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Friday 15 July 2016

"On The Border" by EAGLES (1991 CD Remaster Inside 2013's 'The Studio Albums Collection 1972-1979' 6CD Warner Brothers Box Set) - A Review by Mark Barry...





"...You Get The Best Of My Love..."

Since Glenn Frey's dreadfully sad passing in January 2016 (aged only 67) – like many I’ve been playing the EAGLES 70ts back catalogue with a strange mixture of wonder and genuine loss – loving the melodies but also wallowing in many longhaired memories – songs that I pulled girls close to – and songs that even eased a heartache or two at times. I suppose it’s that all our heroes are passing...and I for one would rather they were still playing, singing and inspiring us.

So I thought it would be a good idea to return to this dinky 6-album EAGLES collection that so ably sums up why these melodic Desperado's shifted so many millions of albums between 1972 and 1979. They were just so bloody good. And those Glenn Frey, Don Henley, Randy Meisner, Don Felder and Bernie Leadon harmonies slaughtered all in their path.

But while the lion’s share of their legacy always seems to be "Hotel California" and "One Of These Nights" – I've always loved their brilliant but overlooked third album "On The Border" - where the ten-track mixture of rockers and ballads balances itself out so well across both sides – a full listen. I'd also argue that this is one of those occasions where a multiple purchase will serve your musical needs better than a stand-alone CD. In other words get the album within the 2013 Box Set "The Studio Albums Collection 1972-1979”. Here are the Midnight Flyers...

UK released March 2013 – "On The Border" by EAGLES is contained within "The Studio Albums Collection 1972-1979" on Warner Brothers/Asylum 8122 7967468 (Barcode 081227967468) - a 6-CD Mini Box Set in which Disc 3 plays out as follows:

Disc 3 – "On The Border" (40:25 minutes):
1. Already Gone [Lead Vocals, Glenn Frey]
2. You Never Cry Like A Lover [Lead Vocals, Don Henley]
3. Midnight Flyer [Lead Vocals, Randy Meisner]
4. My Man [Lead Vocals, Bernie Leadon]
5. On The Border [Lead Vocals, Don Henley]
6. James Dean [Lead Vocals, Glenn Frey]
7. Ol' 55 [Lead Vocals, Glenn Frey & Don Henley] – Side 2
8. Is It True? [Lead Vocals, Randy Meisner]
9. Good Day In Hell [Lead Vocals, Glenn Frey & Don Henley]
10. Best Of My Love [Lead Vocals, Don Henley]
Tracks 1 to 10 are their 3rd album "On The Border" – released March 1974 in the USA on Asylum 7E 1004 and May 1974 in the UK on Asylum SYL 9014. "Already Gone", "James Dean" and "Best Of My Love" were all issued as successful US 45s in April, August and November 1974 ("Best Of My Love" would their first US No. 1). Al Perkins of Stephen Stills' Manassas plays Slide Guitar on Tom Waits' "Ol' 55" – the only cover version amongst the originals.

The clamshell box pictures all six albums on the rear and inside you get singular card sleeves with no booklet. So the gatefold and inner of "Eagles" is missing, the textured feel to the front and back cover of "On The Border" isn’t there, the Embossed "One Of The Nights" front cover and it’s inner sleeve is not here, the gatefolds, inners and varying posters that came with "Hotel California" and "The Long Run" are all AWOL too. Shame someone couldn’t have taken a leaf from the Japanese when it comes repro artwork. However – in a nod to the period - each of the CD's label designs reflect their original design (white Asylum for the first two, Boxed Cage logo for number three and so on). They’ve even printed each album’s original vinyl catalogue number printed on the disc too. But that's it. No lyrics, no booklet, no photos, no appraisal or history – which is a damn shame. Cheap and cheerful I suppose...

The Remasters are those carried out by TED JENSEN in 1999 when the catalogue was reissued and they sound really great (always did). But it’s the consistency of the music... What hammers you time and time again as you wade through the albums is the sheer quality of the tunes – hit after catchy hit – and none of it feels maudlin or dated forty years after the event. Ok this is so American West Coast – but man is it good. Even when they made a 2CD "Best Of" compilation there a few years ago – there was still plenty of room for those album nuggets in-between the hits. I've highlighted who sang lead vocals on what – Frey and Henley getting the lion's choice – but in truth the Meisner, Leadon and Felder tracks all impress too.

