as B-sides are both superb and round off the CD with brilliance (I love that flicking guitar on “You Got The Fever” and the hooky Harmonica solo towards the end). I can imagine a Mod doing his stuff to this on any talcum-powered dancefloor...as Joe sings "...the girls at work are married...the girls in bars are waiting for their friend or their new fiancée..." (oh dear).

I could never understand why neither this nor the follow-up LP "I'm The Man" from 1980 ever received CD release proper back here in his own UK - both of the August 2001 Erick Labson CD remasters remain US imports to British buyers (it’s cheap though even as an import). But what I do know is that "Look Sharp!" needs to be looking sharp on your CD shelves someday soon...

"On The Border" by EAGLES (1991 CD Remaster Inside 2013's 'The Studio Albums Collection 1972-1979' 6CD Warner Brothers Box Set) - A Review by Mark Barry...





"...You Get The Best Of My Love..."

Since Glenn Frey's dreadfully sad passing in January 2016 (aged only 67) – like many I’ve been playing the EAGLES 70ts back catalogue with a strange mixture of wonder and genuine loss – loving the melodies but also wallowing in many longhaired memories – songs that I pulled girls close to – and songs that even eased a heartache or two at times. I suppose it’s that all our heroes are passing...and I for one would rather they were still playing, singing and inspiring us.

So I thought it would be a good idea to return to this dinky 6-album EAGLES collection that so ably sums up why these melodic Desperado's shifted so many millions of albums between 1972 and 1979. They were just so bloody good. And those Glenn Frey, Don Henley, Randy Meisner, Don Felder and Bernie Leadon harmonies slaughtered all in their path.

But while the lion’s share of their legacy always seems to be "Hotel California" and "One Of These Nights" – I've always loved their brilliant but overlooked third album "On The Border" - where the ten-track mixture of rockers and ballads balances itself out so well across both sides – a full listen. I'd also argue that this is one of those occasions where a multiple purchase will serve your musical needs better than a stand-alone CD. In other words get the album within the 2013 Box Set "The Studio Albums Collection 1972-1979”. Here are the Midnight Flyers...

UK released March 2013 – "On The Border" by EAGLES is contained within "The Studio Albums Collection 1972-1979" on Warner Brothers/Asylum 8122 7967468 (Barcode 081227967468) - a 6-CD Mini Box Set in which Disc 3 plays out as follows:

Disc 3 – "On The Border" (40:25 minutes):
1. Already Gone [Lead Vocals, Glenn Frey]
2. You Never Cry Like A Lover [Lead Vocals, Don Henley]
3. Midnight Flyer [Lead Vocals, Randy Meisner]
4. My Man [Lead Vocals, Bernie Leadon]
5. On The Border [Lead Vocals, Don Henley]
6. James Dean [Lead Vocals, Glenn Frey]
7. Ol' 55 [Lead Vocals, Glenn Frey & Don Henley] – Side 2
8. Is It True? [Lead Vocals, Randy Meisner]
9. Good Day In Hell [Lead Vocals, Glenn Frey & Don Henley]
10. Best Of My Love [Lead Vocals, Don Henley]
Tracks 1 to 10 are their 3rd album "On The Border" – released March 1974 in the USA on Asylum 7E 1004 and May 1974 in the UK on Asylum SYL 9014. "Already Gone", "James Dean" and "Best Of My Love" were all issued as successful US 45s in April, August and November 1974 ("Best Of My Love" would their first US No. 1). Al Perkins of Stephen Stills' Manassas plays Slide Guitar on Tom Waits' "Ol' 55" – the only cover version amongst the originals.

The clamshell box pictures all six albums on the rear and inside you get singular card sleeves with no booklet. So the gatefold and inner of "Eagles" is missing, the textured feel to the front and back cover of "On The Border" isn’t there, the Embossed "One Of The Nights" front cover and it’s inner sleeve is not here, the gatefolds, inners and varying posters that came with "Hotel California" and "The Long Run" are all AWOL too. Shame someone couldn’t have taken a leaf from the Japanese when it comes repro artwork. However – in a nod to the period - each of the CD's label designs reflect their original design (white Asylum for the first two, Boxed Cage logo for number three and so on). They’ve even printed each album’s original vinyl catalogue number printed on the disc too. But that's it. No lyrics, no booklet, no photos, no appraisal or history – which is a damn shame. Cheap and cheerful I suppose...

