"Wise As Wisdom: The Dawn Albums 1973-1975" by FRUUPP – Four Progressive Rock Albums All On Dawn Records UK - "Future Legends" (October 1973), "Seven Secrets" (April 1974), "The Prince Of Heaven's Eyes" (November 1974) and "Modern Masquerades" (February 1975) – featuring Vincent McCusker, Peter Farrelly, Stephen Houston, Martin Foye, John Mason and Ian McDonald (August 2019 UK Esoteric Recordings 4CD Clamshell Mini Box Set with Repro Mini LP Artwork, Three Bonus Tracks and A Foldout Picture and Credits Poster – Ben Wiseman Remaster) - A Review by Mark Barry...

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PROG ROCK, PSYCH, AVANT GARDE...
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 "...Olde Tyme Future..." 

 In February 2009 (the 23rd to be exact) - Esoteric Recordings of the UK - the British reissue specialists in all things Progtastic and Avant Garde - did the audio and presentation business by Northern Ireland's FRUUPP by putting out all four of their rare and sought-after studio albums originally on the legendary Dawn Records.  

Each of those CDs came in stickered jewel cases, had 12 and 16-page booklets with affectionate, witty and highly informative liner notes from PAUL CHARLES who was their "Manager and general fixer" at the beginning - and is today a published author of the Christy Kennedy mystery books (Charles in fact wrote the original liner notes for the LP). I've owned and reviewed all four and their booklets were a delight, filled with the beautiful hand-drawn artwork of Peter Farrelly, concert fliers, press clippings and tour schedule adverts with the likes of Supertramp, Queen, ELO, Man, Focus, Hawkwind and the Peter Gabriel line-up of Genesis. 

More importantly, they had new BEN WISEMAN Remasters from original tapes and two of the discs had Bonus Tracks – period rarities. Not surprisingly, in 2019 and beyond into 2020, those original four 2009 titles have been deleted some years now (see list below for full details if you still wish to acquire them), and one or two of them have gathered rather nasty secondhand prices along the way (up to a hundred squid on one). 

This 4CD Clamshell Box Set of late August 2019 is by way of a cheaper mop-up exercise – featuring four of those sexy Mini LP Repro Art Sleeves (a gatefold for the debut which will please many artwork aficionados) but with the chunky booklets having been replaced by a foldout pictures and credits poster. There is a lot to discuss, so let's have at those Folk Prog rhythms... 

UK released Friday, 30 August 2019 - "Wise As Wisdom: The Dawn Albums 1973-1975" by FRUUPP on Esoteric Recordings ECLEC 42686 (Barcode 5013929478602) is a 4CD Clamshell Box Set with 2009 Remasters in Mini LP Card Repro Sleeves that plays out as follows: 

CD1 "Future Legends" (47:25 minutes): 

1. Future Legends [Side 1] 

2. Decision 

3. As Day Breaks With Dawn 

4. Graveyard Epistle 

5. Lord Of The Incubus [Side 2] 

6. Olde Tyme Future 

7. Song For A Thought 

8. Future Legends Tracks 1 to 8 are their debut album "Future Legends" – released October 1973 in the UK on Dawn Records DNLS 3053 

BONUS TRACK: 

9. On A Clear Day (Withdrawn Track only featured on the first 100 copies of the LP) [Note: originally intended to be on the album as last track on Side 1 - the song uses a part of Holtz’s “The Planet Suite” which was not cleared in time for Copyright purposes (a relative of Holtz objected) and so had to be withdrawn at the very last minute and replaced with "Graveyard Epistle"] 

CD2 "Seven Secrets" (45:45 minutes): 

1. Faced With Shekinah [Side 1] 

2. Wise As Wisdom 

3. White Eyes 

4. Garden Lady [Side 2] 

5. Three Spires 

6. Elizabeth 

7. The Seventh Secret 

Tracks 1 to 7 are their second studio album "Seven Secrets" – released April 1974 in the UK on Dawn Records DNLS 3058 (no US issue). 

CD3 "The Prince Of Heaven's Eyes" (48:40 minutes): 

1. It's All Up Now [Side 1] 

2. Prince Of Darkness 

3. Jaunting Car 

4. Annie Austere 

5. Knowing You [Side 2] 

6. Crystal Brook 

7. Seaward Sunset 

8. The Perfect Wish 

Tracks 1 to 8 are their 3rd studio album "The Prince Of Heaven's Eyes" – released November 1974 in the UK on Dawn Records DNLH 2. 

BONUS TRACKS: 

9. Prince Of Heaven (3:32 minutes) 

10. Jaunting Car (Single Version) (2:26 minutes) 

Tracks 9 and 10 are an October 1974 UK 45-single on Dawn Records DNS 1087. The demo for "Prince Of Heaven" lists 4 October 1974 as its release date - although trade adverts talk of 11 October 1974. 

NOTE: Prior to the album's release – Dawn Records was supposed to have issued "The Prince Of Darkness" b/w "Annie Austere" as their first ever UK 45 – but I've never seen a copy of it and even if it is listed in discographies - I've never been able to find a catalogue number either. 

CD4 "Modern Masquerades" (48:59 minutes): 

1. Misty Mountain Way [Side 1] 

2. Masquerading With Dawn 

3. Gormenghast 

4. Mystery Might [Side 2] 

5. Why 

6. Janet Planet 

7. Sheba's Song 

Tracks 1 to 7 are their 4th studio album "Modern Masquerades" – released February 1975 in the UK on Dawn Records DNLS 3070. 

