"Stax '68: A Memphis Story" by VARIOUS ARTISTS – Featuring 134 US-Single Sides by Otis Redding, Sam & Dave, Shirley Walton, Carla Thomas, William Bell, Mable John, Rufus Thomas, Jeanne & The Darlings, Derek Martin, Linda Lyndell, Isaac Hayes, The Mad Lads, Bar Kays, Albert King, Johnnie Taylor, Eddie Henderson Quartet, Booker T. & The MG's, Eddie Floyd, Delaney & Bonnie, Johnny Daye, Bobby Whitlock, Judy Clay, The Delrays, The Aardvarks, Fresh Air, The Staple Singers, Ollie & The Nightingales, The Soul Children, Charmells, Southwest F.O.B., The Village Sound, Jimmy Hughes, Lindell Hill, The Goodees, Dino & Doc and more on Stax, Volt, Enterprise, Arch, Magic Touch and Hip Records (October 2018 USA Craft Recordings/Stax 5CD 134-Track Book Set of Remasters) - A Review by Mark Barry...

https://www.amazon.co.uk/Stax-68-Memphis-Various-Artists/dp/B07GRRGVWN?crid=3MKD89EXJWNWR&dib=eyJ2IjoiMSJ9.aoSbIiKMg7EYY4tpS1EXVNAULizW9EeM0cLJFeHuEps.FKqGHdJ5MEZE21LshpLEBibI9aylAcCKFVuM_-U9Cf4&dib_tag=se&keywords=888072053649&qid=1721738764&sprefix=888072053649%2Caps%2C80&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=39de0b3f297f791333b3b24136a59a6a&language=en_GB&ref_=as_li_ss_tl

This Review Along With 215 Others Is Available in my

SOUNDS GOOD E-Book on all Amazon sites

"SOUL GALORE!" 

60ts Soul, R&B, Northern Soul

Mod, New Breed, Funk, Rare Grooves

Atlantic, Chess, Motown, Stax Labels and many more...

 

Your Guide To The Best CD Reissues and Remasters 

Thousands of E-Pages

All Details and In-Depth Reviews From Discs 

(No Cut and Paste Crap)

 

<iframe sandbox="allow-popups allow-scripts allow-modals allow-forms allow-same-origin" style="width:120px;height:240px;" marginwidth="0" marginheight="0" scrolling="no" frameborder="0" src="//ws-eu.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=GB&source=ss&ref=as_ss_li_til&ad_type=product_link&tracking_id=mabasreofcdbl-21&language=en_GB&marketplace=amazon&region=GB&placement=B08YS58MPX&asins=B08YS58MPX&linkId=3962ed6fb1283b3f93519653796b8ade&show_border=true&link_opens_in_new_window=true"></iframe>

RATINGS: **** Music, **** Presentation, ***** Audio

"…It's Been A Long Time Coming…"

Craft Recordings of the USA (part of the Concord Music Group out of Cleveland) have been bamboozling Stax Records fans for some years now – their inaugural releases begun in 2017. Craft have also caught the eye of those Audiophile Collectors whose interests stretch past famously well-recorded Rock and Pop Music to Vintage Music that can be re-presented better with the latest technology - old Vee Jay Blues, Latin, Salsa and Boogaloo on Fania Records, Prestige Jazz, Riverside Folk-Blues and Classic 60t's and 70t's Soul. Craft are also now synonymous with quality mastering from original tapes by award-winning Audio Engineers like Paul Blakemore (who did this set), Joe Tarantino, Kevin Gray, Greg Calbi, Jeff Powell, Dave Cooley, Bernie Grundman and more.

In fact, you could (and should) surmise that I have a thang for Craft Recordings who have celebrated loads of quirky/worthy recipients with reissues on CD, LP and Hi-Res Download Files – good folks like John Lee Hooker, Lightnin' Hopkins, Skip James, Albert King, the super-rare Cuban Jam Sessions LPs from the Sixties on Panart Records, Creedence Clearwater Revival in London at the Royal Albert Hall in April 1970, Terry Callier's beautiful almost entirely acoustic debut album The New Folk Soul Of on Prestige Records in 1968 (recorded in 1966), R.E.M at the BBC, a 2CD expanded revamp of Jewel's 1995 debut Pieces Of You, a 2CD 40th Anniversary reissue of the 1983 self-titled Violent Femmes debut album (originally on Rough Trade Records) and even England's Travis at Glastonbury.

And I've loved (reviewed most too) Craft's many celebratory releases on all things Stax-related with stunning multiple-disc retrospectives on Isaac Hayes The Spirit Of Memphis (1962-1976), The Staple Singers Come Go With Me: The Stax Collection, Various Artists for Stax Singles 4: Rarities & The Best Of The Rest, the rare 45s of an under-appreciated Stax subsidiary label The Gospel Truth: The Complete Singles Collection, a huge 140 Previously Unreleased in the Various Artists set Written In Their Soul: The Stax Songwriter Demos and live Music vs. Politics in the full-on re-presentation of Wattstax 72: The Complete Concert - originally a two x double-album set of vinyl releases back in the Seventies - now presented to us in 6 or 12-CD all-encompassing behemoth variants. There are loads more - many on celebrated well-mastered VINYL outings too that (as I said) audiophiles have been waking up to across this last seven years.

