"Be Glad For The Song Has No Ending/Liquid Acrobat As Regards The Air" by THE INCREDIBLE STRING BAND (2004 Beat Goes On 2CD Remasters) - A Review by Mark Barry...

This Review Along With 240 Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites

THERE'S SOMETHING ABOUT 1971... - Exceptional CD Remasters  

Over 1530 E-Pages 

Just Click Below To Purchase for £3.95

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 

(No Cut and Paste Crap)

                                                                  "...Evolution Rag..." 

I've reviewed the earlier catalogue of THE INCREDIBLE STRING BAND from 1967 to 1970 on other superlative Beat Goes On CD Reissues - but have been avoiding this release because I can't abide the hippy claptrap of "Be Glad For The Sing Has No Ending" - especially its associations with the destructive and appalling Scientology Cult that is imbedded into the lyric-songs on Side 1. The album is partially saved by some interesting and eclectic passages on Side 2's nine-part instrumental "The Song Has No Ending" - music from the 1970 limited-release film "Be Glad For The Song Has No Ending". That 26-minute opus is similar to the 20-minute Side1 suite on Amazing Blondel's "Fantasia Lindum" LP on Island Records in 1971 - but not as good or as pretty (see separate review for "Evensong/Fantasia Lindum" also on BGO Records, 2004).

And then there's "Liquid Acrobat As Regards The Air" - coming at the tail end of 1971 - an underground album that fascinates to this day (spoken of in hushed tones by some). There are unfortunately still traces of Hubbard’s reality-bending cosmic psychobabble (indoctrinating young impressionable minds for momentary gain) – but the music was better and for its time – a bit out there. Let's get to the Cosmic Boys and their Evolution Rags...

UK released June 2004 (reissued October 2010) - "Be Glad For The Song Has No Ending/Liquid Acrobat As Regards The Air" by THE INCREDIBLE STRING BAND on Beat Goes On BGOCD 627 (Barcode 5017261206275) offers 2LPs from 1971 (March and October) - Remastered onto 2CDs and plays out as follows:

Disc 1 (50:54 minutes):

1. Come With Me [Side 1]

2. All Writ Down

3. Veshengro

4. See All The People

5. Waiting For You

6. The Song Has No Ending (A Selection Of Instrumental Pieces - 26:45 minutes) [Side 2]

Tracks 1 to 6 are the album "Be Glad For The Song Has No Ending" - released March 1971 in the UK on Island Records ILPS 9140 (No US release). "Save All The People" recorded live March 1968 at The Royal Festival Hall - all other tracks studio.

Disc 2 (48:44 minutes):

1. Talking Of The End [Side 1]

2. Dear Old Battlefield

3. Cosmic Boy

4. Worlds They Rise And Fall

5. Evolution Rag

6. Painted Chariot

7. Adam And Eve [Side 2]

8. Red Hair

9. Here Till Here Is There

10. Tree

11. Jigs: Eyes Like Leaves/Sunday is My Wedding Day/Drops Of Whiskey/Grumbling Old Men

12. Darling Belle

Tracks 1 to 12 are the album "Liquid Acrobat As Regards The Air" - released October 1971 in the UK on Island Records ILPS 9172 and February 1972 in the USA on Elektra EKS-74112

The card slipcase always lends these BGO releases a feel of class. ALAN ROBINSON provides the very informative and entertaining liner notes in the tastefully laid out 16-page booklet – a lot of which is taken from/in collusion with Adrian Whittaker – author of the 2003 Book "Be Glad: An Incredible String Band Compendium" published by Helter Skelter. Adorning both sides of the text pages are small black and white period photos of the mad ensemble doing their flowers & cosmos thing – whilst the rest of the pages provide you with original recording credits and lyrics for both 1971 LPs.

Audio-wise - it doesn't say who or where these were Remastered - but I'm presuming it's the work of ANDREW THOMPSON because it sure sounds like it. Anyway - the Audio is superb throughout - most of the Acoustic-based songs benefitting from that extra oomph the transfer has given them. With John Woods as the original Engineer (Nick Drake etc) – it’s hardly surprising that these CDs sound so sweet. But the music for me is very much a tale of two cities - good and bad...

