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Sunday, 11 April 2021

"Hello!" by STATUS QUO – September 1973 UK Sixth Studio Album on Vertigo Records (A&M Records in the USA) – featuring Francis Rossi, Rick Parfitt, Alan Lancaster and John Coghlan (February 2005 UK Universal/Mercury 'Expanded Edition' CD Reissue with a Tim Turan Remaster – Part Of The 'From The Makers Of' Reissue Series) - A Review by Mark Barry...





This Review and 299 More Like It Can Be Found In My AMAZON e-Book 
US AND THEM - 1973
Your All-Genres Guide To Exceptional 
CD Reissues and Remasters 
Classic Albums, Compilations, 45's...
All In-Depth Reviews From The Discs Themselves
Over 2,200 E-Pages
(No Cut And Paste Crap)

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"...Roll Over Lay Down And Let Me In..."

Arguably the worst album cover artwork and LP title in their entire cannon - or possibly in the entire world ("Hello!" for Gawd's sake and in jet black so you can't see them) - none of this stopped the mighty Quo from smashing it in 1973. 

Released in late September of that year on Vertigo Records in the UK (A&M Records in the USA) with its lyrics inner sleeve and eye-catching poster – more importantly Status Quo's sixth studio platter had the heads-down monster hits of "Roll Over Lay Down" and "Caroline" alongside others like "Forty Five Hundred Times" that would soon become fan craves. You also can't help thinking that had they released the boogie-pleaser "Blue Eyed Lady" with say "Softer Ride" on the flipside as a third 45-single, Quo would have easily achieved a Top 5 placing if not another Number 1. 

Their sound and success had been years coming - starting on 1970's "Ma Kelly's Greasy Spoon" and getting stuck in proper on 1971's "Dog Of Two Head" while they were on Pye Records. But it was the move to Vertigo that saw the charge truly begin. Building on the eventual No. 5 LP placing of the preceding "Piledriver" album issued December 1972 - "Hello!" railroaded its Classic Rock riffage to the top of the British album charts - No. 1. This started an astonishing chart run in Blighty - 1974's "Quo" at No. 2, 1975 and 1976's "On The Level" and "Blue For You" also at No. 1 with the live-double in 1977 managing No. 3. 

The Quo defined good old-fashioned Seventies Blues Rock with a double-fronted guitar wallop (they meant naught in the USA). And this dinky little 2005 CD Remaster of "Hello!" complete with its period-relevant Bonus Track (the Non-LP B-side of "Caroline") does that fond memory proud. Time to Shake and Vac and don the faded Levis...

UK released February 2005 - "Hello!" by STATUS QUO on Universal/Mercury 982 594-2 (Barcode 602498259429) is an Expanded Edition CD Reissue and Remaster (One Bonus Track) in the 'From The Makers Of' Reissue Series that plays out as follows (43:08 minutes):

1. Roll Over Lay Down [Side 1]
2. Claudie 
3. A Reason Of Living 
4. Blue Eyed Lady 
5. Caroline [Side 2]
6. Softer Ride 
7. And It's Better Now 
8. Forty Five Hundred Times 
Tracks 1 to 8 are their sixth studio album "Hello!" - released 28 September 1973 in the UK on Vertigo 6360 098 and in the USA on A&M Records SP-3615. Produced by STATUS QUO - it peaked at No. 1 in the UK (didn't chart USA). 

BONUS TRACK:
9. Joanne 
31 August 1973 UK 7" 45-single on Vertigo 6059 085, Non-LP B-side to "Caroline"

The 16-page booklet all the lyrics, the poster shots, rare seven-inch picture sleeves and new liner notes from Quo aficionado GARRY FIELDING with the Remaster done by TIM TURAN who did such great work on the Nazareth back catalogue for Salvo Records. The boogie is strong with this one - each track with a cohesive power as it pounds out your speaker stack with bovver boots and denim waistcoats badly in need of a wash. "Hello!" always rocked and this CD does that legacy a solid. To the tunes...

Almost a full month before the LP hit the shops - Quo had unleashed the "Caroline" seven-inch single on the British Public on the last day of August 1973. Vertigo 6059 085 with the Non-LP "Joanne" on the flipside was a winner - DJ Radio loving its no-nonsense Rock simplicity and those catchy "...if you want to – turn me on to..." lyrics. Eventually peaking at No. 5 in the week leading up the LP's release, it primed the Rock Mad Brits for the album and they responded with frenzied purchasing. 

The whole of Side 1 feels like a party - heads-down boogie punctuated by those Francis Rossi and Rick Parfitt Vocals and Guitars. Very cool Bluesy Slide Guitar on "A Reason To Believe" where their playing reminds me of Micky Moody from Snafu and later with Whitesnake. "Blue Eyed Lady" is surely one of their best LP gems and as I suggested above, would have made for a storming third single. You kind of get blind-sided by the musicality of "And It's Better Now" (everyone must have a song) - but it's the near ten-minutes of "Forty Five Hundred Times" ending Side 2 that makes real fans weak at the knees. As he pleads "...be my friend..." during its melodic beginning - it then launches into a great riff-fest that pile-drives along to its almost-Doors Rock ending. The throwback vocals to older days on "Joanne" will appeal to fans that long for pictures of matchstick men. 

