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1969
WHOLE LOTTA LOVE
Your All-Genres Guide To
Exceptional CD Reissues and Remasters
"...House
Without Windows..."
Grapefruit
Records of the UK (part of Cherry Red's roster of labels) has been feeding the
voracious needs of crusty old music-types like me for some years now. But even
by their lofty/cult label standards - this November 2019 six-disc box set
"At A Point Between Fate And Destiny" by MIGHTY BABY has to be
'another' feather in their very fluffy reissue bonnet (even if the second LP
leaves a lot to be desired – its bolstered up with a huge amount of worthy
alternate material).
MIGHTY
BABY arose out of the ashes of those Motown-blasting Mod darlings of the 60ts
THE ACTION. After discovering mind-expanding LSD (not an abbreviation of London
Sizeable Doughnuts I assure you), they then promptly did the big time
Psychedelic (sort of England’s answer to the Grateful Dead) followed quickly by
a bit of mellow navel-gazing acoustic-electric Americana meets mountain
streams. Given those freeform hallucinogenic reference points, it's hardly
surprising that their commune-a-go-go underground debut and lesser-valued
stoned Country Rock follow-up have become sought-after albums (they were all
but ignored on release and have always had serious rarity status and
collectability ever since).
First
up is the self-titled UK debut "Mighty Baby" on Head Records from
November 1969 (a smart move has been to reproduce the gatefold sleeve with that
iconic Martin Sharp artwork on the outside and Keith Morris photos of the band
on the inside) and then their final studio slab of America/Eagles type
Country-Rock, "A Jug Full Of Love" from October 1971 on Mike Vernon's
revered label Blue Horizon.
This
November 2019 multiple-disc CD box set adds on swathes of extras – a Previously
Unreleased Acetate Mix of the 1969 debut album, an entire CD of 1971 Rehearsals
for the second, an aborted album in-between from 1970 (bootlegs of "Day Of
The Soup" have been available for years but in lesser sound quality), US
and Euro issued Singles and LPs and even lengthy live material unheard for
nearly five decades – six CDs worth in fact. You even get involvement by
hero-worship inducing blokes like DAVID WELLS and JOHN REED with quality
Remastering from OLI HEMMINGWAY at The Wax Works (I've slept with all three,
but that's another set of litigation circumstances). There is a huge amount of
mighty baby-ness to wade through – so onwards and upwards my soother-sucking
devotees...
UK
released Friday, 9 November 2019 - "At A Point Between Fate And Destiny:
The Complete Recordings" by MIGHTY BABY on Grapefruit Records CRSEGBOX062
(Barcode 5013929186200) is a 6CD Clamshell Box Set including two studio albums
from 1969 and 1971 and a huge amount of Bonus Material. It plays out as
follows:
CD1
"Mighty Baby" (79:55 minutes):
1.
Egyptian Tomb [Side 1]
2.
A Friend You Know But Never See
3.
I've Been Down So Long
4.
Same Way From The Sun
5.
House Without Windows [Side 2]
6.
Trails Of A City
7.
I'm From The Country
8.
At A Point Between Fate And Destiny
Tracks
1 to 8 are their debut album "Mighty Baby" - released 7 November 1969
in the UK on Head Records HDLS 6002 and February 1970 in the USA on Head
Records LPS 025 (both in Stereo). Produced by GUY STEVENS and MIGHTY BABY - it
didn't chart in either country.
BONUS
TRACKS
9.
I've Been Down So Long (Early Version)
10.
Trials Of A City (Early Version)
11.
House Without Windows (Early Version)
12.
A Friend You Know But Never See (Early Version)
13.
Messages
14.
Ancient Traveller
15.
Same Way From The Sun (Early Version)
Tracks
9 to 12 and 15 are a PREVIOUSLY UNISSUED Stereo Acetate Version of the First
Album, recorded February 1969. Tracks 13 and 14 (recorded 1969 by Guy Stevens)
first appeared as a Bonus 45 Single in the 2015 album "Slipstreams: In
Rehearsal Summer 1971" by MIGHTY BABY on Flashback FBLP1002.