"Be Glad For The Song Has No Ending" feels like an odds and sods record - whatever was left in the can - thrown into one lump and issued regardless. Side 1 has the five lyric-based studio songs (One live in 1968) - while Side 2 is the 26-minute-plus Instrumental in nine different parts. The 'ha ha ha' chorus of the live track "See All The People" is insufferable hippy chanting and like most of Side 1 - I find it unlistenable now. There are pretty acoustic passages around the six-minute mark in the Side 2 instrumental that suddenly locate that ISB magic again - and later in the sitar break - but mostly it feels disorganised and rambling for the sake of it. Best track is the slightly vaudeville singing/talking more-tea-vicar song - "Waiting For You".

The harpsichord, the monastic voices and the clever Hari Krishna chanting percussion of "Talking Of The End" make it an extraordinarily odd yet intoxicating opening track. And just when you think you know where the song is going - it suddenly goes into a Sitar break that's both cool and eerie. "...Death is unreal...there's more to be revealed..." they sing on "Dear Old Battlefield" - the most Liege & Lief track on the LP. Mike Heron plays the Randy Newman piano while Likky handles the girly vocals on the pretty yet weird "Cosmic Boy" where the ISB of old is almost unrecognisable. Back to Folk-Prog business with "Worlds They Rise And Fall" - quite possibly the best melody on the album and beautifully played too.

The very Richard and Linda Thompson guitar vibe of "Painted Chariot" got picked as a representative of the band on the "Strangely Strange But Oddly Normal" 3CD Box Set for Island Records in 2005. The English Traditional "Here Till Here Is There" is almost Acapella - Heron and Likky sharing the microphone initially with Recorders thereafter providing the plaintive backing. But the sophisticated story-telling, cod-faced funny, World War sad and beautiful "Darling Belle" dominates the LP – an elongated finisher about life and loss that is all flutes and hissing swans and glockenspiels giving it some banjo yearning. I don't know about them getting their 'heads together in the country' like so many bands tried to do in the wake of Traffic - but the song is so typically ISB and a great way to end the record - mad as a dingbat on some very potent mushrooms - stoner rural music with an accent and a certain charming innocence...

As a group and listening experience - The Incredible String Band has always divided listeners - they're a Marmite band - love or loathe them. Those silly youthful indoctrinations aside - "Liquid Acrobat As Regards The Air" is still pretty much unlike anything you've ever heard - then or since. And for that they have our thanks and admiration.

-->

Put succinctly - this is keep the home fires burning music - while the leaves fall with whispers and the foggy dew is wet with aura daffodil love (know what I'm saying pal)...

"Classic Thin Lizzy - Universal Masters Collection" by THIN LIZZY (1999/2009 Decca/Deram CD Compilation of Remasters) - A Review by Mark Barry...

(Original 1999 Cover)

(2009 Reissue Artwork)

This review and hundreds more like it can also be found in my 
SOUNDS GOOD Music Book: 1960s and 1970s MUSIC Volume 2 
- Exceptional CD Remasters 

It contains over 210 in-depth reviews (a whopping 2400+ e-Pages) 
And is available to buy/download at Amazon at the following link...

"…Remembering Part One…"

The budget-to-mid price Series "Universal Masters Collection" spans a huge range of artists on the Universal roster of Labels - from ABC through to DONNA SUMMER - and all points in between. But this little gem given over to THIN LIZZY and the Irish band’s early Decca Label material seems to have gone largely unnoticed.

The booklet is a 4-page foldout inlay with a decent essay on the band at that time by DARYL EASLEA and a basic track listing.

But the really good news is that all 18 of its tracks have been Digitally Remastered and many of them are hard-to-find rarities. The compilation covers the period 1971 to 1974, their first 3 albums and the non-album 7" singles around them. As you can see from the photo they've used for the front cover of the booklet, the rocking Dublin band was still a POWER TRIO at that time - PHIL LYNOTT on Bass and Vocals (principal songwriter), ERIC BELL on Guitar and Vocals with BRIAN DOWNEY on Drums and Percussion (the famous dual-guitars of BRIAN ROBERTSON and SCOTT GORHAM began with "Nightlife" in 1974).

The albums featured here are "Thin Lizzy", their debut from April 1971, "Shades Of A Blue Orphanage", their second album from March 1972 (un-issued in the US) and their fantastic third album from September 1973, "Vagabonds Of The Western World" (on the Decca label in the UK and the London label in the USA). As the first three albums were put out onto CD in 1990, 1993 and 1993 respectively with 'ok' sound quality - these 1999 sonic upgrades are both long overdue and superb-sounding into the bargain.