Never a phenomenon in the States like they were back home (they charted "Blue For You" and that was it), Status Quo have had legions of fans for decades on end in Blighty like say Lizzy or Nazareth or other great Rock Bands of the period. And dribbling over the aural evidence on this cheap-as-chips CD Remaster, you can 'so' hear why...

Tuesday, 6 April 2021

"Welcome" by SANTANA – November 1973 US and UK Fifth Studio Album on Columbia and CBS Records featuring Carlos Santana and John McLaughlin on Guitars, Leon Thomas and Flora Purim on Lead Vocals, Tom Coster, Richard Kermode and Wendy Haas on Keyboards, Michael Shrieve and Jose "Chepito" Areas on Drums and Percussion with Arrangements by Alice Coltrane (October 2003 UK Columbia/Legacy Expanded Edition CD Reissue with Bob Irwin and Vic Anesini Remaster) - A Review by Mark Barry...




This Review and 299 More Like It Can Be Found In My AMAZON e-Book 
US AND THEM - 1973
Your All-Genres Guide To Exceptional 
CD Reissues and Remasters 
Classic Albums, Compilations, 45's...
All In-Depth Reviews From The Discs Themselves
Over 2,200 E-Pages
(No Cut And Paste Crap)

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"...Yours Is The Light..."

After the difficult to like "Love, Devotion & Surrender" album with John McLaughlin in July 1973 - November 1973's "Welcome" felt like the beginning of the end for me. By the time "Borboletta" arrived in 1974, the splurging-too-much triple live "Lotus" in 1975 and then "Amigos" in 1976 - I'd lost interest.

Hal Miller's ludicrously 'genius' 'masterpiece' 'sublime' liner notes over-egg the "Welcome" pudding somewhat too, but do at least acknowledge the huge difference the keyboard players were making to the evolving Santana sound (Tom Coster and Richard Kermode supplying some of the LP’s best tracks). Unfortunately indulgence like the 12-minute "Flame-Sky" on Side 2 felt like filler to me even if their cover version of John Coltrane's "Welcome" ends the record on a beautifully recorded instrumental shimmer.

But my indifference and increasing boredom to its white-embossed charms notwithstanding - "Welcome" has stubbornly held a place in Santana fan's hearts as a bit of a lost gem over the years. And on re-hearing this stunning Bob Irwin/Vic Anesini Remaster of it, on its better moments, I can actually hear why. Musicianship wise, the band is cooking here. But worse, to my amazement, it sports an Unreleased Session Outtake as a Bonus Track called "Mantra" that I think knocks spots off some of the Leon Thomas sung fluff on the released record (although I can understand why it was canned). Let's get our joyous devotional knickers in a Chinmoy knot - to the Fusion illuminations...

UK released October 2003 - "Welcome" by SANTANA on Columbia/Legacy COL 511130 2 (Barcode 5099751113027) is an Expanded Edition CD Reissue and Remaster with one Bonus Track that plays out as follows (56:50 minutes):

1. Going Home [Side 1]
2. Love, Devotion & Surrender
3. Samba De Sausalito
4. When I Look Into Your Eyes
5. Yours Is The Light
6. Mother Africa [Side 2]
7. Light Of Life
8. Flame-Sky
9. Welcome
Tracks 1 to 9 are their fifth studio album "Welcome" - released November 1973 in the USA on Columbia FC 32245 and November 1973 in the UK on CBS Records S 69040 Produced by CARLOS SANTANA, MICHAEL SHRIEVE and TOM COSTER - it peaked at No. 25 in the USA and No. 8 in the UK.

BONUS TRACK:
10. Mantra (Santana, Shrieve and Coster song, 6:10 minutes, recorded April 1973) - PREVIOUSLY UNRELEASED

SANTANA was:
CARLOS SANTANA and JOHN McLAUGHLIN - Lead Guitar
LEON THOMAS and FLORA PURIM - Lead Duet Vocals on Tracks 2 and 4, Purim on Track 5 and Thomas on Track 7
TOM COSTER, RICHARD KERMODE and WENDY HAAS - Keyboards (Coster also Vocals)
DAVID BROWN and DOUG RAUCH - Bass
JULES BROUSSARD - Saxophone
JOSE "Chepito" AREAS and ARMANDO PERAZA - Percussion
MICHAEL SHRIEVE and TONY SMITH - Drums
ALICE COLTRANE - Arrangements

The two-sided four-leaf foldout inlay features all the musician credits and those May 2003 HAL MILLER liner notes where he assures us that "Welcome" is a masterpiece (it isn't). What is beautiful however is the BOB IRWIN and VIN ANESINI Transfers and Remaster. Both have huge career lists - Anesini has done Santana, Simon & Garfunkel, Elvis Presley, Nilsson, Aerosmith, Mountain, The Jayhawks, Stevie Ray Vaughan, Moby Grape, Lou Reed, Spirit and much more - his resume is huge and impressive. This is a big-sounding Columbia/Legacy CD - instruments racing around your speakers as the huge band vies for your attention and it sounds fab (JEN WYLER mixed the Bonus "Mantra" track). To the music...

