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Thursday 11 April 2024

"Atlantic Rhythm And Blues 1947-1974: Volume 6 - 1965-1967" by VARIOUS ARTISTS - Featuring Willie Tee, Solomon Burke, Joe Tex, Otis Redding, Wilson Pickett, Don Covay, Sam & Dave, Percy Sledge, The Capitols, Jimmy Hughes, Eddie Floyd, Arthur Conley, Aretha Franklin, Otis Redding and Carla Thomas, Booker T. & The MG's (October 1991 USA Atlantic 8CD LP-Sized Box Set – March 2006 UK Singular CD Reissue with Same Tracks and 1991 Remasters but with Different Artwork) - A Review by Mark Barry...

  




Above - The April 1987 UK Seven x Double-Album VINYL BOX SET
(Originally Issued December 1985 in the USA)
Both Original Vinyl Box Sets (1985 and 1987) Had 186 Tracks

The Seven CDs in both countries however were Truncated Versions - Down to 163 Tracks 
The UK CDs Volumes 1 to 7 also originally issued April 1987 (reissued October 1990)

Below - The October 1991 USA-ONLY 8CD 203-Track Upgraded Box Set (CD only)
Volume 8 was NEW over the 1985 7 x 2LP Vinyl Box Set and 1987 Truncated 7 x CDs



 

Below: US October 1991 Volume 6 
Newly Configured from the 1987 dates of 1966-1969 to 1965-1967
Was Not Issued Individually in the USA in 1991 or in the UK
Reissued However in UK/Europe in March 2006 in Different Artwork - see Next Set of Photos


                                         
Below: UK/EU March 2006 Reissue on Rhino/Warner Platinum
Each Volume (1 to 8) Was Released Individually only in UK/EU
There Was Also a Card Wrap Version that gathered up all Eight Volumes
All were Budget-Priced (usually £3.99) and used the 1991 Remasters




https://www.amazon.co.uk/Atlantic-Rhythm-1947-74-International-Release/dp/B000EIEJIW?crid=3QE5DMCAG831J&dib=eyJ2IjoiMSJ9.cB_EeRe4fcIoNeU4PcyFwg.qRvOMdbZhSeARNbixtleb46z65fj6-NuHjN2TEIt7kE&dib_tag=se&keywords=081227758127&qid=1712838219&sprefix=081227758127%2Caps%2C81&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=514a2a682defacf19f667ffbe688a2cd&language=en_GB&ref_=as_li_ss_tl

This Review Along With 214 Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites

"SOUL GALORE!" 
60ts Soul, R&B, Northern Soul
Mod, New Breed, Funk, Rare Grooves
Atlantic, Chess, Motown, Stax Labels and many more...
 
Your Guide To The Best CD Reissues and Remasters 
Thousands of E-Pages
All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)
 
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"…When A Man Loves A Woman…"

Here in the spring of 2024 - this unassuming and admittedly rather naff-looking Soul CD compilation from Rhino and Warner Platinum has been in the UK and EUROPEAN budget-priced marketplace for almost the guts of 20-years. Issued back in March 2006 as Volume 6 of 8 – it was/is a bit-part showcase for the mighty Atlantic Records and their staggering Black Music Legacy. But don't let the cover fool you - what lies within is solid ***** material despite the no-star presentation.

In fact - none of the eight cheap-and-cheerful "Atlantic Rhythm And Blues 1947-1974" reissue volumes look like much – garish big-lettered front cover art with a piddly gatefold-inlay inside that barely lists titles and artists and not much else. But (as I say) man oh man the music is fabulous. However, to understand what you have in hand and the journey as to how it got here requires some serious investigative history that is worth explaining (including the photos provided above). So, here goes… 

The Seven x Double-Albums VINYL BOX SET for "Atlantic Rhythm And Blues 1947-1974" was first issued in the USA in December 1985 on Atlantic 7-81620-1 and belatedly in the UK in April 1987 on Atlantic 781 620-1. Housed in distinctive black and red packaging (like their Fifties labels) - the individual 2LP sets inside each had unique artwork, extensive liner notes and were also issued as stand-alone 2LP sets. Sometimes sold outside of the box in the UK and Europe - the individual 2LP sets were Atlantic 781 293-1 (Volume 1), 781 294-1 (Volume 2), 781 295-1 (Volume 3), 781 296-1 (Volume 4), 781 297-1 (Volume 5), 781 298-1 (Volume 6) and 781 299-1 (Volume 7). 

There were also 7 individual CDs issued in the UK in April 1987 (reissued Oct 1990) each with the above catalogue numbers but the code -2 instead of 1 for CD (781 293-2 etc). And despite some catalogues stating that Atlantic 781 292-2 was issued in April 1987 as a CD BOX - there was NO Original 12" x 12" box set for the CDs at that time - and worse - 6 of the 7 individual CD volumes had their track lists truncated - reducing 186 on the vinyl doubles by 17 to 163 in total on CD.

It then transpired that unspecified tracks across the whole seven-volume kaboodle had the wrong takes used. Atlantic USA decided to rectify this and reissued the entire box set again but with more tracks and only on CD. So, in October 1991 "Atlantic Rhythm And Blues 1947-1974" was relaunched on Atlantic 7 82305-2 in the USA (Barcode 075678230523) - but this time as an 8CD 12" x 12" box set with 203 tracks (17 extra). The individual booklets that came with the original 7CDs were taken out (replaced with a simple gatefold track list inlays that used the old artwork) and expanded into a full-sized 36-page booklet inside the box. The reissue also used the distinctive black and red packaging of the 1985 vinyl box on the front, and the artwork style remained the same for each CD on the inside (collage photos). It also admitted that mistaken masters had been used on the original set but were now all correct. It was ONLY issued as an 8CD Box Set and ONLY in America.

