"Reflections" by GRAHAM NASH [feat Hollies, Crosby Stills Nash & Young and more] (February 2009 Rhino/Atlantic 3 x HDCD Book Set Of Remasters) - A Review by Mark Barry...

This Review Along With 300+ Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites

CLASSIC ROCK & POP 1970 to 1974 - Exceptional CD Remasters  

Just Click Below To Purchase for £3.95

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)

"…Feed Them On Your Dreams…"

Featuring The Hollies, Crosby, Stills, Nash & Young, Dave Mason of Traffic, Members of The Grateful Dead and more. Includes tracks from the albums "Crosby, Stills & Nash" (1969), "Déjà Vu" (1970), "Graham Nash/David Crosby" (1972), "Wind On The Water" (1975), "Whistling Down The Wire" (1976), "CSN" (1977) and more...

Across 64 tracks, 3CDs and a career spanning 40 years – Graham Nash's offering in the on-going solo reissues for CROSBY, STILLS, NASH and YOUNG gives you a whopping 32 previously unreleased tracks, a fabulously detailed booklet and the whole kit and caboodle remastered into sparkly HDCD. Here are the harmonising English-Boy done-good details…

Released February 2009 – "Reflections" by GRAHAM NASH on Rhino/Atlantic 8122-79935-8 (Barcode 081227993580) is 3 x HDCD Book Set of Remasters with Previously Unreleased Material that breaks down as follows:

Disc 1 (74:52 minutes):

1. On A Carousel – THE HOLLIES (February 1967 UK 7” single on Parlophone R 5562, A-side, Mono)

2. Carrie Anne – THE HOLLIES (May 1967 UK 7” single on Parlophone R 5602, A-side, Mono)

3. King Midas In Reverse – THE HOLLIES (September 1967 UK 7” single on Parlophone R 5637, A-side, Mono)

4. Marrakesh Express – CROSBY, STILLS & NASH

5. Pre-Road Downs – CROSBY, STILLS & NASH

6. Lady Of The Island – CROSBY, STILLS & NASH (tracks 4 to 6 are from the album “Crosby, Stills & Nash” released June 1969 in the USA on Atlantic SD 8229 and in the UK on Atlantic 588 189)

7. Our House – CROSBY, STILLS, NASH & YOUNG

8. Teach Your Children – CROSBY, STILLS, NASH & YOUNG (tracks 7 and 8 originally on the album “Déjà Vu” released March 1970 in the USA on Atlantic SD 7200 and in the UK on Atlantic 2401 001. Track 8 is a Previously Unreleased Mix)

9. Right Between The Eyes – GRAHAM NASH (Previously Unreleased Demo)

10. I Used To Be King – GRAHAM NASH (Previously Unreleased Alternate Mix)

11. Simple Man – GRAHAM NASH (Previously Unreleased Alternate Mix)

12. Man In The Mirror – GRAHAM NASH (Previously Unreleased Alternate Mix)

13. Better Days – GRAHAM NASH (Previously Unreleased Alternate Mix)

14. Military Madness – GRAHAM NASH (Previously Unreleased Alternate Mix)

15. Sleep Song – GRAHAM NASH (Previously Unreleased Alternate Mix)

16. Chicago/We Can Change The World – GRAHAM NASH (Previously Unreleased Alternate Mix)

17. Southbound Train – CROSBY & NASH

18. Immigration Man – CROSBY & NASH (tracks 17 and 18 on the album “Graham Nash / David Crosby” released April 1972 in the USA on Atlantic SD 7220 and May 1972 in the UK on Atlantic K 50011)

19. Wild Tales – GRAHAM NASH (Previously Unreleased Alternate Mix)

20. Prison Song – GRAHAM NASH (Previously Unreleased Alternate Mix)

21. Oh! Camil (The Winter Soldier) – GRAHAM NASH (Previously Unreleased Alternate Mix)

22. On The Line – GRAHAM NASH (Previously Unreleased Alternate Mix)

23. You’ll Never Be The Same – GRAHAM NASH (Previously Unreleased Alternate Mix)

24. Another Sleep Song – GRAHAM NASH (Previously Unreleased Alternate Mix)

Disc 2 (74:38 minutes):

1. To The Last Whale: Critical Mass/Wind On The Water – DAVID CROSBY / GRAHAM NASH

2. Fieldworker – DAVID CROSBY / GRAHAM NASH

3. Cowboy Of Dreams – DAVID CROSBY /  GRAHAM NASH

4. Love Work Out – DAVID CROSBY and GRAHAM NASH (tracks 1 to 4 are from the album “Wind On The Water” released October 1975 in the USA on ABC Records ABCD-902 and January 1976 in the UK on Polydor 2310 428)

5. Marguerita – DAVID CROSBY and GRAHAM NASH (on the album “Whistling Down The Wire” released July 1976 in the USA on ABC Records ABCD-956 and in the UK on Polydor 2310 468)

6. Taken At All – CROSBY. STILLS, NASH & YOUNG (Previously Unreleased Alternate Mix)

7. Mutiny – CROSBY, NASH (on the album “Whistling Down The Wire” released July 1976 in the USA on ABC Records ABCD-956 and in the UK on Polydor 2310 468)

8. Just A Song Before I Go – CROSBY, STILLS & NASH (on the album “CSN” released June 1977 in the USA on Atlantic SD 19104 and in the UK on Atlantic K 50369)

9. Cold Rain – GRAHAM NASH (Previously Unreleased mix)

10. Cathedral – CROSBY, STILLS & NASH (originally on the album “CSN” released June 1977 in the USA on Atlantic SD 19104 and in the UK on Atlantic K 50369 – this is a Previously Unreleased Mix)