I would be the first to decry Leon Thomas' vocals as weedy Terry Callier but not in a good way - so his efforts on the swirling percussiveness of "Love, Devotion & Surrender" kind of do for me even if it does contain Carlos giving it some Soulful notes. I much prefer the Latin Funk of Richard Kermode's "Yours Is The Light" where Flora Purim's lone vocals suit the high-flying bird of a tune. There are beautifully arranged strings to the opening of "Light Of Life" - a very Rotary Connection meets Santana rhythms exploration that has amazing playing on it. My personal crave is the six and half minutes given to their cover of John Coltrane's "Welcome" which feels like "Song Of The Wind" from "Caravanserai" - stunning keyboard work shimmering behind sustained notes. 

It wouldn't be until the double "Moonflower" in October 1977 that I would dig Santana again, but I can so understand why fans return to this largely forgotten white blip in their formidable LP cannon. A lovely sounding CD reissue and it's cheap too...

Monday, 5 April 2021

"Andy Roberts And The Great Stampede" by ANDY ROBERTS AND THE GREAT STAMPEDE – December 1973 UK-only Album on Elektra Records – featuring Zoot Money of Dantalian’s Chariot and Centipede, Ollie Halsall of Patto, B.J. Cole of Cochise, Mick Kaminski of E.L.O., Sonny Francis, Ray Wehrstein with Pat Donaldson of Fotheringay and Gerry Conway of Fairport Convention (April 2007 UK Fledg'ling Records CD Reissue in Card Digipak Repro Artwork with a Denis Blackham Remaster) - A Review by Mark Barry...





This Review and 299 More Like It Can Be Found In My AMAZON e-Book 
US AND THEM - 1973
Your All-Genres Guide To Exceptional 
CD Reissues and Remasters 
Classic Albums, Compilations, 45's...
All In-Depth Reviews From The Discs Themselves
Over 2,200 E-Pages
(No Cut And Paste Crap)

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"...Lost Highway..."

It's not really a balls-to-the-wall masterpiece but Andy Roberts' Ry Cooder-ish looking fourth studio album "Andy Roberts And The Great Stampede" is a lovely reissue of a sadly forgotten Folk/Country Rock LP gem from the Seventies that deserves far better recognition than its ever received. And England's Fledg'ling Records seem to think so too, giving it a genuinely warm reappraisal on this beautifully remastered CD from 2007 done by the award-wining Denis Blackham at Skye Mastering.

I suspect (like most) many won't know who Andy Roberts even is. A short bio includes guitar on Scaffold recordings – sessions with Jimi Hendrix and Graham Nash - produced by Paul McCartney - toured with Led Zeppelin - had the drummer from Jethro Tull in his band and was involved in four Liverpool Scene albums. Then a stint with the short-lived Everyone group in 1971 on B&C Records - another for the revered Plainsong ensemble with Iain Matthews (on Elektra Records) and then on top of all that managed three solo albums by the time he got to great stampeding in 1973 (one of those trio of LPs was actually issued in two different versions). 

Andy Roberts had been around, bubbling under so to speak and after this (his last solo outing) – he joined his old muckers in the Bonzo Dog Doo Dah Band offshoot Grimms on two of their three albums between 1973 and 1976 on Island and DJM Records - "Rockin' Duck" and "Sleepers". Which brings us back here...his Folk and Country Rock LP from 1973 with an Jamaican-influenced lean on some of the tracks...

The LP "Andy Roberts And The Great Stampede" was supposedly scheduled for October 1973 with publicity prepped and ready (The Great Stampede was also the name of his new band) - his second album on Elektra Records after the well-received "Urban Cowboy" in June of 1973. But as the oil-crisis limited what vinyl was priority, it got delayed until December 1973 because of the Fabs. In April 1973 - EMI and Apple had unleashed on a very willing world the Red and Blue double-albums by The Beatles - "1962-1966" and "1967-1970". I can remember the phenomenon they both were - selling cartloads all year long and for years afterwards. So EMI Blighty apparently informed our hero that due to pressing demand for the Red and Blue 2LP sets, his fourth solo LP on Elektra K 42151 would have to wait until December 1973 for release and even then would only see 1,500 copies pressed (if he was lucky) - two months after adverts for an album that didn't show. It tells you all of this in the exemplary new 16-page liner notes penned by the artist . Time to list this reissue's finer details...

