"Rosemary Lane" by BERT JANSCH (2001 Sanctuary/Castle Music CD Remaster) - A Review by Mark Barry...

"...Your Heart Is Filled With The Pain Of True Love..."

Given the predominately 'Rock and Prog' musical landscape of May 1971 when it was released (George Harrison's "All Things Must Pass" in February, "The Yes Album" by Yes in March, "Sticky Fingers" by The Rolling Stones in April and Mountain's "Nantucket Sleighride" in May) - is it any wonder that no-one on either side of the pond paid any attention to a purely Folk-Acoustic album on Transatlantic Records by BERT JANSCH (resplendent in its stippled-effect sleeve or not).

"Rosemary Lane" was an LP out of time in Blighty's May 1971 and the Ex Pentangle guitarist saw his seventh studio album sink without a ripple or a lifeboat. Yet I'd argue it's a total gem in a sea of noise (great noise mind you) - a beautiful, romantic and peaceful thing that's ripe for rediscovery. And this dinky little CD remaster of it from Sanctuary Records of the UK (part of Castle Music) - is an overlooked gem. Here are the dulcimer details...

UK released December 2001 - "Rosemary Lane" by BERT JANSCH on Sanctuary/Castle Music CMRCD335 (Barcode 5050159133529) is a straightforward 13-track CD Remaster of the 1971 album and plays out as follows (37:28 minutes):

1. Tell Me What Is True Love?

2. Rosemary Lane

3. M'Lady Nancy

4. A Dream, A Dream, A Dream

5. Alman

6. Wayward Child

7. Nobody's Bar

8. Reynardine [Side 2]

9. Silly Women

10. Peregrinations

11. Sylvie

12. Sarabanda

13. Bird Song

Tracks 1 to 13 are his 7th studio album "Rosemary Lane" - released May 1971 in the UK on Transatlantic TRA 235 and in the USA on Reprise RS 6455. Produced by BILL LEADER - all songs written by Bert Jansch (a co-write with John Renbourn on "Peregrinations") except the English Traditional covers of "Rosemary Lane", "Reynardine" and "Sylvie" - with "Alman" by British 16th Century Lute player Robert Johnson and "Sarabanda" by Italian violinist Archangelo Corelli.

The 12-page booklet has warmly written and informative liner notes from COLIN HARPER - Author of "Dazzling Stranger: Bert Jansch And The British Folk And Blues Revival" on Bloomsbury in 2000. There are several black and white snaps of Bert in his flat making tea and tuning his guitar. Beneath the see-through CD tray is a photo of the battered Transatlantic Records Master Tape Box and we get a truly beautiful Remaster by SEAN COTTER and ANDY PEARCE done at Masterpiece Mastering. The album is entirely acoustic and requires the deftest of touches and that's what you get - clarity and warmth and air around the gentle strums and guitar plucks. It's a top job done...

Keeping it simple yet interesting is a hard thing to get right - but that's where "Rosemary Lane" wins. None of the songs feature anything more than Acoustic Guitar and Voice - so the songs have to be strong to hold your attention let alone stroke the old soft machine. It opens with a firm fan fave-rave - the lovely "Tell Me What Is True Love?"  It's followed by another gorgeous melody sung in that minstrel twang by Jansch - "Rosemary Lane" - a tale of a service man who meets a sailor and the maid "Pretty Polly" and that's when his misery began (oh dear).

"M'Lady Nancy" is the first of three instrumentals on the album - another being "Peregrinations" - a co-write with that other great stalwart of English Folk - John Renbourn. The Italian Violinist Archangelo Corelli penned "Sarabanda" way back in 17-hundred-and-something and provides us with the third instrumental. Another of my poisons is the lovely Traditional "Reynardine" which is so simple - so beautiful - a rambler song. His own "Bird Song" finishes the album on a quietly magisterial note...

A deeply old-fashioned LP rooted in the oldest of Traditions - one man, his guitar, his voice and his interpretations of old and new songs. "Rosemary Lane" is as lovely as it sounds. And well done to those Remaster Engineers (Sean Cotter and Andy Pearce) for making it sparkle anew...

