"No. 1 Record" by BIG STAR (2009 Universal/Concord 'Expanded Edition' CD – 2004 George Horn Remaster) - A Review by Mark Barry...

"…Finest In The World…"

If you can't get your grubby paws on the April 2004 'Hybrid SACD' release of both 'No. 1 Record" and "Radio City" by BIG STAR (2LPs onto 1CD - see separate review) – a stunning audio treat on Stax/Fantasy/Universal SXSA-60025-6 (Barcode 025218732369) that also contains a standard CD layer – then opt for the Universal/Concord Music Group 2009 stand-alone CD reissues.

Each carries a very reasonable price tag, half-decent liner notes from the Editor of the superb Zig-Zag Magazine and uber-fan KRIS NEEDS (a six-leaf inlay) and best news of all - that same awesome audio done by GEORGE HORN at George Horn Mastering in California. They even sport a relevant bonus track.

If you're a newcomer - you've probably heard of their legend - or clapped your ears on one of their ballads that frequent so many Indie movies as badge of cool (like say Nick Drake or Patti Smith). Musically – it beggars belief even now that BIG STAR famously didn’t fare well at the box office – barely scraping above chart position No. 400 on initial release in 1972 and 1974. Their record company suffered distribution problems (Stax was on the wind-down) and even knowledgeable record stores found it hard to procure copies. Years after its release - it was still something of a hushed collectable. Like so many hard-luck stories of bands that 'should have been huge' - BIG STAR really were the very definition of 'criminally overlooked'. Here are the big details for the CD reissue of their wonderful debut album "No. 1 Record"...

USA released 14 September 2009 – "No. 1 Record" by BIG STAR on Universal/Fantasy/Concord Music Group, Inc. 0888072315730 (Barcode 888072315730) features 2004 Remastering, a Bonus Track and plays out as follows (40:01 minutes).

1. Feel

2. The Ballad Of El Goodo

3. In The Street

4. Thirteen

5. Don't Lie To Me

6. The India Song

7. When My Baby's Beside Me

8. My Life Is Right

9. Give Me Another Chance

10. Try Again

11. Watch The Sunrise

12. St 100/6

Tracks 1 to 12 are their debut album "No. 1 Record" - released June 1972 in the USA on Ardent Records ADS-2803.

BONUS TRACK:

13. In The Street (Single Mix)

NOTE: their second album "Radio City" followed in January 1974 on Ardent ADS-1501 – but neither LP received an original UK vinyl release at the time. However, they were both clumped together as a budget-priced double-album package on Stax SXSP 302 in July 1978 - their first official British release on record. There have been various CD reissues of the albums ever since - most notably by England's Ace Records on their subsidiary label Big Beat and Rhino's superb 2009 American 4CD Box Set "Keep An Eye On The Sky" which features outtakes and alternates from both of these recording sessions.

As I said before in my review of the 2004 'Hybrid SACD' reissue - the big news here is a beautifully sensitive GEORGE HORN remastering that has brought a warmth and delicacy to already gorgeous music.

Lead singer and Guitarist ALEX CHILTON had been in THE BOX TOPS and along with CHRIS BELL (Guitar and Vocals), ANDY HUMMEL (Bass and Vocals) and JODY STEPHENS (Drums) - they wrote all their own songs (mostly Bell-Chilton compositions except "The India Song" by Hummel and "My Life Is Right" by Chris Bell and Thomas Eubanks of 'Rock City') and made a glorious racket.

Back to the audio - the bass, acoustic guitars and sublime harmony vocals on "The Ballad Of El Goodo" for instance are thrilling to hear as is the sweetness of "Thirteen" - surely one of the loveliest Alex Chilton songs. The jangling power-pop guitars of "When My Baby Needs Me" sound fantastic and "Try Again" reminds me of a band I loved called SMITH-PERKINS-SMITH who made only one album (a self-titled debut) in 1972 on Island Records (yet to make its way onto CD) - a sort of CSYN alternative. In fact the musicality on display here brings in mind that other tragic band BADFINGER.

Their record company tried two 45s in the USA - "When My Baby's Beside Me" b/w "In The Street" on Ardent ADA-2902 in August 172 - and a belated "Watch The Sunrise" b/w "Don't Lie To Me" on Ardent ADA-2904 in April 1973 - but neither charted. Songs like "My Life Is Right" are upbeat jangly rockers that straddle Country Rock and Pop - while the ache in "Give Me Another Chance" is just plain beautiful and moving. And to this day both "Thirteen" and "Try Again" make me weak at my ageing knees...

