"Natural Born Bugie: The Immediate Anthology" by HUMBLE PIE (October 2000 Sanctuary/Castle Music 2CD Remasters) - A Review by Mark Barry...

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"...A Nifty Little Number..."

I've had this truly fantastic HUMBLE PIE twofer-CD set for over 15 years now and meant to review it many times. Well, no time like July 2017.

Fronted by the mighty Steve Marriott (fresh from the Small Faces) and The Herd's lead singer Peter Frampton - over in the USA especially HUMBLE PIE achieved stadium-filling Rock legend but initially remained something of a subdued force back in their native Blighty.

And that’s where "Natural Born Bugie: The Immediate Anthology" comes rollicking in. This October 2000 Sanctuary Records/Castle Music 2CD reissue features their initial two albums with Andrew Loog Oldham's ill-fated 'Immediate Records' - both issued in the heady days of 1969 - "As Safe As Yesterday Is" in July 1969 and "Town And Country" in late November. Original drummer Jerry Shirley got involved in this reissue helping with the new remixes from original tapes and reminiscences for the liner notes. The set also offers both sides of a stand-alone 7" single (the titular "Natural Born Bugie" backed with the delightfully monikered "Wrist Job") and eleven other stragglers - a very tasty Nine Previously Unreleased Tracks with two further outtakes first issued on a German CD in 1992 (Tracks 7 and 8 on Disc 2). It's a big ole slice of forgotten Pie - so let's get to the many-headed details...

UK released 30 October 2000 (November 2000 in the USA) - "Natural Born Bugie: The Immediate Anthology" by HUMBLE PIE on Sanctuary/Castle Music CMDDD 054 (Barcode 5050159105427) is a 2CD 34-Track Set of Remasters that plays out as follows:

Disc 1 (74:00 minutes):

1. Natural Born Bugie

2. Wrist Job

Tracks 1 and 2 are the non-album A&B-sides of their debut UK 7" single released July 1969 on Immediate IM 082

3. Desperation [Side 1]

4. Stick Shift

5. Buttermilk Boy

6. Growing Closer

7. As Safe As Yesterday Is

8. Bang! [Side 2]

9. Alabama '69

10. I'll Go Alone

11. A Nifty Little Number Like You

12. What You Will

Tracks 3 to 12 are their debut studio album "As Safe As Yesterday Is" - released July 1969 in the UK on Immediate Records IMSP 025 and December 1969 in the USA on Immediate IMOCS 101 with the Ian McLagan track "Growing Closer" on Side 1 replaced with the single "Natural Born Bugie". It peaked at No. 34 in the UK, didn't chart USA.

13. Take Me Back [Side 1]

14. The Sad Bag Of Shakey Jake

15. The Light Of Love

16. Cold Lady

17. Down Home Again

18. Ollie Ollie

Tracks 13 to 18 are Side 1 of their 2nd studio album "Town And Country" - released November 1969 in the UK on Immediate Records IMSP 027 (No USA Release). It didn't chart in the UK

Disc 2 (70:34 minutes):

1. Every Mother's Son

2. Heartbeat

3. Only You Can See

4. Silver Tongue

5. Home And Away

Tracks 1 to 5 are Side 2 of their 2nd studio album "Town And Country" - released November 1969 in the UK on Immediate Records IMSP 027 (No USA Release). It didn't chart in the UK

6. I'll Drown In My Own Tears

7. 79th Street Blues

8. Greg's Song (Backing Track)

9. Hello Grass (No Regrets)

10. Road To Ride

11. BTMG's (Instrumental)

12. Zeptoe Through The Tulips

13. Leave No Turn Unstoned (alias Just A Riff) - Instrumental

14. Every Mother's Son (alias Jesse Hardin) ('Drunk Intro' Version)

15. The Sad Bag Of Shaky Jake

16. For Your Love (Studio Jam)

Tracks 6 and 9 to 16 are PREVIOUSLY UNRELEASED

Tracks 7 and 8 first appeared on the 1992 German CD reissue of "Town And Country" on Repertoire REP 4231-WY (Barcode 4009910423127)

HUMBLE PIE was:

STEVE MARRIOTT - Lead Vocals, Guitars and Keyboards

PETER FRAMPTON - Lead Vocals, Guitars and Keyboards

GREG RIDLEY - Bass and Vocals

JERRY SHIRLEY - Drums and Percussion

Compiled by a name trusted by collectors JOHN REED - almost all of the Sanctuary/Castle Music CD reissues of the period favoured a fold-out inlay which is not only a tasty treat visually but an in-depth and knowledgeable read too. With liner notes from ROGER DOPSON, JOHN HOLLIER and JERRY SHIRLEY, the text is peppered with rare Euro 45 picture sleeves ("The Sad Bag Of Shaky Jake"), Immediate Records trade adverts and even the photograph of the brown-parcel artwork that featured on the "As Safe As Yesterday Is" sleeve. They've repro'd the rear covers of both LPs, an NME issue that featured HP on the front cover, black and white and colour snaps of the English rockers in full flight on varying stages and an A-Label demo of the band's lone British single on immediate - "Natural Born Bugie" that peaked at No. 4 on the UK singles charts in September 1969.