"Hermit Of Mink Hollow" by TODD RUNDGREN (2014 Edsel 'Case Bound Book Edition CD' Reissue - Rhino/Peter Rynston Remaster) - A Review by Mark Barry...

"…Heartbreak’s Never Easy To Take..."

Back in May 2014 - Edsel of the UK began celebrating TODD RUNDGREN albums with ‘Deluxe Edition’ packaging upgrades – hardback book editions of key albums in his extensive back catalogue. The first three were "Something/Anything?" (a double-album from 1972), "A Wizard A True Star" (a single album from 1973) and "Todd" (another double from 1974). So here’s the next batch of three for September 2014 – "Runt" - his debut solo album from December 1970 on Ampex Records now extended into a double-CD edition with bonuses – "Initiation" from June 1975 (see review) and this - "Hermit Of Mink Hollow" from May 1978 on Bearsville Records – one of his most popular Seventies albums. Here are the people who can’t be friends…

UK released 9 September 2014 (16 September in the USA) - "Hermit of Mink Hollow: Deluxe Edition" by TODD RUNDGREN on Edsel EDSA 5033 (Barcode 740155503338) is a single-CD reissue of their February 2012 2CD set which combined  "Healing" and "The Ever Popular Tortured Artist Effect" - only this time it's just the album straight in a 'Case Bound Hardback Book' Edition (35:48 minutes).

1. All The Children Sing

2. Can we Still Be Friends?

3. Hurting For You

4. Too Far Gone

5. Onomatopoeia

6. Determination

7. Bread [Side 2]

8. Bag Lady

9. You Cried Wolf

10. Lucky Guy

11. Out Of Control

12. Fade Away

The attached 12-page booklet within has liner notes by Paul Myers from his superb tome "A Wizard, A True Star – Todd Rundgren In The Studio" and is an excellent read. There's photos of Rundgren's house on Mink Hollow Road in Lake Hill where he built his Utopia studio and recorded the album. The front and rear sleeve artwork of the May 1978 Bearsville vinyl album is here (BSR 6981 in the USA and K 55521 in the UK) – as are the lyrics. The hard card case bound book has a details sticker on the outer shrink-wrap that easily peels off (if you want to attach it to the book cover). There are no extras.

There is no new remaster that I can hear – this is the Edsel February 2012 version - that in itself was a Peter Rynston UK master using the 1993 American Rhino remasters. Don't get me wrong – the sound is superb. The only upgrade here is the cool-looking book packaging – which is a rather lovely thing to behold…

After the full-on Synth and Prog excesses of "Todd Rundgren's Utopia" (1974) and "Initiation" (1975) – Rundgren seemed to get back to 'tunes' with 1978's "Hermit Of Mink Hollow" – containing as it does some of his most beloved songs to this day – "Hurting For You" and the magical "Can We Still Be Friends?" (lyrics above). Other goodies include "Too Far Gone" – even the silly-word song "Onomatopoeia" is great fun. "Determination" combines that 'guitar-and-keyboards' sound he gets into a cool upbeat song that would have made a great single too. He called Side 2 "The Difficult Side" and it opens with a song about poverty – the brilliant "Bread". But my favourite – and for my money one of his greatest songs – is the aching homeless anthem "Bag Lady" ("...fifty cents rent goes pretty far when you live in a subway car…"). The hurting "Lucky Guy" is excellent too. It finishes with "Out Of Control" and "Fade Away" – a superb duo of layered deep melodies.

1978's "Hermit Of Mink Hollow" was a 'return to form' for many (a return to songs). Personally I think Rundgren never left – like Bowie he just went in musical directions most wouldn’t have tried - and I for one dug them all.

I’ve loved rehearing this gem of an LP again – a very sweet and pretty looking CD reissue…

PS: see also my reviews for "Runt" (1970), "Something/Anything?" (1972), "A Wizard, A True Star" (1973) and "Todd" (1974) in this series of 'Book Edition' CD reissues...

"Tim Rose/Through Rose Colored Glasses" by TIM ROSE (1997 Beat Goes On '2LPs on 1CD' Remaster) - A Review by Mark Barry...