UK released 23 April 2007 - "Andy Roberts And The Great Stampede" by ANDY ROBERTS AND THE GREAT STAMPEDE on Fledg'ling Records FLED 3064 (Barcode 5020393306423) is an Expanded Edition CD Reissue and Remaster with Five Bonus Tracks that plays out as follows (51:28 minutes):

1. Speed Well [Side 1]
2. Clowns On The Road
3. Lord Of The Groves
4. Bottom Of The Garden
5. Kid Jealousy
6. The Great Stampede [Side 2]
7. High Time
8. Home In The Sun
9. (53 Miles From) Spanish Town
Tracks 1 to 9 are his fourth studio album "Andy Roberts And The Great Stampede" - released December 1973 in the UK LP on Elektra Records K 42151 (unissued USA). Produced by SANDY ROBERTSON - it didn't chart.

BONUS TRACKS:
10. Home At Last
11. Lost Highway
12. Living In The Hills Of Zion
13. New Karenski
14. Having A Party

The Great Stampede included:
ANDY ROBERTS - Lead Vocals, Guitar and Rumba Bass
ZOOT MONEY (of Dantalian's Chariot and Centipede) - Organ and Piano
MICK KAMINSKI (of Electric Light Orchestra) - Electric Violin
B.J. COLE (of Cochise) - Pedal Steel Guitar and Dobro
PAT DONALDSON (of Dantalian's Chariot, Poet And The One Man Band and Fotheringay) – Fender Bass
GERRY CONWAY (of Fairport Convention) - Drums

Guests:
OLLIE HALSALL (of Patto and Kevin Ayers Band) - Lead Guitar on "Speed Well"
SONNY FRANCIS - Organ on "Lord Of The Groves"
RAY WEHRSTEIN - Soprano Saxophone on "High Time"

Housed in a pretty card digipak that repro's the original British LP artwork along with a period photo of the guitarist and singer on the inner flap - the 16-page booklet is oversized – the length of the digipak. That allows Roberts to fill it with photos of Jamaica where he had holidayed. That honeymoon sojourn with his wife Jacqui influenced all the songs up to the point where he has even provided a polaroid of the street sign that inspired the song that ends Side 2 – a signpost that is literally painted with the words "53 Miles From Spanish Town" (Spanish Town being the old capitol of Jamaica). In the large amount of text, Roberts also gives us candid paragraphs to the meaning of each song – talks of the impressive line-up of musicians too including their quirks, talents and sometime dodgy personal habits (see list above). But what gets you most is the glorious upgrade in Audio. I had this album for decades and it has never sounded this good.

DENIS BLACKHAM has Remastered Mick Greenwood's catalogue, Ireland's Horslips, England's Fairport Convention offshoot Fotheringay, the 3CD "Meet On The Ledge" Box Set for Island Records in 2008, the Topic Records 7CD Book Set "Three Score And Ten..." from 2009, Robert Plant's solo catalogue "Nine Lives" Box Set, the "Acoustic Folk Box" and even Talk Talk's gorgeous 1986 masterpiece "The Colour Of Spring". And thems is serious credentials in my book. Blackham is an Audio Engineer I seek out - one who gets a natural clarity to his transfers – the music becoming clear without ever being over-amped for the sake of it – and so it is here. Let's get to the songs...

Roberts quite rightly waxes lyrical about the natural ability to amaze of Liverpudlian Ollie Halsall who plays rawkin' guitar on Side 1's opener "Speed Well". The ex Patto axeman would contribute mind-blowing pyrotechnics the following year to Kevin Ayers fifth album track "Didn't Feel Lonely Till I Thought Of You" on "The Confessions Of Dr. Dream And Other Stories" album released May 1974 on Island Records. I mention this track alongside 1973's "Speed Well" because both are not love/misery songs about ladies - but drugs - Amphetamine Sulphates to mention but a few - which would finally do for OH in 1992. I like the song - first fast - then slow - but those lyrics about the pure as snow being the only friend he knows now feel so ominous. "Clowns On The Road" is the first to exude those 'island' rhythms before BJ Cole's Pedal Steel and Mick Kaminski's violin turn it into a Country Rock lurch about bands on the road (not my fave on the album really).

Better is five and half-minutes of "Lord Of The Groves" which feels the most Plainsong tune on the LP until it descends into an ill-advised island rhythm about cocoanut trees and the 'Yellow Disease' that was slowly killing them. Sonny Francis plays 'authentic' Reggae Hammond Organ on the track. "Bottom Of The Garden" clocks in at just 2:19 minutes, a fiddle and Dobro ditty (BJ Cole on Dobro) with Zoot Money on Electric Piano. Back to some great slide Dobro on "Kid Jealousy" - the Bluesiest tune on the LP - Gerry Conway of Fairport on Drums. 

And on it goes to a slew of extras some of which appeared in versions on his first LP for Elektra "Urban Cowboy" released June 1973 in the UK on Elektra Records K 42139. As I said earlier, Andy Roberts would be with Grimms for two albums of their catalogue including their largely risible third and last LP called "Sleepers" on DJM Records in November 1976 - his song "Bluebird Morning" being just about the prettiest thing on that record (Sanctuary Records featured it on their 2CD Anthology set "Just For The Record..." that covered all of AR's career - see my review).

