"Music By Ry Cooder" by RY COODER - Soundtrack Music from 1980 to 1993 featuring Guest Musicians Van Dyke Parks, Jon Hiatt, Jim Dickinson, David Lindley, Jorge Calderon, Milt Holland, Freddie Fender, Jon Hassell and more (August 1995 UK Warner Brothers 2CD Anthology with Allen Sides Remixes and Bernie Grundman Mastering) - A Review by Mark Barry...

 

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"...Bound For Canaan..."

 

In his own quiet and unassuming way, Ry Cooder has always been a bit of a revolutionary. After a Bluesy stint with The Rising Suns in 1968, from 1970's "Ry Cooder" to 1979's hugely successful and popular "Bop Till You Drop" - Cooder had brought all manner of genres to the wider attention of the music buying public - old timey tunes, Americana, Tex Mex, Zydeco - and all of it wrapped up his trademark slide guitar that hogged the classy ropes of the boxing ring but rarely got showy with his pyrotechnical upper cuts. And long before Paul Simon and Peter Gabriel broke open other nationalities and themes in music - Ry Cooder had been doing it like a goodun for an entire decade on Reprise Records.

 

But come the Eighties, Ry seemed done with it - played out on that schtik. So he migrated towards Soundtracks - instrumentals where he could 'mood' the music instead of all the time having to find words to support the tune. And that's where this very cool (and still very cheap) twofer from 1995 comes a romping-in. 

 

Covering O.S.T.'s from 1980 to 1993 - Cooder handpicked the tracks - three of which are from the unreleased "Southern Comfort" film soundtrack (they debut on CD here). The 10-leaf double-sided foldout inlay provides credits for each song showing us a tasty line-up of guests -  Van Dyke Parks (Piano), John Hiatt (Guitar and Vocals), Sam Samudio, Harry Dean Stanton and Freddie Fender (Vocals), Jim Dickinson (Keyboards), Flaco Jimenez (Accordion), David Lindley (Guitars, Mandolin and Fiddle), Jorge Calderon (Bass), Jim Keltner and Milt Holland (Drums and Percussion), Jon Hassell, Steve Douglas (Saxophone) and even George Clinton of Parliament and Funkadelic fame co-writing and doing arrangements ("Bound For Canaan..."). Lots to take about...to the shimmering details...

 

UK August 1995 - "Music By Ry Cooder" by RY COODER on Warner Brothers 9362-45987-2 (Barcode 093624598725) is a 34-Track 2CD Compilation of Soundtrack Music from 1980 to 1993 that plays out as follows: 

CD1 (54:17 minutes):

1. Paris, Texas 

2. Theme From Southern Comfort 

3. Theme From Alamo Bay

4. Across The Borderline

5. Highway 23

6. Bomber Bash 

7. Greenhouse 

8. Nice Bike 

9. I Like Your Eyes 

10. Main Theme

11. See You In Hell, Blind Boy

12. Feelin' Bad Blues  

13. Swamp Walk 

14. Angola

15. Viola Lee Blues

16. The Long Riders 

17. Archie's Funeral (Hold To God's Unchanging Hand)

18. Jesse James

Track 1 from "Paris, Texas O.S.T." (August 1985) 

Tracks 2 and 13 from "Southern Comfort O.S.T." (September 1981) - PREVIOUSLY UNRELEASED on CD until this compilation

Track 3 from "Alamo Bay O.S.T" (April 1985) 

Tracks 4 and 5 from "Across The Borderline O.S.T." (November 1987, with John Hiatt)

Track 6 from "Streets Of Fire O.S.T." - PREVIOUSLY UNRELEASED on CD

Tracks 7 and 8 is from "Blue City O.S.T" (1986)

Tracks 9, 10 and 14 from "Johnny Handsome O.S.T." (October 1989)

Tracks 11, 12 and 15 from "Crossroads O.S.T." (July 1986)

Tracks 16, 17 and 18 from "The Long Riders O.S.T." (April 1980)

CD2 (48:08 minutes):

1. King Of The Street  

2. Sunny's Tune 

3. No Quiero 

4. Cruising With Rafe 

5. Klan Meeting 

6. I Can't Walk This Time/The Prestige 

7. East St. Louis

8. Goose And Lucky 

9. Goyakla Is Coming 

10. Candes Upstream

11. Canción Mixteca

12. Maria 

13. Bound For Canaan (Sieber Davis)

14. Bound For Canaan (The 6th Calvary)

15. Train To Florida 

16. Houston In Two Seconds

Tracks 1, 7 and 8 from "Trespass O.S.T." (1992)