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"...You Done Me Wrong..."

Tim Rose's November 1967 self-titled debut album "Tim Rose" did bugger all business chart-wise - but cast a huge shadow then and ever since.

Propelled by his gritty strangulated 'I gargle gravel for breakfast' vocals - (he sounds like the love child of John Kay from Steppenwolf and David Clayton-Thomas from Blood, Sweat & Tears) - the pre-LP 7" single "Hey Joe (You Shot Your Woman Down)" from June 1966 clocked up covers by Love, The Byrds and of course most famously by Jimi Hendrix - the song practically launching his career. "Morning Dew" (written by Canadian Folk singer Bonnie Dobson) from February 1967 would be covered by artists as diverse as Lee Hazelwood and England's Nazareth - but again was made famous by Jeff Beck's supergroup for the "Truth" LP which featured the then relatively unknown Rod Stewart on Vocals.

More shadows came from the single released the same month as the album - November 1967 for "Come Away, Melinda" - an Anti-Vietnam War anthem written by Fred Hellerman of The Weavers with Francis Minkoff. In a very Phil Spector-sounding production - Rose caresses the song at first - but a minute or so into it and he starts to let rip with the rage of a generation done wrong (it was a rendition that tapped into the national zeitgeist). In fact Rose and his music is like this - slightly angry - slightly macho - engaged yet still cool and aloof - like a man with a grudge against the world and its two-timing daughter. 

Hell even Australia's Nick Cave has name-checked him as an influence and covered the 'Hey Joe' sounding murder song "Long Time Man" on his 1986 LP with The Bad Seeds "Your Funeral...My Trial" And yet despite all this peripheral activity and chart action for other people (as well as positive reviews) - "Tim Rose" steadfastly refused to ignite as a seller. Which brings us to this rather cool 'twofer' CD reissue. Here are the 'shot my woman down' details...

UK released November 1997 - "Tim Rose/Through Rose Colored Glasses" by TIM ROSE on Beat Goes On BGOCD 378 (Barcode 5017261203786) offers 2LPs Remastered onto 1CD and plays out as follows (72:48 minutes):

1. I Got A Loneliness

2. I'm Gonna Be Strong

3. I Gotta Do Things My Way

4. Fare Thee Well

5. Eat, Drink And Be Merry (For Tomorrow You'll Cry)

6. Hey Joe (You Shot Your Woman Down) [Side 2]

7. Morning Dew

8. Where Was I?

9. You're Slipping Away From Me

10. Long Time Man

11. Come Away, Melinda

12. King Lonely The Blue

Tracks 1 to 12 are his debut LP "Tim Rose" - released November 1967 in the USA on Columbia CL 2777 (Mono) and Columbia CS 9577 (Stereo) and February 1968 in the UK on CBS Records S BPG 63168 (Mono) and CBS Records S BPG 63168 (Stereo) - the STEREO Mix is used for this CD. Produced by DAVID RUBINSON - it failed to chart in either country.

13. The Days Back When

14. Roanoke

15. Hello Sunshine

16. When I Was A Young Man

17. What'cha Gonna Do

18. Maman

19. Let There Be Love [Side 2]

20. Baby Do You Turn Me On?

21. Apple Truck Swamper

22. Angela

23. You'd Laugh

24. You Ain't My Girl No More

Tracks 13 to 24 are his 2nd studio album "Through Rose Colored Glasses" - released July 1969 in the USA on Columbia CS 9772 (Stereo) and in the UK on CBS Records S CBS 63636. Produced by JACK TRACY - it didn't chart in either country.

There's no card slipcase and the 8-page inlay has informative liner notes from noted writer JOHN TOBLER and Musician Credits for the "Tim Rose" LP but none for the follow-up (it came with no credits and no one seems to know who played on what?). There are no mastering/transfer credits - but the Audio is amazing – clear as bell and very powerful. Always a bit of a Phil Spector-ish belter - songs on the "Tim Rose" LP swoop up with huge brass and string flourishes then mellow down into Spanish Acoustic guitar plucks - and back again. This BGO CD sounds brill – a really clean and well-transferred set of albums. Engineered by Sy Mitchell and Jerry Hochman - the seconds sound even better (although the music leaves summit to be desired).

