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Sunday 12 June 2016

"Tracks On Wax 4" by DAVE EDMUNDS (Part Of 2015's 'Original Album Series' 5CD Mini Box Set on Parlophone/Warners) - A Review by Mark Barry...





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"...Here Come The Trouble Boys..."

"Tracks On Wax 4" by DAVE EDMUNDS (1978 LP on Swan Song)

It feels like I've been waiting for this 5CD mini box set peach for years precisely because it contains many of my favourite Dave Edmunds albums – least not all is 1977's criminally forgotten "Get It" and our main concern here - the equally cool 1978 set "Tracks On Wax 4".

There's something about Dave Edmunds Rock 'n' Roll fixation throughout the whole of the Seventies that I've always loved. He rocked and his records were fun listens too. But what's perhaps forgotten is that his LPs mixed in his 50ts and 60ts obsessions with the ‘New Wave’ songwriting genius of Rockpile's Nick Lowe and Billy Bremner - not to mention the acidic tongues of Elvis Costello and Graham Parker. The result was albums - that although retro in feel and sound - were also somehow incredibly contemporary.

Oddly though - availability has always been an issue. Outside of Rhino's superb 1993 2CD "Anthology" career-overview – Remasters of his primo full-album catalogue have remained off the general CD availability radar until now. Well here at last is a salty 5CD set to sort out my DE needs – and it’s a humdinger too containing both "Get It", "Tracks On Wax 4" and much more. Here are the 'Worn Out Suits & Brand New Pockets'...

UK released September 2015 – "Original Album Series" by DAVE EDMUNDS (including LOVE SCULPTURE) on Parlophone/Warners/Swan Song 0081227952006 (Barcode same number) is a 5CD mini Box set containing the "Tracks On Wax 4" album (Disc 3) that plays out as follows:

Disc 3 (34:11 minutes):
Side 1:
1. Trouble Boys [Billy Bremner song]
2. Never Been In Love [Nick Lowe & Rockpile song]
3. Not A Woman, Not A Child [Billy Bremner song]
4. Television [Nick Lowe song]
5. What Looks Best On You [Dave Edmunds and Nick Lowe song]
6. Readers Wives [Noel Brown song]

Side 2:
7. Deborah [Dave Edmunds and Nick Lowe song]
8. Thread Your Needle [Brenda Lee Jones and Welton Young song – Dean and Jean cover]
9. A.I. On The Jukebox [Dave Edmunds/William Birch (of The Kursaal Flyers)]
10. It's My Own Business [Chuck Berry cover]
11. Heart Of The City [Nick Lowe song]
Tracks 1 to 11 are the album "Tracks On Wax 4" – released April 1978 in the UK on Swan Song SSK 59407 and in the USA on Swan Song SS 8505

Everyone knows the visual story with these "Original Album Series" Mini 5CD Box sets – five single card sleeves with the original artwork front and rear – look nice but you can’t read the details. At least the CDs themselves have the track credits on each. It doesn’t say who remastered the four Swan Song albums or indeed if they’ve been even been redone (the Love Sculpture CD is the 1999 EMI Remaster) – I doubt it. The sound is great but there's no doubt in my mind that the Rhino Remasters of 1993 on the "Anthology" 2CD set are infinitely better. Having said that - as the bulk of these albums are late 70ts and early 80s recordings – the audio was on the money anyway – so for most casual listeners these CDs will sound just dandy.

Typical of Edmunds – he seemed to always know what song suited him and how to re-arrange it into his own updated DE style. For example - a genius choice on 1978's "Tracks On Wax 4" is an ultra-obscure B-side on Rust Records of the USA called "Thread Your Needle". It was put out by Dean and Jean in 1966 as the flipside to "You're The Love Of My Life" and penned by Brenda Lee Jones and Welton Young – both of whom authored "The Majestic" for Dion in 1961. It's the kind of Eddie Cochran-ish guitar rocker that just comes in – does the business – and leaves – no muss - no fuss.

That gem is followed by the hugely likeable "A.I. On The Jukebox" which feels like old-time Fifties Rock 'n' Roll but is actually a modern 1978 co-write between Dave Edmunds and William Birch of The Kursaal Flyers. It was issued as a UK A-side 45 on Swan Song SSK 19417 in February 1979 with the fab rocker "It's My Own Business" as its flipside – but despite the strength of both tracks – it tanked (yet you’ll find yourself replaying these little nuggets over and over again). His instincts to record Nick Lowe's brilliant and incendiary "Heart Of The City" 'live' pays off (no venue or date provided) because it gives the tune that Punky punch it warrants.