11. Barrel Of Pain (Half-Life) – GRAHAM NASH

12. Magical Child – GRAHAM NASH (11 and 12 originally on the album “Earth & Sky” released March 1980 in the USA on Capitol SWAK-12014 and in the UK on Capitol EA-ST 12014. Track 12 is a Previously Unreleased Alternate Mix) 

13. Song For Susan – CROSBY, STILLS, NASH

14. Wasted On The Way - CROSBY, STILLS, NASH (13 and 14 on the album “Daylight Again” released July 1982 in the USA on Atlantic SD 19360 and in the UK on Atlantic K 50896)

15. Love Is The Reason – GRAHAM NASH (Previously Unreleased Alternate Mix)

16. Raise A Voice - CROSBY, STILLS, NASH (on “Allies” (Live) released June 1983 on Atlantic 78-0075-1)

17. Clear Blue Skies - CROSBY, STILLS, NASH (Previously Unreleased version)

18. Lonely Man - CROSBY, STILLS, NASH (Previously Unreleased song)

19. Sad Eyes – GRAHAM NASH (Previously Unreleased Alternate Mix)

20. Water From The Moon – GRAHAM NASH (Previously Unreleased song)

21. Soldiers Of Peace - CROSBY, STILLS, NASH & YOUNG (on the album “American Dream” released November 1988 in the USA on Atlantic 7 81888-1 and in the UK on Atlantic WX 233)

Disc 3 (74:55 minutes):

1. If Anybody Had A Heart – CROSBY, STILLS & NASH

2. Chippin’ Away – GRAHAM NASH (on the album “Innocent Eyes” released April 1986 in the USA on Atlantic 7 81888 1 and Atlantic WX 233 in the UK)

3. After The Dolphin – CROSBY, STILLS & NASH

4. House Of Broken Dreams - CROSBY, STILLS & NASH (1, 3 and 4 on the album “Live It Up” released June 1990 on LP in the UK and USA on Atlantic 7567 82101-1)

5. Unequal Love – GRAHAM NASH (Previously Unreleased version)

6. Liar’s Nightmare – GRAHAM NASH (Previously Unreleased version)

7. Heartland – CROSBY, STILLS, NASH & YOUNG (on the album “looking Forward” released November 1999 on CD on East West 9362 47436-2)

8. These Empty Days – CROSBY, STILLS & NASH (on the album “After The Storm” released August 1994 on CD on East West 7567 82654-2)

9. Try To Find Me – GRAHAM NASH (Previously Unreleased song)

10. Two Hearts – CAROLE KING and GRAHAM NASH (Previously Unreleased version)

11. Behind The Shades – GRAHAM NASH (Previously Unreleased song)

12. Michael (Hedges Here) – GRAHAM NASH (Previously Unreleased version)

13. I Surrender – CROSBY, NASH

14. Live On (The Wall) – CROSBY, NASH (tracks 13 and 14 are on the 2CD set “Crosby Nash” released 2004 on Sanctuary 06076-84683-2 in the USA and Sanctuary SANDD293 in the UK and Europe)

15. Dirty Little Secret – GRAHAM NASH

16. We Breathe The Same Air – GRAHAM NASH (Previously Unreleased song)

17. Grace – CROSBY, NASH

18. Jesus Of Rio – CROSBY, NASH

19. In Your Name – GRAHAM NASH (Previously Unreleased song)

The audio remaster handled by Graham Nash, Bernie Grundman and John Nowland are truly gorgeous – full of life and presence – really superb work done and care taken. Nowland was involved with the brilliant Neil Young NYA CD remasters over the last few years and Bernie Grundman is a long-established engineer of considerable note. You feel care was taken with each and every track. The 150-page booklet is properly gorgeous – a glossy paperback rammed with colour photos, album sleeves, reminiscences on all the songs, contributions from his vast array of musician friends (household names one and all) and images of his alter life as a painter, artist and photographer. And while the David Crosby Box Set “Voyage” from 2006 had his career on Discs 1 and 2 with all the Previously Unreleased stuff entirely allocated to (a stunning) Disc 3 – the Nash box chooses to mix them in – in chronological order.

Disc 1 opens with a triple-whammy winner of Hollies hits followed quickly by three Nash contributions to the debut CSN album in turn followed by his lovely “Our House” from “Déjà Vu”. We’re then hammered with a slew of 17 alternate versions and this is where I feel some problems arise. Some like “I Used To Be A King” and the acoustic take of “Another Sleep Song” are really excellent - but songs that I love like “Better Days”, “Military Madness” and “On The Line” get lesser or ‘countrified’ versions - when I really wanted upgraded remastered originals.

As you open Disc 2 you’re hit with the vocal magnificence of “To The Last Whale…” and the guitar funk of “Love Work Out”. “Just A Song Before I Go” from 1977’s “CSN” sounds amazing – fantastic audio-quality - as does the Alternate of “Magical Child”. But as we get further into the Eighties and Nineties the quality varies enormously. On the one hand you get the naff “Chippin’ Away” siding with the genuinely moving – a really lovely alternate version of “Unequal Love” – intimate and in your living room. The non-album “Water From The Moon” is awful cod-rock while “House Of Broken Dreams” from the underrated “Live It Up” CSNY set from 1990 is excellent (“separate houses, separate hearts…”). I liked a lot of what was on the 2CD “Crosby/Nash” 2004 set including their hurting version of Marc Cohn’s “I Surrender”. It ends on “In Your Name” – a prayer to God to “stop all this killing in your name…” – a sweet ballad and a cool way to finish the box.

It’s not all genius for sure and some of the stuff on Disc 2 and 3 is too maudlin and middle of the road - but what is here is beautifully remastered and presently in drop-dead gorgeous surroundings. Time to reappraise. Man were they a talented bunch…

"LOU ADLER: A Musical History" by VARIOUS ARTISTS (February 2014 Ace Records CD Remasters) - A Review by Mark Barry...