The 12-track debut features the 10-sides of five 45s Rose put out prior to the album - so much of the material was known to Radio. Six are Tim Rose originals - "I Got A Loneliness", "Fare Thee Well", "You're Slipping Away From Me" and "Long Time Man" with "I Gotta Do Things My Way" a co-write between Rose and the Bassist Richard Hussan. Written by the songwriting duo Barry Mann and Cynthia Weil - the cover "I'm Gonna Be Strong" was a hit for Gene Pitney in 1965 while "Morning Dew" is by Bonnie Dobson (despite Rose' duo songwriting credit which would cause legal consternation for decades to follow). The legendary Doc Pomus co-wrote "King Lonely The Blue" with Bobby Andriani and it was issued by the Bitter End Singers in August 1965 on Emerald 72469 (called The Emeralds in the UK) - while "Eat, Drink And Be Merry..." is written by Celia and Sandra Ferguson and made a Country hit by Porter Wagoner. I don't know who 'N. Martin' is – the writer of  "Where Was I?" - but it's a gorgeous song and the audio on it is fabulous.

The 2nd album comes in for serious stick and after the eclectic and creative high of the debut - it's easy to hear why. Although most are Rose originals and songs like "Roanoke" is very Blood, Sweat & Tears circa the 2nd album - his cover of "Maman" is a big mistake. Penned by Edward Thomas and Martin Charnin in 1967 - it's a spoken poem said by the character 'The Young Soldier' in the musical "Mata Hari". Rose has rattling drums like a death march behind his strained vocals but instead of sounding contemporary or hip - it's sounds dated and preachy even. His cover of The Bee Gees "Let There Be Love" just doesn't suit him while convenience rhymes in lyrics like "...Angela called me last night...she wanted me to hold her tight...we made love for hours...then went walking in the flowers..." are just plum awful. Better is his quirky and even commercial cover of "You'd Laugh" - a song put out by French crooner Gilbert Becaud in 1965 called "Je T'aime (You'd Laugh)". It’s about a man pinning to touch a woman he worships but he’s terrified of her response – and Rose milks its angst as he rasps out the pain –very 60ts but also very cool. Along with "When I Was A Young Man" and the decidedly Tom Waits odd/violent "Apple Truck Swamper" (written by William Henderson) - they just about salvage the album from total reviewer savagery.

Very much a disc of two halves - a genius and exciting debut album "Tim Rose" - followed by a strange damp squid two years later - "Through Rose Colored Glasses". Yet despite the let down of LP Number Two – there's that amazing and influential debut which in 2016 still sounds so 'out there' still.

I've always thought Tim Rose to be impossibly special and just a little acid-dingbat in the cranial area. But I like my heroes that way – nuts - but in a good way...

"Eli And The Thirteenth Confession" by LAURA NYRO (2002 Columbia/Legacy 'Expanded Edition' CD Remaster) - A Review by Mark Barry...

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"...A Little Magic...A Little Kindness..."

A rare beauty and typically gone too soon. Laura Nyro's 2nd album - the wonderfully named "Eli And The Thirteenth Confession" scraped a No. 181 position on the US LP charts in August 1968 months after its March release (it was an improvement on the the total non-chart placement of her 1966 set "More Than A New Discovery"). And in truth I know people who can't bear her busy arrangements and that voice you either love or loathe. Yet you have to say that Columbia have done her memory and musical legacy proud with this elegant and beautiful sounding CD reissue. Here are the testimonials unveiled...

UK released August 2002 - "Eli And The Thirteenth Confession" by LAURA NYRO on Columbia/Legacy 508068 2 (Barcode 5099750806821) is an 'Expanded Edition' CD Remaster with three Previously Unreleased Bonus Tracks and plays out as follows (52:23 minutes):

Side 1: Part 1

1. Luckie

2. Lu

3. Sweet Blindness

4. Poverty Train

5. Lonely Women

6. Eli's Comin'

Side 2: Part 2

7. Timer

8. Stoned Soul Picnic

9. Emmie

10. Woman's Blues

11. Once It Was Alright Now (Farmer Joe)

12. December Boudoir

13. The Confession

Tracks 1 to 13 are her 2nd studio album "Eli And The Thirteenth Confession" - released March 1968 in the USA on Columbia CS 9626 (Stereo) and August 1968 in the UK on CBS Records S 63346 (Stereo). Produced by CHARLIE CALELLO and LAURA NYRO - all songs written by Laura Nyro.