It opens on the rollicking "Already Gone" (written by Jack Tempchin and Robb Strandlin) – Glenn Frey and Don Felder squeaking out those high guitar notes during the solos. One of the albums hidden gems is the sweet ballad "You Never Cry Like A Lover" – a Don Henley and John David Souther song – Henley slyly caressing the words like he's 'both' hissing and in pain. Country time with the banjo-picking "Midnight Flyer" (written by Paul Craft) featuring a genuinely fantastic Glenn Frey slide guitar solo towards its end and fade out. Bernie Leadon's beautiful "My Man" was a tribute to Gram Parsons the leader of the Country-Rock outfit The Flying Burrito Brothers who had died in September of 1973 (only six months before the Eagles' third album was released). It's the kind of effortless warmth they often achieved in ballads – the type of song I used to play into the ground and ruminate on (deep baby deep). Side 1 ends on Rock brilliance. You can just about make out Glenn Frey's whispered "Good Night Dick" as the title track "On The Border" fades out – a caustic jab at President Richard Nixon's impending doom amidst the infamous Watergate scandal and cover-up (Tricky Dicky finally resigned in shame in the Autumn of 1974).

Side 2 opens with "James Dean" penned by the foursome of Jackson Browne, Don Henley, Glenn Frey and John David Souther. While Bernie Leadon does a great solo – it’s never been one of my favourite of theirs. The mighty tunesmith and Bukowski-type hero Tom Waits probably made more money out of his "Ol' 55" on Side 2 than he did from the royalties of his entire first two albums on David Geffen's Asylum label which went criminally unnoticed for years. "Is It True?" sees Randy Meisner take Lead Vocal on his own song - while Frey and Henley unleash their bitterness in "Good Day in Hell" – Don Felder's slide shining throughout. But it's the album finisher "The Best Of My Love" (a US No. 1 single) that practically defines what made them so huge – stunning melody – Henley's fabulous voice – that effortless melodic brilliance that has so stood the test of time.

You could of course simply buy the album "On The Border" as a stand-alone CD remaster for probably three or four quid – but this is a group worthy of the whole package and "The Studio Albums Collection 1972-1979" is the place to get it - musically comprehensive, attractive to behold and sounds damn cool too.

What a glorious sound the EAGLES made for that whole brilliant decade – and what a sad loss to music is Glenn Frey’s passing. Dig in, enjoy and remember him this way...

Thursday 14 July 2016

"Sunflower/Surf's Up" by THE BEACH BOYS (2000 Capitol/Brother '2LPs on 1CD' Remaster) - A Review by Mark Barry...





"...Get Yourself Some Cool, Cool Water..."

In 2016 - both 1970's "Sunflower" and 1971's "Surf's Up" are considered the best of The Beach Boys 70's output - and rightly so. But at the time America’s Joe Public couldn't have cared less about the first and showed only casual interest in the second - especially considering how big and influential the band had been only years earlier.

Having jumped contractual ship from their spiritual home since 1962 (Capitol Records) - and especially given the melodic strength of the new material - big things was expected of The Beach Boys and their clean break to Brother Records in 1970 (distributed by the then mighty Warner Brothers). But it just didn't happen. Released Monday 31 August 1970 - "Sunflower" lasted only four weeks on Billboard's Top 200 peaking at a miserable No. 151. Apparently its sales figures were embarrassing in the USA (it fared better in the UK on EMI's Stateside label where it made No. 29 on the LP charts). 

Maybe "Sunflower" was perceived as being out-of-sync girly surfin' music - their Beach Boys sound 'old hat' against the emerging Hard Rock explosion that was engulfing music towards the end of the Sixties and into the first two years of that redefining decade - the Seventies. 

At least 1971's follow through "Surf's Up" cracked the USA Top 30 - finally landing at No. 29 - and managed a four months stay on the LP charts as opposed to one. With a weary warrior crouched over his beaten horse on the front cover and song titles like "Student Demonstration Time" and "Lookin' At Tomorrow (A Welfare Song)" - at least "Surf's Up" seemed more in step with a fractured and hurting America - so it did better.