Originally UK released December 1999 (reissued 2005 and 2009) - "Classic Thin Lizzy: The Universal Masters Collection" by THIN LIZZY is an 18-track CD compilation on Universal/Deram/Decca 844 945-2 (Barcode 042284494526). Here’s the track-by-track breakdown (most of this info isn’t on the outer sleeve):

1. Whisky In The Jar

Their 1st UK 7" single from November 1972 and originally a non-album track – the song is an updated cover version of a 1729 Traditional Irish air. The cut supplied here is the rare 'Promotional Edited Version' used on UK Demos and the US issue of the single that cut down the standard 7" release from its full running time of 5:44 minutes to a shorter 3:40 minutes

2. The Rocker

Their 3rd UK 7" single, this is the rare ‘Edited Single Version'. It chops down the full "Vagabonds Of The Western World" album cut of 5:12 minutes to 2:41 minutes - essentially editing out Eric Bell's guitar solo

3. Look What The Wind Blew In (on "Thin Lizzy" - their 1st album)

4. Randolph's Tango

Their 2nd UK 7" single from May 1973 and again a non-album track. This is credited as the ‘US Edited Single Version’ - but as the original UK version runs to 3:53 minutes and this cut is 3:49 minutes - in a crazy world of 45 playing times - 4-seconds is seen as an 'edit'…

5. Sarah (Version 1) (on "Shades Of A Blue Orphanage" - their 2nd album)

6. Things Ain't Workin' Out Down At The Farm (Version 1)

The 4th of 4 tracks on the ultra-rare "New Day" EP - a UK-only 7" single-only release from 21 August 1971. The 1st track on the EP "Dublin" is also on this compilation - Track 12. For CD versions of the other two songs on the EP, "Remembering Part II (New Day)" and "Old Moon Madness” - they can be found as bonus tracks on both the 1990 and 2010 CD reissues of "Thin Lizzy”

7. Vagabond Of The Western World

Edited 7” Single Version - it cuts down the "Vagabonds..." album track of 4:49 minutes to a running time of 4:06 minutes

8. Here I Go Again (non-album B-side to the November 1973 UK 7” single of "The Rocker" on Decca F 13467)

9. Buffalo Gal (on "Shades Of A Blue Orphanage” - their 2nd album)

10. Honesty Is No Excuse (on "Thin Lizzy” - their 1st LP)

11. Black Boys On The Corner

Released in the UK in November 1972 as Decca F 13356 - it's the non-album B-side to both the UK and USA 7" single "Whisky In The Jar" (spelt without an 'e' in the UK and EUROPE but with an 'e' in the USA.

12. Dublin (1st of 4 tracks on the ultra-rare "New Day" EP, a UK-only 7" single-only release from 21 August 1971)

13. Little Darling (a UK 7" single-only release from April 1974 on Decca F 13507 featuring GARY MOORE (ex Ireland's SKID ROW) on Guitar)

14. Brought Down (on "Shades Of A Blue Orphanage” - their 2nd LP)

15. Remembering Part One (on "Thin Lizzy". This is credited as the 'US Edited Version' - but at 6:00 minutes it appears to me to be the same as the UK album version)

16. Chatting Today (on "Shades Of A Blue Orphanage” - their 2nd LP)

17. Broken Dreams (non-album B-side to "Randolph's Tango" – released May 1973 as their 2nd UK 45 on Decca F 13402 – both tracks were non-album at the time)

18. Little Girl In Bloom

(US Edited Version - it cuts down the "Vagabonds..." album cut from 5:14 minutes to 5:06 minutes and was apparently released like this on the 1973 AMERICAN versions of the "Vagabonds..." album)

Apart from the obvious rarity nature of many of these tracks what is thrilling is the stunning upgraded remastering that each has been given. A comparison of "Black Boys On The Corner" is one good example. Originally only available on the 1991 CD issue of “Vagabonds Of The Western World" as a bonus track in ok remastered sound - the upgrade here is just breathtaking. A truly great B-side (and far more indicative of their rockin' nature than the A) - it's been a fan-favourite for years and to hear it sound this good is an absolute blast.

Initially penciled in for release February 2008 - the first three albums on Decca "Thin Lizzy" (1971), “Shades Of A Blue Orphanage" (1972) and a 2CD Deluxe Edition of their wonderful 1973 LP "Vagabonds Of The Western World” finally arrived in 2010 after five or even six delays - and all of them with copious bonus tracks and top-quality remastering well worth the wait (see my reviews for all of them).