BONUS TRACKS (all Previously Unreleased):

14. Lu (Demo recorded 29 Nov 1967)

15. Stoned Soul Picnic (Demo recorded 29 Nov 1967)

16. Emmie (Demo recorded 29 Nov 1967)

The CD Reissue is Produced by AL QUAGLIERI - the 12-page booklet features affectionate and informative liner notes (with a rear sleeve note from singer Phoebe Snow) - a photo of her at the piano with Miles Davis - lyrics to the songs and recording dates - a photo beneath the see-through tray and the usual reissue credits. It feels classy right from the off...

The last time the album has a CD transfer was in May 1997 on Columbia 487240 2 – an album-only reissue. But this new 'Expanded Edition' on their Legacy imprint from 2002 comes with a fresh remaster involving two very experienced Audio Engineers - MARK WILDER and SETH FOSTER. A pretty ballad like "Emmie" and "Lonely Women" have quite passages and the tape hiss is evident in places ("Poverty Train" too) - but nothing too much to detract. In fact re-listening to stuff like the brass arrangements on "Woman's Blues" is a stunning experience - the remaster is beautiful - as is the music (you can 'so' hear where Blood, Sweat & Tears got their musical signatures from).

Although she couldn't seem to get arrested with regard to sales of her own records - her songwriting prowess soon got noticed. Laura Nyro was one of those songsmiths where her odd melodies and tunes had a Soulfulness that others hooked into and could bring out – even make better. The 5th Dimension famously picked up on two songs – "Stoned Soul Picnic" and "Sweet Blindness". Their cover of "Stoned Soul Picnic" hit the US singles charts in June 1968 on Soul City 766 and crashed the top ten - eventually settling at an impressive No. 3. They followed this success in October 1968 with their cover of Nyro's irrepressible and busy bopper "Sweet Blindness" on Soul City 768 (lyrics from it title this review). It peaked at No. 13. Later the following year those great interpreters Three Dog Night took "Eli's Coming" to a No. 10 slot on Dunhill/ABC 4215 in November 1969. Obscurities - Linda Hoyle of the British Jazz Fusion ensemble Affinity issued "Eli's Coming" as a British 45 on the Prog label Vertigo 6059 018 in 1970 - while Ronnie Dyson's debut September 1970 album "(If You Let Me Make Love To You Then) Why Can't I Touch You" on Columbia Records featured a cover of the mellow vibes tune "Emmie" - probably one of the loveliest songs on the “Eli...” album.

Album highlights include the staggering hurt in "Lonely Women" where "...no one hurries home to..." these aching ladies - the fuzzed-up guitars in the brilliant and political "Poverty Train" and the piano/brass chug-and-stop of "Once It Was Alright (Farmer Joe)" - a song that starts out rocking but goes off into soaring vocals and different rhythm tangents. There's hiss on the beautiful "December's Boudoir" but its quickly forgotten as those gorgeous strings and plucked harp notes swirl around your speakers. Her vocals on this song are 'so' soulful. It ends on "Confession" - more vocal pyrotechnics and frantic arrangements that sound like no one else. In fact the whole album is like that...

But the big prize for fans is the three beautifully recorded demos - all recorded 29 November 1967 and Previously Unreleased. They feature Laura on piano with doubled vocals - and that's it. They sound and feel utterly amazing - and I'd push the boat out by saying that I prefer this 'piano and voices' version of "Stoned Soul Picnic" version to the finished result. "Emmie" has always been a ballad hidden in the bowls of the album. Here it's even more intimate with just her on Piano producing something that's Todd Rundgren/Tori Amos beautiful (if you know what I mean). Wow - what a find...