Whatever way you interpret history - re-listening to these two remarkable albums on this wickedly good CD Remaster and I’m reminded in emphatic style that sometimes Joe Public needs to be just that - reminded. I say knob to those original embarrassing sales numbers – the musical brilliance on display here is indeed embarrassing - but for all the right reasons. Let's break down those brilliant harmonies...

UK released 14 August 2000 - "Sunflower/Surf's Up" by THE BEACH BOYS on Capitol/Brother 525 6922 (Barcode 724352569229) offers up 2LPs Remastered onto 1CD and plays out as follows (70:22 minutes):

1. Slip On Through
2. This Whole World
3. Add Some Music To Your Day
4. Got To Know The Woman
5. Deirdre
6. It's About Time
7. Tears In The Morning [Side 2]
8. All I Wanna Do
9. Forever
10. Our Sweet Love
11. At My Window
12. Cool, Cool Water
Tracks 1 to 12 are the album "Sunflower" - released 31 August 1970 in the USA on Brother Records/Reprise RS 6382 and November 1970 in the UK on Stateside SSL 8251.

13. Don't Go Near The Water
14. Long Promised Road
15. Take A Load Off Your Feet
16. Disney Girls (1957)
17. Student Demonstration Time
18. Feel Flows [Side 2]
19. Lookin' At Tomorrow (A Welfare Song)
20. A Day In The Life Of A Tree
21. 'Til I Die
22. Surf's Up
Tracks 13 to 22 are their album "Surf's Up" - released 30 August 1971 in the USA on Brother/Reprise RS 6453 and November 1971 in the UK on Stateside SSL 10313.

The properly chunky 22-page booklet offers fans liner notes from Beach Boys authority TIMOTHY WHITE adapted from his acclaimed book "The Nearest Far Away Place: Brian Wilson, The Beach Boys And The Southern California Experience". His song-by-song analysis and critique is both honest and affectionate and much of it peppered with Brian's 'selective' memories. There's the inner gatefold sleeve for "Sunflower" (no lyrics unfortunately), period photos, alternate artwork, original recording and reissue credits as well as lyrics to the "Surf's Up" album. But the big news is 24-Bit Digital Remasters from original tapes by two hugely respected Audio Engineers - ANDREW SANDOVAL and DAN HERSCH. Sandoval handled the acclaimed 2CD 'Deluxe Editions' of The Kinks and Small Faces (amongst many others) - whilst Dan Hersch (along with Bill Inglot) has been at the heart of Rhino's Vinyl and CD Reissue machine for over two decades - having handled literally hundreds of prestigious catalogues across a huge range of genres. These guys know their way around tape boxes and it shows. Beautifully and carefully recorded at the time - all that technical expertise and innovation comes shining through on these wonderful-sounding transfers. Top stuff...

Released towards the end of June 1970 on Brother 0929 - the second 45 from the "Sunflower" LP was the Side 1 openers "Slip On Through" b/w "This Whole World" - Dennis Wilson writing the A and Brian the flip-side (no UK issue). But despite the edgy groove - it tanked. Earlier in February 1970 - Brother had issued the Beach Boys debut 45 on the label - the pretty "Add Some Music To Your Day" b/w "Susie Cincinnati". At one point it appears that "Add Some Music..." was considered as an album title. Even better is the gorgeous "Deirdre" - a happy song with wonderful layered vocals and an almost jingle-bells Christmas feel to it (when Brother put out "Long Promised Road" in June 1971 as a single off "Surf's Up" - they used "Deirdre" as its B-side). The straight up bopper and "...I used to throw my mind sky high..." confessions of "It's About Time" (the Side 1 ender) give it incredible edge - and that Bass/Vocal middle-eight break is pure Beach Boys genius (Dennis Wilson, Bob Burchman and Alan Jardine wrote it).