The Remasters are those carried out by TED JENSEN in 1999 when the catalogue was reissued and they sound really great (always did). But it’s the consistency of the music... What hammers you time and time again as you wade through the albums is the sheer quality of the tunes – hit after catchy hit – and none of it feels maudlin or dated forty years after the event. Ok this is so American West Coast – but man is it good. Even when they made a 2CD "Best Of" compilation there a few years ago – there was still plenty of room for those album nuggets in-between the hits. I've highlighted who sang lead vocals on what – Frey and Henley getting the lion's choice – but in truth the Meisner, Leadon and Felder tracks all impress too.

It opens on the rollicking "Already Gone" (written by Jack Tempchin and Robb Strandlin) – Glenn Frey and Don Felder squeaking out those high guitar notes during the solos. One of the albums hidden gems is the sweet ballad "You Never Cry Like A Lover" – a Don Henley and John David Souther song – Henley slyly caressing the words like he's 'both' hissing and in pain. Country time with the banjo-picking "Midnight Flyer" (written by Paul Craft) featuring a genuinely fantastic Glenn Frey slide guitar solo towards its end and fade out. Bernie Leadon's beautiful "My Man" was a tribute to Gram Parsons the leader of the Country-Rock outfit The Flying Burrito Brothers who had died in September of 1973 (only six months before the Eagles' third album was released). It's the kind of effortless warmth they often achieved in ballads – the type of song I used to play into the ground and ruminate on (deep baby deep). Side 1 ends on Rock brilliance. You can just about make out Glenn Frey's whispered "Good Night Dick" as the title track "On The Border" fades out – a caustic jab at President Richard Nixon's impending doom amidst the infamous Watergate scandal and cover-up (Tricky Dicky finally resigned in shame in the Autumn of 1974).

Side 2 opens with "James Dean" penned by the foursome of Jackson Browne, Don Henley, Glenn Frey and John David Souther. While Bernie Leadon does a great solo – it’s never been one of my favourite of theirs. The mighty tunesmith and Bukowski-type hero Tom Waits probably made more money out of his "Ol' 55" on Side 2 than he did from the royalties of his entire first two albums on David Geffen's Asylum label which went criminally unnoticed for years. "Is It True?" sees Randy Meisner take Lead Vocal on his own song - while Frey and Henley unleash their bitterness in "Good Day in Hell" – Don Felder's slide shining throughout. But it's the album finisher "The Best Of My Love" (a US No. 1 single) that practically defines what made them so huge – stunning melody – Henley's fabulous voice – that effortless melodic brilliance that has so stood the test of time.

You could of course simply buy the album "On The Border" as a stand-alone CD remaster for probably three or four quid – but this is a group worthy of the whole package and "The Studio Albums Collection 1972-1979" is the place to get it - musically comprehensive, attractive to behold and sounds damn cool too.

What a glorious sound the EAGLES made for that whole brilliant decade – and what a sad loss to music is Glenn Frey’s passing. Dig in, enjoy and remember him this way...

Thursday, 14 July 2016

"Sunflower/Surf's Up" by THE BEACH BOYS (2000 Capitol/Brother '2LPs on 1CD' Remaster) - A Review by Mark Barry...





"...Get Yourself Some Cool, Cool Water..."

In 2016 - both 1970's "Sunflower" and 1971's "Surf's Up" are considered the best of The Beach Boys 70's output - and rightly so. But at the time America’s Joe Public couldn't have cared less about the first and showed only casual interest in the second - especially considering how big and influential the band had been only years earlier.

