“An American Trilogy” by MICKEY NEWBURY (2011 Saint Cecilia Knows/Mountain Retreat 4CD Reissue/Remasters) - A Review by Mark Barry...

                                       

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CLASSIC ROCK & POP 1970 to 1974 - Exceptional CD Remasters  

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"…Just Like The Dawn…My Heart Is Silent Breaking…"

Originally issued in Germany (Berlin) in May 2011 as a pricey box set with a 95-page booklet and fold-out map containing the lyrics on the other side (now deleted) – this 'altered' reissue followed only months after (August 2011). As you can imagine - fans that forked out over sixty-five pounds/ninety dollars for the initial import were a tad peeved and felt taken for a ride. However (and there's no meanness intended here) - you'd have to say that their loss is very much our gain - because this scaled-down reissue finally makes Mickey Newbury's extraordinary music available to us all - and at a reasonable price too - eighteen to twenty pounds/thirty dollars for 4CDs worth.

Released 23 August 2011 - "An American Trilogy" by MICKEY NEWBURY on Saint Cecelia Knows/Mountain Retreat CEC001R – this 4CD reissue comes in a 5-way foldout card–pack with cardboard-colored front artwork (instead of the black embossed original) and a curtailed booklet of 24-pages (no map either). The CDs are the same as the initial issue and break down as follows:

Disc 1 (41:31 minutes):

1. Write A Song A Song/Angeline

2. She Even Woke Me Up To Say Goodbye

3. I Don’t Think Much About Her No More

4. T. Total Tommy

5. 33rd Of August/When The Baby In My Lady Gets The Blues

6. San Francisco Mabel Joy

7. Looks Like Baby’s Gone

Tracks 1 to 7 are his debut album "Looks Like Rain" – issued in the USA on Mercury Records SR 61236 in September 1969

Disc 2 (38:53 minutes):

1. An American Trilogy

2. How Many Times (Must The Piper Be Paid For His Song)

3. Interlude

4. The Future’s Not What It Used To Be

5. Mobile Blue

6. Frisco Depot

7. You’re Not My Same Sweet Baby

8. Interlude

9. Remember The Good

10. Swiss Cottage Place

11. How I Love Them Old Songs

Tracks 1 to 11 are his 2nd album "'Frisco Mabel Joy" – issued in the USA on Elektra Records EKS-74107 in October 1971

Disc 3 (37:14 minutes):

1. Heaven Help The Child

2. Good Morning Dear

3. Sunshine

4. Sweet Memories

5. Why You Been Gone So Long

6. Contelia Clark

7. Song For Susan

8. San Francis Mabel Joy

Tracks 1 to 8 are his 3rd album "Heaven Help The Child" – issued in the USA on Elektra Records EKS-75055 in January 1973

Disc 4 (44:46 minutes):

1. If You Want Me To I'll Go

2. Sunshine

3. Sad Satin Rhyme

4. Why You Been Gone So Long

5. I Don't Wanna Rock (Publisher Demo)

6. Let Me Stay Awhile

7. Flower Man

8. Good Morning Dear

9. On Top Of Old Smokey

10. Interlude: How Many Times (Must The Piper Be Paid For His Song)

11. Better Days

12. How I Love Them Old Songs

13. I Don't Wanna Rock (Live Radio Session)

14. I Don't Want Me No Big City Woman

15. You're Not My Same Sweet Baby

Tracks 1 to 15 are called "Better Days (Demos, Rarities, Unreleased)" and break down as follows:

Tracks 1, 4, 5, 6 and 8 are PUBLISHER DEMOS

Tracks 2 and 3 are a US 7" single released in 1969 on Mercury 73036. A-side is an Alternate Mono Version to the album cut - which is in Stereo – the B-side is non-album also

Tracks 7 and 9 are HOME DEMOS – "Flower Man" is PREVIOUSLY UNRELEASED

Tracks 10 to 15 are a live RADIO SESSION recorded 25 November 1970 for "The Skip Weshner Show" on Radio KRHM-FM in Los Angeles.