In March 2006 in the UK and Europe however, these 8 Volumes were reissued as stand-alone CDs for the first time (no vinyl), but with different artwork (I have pictured both). They were also released without the booklets that accompanied the 1987 issues or the 1991 reissue box - just basic gatefold inlays.

Completists should also note - to add further salt to a reissue wound - there was a 255-Track JAPAN-ONLY issue of "Atlantic Rhythm And Blues 1947-1974" on Warners/Atlantic WPCR-14441 released 25 May 2012 - again with different artwork - which added on 52 new tracks on 2 NEW BONUS DISCS. Chosen by noted Japanese expert Keishi Suzuki - the two extra CDs contained very rare Fifties Blues and R'n'B on Disc 9 and lesser-seen Soul Sides on Disc 10 - much of it unavailable elsewhere. Those two extra volumes are NOT available anywhere else and are exclusive to that Japanese anthology.

Back to the CD in hand. So, what you have here is an American-Based Box Set CD from 1991 subsequently issued 2006 in Europe as a stand-alone. For this review we concentrate on Volume 6 of 8. Here are the track-by-track details…

UK released 20 March 2006 - "Atlantic Rhythm And Blues 1947-1974: Volume 6 - 1965-1967" by VARIOUS ARTISTS on Rhino/Warner Platinum 8122-77581-2 (Barcode 081227758127) breaks down as follows (74:44 minutes):

1. Teasin' You – WILLIE TEE (February 1965, US 45-Single on Atlantic 45-2273, A-side)
2. Get To Get You Off My Mind – SOLOMON BURKE (February 1965, US 45-Single on Atlantic 45-2276), A-side) *
3. I Want To (Do Everything For You) – JOE TEX (July 1965, US 45-Single on Dual 45-4016, A-side) *
4. I’ve Been Loving You Too Long (To Stop Now) – OTIS REDDING (April 1965, US 45-Single on Volt 45-126, A-side)
5. A Sweet Woman Like You – JOE TEX (November 1965, US 45-Single on Dual 45-4022, A-side) *
6. In The Midnight Hour – WILSON PICKETT (June 1965, US 45-Single on Atlantic 45-2289, A-side)
7. Seesaw – DON COVAY (September 1965, US 45-single on Atlantic 45-2301, A-side)
8. Respect – OTIS REDDING (August 1965, US 45-single on Volt 45-128, A-side)
9. You Don't Know Like I Know – SAM & DAVE (November 1965, US 45-single on Stax S-180, A-side)
10. When A Man Loves A Woman – PERCY SLEDGE (March 1966, US 45-single on Atlantic 45-2326, A-side)
11. 634-5789 (Soulsville U.S.A.) – WILSON PICKETT (January 1966, US 45-single on Atlantic 45-2320, A-side) *
12. Hold On, I'm Comin' - SAM & DAVE (March 1966, US 45-single on Stax S-189, A-side)
13. Cool Jerk – THE CAPITOLS (March 1966, US 45-single on Karen 803K-1524, A-side)
14. Neighbor, Neighbor – JIMMY HUGHES (April 1966, US 45-single on Fame 45-1003, A-side)
15. Land Of 1000 Dances – WILSON PICKETT (July 1966, US 45-single on Atlantic 45-2348, A-side)
16. Knock On Wood – EDDIE FLOYD (July 1966, US 45-single on Stax 45-194, A-side)
17. Try A Little Tenderness – OTIS REDDING (November 1966, US 45-single on Volt 45-141, A-side)
18. Mustang Sally – WILSON PICKETT (November 1966, US 45-single on Atlantic 45-2365, A-side)
19. When Something Is Wrong With My Baby - SAM & DAVE (January 1967, US 45-single on Stax 45-210, A-side)
20. Sweet Soul Music – ARTHUR CONLEY (February 1967, US 45-single on Atco 45-6463, A-side)
21. I Never Loved A Man (The Way I Love You) – ARETHA FRANKLIN (February 1967, US 45-single on Atlantic 45-2386, A-side - for B-side see Track 22)
22. Do Right Woman – Do Right Man – ARETHA FRANKLIN (February 1967, US 45-single on Atlantic 45-2386, B-side of "I Never Loved A Man (The Way I Love You)")
23. Show Me – JOE TEX (February 1967, US 45-single on Dial 45-4055, A-side)
24. Tramp – OTIS REDDING & CARLA THOMAS (April 1967, US 45-single on Stax 45-216, A-side credited as OTIS and CARLA)
25. Funky Broadway – WILSON PICKETT (July 1967, US 45-single on Atlantic 45-2430, A-side)
26. Hip Hug-Her – BOOKER T. & THE MG's (February 1967, US 45-single on Stax 45-211, A-side)
27. Soul Man – SAM & DAVE (August 1967, US 45-single on Stax S-231, A-side)

BONUS TRACKS:
* Tracks 2, 3, 5 and 11 are 1991 Bonus Tracks not on the 1987 version

Some had complained about the sound quality on the original 1987 CDs - as well as wrong versions of songs being used (personally I found the audio quality of the VINYL doubles to be superlative). So Atlantic made efforts with the 1991 CD reissue which of course has been used for these 2006 British reissues. The liner notes tell us that all tracks were "digitally remastered from mono and true stereo originals" and that "in this edition, the proper tracks have been used in all cases". 