Having jumped contractual ship from their spiritual home since 1962 (Capitol Records) - and especially given the melodic strength of the new material - big things was expected of The Beach Boys and their clean break to Brother Records in 1970 (distributed by the then mighty Warner Brothers). But it just didn't happen. Released Monday 31 August 1970 - "Sunflower" lasted only four weeks on Billboard's Top 200 peaking at a miserable No. 151. Apparently its sales figures were embarrassing in the USA (it fared better in the UK on EMI's Stateside label where it made No. 29 on the LP charts). 

Maybe "Sunflower" was perceived as being out-of-sync girly surfin' music - their Beach Boys sound 'old hat' against the emerging Hard Rock explosion that was engulfing music towards the end of the Sixties and into the first two years of that redefining decade - the Seventies. 

At least 1971's follow through "Surf's Up" cracked the USA Top 30 - finally landing at No. 29 - and managed a four months stay on the LP charts as opposed to one. With a weary warrior crouched over his beaten horse on the front cover and song titles like "Student Demonstration Time" and "Lookin' At Tomorrow (A Welfare Song)" - at least "Surf's Up" seemed more in step with a fractured and hurting America - so it did better.

Whatever way you interpret history - re-listening to these two remarkable albums on this wickedly good CD Remaster and I’m reminded in emphatic style that sometimes Joe Public needs to be just that - reminded. I say knob to those original embarrassing sales numbers – the musical brilliance on display here is indeed embarrassing - but for all the right reasons. Let's break down those brilliant harmonies...

UK released 14 August 2000 - "Sunflower/Surf's Up" by THE BEACH BOYS on Capitol/Brother 525 6922 (Barcode 724352569229) offers up 2LPs Remastered onto 1CD and plays out as follows (70:22 minutes):

1. Slip On Through
2. This Whole World
3. Add Some Music To Your Day
4. Got To Know The Woman
5. Deirdre
6. It's About Time
7. Tears In The Morning [Side 2]
8. All I Wanna Do
9. Forever
10. Our Sweet Love
11. At My Window
12. Cool, Cool Water
Tracks 1 to 12 are the album "Sunflower" - released 31 August 1970 in the USA on Brother Records/Reprise RS 6382 and November 1970 in the UK on Stateside SSL 8251.

13. Don't Go Near The Water
14. Long Promised Road
15. Take A Load Off Your Feet
16. Disney Girls (1957)
17. Student Demonstration Time
18. Feel Flows [Side 2]
19. Lookin' At Tomorrow (A Welfare Song)
20. A Day In The Life Of A Tree
21. 'Til I Die
22. Surf's Up
Tracks 13 to 22 are their album "Surf's Up" - released 30 August 1971 in the USA on Brother/Reprise RS 6453 and November 1971 in the UK on Stateside SSL 10313.

The properly chunky 22-page booklet offers fans liner notes from Beach Boys authority TIMOTHY WHITE adapted from his acclaimed book "The Nearest Far Away Place: Brian Wilson, The Beach Boys And The Southern California Experience". His song-by-song analysis and critique is both honest and affectionate and much of it peppered with Brian's 'selective' memories. There's the inner gatefold sleeve for "Sunflower" (no lyrics unfortunately), period photos, alternate artwork, original recording and reissue credits as well as lyrics to the "Surf's Up" album. But the big news is 24-Bit Digital Remasters from original tapes by two hugely respected Audio Engineers - ANDREW SANDOVAL and DAN HERSCH. Sandoval handled the acclaimed 2CD 'Deluxe Editions' of The Kinks and Small Faces (amongst many others) - whilst Dan Hersch (along with Bill Inglot) has been at the heart of Rhino's Vinyl and CD Reissue machine for over two decades - having handled literally hundreds of prestigious catalogues across a huge range of genres. These guys know their way around tape boxes and it shows. Beautifully and carefully recorded at the time - all that technical expertise and innovation comes shining through on these wonderful-sounding transfers. Top stuff...