Both "Better Days" and "I Don't Want No Big City Woman" are PREVIOUSLY UNRELEASED

PACKAGING:

A fairly obvious and noticeable absence is 'artwork' – none of the three albums are pictured anywhere – even on the CDs themselves. There's a famous picture of Newbury in front of a plate glass Tiffany Lamp – that multi-coloured Tiffany Lamp theme is used for all 4 different picture CDs – but of course without the original artwork to reference it – they make no sense. His second and most famous album "'Frisco Mabel Joy" (the only one of his LPs to be given a UK release in late 1971 on Elektra K 42105) even enjoyed the privilege of a boxed die-cut front with a lovely inner sleeve behind it containing the lyrics – but none of that is reproduced here either. Perhaps there's licensing issues? But if you do want to know what the album covers look like and get a feel for his output – Saint Cecilia Knows re-issued the three records and the fourth "Better Days" rarities set on VINYL in 2011 - and all are pictured on Amazon (and available for sale). 

The shorter 24-page booklet version has liner notes by the Producer and Compiler of the set – CHRIS CAMPION. It also reproduces Kris Kristofferson's original liner notes for Newbury's 1969 debut album "Looks Like Rain" and an article that first appeared in the AllMusic catalogue of 2000 by BEN-FONG-TORRES. There's some photos of Newbury in the early years - his short stint with the Doo Wop group The Embers – a tour with the American Army in 1960 - and a gig poster from November 1970 where his West Coast debut performance is shared with David Steinberg at the newly opened 'The Bitter End' venue in Santa Monica. The last few pages give detailed musician-credits on all albums and extras (Dennis Linde produced and played on "'Frisco Mabel Joy" – Charlie McCoy and Jimmie Haskell are on "Heaven Help The Child" etc). But the big news is the sound… 

SOUND:

All of that slightly underwhelming packaging pales into the background once you start to 'listen' – because not only is the music gorgeous – this set has one the most BEAUTIFUL REMASTERS I've ever heard. Each of the albums is shockingly clean - none-too-trebled for effect – just there in your speakers with truly stunning clarity. JESSICA THOMPSON and STEVE ROSENTHAL did the transfers and they're to be praised for their work with the tapes.

MUSIC:

The first LP famously features segues between the tracks of 'rainfall' lifted off the "One Stormy Night" LP by The Mystic Moods Orchestra – and the reproduction of it here is so good that you may double take on the weather outside. The remaster especially brings out the Dennis Wilson "Pacific Ocean Blue" girly vocals that punctuate so many of the songs with an almost churchlike eeriness. I suppose you'd say that overall his musical style is country – but that's too limiting. Singing one moment then talking the next in that richly tonal Oregon drawl of his - there's a shimmering delicacy about the music that makes it both hurting and deeply beautiful at one and the same time. Girls leave, girls stay, hearts lift, hearts break… It's American country-rock music but with a Nick Drake sensibility. Another very real influence is Kris Kristofferson whose similar languid songwriting-style lingers in the background (Kristofferson championed Newbury at the time and has sung his songwriting genius ever since). There's even the melodrama of The Walker Brothers in there too – but never too mawkish.

Highlights include the beautiful ballad "She Even Woke Me Up To Say Goodbye" (lyrics from it title this review) and "I Don't Think Much About Her No More" (which feature those lovely background vocals I mentioned above). "The Future's Not What It Used To Be" was featured on the massive "Forever Changes" box set covering Elektra Records and it's huge history. The lyrics of "Frisco Debut" feel real - "might as well be the moon when you're as broke as I…" and "when you're cold, there's nothing as welcome as sunshine…"