But the great news is quality sources for the Audio - 'Immediate Remasters' by Sound Recording Technology at St. Ives, mix downs for the previously unreleased material by Jerry Shirley and Andy Jackson at Dave Gilmour's Studios and the whole set Remastered by NICK WATSON at SRT. The first album is essentially a Rocker - whilst the poor-selling No. 2 LP was largely an Acoustic Folky affair - and both sound suitably brill to me – muscle and details galore. To the music...

Marriott wrote both sides of the "Natural Born Bugie" single where some copies credited the track as "Natural Born Woman" after the actual chorus lyric. It's a simple guitar and piano good-time Rock 'n' Roller with that fantastic Bluesy organ sound on "Wrist Job" being my preferred poison. The debut album opens with a storming Steppenwolf cover version - "Desperation" - just one of the John Kay-written highlights on their January 1968 "Steppenwolf" debut LP on ABC/Dunhill Records. By the way both Marriott and Frampton play and sing - you could be forgiven for thinking Humble Pie are a British version of that American juggernaut of a band - a style call I'll take any day of the week. Frampton gets his first credit with the slide guitar of "Stick Shift" whilst also contributing "I'll Be Alone" and a co-write with Marriott on the LP's superb title track "As Safe As Yesterday Is". Things kick into boogie mode with "Buttermilk Boy" where a country boy finds himself at the eager hands of an amorous city gal (this strapping lad will be needing a big breakfast come the morning). Ian McLagan's lone contribution to the LP "Growing Closer" is the kind of Small Faces-sounding harmonica rocker from the "Autumn Stone" period that I love - with Side 1 ending on the epic six-minute title track where Humble Pie's musicality comes to full fruition - what a tune and what a sound they made – minstrel of the night indeed.

The band had left for the USA, Immediate didn't promote the new record with a British single and were themselves weeks away from financial ruin anyway. Also unlike its rocking predecessor - the new album’s direction seemed more Folk than Natural Born Bugie. So when the 2nd Humble Pie album "Town And Country" appeared in late November 1969 – critics were baffled and the public either didn't know of its existence or worse - didn't care (it failed to chart in the UK and wasn't given an equivalent US release). Poor sales and disinterest are born out with my own decades of experience. I worked as a Rarities Buyer in Reckless Records in Islington and Soho for nearly 20 years (one of the best and busiest second-hand record shops in London) and while the A&M Humble Pie albums (especially the popular doubles "Performance" and "Eat It") would regularly show in people's record collections – the first two Immediate albums never did – especially the second "Town And Country".

But I've always loved it – even bought the 2008 Japanese SHM-CD reissue. Re-listening to the genius Sitar shimmy of "The Light Of Love" (could be a 1967 Summer of Love classic) or the Terry Reid cool keyboard groove of "Cold Lady" or the Sticky Fingers "Wild Horses" country-acoustic of "Every Mother's Son" or Frampton's fantastic vocal on "Only You Can See" – and I'm loving this wonderfully accomplished LP all over again. Hell I even like the 'rawk' cover of Buddy Holly's "Heartbeat" that HP make sound like a Small Faces outtake from a particularly boozy night out...

Both 1970's "Humble Pie" and 1971's "Rock On" – their opening gambits on A&M Records – are gems too – and equally difficult to find on original vinyl or for that matter reissue CD (outside of Japan that is). But I dig them all so much. Like so many great bands of the period - Humble Pie made a sound that is 'so' British Rock 'n' Roll and like the Faces and The Stones – engender an affection that is actually warranted and has lasted (now nearly into five decades).

"Natural Born Bugie..." is a brill little twofer-CD that's still available for about eight quid or less and it’s safe to say I’ll be returning to this set of 1969 yesterdays for years to come. Great stuff...

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"Already Here/Wovoka/Beaded Dreams Through Turquoise Eyes" by REDBONE (July 2017 Beat Goes On - 3LPs onto 2CDs Reissue and Remasters) - A Review by Mark Barry...

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"...Come And Get Your Love..."

Preceding September 1972's "Already Here" that opens this 3LPs-onto-2CDs 2017 reissue – REDBONE had already clocked up three albums.

First came the double-opener "Redbone" in February 1970, "Potlatch" followed in November 1970 and then came the real breakthrough LP - "Message From A Drum" in February 1972. It contained the monster hit "Witch Queen Of New Orleans" - a smash for the Native American four-piece as far back as May 1971 (the LP didn't arrive until early 1972). With the same track list but different artwork - the British variant of the "Message From A Drum" LP was actually renamed "The Witch Queen Of New Orleans" for UK audiences after the Epic Records single became their first charter in Blighty as well – peaking at an unprecedented No. 2 in late 1971.

But to the matter in hand - what you get here in July 2017 are studio albums number four, five and six from 1972, 1973 and 1974 remastered and presented in the usual classy manner by England's BGO (Beat Goes On). In fact most people will only really know Redbone through the movies - the American actor Chris Pratt using their Seventies smash "Come And Get Your Love" on his Walkman as he dances through an alien planet landscape in the opening sequence of the huge "Guardians Of The Galaxy" movie in 2014 - giving the song and the forgotten group another lease of life.