For Albums One to Three FRUUPP were: 

VINCENT McCUSKER – Guitars and Vocals 

PETER FARRELLY – Bass and Lead Vocals 

STEPHEN HOUSTON – Keyboards, Oboe and Vocals 

MARTIN FOYE – Drums and Percussion 

For Album Four Stephen Houston had left and FRUUPP were: 

VINCENT McCUSKER – Lead Guitars and Vocals 

PETER FARRELLY – Bass and Lead Vocals 

JOHN MASON – Keyboards, Vibraphone and Vocals 

IAN McDONALD – Alto Saxophone and Percussion 

MARTIN FOYE – Drums and Percussion 

The glossy clamshell box set is both pretty and sturdy, but fans will love the Mini LP Repro Card Sleeves which reproduce front and rear artwork – the popular debut "The Prince Of Heaven's Eyes" featuring a gatefold with all that fab Peter Farrelly hand-drawn penmanship that like Greenslade, was such an integral part of the band's image. The six-leaf foldout poster features three line-up photos on one side with the LP pictured on the rear, tracks lists, credits, reissue details (including the three bonuses). The detailed booklets of 2009 are missing here which is a damn shame, but the poster and a retail price of under £22 for all four albums is a good trade off. And best of all, they are the superb 2009 BEN WISEMAN Remasters done at Audio Archiving from original tapes. 

Hailing out of Northern and Southern Ireland’s notorious show-band circuit – Guitarist and Vocalist Vince McCusker of Co. Derry dreamed of bigger and better arrangements. So he turned his back on cover versions of insipid chart hits and formed his very own Progressive Rock unit delightfully called FRUUPP - taken from a Letraset Sheet that didn’t have the letters FRUP used (he added the extra U and P). To the music... 

CD1: the "Future Legends" 1973 debut opens with a gorgeous and beautifully produced string-piece that lasts 1:32 minutes. It then goes into the wild and eclectic guitars of one of their best tunes – the six and half-minute "Decisions". Featuring sophisticated vocal work ala Thijs Van Leer’s Focus and a blistering McCusker guitar solo similar in places to Steve Howe on "Relayer" (the band reckon they got signed on the strength of this one piece alone) – it is a string start. The timing-changes onslaught continues with "As Day Breaks With Dawn" – a flirty piece dominated by cymbals and piano at first only to break into a vocal/guitar romp – and then back again to ethereal and mellow (the playing and cleverness of it is impressive). 

Side One ends with the frantic/slow/frantic "Graveyard Epistle" which sounds like Procol Harum on a couple tabs of acid – a very sophisticated piece actually. We go a bit too Focus and "Trespass" on "Lord Of The Incubus" where Farrelly's vocals aren't quite Peter Gabriel even if the tune is good musically (especially the clever string arrangements). Better is the truly excellent Prog of "Olde Tyme Future" where guitar and organ blend to make a melody that would make Genesis proud. And on it goes to another all instrumental string passage of "Future Legends" that ends the album with its under-a-minute duration. And at last fans get to hear the withdrawn track "On A Clear Day" which runs to a crowd-pleasing 7:46 minutes – similar in fact to "Olde Tyme Future" in its composition (great double lead-guitar work half way in).  

CD2: While common consensus (even amongst die-hard fans) declares that the second FRUUPP studio platter "Seven Secrets" from April 1974 wasn't quite as good as its illustrious debut predecessor – time has told us that with six reasonably good Folk/Progtastic tracks and one ditty over at the end of Side 2 to make up the 'seven' mystical numbers in the title – door number two still holds up. 

There is an almost 10cc or even Be Bop Deluxe feel to the clever opener "Faced With Shekinah" whilst the seven-parter "Garden Lady" has impressive guitar antics as it opens Side 2. McCusker & Paul Charles also provided "Three Spires" – a returning rambler's romantic reappraisal of a hometown (Magherafelt in Northern Ireland) where I keep seeing that picture of the boys looking like an Elizabethan quartet ready for the ball as the instruments dilly and dally. You can even at times hear the influence of Man (from Wales) in "Elizabeth" whilst the short final cut "The Seventh Secret" probably seemed like a good idea at the time but now feels silly and wildly out-of-place. Overall – a good album then – and certainly accomplished. 

CD3: "The Prince Of Heaven's Eyes" opens with "It's All Up Now" - a complicated 7:23 minutes of beautifully produced Prog Rock which settles into a moving piano lead in and vocals – it’s very YES circa "Fragile" or Genesis on "Foxtrot". "Prince Of Darkness" has McCusker sounding like a strangulated Peter Gabriel circa "Lamb Lies Down On Broadway" where he's "...dancing with witches and fairies..." The album cut of "Jaunting Car" runs to 2:24 minutes – the 7" single version is 2:26 minutes (different mixes). The jaunty instrumental simulates Toad of Toad Hall in his motorcar out of a sunny day having a blast. Side 1 ends with "Annie Austere" – 5:17 minutes of guitar and piano that impress – but the poor-man's Focus vocals kind of ruin it. 

Side 2 opens with the album's most ambitious piece – the 10:47 minutes of "Knowing You" – all Spanish Acoustic Guitars and fey vocals from McCusker (who wrote the song). A ways in and it changes pace – ups the Prog breaks and feels like a lengthy Chris Squire solo passage. Once again that ethereal piano-playing of Houston gives "Crystal Brook" a truly gorgeous feel as he hits those high notes – clearly moved by nature and waves lapping up against rocks. "Seaward Sunset" is another Houston composition – 5:25 minutes of piano-led Prog with the most amazing playing – feeling like a great Moody Blues instrumental passage that you'd forgotten about. It ends on "The Perfect Wish" – very Greenslade. The stand-alone 7" single "Prince Of Heaven" feels like a "Lamb Lies Down On Broadway" outtake with lyrics about "...a thousand secrets..." 