BIG STAR were always a little bit special and hold a cult status to this day that grows with the passing of time - like NICK DRAKE, JUDEE SILL or JOHN MARTYN.

"...Won't you tell your Dad...get off my back...tell him what we said about 'paint it black'..." - Chilton sang on the beautiful acoustic adolescence song  "Thirteen".

You and me kid against the world...

"Truth" by JEFF BECK - July 1968 UK Debut LP on Columbia Records in Stereo featuring ROD STEWART, JIMMY PAGE and NICKY HOPKINS (May 2005 UK EMI 'Expanded Edition' CD Reissue and Remaster) - A Review by Mark Barry...

"...Rock My Plimsoul..."

Jeff Beck's debut solo LP was always going to be a barnstormer - and with a band featuring talent like Rod Stewart on the microphone and Ronnie Wood on second guitar - plus contributions from friends like Jimmy Page, Nicky Hopkins, Aynsley Dunbar and Keith Moon - that's what 1968's "Truth" gives you – a staggering start. Never mind that some claim it even kick-started a subtle but definite move away from Blues-Rock to Hard Rock into the bargain. There's a lot to assess...so once unto the riffage...guvnor...

UK released May 2005 - "Truth" by JEFF BECK on EMI 873 7492 (Barcode 724387374928) is an 'Expanded Edition' CD Remaster with Eight Bonus Tracks and plays out as follows (70:37 minutes):

1. Shapes Of Things [Side 1]

2. Let Me Love You

3. Morning Dew

4. You Shook Me

5. Ol' Man River

6. Greensleeves [Side 2]

7. Rock My Plimsoul

8. Beck's Bolero

9. Blues De Luxe

10. I Ain't Suspicious

Tracks 1 to 10 are his debut LP "Truth" - released July 1968 in the UK on Columbia SX 6293 (Mono) and Columbia SCX 6293 (Stereo) and in the USA on Epic BN 26413. Produced by MICKIE MOST - it peaked at No. 15 in the US LP charts (no UK chart placing).

BONUS TRACKS:

11. I've Been Drinking (Stereo Mix) - originally the Mono UK B-side to "Love Is Blue" released as a 7" single on Columbia DB 8359 in February 1968

12. You Shook Me (Take 1) - First take without piano that was overdubbed on the Final Version - Take 7

13. Rock My Plimsoul (Stereo Mix) - originally the Mono UK B-side to "Tallyman" released as a 7" single on Columbia DB 8227 in July 1967

14. (Beck's) Bolero (Mono Single Version with Backwards Guitar) - originally the Mono UK B-side of "Hi Ho Silver Lining" released as a 7" single on Columbia DB 8151 in March 1967

15. Blues De Luxe (Take 1) - Previously Unreleased (Take 7 is the Master)

16. Tallyman - originally the Mono UK A-side - released as a 7" single on Columbia DB 8227 in July 1967

17. Love Is Blue - originally the Mono UK A-side - released as a 7" single on Columbia DB 8359 in February 1968

18. Hi Ho Silver Lining (Stereo Mix) - originally the Mono UK A-side - released as a 7" single on Columbia DB 8151 in March 1967

Musicians:

JEFF BECK - Electric Guitars, Steel Guitar on 1, Acoustic Guitar on 6, Bass on 5 and Lead Vocals on 16 and 18

ROD STEWART - Lead Vocals

RON WOOD - Bass

MICKY WALLER - Drums and Percussion

Guests:

KEITH MOON of THE WHO - Drums on 8 and 14 - Tympani on 5

JIMMY PAGE of LED ZEPPELIN - 12-String Electric Guitar on 8 and 14

JOHN PAUL-JONES of LED ZEPPELIN - Organ on 4, 5 and 12 - Bass on 8, 14 and 18 - String Arrangements on 18