Other winners include Billy Bremner's ode to laddishness "Trouble Boys" where our hero initially wimps out in front of his girl when confronted by some mouthy oiks but soon steps up to the protective plate. The slightly dangerous and sexually loaded theme continues with Noel Brown's raucous rocker where all our Dave wants to do is look at "Reader's Wives" in their varying magazine temptations. And his Everly Brothers sounding "What Looks Best On You" tells his lady that what looks best on her is 'Dave' (what a gent). All of it is rollicking great fun and so upbeat. In fact I can’t help thinking that 1978's "Tracks On Wax 4" is a forgotten nugget in Dave Edmunds' long cannon of enjoyable albums stretching all the way back to 1975's "Subtle As A Flying Mallet", 1972's "Rockpile" and the two Love Sculpture albums in 1970 and 1968 (see reviews for them all).

June 1979's "Repeat When Necessary" and April 1981's "Twangin'" would only cement his album reputation with fans – more wickedly good stuff from a master interpreter. A modern day Rock 'n' Roll Hoochie Coochie Man indeed...

"Waiting For Columbus: Deluxe Edition" by LITTLE FEAT (Inside The 2014 'Rad Gumbo: The Complete Warner Bros. Years 1971 to 1990' 13CD Box Set) - A Review by Mary Barry...




"…Tripe Face Boogie…"

"Waiting For Columbus" by LITTLE FEAT (1978 Double Live Album)

Taking its Box Set title from a New Orleans bopper on 1990's "Representing The Mambo" LP - "Rad Gumbo: The Complete Warner Bros. Years 1971 to 1990" by LITTLE FEAT is a 13CD Mini Box Set that many fans will say has been a long-time coming.

And for the purpose of this review - amongst its many Audio pleasures is the 2CD 'Deluxe Edition' of their fabulous "Waiting For Columbus" 2LP set from 1978 – their official 'live album' whilst Lead Guitarist Lowell George was still with us and leader of the band. And yet even though "Columbus" has garnished a legendary status amongst LF fans (Funky-Rock at its finest) - as a release it's somehow gotten lost across the decades for everyone else - often overlooked for more famous studio efforts like "Sailin' Shows" and "The Last Record Album". I'd argue 'over look' no more music lovers and let's dig in. Here are the Fat Men In Bathtubs consuming weeds, whites and wine...

UK released Monday 24 February 2014 (4 March 2014 in the USA) - “Rad Gumbo: The Complete Warner Bros. Years 1971 to 1990" by LITTLE FEAT on Rhino/Warner Brothers 8122796057 (Barcode 081227960575) is a 13CD Mini Box Set of Remasters. Discs 7 and 8 of the 13 are the 1978 double live-album "Waiting For Columbus" Remastered onto 2CDs with Bonus Tracks. It plays as follows...

Disc 1 (60:19 minutes):
1. Join The Band [Side 1]
2. Fat Man In The Bathtub
3. All That You Dream
4. Oh Atlanta
5. Old Folk’s Boogie
6. Dixie Chicken [Side 3]
7. Tripe Face Boogie
8. Rocket In My Pocket
9. Time Loves A Hero [Side 2]
10. Day Or Night
11. Mercenary Territory
12. Spanish Moon

Disc 2 (78:02 minutes):
THE ENCORE:
1. Willin' [Side 4]
2. Don't Bogart That Joint
3. A Apolitical Blues
4. Sailin' Shoes
5. Feats Don’t Fail Me Now
OUTTAKES
6. One Love Stand
7. Rock And Roll Doctor
8. Skin It Back
9. On Your Way Down
10. Walkin’ All Night
11. Cold, Cold, Cold
12. Day At The Dog Races
"HOY HOY" OUTTAKES
13. Skin It Back
14. Red Streamliner
15. Teenage Nervous Breakdown
Tracks 1 to 12 on Disc 1 and Tracks 1 to 5 on Disc 2 make up the original 2LP vinyl set "Waiting For Columbus" – released March 1978 in the USA on Warner Brothers B2K 3140 and in the UK on Warner Brothers K 66075. Tracks 6 to 12 on Disc 2 are previously unreleased outtakes with 13 to 15 also being are outtakes first issued on the “Hoy Hoy” double album retrospective in 1981. It peaked at No. 18 on the USA LP chart and No. 43 in the UK.