BOBBY WARNER and JIMMY DOUGLAS carried out the Digital Transfers while ZAL SCHREIBER and STEVE INNOCENZI did the mastering. The quality on these CDs is shockingly good - full of life and clarity. It's a joy to listen to. Sure in the decades since there have been reissues (by Bear Family especially) that knock spots off the 1991 sound offered here (try their "Joe Turner Rocks" or their "Sweet Soul Music" volumes 1961 to 1975). But what you do get is fantastic all the way to the finish. To the tunes for Volume 7…

Before The Queen of Soul began dominating American Soul when she signed to Atlantic Records and popped the absolute balls-to-the-wall debut album for the label "I Never Loved A Man The Way I Love You" in March 1967 – this volume has the ascendancy of Otis Redding, Wilson Pickett, Sam & Dave and Percy Sledge tearing up the charts with a little dollop of Joe Tex thrown in – both R&B and Pop. Before we get to that, Volume 6 opens with a one-off from Willie Tee – the sexy shuffle of "Teasin' You" – a very cool start indeed to a CD compilation that barely lets the ball drop even once. The huge frame and lung-power of Solomon Burke is next up with his obsessional "Got To Get You Off My Mind" – a pleader that still has Coolsville oozing out of its twostepping pores (gorgeous audio too).

The naff and fey lyrics to the Joe Tex tune "Skinny Legs And All" on Volume 7 is thankfully avoided here on 6 with his excellent and mild-mannered "I Want To Do Everything For You" up first - followed a couple of tracks on with "A Sweet Woman Like You" – another soft Soul song showing his affectionate side and caressing vocals. Speaking of caressing – even now when the Otis Redding slow-burning torch ballad "I've Been Loving You Too Long (To Stop Now)" starts - it's painfully obvious where the real-deal Soul Power is residing this evening - kicking in the bedroom doors marked Passion Central. Sock it to me and shabby dresses follow with two huge numbers "Respect" and that London Bar Band get-the-crowd-going perennial "Try A Little Tenderness". I've never truly been convinced of the Otis and Carla combo song "Tramp", but I know others love a duet, especially if it's between two powerhouse singers, and Carla Thomas is one of those. 

But the compilation takes off proper with the Wicked Pickett – possessed of a gravel larynx and tunes to match his hyper delivery (Good God Almighty!) – Wilson Pickett smashes through the lovey-dovey with some motorvatin Soul – eager to get to his girl and not for a fireside chat. Killer tunes like "In The Midnight Hour" and the telephone song "634-5789" still sound punchy, lithesome, and sexy to this day - nearly sixty years on. And how many Blues Brothers devotees have done The Watusi and the Long Tall Sally and the Boney Maronie to the fantastic "Land Of 1000 Dances" – na-na-na-na across the dancefloor as the brass and hip-shaking shimmy goes into a frenzy. Even now, it's rebel-rousing stuff - with Wilson Pickett's salacious life-affirming growl probably featured in every Frat-House High-School coming-of-age movie about getting it on that you've ever seen.

While The Bar-Kays get their instrumental vs. shouts moment with "Soul Finger" – the naff and fey lyrics in the Joe Tex tune "Skinny Legs And All" have not worn at all well over the decades – embarrassing really. Thankfully that momentary glitch is firmly kicked into touch with the gorgeous Wilson Pickett take on the Bobby Womack song "I'm In Love" – a genuine masterpiece and Soul discovery for those buying first time. Poignant and touching as the Otis Redding song might have been especially after his untimely and horrible passing - "(Sittin' On) The Dock Of The Bay" has always felt weedy to me and not representative of his power (the Remaster is so clean and lovely though). Archie Bell gets his Drells guitar player to fall in during the infectious "Tighten Up" – a funky talker and words that became synonymous with late Sixties Soul. Better for me is the sweet Soul slink of "Slip Away" followed by the mid-tempo shuffler "Too Weak To Fight" – Clarence Carter being a huge fave of mine – two counts of top tunes – rasp and rolling vocals – the brass and groove so sexy.

A true monster of the Sixties Soul genre and emotion-evoker to this day – Percy Sledge has his big moment with "When A Man Loves A Woman" – the song so gut-wrenching musically and lyrically – they even named a movie after it. Speaking of cool movie inserts – The Capitols have their glory digitally polished on the fantastic dancer "Cool Jerk" – hit me with those eighty-eights! A truly corking tune and itself followed with another - the lesser-heard but Stones beloved Jimmy Hughes warning about busy-bodies and snoops behind curtains in "Neighbor, Neighbor". Sam & Dave, Don Covay and Eddie Floyd bring up the neck-jerk-until-you-need-a-lie-down rear with (in order) the shouter duet "Hold On I'm Comin'", the up and down of "See Saw" and think I'll knock, knock "Knock On Wood" – all with punchy as Hell audio.

The Wicked hits again with the chugging "Mustang Sally" and as if all of this wasn't enough and a rarity on this compilation – Aretha Franklin gets what must be in the Top 25 singles of all time – both A&B-sides. "I Never Loved A Man (The Way I Love You)" on the Plug Side backed-with the Dan Penn written masterpiece "Do Right Woman Do Right Man" on the flip. And it romps out with five more bona fide winners – including instrumental organ-boogie "Soul Limbo" from Booker T. & The MGs and another movie named after it song by Sam & Dave - "Soul Man". And of all the eight volumes - if you look up at the four bonuses and know your 60ts Soul - you will know these four are not just clever choices - but actual bonuses.

In 2024 and despite being technically deleted, you can get Volume 6 of 8 of Atlantic Rhythm & Blues 1947-1974 (or any of the others) individually on popular auction sites often for less than four quid. But I would argue that such is the riches on offer across all eight volumes that you consider the big daddy - splashing out on that 1991 US LP-Sized 8CD Box Set with its full booklet and genuine sense of visual purpose. Set you back maybe £60 – but what a wow it is! 

If the Big Bad 8-Disc Red and Black Box isn't in your budget purview and you want primo Sixties Soul, Rhythm and Blues, Funk and Rare Groove – then go for this individually released Volume 6 Thunderbuck Ram of a CD compilation (and get Volume 7 too while you are at it).