'Classic Thin Lizzy' is probably pushing the term here - but if you want a taster of those early years - “Classic/Universal Masters Collection" is an excellent CD compilation and a cheap way of accessing their earlier and wildly underrated material. And it’s a cool way to remember this beloved (original trio) of an Irish Rock Band and its much-missed leader - PHILIP PARIS LYNOTT. Rock on you peach…

"U.S. Singles Collection: The Capitol Years 1962-1965" by THE BEACH BOYS (June 2008 USA Capitol 16-Disc Mini Box Set Of CD Singles) - A Review by Mark Barry...

This Review Along With 100s Of Others Is Available in my

SOUNDS GOOD E-Book on all Amazon sites

CLASSIC 1960s MUSIC On CD - Exception Remasters  

Just Click Below To Purchase for £3.95

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 

(No Cut and Paste Crap)

"…Surfin' U.S.A.…"

Released June 2008 in the USA on Capitol 509992 15795 23 – the sonically amazing and sumptuously packaged "U.S. Singles Collection: The Capitol Years 1962-1965" by THE BEACH BOYS has elicited a lot of joy amongst fans and the occasional howl of derision too (I'm with the happy bunnies personally). 

With its beautifully laid out 56-page hardback book and repro facsimile sleeves – to look at "U.S. Singles…" is a thing of beauty for sure. But diehard fans have complained about a paltry 8 unreleased tracks (Disc 1, 6, 7, 9, 13 and 16) and a not too insignificant price tag. 

Whatever way you look at it – "The Capitol Years 1962-1965" by THE BEACH BOYS is bit special in my book and in 2017 - its 58-tracks are available for a lot less than its initial steep asking price. So here are the bikini-clad details and Californian heavy waves…

All tracks are in MONO unless otherwise stated:

Disc 1:

1. Surfin’ Safari

2. 409

3. 409 (Live)

Tracks 1 and 2 are their debut USA 45 released May 1962 on Capitol 4777. Track 3 is a Previously Unreleased Mono Live Version

Disc 2

1. Ten Little Indians

2. County Fair

3. Punchline

Tracks 1 and 2 are a USA 45 released November 1962 on Capitol 4880.

Disc 3

1. Surfin’ USA

2. Shut Down

3. Surfin USA (Stereo Mix)

4. Shut Down (Stereo Mix)

Tracks 1 and 2 are a USA 45 released April 1963 on Capitol 4932.

Disc 4

1. Surfer Girl

2. Little Deuce Coupe

3. Surfer Girl (Stereo Mix)

4. Little Deuce Coup (Stereo Mix)

Tracks 1 and 2 are a USA 45 released August 1963 on Capitol 5009

Disc 5

1. Be True To Your School

2. In My Room

3. Be True To Your School (Alternate Version)

4. In My Room (Stereo Mix)

Tracks 1 and 2 are a USA 45 released October 1963 on Capitol 5069.

Disc 6

1. Little Saint Nick

2. The Lord’s Prayer

3. Little Saint Nick (Stereo Mix)

4. The Lord’s Prayer (Stereo Mix)

Tracks 1 and 2 are a USA 45 released December 1963 on Capitol 5096. Track 3 is Previously Unreleased

Disc 7

1. Fun, Fun, Fun

2. Why Do Fools Fall In Love

3. Fun, Fun, Fun (Stereo Mix)

4. Why Do Fools Fall In Love (Alternate Mono Single Edit)

Tracks 1 and 2 are a USA 45 released February 1964 on Capitol 5118. Track 4 is Previously Unreleased

Disc 8

1. I Get Around

2. Don’t Worry Baby

3. I Get Around (Stereo Backing Track)

4. Don’t Worry Baby (Stereo Mix)

Tracks 1 and 2 are a USA 45 released May 1964 on Capitol 5174.