CD4: With Stephen Houston having exited the band (he features on the first three albums) – his replacement John Mason (rather like Patrick Moraz in Yes) made himself known to the music of "Modern Masquerades" pretty quickly. Also along for the ride was ex Giles, Giles & Fripp and King Crimson leading light – Ian McDonald. FRUUPP's final studio platter opens with "Misty Mountain Way" - 6:57 minutes of beautifully produced Prog Rock by Vincent McCusker which shows Mason's incredible playing chops and then progresses into his equally accomplished 7:16 minutes of "Masquerading With Dawn". Like so much of their stuff – the long FRUUPP songs come at you like YES circa 1971's "Fragile" or GENESIS around 1972's "Foxtrot" (the musicianship is fantastic). 

Side 1 ends on the monumental "Gormenghast" written by John Mason. At just shy of eleven minutes – its a mishmash of wild keyboards flourishes and choppy breaks - very impressive stuff and a real grower. Yet again Vince McCusker provided the next two – "Mystery Night" and "Why" - while he co-wrote the final selections of "Janet Planet" and "Sheba's Song" with Paul Charles. I'm also reminded of "Focus III" with those strangulated vocals and shifting rhythms – but in a good way. 

So there you have it – Hairy Ulstermen and Celtic Legends ahoy – FRUUPP were (and still are) an acquired taste for sure. But if you were a fan – this fab-sounding natty little box set reissue will remind you and your receding hairline why you loved em in the first place. Very nicely done... 

If you want the booklets exclusive to the four FRUUPP albums 

CD Reissued 23 February 2009 by Esoteric Recordings 

Here are the Barcodes to locate them on sale sites including Amazon: 

"Future Legends" – Esoteric Recordings ECLEC 2104 (Barcode 5013929720428) – One Bonus Track (47:25 minutes) – Debut Album released October 1973 in the UK on Dawn Records DNLS 3053 

"Seven Secrets" – Esoteric Recordings ECLEC 2012 (Barcode 501392972022) – No Bonus Tracks (45:45 minutes) – Second Studio Album released April 1974 in the UK on Dawn Records DNLS 3058 

"The Prince Of Heaven's Eyes" - Esoteric Recordings ECLEC 2103 (Barcode 5013929720329) – Two Bonus Single Sides (48:40 minutes) – Third Studio Album released in the UK November 1974 on Dawn Records DNLH 2 

"Modern Masquerades" - Esoteric Recordings ECLEC 2105 (Barcode 5013929720527) – No Bonus Tracks (48:59 minutes) – Fourth Studio Album released February 1975 in the UK on Dawn Records DNLS 3070

"Seven Secrets" by FRUUPP – Second UK Studio Album from April 1974 on Dawn Records (February 2009 UK Esoteric Recordings CD Reissue – Ben Wiseman Remaster) - A Review by Mark Barry...

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PICK UP THE PIECES 

1974

Your All-Genres Guide To Exceptional CD Reissues and Remasters

All Reviews In-Depth and from the Discs Themselves

(No Cut And Paste Crap)

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"...Wise As Wisdom..."

While common consensus (even amongst die-hard fans) declares that the second FRUUPP studio platter "Seven Secrets" from April 1974 wasn't quite as good as its illustrious debut predecessor "Future Legends" from October 1973 – time has told us that with six reasonably good Folk/Progtastic tracks and one ditty over at the end of Side 2 to make up the 'seven' mystical numbers in the title – door number two still holds up. 

Organised and Co-ordinated by MARK POWELL - the double centre-page spread of the 16-page booklet reproduces the album's lovely green insert - the four boys pictured beneath all those dense lyrics about Neptune sleeping as chickens wept (they do that a lot around his mitre) while Kelpie hold court and Elizabeth placidly captures your mind (saucy cow). There are other period shots of reviews, trade adverts advising that the album arrives 19 April 1974, gig posters (one of which is with Genesis in early May for the princely sum of 60p) and even an advert for the defunct format of four-track cartridges for both their debut and the newest instalment. 

PAUL CHARLES did the liner notes in January 2009 (the CD along with the other three arrived end of February 2009) and with new interviews and deep level knowledge – provides us with a very comprehensive look inside one of the Emerald Isle's more unusual bands. Charles was their 'Manager and general fixer' at the beginning and is today a published author of the Christy Kennedy mystery books (Charles in fact wrote the original liner notes for the debut LP "Future Legends"). There is also a nod towards the Stephen Houston Fruupp website. Speaking of band history...

Hailing out of Northern and Southern Ireland's notorious show-band circuit – Guitarist and Vocalist Vince McCusker of Co. Derry dreamed of bigger and better arrangements. So he turned his back on cover versions of insipid chart hits and formed his very own Progressive Rock unit delightfully called FRUUPP - taken from a Letraset Sheet that didn't have the letters FRUP used (he added the extra U and P). Don't ask me why, but I kinda like FRUUPP as a band name and always have. 

"Seven Secrets" has been hard to find on original Dawn Records British vinyl for years; the second of four albums FRUUPP made for England's Dawn Records (see list below). All their albums are held in Proggy affection by those who bought the platters at the time or witnessed FRUUPP as a band in their impressive live form (they backed up huge Progressive acts like Supertramp, Queen, ELO, Man, Focus, Hawkwind and the Peter Gabriel line-up of Genesis as well as headlining gigs themselves). To the details...

UK issued Friday, 23 February 2009 - "Seven Secrets" by FRUUPP on Esoteric Recordings ECLEC 2102 (Barcode 5013929720220) is a straightforward CD Reissue and Remaster of their second LP from 1974 that plays out as follows (45:45 minutes):

1. Faced With Shekinah [Side 1]
2. Wise As Wisdom
3. White Eyes
4. Garden Lady [Side 2]
5. Three Spires
6. Elizabeth
7. The Seventh Secret
Tracks 1 to 7 are their second studio album "Seven Secrets" – released April 1974 in the UK on Dawn Records DNLS 3058 (no US issue). 