This Review Along With 300+ Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites
ALL RIGHT NOW

CLASSIC ROCK and POP 1970 to 1974 
Exceptional CD Reissues and Remasters  

Just Click Below To Purchase for £7.95

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)

"...Flowers In His Hair..."

25-Tracks from the career of Producer, Songwriter and Ode Records founder LOU ADLER stretching from 1958 to 1974 – "A Musical History" is a brilliant and eclectic mix of styles, songs and genres that cleverly maps the emergence of the "California Sound" - including huge names like Sam Cooke, The Mama's & The Papa's and Carole King. 

Here are the Eve Of Destruction details...

UK released February 2014 – "LOU ADLER: A Musical History" on Ace Records CDCHD 1384 (Barcode 029667057523) is a 25-Track CD Compilation of Remasters that pans out as follows (71:40 minutes):

1. Wonderful World – SAM COOKE (1960 USA 7” single on Keen 82112, A)

2. Deana Baby – JOHNNY “GUITAR” WATSON (1958 USA 7” single on Keen 3-4023, A)

3. Bim Bam – SAM BUTERA & THE WITNESSES (1958 USA 7” single on Capitol F 4014, A)

4. Baby Talk – JAN & DEAN (1959 USA 7” single on Dore 522, A)

5. All Of My Life – SAM COOKE (1958 USA 7” single on Keen 3-2005, A)

6. Goodnight Sweetheart, Goodnight – THE UNTOUCHABLES (1960 USA 7” single on Madison M134, A)

7. Alley-Oop – DANTE & THE EVERGREENS (1960 USA 7” single on Madison M130, A)

8. Honolulu Lulu – JAN & DEAN (1963 USA 7” single on Liberty 55613, A)

9. Crying In The Rain – THE EVERLY BROTHERS (1961 USA 7” single on Warner Brothers 5250, A)

10. Eve Of Destruction – BARRY McGUIRE (1965 USA 7” single on Dunhill 45-D-4009, A)

11. Go Where You Wanna Go – THE MAMA’S & THE PAPA’S (1965 USA 7” single on Dunhill 45-D-4018, A)

12. California Dreamin’ - THE MAMA’S & THE PAPA’S (1965 USA 7” single on Dunhill 45-D-4018, A)

13. San Francisco “Wear Some Flowers In Your Hair” – SCOTT McKENZIE (1967 USA 7” single on Ode ZS7-103, A)

14. Stoney End – THE BLOSSOMS (1967 USA 7” single on Ode ZS7-106, B-side to “Wonderful”)

15. Wonderful – THE BLOSSOMS (1967 USA 7” single on Ode ZS7-106, A)

16. Snow Queen – THE CITY [featuring Carole King and Danny Kortchmar] (1968 USA 7” single on Ode ZS7 113, A)

17. Wear You Love Like Heaven – PEGGY LIPTON (1970 USA 7” single on Ode OD-66001, A)

18. The Times They Are A-Changin’ – THE BROTHERS & SISTERS OF LOS ANGELES (1969 USA 7” single on Ode ZS7-123, A)

19. Oh No, Not My Baby – MERRY CLAYTON (1972 USA 7” single on Ode ODE-66030, A)

20. It’s Too Late – CAROLE KING (1971 USA 7” single on Ode ODE-66015, A)

21. It’s Going To Take Some Time – CAROLE KING (from her 1971 album “Music” on A&M/Ode Records SP 77013)

22. Gimme Shelter – MERRY CLAYTON (May 1970 USA 7” single on Ode ODE-66003, A)

23. I Got A Line On You – SPIRIT (1969 USA 7” single on Ode ZS7 115, A)

24. Earache My Eye – CHEECH & CHONG (1974 USA 7” single on Ode ODE-66102-S, A)

25. Sweet Transvestite – TIM CURRY & THE ORIGINAL ROXY CAST featuring Alice Bowie (1974 USA 7” single on Ode ODE-66103, A)

Notes: Tracks 1 to 7, 14, 15 and 17 are MONO – all others are STEREO

The 28-page booklet is properly gorgeous – affectionate and wonderfully informative liner notes by noted Music Writer MICK PATRICK. The artist-by-artist assessments are peppered with repros of almost every American 45 on labels like Madison, Ode, Keen, Dore, Liberty, Dunhill and more. There’s are US picture sleeves for The Everly Brothers, Jan & Dean, The Mama’s & The Papa’s and Peggy Lipton with In Studio black and whites publicity shots of Lou Adler with Jan and Dean and Herb Alpert, Billboard and Cashbox adverts, sheet music and so on... At 28-pages it really stretches out and looks the part. And once again NICK ROBBINS does a bang up job of remastering – each track sounding special in their own way.

It opens with Sam Cooke’s gorgeous “Wonderful World” –a three-way co-write with Cooke, Adler and his songwriting buddy Herb Alpert. Sam Butera & The Witnesses were pretty much the backing band for the wonderful Louis Prima and Keely Smith – so his best-loved R&B hit “Bim Bam” is a really welcome choice – complimenting the wicked same beat found on Johnny “Guitar” Watson’s “Deana Baby” (a genius inclusion). I’ve never been a fan of the Surfing Jan & Dean sound and the vocal group take by The Untouchables of “Goodnight Sweetheart, Goodnight” just sounds out of place somehow.

By the time we get to Track 10 the whole “California Dreamin’” hippy vibe starts to kick in – a mixture of rage at War and Weapons proliferation (“Eve Of Destruction”) sat perfectly alongside the Sixties newfound joy for life (“San Francisco “Wear Some Flowers In Your Hair”). The Blossoms featuring Darlene Love, Jean King and Fanita James do a girl-group cover of Laura Nyro’s “Stoney End” layering on the strings – the flipside to the melodrama of ‘Wonderful”. A truly fantastic discovery for many will be Carole King’s group The City (before she went solo) – the gorgeous melodies and layered vocals in “Snow Queen” are a genuine standout here.