Writing something as rampantly patriotic and deeply Southern as "An American Trilogy" at a time when America was dying inside (Vietnam, Race Riots) mightn't have occurred to most songwriters of the day – but it did to Newbury - who stunned the Bitter End audience into silence and tears with it in 1970. Hearing it rescued from the very Vegas version Elvis Presley charted in 1972 (No. 8 in the UK) is an unexpected and genuine pleasure. The remastered sound quality is gorgeous – the strings, vocals – fabulous. The near six-minute "How Many Times (Must The Piper Be Paid For His Song)" is beautifully arranged with acoustic guitars and that "look away Dixie" vibe to the melody. By the time he got to "Good Morning Dear" and "Song For Susan" on the 3rd album "Heaven Help The Child" - the combo of piano, vocals and strings had become almost an artful signature style of his – and so impressive. A slight remake of "San Francisco Mabel Joy" finishes the album with rainfall, acoustic guitars and wailing steam trains in the distance - and you're reminded so much of England's Nick Drake and his perfect three albums on Island Records - "Five Leaves Left" (1969), "Bryter Layter" (1970) and "Pink Moon" (1972) - Newbury's own "American Trilogy" should be just as revered - and is just as good. 

I had thought the 4th disc would be most filler – but it's not. The publishing demos are mostly Newbury singing at piano with some light band accompaniment and are very pretty. "Good Morning Dear" alone was recorded by huge names like Ray Charles and Roy Orbison. Best of all is the Radio Session for KBHM - which is hissy - but with acoustic guitar and voice to the fore - is so wonderfully intimate. And many of the songs like "Sad Satin Rhyme" and "I Don't Wanna Rock" are not on the other albums. "Better Days" itself is as lovely a song as any penned by more famous luminaries.

To sum up – Mickey Newbury’s brand of melodrama Country Rock may not be everybody’s cup of Darjeeling. But if you’ve an open ear and are willing to try it - "An American Trilogy" is an embarrassment of riches and at last its pitched at a price music-lovers can actually afford. Even if Newbury is an unknown to you – this is one of those times when I’d say you should take a chance - because the quality on here is a joy and worth every penny.

Properly fabulous rediscovery time…and well done to all involved...

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“Queen Of Soul with Bonus Tracks” by ETTA JAMES. A Review Of Her 1964 Argo Records LP - Now Reissued And Remastered Onto An Ace Records/Kent Soul CD In 2012 With Bonus Tracks.

This Review is part of my E-Book

"…You Got Me So I Can’t Eat...I'm Loving You More Every Day..."

2011 turned out to be a bumper year for fans of the American Soul legend Etta James. February saw the "Who's Blue" Kent Soul compilation with 24 elusive tracks on Chess and Cadet - while October saw the first official CD release of "Call My Name" - a criminally forgotten Cadet Records LP from 1967. Then came "Losers Weepers" in October - an obscure album from 1970 with 11 bonus tracks (again first time on CD). Continuing that run into 2012 is this - her 1964 "Queen Of Soul" album in Stereo - also bolstered up with a copious amount of relevant bonus tracks. Here are the finite details...

UK released Monday 28 May 2012 (12 June 2012 in the USA) - "Queen Of Soul with Bonus Tracks" by ETTA JAMES on Ace Records/Kent Soul CDKEND 377 (Barcode 029667237727) reissues her 1964 10-Track Soul LP "Queen Of Soul" originally on Argo Records and adds on 13 Bonus Tracks. It breaks down as follows (68:22 minutes):

1. Bobby Is His Name [Side 1]
2. I Wish Someone Would Care
3. That Man Belongs Back Here With Me
4. Somewhere Out
5. Breaking Point
6. Flight 101 [Side 2]
7. Loving You More Every Day
8. Do Right
9. I Worry About You
10. Mellow Fellow

Tracks 1 to 10 are the 'Stereo' LP "Queen Of Soul" - released November 1964 in the USA on Argo Records LPS-4040

BONUS TRACKS: 

11. You Got Me Where You Want Me
Track 11 is a 1965 outtake first issued in 2000 on "The Chess Box" - a 3CD box set on MCA/Chess 088 112 288-2 [Disc 1]
12. Only Time Will Tell
13. Pushover
14. You Can't Talk To A Fool
15. Would It Make Any Difference To You
16. Stop The Wedding
17. How Do You Speak To An Angel
18. Be Honest With Me
19. Pay Back
20. Lover Man (Oh Where Can You Be)
21. Two Sides (To Every Story)
22. Tomorrow Night
23. I Can't Hold It In Anymore

Tracks 14, 20 and 22 are all outtakes first released on the 1997 American CD compilation "These Foolish Things - The Classic Balladry Of Etta James" on MCA/Chess MCD 09354. The other bonus tracks are singles as listed below...