CD2
"A Jug Of Love" (72:34 minutes):
1.
Jug Of Love [Side 1]
2.
The Happiest Man In The Carnival
3.
Keep On Juggin'
4.
Virgin Spring [Side 2]
5.
Tasting The Life
6.
Slipstreams
Tracks
1 to 6 are their second and final studio album "A Jug Of Love" -
released 6 October 1971 in the UK on Blue Horizon Records 2931 001 (no US
release) - Produced by MIKE VERNON and MIGHTY BABY (didn't chart).
BONUS
TRACKS
7.
Devil's Whisper
8.
Virgin Spring
Tracks
7 and 8 are the A&B-sides of a 27 August 1971 UK 7" single on Blue
Horizon Records 2096 003. The A-side is non-album while the 7:02 minute B-side
"Virgin Spring" is an edited 'Alternative Version' and different to
the full LP cut at 9:20 minutes
9.
Only Dreaming
10.
Dustbin Full Of Rubbish
11.
An Understanding Love
12.
My Favourite Day
13.
A Saying For Today
Tracks
9 to 13 are Demo Recordings recorded in the summer of 1968. Released as The
Action - they first appeared on the 1985 UK 5-Track Mini Album "Action
Speak Louder Than..." on Dojo Records DOJOLP 3.
CD3
"A Jug Of Love Rehearsals" (44:44 minutes):
1.
Jug Of Love
2.
The Happiest Man In The Carnival I
3.
The Happiest Man In The Carnival II
4.
Virgin Spring I
5.
Virgin Spring II
6.
Tasting The Life
7.
Lazy Days
Tracks
1 to 7 are rehearsals for the "Jug Of Love" album, recorded June 1971
BONUS
TRACKS:
8.
Christmas Jam
Track
8 is a band jam recorded June 1969 during the making of the Keith Christmas
debut album "Stimulus" (RCA Victor Records SF 8059)
9.
Egyptian Tomb (Single Version, Mono)
10.
I'm From The Country (Single Version, Mono)
Tracks
9 and 10 are non-album versions issued as a German and French 7" single in
1970 on Phillips 6073 900 each in different picture sleeves (both of these
rarities are repro'd on Page 37 of the booklet)
CD4
"Day Of The Soup" - Abandoned Album from 1970 (67:19 minutes):
1.
Winter Passes
2.
Now You Don't (Part 1)
3.
Now You Don't (Part 2)
4.
Now You Don't (Part 3)
5.
Now You Don't (Part 4)
Tracks
1 to 5 are Olympic Studio demos recorded June 1970 for the potential but
abandoned second LP "Day Of The Soup"
BONUS
TRACKS:
6.
Keep On Juggin' (from "Disco 2" show, 25 July 1970)
7.
Now You See It
8.
Stone Unhenged
9.
Sweet Mandarin (tracks 7 to 9 Live At Lanchester University, March 1970)
Tracks
1 to 5 and 7 to 9 first appeared in 2009 on the 8-track compilation "Live
In The Attic" on Sunbeam Records
Track
6 first appeared 2010 on the 8-track compilation "Tasting The Life: Live
1971" on Sunbeam Records
CD5
"Live At Malvern" (66:34 minutes):
1.
Egyptian Tomb
2.
Trials Of A City
3.
Keep On Juggin'
4.
Woe Is Me
5.
India
6.
Goin' Down To Mongoli
Tracks
1 to 6 recorded Live At The Winter Gardens, Great Malvern, Worcestershire, 20
February 1971 - first appeared on the 2010 compilation "Tasting The Life:
Live 1971" on Sunbeam Records
BONUS
TRACK:
7.
Keep On Juggin' (recorded Live at Glastonbury Festival, June 1971) - 2019
PREVIOUSLY UNRELEASED
CD6
"Live At Glastonbury" (73:42 minutes):
1.