NICKY HOPKINS - Piano on 3, 4, 8, 9, 11, 14 and 15

AYNSLEY DUNBAR - Drums on 13 and 16

CLEM CATTINI - Drums on 18

MADELINE BELL - Backing Vocals on 11

JOHN CARTER & KEN LEWIS - Backing Vocals on 16

The 16-page booklet is a very tasty affair - new liner notes from noted writer and music historian CHARLES SHAAR MURRAY with contributions from the Guitar Maestro himself - black and white photos of the band (Rodders in full microphone manhandling pose) - guests like Nicky Hopkins - and a wonderful Modtastic photo of the pre "Truth" band with Aynsley Dunbar on Drums instead of Mick Waller (he features on Page 8). CSM keeps it light and witty whilst pouring on the factoids - guitar beginnings with The Yardbirds - the 'Jeff-Rod' writer's credits Beck and Stewart used on the album sleeve - both Zeppelin's John Paul Jones and The Who's Keith Moon contributing so much to that old Paul Robeson chestnut "Ol' Man River" (Organ and Tympani) - an unlikely and very unhip choice for a cover version - and yet one that 'so' works. Long-standing EMI/Abbey Road Audio Engineer PETER MEW carried out the fantastic Remaster - all that latent power now suddenly to the fore - threatening almost all of the time to get snotty, rowdy and salacious with your amp and speakers. Great stuff...

It opens with an oldie done in a new way - a cover of The Yardbirds 1966 hit "Shapes Of Things" - Beck's witty liner notes advising that you crank the track - even if you have the vicar over for afternoon tea. Immediately your struck by the updated heavier guitar sound and Rod's ridiculously good voice – wow – what a combo this band made. The original song "Let Me Love You" starts the first of four 'Jeffrey Rod' writer credits - two more originals in the shape of "Rock My Plimsoul" and "Blues De Luxe" with the last being an 'Arrangement' credit on the old madrigal "Greensleeves". His playing on "Let Me Love You" is fantastic - Stewart singing along with Beck's playing and vice versa. They then take a stab at Tim Rose's "Morning Dew" - a track on his explosive "Tim Rose" debut album on Columbia Records. You can hear why Rod wanted the song - it has that 'soulful' rock thing at its core. The remaster brings up that great wah-wah playing and Ron Wood's sweet bass playing. While you can just about catch Nicky Hopkins Piano tinkles if you listen real close - we still don't seem to know who the 'mysterious Scottish bloke' is on the Bagpipes?

Their brilliant cover of Howlin' Wolf's "You Shook Me" (penned by Willie Dixon) keeps in lean, hard-hitting and dirty - 2:31 minutes of great Blues-Rock. The old nugget "Ol' Man River" gets a kick in the privates too - Moonie's huge tympani drums giving it an epic feel while Zeppelin's JPJ gives it tasteful organ fills. I'm still not convinced if I admire the track more than I like it - but Rod's vocals are truly awesome and Beck's speaker-to-speaker guitar slides are worth the admission fee. Side 2 opens with a clever and beautiful Acoustic Guitar interpretation of "Greensleeves" - Beck sounding like he's Gordon Giltrap all mellowed on a pile of mushrooms. One of my raves is "Rock My Plimsoul" - a Rodders/Beck boogie tune said to bare a close resemblance to B.B. King's "Rock Me Baby". Beck's guitar fills are superb - panning your speakers like Page gone Bonzo on his axe (I love those "over here" calls from Rod). It ends on a one-two - the Slow Driving Blues of "Blues De Luxe" and a fabulous guitared-up cover of Willie Dixon's Wolf showcase "I Ain't Superstitious". It ends the album on a high...

Excluding the awful pop of "Hi Ho Silver Lining" (even if it is Stereo here) - the Bonus Tracks offer up a very cool selection - most of which is killer. The Take 1 version of "You Shook Me" contains Organ instead of Piano and wild guitar playing - someone clearly devouring too much Hendrix for breakfast. "Blues De Luxe" has Rodders laying into the vocals with a passion and at 7:31 minutes - Beck gets to stretch out while Hopkins lays down a Mississippi piano background dripping with ache and feel. The rare single sides are good too and make for quality fan-pleasing extras.

Jeff Beck would briefly dent the LP charts with the even heavier "Beck-Ola" in July of 1969 - but my heart has always been with this raucous, rough and ready starter album - "Truth". And what it must have been like to see this line-up 'live' - giving those tunes what for in some sweaty bar...lost in the music they loved...