This CD will also allow fans to sequence almost 10 of her US 45's released off and around the album [track number after the title - exclusions noted]:

1. Stop The Wedding [16] b/w Street Of Tears [not included] on Argo 5418 (1962)

2. How Do You Speak To An Angel [17] b/w Would It Make Any Difference To You [15] on Argo 5430 (1962)

3. Pushover [13] b/w I Can't Hold It In Any More [23] on Argo 5437 (1963)

4. Be Honest With Me [18] b/w Pay Back [[19] on Argo 5445 (1963)

5. Two Sides (To Every Story) [21] b/w I Worry Bout You [9] on Argo 5452 (1963)

6. Baby What You Want Me To Do b/w What I Say on Argo 5459 (1964) [neither included]

7. Look Who's Blue [not included] b/w Loving You More Every Day [7] on Argo 5465 (1964)

8. Breaking Point [5] b/w That Man Belongs Here With Me [3] on Argo 5477 (1964)

9. Mellow Fellow [10] b/w Bobby Is His Name [1] on Argo 5485 (1964)

10. Only Time Will Tell [12] b/w I'm Sorry For You [not included] on Cadet 5526 (1966)

[Note: Tracks 11, 13, 16, 18 and 23 are MONO - all others are STEREO]

The first thing that hits you is the HUGE STEREO SOUND. Remastered by DUNCAN COWELL at Sound Mastering in London - I've sung this engineer's praises before (I reviewed all the Blue Horizon CDs he handled) - and again - it's a bang-up job. There's amazing clarity on every song - clean Stereo separation too and a huge presence on instruments - especially the brass and percussion. It is hissy in places - "Bobby Is His Name" and "Somewhere In Time" - but that's a plus because it hasn't been noise-reduced or cleaned - just left alone and allowed to breath. It's a great listen and hugely evocative of the period. The MONO variant of the LP isn't on here I know - but the large number of bonus tracks (including rarities) more than makes up for that.

The 12-page colour booklet is crammed with photos of 7" singles (most of the titles listed above), Billboard and Cash Box magazine adverts from 1962, 1963 and 1964 - as well as a set of deeply personal liner notes by GARTH CARTWRIGHT (who wrote her obituary for England's Guardian newspaper). Contributions to the compilation also came from Rudy Calvo, Mickey McGill (of The Dells), David Yeats and Mick Patrick. Like its three CD predecessors - it's a typically classy effort from Ace...

Highlights for me are her cover of the Irma Thomas slow burner "I Wish Someone Would Care" and the brass/organ funk of "Breaking Point" where she sounds not unlike a female Ray Charles. The languid "Flight 101" informs us that "the ring, the rice, the shoes, will be waiting there..." while a real powerhouse performance comes in the shape of "Loving You More Every Day" (lyrics above). It's surely the reason why so many lovers of Sixties Soul rate Etta so - no need for sheet music - like Otis she just punches out the passion with her gut-wrenching voice. The pace is upped on "Do Right" and there's a Dinah Washington feel to "I Worry About You". 

The singles are a mixed bag - the cheesy "Stop The Wedding" mixes with the girly pop of "Two Sides (To Every Story)" and neither is particularly memorable. But things get better with the ballad "Only Time Will Tell" and what's shocking too is the quality of the three outtakes - especially her lovely cover of LaVern Baker's 1955 Atlantic classic "Tomorrow Night" - great production and nicely arranged strings.

Etta James sadly passed away in January 2012 after a lifetime of well-documented illnesses and addictions - eliciting an outpouring of affection from fans, industry insiders and singers alike.

This excellent CD will prolong her legacy. And once again Ace has championed someone worth remembering...and delivered the goods.

“Just As I Am” by BILL WITHERS (2012 Big Break Records (BBR) '40th Anniversary' CD Remaster) - A Review by Mark Barry...

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"...Sooth The Local Unwed Mother..."