But I warn you – the need for the other six and booklet explanations will quickly manifest itself thereafter…

Tuesday 9 April 2024

"Atlantic Rhythm And Blues 1947-1974: Volume 7 - 1967-1969" by VARIOUS ARTISTS - featuring Aretha Franklin, Bar-Kays, Joe Tex, Wilson Pickett, King Curtis, Otis Redding, Archie Bell & The Drells, Clarence Carter, Tyrone Davis, Roberta Flack, R.B. Greaves, Brook Benton, Donny Hathaway, Les McCann & Eddie Harris (Inside the October 1991 USA Atlantic 8CD LP-Sized Box Set – March 2006 UK Singular CD Reissue with Same Tracks and Remasters but with Different Artwork) - A Review by Mark Barry...

 




Above - The April 1987 UK Seven x Double-Album VINYL BOX SET
(Originally Issued December 1985 in the USA)
Both Original Vinyl Box Sets (1985 and 1987) Had 186 Tracks

The Seven CDs in both countries however were Truncated Versions - Down to 163 Tracks 
The UK CDs Volumes 1 to 7 also originally issued April 1987 (reissued October 1990)

Below - The October 1991 USA-ONLY 8CD 203-Track Upgraded Box Set (CD only)
Volume 8 was NEW over the 1985 7 x 2LP Vinyl Box Set and 1987 Truncated 7 x CDs



 

Below: US October 1991 Volume 7 
Newly Configured from 1969-1974 to 1967-1969
Was Not Issued Individually in the USA in 1991 or in the UK
Reissued However in UK/Europe in March 2006 in Different Artwork - see Next Set of Photos



                                         
Below: UK/EU March 2006 Reissue on Rhino/Warner Platinum
Each Volume (1 to 8) Was Released Individually only in UK/EU
There Was Also a Card Wrap Version that gathered up all Eight Volumes
All were Budget-Priced (usually £3.99) and used the 1991 Remasters




https://www.amazon.co.uk/Atlantic-1947-1974-1967-1969-Platinum-Collection/dp/B000EIEJJ6?crid=3IYMYSXYFPKG3&dib=eyJ2IjoiMSJ9.WrFCTlcHx_uiEDUbUo85Dg.XkEMok0E7Lg7fMOr9ItsNRzodLrdxn1ea2_mT9sY9Aw&dib_tag=se&keywords=081227758226&qid=1712628705&sprefix=081227758226%2Caps%2C67&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=e68b400ba73a25c26082b7702c63b8b1&language=en_GB&ref_=as_li_ss_tl

This Review Along With 214 Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites

"SOUL GALORE!" 
60ts Soul, R&B, Northern Soul
Mod, New Breed, Funk, Rare Grooves
Atlantic, Chess, Motown, Stax Labels and many more...
 
Your Guide To The Best CD Reissues and Remasters 
Thousands of E-Pages
All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)
 
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"...Turn Back The Hands Of Time..."

Here in the spring of 2024 - this unassuming and admittedly rather naff-looking Soul CD compilation from Rhino and Warner Platinum has been in the UK and EUROPEAN budget-priced marketplace for almost the guts of 20-years. Issued back in March 2006 as Volume 7 of 8 – it was/is a bit-part showcase for the mighty Atlantic Records and their staggering Black Music Legacy. But don't let the cover fool you - what lies within is solid ***** material despite the no-star presentation.

In fact - none of the eight cheap-and-cheerful "Atlantic Rhythm And Blues 1947-1974" reissue volumes look like much – garish big-lettered front cover art with a piddly gatefold-inlay inside that barely lists titles and artists and not much else. But (as I say) man oh man the music is fabulous. However, to understand what you have in hand and the journey as to how it got here requires some serious investigative history that is worth explaining (including the photos provided above). So, here goes… 

The Seven x Double-Albums VINYL BOX SET for "Atlantic Rhythm And Blues 1947-1974" was first issued in the USA in December 1985 on Atlantic 7-81620-1 and belatedly in the UK in April 1987 on Atlantic 781 620-1. Housed in distinctive black and red packaging (like their Fifties labels) - the individual 2LP sets inside each had unique artwork, extensive liner notes and were also issued as stand-alone 2LP sets. Sometimes sold outside of the box in the UK and Europe - the individual 2LP sets were Atlantic 781 293-1 (Volume 1), 781 294-1 (Volume 2), 781 295-1 (Volume 3), 781 296-1 (Volume 4), 781 297-1 (Volume 5), 781 298-1 (Volume 6) and 781 299-1 (Volume 7). 

There were also 7 individual CDs issued in the UK in April 1987 (reissued Oct 1990) each with the above catalogue numbers but the code -2 instead of 1 for CD (781 293-2 etc). And despite some catalogues stating that Atlantic 781 292-2 was issued in April 1987 as a CD BOX - there was NO Original 12" x 12" box set for the CDs at that time - and worse - 6 of the 7 individual CD volumes had their track lists truncated - reducing 186 on the vinyl doubles by 17 to 163 in total on CD.

It then transpired that unspecified tracks across the whole seven-volume kaboodle had the wrong takes used. Atlantic USA decided to rectify this and reissued the entire box set again but with more tracks and only on CD. So in October 1991 "Atlantic Rhythm And Blues 1947-1974" was relaunched on Atlantic 7 82305-2 in the USA (Barcode 075678230523) - but this time as an 8CD 12" x 12" box set with 203 tracks (17 extra). The individual booklets that came with the original 7CDs were taken out (replaced with a simple gatefold track list inlays that used the old artwork) and expanded into a full-sized 36-page booklet. The reissue also used the distinctive black and red packaging of the 1985 vinyl box on the front, and the artwork style remained the same for each CD on the inside (collage photos). It also admitted that mistaken masters had been used on the original set but were now all correct. It was ONLY issued as an 8CD Box Set and ONLY in America. 