"Blow By Blow" by JEFF BECK - March 1975 LP on Epic Records featuring Max Middleton, Phil Chenn and Richard Bailey (2001 UK Epic CD Reissue with Vic Anesini Remaster) - A Review by Mark Barry...

This Review and 199 More Like It Are Available In My

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BLOW BY BLOW - 1975

Your All-Genres Guide To

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All Reviews From The Discs Themselves 

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"...Constipated Duck..."

For such a famous Jazz-Rock album (probably the most well known in Jeff Beck's voluminous catalogue) – it's astounding to think that 1975's "Blow By Blow" didn’t chart Top 50 in the UK. Not even the holy name of 'GEORGE MARTIN' as Producer seemed to entice Blighty buyers. However July 1976's "Wired" (the follow-up) did benefit from Blow's yearlong sinking-into-the-public's consciousness and hit a respectable No. 38. But poor old Epic EPC 89117 got naught in England on its initial release despite media support.

"Blow By Blow" in the USA however was big league - garnishing rave reviews for innovation, Funk Style and the sheer virtuosity of the playing on every track. It clocked a No. 4 placing on Billboard's Rock LP charts - an amazing feat for an instrumental album in 1975. Since then it's been acknowledged as a masterpiece of the Jazz-Fusion-Rock genre and is a noted Audiophile wet dream into the bargain (it received a Stateside Half-Speed Master in 1980 and a Mobile Fidelity Gold CD in 1998).

Which brings by circuitous swift of shore and bend of guitar string to this fab little CD remaster from 2001 by one of my favourite Audio Engineers - the mighty VIC ANESINI. Carrying out the Remasters at Sony Studios in New York – he's a name I've sung the praises of before. Anesini has handled very prestigious SONY catalogue – Elvis Presley, Simon & Garfunkel, The Byrds, Nilsson, Stevie Ray Vaughan, Carole King, Janis Joplin, Laura Nyro, Blood, Sweat & Tears, Santana, Paul Simon and The Jayhawks to name but a few. I seek out his work because it’s the best to my ears. Let’s get to the disc and the music...

UK released 30 April 2001 (May 2001 in the USA) – "Blow By Blow" by JEFF BECK on Epic EPC 502181 2 (Barcode 5099750218129) is a straightforward transfer of the album and plays out as follows (44:37 minutes):

Side 1:

1. You Know What I Mean [Jeff Beck/Max Middleton song]

2. She’s A Woman [Lennon and McCartney song - Beatles cover]

3. Constipated Duck [Jeff Beck song]

4. AIR Blower [Jeff Beck, Max Middleton, Richard Bailey and Phil Chenn song]

5. Scatterbrain [Jeff Beck/Max Middleton song]

Side 2:

6. 'Cause We Ended As Lovers [Stevie Wonder song – Syreeta cover]

7. Thelonius [Stevie Wonder cover]

8. Freeway Jam [Max Middleton song]

9. Diamond Dust [Bernie Holland song]

Tracks 1 to 9 are the album "Blow By Blow" – released March 1975 in the UK on Epic Records EPC 89117 and April 1975 in the USA on Epic PE 33409 (peaked at No. 4 in the USA LP charts – no UK chart position). Recorded at AIR Studios in London - it was Produced by GEORGE MARTIN and Engineered by DENIM BRIDGES.

Note: On the rear of the October 2008 5CD Mini Box Set “Original Album Classics” which also contains the album “Blow By Blow” - tracks 10 and 11 are listed as - “You Know What I Mean” and “She’s A Woman”. It also claims 10 is a bonus track – but neither are actually on the disc. It has exactly the same playing time as the above version (44:37 minutes).

The Band:

JEFF BECK – All Guitars

MAX MIDDLETON – All Keyboards

PHIL CHENN – Bass

RICHARD BAILEY – Drums and Percussion

A long way from 1968's "Truth" and 1969's "Beck-Ola" - albums steeped in hard-hitting Rock and Blues - "Blow By Blow" is a deeply Funky record. And when the neck-jerking rhythms and staccato Rock aren't tempting your butt - the slower tunes like the truly gorgeous "'Cause We Ended As Lovers" and "Diamond Dust" can only be described as 'Soulful' Fusion. It opens with intent - "You Know What I Mean" - guitar flicks accompanied by a Bass and Drums - but then the Funky guitar layers start building until you get a fuzzed up lead-guitar refrain that screams 'Prog' but in almost new way. It's a fabulous start. 