This is one of my favourite albums of the early Seventies - and at last - in 2012 - a mere 40 years after the event - "Just As I Am" by Bill Withers is finally getting the sound quality its always deserved and needed.

As a "Hall Of Fame" reviewer and long-time contributor to Amazon - I've raved about Britain's BIG BREAK RECORDS before and have bought and reviewed over 40 of their reissue titles. Each has been uniformly superb - especially for those of us looking for great sound quality rather than the half-hearted efforts thrown at us by the majors (when they can be bothered). But BBR has excelled in every way on this lovely and timely reissue. The remaster on this sucker is TRULY GORGEOUS - and after decades of the occasional track on a compilation in only-ok sound - fans of this great songwriter will be duly taken aback by the clarity on offer here. Here are the details...

UK released 7 May 2012 as a '40th Anniversary' issue (15 May 2012 in the USA) – "Just As I Am" by BILL WITHERS on Big Break Records CDBBR 0143 (Barcode 5013929044333) is a straightforward CD Remaster of his debut album and plays out as follows (35:41 minutes):

1. Harlem

2. Ain’t No Sunshine

3. Grandma’s hands

4. Sweet Wanomi

5. Everybody’s Talkin'

6. Do It Good

7. Hope She’ll Be Happier – [Side 2]

8. Let It Be Me

9. I’m Her Daddy

10. In My Heart

11. Moanin' And Groanin'

12. Better Off Dead

Tracks 1 to 12 are his debut album "Just As I Am" - released May 1971 in the USA on Sussex Records SXBS-7006 and June 1971 in the UK on A&M Records AMLS 65002.

SINGLES: Although there are no bonus tracks or outtakes - this release will allow fans to sequence the two USA 7" singles that were released around the album - "Ain't No Sunshine" b/w "Harlem" on Sussex 219 (June 1971 - originally issued in April 1971 with the same catalogue number - but with the tracks reversed) - and "Grandma's Hands" b/w "Sweet Wanomi" on Sussex 227 (October 1971). Britain had slightly different configurations - "Everybody's Talkin'" b/w "Harlem" on A&M Records AMS 845 (May 1971), "Ain't No Sunshine" b/w "Harlem" on A&M Records AMS 858 (September 1971) and "Lean On Me" b/w "Better Off Dead" on A&M Records AMS 7004 (August 1972) [the A-side is on the Sony Legacy CD of his 2nd album "Still Bill"].

This reissue comes in one of those rounded-corner jewel cases and has a jam-packed 16-page booklet with liner notes by Washington-born Soul aficionado RICO "SUPERBIZZAE" WASHINGTON (Editor of the US magazine "Free"). There's a history of the West Virginia Soulman's humble beginnings, label repros of the two Sussex singles off the album and collected colour photos from various TV appearances at the time. The front sleeve was actually shot on a lunch-break from his job at the airlines - lunch-pail in hand. And there's even an interview with the great man (recently featured on a superb BBC documentary film). It's really nicely done and features recording details and album discography on the last pages. But the real news is the SOUND...

Remastered from 1st generation tapes by both NICK ROBBINS at Sound Mastering in London and BBR's own WAYNE A DICKSON at their own studios - the clarity is beautiful. "Just As I Am" is not so much Funky-Soul but more Folk-Soul - so a lot of the tracks have just acoustic guitars and lots of air around them. I went through so many copies of the (frankly dodgy) US Sussex LP and even the British A&M tan label original - and they were always good rather than great - and in some instances hissy as Hell. Not so here. It hasn't been trebled to the nines for the sake of it - it's just breathing.

Right from the off the acoustic guitars and drums on "Harlem" are amazing - as are the strings, soft bass and vocals on his masterful "Ain't No Sunshine" - all so sweet. The fantastically personal and socially aware "Grandma's Hands" still has the power to move (lyrics above) and it's a blast to finally get unheard gems like "Hope She'll Be Happier", "I'm Her Daddy" and "Moanin' And Groanin'" in top-notch sound quality. In fact of the 12 tracks - Withers impressively wrote 10 - the two covers being Fred Neil's "Everybody's Talkin'" (made famous by Nilsson in "Midnight Cowboy") and a very nice uptempo soul take on The Beatles' "Let It Be". Favourites - I particularly love "Do It Good" where the MG's play a blinder in terms of sheer slinky feel. And even though the gunshot at the end of "Better Off Dead" is still too abrupt - it's such a great tune. Yes folks. Love it. Love it. Love it.