"Andy Roberts And The Great Stampede" is not as I said earlier a lost masterpiece by any means, but there is something about his voice and his playing and his way with a melody that makes me return to his stuff again and again - a sort of Plainsong mates with the lilt of McGuinness Flint by way of The Band - all of which sounds to me like a damn good musical combo of influences. And the boys at Skye Mastering have done his recorded legacy proud with this Reissue and Remaster.

So while you might not want to trample over women and children and small baby seals to get to "...The Great Stampede", I'd consider a leisurely stroll to its aural delights at the very least. Lovely - investigate and enjoy...

Thursday, 1 April 2021

"Don't Shoot Me I'm Only The Piano Player" by ELTON JOHN – January 1973 UK and US Eight Studio Album on DJM Records and Uni Records in the USA – featuring Davey Johnstone, Dee Murray, Nigel Olsson with Lyrics by Bernie Taupin and Arrangements by Paul Buckmaster (May 1995 UK Mercury Records/The Rocket Co Ltd CD Reissue – Expanded Edition in 'The Classic Years' Series with Four Bonus Tracks – Gus Dudgeon Remaster) - A Review by Mark Barry...




This Review and 299 More Like It Can Be Found In My AMAZON e-Book 

US AND THEM - 1973

Your All-Genres Guide To Exceptional 
CD Reissues and Remasters 
Classic Albums, Compilations, 45's...
All In-Depth Reviews From The Discs Themselves - Over 2,200 E-Pages
(No Cut And Paste Crap)

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"...Keeping The Classroom Sane..."

I'll come clean here - I have a few genuine pet hates in music and the abomination that is "Crocodile Rock" is right up there with Eurovision drivel and tomcat poo. 

But that single-song hiccup aside, re-listening to the songsmith class on show in the opening trio alone - "Daniel", "Teacher I Need You" (lyrics above) and "Elderberry Wine" - it doesn't surprise me in the least that Elton's eight studio album went to No. 1 on both sides of the pond in that huge year for him, Bernie Taupin and his band – 1973. 

Plus, it had 'artwork' – those great days back in the Seventies when people took these things seriously and the makers of albums knew it. That 12-page booklet sleeve was a fab thing to behold and still is – full-colour plates, sepia tinted photos and all the lyrics in large type. It was lavish and gave the album a feeling of 'event'. The 20-page CD booklet does reasonably well repro-ing all of it – also throwing in new JOHN TOBLER liner notes that do a typically bang-up job of explaining the history and the heartache. To the music...

UK released May 1995 - "Don't Shoot Me I'm Only The Piano Player" by ELTON JOHN on Mercury/The Record Co Ltd 528 154-2 (Barcode 731452815422) is an Expanded Edition in 'The Classic Years' CD Reissue and Remaster Series. It has Four Bonus Tracks and plays out as follows (56:25 minutes):

1. Daniel [Side 1]
2. Teacher I Need You
3. Elderberry Wine 
4. Blues For My Baby And Me 
5. Midnight Creeper 
6. Have Mercy On The Criminal [Side 2]
7. I'm Going To Be A Teenage Idol
8. Texas Love Song
9. Crocodile Rock 
10. High Flying Bird 
Tracks 1 to 10 are his sixth studio album (eight overall) "Don't Shoot Me I'm Only The Piano Player" – released 22 January 1973 in the UK on DJM Records DJLPH 427 and 26 January 1973 in the USA on MCA Records MCA-2100. Produced by GUS DUDGEON – it peaked at No. 1 on the LP charts in both countries. It was also his second No. 1 in the USA after 1972's "Honky Chateau". 

BONUS TRACKS: 
11. Screw You (Young Man's Blues)
Track 11 is the Non-LP 45-single B-side of "Goodbye Yellow Brick Road" released September 1973 in the UK on DJM Records DJS 285 - credited as "Screw You". The 45-single for "Goodbye Yellow Brick Road" was issued in the USA in October 1973 on MCA Records MCA-40148 but with the B-side credited as "Young Man's Blues" – hence the two titles for the same song. 

12. Jack Rabbit 
13. Whenever You're Ready (We'll Go Steady Again)
Tracks 12 and 13 were the Non-LP B-sides of "Saturday Night's Alright For Fighting" issued June 1973 as a 3-Track EP in the UK on DJM Records DJX 502. 

14. Skyline Pigeon (Piano Version)
Track 14 is the Non-LP Version B-side of "Daniel" - a March 1973 US 45-single on MCA Records MCA-40046. The original version of "Skyline Pigeon" was one of the highlights on Elton’s 1969 debut album "Empty Sky" – this 1973 recorded version features EJ on Piano rather than Harpsichord. The UK 45 (released January 1973) on DJM Records DJS 275 has the same B-side. 