Side 2 opens just as strongly with Bruce Johnston's hurting but beautiful "Tears In The Morning" where he keeps a hold on his sorrow as those string arrangements soar behind his 'missing you' vocal pleading. Brian Wilson and Mike Love's "All I Wanna Do" is the closest the LP gets to a "Pet Sounds" outtake (Todd Rundgren was surely listening to this). "Forever" is probably the album's most revered and beloved song - yet when Brother Records put out another 45 in February 1971 (Brother 0998) - they relegated "Forever" to the flip-side of "Cool, Cool Water" - a commercial mistake methinks. The 'sparrow came flying down' song "At My Window" is a fitting lead-in to the amazing "Cool, Cool Water" - a song that's synonymous with Beach Boys melodic brilliance. That build-up of trippy voices as the song makes its way to those ‘now now now’ chants – like Sigur Ros 30 years before the event - wow...

The Surf's Up" opener "Don't Go Near The Water" warns of polluted oceans and the same pouring out of your facet. An animated Carl Wilson fronts "Long Promised Land" wanting to throw off 'shackles that are binding me down' (lyrics he sings with a passion and desperation you can literally feel). The hippy wistful 'take good care of your feet' and 'watch what you eat' lyrics in "Take A Load Off Your Feet" feel like the theme song to a Californian whole-food store that sells any manner of mushrooms. Better is "Disney Girls (1957)" - a genuinely lovely melody beautifully played and sung by Brian Johnston where he pines for 'Patti Page and summer days...' Things take a decidedly heavy turn with the out-and-out Neil Young guitar rock of "Student Demonstration Time" where they incorporate 'there's a riot going on' and change 'cell block number nine' into 'student demonstration time'. It's brilliant and the kind of song CSYN might have produced on a third studio album if they'd made one...

Side 2 opens with the fazed vocals of "Feel Flows" where we're 'unbending never-ending tablets of time' - a fab yeah man moment with brilliant guitar laced with flute. I often cite "Feel Flows" as one of the album's layered masterpieces. The hurt disconnectedness of returning war-vets fills the equally trippy and acoustic-driven "Lookin' At Tomorrow (A Welfare Song)" - where men can't find work sweeping floors but can find substances on the street corner to dull the ache. Tweeting birds and a seaside/church organ fill the equally trippy "A Day In The Life Of A Tree" - a plea for the environment choking on 'pollution and slow death'. The beautiful but damaged "'Til I Die" has Brian wondering 'how long will the wind blow' before something darker takes him (he fought to have the song's dark subject matter on the album). The 'Smile Sessions' 2CD set showed us four variants of the album's centrepiece "Surf's Up" - one of them stretching back to a lovely 1967 piano demo. The finished "Surf's Up' is simply exquisite in its arrangement and delivery - where you can 'so' hear Todd Rundgren, Hall & Oates and so many other melody giants in its 4:11 minutes.

For me "Surf's Up" is a huge leap forward and "Sunflower" was great anyway - so any listener is on a winner either way. In fact some have argued that this Beach Boys twofer may indeed be the best '2LPs onto 1CD' value-for-money remaster ever released. And damn - but I think they're absolutely on the harmony money...

"Original Classic Albums" by THE ISLEY BROTHERS (2008 Epic/Legacy 5CD Mini Box Set) - A Review by Mark Barry...


This Review Along With 100s Of Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
SOUL, FUNK and JAZZ FUSION On CD - Exception Remasters  
Just Click Below To Purchase for £3.95
Thousands and thousands of E-Pages
All Details and In-Depth Reviews From Discs
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"…Go Where You Want To Go…Be What You Want To Be…"

Now here’s a whole stack of fabulous Soul for not a lot of your hard-earned. 

UK issued October 2008 - “Original Classic Albums" by THE ISLEY BROTHERS on Epic/Legacy 88697304842 (Barcode 886973048429) is one of those dinky 5CD Card-Repro Mini Box Sets from Sony and it breaks down as follows:

Disc 1 (30:43 minutes): 
1. I Turned You On
2. Vacuum Cleaner
3. I Got To Get Myself Together 
4. Was It Good To You?
5. The Blacker The Berrie (a/k/a Black Berries)
6. My Little Girl
7. Get Down Off Of The Train
8. Holding On
9. Feels Like The World
Tracks 1 to 9 is the LP "The Brothers: Isley", issued November 1969 in the USA on T-Neck TNS 3002 and June 1970 in the UK on Liberty SSL 10300. All tracks are originals.