On the song "Time And Love" from her next album "New York Tendaberry" (September 1969) - Laura Nyro would sing "...nothing cures like time and love..."

Laura Nyro passed in 1997 aged only 47 from Ovarian Cancer. She was impossibly special and her music is a musical cure waiting to be discovered again and again...

"Dusty In Memphis" by DUSTY SPRINGFIELD - January 1969 US LP on Atlantic, April 1969 UK on Philips, Both in Stereo (September 2002 UK Mercury 'Expanded & Remastered' CD Reissue with Eight Bonus Tracks and New Liner Notes by Elvis Costello) - A Review by Mark Barry...

"...The Soul Of A Woman..."

Few albums that arrive in your listening booth/man-lair are more endowed with legend than Dusty Springfield's 1969 Soulful Rock masterpiece - "Dusty In Memphis". But its reissue history both on VINYL and CD has been fraught with poor pressings and rumours of knackered mastertapes laden with voluminous amounts of hiss.

At last - this UK and Europe 2002 Mercury CD reissue comes clean (so to speak) with a Full Page of explanation from the hugely experienced Universal Audio Engineer GARY MOORE. Page 21 tells us that this is his third time mastering the album - chronicling what had to be done before (in discussion with Dusty) to get the best audio for this CD release.

Legendarily 'hissy' (and to the extreme on some tracks) - Moore has used the STEREO Master Tapes for "Dusty In Memphis" with original tapes supplied by Rhino/Atlantic in the USA for the MONO Single Mixes. After transfer – he’s put them through a SADIE 4 24-Bit/96K Mastering Computer and has applied CEDAR No Noise as well as T.C. ELECTRON FINALIZER - all of it routed through a YAMAHA Digital Mixing Desk. The sonic result is the best we’ve had so far. Instead of walls of noise - I'm getting a relatively silent but still coherent musical picture - albeit compromised in places because of the Noise Reduction. For sure you miss the ‘air’ around the instruments and the natural feel that gives – but I’d stress this – the results are superlative compared to say Rhino’s Dan Hersch Remaster from 1999 where he elected to leave what’s on there alone. I’d had that CD for years now and to my ears despite the integrity of the transfer - its unlistenable in some places. Not so here...

And Mercury’s disc also comes with a healthy eight bonus tracks – the A&B-sides of four US and UK 7" single-sides in MONO (mixed down from the Stereo tapes). Let's get to the details of the Preacher Man (and Woman)...

UK released 30 September 2002 (7 October 2002 in the USA) - "Dusty In Memphis" by DUSTY SPRINGFIELD On Mercury 063 297-2 (Barcode 044006329727) is a 'Remastered and Expanded' CD Edition with 8 Bonus 45- Single Mixes and plays out as follows (56:56 minutes):

1. Just A Little Lovin' [Side 1]

2. So Much Love

3. Son Of A Preacher Man

4. I Don't Want To Hear It Anymore

5. Don't Forget About Me

6. Breakfast In Bed

7. Just One Smile [Side 2]

8. The Windmills Of Your Mind

9. In The Land Of Make Believe

10. No Easy Way Down

11. I Can't Make It Alone

Tracks 1 to 11 are the album "Dusty In Memphis" - released 17 January 1969 in the USA on Atlantic SD 8124 and 18 April 1969 in the UK on Phillips SBL 7889. Produced by ARIF MARDIN and TOM DOWD - it peaked at No. 99 on the US LP charts but failed to chart in the UK.

BONUS TRACKS (All Mono 7" Single Mixes):

12. Son Of A Preacher Man (Mono)

13. Just A Little Lovin' (Mono)

Tracks 12 and 13 are the A&B-sides of the US 7" single released 8 November 1968 (prior to the LP) on Atlantic 2580 (peaked at No. 10).

UK release was 29 November 1968 on Philips BF 1730 (peaked at No. 9) with the B-side credited as "Just A Little Lovin' (Early In The Morning)"

14. Don't Forget About Me (Mono)

15. Breakfast In Bed (Mono)

Tracks 14 and 15 are the A&B-sides of a US 7" single released 7 February 1969 (after the album) on Atlantic 2606 (peaked at No. 64) - no UK issue.