Audiowise fans will know that in April 2002 Rhino issued an 'Expanded Edition' of "Waiting For Columbus" onto 2CDs with a card slipcase (Barcode 081227827427). Luckily this superb 2014 Box Set gatefold card sleeve repro apes that reissue and remaster by including its 10 Bonus Tracks – seven 'Previously Unreleased' Outtakes from the concerts and three more Live Outtakes that first appeared on the "Hoy Hoy" double-album compilation issued in July 1981. BILL INGLOT and DAN HERSCH carried out the 2002 CD Remasters and that's what you get here – gorgeous sound and real ballsy clarity.

It opens with the jokey ditty "Join The Band" – a recorded in a bucket two-minute mess around before launching into proceedings proper with a Funky-As-A-Vicar's-Teacakes "Fat Man In A Bathtub". You're struck the great Remaster and just how tight this band is – swaying like this beautifully sexy thing – and achieving that unique 'Little Feat' sound. It had been no secret that on the Warner Brothers Live Show Tour - Little Feat would regularly slaughter good live bands like The Doobie Brothers, Kokomo and Graham Central Station every night. At times the crowd would get so hot they'd actually boo the other quality acts – calling for the Feat's return. And followed by the equally cool "All That You Dream" – it's easy to hear why – and why so many say that you can only really appreciate the band in a live setting.

Then there’s the band players and those big league guests – BILL PAYNE on Piano, PAUL BARRERE on Lead Guitar and Vocals, KENNY GRADNEY on Bass, RICHARD HAYWARD on Drums and Percussion with LOWELL GEORGE on Lead Vocals and Guitar. Friends like Mick Taylor of The Rolling Stones guest (he's on "A-Political Blues") whilst the "Hoy Hoy" outtake allowed us to hear Michael McDonald and Patrick Simmons of The Doobie Brothers guest on "Red Steamliner". But probably best of all is the TOWER OF POWER Horn section on fab stuff like "Spanish Moon".

Amongst the extras are very cool Funky tunes like "One Man Show" that could easily have been a 45 and the Bluesy "On Your Way Down" - a forgotten slow and moody nugget on the "Dixie Chicken" album from 1973. Rocking boogie comes in the shape of "Walkin' All Night" where they sound like The Band finding their inner Betty Davis - getting all bitchy with that rhythm...

"Waiting For Columbus" is a wickedly good live double and combined with those superb CD extras on the 'Deluxe Edition' - elevated to something extraordinary. And lodged inside the 13CD embarrassment of riches that is the 'Rad Gumbo' LITTLE FEAT Box Set - it's also a value-for-money 'feats won't fail you now' purchase. 

God bless you Lowell George...

"Link Wray" by LINK WRAY (Inside 2015's 2CD Remaster Set "3-Track Shack" by Ace Records of the UK) - A Review by Mark Barry...



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"...I Feel The Thunder...I Feel The Fallin' Rain..."

"Link Wray" by LINK WRAY (1971 LP on Polydor Records)

Even as a veteran of secondhand record shops and a rarities buyer for nearly 20 years at the fab Reckless Records in London – I'm kind of shocked at the sheer undiscovered classiness of this Link Wray music. Truthfully I never gave it the time of day back in the day. In fact I can recall seeing British copies of 1971's "Link Wray" turn up in our busy Berwick Street shop in its American die-cut gatefold sleeve with his side profile face – and we’d all sigh.

The same would apply to the other album culled from these sessions - the single sleeve UK issue of Mordicai Jones by MORDICAI JONES (a gatefold in the USA with different artwork). We knew from previous experience that these obscure LPs would sit in our racks for months on end - until eventually reduced to a nominal amount - someone would buy them as a curio rather than a sought-out deliberate purchase. How times have changed...