Bizarre cover goes to Peggy Lipton for her version of Donovan’s “Wear Your Love Like Heaven” which segues into something more righteous and far better – the Gospel/Church cover of Dylan’s “The Times They Are A-Changin’” by The Brothers & Sisters Of Los Angeles fronted by Merry Clayton at her powerhouse best. Two tracks from her trio of albums on Ode provide genuine highlights – her tender take on the Maxine Brown classic “Oh No, Not My Baby” (written by Goffin & King) and her storming cover of the song that made Clayton famous – The Rolling Stones “Gimme Shelter”. Things then go stratospheric with King’s sublime "It's Too Late" – a US Number 1 and a Grammy winner from her stunning "Tapestry" album of 1971 followed by a track from her "Music" album.

Wicked inclusion number 109 goes to Spirit's "I Got A Line On You" - a sort of Blood, Sweat & Tears meets The Spencer Davis Group piece of fast-paced upbeat dancing Sixties pop (written by Randy California). Then quickly back to bizarre. It seems amazing now to think that the Frank Zappa Rock/Comedy Kiss excess that is Cheech & Chong’s pisstake on Rock stars “Earache My Eye” went Top 10 in 1974 (“...As long as I can have my limo and orange hair...I’m so rich! Ha1 Ha!”) The compilation ends on the equally rocktastic and anarchic “Sweet Transvestite” – a Richard O’Brien boogie from “The Rocky Horror Show” which sounds like David Bowie meets Lou Reed - with both having fun about high-heeled boots and gender-bending.

So there you have it – Bubblegum Pop, Sweet Soul, Surfin’ Safari, Harry Hippy, Girl Group, Seventies Singer Songwriter, Comedy and Men Dressed Up As Women – Lou Adler produced them all - and from the sounds of this compilation - with real style (along with Herb Alpert he also penned tracks 1, 2, 3 and 5 and had a hand in 8). There’s so much to enjoy on here - even if you do own those overplayed Mama’s & Papa’s, Scott McKenzie and Carole King tracks. Dig in and enjoy - and Ace Records have done it again folks...another winner... 

"Forever Young" by REGGIE YOUNG (May 2017 Ace Records CD) - A Review by Mark Barry...

"...Soul Love..."

In December 2017 - Missouri's Reggie Young will be a sprightly 81 - and its odds on that you've never heard of the guy. Or have you?

Revered as one of 'the' classiest of finger-picking sessionmen across an astonishing six decades and a long-time associate of Waylon Jennings Touring Band and go-to guitarist for Memphis songwriting cool types like Dan Penn and Spooner Oldham - this elegant axeman's US singles resume alone is a list so damn long that I could be here for days. But check out these as tasters...and note how many are Soul classics or Rock-Soulful in their nature...

The Dark End Of The Street - JAMES CARR (1966, Goldwax Records 317)

The Letter - THE BOX TOPS (1967, Malo Records 565)

Skinny Legs And All - JOE TEX (1967, Dial Records 4063)

Memphis Soul Stew - KING CURTIS (1967, Atco Records 6511)

Cry Like A Baby - THE BOX TOPS (1968, Mala Records 593)

Hooked On A Feeling - B.J. THOMAS (1968, Scepter Records SCE 12230)

I'm A Midnight Mover - WILSON PICKETT (1968, Atlantic Records 2528)

Son Of A Preacher Man - DUSTY SPRINGFIELD (1968, Atlantic 2580)

Angel Of The Morning - MERRILEE RUSH and THE TURNABOUTS (1968, Bell 705)

Memphis Underground - HERBIE MANN (1969, Atlantic 2621)

Sweet Caroline (Good Times Never Seemed So Good) - NEIL DIAMOND (1969, Uni 55136)

Holly Holy - NEIL DIAMOND (1969, Uni Records 55175)

In The Ghetto - ELVIS PRESLEY (1969, RCA Victor 47-9741)

Suspicious Minds - ELVIS PRESLEY (1969, RCA Victor 47-9764)

Kentucky Rain - ELVIS PRESLEY (1970, RCA Victor 47-9791)

Good Time Charlie's Got The Blues - DANNY O'KEEFE (1972, Signpost SP-70006)

Drift Away - DOBIE GRAY (1973, Decca 33057)

I Can Help - BILLY SWAN (1974, Monument ZS8 8621)

Cajun Moon - J.J. CALE (1974, Shelter SR-40238)

Cocaine - J.J. CALE (1976, Shelter SR-62002)

The list above is only scratching the surface so the pedigree is there for sure - but what's the album like? "Forever Young" is seven Soul-Rock instrumentals - all guitar based with sweet keyboard fills and tasty brass additions. Think Phil Upchurch's "Darkness, Darkness" from 1972 (all funky guitar instrumentals), Dan Penn's "Do Right Man" album from 1994 but minus the vocals, or John Mayer's more soulful playing, Clapton's class in the last two decades or an all instrumental J.J. Cale album done as he approaches his twilight years - and that's what "Forever Young" sounds like (39:37 minutes).

1. Coming Home To Leipers Fork

2. Memphis Grease

3. Soul Love

4. Seagrove Place

5. It's About Time

6. Exit 209

7. Jennifer

Young's playing is slyly understated – never overly flashy – just right - you could even call it chill-out George Benson Soul. The 20-page booklet features liner news from the legendary COLIN ESCOTT that includes an interview with the great man (Clapton name-checks Young as one of the great players). Across the pages and beside photos of 3614 Jackson High Studios – you get fascinating reminiscences about his extraordinary career and contributions to so many memorable songs as well as insights into the solo album that took him the whole of his life to get together. So why the four stars instead of five?