In March 2006 in the UK and Europe however, these 8 Volumes were reissued as stand-alone CDs for the first time (no vinyl), but with different artwork (I have pictured both). They were also released without the booklets that accompanied the 1987 issues or the 1991 reissue box - just basic gatefold inlays.

Completists should also note - to add further salt to a reissue wound - there was a 255-Track JAPAN-ONLY issue of "Atlantic Rhythm And Blues 1947-1974" on Warners/Atlantic WPCR-14441 released 25 May 2012 - again with different artwork - which added on 52 new tracks on 2 NEW BONUS DISCS. Chosen by noted Japanese expert Keishi Suzuki - the two extra CDs contained very rare Fifties Blues, Vocals and Rhythm 'n' Blues on Disc 9 and lesser-seen Soul Sides on Disc 10 - much of it unavailable elsewhere. Those two extra volumes are NOT available anywhere else and are exclusive to that Japanese anthology.

Back to the CD in hand. So, what you have here is an American-Based CD from 1991 subsequently issued 2006 in Europe. For this review – we will concentrate on Volume 7 of 8. Here are the track-by-track details…

UK released 20 March 2006 - "Atlantic Rhythm And Blues 1947-1974: Volume 7 1967-1969" by VARIOUS ARTISTS on Rhino/Warner Platinum 8122-77582-2 (Barcode 081227758226) breaks down as follows (73:19 minutes):

1. Respect – ARETHA FRANKLIN (April 1967, USA Atlantic 45-2403, A-side)
2. (You Make Me Feel Like) A Natural Woman – ARETHA FRANKLIN (September 1967, USA Atlantic 45-2441, A-side)
3. Soul Finger – BAR-KAYS (April 1967, USA Volt 45-148, A-side)
4. Baby I Love You – ARETHA FRANKLIN (July 1967, USA Atlantic 45-2427, A)
5. Skinny Legs And All – JOE TEX (October 1967, USA Dial 45-4063, A-side)
6. Chain Of Fools – ARETHA FRANKLIN (November 1967, USA Atlantic 45-2464, A-side)
7. I'm In Love – WILSON PICKETT (October 1967, Atlantic 45-2448, B-side to "Stag-O-Lee")
8. Memphis Soul Stew – KING CURTIS (August 1967, USA Atlantic 45-6511, A-side)
9. (Sweet Sweet Baby) Since You've Been Gone – ARETHA FRANKLIN (February 1968, USA Atlantic 45-2486, A-side) * 
10. (Sittin' On) The Dock Of The Bay – OTIS REDDING (January 1968, USA Volt 45-157, A-side)
11. Tighten Up – ARCHIE BELL & THE DRELLS (February 1968, USA Atlantic 45-2478, A-side)
12. Slip Away – CLARENCE CARTER (April 1968, USA Atlantic 45-2508, B-side to "Funky Fever")
13. Think – ARETHA FRANKLIN (May 1968, USA Atlantic 45-2518, A-side)
14. Too Weak To Fight – CLARENCE CARTER  (October 1968, USA Atlantic 45-2569, A) *
15. Can I Change My Mind – TYRONE DAVIS (November 1968 USA, Dakar 45-602, B-side to "A Woman Needs To Be Loved". Issued March 1969 in the UK on Atlantic 584253 with the sides reversed - "Can I Change My Mind" as the A with "A Woman Needs To Be Loved" on the British flipside) *
16. The First Time I Ever Saw Your Face – ROBERTA FLACK (January 1972, USA Atlantic 45-2864, A-side. It was recorded for her debut album "First Take" in 1969, but released after being used and featured in the Clint Eastwood movie "Play Misty For Me" where the public was so taken with the song, it went to No.1)
17. Take A Letter Maria – R. B. GREAVES (September 1969, USA Atco 45-6714, A-side)
18. Rainy Night In Georgia – BROOK BENTON (December 1969, USA Cotillion 45-44057, A-side – a Tony Joe White cover version)
19. The Ghetto – DONNY HATHAWAY (6:50 minutes - the October 1969 US 45-Single (Atco 45-6719) was split into two parts across both sides and had unique playing times. This version is the Full Album Version from "Everything Is Everything" released October 1970 in the USA on Atco SD 33-332 and 1971 in the UK on Atco 2465 019)
20. Turn Back The Hands Of Time – TYRONE DAVIS (March 1970, USA Dakar 45-616, A-side)
21. Compared To What – LES McCANN & EDDIE HARRIS (December 1969, USA Atlantic 45-2694, A-side)
22. Call Me – ARETHA FRANKLIN (January 1970, USA Atlantic 45-2706, A-side) *

BONUS TRACKS:
* Tracks 9, 14, 15 and 22 are four 1991 Bonus Tracks not on the 1985 US or 1987 UK original CD versions

Some had complained about the sound quality on the original 1987 CDs - as well as wrong versions of songs being used (personally I found the audio quality of the VINYL doubles to be superlative). So Atlantic made efforts with the 1991 CD reissue which of course has been used for these 2006 British reissues. The liner notes tell us that all tracks were "digitally remastered from mono and true stereo originals" and that "in this edition, the proper tracks have been used in all cases". 