Disc 2 (39:48 minutes):
1. Get Into Something
2. Freedom 
3. Take Inventory
4. Keep On Doin'
5. Girls Will Be Girls 
6. I Need You So
7. If He Can You Can
8. I Got To Find Me One
9. Beautiful
10. Bless Your Heart
Tracks 1 to 10 is the LP "Get Into Something", issued February 1970 in the USA on T-Neck TNS 3006. All tracks are originals.

Disc 3 is the LP "Givin' It Back", issued September 1971 in the USA on T-Neck TNS 3008 - all 7 tracks are cover versions (41:56 minutes):
1. Ohio/Machine Gun [Crosby, Stills, Nash & Young/Jimi Hendrix - segued as one]
2. Fire And Rain [James Taylor]
3. Lay Lady Lay [Bob Dylan]
4. Spill The Wine [War]
5. Nothin' To Do But Today [Stephen Stills]
6. Cold Bologna [Bill Withers - also features BW on Guitar]
7. Love The One You're With [Stephen Stills]]

Disc 4 is the LP "Brother, Brother, Brother" (credited to "The Isleys"), issued June 1972 in the USA on T-Neck TNS 3009 (38:03 minutes):
1. Brother, Brother
2. Put A Little Love In Your Heart 
3. Sweet Season/Keep On Walkin'
4. Work To Do
5. Pop That Thang 
6. Lay Away 
7. It's Too Late
8. Love Put Me On The Corner
All 8 tracks are originals - except 1, 3 (Part 1 of) and 7 which are Carole King covers while track 2 is a Jackie DeShannon cover

Disc 5 is the LP "3 + 3", issued September 1973 in the USA on T-Neck KZ 32453 and November 1973 in the UK on Epic S EPC 65740 (43:13 minutes):
1. That Lady (Part 1&2)
2. Don't Let Me Be Lonely Tonight
3. If You Were There
4. You Walk Your Way
5. Listen To The Music
6. When It Comes Down To
7. Sunshine (Go Away Today)
8. Summer Breeze
9. Highways Of My Life 
All 9 tracks are originals - except track 2 is James Taylor cover, track 5 is a Doobie Brothers cover, track 7 is a Jonathan Edwards cover, track 8 is a Seals & Crofts cover
Track 10 is a CD bonus track, a live version of "That Lady" recorded in 1980

The remastered sound quality is superb throughout and the 5 card sleeves repro the original American 'T-Neck' Records album covers front and rear. TOM RUFF did the 'Legacy Rhythm & Soul Series' Remasters - so that's what's been used here. Unfortunately the card sleeves are too small and blurry to actually read any details off of them. But you can download a full Sessionography for each album from Sony's online site www.musicmadesimple.info (download runs to 9 pages).

In truth I bought this mini box set for the "Givin' It Back" LP - their hard-to-find covers album from 1971. It's one of those fabulous lost soul gems you rarely ever see on vinyl let alone reissue CD (it pushes £25 in places). "Givin' It Back" opens with a dynamite mix of CSYN's "Ohio" with Hendrix's "Machine Gun" and its genius - both songs imbibed with extraordinarily passionate Isley vocals (the Vietnam war and its protests looming everywhere in the lyrics). "Lay Lady Lay" is excellent too, but it does overstay its welcome at ten minutes plus. This is offset against a radically reworked version of James Taylor's "Fire And Rain" which is now brilliantly soulful.  

That the other albums also contain such an embarrassment of riches is of course a blast - a constantly repaying bonus. Check out their stunning cover of Carole King's "It's Too Late" from her wonderful 1971 "Tapestry" album - it's ten minutes long, but this time it works - beautifully soulful with searing guitar work throughout. The brass on "Freedom" too (lyrics above) leaps out at you from the speakers. Another particular favourite of mine is "Work To Do" which the Average White Band practically made their own on the fab "Pick Up The Pieces" Atlantic Records "AWB" album. 

So there you have it - properly great soul music in wonderful sound - and five albums worth of it too - a wee peach of an Isleys thing…

"The Brothers: Isley" by THE ISLEY BROTHERS (1997 'Legacy Rhythm & Soul Series' CD Remaster) - A Review by Mark Barry...