Tracks 2, 4 and 6 from "Johnny Handsome O.S.T." (October 1989)

Track 3 from "The Border O.S.T." (1982)

Track 5 from "Alamo Bay O.S.T." (August 1985)

Tracks 8, 9, 13, 14 and 15 from "Geronimo: An American Legend O.S.T." (1993)

Track 10 from "Southern Comfort O.S.T." (September 1981) - PREVIOUSLY UNRELEASED on CD until this compilation  - see also CD1

Tracks 12 and 14 is from "Paris, Texas O.S.T" (February 1985)

Remixed by ALLEN SIDES and Mastered by the legendary BERNIE GRUNDMAN - the Audio is fabulous - clear - powerful - clean - each track imbibed with the muscle they have always lacked on vinyl. The fold-out inlay is functional, has a new note from Cooder about the music, but just about does its job and not a whole lot more - which is a tad disappointing. But it's all about the great audio and the lesser heard dead interesting soundscapes Cooder made for movies. 

 

Across 16-years of work, highlights are many - the menace of the swamps in "Southern Comfort" - Sam (The Sham) Samudio on Vocals and Organ for the foreign language take in "No Quiero" and that huge lingering guitar note that hovers in "Paris, Texas" - a CD we regularly put on shuffle play in Reckless in Soho. Harry Dean Stanton does his talking actor thing on "Canción Mixteca", Van Dyke Parks plays piano on "Theme From Alamo Bay" and arranges Horns on "I Can't Walk This Time/The Prestige", John Hiatt shows on "Across The Borderline", "Highway 23" and "No Quiero" while Freddie Fender handles the vocals on "Across The Borderline" where his larynx sounds like its shredded and then some. Jo Hassell plays trumpet on "King Of The Street" whilst the lovely "I Like Your Eyes" has RC just by himself - guitar and piano. 

 

Filmmaker WALTER HILL fills his 1995 liner note with thanks for what Cooder did to add textures to his movies - but mostly Hill is thankful for Cooder's bemused detachment because somehow his music was/is perfect for such endeavors. Buy and dip into it when you need something different, moody, but uplifting too...Great.

"1" by THE BEATLES – Twenty-Seven UK and US No. 1 Single-Sides on Parlophone, Tollie, Swan, Vee Jay, Capitol and Apple Records (3 in Mono, 24 in Stereo, Many Remixed and Remastered in Stereo For The First Time). Featuring Paul McCartney, John Lennon, George Harrison and Ringo Starr with Guests Billy Preston and Phil Spector (November 2015 UK Apple/Universal CD+BLU RAY 2-Disc Compilation with Remixed Stereo, 5.1 Mixes and HD Restoration of all 27 Videos) - A Review by Mark Barry...

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"...Ticket To Ride..."

 

There have been some seriously classy twofers emanating from Camp Fab in these last few decades - but this 2015 combo of CD and BLU RAY for the "1" compilation (originally issued November 2000 as a single-CD and Double-LP) is a genuinely stunning reissue.

 

I cannot imagine the amount of hours and labour that went into restoring and synching 27 film clips, but the impact of the gorgeous Audio on the CD with the Sixties imagination-gone-wild colour palette on the BLU RAY is almost overwhelming (and that is before you hear the 5.1 mixes). The Beatles and the music contained here are going on 60-years now in our lives and still they wipe the floor in terms of musical jaw-drop. Much to mutter about (UK and US 45-single catalogue numbers provided) - to the details...

 

UK 6 November 2015 - "1" by THE BEATLES on Apple/Universal 0602547567710 (Barcode 602547567710) is a CD + BLU RAY 2-Disc Reissue that Adds 27 Restored Video Clips on the BLU RAY to visually compliment the Remixed and Remastered 27-Track Audio on the CD (also has 5.1 Dolby Surround mixes on the 110-minutes BR). It plays out as follows:

 

CD (79:14 minutes):

1. Love Me Do

5 October 1962 Debut UK 7" single on Parlophone R 4949

27 April 1964 USA on Tollie 9008

This mix has Ringo on the drums - the album version has sessionman Andy White – this 45-cut is sometimes referred to as the "Original Single Version"

BLU RAY: Stage Clip filmed 27 Aug 1963 at The Little Theater, Southport, UK

 