While the sexy groove of the opener "Coming Home To Leipers Fork" will undoubtedly seduce you and smooth-as-silk "Soul Love" make you think the man is 30 and not 80 – Young’s first solo album is not all great and a few of the five-to-six-minute cuts simply amble rather than ignite. You keep wishing "It's About Time" and "Seagrove Place" for instance had more in them tune-wise other than sweet playing - and both could have lost those cheesy keyboard punches that sound like something from a decade best forgotten. But the last two songs - the hip and funky "Exit 209" and especially the ballad "Jennifer" (dedicated to his wife who also plays Cello on tracks 1, 2, 4 and 7) are utterly superb - oozing class - beautiful picking - and sweetly recorded too with all the warmth the songs deserve.

UK released 26 May 2017 - "Forever Young" by REGGIE YOUNG on Ace Records CDCHD 1500 (Barcode 0029667079822) is not quite the masterpiece it seems to think it is - but when it's good it's properly gorgeous - a sweet Soulful Guitar instrumental CD that I can't seem to keep out of my player (sublime moments ahoy).

Congrats to one of the greats and all at Ace Records for getting it and his staggering legacy out there...

"Montrose" by MONTROSE - December 1973 US Debut Album on Warner Brothers featuring Ronnie Montrose and Sammy Hagar (October 2009 UK Rock Candy 'Remastered and Reloaded Collector's Edition' CD Reissue) - A Review by Mark Barry...

This Review Along With 310 Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites

US AND THEM - 1973
- Exceptional CD Reissues and Remasters 

Just Click Below To Purchase for £6.95

Thousands and Thousands of E-Pages of Real Info

All Details and In-Depth Reviews From Discs Themselves

(No Cut and Paste Crap)

 

<iframe sandbox="allow-popups allow-scripts allow-modals allow-forms allow-same-origin" style="width:120px;height:240px;" marginwidth="0" marginheight="0" scrolling="no" frameborder="0" src="//ws-eu.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=GB&source=ss&ref=as_ss_li_til&ad_type=product_link&tracking_id=mabasreofcdbl-21&language=en_GB&marketplace=amazon&region=GB&placement=B07WNDRDNP&asins=B07WNDRDNP&linkId=b70f7ba4b162e82eb4072933f0905b44&show_border=true&link_opens_in_new_window=true"></iframe>  

"...Good Rockin' Tonight..."

A full-page advert in the 1 December 1973 issue of the Billboard Trade Magazine announces to the USA and an unsuspecting world that MONTROSE is a new band on Warner Brothers Records and 'you'll be hearing from them...' Well the 'new' part was right at least...

"Montrose" took over half a year to register and even when the debut album did chart Stateside – it was with a whimper rather than a scream – a reaction that belies its monster reputation for being the real beginning of American Heavy Metal. With a staggeringly naff front and back cover depicting our heroes in naked torso pose (the second album "Paper Money" later in 1974 takes first prize for possibly the worst cover ever made – the next two that followed weren't much better either) - the blistering Ted Templeman-produced Hard Rock sonic assault of the self-titled "Montrose" on Warner Brothers BS 2740 has influenced Iron Maiden, Def Leppard, Motorhead and every uber-polished American Rock Band ever since – Van Halen especially.

So why did it tank initially? Talk was that not only did Warner Brothers not know what to do with Montrose or how to market them – they didn’t care because they had all the Rock Gods they needed in The Doobie Brothers and Deep Purple who were selling product in cartloads. And despite touring with huge acts like Humble Pie, The Who and Lynyrd Skynyrd where Montrose would invariably slaughter all in their path when they played (there's a centre page double-photo spread of them at the UK's Charlton Athletic Football Stadium supporting the likes of Bad Company and The Who in May 1974) – the band struggled to translate that excitement into actual record sales. The LP wouldn't arrive in the UK until March 1974 on Warner Brothers K 46276 – and despite its audiophile Production values and two singles that most other Rock Bands would chop up Granny for ("Rock The Nation" and "Bad Motor Scooter") – it didn't chart.

In hindsight the LPs initial damp-squid reaction was strange especially given that the amazing hard-hitting radio-friendly riffage of "Montrose" had arrived in a world where Led Zeppelin's "Houses Of The Holy" had gone to No. 1 and ZZ Top, Joe Walsh, Uriah Heep, Edgar Winter, The Allman Brothers Band, Spooky Tooth, The Rolling Stones and Mott The Hoople (all kick-ass Rock acts) largely dominated the album charts. It would take until the 11th of May 1974 for the album to hit the US Top 200 and then it only managed a peak of No. 133 and an overall 12-week run.

But history has proven our deaf ears wrong and Kerrang Magazine right (No. 4 in their Top 10 list of best Metal albums ever) because the record has now taken on an almost mythical air - some even suggesting that its the greatest Hard Rock album ever made (I don't know about that but it's up there). Which brings us to this 'Rock Candy' CD reissue of 2009 (the label literally taking its name from their song on Side 2) that is a first CD reissue for the UK and Europe. Here are the bad motor scooters...