16. I Don't Want To Hear It Anymore (Mono)

17. The Windmills Of Your Minds (Mono)

Tracks 16 and 17 are the A&B-sides of a US 7" single released 1 April 1969 on Atlantic 2623, which peaked at No. 105. However with the song "The Windmills Of Your Minds" (sung by Noel Harrison and featured in the Steve McQueen/Fay Dunaway film "The Thomas Crown Affair") having been nominated for an Academy Award (and won) - Phillips USA flipped Dusty's version and it became a No. 31 hit on the back of that publicity - no UK issue.

18. In The Land Of Make Believe (Mono)

19. So Much Love (Mono)

Tracks 18 and 19 are the A&B-sides of the fourth and final 7" single from the album - released 5 September 1969 in the USA on Atlantic 2673 (peaked at No. 113) - no UK issue.

Although this reissue hasn't got the genuinely pretty US artwork used by Rhino in their 1999 CD version (this version pops for the dull UK artwork from Philips) - the 28-page booklet is more than substantial - it's beautiful. Festooned with memorabilia photos, 7" singles, rare picture sleeves from all over the World (Europe and Japan), sheet music, colour period snaps of a dapper looking Dusty, press clippings and reviews etc. There are four essays – one from Atlantic's JERRY WEXLER (co-produced the album), 'two' more reminiscence-pieces from the album's legendary duo of Producers ARIF MARDIN and TOM DOWD - and all of it topped with a 'Foreword' from musician and uber-fan ELVIS COSTELLO. Stanley Booth's original LP Liner Notes are reproduced too and there's that note from Audio Engineer GARY MOORE on the transfers and the reasons for all that hiss. Even the all powerful "Son Of A Preacher Man" (the song most closely associated with the LP) gets a full page repro - the UK 45 on Phillips BF 1730 complete with its label bag. As I say - it's comprehensive and crammed full of Dusty goodies.

Proceedings open with a Barry Mann/Cynthia Weill tune - the upbeat and early-in-the-morning sunshine of "Just A Little Lovin'" - a song that sounds more Bacharach and David that Mann and Weill (but in a good way). I had the 1999 Rhino CD and it was hissy - here the song is prevalent and not the tapes (Nice job done). "So Much Love" is the first of four Carole King/Jerry Goffin songs - the other three being "Don't Forget About Me", "No Easy Way Down" and "I Can't Make It Alone".  By the time the Funk-Soul-Rock of "Son Of A Preacher Man" arrives you also begin to notice one of the album’s subtle secret weapons – the Backing Vocals of The Sweet Inspirations (headed up by Whitney's mum Cissy Houston). They lift the stunning "Preacher Man" and add an accusing spoken line to the hurting Randy Newman song "I Don't Want To Hear It Anymore" when they mimic Dusty's lyrics "...he wasn't thinking of her today!" They come in at the end of the song too adding Soul class to an already winning melody. The pen of Randy Newman also provided “Just One Smile” while Michel LeGrand wrote the “Thomas Crown Affair” song and general hippy anthem – “The Windmills Of Your Mind”.

It's amazing to hear how 'clean' the transfer of "Breakfast In Bed" is - a wickedly groovy song written by Southern Soul Boy heroes Donnie Fritts and Eddie Hinton. The same applies to the Acoustic Guitar beginning of "Just One Smile" - another Randy Newman beauty. Although it's deemed a classic by some "The Windmills Of Your Mind" has always felt ever so slightly cheesy to me. Better is the fabulous keyboard Soul of "No Easy Way Down" - as lovely a song as she's ever sung. It swoops and swoons and genuinely carries you along with it - The Sweet Inspirations adding tasty touches as the brass and strings sing. The 7" single mixes are very cool fan pleasures and in Mono give a more defined punch in places.

Although "Dusty In Memphis" is considered by so many to be a Pop masterpiece – on listening to its entirety in 2016 – I hear a 'Soul' record – deep, luxurious and sexy after all these years.

"Don't Forget About Me" - Dusty Springfield begs on the Gerry Goffin/Carole King pleader. On the strength of this album alone...that's not likely any time soon...