2. From Me To You

11 April 1963 UK 7" single on Parlophone R 5015

6 May 1963 USA Vee Jay VJ 522

BLU RAY: Stage clip filmed 4 Nov 1963 at the Prince of Wales Theatre, London (Royal Variety Performance, broadcast 10 Nov 1963)

 

3. She Loves You

23 August 1963 4th UK 7" single on Parlophone R 5055

16 September 1963 USA on Swan 4152

BLU RAY: Stage clip filmed 30 Oct 1963 at the Narren-Teater, Grona Lund, Stockholm, Sweden

 

4. I Want To Hold Your Hand

23 November 1963 5th UK 7" single on Parlophone R 5084

26 December 1963 USA on Capitol 5122

BLU RAY: Stage clip filmed 25 Nov 1963 in Studio Four, Granada TV Centre, Manchester, UK

 

5. Can't Buy Me Love

20 March 1964 UK 7" single on Parlophone R 5114

16 March 1964 USA on Capitol 5150

BLU RAY: Stage clip filmed 28 April 1964 at Studio 5 A/B, Wembley Stadium, London

 

6. A Hard Day's Night

10 July 1964 UK 7" single on Parlophone R 5160

13 July 1964 USA on Capitol 5222

BLU RAY: Stage clip filmed 20 June 1965 (evening performance) at the Palais des Sports, Paris, France

 

7. I Feel Fine

27 November 1964 8th UK 7" single on Parlophone R 5200

23 November 1964 USA on Capitol 5327

BLU RAY: Stage clip filmed 23 Nov 1965 at Twickenham Film Studios, Middlesex, UK

 

8. Eight Days A Week

No UK release as a 45, was on the "Beatles For Sale" LP in Mono

15 February 1965 USA 7" single on Capitol 5371

BLU RAY: Stage clip filmed 20 Feb 1965 at Shea Stadium, New York City, USA

 

9. Ticket To Ride

9 April 1965 9th UK 7" single on Parlophone R 5265

19 April1965 USA on Capitol 5407

BLU RAY: Stage clip filmed 23 Nov 1965 at Twickenham TV Studios, Middlesex, UK

 

10. Help!

23 July 1965 10th UK 7" single on Parlophone R 5305

19 July 1965 USA on Capitol 5476

BLU RAY: Stage clip filmed 23 Nov 1965 at Twickenham TV Studios, Middlesex, UK

 

11. Yesterday

No UK release as a 45, was on the "Help!" LP in Mono

13 September 1965 USA on Capitol 5498

BLU RAY: Stage clip filmed 14 Aug 1965 in Studio 50, New York City, US

 

12. Day Tripper

13. We Can Work It Out

2 December 1965 11th UK 7" single on Parlophone R 5389 (Double-A)

6 December 1965 USA on Capitol 5555

BLU RAY: Both stage clips filmed 23 Nov 1965 at Twickenham TV Studios, Middlesex, UK

 

14. Paperback Writer

10 June 1966 12th UK 7" single on Parlophone R 5452

30 May 1966 USA on Capitol 5651

BLU RAY: Stage clip filmed 20 May 1966 at Chiswick House, Chiswick, London, UK

 

15. Yellow Submarine

16. Eleanor Rigby

5 August 1966 UK 7" single on Parlophone R 5493

8 August 1966 USA on Capitol 5715 (Double A-sided single)

BLU RAY: Undisclosed location, created in 1968

 

17. Penny Lane

17 February 1967 UK 7" single on Parlophone R 5570

13 February 1967 USA on Capitol 5810

BU RAY: Clips filmed 5 and 7 February 1967 at Stratford, London and Knole Park in Sevenoaks, Kent, UK

 

18. All You Need Is Love

7 July 1967 UK 7" single on Parlophone R 5620

7 July 1967 USA on Capitol 5964

BLU RAY: First video with invited audience filmed 25 June 1967 at Studio One, Abbey Road Studios in London, UK

 

19. Hello, Goodbye

24 November 1967 UK 7" single on Parlophone R 5655

27 November 1967 USA on Capitol 2056

BLU RAY: Stage clip filmed 10 Nov 1967 at the Saville Theatre, London, UK

 

20. Lady Madonna

15 March 1968 17th UK 7" single on Parlophone R 5675

18 March 1968 USA on Capitol 2138

BLU RAY: Video clip filmed 11and 14 February 1968 at Studio Three, Abbey Road Studios and Chappell Studios, both in London, UK

 