FRUUPP were:
VINCENT McCUSKER – Guitars and Vocals
PETER FARRELLY – Bass and Lead Vocals
STEPHEN HOUSTON – Keyboards, Oboe and Vocals
MARTIN FOYE – Drums and Percussion

The big news here is a BEN WISEMAN remaster from original master tapes that brings out the dense playing and upgrades the David Lewis Production which many have long felt was not up to the par of the debut.

There is an almost 10cc or even Be Bop Deluxe feel to the clever opener "Faced With Shekinah" whilst the seven-parter "Garden Lady" has impressive guitar antics as it opens Side 2. McCusker & Paul Charles also provided "Three Spires" – a returning rambler's romantic reappraisal of a hometown (Magherafelt in Northern Ireland) where I keep seeing that picture of the boys looking like an Elizabethan quartet ready for the ball as the instruments dilly and dally. You can even at times hear the influence of Man (from Wales) in "Elizabeth" whilst the short final cut "The Seventh Secret" probably seemed like a good idea at the time but now feels silly and wildly out-of-place. Overall – a good album then – and certainly accomplished. 

Hairy Ulstermen and Celtic Legends ahoy – FRUUPP were/are an acquired taste for sure. But if you were a fan – this fab-sounding CD remaster will remind you and your receding hairline why you loved 'em in the first place. If this isn't available at a reasonable sum, see the "Wise As Wisdom: The Dawn Albums 1973-1975" 4CD Box Set mentioned in the final entry below...

The four albums in the 23 February 2009 BEN WISEMAN Digital Remaster 

CD Reissue Series for FRUUPP by Esoteric Recordings are: 

"Future Legends" – Esoteric Recordings ECLEC 2104 (Barcode 5013929720428) – One Bonus Track (47:25 minutes) – Debut Album released October 1973 in the UK on Dawn Records DNLS 3053

"Seven Secrets" – Esoteric Recordings ECLEC 2012 (Barcode 501392972022) – No Bonus Tracks (45:45 minutes) – Second Studio Album released April 1974 in the UK on Dawn Records DNLS 3058 

"The Prince Of Heaven's Eyes" - Esoteric Recordings ECLEC 2103 (Barcode 5013929720329) – Two Bonus Single Sides (48:40 minutes) – Third Studio Album released in the UK November 1974 on Dawn Records DNLH 2

"Modern Masquerades" - Esoteric Recordings ECLEC 2105 (Barcode 5013929720527) – No Bonus Tracks (48:59 minutes) – Fourth Studio Album released February 1975 in the UK on Dawn Records DNLS 3070 (Produced by Ian McDonald of Giles, Giles & Fripp and King Crimson 

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30 August 2019 also saw the UK release of "Wise As Wisdom: The Dawn Albums 1973-1975" on Esoteric Recordings ECLEC 42686 (Barcode 5013929478602) - pictured above. This 4CD Mini Clamshell Box Set gathers up the four 2009 Remastered albums (including the Bonus Track on "Future Legends" and the two on "The Prince Of Heaven's Eyes") and puts them in four card repro sleeves (for the first time in the UK) inside the glossy box - "Future Legends" being the only gatefold as per the original 1973 vinyl artwork. 

There is a foldout six-leaf insert with the group's three different line-ups pictured on one side and the album/cd reissue credits pictured and featured on the other side. There are no liner notes or memorabilia pictured as there are in the individual CD reissues from 2009 and there is nothing new on this release with regard to unreleased material. But the audio is the Ben Wiseman Remasters of 2009 and with all four individual CD reissues deleted and having become expensive in some cases since – this August 2019 4CD Box Set is a reasonably priced way to get their catalogue in good presentation and quality audio transfers.

"Before The Flood: Recorded Live In Concert" by BOB DYLAN and THE BAND – June 1974 2LP Live Set on Asylum Records (USA) and Island Records (UK) featuring Bob Dylan with Robbie Robertson, Levon Helm, Garth Hudson, Rick Danko and Richard Manuel of The Band (June 2009 UK Sony/Columbia Reissue – 2LP Set onto 2CDs – Greg Calbi Remasters) - A Review by Mark Barry...

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This Review and Over 220 Others 

Is Available In My AMAZON E-Book 

PICK UP THE PIECES 

1974

Your All-Genres Guide To Exceptional CD Reissues and Remasters

All Reviews In-Depth and from the Discs Themselves

(No Cut And Paste Crap)

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"...You Go Your Way (And I'll Go Mine)..."

I remember my slightly (if I'm truthful) horrified response to the opening tracks of the 1974 double live-album "Before The Flood". Back with his spiritual brothers from another mother THE BAND - Dylan seemed to not give a rat's ass for nuance as he mostly shouted his way through songs that were once delicate but here felt like sledgehammers. At the time, I detested it at first; while others thought the revamps of old 60ts crusties refreshing if not a tad ragged. 

But the trump card was of course The Band. You'd get Robbie Robertson's guitar playing clearly on fire as he rips through "Rainy Day Women ♯ 12 & 35" - Levon Helm also ramping things up with his great keyboard contributions. As The Band takes over vocals for "Up On Cripple Creek", a Rock-Soulful "I Shall Be Released" and the crazy August heat of "Endless Highway" - magic undoubtedly happens. 

"Before The Flood" is like that – an awkward listen - I like half of it - hate the other half. It's a live set you sort of need to come at sideways - take it as it comes. 
So here are the badges that should be taken off and the nights getting too dark to see...

UK and Europe released 16 June 2009 - "Before The Flood: Recorded Live In Concert" by BOB DYLAN and THE BAND on Columbia/Sony Music 88697347022 (Barcode 886973470220) is a Standard Edition in a 2CD Jewel Case. 

NOTE: It had been reissued 30 March 2009 in the UK and Europe on Columbia/Sony Music 88697082242 (Barcode 886970822428) as a Limited Edition Collector's Digipak with the same Greg Calbi Remasters (not an SACD issue). 