BOBBY WARNER and JIMMY DOUGLAS carried out the Digital Transfers while ZAL SCHREIBER and STEVE INNOCENZI did the mastering. The quality on these CDs is shockingly good - full of life and clarity. It's a joy to listen to. Sure in the decades since there have been reissues (by Bear Family especially) that knock spots off the 1991 sound offered here (try their "Joe Turner Rocks" or their "Sweet Soul Music" volumes 1961 to 1975). But what you do get is fantastic all the way to the finish. To the tunes for Volume 7…

The Queen of Soul began dominating American Soul when she signed to Atlantic Records and popped the absolute balls-to-the-wall album "I Never Loved A Man The Way I Love You" in March 1967. It is still the most astonishing arrival of a Soul talent ever. So, not surprisingly Aretha Franklin gets 7 out of 22 tracks – every one dynamite. You could argue for sure that stuff like the sock-it-to-me "Respect", the chug of "Chain Of Fools" and the hands-on-her-hips rabble-rouser "Think" have been overplayed and done to death on Radio and in Movies – but check out the fantastic grooves in "Baby I Love You" or the gorgeous mellow of "(You Make Me Feel Like) A Natural Woman" or "Call Me". 

While The Bar-Kays get their instrumental vs. shouts moment with "Soul Finger" – the naff and fey lyrics in the Joe Tex tune "Skinny Legs And All" have not worn at all well over the decades – embarrassing really. Thankfully that momentary glitch is firmly kicked into touch with the gorgeous Wilson Pickett take on the Bobby Womack song "I'm In Love" – a genuine masterpiece and Soul discovery for those buying first time. Poignant and touching as the Otis Redding song might have been especially after his untimely and horrible passing - "(Sittin' On) The Dock Of The Bay" has always felt weedy to me and not representative of his power (the Remaster is so clean and lovely though). Archie Bell gets his Drells guitar player to fall in during the infectious "Tighten Up" – a funky talker and words that became synonymous with late Sixties Soul. Better for me is the sweet Soul slink of "Slip Away" followed by the mid-tempo shuffler "Too Weak To Fight" – Clarence Carter being a huge fave of mine – two counts of top tunes – rasp and rolling vocals – the brass and groove so sexy. 

The tail end of the compilation rolls on home with huge hits that still sound so fresh – the very Brunswick-sounding hip-shaker "Can I Change My Mind" – Tyrone Davis feeling like he made a mistake walking out that door. The almost skin-raw hurt and loss of "The First Time Ever I Saw Your Face" stills makes people feel uncomfortable – Roberta Flack delicate throughout her cover version of the Ewan MacColl classic. One-hit wonder R.B. Greaves gets his moment when he comes home late one night only to find the woman, he thought he knew, in the arms of another man. Soon copies of a diatribe in letter form are on their way to lawyers - "Take A Letter Maria". Beautiful is the only word for "Rainy Night in Georgia" – Brook Benton doing the Tony Joe White song a neon signs a-flashing world of justice (gorgeous audio too). 

I will never get over "The Ghetto" by the mighty Donny Hathaway – a seriously stunning funky keyboard number with random shouts of the title – here in all its 6:50 minute glory (sure nuff). I go to mush every time – Atlantic Records and Visionary Artist given room to shine equals genius. The compilation then closes out three more gems from Tyrone Davis, a near nine-minute Funk-Jazz opus from Les McCann & Eddie Harris only to chill with Aretha at her soulful best. 

In 2024 and despite being technically deleted, you can get Volume 7 of 8 of Atlantic Rhythm & Blues 1947-1974 (or any of the others) individually on popular auction sites often for less than four quid. But I would argue that such is the riches on offer across all eight volumes that you consider the big daddy - splashing out on that 1991 US LP-Sized 8CD Box Set with its full booklet and genuine sense of visual and audio purpose. Set you back maybe £60 – but what a wow it is! If that isn't in your budget purview – then go for this Thunderbuck Ram of a CD compilation. 

But I warn you – the need for the other seven and booklet explanations will quickly manifest itself thereafter…

Sunday 7 April 2024

"Machine Head: 5-Disc Deluxe 50th Anniversary Edition" by DEEP PURPLE – March 1972 UK Sixth Studio Album on Purple Records and April 1972 USA on Warner Brothers Records featuring Ian Gillan, Ritchie Blackmore, Jon Lord, Roger Glover and Ian Paice (March 2024 UK Universal/Purple/Warner Brothers 5-Disc LP-Sized Box Set with 3CDs, 1 BLU RAY, 1 x Purple-Smoke Coloured VINYL LP and Dweezil Zappa Remixes with Andy Pearce/Matt Wortham Remasters) - A Review by Mark Barry...











https://www.amazon.co.uk/Machine-Head-Deluxe-Deep-Purple/dp/B0CT96JCGN?crid=KE69DW3QYB6L&dib=eyJ2IjoiMSJ9.-ycGPWC86FCkGB9fDpaJGQ.DuNkxcothAvPpZqEzn7fBnYQJNwTDcT2GyJ-DpPyujY&dib_tag=se&keywords=600753993149&qid=1712509895&sprefix=600753993149%2Caps%2C81&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=8cf27a9760a866f7ad20dfe3f64241fb&language=en_GB&ref_=as_li_ss_tl

*** Presentation ***** Original Album *** Bonus Material ***** Remasters
OVERALL RATING: ***

"...Big Fat Tyres And Everything..."

Oh dear! And oh yes! I suspect like so many men of a certain age (and given that it's almost two years overdue as a '50th Anniversary' Reissue and comes complete with an extortionate £100 price tag) - this March 2024 latest version of Deep Purple's Classic 70ts Rock album "Machine Head" is going to conflict and thrill in equal measure. 

Off the bat - I really don't get the Dweezil Zappa Remix at all - feels like an ugly reworking of an album I love. And why oh why is ONLY his remix on Vinyl and NOT the brilliant Andy Pearce/Matt Wortham Remaster of the Original? BOTH versions should have been pressed on VINYL and put in a gatefold sleeve with the lyric insert - instead of now being asked to accept a REMIX and an overblown foldout page of lyrics as a 'poster' of sorts? 