21. Hey Jude

30 August 1968 18th UK 7" single on Apple R 5722 (1st on Apple)

26 August 1968 USA on Capitol 2276

BLU RAY: Video clip filmed 4 Sep 1968 at Twickenham TV Studios, Middlesex, UK

 

22. Get Back

11 April 1969 19th UK single on Apple R 5777

5 May 1969 USA on Apple 2490

Credited to THE BEATLES with BILLY PRESTON – the single release of "Get Back" is a different version to one on the "Let It Be" LP

BLU RAY: Film footage taken 30 January 1969 on top of the Apple Offices rooftop in Saville Row, London

 

23. The Ballad Of John And Yoko

30 May 1969 20th UK 7" single on Apple R 5786 [1st UK 7" in STEREO]

4 June 1969 USA on Apple 2531

Features vocal lead by John Lennon with backup from Paul

BLU RAY: Filmed between January and April 1969, undisclosed locations

 

24. Something

25. Come Together

31 October 1969 UK 7" single on Apple R 5814

6 October 1969 USA on Capitol 2654

Double-A single – both tracks on the "Abbey Road" LP

BLU RAY: Something filmed October 1969 in Berkshire, Mull of Kintyre and Surrey – no details for Come Together

 

26. Let It Be

6 March 1970 22nd UK 7" single on Apple R 5833

11 March 1970 USA on Apple 2764

Credited to THE BEATLES with Billy Preston - features a different guitar solo by George Harrison than the album cut on "Let It Be"

BLU RAY: Filmed 31 January 1969 at Apple Studio in Saville Row in London

 

27. The Long And Winding Road

Not issued as a 45 in the UK, included on the May 1970 LP "Let It Be"

11 May 1970 USA on Apple 2832

BLU RAY: Filmed 31 January 1969 at Apple Studio in Saville Row in London

 

NOTES:

Tracks 1, 2, 3, 4, 7, 12, 13, 14, 19, 20, 21 were all Non-LP tracks in the UK at the time of their release

Tracks 8, 11 and 27 not issued as 45-singles in the UK – issued USA

Tracks 1 to 3 Remixed into MONO - 4 to 27 Remixed into STEREO

All original British 60ts singles were released in Mono right up to "The Ballad Of John And Yoko" which became their first STEREO release – so Tracks 4 to 22 are new in STEREO for the "1" compilation.

 

BLU RAY (110 minutes, All Regions)

PCM Stereo Mixes, DTS-HD Master Audio 5.1, Dolby Digital 5.1 Mixes

For details on Film Clips see CD entries 1 to 27

 

The 2015 Audio Restoration, Mixing and Mastering was carried out by GILES MARTIN, SAM OKELL, MILES SHOWELL and TIM YOUNG at Abbey Road Studios whilst the colossal work done on Picture Restoration involved a team of almost 13 headed by MARK BENNICI (all are listed in the booklet). The remaining Beatles - PAUL McCARTNEY and RINGO STARR - also provides new Audio Commentaries and Video Introductions.

 

The 24-page booklet has new liner notes from MARK ELLEN of Old Grey Whistle Test and Mojo magazine fame, their Producer GEORGE MARTIN gets a page and there is an exceptionally detailed discography for every track that includes the visuals too. Alongside period photos of the Fabs, Worldwide Picture Sleeves from the collections of two uber-fans and the usual credit pages that go on for days – it’s an impressive display and reeks of class. To the tunes and visuals...

 

While you are missing cool flipsides like "This Boy" and "Yes It Is" from the early years where their three-part harmonies were so fresh, mid period songwriting leaps like George Harrison's B-side "The Inner Light" ("Lady Madonna" was the A) on to the stunning later material - John Lennon's fabulous riffage on "Revolution" (the "Hey Jude" B-side) or his lead vocal on "Don't Let Me Down" – what you get is a seriously great listen. You're struck with awe at how good they were. Most of these tracks were only SINGLES back in the day - yet most bands in 2023 would kill a beloved granny for 10% of such craft and talent.

 

I would admit that It is kind of a shock to go into STEREO come Track 4 onwards - "I Want To Hold Your Hand", "Eight Days A Week" and "Help!" – so used to the MONO from before – but I am loving it. The separation is evened up – not the crude a-bit here and a-bit-there version we used to get on Stereo vinyl LPs. The 2015 STEREO remixes of "Paperback Writer" and "Day Tripper" packs a mean left hook too and that string quartet on "Eleanor Rigby" juxtapositioned to Ringo Starr going all kiddy on "Yellow Submarine" is a stroke of mood-play genius.