CD1 (45:43 minutes): 
1. Most Likely You Go Your Way (And I'll Go Mine) [Side 1]
2. Lay Lady Lay 
3. Rainy Day Women ♯ 12 & 35
4. Knockin' On Heaven's Door 
5. It Ain't Me, Babe 
6. Ballad Of A Thin Man 
7. Up On Cripple Creek [Side 2]
8. I Shall Be Released 
9. Endless Highway 
10. The Night They Drove Old Dixie Down 
11. Stage Fright 

CD2 (46:47 minutes):
1. Don't Think Twice, It's All Right [Side 3]
2. Just Like A Woman 
3. It's Alright, Ma (I'm Only Bleeding)
4. The Shape I'm In 
5. When You Awake 
6. The Weight 
7. All Along The Watchtower [Side 4]
8. Highway 61 Revisited 
9. Like A Rolling Stone 
10. Blowin' In The Wind 
CD1 and 2 make up the double live album "Before The Flood: Recorded Live in Concert" - released 20 June 1974 in the USA on Asylum AB 201 and June 1974 in the UK on Island IDBD 1 (it peaked at No. 3 in the USA and No. 8 in the UK). The booklet lists the US catalogue number as C2 37661, but that issue was the 1983 variant when the 2LP set first appeared on Columbia Records as a Reissue. 

BOB DYLAN – Lead Vocals, Guitar, Harmonica and Piano 

THE BAND:
ROBBIE ROBERTSON – Lead Vocals and Lead Guitar 
GARTH HUDSON – Keyboards – Organ, Piano and Clavinette 
RICHARD MANUEL – Keyboards – Piano, Electric Piano, Organ, Drums and Vocals 
RICK DANKO – Bass and Vocals
LEVON HELM – Drums and Vocals  

The big news here is a GREG CALBI Remaster that elevates things so much. For instance after the three incendiary acoustic numbers on Side 3 and the Band kicks in for a great version of "The Shape I'm In" – you can literally feel the oomph in the improvement. Calbi has done much-praised Remasters of key albums by Paul McCartney, Paul Simon and Bob Dylan. You have to suspend audiophile expectations here, but this is a definite improvement over my original vinyl and that 1996 double-disc set I once had. 

The 8-page booklet (like so many of these Sony/Columbia releases) is nice but a purely functional affair nonetheless with Musician/Gig credits and some colour photos from the original double-album artwork. But there are no new liner notes or any history. It doesn’t even for instance tell you that Side 2 of the LP was entirely the Band or that Dylan opens Side 3 with Acoustic/Harmonica versions of "Don't Think Twice, It's All Right" and "Just Like A Woman" – both of which are filled with passion and crowd pleasure. He follows that with a fantastic all-lyrics-blazing version of "It's Alright, Ma (I'm Only Bleeding)" – the acoustic guitar speeding as he spouts out more words in one song than some singers do in an entire album. And when he sings that sometimes "...even a President has to stand naked..." - the crowd thinks of dodgy Richard Nixon and erupts. 

After excellent Band versions of "When You Awake" and put the load right on me of "The Weight" – Bob re-joins his boys again for a rapido geetar version of "All Along The Watchtower". Robertson and Hudson pump up the feel with great contributions and then get all Country Slide Rock for "Highway 61 Revisited" – a very cool live version of a smart Bob Dylan song. It rolls to a finish with seven minutes of "Like A Rolling Stone" – again Bob straining and perhaps shouting too much. But a magisterial "Blowin' In The Wind" comes on like a mountain of huge import – The Band being the perfect foil for his epic scene setting. 

I have enjoyed re-hearing "Before The Flood..." – but in February of 1975 Bob Dylan would return with "Blood On The Tracks" and I was to be properly blown away rather than being just impressed. 

Still if you want to put that candle aloft again like so many did on the cover art to this largely forgotten live double-album, then this 2009 Greg Calbi 2CD Remaster is the place to strike your first match...

"Hergest Ridge" by MIKE OLDFIELD – August 1974 UK Second Album on Virgin Records featuring Guests Sally Oldfield of The Sallyangie and Clodagh Simmonds of Mellow Candle, William Murray of Kevin Ayers Band, Tom Hobart, William Murray of The Kevin Ayers Band and The London Sinfonietta Choir Arranged by David Bedford (June 2010 UK Mercury/Universal Single CD 2010 Expanded Edition Remaster – Mike Oldfield and Paschal Byrne Remixes and Remasters) - A Review by Mark Barry...

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1974

Your All-Genres Guide To Exceptional CD Reissues and Remasters

All Reviews In-Depth and from the Discs Themselves

(No Cut And Paste Crap)

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"...Wordlessly Beautiful..."

When Mike Oldfield issued solo platter No. 2 to a public hungry for more sidelong Progtastic Folk Rock - Virgin V 2013 took until the chart of 14 September 1974 to hit the number one spot (it was released in Blighty on 28 August 1974). 

"Hergest Ridge" (named after a real place near the town of Kington in Wales) stayed atop for three weeks only to be replaced (yet again) by his first album "Tubular Bells" from 1973 - interest in the first reignited by the Celtic musical beauty conjured up in the second. 

For Oldfield aficionados "Hergest Ridge" is "The Empire Strikes Back" in his voluminous catalogue. Not quite the groundbreaking "Star Wars: A New Hope" meisterwerk of the original 1973 template "Tubular Bells" - and considered by critics and large wads of the public to be a wee bit of a disappointment on release - it has nonetheless been beloved by real fans ever since. In fact (like others of the same persuasion) - I'd rather listen to the 1974 Celtic-influenced Folk Rock beauty that is inherently in Side One of "Hergest Ridge" than return to Side 2 of "Tubular Bells". 