And then there's that stunning and expert Production from Beatles' helmsman and all-round English Gent - George Martin. This thing sounds just incredible - all manner of bent notes and funky licks catching your ears in a two-speaker avalanche. This then segues into an almost unrecognizable cover of The Beatles "She's A Woman" - the B-side of November 1964's "I Feel Fine". Beck uses a voicebox on the guitar while Middleton pings away on the electric piano giving it an almost Steely Dan vibe.

Both "Constipated Duck" and "Scatterbrain" sound pretty much like their titles - frantic guitar work outs that feature the band going at like AWB on speed. But the giant on here for me is his instrumental version of Stevie Wonder's "'Cause We Ended As Lovers" which Beck dedicates to guitar hero ROY BUCHANAN (on Polydor Records) – even aping Buchanan's famous bending-notes style. The vocal version of this gorgeous song is on Syreeta's album “Stevie Wonder Presents Syreeta” from 1974 on Tamla Motown. 

Beck’s searing solo on it is surely a career highlight. The rat-tat-tat of a lone high-hat introduces the clavinet-Funk "Thelonius" - another Stevie Wonder contribution. It then goes into a clever synth Funk with voicebox guitar and a fantastic Bass and Drum rhythm. It sounds like the brilliant instrumental "Contusion" from Stevie's 1976 2LP masterpiece "Songs In The Key Of Life" but done ala 1973's "Innervisions" stylee. "Freeway Jam" gives it some tremolo arm Jazz Fusion while the lovely "Diamond Dust" mellows it all down and feels like a pond ripple in the sunshine for its eight and half minutes.

"Blow By Blow" was inexplicably overlooked in the UK on initial release - a musical mistake you should now rectify in 2016 by buying this fabulous CD Remaster - currently lurking with intent in some Amazon warehouse for less than three English pounds. Naught constipated about that...

"Let It Bleed" by THE ROLLING STONES (2002 Abcko 'Hybrid SACD/DSD CD' Remaster) - A Review by Mark Barry...

"…Sometimes You Get What You Need…"

In the truly fantastic and illuminating 2013 movie "20 Feet From Stardom" - one of the great unsung heroes of backing singers MERRY CLAYTON recalls with a giggle being dragged into a Studio by The Rolling Stones in her mink coat at some ungodly hour in the morning and told to scream "RAPE! MURDER! IT'S JUST A SHOT AWAY..." into a microphone at the top of her formidable lungs whilst heavily pregnant and with her hair-curlers still in. The film isolates her vocal track where she went up an extra octave to get the effect they needed - and you can hear her blowing the room out with her sheer power. Mick Jagger - who is also interviewed in the film along with Springsteen and many other rock beneficiaries - recalls it too and smiles wryly - Merry was damn good. In fact perhaps Clayton stood out as much as he did.

But whatever has passed into musical history since - nowadays both are quite rightly proud of the fabulous song "Gimme Shelter" that opens 1969's "Let It Bleed" by The Rolling Stones - what many lifetime fans feel is one of their finest hairy-assed reprobate hours. Merry Clayton would go on to have a short but sadly unnoticed Solo career of her own on Ode/A & M Records - even naming her debut album "Gimme Shelter" after her most famous moment with the grinning English boy (see separate review).

Back to this CD reissue... When the Decca label side of the Stones catalogue first came out on CD in 1986 on London - it was not the greatest moment for the new format. This 2002 reissue acknowledges this and advises that after 'long and painful' searches through tape vaults on both sides of the Atlantic - both time and technology had caught up enough to warrant a proper stab at it again - and man what a result.

Released August 2002 on Abkco 90042 (Barcode 018771900429) - "Let It Bleed" by THE ROLLING STONES is a straightforward transfer of the album (42:21 minutes):

1. Gimme Shelter

2. Love In Vain

3. Midnight Rambler

4. Live With Me

5. Let It Bleed

6. Midnight Rambler [Side 2]

7. You Got The Silver

8. Monkey Man

9. You Can't Always Get What You Want

Tracks 1 to 9 are the album "Let It Bleed" - released November 1969 in the USA on London NP 4 (Mono) and NPS 4 (Stereo) and December 1969 in the UK on Decca LK 5025 (Mono) and SKL 5025 (Stereo). Only the Stereo mix is used.