Disc 9

1. When I Grow Up To Be A Man

2. She Knows Me Too Well

3. When I Grow Up To Be A Man (Stereo Mix)

4. She Knows Me Too Well (Stereo Mix)

Tracks 1 and 2 are a USA 45 released September 1964 on Capitol 5245. Tracks 3 and 4 are Previously Unreleased

Disc 10

1. Wendy

2. Don’t Back Down

3. Little Honda

4. Hushabye

5. Wendy (Stereo Mix)

6. Don’t Back Down (Stereo Mix)

7. Little Honda (Stereo Mix)

8. Hushabye (Stereo Mix)

Tracks 1 to 4 are a USA 7” EP “Four By The Beach Boys” released October 1964 on Capitol R 5267

Disc 11

1. Dance, Dance, Dance

2. The Warmth Of The Sun

3. Dance, Dance, Dance (Stereo Mix)

4. The Warmth Of The Sun (Stereo Mix)

Tracks 1 and 2 are a USA 45 released November 1964 on Capitol 5306

Disc 12

1. The Man With All The Toys

2. Blue Christmas

3. The Man With All The Toys (Stereo Mix)

4. Blue Christmas (Stereo Mix)

Tracks 1 and 2 are a USA 45 released November 1964 on Capitol 5312

Disc 13

1. Do You Wanna Dance

2. Please Let Me Wonder

3. Do You Wanna Dance (Stereo Mix)

4. Please Let Me Wonder (Stereo Mix)

Tracks 1 and 2 are a USA 45 released March 1965 on Capitol 5372. Track 3 is Previously Unreleased

Disc 14

1. Help Me Rhonda

2. Kiss Me, Baby

3. Help Me Rhonda (Mono Backing Track)

4. Kiss Me, Baby (Stereo Mix)

Tracks 1 and 2 are a USA 45 released April 1965 on Capitol 5395

Disc 15

1. California Girls

2. Let Him Run Wild

3. California Girls (Stereo Mix)

4. Let Him Run Wild (Stereo Mix)

Tracks 1 and 2 are a USA 45 released July 1965 on Capitol 5464

Disc 16 BONUS DISC:

1. All Dressed Up For School (Original Mono Mix)

2. I’m So Young (Original Mono Mix)

3. Help Me, Rhonda (Alternate Mix)

4. Graduation Day (Stereo Mix)

Tracks 1 and 2 are Previously Unreleased

As other reviewers have quite rightly pointed out – the MARK LINETT remasters in both MONO and STEREO are second to none and worth the price of admission alone. But I’m also loving those spruced up STEREO versions – especially the rare “Four” EP and “California Girls”. I doubt I ever want to hear the festive singles “Little Saint Nick” and “The man With All The Toys” ever again – but “Help Me Rhonda”, “I Get Around” and “Be True To Your School” are still amazing.

It’s a niche product for sure – and aimed squarely at the collector – but in 2014 with its dropped-in-price tab and that storming audio to entice  – "U.S. Singles..." is more than worth a splash of your cash…

This Review Along With 300+ Others Is Also Available In My

SOUNDS GOOD E-Book on all Amazon sites

CLASSIC ROCK & POP 1970 to 1974 - Exceptional CD Remasters  

Just Click Below To Purchase for £3.95

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)

-->

"Back Door/8th Street Nites/Another Fine Mess" by BACK DOOR (November 2014 Beat Goes On Reissue - 3LPs Remastered onto 2CDs) - A Review by Mark Barry...

This Review Along With 300+ Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites

CLASSIC ROCK & POP 1970 to 1974 - Exceptional CD Remasters  

Just Click Below To Purchase for £3.95

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)

"…Jive Grind…"

Didn’t sell, too obscure, can’t be assed – and besides Jazz-Rock/Fusion bands don’t come from North Yorkshire in 1973. Accomplished three-piece BACK DOOR is one of those groups (like Gentle Giant, Fruupp and Greenslade) that bubbled under all the time back in the day without ever breaking through to huge audiences. And re-listening to their impressive noodlings in 2014 – it’s hardly surprising. Their brand of Vertigo Spiral-BSF-CTI Records Saxophone, Bass Guitar, Flute Jazz Rock - which then morphed into Blues-Jazz by Record Two and Funky-Soul-Rock by album Three was hard to pigeonhole let alone market.

But that doesn’t mean their tunes and especially their musicianship (honed throughout the Sixties in endless London sessions) wasn’t of the highest order – and is now deserved of your precious spondulicks. Beat Goes On of the UK seems to think so – as they once again canter bareback and proud into the world of Progressive Jazz-Rock in all its wonders and transgressions. Here are the fretless improv details…

UK and US released November 2014 – "Back Door/8th Street Nites/Another Fine Mess" by BACK DOOR on Beat Goes On BGOCD 1170 (Barcode 5017261211705) is a 3LP/2CD Set of Remasters that breaks down as follows:

Disc 1 (67:23 minutes):