Can't say I'm digging the non-Bootleg artwork either that has been replaced by some glider thingy (Bootleg was the Irish Wolfhound who lived at the Manor Studio and graced the original 1974 artwork front and rear - its given a full page in the booklet). But the 2010 Mike Oldfield Remix and the following Paschal Byrne Remaster have lifted up the Acoustics in this to a point where it suddenly feels so damn fresh. To Grid Reference SO296565 (starting point in the Kington Car Park)...

UK released 7 June 2010 - "Hergest Ridge" by MIKE OLDFIELD on Mercury/Universal UMC 532 675-5 (Barcode 600753267554) is a 2010 Single CD Expanded Edition Remaster that plays out as follows (44:10 minutes):

1. Hergest Ridge (Part One) 19:21 minutes 

2. Hergest Ridge (Part Two) 18:46 minutes 

2010 Stereo Remix by Mike Oldfield 

BONUS TRACKS: 

3. In Dulci Jubilo (For Maureen) 2:45 minutes 

Non-Album B-side of "Don Alfonso" - a February 1975 UK 45-single on Virgin VS 117 - a cover/rearrangement of a Bach melody

4. Spanish Tune (3:11 minutes) – 1A withdrawn 1974 UK Promotional-only One-Sided 45-single on Virgin VS 112 – Previously Unreleased on CD – it is a remixed edit of the final section of "Hergest Ridge (Part Two)". 

The 16-page booklet (with new interviews from MO, trade adverts, original LP artwork etc) provides a deep insight into the personal and musical turmoil that seemed to surround the album at every turn – Oldfield under not entirely unreasonable pressure from Richard Branson at Virgin to provide Opus Two – and right quick my son. Oldfield admits that he had been running on musical empty since the years he had spent putting T Bells together - and got away to the country to seek inspiration. He bought a house called The Beacon on the edge of Bradnor Hill by the Welsh border near the town of Kington that needed renovation. 

After teaming up with a local multi-instrumentalist called Leslie Penning – they hit the local restaurant and played multi-instrument gigs – Hurdy Gurdy, Recorders and The Crumhorn – for free wine. This got the spirit up, the Mediaeval tunes out and the creative juices flowing. And a local guidebook suggested rambling up the ancient path to a beauty spot called "Hergest Ridge"...

With Tom Newman engineering - again we get extensive overdubbing of a huge range of instruments for both Part One and Part Two passages. Mike Oldfield wielded armies of Acoustic and Electric Guitars, Mandolin, Organ, Glockenspiel, Timpani, Tubular Bells, Gongs and even Sleigh Bells (ring-ding-a-dinging). Ted Hobart played Trumpet, his brother Terry and sister Sally provided Flute and Backing vocals respectively (Sally Oldfield used to be in The Sallyangie with Mike). Backing Singers came from two other sources – the David Bedford arranged Choir of The London Sinfonietta and the well revered Clodagh Simmonds of cult Folk-Rock group Mellow Candle. William Murray of the Kevin Ayers Band provided Percussion too. 

The new Stereo Mix for 2010 makes a real point of bringing out the acoustic guitar whilst that penny whistle theme that opens Part One is simply gorgeous. Even as it gets overly crowded on Side One – the Remaster lets out those Trumpet fills – those cymbals crashing as they introduce another coda – and I’d love to know just what the hell it is that the ladies are singing on Side 2. Both bonuses are interesting shall we say, but the real bully beef lies with the density and at times pastoral beauty of both principal parts. 

Second best – maybe. But I find I come back for second helpings – and this major audio overhaul has only made that repeat decision all the more likely. 

In one of the full-page period adverts Virgin ran in the trades – it states the music is "...Wordlessly Beautiful..." I agree. Soar over the magical landscape of this CD Reissue and soak up its deeply lovely greenery. Way to go minimalist M.O....

"Bob Stanley Presents: 76 In The Shade" by VARIOUS ARTISTS – Featuring 1972, 1973, 1974, 1975, 1976 and 1977 Tracks by Lynsey De Paul, Jefferson Starship, Smokey Robinson, David Ruffin, 10cc, Barclay James Harvest, Liverpool Express, Steve Miller Band, Simon Park, Cliff Richard, Blue Mink, The Emotions, Azimuth, Gilbert O’Sullivan, Hollywood Freeway, Sylvia, Carmen McRae and more (August 2020 UK Ace Records CD Compilation – Nick Robbins Remasters) - A Review by Mark Barry...

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"...Sugar Shuffle..."

I am not really sure who this compilation is aimed at, but it sure ain't me. 

For the most part, I found it a painful listen - music that hasn't travelled the decades well no matter how smartly you present it (the 20-page Bob Stanley annotated liner notes and booklet are the usual classy affair from British reissue diamonds Ace Records). 

Loosely themed around the hottest summer then on record (1976) which many of a certain age (moi included) remember all too well - this Bob Stanley Presents "76 In The Shade" Various Artists 20-track CD on Ace CDCHD 1580 (Barcode 029667099424) is supposed to bring me back to that hot and sweaty musical maelstrom (release date: 28 August 2020, 74:53 minutes). 

But despite really great NICK ROBBINS Remastered sound - many of the tracks put up here as worthy of rediscovery are that awful middle-of-the-road mid-Seventies Pop cack – unmemorable fluff that made the breath-of-fresh-air Punk and New Wave music so necessary and so welcome. 

Then there are the dates. Many of these songs are from 1973, 1972 and 1975- so don't really fit in either. The only real 1976 gems on here are tracks I already own – the full version of 10cc's utterly brilliant "I'm Mandy Fly Me" from their "How Dare You" album, Steve Miller's beautiful and spacey "Wild Mountain Honey" from "Fly Like An Eagle" and the lovely Charles Stepney/Maurice White sexy Soul of "Flowers" by The Emotions. 