If ever an artist deserved praise and rediscovery from this classic Soul period - then it's Bill Withers. For me this is 'Soul Reissue Of The Year' with a bullet.

Buy it and enjoy. And remember - "it's not warm when she's away...only darkness every day..."

PS: Big Break Records (BBR) CD Remasters I’ve reviewed to 2015:

1. Is It Still Good To Ya – ASHFORD and SIMPSON (1978)

2. Stay Free – ASHFORD and SIMPSON (1979)

3. Central Heating – HEATWAVE (1977)

4. Hot Property - HEATWAVE (1979)

5. Candles - HEATWAVE (1980)

6. Turnin' On - HIGH INERGY (1977)

7. Harvest For The World - THE ISLEY BROTHERS (1976)

8. Go For Your Guns - THE ISLEY BROTHERS (1977)

9. In The Heart – KOOL & THE GANG (1983)

10. I Hope We Get To Love On Time - MARILYN McCOO & BILLY DAVIS (1976)

11.  I Miss You - HAROLD MELVIN & THE BLUE NOTES (1972) [known as "Harold Melvin The Blue Notes" in the UK]

12. Black & Blue - HAROLD MELVIN & THE BLUE NOTES (1973)

13. Love Is The Message - MFSB (1973)

14. Universal Love – MFSB (1975)

15. All The Faces Of... - BUDDY MILES (1974)

16. For The First Time – STEPHANIE MILLS (1975)

17. I Can See Clearly Now - JOHNNY NASH (1972)

18. In Philadelphia - O'JAYS (1969)

19. Back Stabbers - O'JAYS (1972)

20. Ship Ahoy - O'JAYS (1973)

21. Down To Love Town – THE ORIGINALS (1977)

22. Ebony Woman - BILLY PAUL (1970 and 1973)

23. 360 Degrees Of Billy Paul - BILLY PAUL (1972)

24. War Of The Gods - BILLY PAUL (1973)

25. Platinum Hook – PLATINUM HOOK (1978)

26. Love For What It Is - ANITA POINTER (of The Pointer Sisters) (1987)

27. Live: Stompin’ At The Savoy – RUFUS and CHAKA KHAN (1983)

28. Summernights – SILVER CONVENTION (1977)

29. Smoked Sugar - SMOKED SUGAR (1975)

30. Spinners – SPINNERS (1973)

31. Soul Master – EDWIN STARR (1968)

32. Involved - EDWIN STARR (1971)

33. Switch - SWITCH (1978)

34 Watercolors – THE WATERS (1980)

35. Just As I Am - BILL WITHERS (1971 Debut LP on Sussex/A&M Records)

36. Heartbeats – YARBROUGH & PEOPLES (1983)

PPS: see also my in-depth review for "The Complete Sussex And Columbia Albums" 9CD Box Set also from 2012...

“The Fame Singles Volume 1 – 1966-70” by CLARENCE CARTER (May 2012 Ace Records/Kent Soul CD Compilation) - A Review by Mark Barry...

This Review Along With 100s Of Others Is Available in my

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"…I Hope You Feel The Same Way Too…"

Lovers of Sixties/Seventies Atlantic Soul will flip for this great-sounding Clarence Carter CD 

finally compiling the A and B-sides of his superb run of American 7" singles between 1966 and 1970. Here are the finite details…

UK released Monday 28 May 2012 (15 June 2012 in the USA) - "The Fame Singles Volume 1 - 1966-70" by CLARENCE CARTER on Ace Records/Kent Soul CDKEND 376 (Barcode 029667237628) is a 24-Track CD compilation of Remasters that breaks down as follows (64:19 minutes):

MONO USA and UK 7" SINGLES 1966 to 1970 (CD track number after the title):