This Review Along With 100s Of Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
SOUL, FUNK and JAZZ FUSION On CD - Exception Remasters  
Just Click Below To Purchase for £3.95
Thousands and thousands of E-Pages
All Details and In-Depth Reviews From Discs
(No Cut and Paste Crap) 


"...Got To Get Myself Together..."

You take one look at the three monks dressed in lurid pink on the cover on this long forgotten T-Neck Records LP from late 1969 - and you know you're in the presence of some serious dig-the-flowers-in-the-garden hippy-hoppity transcendental psychobabble (with a Funky Soul twist).

But then I think - what's wrong with that. And given the sonic evidence presented on this fantastic-sounding June 1997 CD of "The Brothers: Isley" - I'm down with the boys regardless of their garish garb. As a post Brexit Theresa May would say – bring it on baby. Here are the details...

UK released June 1997 - "The Brothers: Isley" by THE ISLEY BROTHERS on Epic/T-Neck/Legacy 487515 2 (Barcode 5099748751522) is a straightforward CD Remaster and is part of Sony’s 'Legacy's Rhythm & Soul Series'. It plays out as follows (30:41 minutes):

1. I Turned You On
2. Vacuum Cleaner
3. I Got To Get Myself Together
4. Was It Good To You?
5. The Blacker The Berrie (aka 'Black Berries')
6. My Little Girl [Side 2]
7. Get Down Off Of The Train
8. Holding On
9. Feels Like The World
Tracks 1 to 9 are their album "The Brothers: Isley" (their 2nd LP on T-Neck) - released November 1969 in the USA on T-Neck Records TNS 3002 and June 1970 in the UK on Stateside SLS 10300. Produced by Ronald, O'Kelly and Rudolph Isley - it peaked at No. 20 on the USA R&B LP charts (didn’t chart in the UK).

Produced for reissue by Leo Sacks – the 8-page inlay pictures label repro’s of American T-Neck 45s – track by track credits – new liner notes from noted Soul writer DAVID RITZ called 'The Pleasure Of Picking Berries' and the usual reissue credits. The CD itself reflects the T-Neck label of old and the album's rear sleeve is repro'd beneath the see-through CD tray. But the big news is a fantastic CD Remaster by TOM RUFF at Sony Studios from original tapes – every track kicking like a mule and full of energy - if not a little hissy in places (bit only on some tracks).

Prepping the public's appetite - T-Neck pushed three 7" singles in 1969 - all of them months prior to the LP's eventual release in November. First up came the Side 1 opener "I Turned You On" b/w "I Know Who You Been Socking It To" in May 1969 on T-Neck TN 902. The flipside was the opening track on the preceding album "It's Our Thang" which peaked at No. 2 on the USA R&B LP charts in May of that year - 1969.  "I Turned You On" was an obvious choice as a lead-off single - a fabulous funky groove where Ronnie moans that he's 'turned her on' but 'he can't turn her off' - especially when she socks it to him (you gotta feel for the man). The remaster is incredibly muscular - a tiny bit of hiss for sure but nothing that detracts from those amazing brass jabs that accompany the groove right through to its slow fade end.

For the LP's second 7" single issued August 1969 on T-Neck TN 906 - the label took the near six-minute James Brown workout that is "The Blacker The Berrie" and re-christened it "Black Berries - Part 1" and "Part 2". The two-parter peaked at No. 43 on the US R&B charts during an uncharacteristically-short four-week reign. Single number three was "Was It Good For You?" - another neck-jerking groover that's busy with guitars and brass. With "I Got To Get Myself Together" as its flipside - it peaked at a modest No. 33 on the USA R&B charts (T-Neck TN 908). With the same track combo - this was the only UK released 45 from the album - February 1970 on Stateside SS 2162 - but it did no business and was quickly deleted.