Interesting picks. The Simon Park (of "Eye Level" fame) track from a Music De Wolfe library LP is a clever instrumental choice and Gilbert O’Sullivan’s last album for Mam Records "Southpaw" in 1977 with his simple but lovely "Miss My Love Today" is another forgotten LP that deserves a light shone on it again. The Brazilian Jazz-Funk of Azimuth livens up "Montreal City" and 76 In The Shade finishes with Carmen McRae channelling her inner Amy Winehouse as she covers James Taylor’s "Music" taken from her forgotten 1976 Blue Note album "Can't Hide Love". 

But the David Ruffin song is just so bloody ordinary. Middle of the Road fare too like Liverpool Express' "You Are My Love" and the pseudo cool summer breeze of Hamilton, Joe Frank & Reynolds and their "Fallin' In Love" are truly cringeworthy 1976 lurve tunes that in 2020 might actually make your skin crawl. It also begins on a run that is frankly embarrassing - a Beach Boys harmonies unreleased track from 1973 followed by insipid tunes from the keyboard slinky Lynsey De Paul, a sold-out Jefferson Starship and a running-on-empty Smokey Robinson - none of which make you think 1976 was a year of genius. 

But it's also the omissions. There is no Stephen Bishop and his fabulous "Careless" debut LP from December 1976 with "On And On" and "Little Italy", or how about the sexy Rock-Funk groove of "Hot Stuff" that opened "Black And Blue" by The Rolling Stones, or Scotland's Cado Belle and their great self-titled debut on Anchor ("Stone's Throw From Nowhere") or even say "Boogie Pilgrim" from Elton's second double-album splurge "Blue Moves". 

As I recall also, that hot year was dominated by American bands - Boston's amazing debut, Billy Joel and his "Turnstiles", Tom Petty & The Heartbreakers and their electrifying debut, the Isley Brothers giving us a "Harvest For The World", Hall & Oates and their "Bigger Than Both Of Us", Stevie Wonder doubling-up on "Songs In The Key Of Life". Rock bands and Artists like Thin Lizzy's "Jailbreak", Al Stewart's "Year Of The Cat", Jeff Beck's "Wired", Joni Mitchell's "Hejira", Patti Smith's "Radio Ethiopia" or Graham Parker's "Heat Treatment". None represented. 

I realise that some of these huge acts may have represented a licensing issue for Ace but to be peddled crud like Cliff Richard, Hollywood Freeway and the pap that is "Rock 'N' Roll Star" by Barclay James Harvest as 'smooth' or 'good' is just plain ridiculous. 

"Stay With Me" - Blue Mink pleaded in September 1972 on Regal Zonophone (all my tomorrows, yesterday's sorrows etc) – but in truth I wish that even half of this offering did just that – stay with me. I would advise a listen first before purchase...

PS: there is also a 28 August 2020 VINYL 21-Track 2LP variant on Ace Records XXQLP2 073 (Barcode 029667011914) with One Bonus Track - "Inspiration Information" by Shuggie Otis (Fourth Track, Side 2 of LP1)....

"Just For A Moment (The Best Of)" RONNIE LANE – Tracks from 1972 to 1989 on GM, Island and Atlantic Records with Guests Ron Wood, Pete Townshend, Eric Clapton, Members of McGuinness Flint and Gallagher & Lyle, Alun Davies, Steve Simpson of Meal Ticket, Billy Nicholls, Carol Grimes, Charlie Watts, Kate Lambert and more (May 2019 UK Universal Musical Operations (UMC) CD Compilation – Jon Astley Remasters) - A Review by Mark Barry...

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1974

Your All-Genres Guide To Exceptional CD Reissues and Remasters

All Reviews In-Depth and from the Discs Themselves

(No Cut And Paste Crap)

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"...Found My Peace..."

There is a moment as I play 1974's "Roll On Babe" when I well up. It happens every time I play "Debris" by the Faces too from 1971 – both stunning Ronnie Lane ballad moments. I've often wondered why and especially why more so of late. 

Ronnie Lane was like this. There was just something utterly Fab about him. And his songs were often so deceptively simple too, yet the melody and joyous-spirit embedded in the lyrics had that uncanny way of making you feel better - lifting you up above the cruelty of life and city grime. Plonk (his nickname) was Small Faces infectious – rammed to the gunnels with British melodic brilliance - and that almost childlike smile of his somehow seeped into the Acoustic Guitars and Mandolins and Accordions in every one of his songs. Which brings us to this ludicrously cheap and beautiful sounding round up of his Acoustic and Folk Rock softer side. Some factoids first...

16 May 2019 saw the Universal Music Operations motherlode arrive in the shape of "Just For A Moment (Music 1973-1977)" - a 6CD Box Set in 10" x 10" packaging on UMC 675593-9 (Barcode 602567559399). It contained all four of his studio albums from the Seventies and beyond, album outtakes, BBC live stuff and some tasty unreleased. It also had a 72-page booklet and JON ASTLEY Remastering - a name associated with much-praised Remasters of The Who and Pete Townshend solo material. 

Released on the same day (18 May 2019) was this - "Just For A Moment (The Best Of)" by RONNIE LANE - an 18-track 1CD Best Of on UMC 00602577211263 (Barcode 602577211263) - culled from the bigger 6CD Box Set.  

It also has a VINYL 18-Track 2LP variant on UMC 00602577211270 (Barcode 602577211270) that comes with a Download Voucher. 

Best Of CD compilations are often a sort of poor man's exercise in recouping dosh or tapping latent affection towards an artist and his time. But whether you're a Lane fan or not and despite the last two songs from 1989 where his health, voice and even diction was failing him (so they are good rather than inspirational) - "Just For A Moment" may be one of the most perfectly sequenced single-disc Anthologies I've ever heard. Covering late 1973 through to the last two previously unreleased tracks from early 1989 – this Best Of plays so well – a genuinely deft sequencing of what made his music so loveable. Let's roll on babe to the details (62:45 minutes, total playing time)...