Made by Sony and Phillips - the SACD/DSD Hybrid Disc actually has two layers - the first contains the normal CD playback - but the other layer has a SACD remaster which will automatically come on if your machine has SACD playback facilities (it doesn't require a special machine to play this disc). The three-way foldout card digipak unfortunately doesn't reproduce the inner sleeve or the sticker and poster that came with rare originals of the album. It does however take the figurines off the cake and dot them across the digipak and CD. But the real sweet tooth is the sound. Given a careful transfer/remaster/mastering job by Steve Rosenthal, Teri Landi and Bob Ludwig - the sonic transformation of Jimmy Miller's original production are awesome.

Right from the opening moments of "Gimme Shelter" with its atmospheric guitars and NICKY HOPKINS piano playing - you know you're in the presence of something special. Things get even better with the largely acoustic cover of Robert Johnson's "Love In Vain" featuring RY COODER on Mandolin to great effect .The lead in car-horns and fiddle playing of BYRON BERLINE on their countrified piss take of "Honky Tonk Women" (called "Country Honk") sounds suitably ramshackle. Bill Wyman's Bass and Charlie Watt's Drums kick in with power on "Live With Me" as does the piano playing of LEON RUSSELL. The two acidic Side 1 finishers "Live With Me" (with MICK TAYLOR) and "Let It Bleed" (with IAN STEWART) have that fantastic British Rock 'n' Roll swagger that only the Faces seemed to be able to get near with any conviction.

Side 2 opens with the killer "Midnight Rambler" - a concert pleaser to this day. I love the wickedly sly "You Got The Silver" with Keith giving it bottleneck slide and half-stoned half-jealous vocals. Reputedly about the actress Anita Pallenberg immersed in the filming of "Performance" with Mick Jagger - the song also turned up in the futuristic classic "Zabriskie Point" - a notorious bomb at the box office in 1970. There can't be many Stones who don't think "Monkey Man" one of their great, unheralded Rocking masterpieces - a snotty little number perfectly placed before the glorious symphony of "You Cant Always Get What You Want". What can you say about this album finisher - how many times has its opening magic been used in movies to elicit emotion - and worked! To this day the 7" single edit of it on the B-side of "Honky Tonk Women" can only be found on the 3rd Stones Singles Box 1968-1971 (see separate review). As Al Kooper bashes the keys and Doris Troy, Nanette Newman, Madeline Bell and The London Bach Choir sing the song out - I'll admit to blubbing little Glimmer Twin tears...absolute f***ing genius.

"This Record Should Be Played Loud" it stated on the inner bag of the original vinyl LP.

Whether you go for the 2002 SACD/CD Hybrid issue or Japan's SHM-CD from 2010 (with all the repro artwork and 2002 remaster) - I'd apply the same code to this blindingly good remaster...CRANK IT!

PS: A young Delia Smith baked the cake on the cover...swear to God...

"Yesterday’s Sunshine: The Complete 1967-1968 London Sessions" by GRAPEFRUIT (2016 RPM CD Remasters) - A Review by Mark Barry...

"...Elevator Going High..." 

Famously associated with Apple Publishing and therefore the orbit of Paul McCartney and John Lennon (they produced "Lullaby") – London's swinging Pop-Psych kids GRAPEFRUIT had the wickedly good songwriter George Alexander at its four-piece core and should have been big. But instead they managed a cluster of largely failed 7" singles and one posthumous LP before going Hard Rock with their second platter "Deep Water" in 1969 (outside the remit of this CD). Well along comes quality reissue label RPM and they’re determined to reassess and re-define. And after decades of fruitless searching for mastertapes (they located them in 2015) - I think they have more than a point. Here are bittersweet details...