Elton had met the legendary American comedian Grouch Marx in Hollywood where the sharpest tongue amongst the Marx Brothers jabbed at the wildly dressed Englishman that our Reg probably had his name round back-to-front. In an off-the-cuff reply, EJ spat out the album’s title and so it came to pass that "Don't Shoot Me I'm Only The Piano Player" became the album title. It was all done in jest of course. In fact, if you look to the right of the box office booth on the front sleeve, you will see a small billboard advertising their 1940 Marx Brothers screwball masterpiece "Go West" as a tribute to that moment.

Original Producer GUS DUDGEON handled the Remaster and explains in the booklet that after some 20-plus years those master tapes needed some transfer love - and he has done them proud. There is amazing clarity in the piano and humming opening to deep dive tracks like "High Flying Bird" (raven in the night time) or the Davey Johnstone guitars and Paul Buckmaster Strings doing battle in "Have Mercy On The Criminal" before they fade into the back of the mix in that out-to-kill piano section. There is a warmth too when those acoustic guitars pop out of the left and right speakers in "Blues For My Baby And Me". The bonus tracks feature the buckshot mandolin hootenanny "Jack Rabbit" - but far better is "When You're Ready..." - left poor Elton on the weekend - a dirty and lowdown trick - a B-side hat could easily have been on the main album (Davey Johnstone putting in some fantastic slide guitar). And on it goes...Daniel leaving on a plane...

Although "Piano" is somehow forgotten now and in many ways overshadowed by the double-album "Goodbye Yellow Brick Road" that would annihilate all comers in October 1973 (another No. 1 on both sides of the Atlantic) – real EJ fans hold a candle for the gems inside its elaborate booklet sleeve - and the evidence is here. 

In fact, as a sort-of viable alternative, a fan might want to pop their wallets open a bit wider and go for the Japanese SHM-CD Reissue of August 2019 in all its Mini LP repro artwork glory. Mercury UICY-78960 (Barcode 4988031340677) uses a new Remaster made in 2018 based on UK original tapes - but it is sans those great four bonuses, which feels like a bit too much of a loss to me. 

"How can I ever get it together...without a wife in line..." - our Reg sang on the brass-cool "Elderberry Wine" all those decades ago. Well he may have taken a few more decades to get it together, but man what a journey he had. 

Whatever 'West' way you 'Go' – this is an Elton John album from a long distant past that still warrants a night out at the aural movies. And it's less than a fiver to Blighty types - brand new...

Tuesday, 30 March 2021

"A Passion Play" by JETHRO TULL – July 1973 UK and US Sixth Studio LP on Chrysalis Records featuring Ian Anderson, Martin Barre, John Evan, Jeffrey Hammond-Hammond and Barrimore Barlow (June 2015 UK Chrysalis Records '1CD Reissue with A Steven Wilson Stereo Remix' - 2014 Remaster) - A Review by Mark Barry...




This Review and 299 More Like It Can Be Found In My AMAZON e-Book 
US AND THEM - 1973
Your All-Genres Guide To Exceptional 
CD Reissues and Remasters 
Classic Albums, Compilations, 45's...
All In-Depth Reviews From The Discs Themselves 
Over 2,200 E-Pages
(No Cut And Paste Crap)

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"...Death And Glory On The Fulham Road..."

1973's "A Passion Play" finally saw my love affair with Jethro Tull take a serious nosedive. 

Like so many Rock Boys I had fallen for the freshness of 1969's "Stand Up", the underrated 1970 outing "Benefit", and went headlong into the music, artwork and lyrics of "Aqualung" in 1971. I dug the 2LP roundup of old and new material in 1972's end of year "Living In The Past" too. Hell, I even tolerated the newspaper complexity and slightly up-its-own-anus pretentiousness of "Thick As A Brick". 

But despite being totally immersed in Jazz Funk, Fusion Rock and anything even remotely Starship Trooper or Selling England Proggy in 1973 - "A Passion Play" made my heart sink like a ground-almonds turd. It was like winning a front row seat in Nicola Sturgeon's "Transparency and Honesty” seminar. In short, I thought it was cack. 

The endless one-piece-of-music-thing had no tunes - musicianship yes - but no discernible songs. And despite my best efforts with repeated plays – CHR 1040 left me stone cold and (as I recall) inexplicably angry. Even the centred 'Linwell Theatre' programme annoyed me with the five-piece band listed as nondescript characters like Max Quad and Mark Ridley. I gave the beast another whirl when they remastered Tull's catalogue in 2003, but despite "The Story Of The Hare Who Lost His Spectacles" supposed Video Bonus - again I threw it in the compost regurgitation sanitation unit outside our nice clean family home in E17 like a soiled handkerchief from Aqualung's overcoat. 

So why review it now? The reason is Steven Wilson's Remix and Remaster. It is reissued here (June 2015) as a single-disc version so as to make the first disc of 2014’s 2CD and 2DVD "An Extended Performance" Hardback Digibook set available to all at a reasonable price. And like his astonishing work on "Aqualung" (a notoriously lo-fi affair) – Wilson has somehow made a silk purse out of the proverbial gnat's undercarriage. 