UK and Europe released 19 October 2009 (re-issued July 2011) - "Montrose" by MONTROSE on Rock Candy CANDY062 (Barcode 827565000289) is a straightforward transfer of the 1973 eight-track album on a 'Remastered & Reloaded Collector's Edition' CD that plays out as follows (32:16 minutes):

1. Rock The Nation [Side 1]

2. Bad Motor Scooter

3. Space Station No. 5

4. I Don't Want It

5. Good Rockin' Tonight [Side 2]

6. Rock Candy

7. One Thing On My Mind

8. Make It Last

Tracks 1 to 8 are their debut album "Montrose" - released December 1973 in the USA on Warner Brothers BS 2740 and March 1974 in the UK on Warner Brothers K 46276. Produced by TED TEMPLEMAN and Engineered by DONN LANDEE - it peaked at No. 133 in the USA (didn't chart UK). "Rock The Nation" written by Ronnie Montrose, "Bad Motor Scooter" and "Make It Last" by Sammy Hagar, "Space Station No. 5" and "I Don't Want It" by Ronnie Montrose and Sammy Hagar, "Rock Candy" by Montrose, "One Thing On My Mind" by Hagar, Montrose and J. Sanchez and finally a cover version of the Roy Brown hit "Good Rockin' Tonight".

MONTROSE was:

SAMMY HAGAR – Lead Vocals

RONNIE MONTROSE – All Guitars

BILL 'THE ELECTRIC' CHURCH – Bass

DENNY CARMASSI – Drums

The 16-page booklet features an enthusiastic and hugely entertaining 4000-word essay on the band and the album's history by BRIAN BRINKERHOFF (Ronnie's stints with Van Morrison) that’s peppered with live photos and contributions from founder members Ronnie Montrose and Bassist Bill Church. Not surprisingly both musicians sing the praises of and hold huge affection for the dynamic audio duo of Ted Templeman and Donn Landee (Producer and Engineer) with tales of clever pre-digital multiple-microphone placing, letting the band rip live in the studio and crawling around rooms with blankets to get that 'sound' the LP is famous for.

Speaking of audio - I've had the July 2005 American-only 24-Karat Gold "Montrose" HDCD for years to have the album in its best form - a Steve Hoffman Remaster on Audio Fidelity AFZ 028 (Barcode 780014202828) and it's a belter as you can imagine. There are also tracks from the LP on a Rhino "Best Of" CD in Remastered form that sound awesome too. The latest Rock Candy version from 2009 offers a new JON ASTLEY Remaster which is described as 'sound shaped from 24-bit digital tools via POW-r technology' - whatever that means. All I can say is that it this mother 'rocks' with the lewdness and swagger of Dave Lee Roth on steroids and the visceral punch of an irate mule with daddy issues. The album was always loud - but here it has power too - and not just trebled for the sake of it either - I love it.

Warner Brothers UK took the opener "Rock The Nation" and tagged on "One Thing On My Mind" onto the B-side in July 1974 (Warner Brothers K 16428) - but like the equally ass-kicking "Bad Motor Scooter" from April 1974 on Warner Brothers K 16382 (with the same flipside) - both 45s tanked.  Maybe they were just too much at the time - but re-listening to them now followed by that astounding power-riff in "Space Station No. 5" - it makes you wonder was it that truly cruddy artwork that put people off? Unsung album heroes come in the shape of "I Don't Want It" (just quit my job making tooth-picks out of logs) - the great fun-rock of "Good Rockin' Tonight" where Montrose take Roy Brown's 1949 "Rockin' At Midnight" and update it into a fantastic Rock raver. And while you could understand why they used the huge riff of "Rock Candy" in the movie "The Rose" as the helicopter flies over the concert crowd below - my real poison has always been the brilliant but simple Rock of "One Thing On My Mind" and the big-mickey swagger of "Make It Last".

Montrose managed three more albums on Warner Brothers (Ronnie did a solo record also in 1978) - their second platter "Paper Money" in particular having some decent tracks like "Underground" and "Connection" - but mostly the rest of their output felt like that initial album magic was gone. The debut would also lead maestro Producer Ted Templeman and genius Engineer Donn Landee to Eddie Van Halen and Dave Lee Roth and their band VAN HALEN where they collaborated to amazing effect on VH's first six albums - especially their equally explosive self-titled debut in 1978 (also on Warner Brothers). Montrose's original vocalist Sammy Hagar would of course join Van Halen's ranks in 1986 for "5150" and three other No. 1 albums after whilst Drummer Denny Carmassi would swell the pirate crews within Heart, Whitesnake and Coverdale/Page. Ronnie would helm his band Montrose for years - then join with Edgar Winter and Gamma - and in 2004 and 2005 he would bring the whole story full circle by joining the original four-piece of Montrose on stage with Sammy Hagar.

"The Pretenders", "Dire Straits", "The Clash", "The Cars", "Tom Petty And The Heartbreakers" - just some of the debut albums that took us all by storm. 

Well, 1973's "Montrose" is up there with the best of them and this Rock Candy CD reissue of it has done their huge and influential legacy proud...

CD Remasters of MONTROSE on Rock Candy Records

1. Montrose (December 1973 Debut LP) – 2009 CD on Rock Candy CANDY062 (Barcode 827565000289)

2. Paper Money (November 1974 2nd LP) – 2015 CD on Rock Candy CANDY278 (Barcode 5055300387462)

3. Warner Bros. Presents Montrose! (October 1975 3rd LP) – 2015 CD on Rock Candy CANDY279 (Barcode 5055300387479)

4. Jump On It (September 1976 4th LP) - 2015 CD on Rock Candy CANDY280 (Barcode 5055300387486)

"Songs From The Wood: 40th Anniversary Edition - The Country Set" by JETHRO TULL (May 2017 Parlophone/Chrysalis 3CD + 2DVD Reissue - Steve Wilson Remixes and Remasters) - A Review by Mark Barry...

"...Ring Out, Solstice Bells..."

Lavish and Loony are the words that come to mind.

I must admit by the time Tull's 10th studio album came out in February 1977 - my mind and musical interests were elsewhere. As I recall I bought the UK Chrysalis Records LP as an afterthought later that year and reckoned it was good rather than great. But my God this extraordinary 2017 five-disc reissue has made the country squire in me sit right back up and take notice (pass the jugs of mead boys).  Everything about this fan-pleasing '40th Anniversary Edition' Reissue is utterly exceptional and at an opening gambit of twenty-two pre Brexit quid represents genuinely good value for money in my manure patch. Time to ring out those Solstice Bells methinks...