Other worthy inclusions include the "My Little Girl" is 'dynamite' Side 2 opener and the mid-tempo "Get Down Off Of The Train" - Ernie's guitar playing prominent throughout. "Holding On" could have been another 'fast' 45 - a very Blood, Sweat & Tears brass arrangement propelling it along its Funky little path (fantastic Ronnie Lead Vocal while the boys chant 'you got me holding on'). The short late 60ts album ends on my fave - "Feels Like The World". It's a slow ballad with great guitars and vocal arrangements - Chris Jasper plinking away on the piano anchoring the Soulful proceedings. I love this song - a slinky IB groove that manages to be both Funky and Soulful at the same time. "Feels Like The World" sounds like a lost classic you want to rave about as soon as possible. I'd admit that in the opening minute the transfer is hissier than I would like - but the Lead Vocal from Ronnie (he let’s rip at the end) and the musicianship quickly make mincemeat of that minor quibble...

"The Brothers: Isley" is not a balls-to-the-wall masterpiece like say - "Givin' It Back" - the covers album from 1971. But it is The Isley Brothers on T-Neck during that hallowed period - and that's all the info I need.

Don the pink ponchos lads and get down with 'The Brothers: Isley'...

Monday 11 July 2016

"This Year's Model: Deluxe Edition" by ELVIS COSTELLO and THE ATTRACTIONS (2008 Universal 2CD 'DELUXE EDITION' Remaster) - A Review by Mark Barry...



"…Pump It Up…"

Coming off the back of an exceptional debut LP only a year earlier  "My Aim Is True" - Elvis Costello's 1978 follow-up album "This Year's Model" made good on that promise and excitement. Hardly surprising that both records have been afforded the praise of a Universal DELUXE EDITION each - bolstered up with new remasters, bonus cuts and previously unreleased goodies. Here are the little triggers...

UK released April 2008 - "This Year's Model: DELUXE EDITION" by ELVIS COSTELLO and THE ATTRACTIONS on Universal 00602517606333 (Barcode 602517606319) is a 2CD set and breaks down as follows:

Disc 1 (69:50 minutes):
1. No Action
2. This Year's Girl
3. The Beat
4. Pump It Up
5. Little Triggers
6. You Belong To Me
7. Hand In Hand [Side 2]
8. (I Don't Want To Go To) Chelsea
9. Lip Service
10. Living In Paradise
11. Lipstick Value
12. Night Rally

13. Radio, Radio [see NOTE]

Tracks 1 to 12 are the 12-track UK version of the LP "This Year's Model" released March 1978 on Radar RAD 3. The first 50,000 British copies (5000 stickered as Radar XX LP 11) came with a free 2-track 7"single - "Stranger In The House" b/w "Neat, Neat, Neat (Live)" (on Radar SAM 83) - only the B-side is included on this set - see 20 below.

Note: "(I Don't Want To Go To) Chelsea" and "Night Rally" were dropped from the American LP on Columbia JC 35331 (released April 1978) - replaced with "Radio, Radio" as the last track on Side 2. In other words - to sequence the 11-track US version of the original LP use tracks 1 to 6 for Side 1 and tracks 7, 9, 10, 11 and 13 for Side 2.

BONUS MATERIAL: B-sides, Demos, Live Tracks, Alternates, Etc.
14. Big Tears (non-album track, B-side of "Pump It Up" - a UK 7" single released April 1978 on Radar ADA 10 - features MICK JONES of THE CLASH on Guitar. Also the B-side of "This Year's Girl" in the USA released 1978 on Columbia 3-10762)
15. Crawling To The USA (unique compilation track, first released on the US Soundtrack album "Americathon" released 1979 on Columbia JS 36174 - also featured on the US album "Taking Liberties" released 1980 on Columbia JC 36839)
16. Tiny Steps (non-album track, B-side to "Radio, Radio" - a UK 7" single released October 1978 on Radar ADA 24)
17. Running Out Of Angels (Demo Version)
18. Greenshirt (Demo Version)
19. Big Boys (Demo Version) (17, 18 and 19 first issued as bonus tracks on the 2001 2CD reissue of "This Year's Model")
20. Neat, Neat, Neat (Live) - the first 50,000 British copies of the LP (5000 stickered as Radar XX LP 11) came with a free 2-track 7" single - "Stranger In The House" b/w "Neat, Neat, Neat (Live)" (on Radar SAM 83). This is that B-side.
21. Roadette Song (Live)
22. This Year's Girl (Alternate Eden Studios Version)
23. (I Don't Want To Go To) Chelsea (Alternate Basin Street Studios Version) - tracks 21, 22 and 23 first issued as bonus tracks on the 2001 2CD reissue of "This Year's Model")