For this superb UK 2CD reissue the simplest comparison musically is The Band and Folk-Rock Americana. Most fans who worship the ground that The Band's "Music From Big Pink" (1968) and "The Band" (1969) walks on – they would never in their wildest dreams look at the Rock 'n' Roll guitar 'rumble' of Carolina Shawnee Indian LINK WRAY and think 'Americana' – the beginnings of Tony Joe White, J.J. Cale, Townes Van Zandt and then onwards into the Indi Folk-Rock of Ryan Adams, The Jayhawks, Bon Iver, Sufjan Stevens and The Fleet Foxes. But that's what this rather brilliant little reissue contains. Simple but original Country, Folk, Blues and Roots tunes recorded live on guitars and upright piano in a converted Chicken Shack in Accokeek in the State of Maryland on his brother's farm (Doug Wray) with no overdubs and barely enough electricity. If they had no drums – they simply stomped feet hard and rattled those loose nails. If the song was quiet - it's said you can hear bullfrogs croaking and dogs howling outside the miked-up windows. Throw in Wray's strangely expressive Paul Siebel/Mickey Newbury twanging-voice and the results are earthy, real, simple and wonderfully melodic. Like classic J.J. Cale albums from the 70s – each guitar-chug and clever string-bend eats its way into your heart – each tune is simple and direct and warm and full of local stories ("Rise And Fall Of Jimmy Stokes"). I can even hear traces of a hopeful Rodriguez in his vocal style and lyrics - his commentaries on urban life and people trying to find their way in a mixed up world – elegant and truthful ("Fallin' Rain" and "Ice People"). There's a lot to get through so once more unto the backwater shed and that Ampex 3-track...

UK released August 2015 (September 2015 in the USA) – "3-Track Shack" by LINK WRAY on Ace Records CDCH2 1451 (Barcode 029667073820) offers up 3LPs from 1971 and 1973 onto 2CDs with one British 7" single edit as a bonus track. The "Link Wray" LP portion of it plays out as follows:

Disc 1 (63:36 minutes):
1. La De Da
2. Take Me Home Jesus
3. Juke Box Mama
4. Rise And Fall Of Jimmy Stokes
5. Fallin' Rain
6. Fire And Brimstone [Side 2]
7. Ice People
8. God Out West
9. Crowbar
10. Black Rover Stomp
11. Tail Dragger
Tracks 1 to 11 are the album "Link Wray" – released June 1971 in the USA on Polydor 24-4064 and September 1971 in the UK on Polydor Super 2425 029

You can't argue that the chunky 28-page booklet scrimps it on details or photos – recounting his career from Fifties and Sixties 'rumble' style guitar Rock 'n' Roll into these three albums - a 70's change of gear into Americana where the loud guitars of old are replaced with downhome acoustic tunes. The fantastic DAVE BURKE and ALLAN TAYLOR liner notes (co-editors of the "Pipeline" Fanzine on Rock Instrumentals) also do a lot to unravel the mysterious 'Mordicai Jones' project issued only months after the failed "Link Wray" album of June 1971. It turns out that the stunning Terry Reid-type vocals by the fictional Mordicai Jones character are in fact by Gene Johnson and not the keyboardist in Wray’s band Bobby Howard (as had been presumed). But the big news for fans (apart from the availability of this music after decades in the wilderness) is the amazingly clear remasters by long-time Engineer NICK ROBBINS – a name that has graced hundreds of quality British reissues. There is nothing lo-fi about these transfers despite how the original recordings were laid down.

A world away from his previous style of instrumental Rock 'n' Roll guitar – the two more Folksy albums were not well received at the time. "Link Wray" barely scraped into No. 186 on the American album charts in July 1971 (lasting only 4 weeks) - while the pseudonym "Mordicai Jones" project advertised in early June 1971 but not released until November simply confused people and most ignored it. Let's get to the music...

The openers "La De Da" and "Take Me Home Jesus" set the tone for the "Link Wray" album – The Band recording Americana with two-fingers held up to 24-track mixing consoles. There's Washboard melodrama to the catchy "Juke Box Mama" which Polydor USA put on the flipside of the 45 for the beautiful "Fallin' Rain" (Polydor PD 14096). We get a little Elvin Bishop and J.J. Cale with the very cool chugger "Rise And Fall Of Jimmy Stokes" which chronicles a boy with a shirt on his back trying to make it in the big city. It's amazing to think now that something as obviously lovely and topical as "Fallin' Rain" with lyrics like "...where kids lay bleeding on the ground...there's no place where peace can be found..." didn’t make an impression on the radios of the day – very Mickey Newbury and Eric Andersen. The hugely likeable "Fire And Brimstone" opens Side 2 in style – Jug Band music with a Mungo Jerry commerciality. "Ice People" bemoans the Red Man’s fate on the Reservation and again Link's vocals remind you of Levon Helm at his touching best. The ragged electric lead guitar in "God Out West" is the nearest nod to his loud 'rumbling' style of old (that guitar sound would turn up on the outtakes album "Beans And Fatback" in 1973). The acoustic-slide Blues of "Crowbar" reminds me of James Taylor's "Steamroller" on "Sweet Baby James" where Link tells his girl "...I'm a crowbar baby and I’m sure gonna ply you loose..." (how very gentlemanly of him). The opening flickering mandolin strums of "Black River Swamp" suit an impossibly laconic melody that’s full of Southern Soul (voices and guitars recorded for pure feel). Wray means it as he sings "...I can hear them bullfrogs croaking...calling me back to my childhood...down here in Black River Swamp..." The album ends on the only cover version – a fantastic Bo Diddley guitar chug at "Tail Dragger" (written by Willie Dixon for Howlin' Wolf). I'm a sucker for slide bottleneck guitar and this baby has guitars going on everywhere as Link does his best Chester Burnett vocal growl.