UK and USA released Friday, 19 May 2017 - "Songs From The Wood: 40th Anniversary Edition - The Country Set" by JETHRO TULL on Parlophone/Chrysalis 0190295847876 (Barcode 0190295847876) is a 3CD + 2DVD Reissue and Remaster with Stereo and 5.1 Surround Remixes by Steven Wilson in a 96-page Hardback Book Pack that plays out as follows:

CD 1 (76:55 minutes):

A Steven Wilson Stereo Remix

1. Songs From The Wood [Side 1]

2. Jack-In-The-Green

3. Cup Of Wonder

4. Hunting Girl

5. Ring Out, Solstice Bells

6. Velvet Green [Side 2]

7. The Whistler

8. Pibroch (Cap In Hand)

9. Fire At Midnight

Tracks 1 to 9 are their 10th studio album "Songs From The Wood" - released 4 February 1977 in the UK on Chrysalis CHR 1132 and 21 February 1977 in the USA also on Chrysalis CHR 1132. Written and Produced by IAN ANDERSON - it peaked at No. 13 in the UK and No. 8 in the USA

Associated Recordings

10. Old Aces Die Hard - Previously Unreleased Studio Outtake (Take 3) recorded October 1976 (working title was "Dark Ages")

11. Working John, Working Joe - Previously Unreleased Studio Outtake (Take 5) recorded September 1976

12. Magic Bells (Ring Out, Solstice Bells)

Track 12 is a Studio Outtake recorded September 1976 - first appeared on the November 2016 "Ring Out, Solstice Bells" UK 7" double pack on Chrysalis CX 40 - a Record Store Day Limited Edition Reissue (2000 Copies only) with Different Tracks to the December 1976 UK 7" double-pack originally on Chrysalis CXP2.

13. Songs From The Wood (Unedited Master)

14. Fire At Midnight (Unedited Master - Previously Unreleased)

15. One Brown Mouse (Early Version - New Mix)

16. Strip Cartoon - non-album B-side to the UK 7" single for "The Whistler" released 4 February 1977 on Chrysalis CHS 2135

17. The Whistler - Original 1977 US Stereo Single Mix - released March 1977 in the USA on Chrysalis CHS 2135 (peaked at No. 59)

CD 2 - Live In Concert 1977 (Part One) – Mixed to Stereo by Jakko Jakszyk (52:09 minutes)

1. Wond'ring Aloud

2. Skating Away On The Thin Ice Of A New Day

3. Jack-In-The-Green

4. Thick As A Brick

5. Songs From The Wood

6. Instrumental

7. Drum Solo Improvisation

8. To Cry You A Song

9. A New Day Yesterday

10. Flute Solo Improvisation/God Rest Ye Merry gentlemen/Bouree

11. Living In The Past

CD 3 - Live In Concert 1977 (Part Two) – Mixed to Stereo by Jakko Jakszyk (59:49 minutes):

 1. Velvet Green

2. Hunting Girl

3. To Old To Rock 'n' Roll: Too Young to Die

4. Minstrel In The Gallery

5. Cross-Eyed Mary

6. Aqualung

7. Instrumental Improvisation

8. Wind-Up

9. Back Door Angels/Guitar Improvisation/Wind-Up (Reprise)

10. Locomotive Breath

11. Land Of Hope And Glory/Improvisation/Back Door Angels (Reprise)

DVD 1 (Audio) - NTSC, Region 0 Coding (All Regions)

(i) Contains "Songs From The Wood" album with all associated recordings on CD1 except Tracks 13, 14 and 17 - Remixed to 5.1 DTS, AC3 Dolby Digital Surround Sound and 96/24 LPCM Stereo

(ii) "Songs From The Wood (Unedited Master)" and "Fire At Midnight (Unedited Master)" as 96/24 LPCM Stereo

(iii) The original 9-Track Album as 96/24 LPCM Stereo

(iv) Original Quad Mixes for "Songs From The Wood", "Jack-In-The-Green", "Velvet Green" and "The Whistler" with DTS 4.0 and Dolby Digital AC3 4.0 Surround Sound

DVD 2 (Audio/Video) - NTSC, Region 0 (All Regions)

(i) Jethro Tull live on video for almost two hours at the Capitol Centre, Landover MD, 21 November 1977 - Mixed to Stereo, 5.1 DTS and AC3 Dolby Digital Surround

(ii) Beethoven's Ninth (Original Audio)

(iii) Promotional Footage of "The Whistler"

Like all of these Jethro Tull Book Packs so far - the visuals are truly spectacular and put most other reissues from major labels firmly in the 'D' for dunce corner. A 96-page booklet attached to a Hardback Book Pack assaults your senses with essays and a memorabilia collection that borders on 'W' for worry. Using lyrics from the title track - Pages 8 to 51 start proceedings with a lengthy and definitive new set of liner notes entitled "Let Me Bring You..." It features reminiscences on the mythology surrounding the songs (Anderson living as a 'country squire' in the UK and how the set would be written in-between gigs and influenced by books he was reading whilst on the road), the record's launch, public and press reaction (good and bad) and the subsequent US Tour – all of which was told to MARTIN WEBB by principal band members Ian Anderson (Lead Vocals, Flute, Principal Songwriter), Martin Barre (Guitars and Vocals), David 'Dee' Palmer (Keyboards) and Barrie Barlow (Drummer).