 

So by the time you get to "Hey Jude", the Harrison ballad "Something", John getting all Walrus Gumbo and Toe Jam football on "Come Together" – it is hard not to allude to the oft said description – surely this man is the Son of Good – or they were the 'best band ever in the history of the world'. None of it feels like an accolade too far. But as a 1970 teen, it will always be "Let It Be" and the American single "The Long And Winding Road" that move me still and reduce me to mush. Soundwise literally everything seems up for grabs here - and in a thrilling new way too.

 

The footage is almost overwhelming too - we have seen clips of New York City Shea Stadium and the Saville Row January 1969 Apple Studios rooftop footage in London (the "Let It Be" film) - but wow what a treat to see them in this mind-blowing definition. I've never seen the Swedish foot either for "She Loves You" - the US clip for "Yesterday" and the montages for "Ballad" etc. Wow. 

"1" was a sensation when it was first issued November 2000, fifteen years prior to this update in November 2015 - but the Footage effort here is phenomenal and a truly worthy upgrade. Mother Mary came to me and said to "Let It Be" - amen to that....

"Stand! The Woodstock Experience" by SLY & THE FAMILY STONE – April 1969 US Fourth Studio Album on Epic Records in Stereo, July 1969 in the UK on Direction Records featuring Sly, Rose and Freddie Stone with Larry Graham, Cynthia Robinson, Gregg Errico and more (July 2009 UK Columbia/Legacy The Woodstock Experience 2CD Limited Edition Set Reissue featuring the album Remastered on CD1 [No Bonus Tracks] with an Unreleased Live Set from the August 1969 Festival on CD2 [17 Aug 1969] – Vic Anesini and Bob Irwin Remasters) - A Review by Mark Barry...

 

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"...Different Strokes For Different Folks..."

 

I loved this clever series – five cracking studio albums from 1969 given a tie-in with the most notorious love-in of 1969 – three days in August that was the legendary Woodstock Festival. This time up is the Funk-meisters themselves Sly Stone and his Family of (well) Stoners giving it different strokes for different folks (shooby dooby-dooby). And a winner it is too. It wants to take you higher - here are the details...

 

UK released August 2009 - "Stand! The Woodstock Experience" by SLY and THE FAMILY STONE on Epic/Legacy 88697 482412 (Barcode 886974824121) is 2CD Limited Edition Set with the "Stand!" album on CD1 (no Bonus Tracks) and the Previously Unreleased complete Sly and The Family Stone Woodstock Performance on Sunday, 17 August 1969 on CD2. Inside a Card Slipcase (a Series of Five Releases, see list below) – you get two Mini LP Oversized Card Repro Sleeves – the Live Set being new and a fold-out poster for The Woodstock Festival. It plays out as follows:

 

CD1 "Stand!" (41:42 minutes):

Side 1

1. Stand! (3:10 minutes)

2. Don't Call Me N*****, Whitey (5:59 minutes)

3. I Want To Take You Higher (5:24 minutes)

4. Somebody's Watching You (3:21 minutes)

5. Sing A Simple Song (3:57 minutes)

Side 2

6. Everyday People (2:22 minutes)

7. Sex Machine (13:48 minutes)

8. You Can Make It If You Try (3:43 minutes)

Tracks 1 to 8 are their fourth studio album "Stand!" – released April 1969 in the USA on Epic BN 26456 (Stereo only) and July 1969 in the UK on Direction 8-63655 (Stereo only). Charting 3 May 1969 and Produced by SLY STONE – the album peaked at No. 3 on the US Billboard R&B charts and No. 13 on the US Billboard Rock LP charts (didn't chart UK).

 

CD2 (50:18 minutes):

"Recorded Live At The Woodstock Music & Art Fair, Sunday, August 17, 1969"

1. M' Lady

2. Sing A Simple Song

3. You Can Make It If You Try

4. Everyday People

5. Dance To The Music

6. MEDLEY: Music Lover/Higher

7. I Want To Take You Higher

8. Love City

9. Stand!

Tracks 1 to 4 and 7 to 9 are PREVIOUSLY UNRELEASED; Tracks 5 and 6 first appeared on the original 1970 US 3LP set "Woodstock: Music From The Original Soundtrack And More" on Cotillion SD 3-500.