One of the Backing Vocalists credited simply as 'Gene' on the "Link Wray" albums turns out to be GENE JOHNSON – the principal vocalist for the Mordicai Jones album and project (not Bobby Howard as was long thought). The moniker of Mordicai Jones might have been Polydor's way of dealing with the fan backlash/indifference to "Link Wray" (hide him behind some other band). The booklet also reproduces in full the gatefold artwork of the American LP (the shack pictured in the woods nestled in a canopy of trees). The inside photo on the inner gatefold was used by British copies on their front covers and reduced to a single matt sleeve. The inner right side of the gatefold was used as the artwork for the rear of the British LP and the album didn’t show until early 1972 (about March) where it was met with as much non-interest as it had been in 1971 USA.

So why did it all fail – why don’t you know about these albums? I suppose you could say that all three records lacked an overall impact to make them classics of the day – but in hindsight - these Countrified Americana albums by Link Wray make for a fabulous listen - offering up music that gets to you after repeated listens – music you want to champion and rave about.

A stunning release then from Ace Records of the UK and a reminder that there’s so much great music out there to still find and cherish. "Link Wray" from 1971 is an album you want in your life. Properly impressed I am...

"Get It" by DAVE EDMUNDS - April 1977 UK LP on Swan Song Records (Inside The 2015 'Original Album Series' 5CD Capacity Wallet Mini Box Set on Parlophone/Warners with Five Repro Card Sleeves and Remasters) - A Review by Mark Barry...




This Review Along With 339 Others Is Available In My
SOUNDS GOOD E-Book on all Amazon sites
PROVE IT ALL NIGHT 
Music Of 1975 to 1979 
Your All-Genres Guide To 
Exceptional CD Reissues & Remasters
Thousands of E-Pages - All Details and In-Depth Reviews From Discs
Just Click Below To Purchase (No Cut and Paste Crap)

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"...I Knew The Bride When She Used To Rock 'n' Roll..."


It feels like I've been waiting for this 5CD mini box set peach-a-rooney for years precisely because it contains many of my favourite Dave Edmunds albums – least not all is 1977's criminally forgotten "Get It" and the equally cool 1978 set "Tracks On Wax 4".

There's something about Dave Edmunds Rock 'n' Roll fixation throughout the whole of the Seventies that I've always loved. He rocked and his records were fun listens too. But what's perhaps forgotten is that his LPs mixed in his 50ts and 60ts obsessions with the ‘New Wave’ songwriting genius of Rockpile's Nick Lowe and Billy Bremner - not to mention the acidic tongues of Elvis Costello and Graham Parker. The result was albums - that although retro in feel and sound - were also somehow incredibly contemporary.

Oddly though - availability has always been an issue. Outside of Rhino's superb 1993 2CD "Anthology" career-overview – Remasters of his primo full-album catalogue have remained off the general CD availability radar until now. Well here at last is a salty 5CD set to sort out my DE needs – and it’s a humdinger too containing both "Get It", "Tracks On Wax 4" and much more. Here are the 'Worn Out Suits & Brand New Pockets'...