Their music and sound fluctuated from their initial 1970/1971 Red Indian Swamp Rock to 1972-1974 War-like Rock-Funk, Seventies Pop and even Santana-esque Soulful flourishes and Return To Forever nine-minute whig-outs. But as the LPs progressed and especially after the huge success of "Come And Get Your Love" - you can hear the band leaving behind the interesting experimentation of old and instead reach for that 'popular music for the masses' handbook and most times come up trumps (though not all). Despite an inevitable commercialization of their unique Native American Funk-Pop on the weak third album presented here - this CD-twofer still makes for a hugely enjoyable listen overall and also has you think – here is a band that and a sound that genuinely deserves 'rediscovery'. To the details…drum rolls please...

UK released Friday, 14 July 2017 (21 July 2017 in the USA) - "Already Here/Wovoka/Beaded Dreams Through Turquoise Eyes" by REDBONE on Beat Goes On BGOCD 1277 (Barcode 5017261212771) offers 3LPs Remastered onto 2CDs and play out as follows:

Disc 1 (52:52 minutes):

1. Fais-Do [Side 1]

2. Motivation

3. Power (Prelude To A Means)

4. Speakeasy

5. Condition Your Condition

6. Where Is Your Heart [Side 2]

7. Good Enough For Jesus

8. Poison Ivy

9. Already Here (Brujo)

Tracks 1 to 9 are their fourth studio album "Already Here" - released September 1972 in the USA on Epic Records KE 31598 and January 1973 in the UK on Epic Records S EPC 65072.

10. Wovoka [Side 1]

11. Sweet Lady Of Love

12. Someday (A Good Song)

13. Liquid Teeth

14. We Were All Wounded At Wounded Knee

Tracks 10 to 14 are Side 1 of their fifth studio album "Wovoka" - released November 1973 in the USA on Epic Records KE 32462 and November 1973 in the UK on Epic EPC 65500.

Disc 2 (52:32 minutes):

1. Come And Get Your Love [Side 2]

2. Day To Day Life

3. Clouds In My Sunshine

4. 23rd And Mad

Tracks 1 to 4 are Side 2 of their fifth studio album "Wovoka" - released November 1973 in the USA on Epic Records KE 32462 and November 1973 in the UK on Epic EPC 65500.

5. One More Time [Side 1]

6. Suzi Girl

7. Only You And Rock And Roll

8. Blood, Sweat And Tears

9. Cookin' With D'Redbone

10. (Beaded Dreams Through) Turquoise Eyes [Side 2]

11. Beautiful Illusion

12. Interstate Highway 101

13. I'll Never Stop Loving You

14. Moon When Four Eclipse

Tracks 5 to 14 are their sixth studio album "Beaded Dreams Through Turquoise Eyes" - released October 1974 in the USA on Epic Records KE 33053 and October 1974 in the UK on Epic Records EPC 80429

REDBONE was:

LOLLY VEGAS - Lead Guitar and Lead Vocals

TONY BELLAMY - Rhythm Guitar and Vocals

PAT VEGAS - Bass and Vocals

ARTURO PEREZ - Drums and Percussion on "Already Here" only

BUTCH RILLERA - Drums and Backing Vocals on "Wovoka" and "Beaded Dreams Through Turquoise Eyes"

Guests:

RED RHODES of BAMBOO - Steel Guitar on "Speakeasy" on the "Already Here" LP

TERRY FURLONG of THE GRASS ROOTS - Slide Guitar on "Fais-Do" on the "Already Here" LP

ELIJAH HORN SECTION - Brass and Horns on the "Already Here" LP

JOE SAMPLE of The Crusaders - Piano and Vibraphone on the "Wovoka" LP

SHIRLEY WILLIAMS - Backing Vocals on the "Wovoka" LP

BONNIE BRAMLETT, MERRY CLAYTON and CLYDIE KING - Backing Vocals on the "Beaded Dreams..." LP

The outer card slipcase lends these BGO reissues a very classy feel and the 20-page booklet certainly lays on the credits, photos and musical assessments hard and thick. NEIL DANIELS provides the affectionate and enthusiastic liner notes which are dedicated to Lolly Vegas and Tony Bellamy - principal songwriters in the band who sadly passed in 2010 and 2009 respectively. ANDREW THOMPSON once again does the beautifully rendered Remasters from real tapes - great sound that lifts up every song. To the music...

Across three whole albums there is only one cover version – all other material are original Lolly and Pat Vegas compositions with some contributions from Tony Bellamy – an impressive feat. Even the 'you can look but you better not touch' cover of the Lieber/Stoller-penned Coasters nugget "Poison Ivy" gets a radical Funk-up so you're not hearing another slavish R&B interpretation. The "Already Here" album retains much of that 'War' funk ethic with the nine-minute title track being a sort of Return To Forever Jazz Fusion whig-out that's actually a little indulgent. But tracks like the Funky "Motivation" and the 'get your act together' message song "Condition Your Condition" would do The Isley Brothers proud over on T-Neck Records. The Pat Vegas ballad "Power (Prelude To A Means)" is really pretty and with its Philly strings comes on like The Manhattans or even Bobby Womack with a message for the ladies that will benefit them entirely. The other worthy entry is the catchy and Soul-lovely Lolly Vegas shuffler "Where Is Your Heart". It's amazing that Epic chose the lesser "Fais-Do" as a lead off 7" single in August 1972 when I can't help feel this tune had Soul and Pop crossover appeal.