Virgin Spring
2.
Goin' Down To Mongoli
3.
Woe Is Me
4.
Lazy Days
5.
A Blanket In My Muesli (aka India) (Full Version)
6.
Devil's Whisper
Tracks
1 to 6 recorded Live at Glastonbury Festival, Pilton, Somerset, 25 June 1971. A
16-minute edit of "A Blanket In My Muesli" first appeared on the
triple-album live set "Glastonbury Fayre - The Electric Store"
(Revelation Enterprises REV 3) in April 1972 - here it is presented as a 'Full
Version' of 36:25 minutes. Track 4 "Lazy Days" first appeared on the
compilation "Tasting The Life: Live 1971" on Sunbeam Records in 2010
- Tracks 1 to 3 and 5 and 6 are 2019 PREVIOUSLY UNRELEASED
MIGHTY
BABY was:
IAN
WHITEMAN - Vocals, Flute, Saxophone, Organ, Piano, Harmonium and Percussion
MARTIN
STONE - Lead and Slide Guitar, Acoustic Guitars and Mandolin
ALAN
'Bam' KING - Guitar and Vocals
MICHAEL
EVANS - Bass
ROGER
POWELL - Drums and Congas
Guest:
ZAHARA
(Susan Archuletta) - Flute on "The Happiest Man In The Carnival" on
the "A Jug Of Love" album
The
40-page booklet with liner notes from DAVID WELLS is a feast even for diehard
fans benefitting enormously with hugely detailed extracts from band–member IAN
WHITEMAN and his forthcoming biography The Average Whiteman. You get a potted
history of THE ACTION and their Mod beginnings through to their discovery of
Religion and Drugs and the late Sixties formation of MIGHTY BABY. Page 12
features May 1969 trade adverts for Covent Garden’s Middle Earth venue sporting
no-marks like The Byrds, Family, Tyrannosaurus Rex, Pink Floyd, Spider John
Koerner, Eric Burdon & The Animals, Zoot Money and of course The Action
(can't say I'd want to pay five schillings as a member's fee for any of these
hairy men acts let alone the guest fee of seven schillings and six pence – an
outrageous amount). Page 16 for instance has a promo card from Head Records,
London of their grass-lounging five-piece looking suitably in tune with the
elements man - whilst the album Acetate and rare Euro Pic Sleeves bring up the
final credits pages (the Box Set is dedicated to the memory of Mike Evans and
Martin Stone who passed in 2010 and 2016).
The
AUDIO is a mixed bag to my ears of fabulous to ordinary in a matter of seconds.
The exciting but crudely recorded debut LP was pretty much a live affair – so
we're not talking Dark Side Of The Moon here – but the Remaster is ballsy and
revelatory. I love the way the guitar-playing feels so hurried and even off-key
at times and I'd argue it only adds to the charm and that feeling that MB could
go all Hawkwind or Grateful Dead at any moment and goof off into a
thirty-minute plus guitar barrage that someone might have to stop by jamming a
copy of the I-Ching into the plug-banks. The Acetate and Live Tracks reflect
their sources – good without ever being great – but make no mistake - that
doesn't stop the non-album outtakes like "Messages" and "Ancient
Traveller" being anything other than amazing finds very much in the spirit
of the debut LP's sound and class.
While
The Kinks' "Arthur..." or The Pretty Things' "S.F. Sorrow"
grab all the 50th anniversary plaudits - I'd shout out that Mighty Baby's debut
is arguably a better lost classic (heresy ahoy I know). So it's hardly
surprising too that the opening number "Egyptian Tomb" has been used
on so-many cool compilations - an Eastern influenced message song about the
world possibly letting you down. Even now 50 years on, it feels like a fantastic
slice of forgotten chugger brilliance - a groove that Kula Shaker or even The
Stone Roses would genuflect in front of (we get the stereo album cut at 5:28
minutes and the rare mono single mix too). Their conversion to Islam and the
Muslim religion falls out of the lyrics but more in a search for peace and
understanding than dictatorial indoctrination. Groovy tunes like "I've
Been Down So Long", "Same Way From The Sun" and "House
Without Windows" are filled with references to ancient travellers, rain
purifying the spirit and anticipating light - while guitars trip over
themselves to express Nirvana in a recording studio. "Trials Of The
City" is the only nod towards Rock and Roll with its almost early Quo-like
boogie whilst the box set title song "At A Point Between Fate And
Destiny" is as musically plaintive as its deep-thoughts moniker suggests.