UK released 20 May 2016 – "Yesterday's Sunshine: The Complete 1967-1968 London Sessions" by GRAPEFRUIT on RPM Retro 977 (Barcode 5013929599772) is a 20-track CD compilation of Remasters and plays out as follows (57:21 minutes):

1. Dear Delilah

2. Dead Boot

3. Breaking Up A Dream *

4. Lullaby (Sped-Up Stereo Version) **

5. Another Game

6. Elevator **

7. Yes **

8. Ain't It Good **

9. Sweet Little Miss No Name */**

10. Round Going Round (aka "Round And Round")

11. Someday (Alternate Version) **

12. Somebody's Turning On The People */**

13. Trying To Make It To Monday

14. C'mon Marianne **

15. Theme For Twiggy (aka "Theme For A Lonely Queen")

16. This Little Man

17. Do What You want To (aka "Learn To Love Me") */**

18. Yesterday's Sunshine **

19. Someday Soon

20. One More Try */**

NOTES:

* = Previously Unreleased in Any Form

** = New Tape Transfer/Multi-Track Mix

GRAPEFRUIT was:

GEORGE ALEXANDER, JOHN PERRY, PETE SWETTENHAM and GEOFF SWETTENHAM (ex The Sugarbeats who had two 45s on Polydor)

Produced by MARK STRATFORD and STEFAN GRANADOS - the 16-page booklet has superlative and informative liner notes from band expert STEFAN GRANADOS that includes input from surviving band members, pictures of Advision Tape Boxes, trade adverts for RCA (one with a photo of McCartney) and Stateside/Dunhill, several EMI Apple Acetates, Sheet Music for "Dear Delilah", UK Press reviews and various publicity photos. It's well done and very detailed. Much is made of the only-recently located master tapes - and rightly so. The experienced SIMON MURPHY did the Transfers and remasters at FX Sound and Another Planet and the Audio is superb - very clean yet full of atmosphere and presence (only "Trying To Make It To Monday" is from a restored Acetate as the master tape couldn't be located).

This CD compilation will allow fans to sequence their first five 45s as follows:

1. Dear Delilah [1] b/w Dead Boot [2]

January 1968 UK 7" single on RCA Records RCA 1656 - USA 7" single on Equinox 70000

2. Elevator [6] b/w Yes [7]

April 1968 UK 7" single on RCA Records RCA 1677 - USA 7" single on Equinox 70005

3. C'mon Marianne [14] b/w Ain't It Good [8]

July 1968 UK 7" single on RCA Records RCA 1716 - USA 7" single on Equinox 70008

4. Someday Soon [19] b/w Theme For Twiggy [15]

December 1968 UK 7" single on Stateside SS 8005 (no US release)

5. Round Going Round [10] b/w This Little Man [16]

March 1969 UK 7" single on Stateside SS 8011 - USA 7" single on ABC Dunhill 4178

Stateside in the UK and ABC/Dunhill in the USA issued a posthumous debut album in April 1969 called "Around Grapefruit" that took nine of the ten single sides and threw in three new songs recorded in 1968 ("Another Game", "Yesterday's Sunshine" and "Lullaby"). This CD will allow fans to sequence the LP as follows [5] = Track 5 etc...

Side 1:

1. Another Game [5]

2. Yesterday's Sunshine [18]

3. Elevator [6]

4. Yes [7]

5. C'mon Marianne

6. Lullaby

Side 2:

1. Round Going Around [10]

2. Dear Delilah [1]

3. This Little Man [16]

4. Ain't It Good [8]

5. Give It One More Try [20] * see Notes

6. Someday [19]

Tracks 1 to 12 is the debut LP “Around Grapefruit” – released April 1969 in the UK in Stereo on Stateside SSL 5008 and in the USA on ABC/Dunhill DS- 50050. The song “Give It One More Try” is “One More Try” renamed and makes its CD debut here.

At the heart of the group was prolific melody songwriter George Alexander who apart from "Yes" by John Perry and a cover of The Four Seasons "C'mon Marianne" - penned all 18 of the other songs. There's Psych in the swirl of "Dear Delilah" and the mellotron-drenched "Someday Soon" (a slowed down re-write of "Someday") - but stuff like "Round Going Round" is more Kinks-pop. They go Move-pop for the catchy "Elevator" which features Status Quo's "Pictures Of Matchstick Men" type-guitar. Of the unreleased tracks - "Breaking Up A Dream" is a well-recorded instrumental that feels like it badly needs lyrics - better is the bopper "Sweet Little Miss No Name" where the band could be 1966 Monkees chalking up another Top Ten smash. One of the unreleased gems is surely "Somebody's Turning On The People" where they sound like embryonic Badfinger.

It's not all genius by any means - and the lack of out and out killer singles probably did for the band in the end - but when you sequence that album as I've done above - it's a very cool and impressive listen. Well done to RPM and all involved...