1. Tell Daddy (1) b/w I Stayed Away Too Long (2)

Released December 1966 in the USA on Fame 45-1010

No UK release – both tracks non-album

2. Thread The Needle (3) b/w Don't Make My Baby Cry (4)

Released June 1967 in the USA on Fame 45-1013

Released February 1968 in the UK on Atlantic 584154

His 1st UK single as a solo artist – the B-side is non-album

3. She Ain’t Gonna Do Right (5) b/w The Road Of Love (6)

Released 1967 in the USA on Fame 45-1016

No UK release – B-side reputedly features DUANE ALLMAN on Guitar

4. Looking For A Fox (7) b/w I Can't See Myself (8)

Released January 1968 in the USA on Atlantic 45-2461

Released April 1968 in the UK on Atlantic 584176

5. Funky Fever (9) b/w Slip Away (10)

Released May 1968 in the USA on Atlantic 45-2508

Released June 1968 in the UK on Atlantic 584187

Note: it was the B-side that charted Stateside – “Slip Away”

6. Too Weak To Fight (11) b/w Let Me Comfort You (12)

Released November 1968 in the USA on Atlantic 45-2569

Released November 1968 in the UK on Atlantic 584223

7. Back Door Santa (13) b/w That Old Time Feeling (14)

Released December 1968 in the USA on Atlantic 45-2567

NO UK release

8. Snatching It Back (15) b/w Making Love (At The Dark End Of The Street) (16)

Released March 1969 in the USA on Atlantic 45-2605

Released March 1969 in the UK on Atlantic 584248

9. The Feeling Is Right  (17) b/w You Can't Miss What You Can't Measure (18)

Released June 1969 in the USA on Atlantic 45-2642

Released July 1969 in the UK on Atlantic 584272

10. Doing Our Thing (19) b/w I Smell A Rat (20)

Released October 1969 in the USA on Atlantic 45-2660

No UK release

11. Take It Off Him And Put It On Me b/w The Few Troubles I've Had

Released January 1970 in the USA on Atlantic 45-2702

Released January 1970 in the UK on Atlantic 584309

Both tracks non-album at the time of release

12. I Can't Leave Your Love Alone b/w Devil Woman

Released August 1970 in the USA on Atlantic 45-2726

No UK release – B-side is non-album

The 16-page booklet has detailed, informative and affectionate liner notes by England’s DEAN RUDLAND and peppers the text with photos of those gorgeous American and British 7" single labels – trade adverts – covers of sheet music - photos of Clarence in the studio with his band and the legendary Producer Rick Hall. As ever – a proper class act from Ace.

But the real fireworks come in the SOUND - newly accessed 1st generation MONO tapes remastered by NICK ROBBINS at Sound Masters – and all 24-tracks are kicking like a mule. What you get here is the gamut of 60t’s Soul - powerhouse Pickett, Funky JB, talking Sam and Dave, sexy Aretha and Carter’s own guttural voice and trademark chuckle - an irresistible mixture.

The audio-quality on something as common as the sexy "Looking For A Fox" and the sly slink of "Slip Away" is suddenly new and fresh – a top job done. The punch of the drums and guitar on the salacious "Back Door Santa" is unbelievable - as it is on the "Tell Mama" soundalike “Tell Daddy”. The vocal line prompted to him by a staffer as he sings "I Smell A Rat" is still audible – as is the guitar work on the fabulously bluesy and criminally forgotten B-side "The Road Of Love" (lyrics above).

And what a joy it is to hear cracking tracks like "You Can't Miss What You Can't Measure" and the romantically lovely "The Feeling Is Right" (surely destined for a movie somewhere). The only real clinkers for me are the dated talking style songs like "Making Love…" and "Few Troubles…" But they’re few and far between. What gets you most (apart from the revelatory sound quality) is the sheer quality of the tunes – and how he was at ease with all styles and paces.

Perhaps not as enticing as this but still containing must-haves - Volume Two of this series due later in 2012 - will focus on the "Patches" stuff from 1970 onwards. 

If you’ve been on the fence about Clarence Carter before – don’t be. Dive in and enjoy. A proper gem in Ace's quite awesome Kent catalogue.