To put this into context - should you be lucky enough to get your purchase-hands on the Creedence Clearwater Revival 2CD/1DVD set "The Singles Collection" from November 2009 (see separate review) - you are greeted with one of the most beautiful foldout posters of single-sleeves from around the world that I have ever seen. Why couldn't something like that have been done for this 50th Anniversary Super Deluxe set? Deep Purple fans are a fanatical bunch and in conjunction with fan clubs and devotees - there must surely have been more to see? 

You don't even get proper release dates, catalogue numbers for the album, singles - the "In Concert '72" set on which CD2 is based was a hugely collectable industry-only 8-track LP release called 'Stereo Pop Special-12' on BBC Transcription Discs CNN 1513 recorded for the BBC's famous 'Sounds Of The Seventies' series - but it's not pictured! The 'Selected Albums Gallery' on Page 14 doesn't show either a British or US issue on the newly formed Purple Records Label or Warner Brothers out of the States. The 'Selected Singles Gallery' is fabulous to look at - old issues from around the world (Turkey and Portugal included for "Never Before") and reissues of "Smoke On The Water (Live)" from 1980 - but again - would have made a worthy POSTER of itself.  

The Andy Pearce and Matt Wortham Remaster of the 1972 Classic album as is however shines lights in corners previously deadened (so damn clean and yet powerful) and the live stuff (even if Disc 2 has been available before) shows the band in its staggering pomp (see notes below on CD3). But truth be painfully told - there is a gnawing feeling of let-down here when it should be reeking celebration. Still - let's go space truckin' - here be the fretboard details...

UK/EU released Friday, 29 March 2024 - "Machine Head: 5-Disc Deluxe Anniversary Edition" by DEEP PURPLE on Universal/Purple/Warner Brothers/Rhino R2 725876 - 603497828852 00600753993149 (Barcode 600753993149) is an LP-Sized 5-Disc Reissue Box Set containing 3 x CDs, 1 x BLU RAY AUDIO DISC and 1 x VINYL LP (Purple-Smoke Coloured Vinyl) with a Bonus B-side added to Side 2. The VINYL LP has the Dweezil Zappa Remix Only of the album but does include the "When A Blind man Cries" B-side on Side 2 as a Bonus Track – a first. 

The Overall package offers two versions of the "Machine Head" album on CD1 - a Dweezil Zappa Remix with a Bonus Track and an Andy Pearce/Matt Wortham straightforward Remaster of the album only, Previously Unreleased Live Material from 1971 (CD3) and Previously Released Live Material from 1972 (CD2). The BLU RAY DISC has 1974 Quad Mixes of the Entire album, a Rare 45-Single Non-LP B-side, a 2024 Dolby Atmos and 5.1 Surround Sound Mixes. There is a Reproduced Lyrics Poster and a New LP-Sized 18-Page Booklet. Discs play out as follows:

CD1 "Machine Head" (79:26 minutes):
2024 REMIX (Dweezil Zappa)
1. Highway Star [Side 1]
2. Maybe I'm A Leo
3. Pictures Of Home
4. Never Before
5. Smoke On The Water [Side 2]
6. Lazy 
7. Space Truckin'
Tracks 1 to 7 are DWEEZIL ZAPPA Remixes of the "Machine Head" album originally issued March 1972 in the UK on Purple Records TPSA 7504 and April 1972 in the USA on Warner Brothers BS 2607. Produced by DEEP PURPLE (Engineered by Martin Birch) - it peaked at No. 1 in the UK and No. 7 in the USA.

BONUS TRACK:
8. When A Blind Man Cries 
Track 8 is a Non-Album B-side to the 45-single "Never Before". Written by the whole band, it was released March 1972 in the UK as a 7" Single on Purple Records PUR 102 and the same month in the USA on Warner Brothers WB 7572 (charted at No. 35 in the UK but didn't chart USA).

2024 REMASTER (Andy Pearce)
9. Highway Star [Side 1]
10. Maybe I'm A Leo
11. Pictures Of Home
12. Never Before
13. Smoke On The Water [Side 2]
14. Lazy 
15. Space Truckin'
Tracks 1 to 7 are an ANDY PEARCE and MATT WORTHAM Remaster of the "Machine Head" album (from original tapes) first issued April 1972 in the UK on Purple Records TPSA 7504 and in the USA on Warner Brothers BS 2607. Produced by DEEP PURPLE (Engineered by Martin Birch) - it peaked at No. 1 in the UK and No. 7 in the USA.

CD2 "In Concert '72" (79:36 minutes):
Original Recording, Paris Theatre in London, 9 March 1972
Produced by Pete Dauncey and Engineered by Adrian Revill
Previously Released UK 18 October 2012 as "In Concert '72" on Purple TPSA 7518 (Vinyl)
Reissued UK 2014 on Purple TPSAX 7518/Warner Brothers 825646294794
1. Introduction 
2. Highway Star 
3. Strange Kind Of Woman
4. Maybe I'm A Leo 
5. Smoke On The Water
6. Never Before
7. Lazy
8. Space Truckin'
9. Lucille
BONUS TRACK:
10. Maybe I'm A Leo (Soundcheck)

CD3 "Montreux '71" (79:09 minutes):
Previously Unreleased Live Show Recorded at The Casino, Montreux, Switzerland, 16 Apr 71
Recorded by Rene Ernest Finger
1. Swiss Yodel
2. Speed King
3. Strange Kind Of Woman
4. Into The Fire
5. Child In Time
6. Paint It Black
7. Wring That Neck (Hard Road)
8. Black Night
9. Lucille

DISC 4 BLU-RAY AUDIO
2024 ATMOS REMIX 
1. Highway Star [Side 1]
2. Maybe I'm A Leo
3. Pictures Of Home
4. Never Before
5. Smoke On The Water [Side 2]
6. Lazy 
7. Space Truckin'
8. When A Blind Man Cries 