Disc 2 - "Live At The Warner Theater, Washington D.C. 28 February 1978" - 62:33 minutes:
1. Pump It Up
2. Waiting For The End Of The World
3. No Action
4. Less Than Zero
5. The Beat
6. (The Angels Want To Wear My) Red Shoes
7. (I Don't Want To Go To) Chelsea
8. Hand In Hand
9. Little Triggers
10. Radio, Radio
11. You Belong To Me
12. Lipstick Vogue
13. Watching The Detectives
14. Mystery Dance
15. Miracle Man
16. Blame It On Cain
17. Chemistry Class
All tracks on Disc are PREVIOUSLY UNRELEASED except for "Chemistry Class" - which was first issued on the "Armed Forces" 2CD edition in 2001.

The DE has been produced by Elvis Costello with the help of Universal's Bill Levenson (the original album was produced by NICK LOWE) and features a 4-way foldout card digipak with one of those peel-off DE bandanas across the bottom. The 24-page oversized booklet has lyrics, in-studio photos, publicity shots and discography credits. There's a couple of things that irk though - there's no liner notes (what would it have taken to chuck a couple of paragraphs together especially as the man himself was available for interview) - and where the hell is "Stranger In The House" that came with original British LPs as the A-side to the free single? There was room on the first disc so its absence smacks of sloppiness (it's on the DE on "My Aim is True" if you want it). If this is a definitive DE version - then include what came with the original album. But for me that all goes largely by-the-by because of the remaster and the live set...

The audio has been handled by no less than three experts in their field - all of whom I've praised before - BILL INGLOT (huge swaths of Rhino reissues) and SUHA GUR with ELLEN FITTON (large amounts of Motown and Universal's catalogue). I love the new power they've brought out of tracks like "This Year's Girl" and "You Belong To Me" - where Pete Thomas's drums whack your speakers with force and clarity and Steve Nieve's fairground keyboards squeak in the background with just that little bit more punch.

The album opens with his acidic "No Action" while the "two to tango" jabs of "The Beat" sound amazing. I always thought "Pump It Up" was one of his best ever singles - I used to DJ it back in the Dublin day - and I can still see those `two tone' kids tearing up the dancefloor to its irresistible kick-ass backbeat. Things take a decidedly more mature tone with the brilliant and slyly sexy "Little Triggers" - a great song about a professional tease. That treated guitar has added menace at the beginning of "Hand In Hand" and with an edit - it could have been another killer single. Speaking of pep in its step - the "so attractive" "Lip Service" now sounds fantastic with that backing so much clearer. I always thought American fans were wrongly denied "Night Rally" - a tightly epic album-finisher replaced on their album with the hit "Radio, Radio".

"Big Tears" and "Tiny Steps" are wicked B-sides while the American LP exclusive "Crawling To The USA" is of the same frantic ilk. The clarity of the three demos is shockingly good as are the renditions - acoustic versions complete with the occasional false start - they would make `Unplugged' sessions blush. His live cover of Ian Dury's "Roadette's Song" sounds like an EC song in the first place while Disc 1 is bookended with two excellent (and professionally recorded) alternates of two album highlights - "This Year's Girl" and "(I Don't Want To Go To) Chelsea".

I was wondering if the live set on Disc 2 was just DE filler but its not. Excepting some serious speaker distortion at the beginning - the band is tight and totally on form (like Joe Jackson on a "Get Sharp" bender). Recorded months before the second album even showed up - what makes the American gig rock is the mixture of tracks from `both' the debut and "This Year's Model" - the crowd taking the old and the new in their stride because of how he cleverly placed the songs in the set. The Attractions take the audience with them on "Less Than Zero" and "The Beat" - while they rock "Red Shoes". By the time you get to the fabulous rocking "Blame It On Cain" - you're bopping in the living room - kinda wishing you'd been there.

Fans will know (with a sense of sadness even) that Elvis Costello's catalogue has been done just one too many times to be comfortable - but I'd argue with that this DE of "This Year's Model" with its improved sound and better than average extras - is the one to pump it up in your own living room...

INDEX - Entries and Artist Posts in Alphabetical Order