 

Visually all five of these celebrationary 2CD sets are properly gorgeous. The impact of the two oversized Mini LP Card Sleeves in their thick Matt feel covers (each has an inner too with new liner notes) is immediate and pleasing. You kind of wish Sony would have done the same with other important releases on their impressive roster. The two-sided fold out poster is the same in each issue – the artist on one side with a generic Woodstock crowd photo on the other side – still it looks the part. VIC ANESINI did the tremendous Remasters – a name across huge swathes of the Sony catalogue – Santana, Paul Simon, Blood, Sweat & Tears, Aerosmith, Carole King, Mott The Hoople, Elvis Presley, Stevie Ray Vaughan and many more.

 

Niggles - immediately you notice with the album that the rather tasty Five Bonus Tracks that were on the April 2007 Legacy Edition CD Reissue and Remaster are AWOL from CD1 – three Mono single versions – "Stand!", "I Want To Take You Higher" and "You Can Make It If You Try" (unissued Mono mix) plus the then Unreleased outtakes "Soul Clappin' II" and the Instrumental "My Brain (Zig-Zag)" – shame that when there was obviously room. I can understand however the need to keep the album sans embellishments.

 

But that said – the album still impresses. Has there every been a more impressive social statement vs. fun vs. booty-shaking 45-single like "Everybody People" – its socially conscious lyrics reflecting the turmoil of America 1969. May 2016 saw Playing For Change do one of their famous star-laden videos for "Everybody People" with Musicians Jack Johnson, Keb Mo, Paula Fuga, Jason Mraz, Bernie Williams and Paula Abdul aided by Actors Tim Robbins, Alfre Woodard, Forest Whittaker and more. It's clocked up nearly 3-million views in 2023 and comments of being moved to tears are frequent. Back to the music...the near 14-minute instrumental "Sex Machine" that dominates Side 2 feels like a James Brown funk-showcase – the band showing off as they go from smooth Soul to P-Funk in one long chunk. But I prefer the LP-ender "You Can Make It If You Try" – melody, smart lyrics, the whole vibe just great and still cool after all these decades.

 

With feedback and equipment issues (Sly talks of this on stage), it is not surprising that the first four tracks on CD2 remained in the can. But make no mistake – the Remaster has brought out the tightness, confidence and sheer stage-storming power of the band. "Sing A Simple Song" has them cooking as they yah-yah and big mama the crowd into submission. Given this notorious concert, the audio on the live "You Can Make It If You Try" is shockingly good – the brass and funky Bass and Drums hitting your speakers with as much clarity as you could hope given the setting of August 1969. At last the 2:22 minutes of "Everybody People" on the album (always been too short) gets stretched out to 4:25 minutes live with enthusiastic crowd clapping. The album had been released in April 1969 on Epic Records to acclaim and the "Everyday People" 45-single issued in February 1969 had instantly climbed to No. 1 R&B and made huge impacts. So without a break, Sly takes no stopping chances and segues the song immediately into a MEDLEY where he does his slick-showman damnedest to get the crowd throwing up peace signs.

 

The band is cooking by the time they get to the boom-lakka-lakka call and response of "I Want To Take You Higher" – Harmonica Funk shaking the stage while the brass and guitars of "Love City" from their November 1968 album "Life" talks of long hair and people singing – a message that chimes with the audience. Sly brings it all home with a near Gospel rendition of the album's title track "Stand" – a nice version that brings out the sheer musicality in the song.

 

I bought all five of these "Woodstock Experience" twofers and am so glad I did. Take me higher baby...

 

The five 2009 titles in "The Woodstock Experience" series are (UK issues):

 

1. Jefferson Airplane - uses the "Volunteers" album and has an 8-track live album recorded 17 Aug 1969

Catalogue No: RCA/Legacy 88697 48240 2 (Barcode 886974824022)

 

2. Janis Joplin - uses the "I Got Dem Ol' Kozmic Blues Again Mama!" debut album and has a 10-track live album recorded 17 Aug 1969

Catalogue No: Columbia/Legacy 88697 48243 2 (Barcode 886974824329)

 

3. Santana - uses the "Santana" debut album and has an 8-track live album recorded Saturday 16 Aug 1969

Catalogue No: Columbia/Legacy 88697 48242 2 (Barcode 886974824220)

 

4. Sly & The Family Stone - uses the "Stand!" album and has a 9-track live disc recorded 17 Aug 1969

Catalogue No: Epic/Legacy 88697 48241 2 (Barcode 886974824121)

 

5. Johnny Winter - uses the "Johnny Winter" album and has an 8-track live disc recorded 17 Aug 1969

Catalogue No: Columbia/Legacy 88697 48244 2 (Barcode 886974824428)