In absolute honesty, I still hate "A Passion Play" with a vengeance. But damn does this CD sound good - amazing at times. And now that it breaks down the two long sides into 15 discernible sections (albeit run together still), the album is at least a tad more accessible. Wilson even found 50-extra-seconds of music to "The Foot Of Our Stairs" lost for over 40 years that he's reinstated with IA’s blessing (easily one of the better pieces on the album). He also hasn't exorcised out many of the Soprano Saxophone parts Ian Anderson thought were cluttering up certain parts of the mix. 

Well, it's dense for sure, but so not bloody busy-busy as it was to me back in the day. So once more you passionate players to the Linwell Theatre and its latest production...

UK released 29 June 2015 - "A Passion Play: A Steven Wilson Stereo Remix" by JETHRO TULL on Chrysalis 0825646146512 (Barcode 0825646146512) is a CD Reissue and Remaster that plays out as follows (45:31 minutes):

1. Lifebeats/Prelude [Side 1]
2. The Silver Cord 
3. Re-Assuring Tune 
4. Memory Bank
5. Best Friends 
6. Critique Oblique 
7. Forest Dance No. 1
8. The Story Of The Hare Who Lost His Spectacles 
9. Forest Dance No. 2 [Side 2]
10. The Foot Of Our Stairs
11. Overseer Overture
12. Flight From Lucifer 
13. 10:08 To Paddington 
14. Magus Perde 
15. Epilogue 
Tracks 1 to 15 are their sixth studio album "A Passion Play" - released July 1973 in the UK and USA on Chrysalis CHR 1040 (same catalogue number in both countries). Produced by IAN ANDERSON - it peaked at No. 13 in the USA and went to No.1 in America. This 'Steven Wilson Stereo Remix' first issued 30 June 2014 on "A Passion Play: An Extended Performance" on Chrysalis 2564630567 - a 2CD/2DVD Digibook Presentation. 

JETHRO TULL was:
IAN ANDERSON - Lead Vocals, Acoustic Guitars, Soprano Saxophones 
MARTIN BARRE - Electric Guitars 
JOHN EVAN - Piano, Organ, Synthesizers and Speaker on "The Story Of The Hare..."
JEFFREY HAMMOND-HAMMOND - Bass and Vocals 
BARRIEMORE BARLOW - Drums, Timpani, Glockenspiel and Marimba 

The chunky 24-page booklet gives the full horror-story of the album's conception and recording – Tull as Tax Exiles initially at the mercy of the ragged (apparently) bed-bug-infested Chateau d'Herouville studios and accommodation in France - a place used by Elton John for "Honky Chateau", Pink Floyd's "Obscured By Clouds" and Cat Stevens' latest on Island - "Catch Bull At Four". 

The recorded music done there was scrapped and became the legendary lost Tull album, a part of which was wittily named as 'The Chateau D'Isaster Tapes' in 1988 for the "20th Anniversary Of Jethro Tull" Box set ("Skating Away On The Thin Ice Of A New Day" was also a part of those sessions and used later). Tull drew a line under this recording fiasco, using that music as a sort of dress rehearsal for "A Passion Play" which was recorded 'properly' in Montreux (the concept Symphonic/Prog Rock album is a tale of chap who dies on the Fulham Road and then goes through Good vs. Evil tests on the other side). Wilson even explains how he approached the remaster in the final pages. It's all very thorough and in-depth including many comments from the band in hindsight - the bad reaction to both UK live shows of the album in its entirety, the music press also hating the record on release – but US fans voting with their pockets and putting the LP up at No. 1 on the Billboard charts. To the music...

It opens badly - "Lifebeats/Prelude" taking an age to fade in and then disappearing into a barrage of pointless notes. "And so I am dead...the young man said..." Anderson sings in the better melody of "The Silver Cord" - his acoustic guitar runs along with Evan's matching piano suddenly feeling so clear and pretty. More doubled-acoustics follow, joined by electric guitars and saxophones for "Re-Assuring Tune" - that Anderson gut-string solo so clear in your speakers now. Things 'rawk' with "Best Friends" - riffage and echoed vocals with muscle. 

But my fave passages are the two "Forest Dance" parts - pretty Prog is what I like to call it. Unfortunately it's sandwiched between the unnerving rubbish of "The Story Of Hare..." - a cod spoken piece punctured by plinking instruments and dreadfully effected vocals. Over on Side 2 is a short but sweet Acoustic March instrumental called "10:08 To Paddington" followed by electric guitars in "Magus Perde" that still sound slightly off despite Wilson's best efforts. 

"A Passion Play" divides - but this stunning-audio reimagining doesn't. One day, I may even make my peace with the album - maybe. But if I do, it will be at the hands of the marvellous Porcupine Tree magician Steve Wilson and his stellar work here...