1. Just For A Moment
2. The Poacher 
3. Anymore For Anymore
4. How Come? (Single Version) 
5. Tell Everyone 
6. Roll On Babe 
7. Little Piece Of Nothing
8. Anniversary
9. Brother, Can You Spare A Dime?
10. Don't Try 'n' Change My Mind
11. One For The Road
12. Annie 
13. April Fool
14. Kuschty Rye
15. Barcelona
16. One Step
17. Spiritual Babe 
18. Strongbear's Daughter

NOTES: 
Track 1 by RON WOOD and RONNIE LANE - from the September 1976 UK LP "Mahoney's Last Stand - Original Motion Picture Soundtrack" on Atlantic K 50308 – also featuring Bruce Rowlands of The Grease Band on Drums. Recordings made in 1972. 

Tracks 2 and 3 by RONNIE LANE and THE BAND "SLIM CHANCE" - from the July 1974 UK Solo Debut LP "Anymore For Anymore" on GM Records GML 1013

Track 4 by RONNIE LANE Accompanied by the Band "Slim Chance" - December 1973 UK debut solo 45 on GM Records GMS 011, A-side, 3:08 minutes (not on the "Anymore For Anymore" album)

Tracks 5 and 6 by RONNIE LANE and THE BAND "SLIM CHANCE" - from the July 1974 UK LP "Anymore For Anymore" on GM Records GML 1013 – Track 5 also one of two B-sides on the "How Come" single; Track 6 is a Derroll Adams cover version

Tracks 7 and 8 by RONNIE LANE - from the February 1975 UK LP "Ronnie Lane's Slim Chance" on Island ILPS 9321

Track 9 by RONNIE LANE - March 1975 UK Non-Album 7" single on Island WIP 6229, A-side

Tracks 10 and 11 by RONNIE LANE'S SLIM CHANCE - from the January 1976 UK LP "One For The Road" on Island ILPS 9336

Tracks 12 and 13 by PETE TOWNSHEND and RONNIE LANE - from the October 1977 UK LP "Rough Mix" on Polydor 2442 147 - featuring Gallagher & Lyle and Eric Clapton

Track 14 by RONNIE LANE - from the August 1980 UK LP "See Me" on Gem Records GEMLP 107 - featuring Alun Daves of Cat Stevens Band and Sweet Thursday, Steve Simpson of Meal Ticket with Bruce Rowland and Henry McCulloch of The Grease Band

Track 15 by RONNIE LANE - October 1979 UK 45 single on Gem Records GEMS 12, A-side - also on the August 1980 UK LP "See Me" on Gem Records GEMLP 107 - featuring Eric Clapton on Guitar, Carol Grimes on Vocals, Steve Simpson of Meal Ticket with Bruce Rowland and Henry McCulloch of The Grease Band

Track 16 by RONNIE LANE - from the August 1980 UK LP "See Me" on Gem Records GEMLP 107 - featuring Cal Batchelor of Quiver, Charlie Hart of The People Band and Slim Chance, Alun Daves of Cat Stevens' Band and Sweet Thursday with Bruce Rowland of The Grease Band

Tracks 17 and 18 by RONNIE LANE are Arlyn Studio Sessions from January 1989 – exclusive to the May 2019 "Just For A Moment (Music 1973-1977)" 6CD Box Set and this single CD compilation

The 16-page booklet features track-by-track writing credits, but don’t tell you who played on what (as I have done above). And while there are acknowledgements and 'with thanks' credits – there are no new liner notes which is such a damn shame. This is offset by 10 pages of unpublished photos from the 1974 'Passing Show' tour through to his rehabilitation stay in America in the late Eighties where his Multiple Sclerosis had begun to really ravage him (he'd lived with the disease for 20 years and it took his mother before him). 

But what blows you away is the Audio – JON ASTLEY Remasters that are amongst the loveliest I've heard of this material. The other Ronnie Lane set to compare notes with is the March 2014 Universal/Island double-CD anthology called "Ooh La La: An Island Harvest" (see separate review) and I feel the audio is even better here. 

The first thing that hits you as you play song after song is that those looking for Classic Rawk should look away – this is Acoustic Guitar Folk Rock, Mandolins and Accordions aplenty and often at times feeling like McGuinness Flint mated with Gallagher & Lyle and then asked Ronnie lane and his band Slim Chance to join them under the giggling sheets. The only time I feel the audio lags a tad is on the Single Mix of "How Come" but other than that songs like "Tell Everyone", the pastoral charm of "The Poacher" and the beautiful cover of the Derroll Adams Country tune "Roll On Babe" are revelatory. The two from the fabulous "Rough Mix" album with PT of The Who are gorgeous – beautifully produced Dobro notes flying around your speakers with sparkling clarity. People sort of slag off the 1980 LP "See Me" but again, two clever mellow choices from it do that forgotten album proud. And the final two are growing on me but his obvious failing health makes me sad. 

You do wish maybe they had included the gorgeous "Tin And Tambourine" from the February 1975 LP "Ronnie Lane's Slim Chance" (included the melody to "Devotion" on the first Faces LP from 1970) or more of the Pete Townshend, Ian McLagan and Kenney Jones contributions to the "Mahoney's Last Stand" soundtrack recorded in 1972 but not released until 1976. That album features an "Ooh La La" sessions-vibe and was only reissued on CD properly by Real Gone Music of the USA in 2018 - that digital hardcopy already a bloody rarity in Autumn 2020. In short, more Plonk material could have been fitted in especially with only 62 minutes playing time used, but actually sometimes less is more. 

I have seen this compilation on offer for under a fiver, but as October 2020, "Just For A Moment (The Best Of)" by RONNIE LANE is still available for less than seven quid new (including P&P) and what a bargain that is (best I ever had as his buddy Pete would say). 

"...Just for a moment, I found my peace... ", Ronnie sang almost 50 years ago on this compilation's title track. And I hope in your low moments, you find the same on this beautiful CD...