Released towards the end of June 1970 on Brother 0929 - the second 45 from the "Sunflower" LP was the Side 1 openers "Slip On Through" b/w "This Whole World" - Dennis Wilson writing the A and Brian the flip-side (no UK issue). But despite the edgy groove - it tanked. Earlier in February 1970 - Brother had issued the Beach Boys debut 45 on the label - the pretty "Add Some Music To Your Day" b/w "Susie Cincinnati". At one point it appears that "Add Some Music..." was considered as an album title. Even better is the gorgeous "Deirdre" - a happy song with wonderful layered vocals and an almost jingle-bells Christmas feel to it (when Brother put out "Long Promised Road" in June 1971 as a single off "Surf's Up" - they used "Deirdre" as its B-side). The straight up bopper and "...I used to throw my mind sky high..." confessions of "It's About Time" (the Side 1 ender) give it incredible edge - and that Bass/Vocal middle-eight break is pure Beach Boys genius (Dennis Wilson, Bob Burchman and Alan Jardine wrote it).

Side 2 opens just as strongly with Bruce Johnston's hurting but beautiful "Tears In The Morning" where he keeps a hold on his sorrow as those string arrangements soar behind his 'missing you' vocal pleading. Brian Wilson and Mike Love's "All I Wanna Do" is the closest the LP gets to a "Pet Sounds" outtake (Todd Rundgren was surely listening to this). "Forever" is probably the album's most revered and beloved song - yet when Brother Records put out another 45 in February 1971 (Brother 0998) - they relegated "Forever" to the flip-side of "Cool, Cool Water" - a commercial mistake methinks. The 'sparrow came flying down' song "At My Window" is a fitting lead-in to the amazing "Cool, Cool Water" - a song that's synonymous with Beach Boys melodic brilliance. That build-up of trippy voices as the song makes its way to those ‘now now now’ chants – like Sigur Ros 30 years before the event - wow...

The Surf's Up" opener "Don't Go Near The Water" warns of polluted oceans and the same pouring out of your facet. An animated Carl Wilson fronts "Long Promised Land" wanting to throw off 'shackles that are binding me down' (lyrics he sings with a passion and desperation you can literally feel). The hippy wistful 'take good care of your feet' and 'watch what you eat' lyrics in "Take A Load Off Your Feet" feel like the theme song to a Californian whole-food store that sells any manner of mushrooms. Better is "Disney Girls (1957)" - a genuinely lovely melody beautifully played and sung by Brian Johnston where he pines for 'Patti Page and summer days...' Things take a decidedly heavy turn with the out-and-out Neil Young guitar rock of "Student Demonstration Time" where they incorporate 'there's a riot going on' and change 'cell block number nine' into 'student demonstration time'. It's brilliant and the kind of song CSYN might have produced on a third studio album if they'd made one...

Side 2 opens with the fazed vocals of "Feel Flows" where we're 'unbending never-ending tablets of time' - a fab yeah man moment with brilliant guitar laced with flute. I often cite "Feel Flows" as one of the album's layered masterpieces. The hurt disconnectedness of returning war-vets fills the equally trippy and acoustic-driven "Lookin' At Tomorrow (A Welfare Song)" - where men can't find work sweeping floors but can find substances on the street corner to dull the ache. Tweeting birds and a seaside/church organ fill the equally trippy "A Day In The Life Of A Tree" - a plea for the environment choking on 'pollution and slow death'. The beautiful but damaged "'Til I Die" has Brian wondering 'how long will the wind blow' before something darker takes him (he fought to have the song's dark subject matter on the album). The 'Smile Sessions' 2CD set showed us four variants of the album's centrepiece "Surf's Up" - one of them stretching back to a lovely 1967 piano demo. The finished "Surf's Up' is simply exquisite in its arrangement and delivery - where you can 'so' hear Todd Rundgren, Hall & Oates and so many other melody giants in its 4:11 minutes.

For me "Surf's Up" is a huge leap forward and "Sunflower" was great anyway - so any listener is on a winner either way. In fact some have argued that this Beach Boys twofer may indeed be the best '2LPs onto 1CD' value-for-money remaster ever released. And damn - but I think they're absolutely on the harmony money...

INDEX - Entries and Artist Posts in Alphabetical Order