1974 U.S. QUAD MIX
9. Highway Star [Side 1]
10. Maybe I'm A Leo
11. Pictures Of Home
12. Never Before
13. Smoke On The Water [Side 2]
14. Lazy 
15. Space Truckin'

5.1 MIXES 
16. When A Blind Man Cries
17. Maybe I'm A Leo
18. Lazy

DEEP PURPLE was:
IAN GILLAN - Lead Vocals 
RITCHIE BLACKMORE – Guitars
JON LORD – Keyboards
ROGER GLOVER – Bass
IAN PAICE – Drums

History first: The Purp's classic "Machine Head" hit the streets in April 1972 and we've been in love with its non-nonsense Classic Rock ever since - a No. 1 in the UK and a No. 7 in the States. Followed later in the year with the stunning double-live set "Made In Japan" - and along with "Fireball" from 1971 and "Deep Purple In Rock" from 1970 already under their hard-rocking belt - the first three years of the Seventies was a slam-dunk for the 'Mark II' line-up of DEEP PURPLE. 

Fans however have been here before - specifically with the November 1997 '2CD Anniversary Edition' of "Machine Head" featuring Remixes and Remasters done by an impressive line-up of names - Peter Mew, Peter Denenberg, Roger Glover, Joe DiGiorgi and mastering by the legendary Greg Calbi. That twofer is still available on many auction sites for under a tenner (complete with its 28-page booklet). So, what's new here...

Fans are going to go straight for the PREVIOUSLY UNRELEASED 1971 live set (recorded in Montreux) on CD3 first that includes faves like "Black Night", "Speed King" and "Child In Time" alongside two tasty covers – The Purps doing the Stones on "Paint It Black" and Little Richard on a frenzied "Lucille". The bad news is that the audio is obviously bootleg standard – starting out with a bit of fun as they doddle through "Swiss Yodel". Unfortunately, what should be a DP Mark II moment is destroyed with drop-outs and muddled sound – Blackmore displaying astonishing axework for "Speed King" even if Gillan seems ever so slightly disinterested and verbose with the crowd. A new single comes next "Strange Kind Of Woman" – but again like the rest of the set – the audio is passable at best. It’s criminal to hear corking material like "Into The Fire" and the mixed-up cover of "Paint it Black" too far back in the mix to be of any use. In all honesty, I don't know how many Purple fans are going to consider this reduced audio experience as a BONUS no matter how thrilling their playing was. 

Better - Mike Harding introduces the Purps to a rumbling crescendo-building "Highway Star" on CD2 – not as good as the "Made In Japan" version but getting close. Having originally been a BBC Transcription LP back in 1972 (they have used the CD reissue from 2012 with its extra tracks and not just the original eight) – the audio is lightyears ahead of the Bootleg on CD3 and the material being largely from "Machine Head" – that bit more exciting. You can feel the band and their electricity – hard rocking and unapologetic for it – Blackmore, Lord, Glover and Paice all so tight as they go into the final guitar solo stretch where RB lets rip. Gillan explains the darkness inherent in "Strange Kind Of Woman" – a trail of happiness and misery left by a gal who did not impress our hairy men. The groove in "Maybe I'm A Leo" is fantastic even if Gillan seems to be having difficulty controlling a presumably pissed-up crowd. And on it goes. It absolutely is not "Made In Japan" - but is at least period material worth rehearing and celebrating.

CD1 kind of baffles me – I really do not like the Zappa Remix where the vocals are supposedly given an amp-up but just feel abused and further away from clarity rather than running towards it. But I am absolutely loving the clarity and sheer punch-in-the-face power of the straightforward album Remaster done by Andy Pearce and Matt Wortham – two Audio Engineers who have had a long and fruitful relationship with Universal Classic Rock-Sound acts – Budgie, Rory Gallagher, ELP, Wishbone Ash, Free, Spooky Tooth and loads more. It may be hackneyed through over use, but when that riff and that rhythm section combine for "Smoke On The Water" – the Montreux in flames story song - you will feel it. Same goes for that huge Organ sound on "Lazy" – a Jon Lord boogie I still get a kick out of hearing. 

The KORY GROW 'We All Came Down To Montreux' Liner Notes in the LP-Sized booklet are dated 2023 and tell of the band's rise to Rock Superstardom – tours in Osaka and Tokyo after the LP's release that would produce the opus directly off the back of "Machine Head" - "Made In Japan". There is a UK trade advert, pictures of The Stones Mobile unit on which the album was taped, very cool period photos in both black and white and colour of the band/individuals, lyrics to the iconic "Smoke On The Water" - Jon Lord's organ awaiting its master - enthusiastic notes from Dweezil Zappa on the 2024 Remix of "Machine Head", Didi Zill who was the photographer on the scene the day after the fire in Montreux (he witnessed Gillan writing lyrics to "Smoke On The Water"), an appreciation of Ian Gillan's fantastic vocals from Sir Tim Rice who of course used his rasp as the voice of Jesus in the 1970 double-album musical smash "Jesus Christ Superstar". But at 18-pages, again you feel short-changed. 

I would surmise that what you have here is a three-star reissue of a five-star album and I would say get to hear it first before spending such serious doshI would also acknowledge as one of those 'old farts' this Reissue would be aimed at that Deep Purple's 1972 album "Machine Head" may be a seriously outdated listen to kids in 2024 - but you can't help feel that it has earned its place in Rock History and deserved something better than this rather obvious ***-cash-grab. 

Shame, because that Remaster is a blast even if the rest seems just a tad too superfluous to requirements...

INDEX - Entries and Artist Posts in Alphabetical Order