After the over-the-top 'Brujo' fusion work out of the title track to "Already Here" - the deliberately commercial "Wovoka" LP is a Rock-funky album coming from the 'land of spirits'. The title track is a fabulous 'dancing' funker that's got its Saxophone and Guitar heart firmly in the 'Witch Queen' corner. Another shuffler comes with the very catchy "Sweet Lady Of Love" and again this could be The Delfonics or The Dells getting their collective vocal teeth into a deeply Soulful groove. You can hear why someone thought it was a good idea to release "We Were All Wounded At Wounded Knee" as a 45 but it feels like a poor man's 'buffalo' and 'reservation' follow-up to "Witch Queen" that never really ignites no matter how worthy its historically uncomfortable lyrics are. Better is the joint Vegas/Bellamy song of "Day To Day Life" where he and his common-law wife keep on rocking. They go native chanting on the equally impressive snake rattles of "Clouds In My Sunshine" – a strange mixture of Native American vibes mixed with the second half of the song that goes pure Philly Soul. The near seven-minutes of "23rd And Mad" comments on city life as it funks through the ‘great boom boom boom’ where all the girls are sexy temptations and the cafes are full of dudes and pimps.

But as good as all they are – the album belongs to one song. At five minutes and one second - the full album cut of "Come And Get Your Love" starts with an almost Gospel refrain before it goes into that familiar opener (edited from the 7” single). It’s a damn shame BGO didn't include the 45-cut of 3:39 minutes that most people are familiar with from the Radio, Commercials and Films as a Bonus Track. But it doesn't stop the Remaster of this fabulous slice of Seventies joy from being a guilty pleasure I’m sure many listeners will return to more than once on this reissue. A billion-dollar movie can't be wrong. "Come And Get Your Love" indeed...

Reaching No. 174 on the US Top 200 in early November 1974 - "Beaded Dreams Through Turquoise Eyes" failed to capitalize on the "Wovoka" No. 66 chart placing the year previous. "One More Time" has clever socially-conscious lyrics about not being able to pay the bills and people saying they can kick that itch in their arms - but it gets lost in some obvious "Come And Get My Love" identikit melodies that aren't as good as the previous winner. The too-poppy "Suzi Girl" feels much the same. Things improve with the hooky "Only You And Rock And Roll" - a clavinet-funky little dancer with strings and an eye on the singles chart. "Blood, Sweat And Tears" is a message song while the Sly & The Family Stone funky "Cookin' With D'Redbone" tries hard and just about gets away with it. Much of Side 2 is the same ever so slightly syrupy material with the Stylistics dancer "I'll Never Stop Loving You" even being a possible Northern Soul discovery.

To sum up - the first album "Already Here" is very good, "Wovoka" a total sweetie and that third "Beaded Dreams..." set lets the side down a lot - a victim of chasing chart success without having the tunes to achieve sales. Still with the great audio and fab presentation - fans will need to own it and newcomers will find much to enjoy. Nice one...

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"Before The Devil Knows You're Dead" on BLU RAY – A Review by Mark Barry of the 2007 Sidney Lumet Film...

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"…Everything's Wonderful…"

When LED ZEPPELIN released "In Through The Out Door" in 1979 (their last studio album) - the famous design company HIPGNOSIS provided them with six different album covers hidden behind outer brown paper bags (the sleeves were identified as A, B, C, D, E and F on the spines). The wordless cover shot is a photo of a man sat on a barstool lighting a piece of paper with a match while five other people watch him do it - a barman, drinkers, a hooker in the corner over by the jukebox etc. So each of the six sleeves is the man lighting the piece of paper - but from their viewpoint - front (barman), sideways (drinker), behind (hooker)...

I mention all of this because Sidney Lumet's 2007 "Before The Devil Knows You're Dead" is the cinematic equivalent. The bulk of the film is a jewellery heist that goes disastrously wrong - but told from different angels and at different times. We get the day of the robbery, three days before the robbery, hours after the robbery. And each time we revisit a scene - we see the same stuff and people - but with more information presented to us that shows how and why the whole thing came apart - and more importantly - the truly horrible consequences that follow on from lies and greed.

30-something New Yorker's Andrew and Hank Hanson (Philip Seymour Hoffman and Ethan Hawke) have major financial problems. Hank (Andy's younger brother) has a daughter with his embittered and estranged wife Martha (Amy Ryan) who keeps demanding alimony payments and trips to The Lion King that he simply can't afford. Andy is adrift - his job - his love life - his kid - and his general lack of spunk towards people and decisions are quickly making him look like and feel like a loser. His older and considerably cockier brother Andy works for a real estate company and gives the illusion of wealth and control. But he's fiddling client accounts and regularly raiding the cash box to feed his recreational habit with a local dealer who puts heroin in his arm in a plush apartment and asks no questions (permanently dressed in a silk nightgown - he isn't interested anyway). Then there's Andy's sexy but slightly unhinged girlfriend Gina (Marisa Tomei) who is 'doing' his brother Hank every other Thursday in an ménage-a-trois smug Andy knows nothing about.