1. Vienna Breakdown

2. Plantagenet

3. Lieutenant Loose

4. Askin’ The Way

5. Turning Point

6. Slivadiv

7. Jive Grind [Side 2]

8. Human Bed

9. Catcote Rag

10. Waltz For A Wollum

11. Folksong

12. Back Door

Tracks 1 to 12 are their debut album "Back Door" released originally on Blakey Records BLP 5989 in 1972 – then reissued in 1973 on Warner Brothers K 46231 in the UK and Warner Brothers BS 2716 in the USA

13. Linin’ Track

14. Forget Me Daisy

15. His Old Boots (Sein Alter Stiefel)

16. Blue Country Blues

17. Dancin’ In Your Van

18. 32-20 Blues

19. Roberta [Side 2]

20. It’s Nice When It’s Up

21. One Day You’re Down, The Next Day You’re Down

22. Walkin’ Blues

23. The Bed Creaks Louder

24. Adolphus Beal

Tracks 13 to 24 are their 2nd album "8th Street Nites" released 1973 in the UK on Warner Brothers K 46265 and Warner Brothers BS 2753 in the USA

Disc 2 (36:21 minutes):

1. I’m Gonna Stay A Long, Long Time

2. Blakey Jones

3. T.B. Blues

4. Candles Round Your Hat

5. Detroit Blues

6. The Spoiler [Side 2]

7. Shaken By Love

8. Streamline Guitar

9. Manager’s Shirt

10. The Dashing White Sergeant

Tracks 1 to 10 are their 3rd album "Another Fine Mess" released January 1975 in the UK on Warner Brothers K 56098

There’s a classy card slipcase, a hugely detailed 24-page booklet with CHARLES WARING liner notes that include interviews with a 69-year old Hodgkinson who discusses with wit and good memory the band and their difficult beginnings. There’s Cream, Melody Maker and NME Press clippings, photos of the boys grinning on the Empire State Building in NYC, album artwork (inside and out) – it’s the usual bang-up-job done by BGO. But the big news as ever is immaculate remasters by ANDREW THOMPSON from original master tapes. These CDs sound gorgeous – clean, expertly transferred and full of warmth.

BACK DOOR featured COLIN HODGKINSON on Bass 12-String Guitar and Vocals, RON ASPREY on Alto/Soprano Saxophones, Flute and Keyboards with TONY HICKS on Drums – their wild free Jazz leanings are evident right from the off in “Vienna Breakdown”.

The 3-minute “Catcote” rag is Colin Hodgkinson doing a Bass solo unaccompanied while “Waltz For A Wollum” is more freeform Jazz. A sad Flute permeates “Plantagenet” while we go all Soho café on the early-hours “Askin’ The Way”. Other highlights on the entirely instrumental first album are

Things needed to get better and in some way a tad more commercial – so they headed West for album number two. Recorded at Electric Ladyland Studios in New York and Produced by FELIX PAPPALARDI their cover of Huddie Ledbetter’s “Linin’ Track” on their 2nd album “8th Street Nites” features lead vocals by Hodgkinson (damn good singer too). Felix also plays piano on the pretty “Forget Me Daisy” while they go Stanley Clarke slap bass funky on “32-20 Blues” where again Hodgkinson puts a great Bluesy vocal. Their 2nd Robert Johnson cover “Walkin’ Blues” is excellent and a long way from the free form of the debut album.

Produced in London by PETER THORUP of CCS fame - album number three in probably the most ‘Soulful’ of the three. It opens with an almost AWB “I’m Gonna Stay A Long, Long Time” while “Blakey Jones” shows the musical advances (despite that awful schoolroom album artwork) – a sophisticated Spirogyra Jazz-Rock instrumental with brilliant bass and keyboard breaks. They go Georgie Fame/Van Morrison double-vocals on the slinky “T.B. Blues”. We get George Duke/Roy Ayers on the pinging keys of “Candles Round Your Hat” where the piano notes feel like vibes. Avant Garde hero MICHAEL GIBBS arranged the short but lovely “Detroit Blues” and co-wrote the tune. Funky-Rock comes in with the Side Two opener “The Spoiler” and we get scat vocals on “Manager’s Shirt” duetting with the Sax and Bass. It ends on the silly military march of “The Dashing White Sergeant” kind of spoiling the cool Fusion Rock that went before.

BACK DOOR will absolutely not be everyone’s cup of Darjeeling - but if you’re a fan – or hanker for life after George Duke, Stanley Clarke and Herbie Hancock – then this superbly remastered double on Beat Goes On is your (back door) man…