UK released September 2015 – "Original Album Series" by DAVE EDMUNDS (including LOVE SCULPTURE) on Parlophone/Warners/Swan Song 0081227952006 (Barcode same number) is a 5CD mini Box set containing the "Get It" album (Disc 2) that plays out as follows:

Disc 2 (31:44 minutes):
1. Get Out Of Denver [Bob Seger cover]
2. I Knew The Bride [Nick Lowe cover]
3. Back To School Days [Graham Parker cover]
4. Here Comes The Weekend [Dave Edmunds & Nick Lowe song]
5. Worn Out Suits, Brand New Pockets [Dave Edmunds song]
6. Where Or When [1937 Rodgers & Hart song – Roy Heatherton & Mitzi Green cover]
7. Ju Ju Man [Jim Ford cover] – [Side 2]
8. Git It [Bob Kelly song – Gene Vincent & His Blue Caps cover]
9. Let's Talk About Us [Otis Blackwell song – Jerry Lee Lewis cover]
10. Hey Good Lookin' [Hank Williams cover]
11. What Did I Do Last Night? [Nick Lowe song]
12. Little Darlin' [Dave Edmunds & Nick Lowe song]
13. My Baby Left Me [Arthur Crudup song – Elvis Presley cover]
Tracks 1 to 13 are the album "Get It" – released April 1977 in the UK on Swan Song SSK 59404 and in the USA on Swan Song SS 8418.

Everyone knows the visual story with these "Original Album Series" Mini 5CD Box sets – five single card sleeves with the original artwork front and rear – look nice but you can’t read the details. At least the CDs themselves have the track credits on each. It doesn’t say who remastered the four Swan Song albums or indeed if they’ve been even been redone (the Love Sculpture CD is the 1999 EMI Remaster) – I doubt it. The sound is great but there's no doubt in my mind that the Rhino Remasters of 1993 on the "Anthology" 2CD set are infinitely better. Having said that - as the bulk of these albums are late 70ts and early 80s recordings – the audio was on the money anyway – so for most casual listeners these CDs will sound just dandy.

The "Get It" album represents his most accessible and famous period - the late 70ts. Opening with a killer cover of "Get Out Of Denver" from Bob Seger's forgotten 1974 album "Seven/Contrasts" on Capitol Records - it was just the kind of thrashing Chuck Berry rocker Edmunds loved - though I'd have to say that my heart is with the wicked Seger original. Songwriting genius rears it's lyrically fab head in the utterly brilliant "I Knew The Bride (When She Used To Rock 'n' Roll)" - a genius rocker from Nick Lowe. "He's shaking hands with relatives with a glassy look in his eye...and his shirt and tie is real nice...but I can remember a time when she wouldn't have looked at him twice..." Lowe finally put out his take on "The Rose Of England" in 1986.

More New Wave Rockabilly comes with Graham Parker's wicked good "Back To Schooldays" where Dave gives it some Stray Cats arrangement. "Here Comes The Weekend" is a co-write between Edmunds and Nick Lowe and is superb mixture of The Everly Brothers harmonies meets Eddie Cochran's guitar (it was an obvious single). Other covers include Jim Ford's rocker "Ju Ju Man", the frantic Rock 'n' Roll of "Let's Talk About Us" - an Otis Blackwell winner made famous by Jerry Lee Lewis and sweet Gene Vincent's ooh-bop "Git It" - a song the stunning Steve Gibbons regularly played live. It ends on a back-to-basics Scotty Moore and Bill Black Rockabilly version of "That's Alright" - the Arthur Crudup song Elvis made famous in 1956.

Great stuff from start to finish...

Saturday 11 June 2016

"Be Seeing You" LP by Dr. FEELGOOD [feat Gypie Mayo] (Inside the 2012 EMI 'Taking No Prisoners' 4CD/1DVD Box Set Remasters) - A Review by Mark Barry...





"...Fine Looking Figure..."

I know fan affection lies firmly with the original Wilko Johnson line-up of the mighty Dr. FEELGOOD (Britain's best Pub Rock and R 'n' B band) - but for me the JOHN 'GYPIE' MAYO line-up was even more mind-blowing than its superlative predecessor. And 1977's "Be Seeing You" by Dr. FEELGOOD only hammers this home in spades.

You can acquire it individually for about nine quid - but I'd suggest you take the warm hand-shandy plunge and fork out a few extra quid on the truly fantastic and jam-packed 5-disc EMI reissue "Taking No Prisoners (With Gypie 1977-1981)". 

A 4CD/1DVD hardback book-shaped Box Set issued July 2013 in the UK on EMI 5099901954029 (Barcode 5099901954029) - it contains the "Be Seeing You" LP in stonking Remastered form and a whole lot more besides. Here's the soiled beer mats...