The memorabilia stuff is amazing and exhaustive - Barrimore Barlow draped in suitable Tull attire in front of his kit for a full-page advert selling 'Rose-Morris Ludwig' Drums - differently designed Backstage Passes for Detroit, Toronto and Maryland's Landover (where the live gig on CDs 2 and 3 was recorded) - trade adverts for the album that played on the pun of trees - colour photos from the tour, the lyrics in suitably pretty script, repros of reviews, master-tape boxes, foreign picture sleeves, Chrysalis promotional photos, Dee Palmer's orchestration charts, a day-by-day tour date guide and finally interviews with Trevor White and Jakko Jakszyk about the 21st Century problems of remastering 1977 tapes with inherent audio faults (the live stuff). They've even got a photo of Morgan Studios and the mixing desk used.

But for most fans it will be the STEVEN WILSON Remixes and Remasters that draw. And once again his legendary empathy with Prog Rock and a mixing desk do his growing legend proud. I had the 2003 variant for a while but sold it and I honestly can't A/B this. But I'm thinking I don't need to because my ears are opened. The Acapella voices that begin "Songs From The Wood" are beautiful - the madrigal instruments that usher in the song so clear - those Prog Rock keyboard flourishes from John Evans and David Palmer are everywhere. "Jack-In-The-Green" is sensational - Anderson's slightly echoed vocals perfectly aligned with those acoustic strums - it sounds just huge. "Cup Of Wonder" is the same - the instruments alive and swimming in your speakers - amazing to think that this much musical complexity and precision was Take 1. Synth sounds open "Hunting Girl" which for me is the most Prog sounding romp on the LP - those rattling Barrie drums - that flanged guitar - now right up and in your face. You feel that Bass in the festive "Ring Out, Solstice Bells" - kitchen prose and gutter rhymes indeed. "Velvet Green" is probably the most impressive of tracks improvement-wise - that final Flute and Piano battle - those acoustic strums that hark back to "Living In The Past" Tull - brilliant. At 3:32 minutes and sporting a vaguely usable melody (treated vocals and a bop-Irish beat) - "The Whistler" was issued as a 45 in March 1977 and amazingly its Gordon Giltrap vibes pushed it all the way up to No. 59 on the US singles charts. The mad Prog guitars that open "Pibroch (Cap In Hand)" take no prisoners - floating in and out of the soundstage until they settle into a familiar Tull shuffle. The album ends on the ethereal drums of "Fire At Midnight" - so eccentrically Jethro Tull.

Fans will flip for the near nine-minutes of the Previously Unreleased "Old Aces Die Hard" - gorgeous acoustic guitars - brilliant vocals and choppy rhythms alternating between Folk and Prog. It's almost like an "Aqualung" outtake as the electric guitars build and build towards the end in a very Yes kind of way (nice touch to include the lyrics on Page 64). Someone sawing wood opens the second genuine outtake offered here - "Working John, Working Joe". Again it's shockingly good with fantastic guitar chops from Martin Barre – the character in the song waxing angry about how he slaves while others sloth - working thirteen hours when most work only eight. And as far as I know this is also the first CD appearance of the November 2016 Record Store-only 7" single track "Magic Bells (Ring Out, Solstice Bells") – a rarity in itself after less than a year in the vinyl marketplace. "Old Brown Mouse" is a great Anderson acoustic jangle and if it is 'probably a Demo' as the liner notes suggest – it's an amazingly accomplished one. Fans will appreciate the B and A-side singles of "Strip Cartoon" and "The Whistler" - both of which bring a near perfect CD1 to a close.

I suspect that some judicious editing was done on the two live CDs (not that I'm complaining) because they work so well thematically and the Audio is also shockingly good. Introducing every song with his customary witticisms and broad English squire voice - Ian Anderson opens proceedings by announcing himself as the support act 'Arnold Stirrup'. He then promptly thrills the crowd with a one-two of Acoustic goodies - "Wond'ring Aloud" and the US hit single "Skating Away On The Thin Ice Of A New Day". Even though the audience seems miles away if not entirely removed from the tapes - the band and the instrumentation feel live and in your living room - superbly cleaned up and with their playing prowess as impressive as ever - something that becomes very evident when they go into the complexities of "Thick As A Brick" (announced with a Led Zeppelin jab) and the Medieval Acapella beginning of "Songs From The Wood" (John Evans has Bronchitis so he’ll be crap Anderson teases). The same applies on Disc 2 with the "Aqualung" tracks "Cross-Eyed Mary" and "Wind-Up" eliciting frenzy. Jakko Jakszyk did the Stereo masters and Audio transfers and I think Tull fans will be licking their lips at the thought of "Bursting Out - Live" Part 2 – because that’s what this 100-minutes of primo JT feels like.

After the high of the three CDs - DVD 2 comes as a slight letdown. The Audio is the same top-notch job but the video is blurry (so very Seventies) and is best described as a really good bootleg rather than anything better than that. With his red bowler hat, half beard, acoustic guitar and mad bug eyes - Ian Anderson's witty ad-libs between songs suddenly start to make sense when you see what accompanied them - his band looking like a troupe of woodland gypsies that have gorged on too many wild mushrooms or extras from "One Flew Over The Cuckoo Nest". But the concert is great and it also allows you to pick three Audio options from the Menu - Stereo LPCM, DTS 5.1 Surround and Dolby AC3 5.1 Surround.

To sum up - Jethro Tull are very much a Marmite band - they engender true collector's passion amongst fans whilst others will develop a fatal Ebola rash at the mere mention of their Minstrel Name. But there's no doubting in my mind that like 'em or no - this is already a contender for 'Reissue Of The Year' 2017. Well done to all involved and please apply the same lavish lust to 1972's "Living In The Past" double-album - 45 years young this very year.

"...Let me bring you love from the field..." - Ian Anderson sang on the title track to "Songs From The Wood". Job done mate...