But Andy has a foolproof solution to everyone's financial woes with a whopping $600,000 payoff. They do over a small 'mom & pop operation' in a Westchester suburb on a Saturday morning when its quiet and elderly shop-hand Doris opens up at 0800 a.m. No guns, no problems, insurance pays up after they're gone - the only hitch is that it belongs to Charles and Nanette Hanson (Albert Finney and Rosemary Harris) - their own Father and Mother. Hank is amazed at such a suggestion at first - but soon money is bearing down on him and they commit. But Hank stupidly ropes in a barroom lowlife called Billy (Brian F. O'Byrne) because he doesn't have the guts to do the actual robbery himself (as requested by Andy). Bobby turns up on the day playing thrash metal in their rental car to get psyched up and packing a gun. And instead of Doris - mum Nanette opens Hanson Jewellers. But Mum isn’t about to cower in the corner...

The legendary Director of 12 Angry Men, The Verdict, Q&A, Network and Dog Day Afternoon - doesn't do 'nice'. Characters in this unfolding melodrama are mean and often unrelenting in their arrogance - and of course there's a price to pay for that when Daddy Charles (who at first seemed like a pushover) becomes obsessed with finding out 'who' so callously took his beloved wife from him.

Brilliantly written by Kelly Masterson - this is not an easy watch - its tone is brutal, nervy, unsettling and dark - and it pointedly refuses to go to redemptive for the ending (all the more realistic for not doing so). But what makes the movie tick is an astonishing troop of actors who could knock down walls with their skills. Principal among these is of course the recently passed Philip Seymour Hoffman whose scenes with a syringe hanging out of his chunky body lying on a bed now have a deeply sad and poignant feel to them. Not to be outdone - Ethan Hawke pours on serious acting chops throughout too - as does Marisa Tomei who bravely spends a lot of the movie conspicuously naked in long and awkward scenes with both Hoffman and Hawke. Michael Shannon and Brian B. O'Byrne only add to their huge portfolio of class work. Adding to all this quality is the powerhouse talent of Albert Finney who has to only sit at a table looking down -and say the words "Let Her Go" (about his wife) and he has you in tears.

Despite his advanced years - Lumet embraced digital technology with a vengeance because (as he explains in the Extras) he could get the 'eye-to-screen' visual quality and style he wanted. I mention this because filmed entirely in HD - the BLU RAY picture quality is fabulous throughout. The razor-sharp scenes filmed on sunny/leafy New York streets offer up a light and colour palette that is beautiful. It's also defaulted to 1.85:1 Aspect Ratio so fills your entire screen. AUDIO is English 51.1 DTS-HD and English 5.1 Dolby Digital while the lone SUBTTLE is English SDH.

The Documentary "How The Devil Was Made" includes interviews with the Director Sidney Lumet, Producers Michael Cerenzie and Brian Linse, Actors Hoffman, Hawke, Tomei (and others) and location footage.

"You used to have the world by the balls...now I'm not sure you've got any..."  - arrogant Andy says to Hank as he pitches him the heist in a bar.

It may not be everyone's idea of Heaven but give this acidic little monster 10 minutes of your time...before...

PS: the USA disc is REGION A LOCKED so won't play on our machines - avoid that.

"Gone To Earth: Deluxe Edition" by BARCLAY JAMES HARVEST (September 2016 Esoteric Recordings 3-Disc Remasters and Remixes) - A Review by Mark Barry...

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"...Sea Of Tranquility..."

Like Spooky Tooth and to a lesser degree Mott The Hoople (especially their first four albums on Island Records before they hit success with CBS) – Britain's Barclay James Harvest and their wildly prolific Sixties and Seventies catalogue (first on Harvest and then on Polydor) remain something of an enigma for most oldies-but-goldies in 2017. Even though we were there and probably bought a few of those albums – they’re forgotten now...

BJH’s brand of Harmony Rock was never as cool as say Supertramp or as edge-bending and ear-catching as Yes or as commercially clued-in as say The Moody Blues or even The Hollies - but they put out some gorgeous albums nonetheless. I remember vividly watching their latest chapters being released and each slowly improving their market/chart share - records like "Time Honoured Ghosts" from 1975, "Octoberon" from 1976 and this - 1977's "Gone To Earth". The specially priced double-album "Live" from December 1974 that itself followed on from the well-received "Everyone Is Everybody Else" in June of that year - brought in a huge number of new admirers too.