Monday, 29 March 2021

"Head Hunters" by HERBIE HANCOCK – October 1973 US Album on Columbia Records, March 1974 UK LP on CBS Records – featuring Bennie Maupin, Paul Jackson, Harvey Mason and Bill Summers (February 2011 UK/EUROPE Columbia CD Reissue and Remaster - Original COLUMBIA Jazz Classics Series) - A Review by Mark Barry...



This Review and 289 More Like It Can Be Found In My AMAZON e-Book 

US AND THEM - 1973

Your All-Genres Guide To Exceptional 
CD Reissues and Remasters 
Classic Albums, Compilations, 45's...
All In-Depth Reviews From The Discs Themselves - Over 2,200 E-Pages
(No Cut And Paste Crap)

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"...Vein Melter..."

Jazz had been morphing into a new kind of instrumental Funk since 1970 and Herbie Hancock knew it. 

In truth - Funk had been permeating into Rock and Soul stretching as far back as 1967 (or maybe even further back) – but the construct of Jazz Funk had taken its sweet old time. Oiling those acceptance wheels was Miles Davis on Columbia, George Benson on CTI, Earth Wind & Fire on Warner Brothers, Phil Upchurch on Blue Thumb and so many more. But it was the sexy groovy nature of 1973's "Head Hunters" by keyboard whizz-kid Herbie Hancock that made it famous. Recorded in only one day (1 January 1973) – it has been a touch-point for Jazz-Funk nutjobs ever since.

Although it doesn't state who remastered what and where anywhere – I think it's safe to say that this February 2011 variant in the 'Original Columbia Jazz Classics' Series is technically a reissue of the 25 March 1997 CD Remaster done by MARK WILDER for Legacy. And what a glorious racket it makes too – a beautifully full transfer that thumps out those amazing keyboard and percussive grooves across its four full-on cuts. Let's get melted people...

UK/EUROPE released 7 February 2011 - "Head Hunters" by HERBIE HANCOCK on Sony/Columbia/Legacy 88697843472 (Barcode 886978434722) is a straightforward CD Transfer and Remaster (part of the Original COLUMBIA Jazz Classics Series) that plays out as follows (41:47 minutes):

1. Chameleon (15:41 minutes) – Side 1
2. Watermelon Man (6:29 minutes)
3. Sly (10:15 minutes) – Side 2
4. Vein Melter (9:09 minutes)
Tracks 1 to 4 are the album "Head Hunters" – released October 1973 in the USA on Columbia Records KC 32731 and March 1974 in the UK on CBS Records S 65928. Produced by DAVID RUBINSON - Tracks 2, 3 and 4 written by Herbie Hancock with Track 1 being a Herbie Hancock, Paul Jackson and Harvey Mason composition – Track 2 arranged by Harvey Mason.  

HERBIE HANCOCK – Fender Rhodes Electric Piano, Horner D6 Clavinet, ARP Odyssey Synthesizer, ARP Soloist Synthesizer and Pipes
BERNIE MAUPIN – Soprano and Tenor Saxophones, Saxello, Bass Clarinet and Alto Flute
PAUL JACKSON – Electric Bass and Marimba 
HARVEY MASON – Drums 
BILL SUMMERS – Congas, Shekere, Balafon, Agogo, Cabasa, Hindewho Whistle, Tambourine, Log Drum, Surdo, Gankoqui Bells and Beer Bottle

Despite the flashy logo of 'Original COLUMBIA Jazz Classics' on the see-through spine, the gatefold slip of an inlay is a huge disappointment for such an important album.  It lists the individual players and instruments for all four tracks, but precious little else. No history, no appreciation, no involvement from the artist. What isn't a let down however is the truly awesome audio. We're not talking loudness wars here, just muscle and clarity in spades. The album was beautifully produced in the first place, but this Remaster has brought out the stunning playing even more. 

At just under sixteen minutes, you might think that "Chameleon" overstays its welcome as entry point number one - but not so. The groove is fantastic and allows the players to solo and return to it - synth notes dancing around your speakers - the rhythm section of drums and bass whacking and thumping with equal clarity. His remake of "Watermelon Man" takes it in another direction. It's hard not to overstate the fact that this is Jazz-Funk as opposed to just Jazz - "Head Hunters" actually feeling a little at times like a mission statement - here is the future pal - get used to it. 

Jabbing brass notes and drums open the suitably slick "Sly" before it settles into a sort of Miles Davis smooze - the Remaster just amazing as the Bass and Drums do Funk battle. Love that Clavinet break too where it feels like their rehearsing for Todd Rundgren's Utopia and sort Prog Rock opus. Their is a small amount of hiss at the beginning of the bass note intro to "Vein Melter" but it soon disappears as the trippy Saxophone Jazz phrases build - Hancock floating notes across the soundscape as Mason plays that marching drum - so sexy too. 

I haven't listened to "Head Hunters" in years - bit of a mistake that - what a belter it is. It was one of the biggest selling Jazz albums for Columbia Records outside of you know who – two innovators – hardly any surprises there then...

INDEX - Entries and Artist Posts in Alphabetical Order