Wild guitars, crude recording maybe, but what a fab little album their 1969
debut really is...and that "Egyptian Tomb" b/w "I'm From The
Country" Euro 45 combo is going into my forthcoming e-book "Love Me
Two Times" with a bullet (singles where both sides are great)...
Two
years is a long time in the life of a band in flux and by the time MB reached
their second platter in the summer of 1971 – the genre-fusing excitement of the
debut was gone with a harsh thud. Unfortunately and despite the playing and
production values going up through the roof (a great sounding Remaster) - the
change-of-musical-direction to insipid Country Rock for the second album
"A Jug Of Love" (produced by a bewildered Mike Vernon) was not well
received by the British music press on release 6 October 1971 – and for good
reason. One went as far as describing the increasingly stoned hippy adventures
of Mighty Baby as 'mighty dull' and frankly he was so on the money. With only
six tracks and most of them feeling like sub-Band noodles as the boys stare in
wonder at nature and snow and thawing streams (but not awed enough to produce
an actual tune) – stuff like "Tasting The Life" and the title track are
almost stupefying in their ordinariness. Also whilst the first LP could hide
the weakness of the lead vocalists behind grooving rhythms – the acoustic
sub-Cochise/Brinsley Schwarz of the second platter exposes them as not being
able to carry a tune. Only the slightly trippy tinkering bells and jazz flutes
of "The Happiest Man In The Carnival" livens proceedings up on an
album that comes as a crushing disappointment after the debut.
Of
the extra stuff I love the Grateful Dead excess of "A Blanket In My
Muesli" – stretching the live at Glastonbury edit from its Fayre 3LP
16-minute edit to a whopping 36-minute monster. The Acetate album stuff is
audio compromised for sure but its still more than acceptable and the four
parts of "Now You Don't" suggest that the abandoned Hawkwind-esque
second LP "Soup Of The Day" would have been a better move than the
anaemic "A Jug Of Love" LP we did end up with. There appears to be no
footage of their one and only TV performance on "Disco 2" (a precursor
to "The Old Grey Whistle Test") - but at least the 25 July 1970 audio
track survived - presented here for the first time.
Alan
'Bam' King joined Paul Carrack, Fran Byrne, Phil Harris and Terry Comer in ACE
contributing songs to three albums on Anchor Records in 1974, 1975 and 1977 - Martin
Stone and Phil Lithman joined CHILLI WILLI & THE RED HOT PEPPERS for their
lone LP "Bongos Over Balham" on Mooncrest Records in 1974 - whilst
Ian Whiteman, Roger Powell and Mike Evans joined forces with Jazzers Conrad and
Susan Archuletta to form the wildly unsellable Acoustic-Religious Folk-Jazz
group THE HABIBIYYA. That cacophonous coven made a lone and truly eccentric
album called "If Man But Knew" on Island Records HELP 7 in 1972 - not
something you are going to see in Sainsbury’s Top 20 LP racks or hear on Radio
1's Drive Time any day soon (Sunbeam Records put out a 2007 CD Remaster of the
album if you're interested).
"At
A Point Between Fate And Destiny: The Complete Recordings" by MIGHTY BABY is
very much one for the collectors (fans will be thrilled) - whilst newcomers may
indeed wonder why all the fuss man. But you have to hand it to Grapefruit
Records of the UK who seem to know what us punters want. A classy anthology then
of a band many revere to this day and despite the wimpy second album – a clear
'reissue of the year' for me...