But all was not well in Britain's musical Camelot. Fuelled by a frustrated Press and a socially battered out-of-work population - Punk and New Wave were busy obliterating all old-fart Rock during 1976 and 1977 with a snarling vengeance. And yet there stood the BJ's - long-haired, be-speckled and earnest multi-instrumentalists gamely pumping out album and album with sophisticated melodies and beautifully ornate die-cut album sleeves like it was still 1972 and Johnny Rotten hadn't picked his nose in public yet. In a moment of melodic-Prog self-parody our heroes even called one of their 1977 "Gone To Earth" songs "Poor Man's Moody Blues". The lovely "Hymn" was a hit in many territories too (especially Germany) in early 1978 - but in truth – who remembers BJH now when everyone remembers The Pistols (and rightly so)...

Well along comes Cherry Red's 'Esoteric Recordings' label with their British penchant for all things Proggy, Avant Garde and just downright doolally and they seem determined to have us ignoramuses re-examine the error of our thumb-twiddling ways. They've been steadily releasing a slew of triple-disc 'Deluxe Editions' for Barclay James Harvest (1974's "Everyone Is Everybody Else" and 1976's "Octoberon" are also included). Which brings us to this lovingly restored reissue. Here are the hymnal details...

UK released 2 September 2016 (9 September 2016 in the USA) - "Gone To Earth: Deluxe Edition" by BARCLAY JAMES HARVEST on Esoteric Recordings ECLEC 32544 (Barcode 5013929464445) is a 3-Disc 'Expanded Edition' of Remasters and Remixes. 2CDs and 1DVD offer an Original 1977 Mix, a New Stereo Mix and a 5.1 Surround Sound Mix as well as an Outtake and Single Sides and it plays out as follows:

Disc 1 – CD "Gone To Earth" - Original Stereo Mix (57:37 minutes):

1. Hymn [Side 1]

2. Love Is Like A Violin

3. Friend Of Mine

4. Poor Man's Moody Blues

5. Hard Hearted Woman [Side 2]

6. Sea Of Tranquility

7. Leper's Song

8. Taking Me Higher

Tracks 1 to 8 are their album "Gone To Earth" - released September 1977 in the UK on Polydor 2442 138 and in the USA on MCA Records MCA-2302. Produced by Barclay James Harvest and Davey Rohl - it peaked at No. 30 in the UK (didn't chart USA).

BONUS TRACKS:

9. Lied - outtake from the "Gone To Earth" sessions in 1977

10. Our Kid's Kid - Non-album B-side to "Hymn" released July 1977 in Germany on Polydor 2058 904

11. Hymn (Single Edit)

12.  Friend Of Mine (Single version) - Tracks 11 and 12 are the A&B-sides of a UK 7" single released March 1978 on Polydor 2059 002

Disc 2 - CD "Gone To Earth" – New Stereo Mix (49:08 minutes):

1. Hymn [Side 1]

2. Love Is Like A Violin

3. Friend Of Mine

4. Poor Man's Moody Blues

5. Hard Hearted Woman [Side 2]

6. Sea Of Tranquility

7. Leper's Song

8. Taking Me Higher

BONUS TRACKS:

9. Loving Is Easy (1977 Version)

10. Our Kid's Kid

Disc 3 – DVD-A "Gone To Earth"

New 5.1 Surround Sound Mix

96 kHz/24-Bit New Stereo Mix

96 kHz/24-Bit Remastered Original Mix

1. Hymn [Side 1]

2. Love Is Like A Violin

3. Friend Of Mine

4. Poor Man's Moody Blues

5. Hard Hearted Woman [Side 2]

6. Sea Of Tranquility

7. Leper's Song

8. Taking Me Higher

BONUS TRACKS:

9. Loving Is Easy (1977 Version)

10. Our Kid's Kid

BARCLAY JAMES HARVEST was:

JOHN LEES – Guitars and Vocals

LES HOLROYD – Guitars and Vocals

WOOLLY WOLSTENHOLME – Keyboards and Vocals

MEL PRITCHARD – Drums and Vocals

As it is with all of these triple-disc sets - the three-flap foldout card digipak is a bit of a lumbering heffalump actually - although you have to say that Esoteric have done a sweet job at presenting the whole thing. All three are picture discs with different photos beneath the see-through trays once you lift them off - there are colour repros of rare foreign pictures sleeves for the two big singles "Hymn" and "Friend Of Mine" on the innermost flaps - whilst their digipak pouches contain a fold-out poster on one side and a booklet on the other. The poster offers you the lyrics on one side (originally on the inner sleeve of the vinyl LP) and an advert for the album on the flip (it looks beautiful). The very nicely presented 16-page booklet features Tour Posters (Hanover 1977), Trade Adverts (Melody Maker September 1977), photos of the band and their entourage including a Polydor promo shot of the four-piece taken by Lord Lichfield - as well as the usual detailed reissue credits. There are superb liner notes (Mark Powell) that include new interviews with band members and even has reminiscences from Maldwyn Reece Tootill who designed the album sleeve.

Researched, compiled and co-ordinated by Esoteric's own MARK POWELL - the big news is new 2016 Remasters and Remixes from original tapes. PASCHAL BYRNE handled the Original Stereo Mix and CRAIG FLETCHER and MARK POWELL did the 5.1 Surround Sound and New Stereo Mixes. I'm going to be biased here and say that I actually prefer the 'New Stereo Mix' on Disc 2 to the original album's sound in that Disc 1 sounds ever so slightly thinny to me. To the music...