Disc 1 - STUDIO (77:45 minutes):
1. Ninety Nine And A Half Just Won't Do
2. She's A Wind Up
3. I Thought I Had It Made
4. I Don't Wanna Know
5. That's It, I Quit
6. As Long As The Price Is Right
7. Hi-Rise
8. My Buddy-Buddy Friends
9. Baby Jane
10. The Blues Had A Baby And They Named It Rock 'n' Roll
11. Looking Back
12. 60 Minutes Of Your Love
Tracks 1 to 12 are their 5th album "Be Seeing You" - UK released in September 1977 on United Artists UAS 30123.

Tracks 23 and 24 on Disc 1 are the non-album single "As Long As The Price Is Right" and "Down At The (Other) Doctors". The A is a 'Second Version' and was issued as a UK 7" single in April 1979 on United Artists UP 36506 (the original mix is on the "Be Seeing You" LP – Track 6).

DVD:
BBC Sight And Sound Concert Recorded and Broadcast December 1977
Of the 11 tracks - six from the "Be Seeing You" album are featured
"Looking Back", "Baby Jane", "The Blues Had A Baby And They Named It Rock 'n' Roll", "That's It, I Quit" and "She's A Windup"
Top Of The Pops Broadcasts - 5 songs from 1977 to 1979
6 Video Clips for 6 songs
Tyne Tees Television clip from "Alright Now" Program July 1980
The South Bank Show recorded June 1981 - Interviews etc

PETER MEW has done the peerless remasters - a man I've raved about on many occasions and an engineer whose handled hundreds of reissue projects. The sound quality here is FABULOUS - punchy, great power and never too amped up to be over trebled. And the full colour 72-page booklet is incredible - full of adverts, single sleeves, live shots, memorabilia, outtakes from album covers - even the 4 discs ape the band-member Toby Jugs on the front cover of "Let It Roll". The 'Discography' section has photos for the 7" singles "She's A Windup" (September 1977 on United Artists UP 36304) and "Baby Jane" (November 1977 on United Artists UP 36332). They even picture the titled plain card sleeve for the "Baby Jane" 12" single. One whole page in the booklet is given over to a trade advert (LP and Cassette) for the "Be Seeing You" album with its 'Prisoner' penny farthing bicycle in the background. Continuing on the Patrick McGoohan 'Prisoner' TV Show Theme – the album is produced by 'No. 6' which turns out to be English musical hero NICK LOWE.

We get the beers in with a choppy Feelgood version of "Ninety Nine And A Half (Won't Do)" – a cover of Wilson Pickett's May 1966 Atlantic Records hit. Things continue at a typically frantic pace – the fantastic band-written "She’s A Windup" where this girl wears low cut dresses but when the action starts that's as low as she goes (lyrics above). We then get a brilliant groove in the shapely "I Thought I Had It Made" – a witty Brilleaux and Mayo tale of a sure-fire night of passion (swinging to The Moody Blues) until the joint gets raided. Another potential single was the chugger "I Don't Want To Know” – a fantastic Feelgood groove with Mayo going all Jeff Beck in the guitar solo.

Sleazy and just the right side of hotel-room hilarious - you can so hear why they chose the witty Larry Wallis song "As Long As The Price Is Right" as a single and why the 'second version' had an oomph the LP cut somehow lacked. "...If you got no cash...then I gotta dash..." - Lee Brilleaux sings with a Soho weariness that smells of stale perfume and overfilled ashtrays. The cool instrumental "Hi-Rise" featured on the British 12" single of that other LP winner "Baby Jane" – a frantic Harmonica-driven cover of an obscure Otis Clay 45 from 1969 on Dakar Records. "I'm gonna tell you all a story...one that's never been told..." - Brilleaux growls at the beginning of a ridiculously good cover of the old Muddy Waters showstopper "The Blues Had A Baby And They Named It Rock 'n' Roll". It ends on the neck-jerking "Looking Back" – a great Johnny Watson song about looking back at her while she was looking back at him (and on it goes).

As Number 2 said to Number 6 in "The Prisoner" TV Series - "Be Seeing You". You're too damn right.

DR. FEELGOOD in the 70ts were the absolute business. Flash the cash on this one boys...make with the green...if you know what I mean...

PS: I've also reviewed the 'Wilko Johnson' period of Dr. FEELGOOD on the EMI Box Set called "All Through The City" and the Japanese SHM-CD reissue of "Private Practice" from 1978 (same band line-up)

PPS: There's an obituary in the Christmas 2013 issue of The Record Collector Magazine for John Mayo who sadly died (aged 62) in October 2013. RIP you rockin' genius.

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