"Gone To Earth" opens strongly with the five-minute "Hymn" - an obvious single that at first appears to be a religious song but on closer examination of the lyrics turns out to be a warming on drug-addiction - fly too high and you might not ever come down. "Love Like A Violin" and "Friend Of Mine" are essentially smoochers too and you're immediately reminded of the band in the next song's title - "Poor Man's Moody Blues". Musically BJH are closest to the Moodies in 1977 and that's more than evident on songs like "Spirit On The Water" and "Taking Me Higher". There's a touch of Gordon Giltrap to "Leper's Song". Of the extras "Loving Is Easy" and the jaunty guitar-layered B-side "Our Kid's Kid" impress - as does the outtake "Lied".

I don’t think "Gone To Earth" is the masterpiece some fans seem to think it and cold harsh truth-be-told (unfair or not) - BJH are still musical shadows to most 40 years after the event. But hopefully this rather lovely Esoteric Recordings Deluxe Edition reissue will rectify that...

"Call My Name: Selected Recordings 1964-1970" by JAMES ROYAL and The Hawks (June 2017 RPM Records CD Compilation - Simon Murphy Remasters) - A Review by Mark Barry...

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"...He's About A Mover..."

London's Jimmy Nairn has been an underground white Soul-boy phenomenon for decades amidst Mod-mad stylists and Northern Soul dancefloor fiends.

Never a musical household name in any sense of the word – James Royal (his stage name) nonetheless clocked up a staggering 18 seven-inch singles on Parlophone and CBS Records between 1964 and 1970 in the UK alone – as well as a straggler track on a rare 1964 Decca compilation. Royal even managed a British debut album of his own on CBS in 1969 named after this compilation - "Call My Name" (9 of its 13 tracks are accounted for here).

Musically this CD is pure Soul-Boy dancing candy where James Royal swoons Jackie Wilson style about heartache, suffering, pain or dying (or all four if you're really lucky) - and you can literally see and feel those sassily-clad British dancers getting lost in the cross-armed drama of it all as they slide about in 45-induced rapture on runways of talcum powder. You can also hear the improvement in his vocal delivery as the years went on - to a point where his stunning 1969 cover of The Rascals "You Better Run" (an exclusive to the 1969 "Call My Name" LP) is virtually indistinguishable from Steve Marriott between late Small Faces and early Humble Pie (high praise indeed). On the evidence of this track alone – JR's legend is more than justified.

And that's where this hip-gyrating 2017 CD from the collectors specialist reissue label 'RPM Records' comes shimmying in. Here are the ravers and movers...

UK released 23 June 2017 (30 June 2017 in the USA) - "Call My Name: Selected Recordings 1964-1970" by JAMES ROYAL on RPM Records RETRO 989 (Barcode 5013929599895) is a 25-Track CD compilation of Remasters that plays out as follows (69:26 minutes):

1. She's About A Mover

2. Black Cloud

(Tracks 1 and 2 are the A&B-sides of a June 1965 UK 7" single on Parlophone R 5290)

3. Work Song

4. I Can't Stand It

(Tracks 3 and 4 are the A&B-sides of a November 1965 UK 7" single on Parlophone R 5383)

5. I'm Leaving You

(From the November 1964 UK Various Artists LP "Ready, Steady - Win!" on Decca LK 4634

6. Call My Name

7. When It Comes To My Baby

(Tracks 6 and 7 are the A&B-sides of a January 1967 UK 7" single on CBS Records 202525)

8. Green Days

(Track 8 is the B-side of "It's All In The Game", a May 1967 UK 7" single on CBS Records 2739. The A-side "It's All In The Game" is not on this compilation)

9. Hey Little Boy

(Track 9 is the A-side of a May 1968 UK 7" single on CBS Records 3450. The B-side is "Thru' The Love" is Track 12 on this compilation)

10. I've Lost You

11. Send Out Love

(Tracks 11 and 10 are the A&B-sides of an August 1969 UK 7" single on CBS Records 4463)

12. Thru' The Love

(Track 12 is the B-side of "Hey Little Boy", a May 1968 UK 7" single on CBS Records 3450 and Track 9 on this compilation)

13. A Woman Called Sorrow

(Track 13 is the A-side of an August 1968 UK 7" single on CBS Records 3624. The B-side "Fire" is not on this compilation)

14. Time Hangs On My Mind

(Track 14 is the A-side of a November 1968 UK 7" single on CBS Records 3797. The B-side "Anna Lee" is not on this compilation)

15. I've Something Bad On My Mind

16. She's Independent

(Tracks 15 and 16 are the A&B-sides of an April 1969 UK 7" single on CBS Records 4139)

17. You'd Better Run

(Track 17 is from his 1969 UK debut LP "Call My Name" on CBS Records S 63780)

18. A Little Bit Of Rain

19. I Can't Stand It

(Tracks 19 and 18 are the A&B-sides of an August 1967 UK 7" single on CBS Records 2959)

20. House Of Jack

(Track 20 is the A-side of a June 1969 UK 7" single on CBS Records 3915. The B-side is "Which Way To Nowhere" - Track 24 on this compilation)

21. Little Red Wagon

(Track 21 is from his September 1969 UK debut LP "Call My Name" on CBS Records S 63780)

22. I'm Going Home

23. And Soon The Darkness

(Tracks 23 and 22 are the A&B-sides of a June 1970 UK 7" single on CBS Records 5032)

24. Which Way To Nowhere

(Track 20 is the B-side of a June 1969 UK 7" single on CBS Records 3915. The A-side is "House Of Jack" - Track 20 on this compilation)

25. Sitting In The Station

(Track 25 is the B-side of "Take Me Like I Am", a January 1968 UK 7" single on CBS Records 3232)

All tracks credit to JAMES ROYAL except 1 and 2 credited JAMES ROYAL and THE HAWKS and 5 credited to JIMMY ROYAL and THE HAWKS

Eight tracks of the 12-song September 1969 UK LP "Call My Name" on CBS Records S 63780 can be sequenced from this 2017 CD as follows:

Side 1:

1. Call My Name [Track 6]

2. Something Bad On My Mind [Track 15]

3. He'll Have To Go

4. Little Red Wagon [Track 21]

5. She's Independent [Track 16]

6. A Woman Called Sorrow [Track 13]

7. Fire (Keep Away From My Heart)

Side 2:

1. House Of Jack [Track 20]

2. It's All In The Game

3. When It Comes To My Baby [Track 7]

4. Forget To Remember

5. You'd Better Run [Track 17]

6. Send Out Love [Track 11]

I know RPM have carefully and honestly entitled the compilation 'Selected Recordings...' – but we should also highlight what's 'not' here. As you can see from the LP's track-list provided above and bearing in mind this CD has a total playing time of 69:26 minutes - the four missing songs from the 1969 debut album could and should have been included here. The two B-sides "Fire..." and "Anna Lee" and the A-side "It's All In The Game" are also missing too and you can't help but think there was room on this disc for all seven no shows. Having said that - let's deal with what we do have...

Project-managed by JOHN REED and MARK STRATFORD for RPM Records - the 16-page booklet has a superb essay on Royal's early career by IAN GRINHAM (dated April 2017) that clearly has had input from the great man himself. Trade and publicity photos of the West London slugger pepper the text - there's a colour repro of the rare 1964 "Ready, Steady - Win!" LP sleeve on Decca where Royal had an exclusive track - repro's of British Parlophone and CBS 45 demos - adverts for The Ealing Club in 1964 where James Royal and The Hawks twisted on Thursday while some no-mark bunch of ne’er-do-wells played R&B on Saturdays - The Rolling Stones. There are some side-profile colour photos of JR as we approach 1969 and an intriguing 1968 snap of our British hero with two other American heroes and influences - Johnny Cash and Carl Perkins. It's very nicely done and the text is hugely informative throughout - going into details on every song that fans will love ("I Can't Stand It" and I’ve Something Bad On My Mind" were hits for The Soul Sisters and Timi Yuro - that kind of stuff).

SIMON MURPHY over at Another Planet Music has done the mastering and the Mono and Stereo recordings vary from very good to amazing - but always clean and full of that 45-punch collectors love.

The music is one long play of dancers and smoochers - opening with the fab Doug Sahm groover "She's About A Mover" - Royal's debut 7" single on Parlophone in June 1965 with the equally wicked "Black Cloud" on the flipside. The Smokey McAllister winner "I Can't Stand It" that he penned for The Soul Sisters back in 1964 on Sue Records is presented here in two forms - a 1965 first stab on Parlophone and a 1967 re-cut on CBS Records in 1967. Both are great as is the so Northern Style vibes and strings of "And Soon The Darkness" written by Laurie Johnson and former Animals stalwart Alan Price.

Speaking of superb songwriters - an unsung hero here is the Canadian tunesmith Ralph Murphy who joined the James Royal camp in 1967 when he first signed to CBS. His name is either sole or co-writer on 10 of the 25 here - and the man had a knack for penning a white man's version of a Motown groove that white kids could dig and dance too. His compositions "Green Day", "Thru' The Love" and "A Woman Called Sorrow" are fantastic Northern Soul thumpers and alongside "Send Out Love" by Guy Fletcher and Doug Flett are obvious choice-cuts amidst many other classy covers. Royal's tremendous version of Van McCoy's "I've Lost You" (made famous by Jackie Wilson) is another toe-tapper as is the Ashford & Simpson song "When It Comes To My Baby" - originally a hit for Ronnie Milsap. Even the slightly sappy version of Jimmy Webb’s "Which Way To Nowhere" sees JR put in storming vocals amidst the strings and girly backing singers.

Music is a funny old world and that England’s James Royal never tasted British chart success is some kind of special criminal neglect.

Despite the fact that I feel RPM could have bolstered up "Call My Name..." with the LP tracks - what you do get here is solid five-star grooviness. Icing on a very tasty CD cake indeed. And I for one am down with that. Well done to all involved...

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