And thus, we come to a pivotal year for Soul and R&B – 1968 – Stax Records at the crossroads not just musically and commercially but spiritually too. Losses and gains – too many of the first perhaps and not enough outside of musical accolades of the second. There is much to love here BUT there is also unfortunately some serious cack to deride (hence the 4-stars and not 5). To the details…

US released 19 October 2018 - "Stax '68: A Memphis Story" by VARIOUS ARTISTS on Craft Recordings/Stax CR00103 (Barcode 888072053649) is a 5CD 134-Track Book Set of New Remasters that features the A and B-sides of 67 US 45-Singles released on STAX Records and its affiliated labels (Volt, Enterprise, Arch, Magic Touch and Hip) throughout 1968.

It has an attached 56-page book with new liner notes from Stax experts ANDRIA LISLE and ROBERT GORDON (as essay called Dreams To Remember on Pages 4 to 22) and STEVE GREENBERG (as essay called Stax 1968: The Three Shocks And Their Aftermath on Pages 23 to 47 - Greenberg is the founder of S-Curve Records and was Producer for the 9CD Box Set The Complete Stax/Volt Singles 1959-1968). Also featured are previously unissued photographs from the archives, Artist Promo and Personal Photos in Black and White and Colour, US Trade Adverts, Newspaper Clippings, Company Letters on Headed Paper and Song-by-Song Writer Credits, Catalogue Numbers, Release Dates etc (no personnel). Some titles like those on Arch Records or the primarily Rock & Pop label Hip Records make their CD debut here - while some B-sides were Non-LP and still hard to find on CD and are therefore rarities. Craft Recordings' "Stax '68: A Memphis Story" plays out as follows:

CD1 (69:23 minutes, 26 Tracks, 13 Singles)
Volt Singles Black & Orange Label repro on CD, hard card leaf holder pictures Booker T & The MGs September 1968 US LP "Soul Limbo" in colour

Each coupling of titles is the US 45 A-side first, B-side next - the release date on line 3, Label and Catalogue Number, and the chart positions on Billboard R&B and Pop will almost always be for the A-side (unless otherwise stated)

1. (Sittin' On) The Dock Of The Bay – OTIS REDDING 
2. Sweet Lorene 
8 January 1968, Volt 45-157, R&B No.1, Pop No.1

3. I Thank You – SAM & DAVE
4. Wrap It Up
8 January 1968, Stax 45-242, R&B No.4, Pop No.9

5. Don't Pass Your Judgement – THE MEMPHIS NOMADS
6. I Wanna Be (Your Lover & Your Honey)
January 1968, Stax 45-243 – non chart

7. I Was Born To Love You – SHIRLEY WALTON
8. I'm So Glad You're Back
January 1968, Enterprise 45-001 – non chart

9. Lovey Dovey – OTIS REDDING & CARLA THOMAS
10. New Year's Resolution
24 January 1968, Stax 45-244, R&B No.21, Pop No.60

11. I Got A Sure Thing – OLLIE & THE NIGHTINGALES
12. Girl, You Have My Heart Singing
1 February 1968, Stax 45- 245, R&B No.16, Pop No.73

13. Big Bird – EDDIE FLOYD 
14. Holding On With Both Hands 
1 February 1968, Stax 45-246 – non chart

15. A Hard Day's Night – BAR-KAYS
16. I Want Someone
February 1968, Volt 45-158 – non chart - A-side is a Beatles cover version

17. Next Time – JOHNNIE TAYLOR
18. Sundown 
14 February 1968, Stax 45-247, R&B No.34

19. Every Man Oughta Have A Woman – WILLIAM BELL
20. A Tribute To A King 
12 March 1968, Stax 45-248, R&B No.16, Pop No.86

21. Able Mabel – MABLE JOHN 
22. Don't Get Caught 
12 March 1968, Stax 45-249 – non chart

23. The Memphis Train – RUFUS THOMAS
24. I Think I Made A Boo Boo 
12 March 1968, Stax 45-250 – non chart

25. What Will Later On Be Like – JEANNE & THE DARLINGS
26. Hang Me Now 
22 March 1968, Volt 45-159 – non chart

CD2 (60:17 minutes, 22 Tracks, 11 Singles)
Stax Singles Green Label repro on CD, hard card leaf holder pictures Eddie Floyd October 1968 US LP "I've Never Loved A Girl" in colour
Each coupling is the US 45 single, A-side first, B-side next

1. Soul Power – DEREK MARTIN
2. Sly Girl
22 March 1968, Volt 45-160 – non chart

3. Bring Your Love Back To Me – LINDA LYNDELL
4. Here I Am 
26 March 1968, Vol 45-161 – non chart

5. A Dime A Dozen – CARLA THOMAS
6. I Want You Back
29 March 1968, Stax 45-251 – non chart

7. Groovy Day – KANGAROO'S
8. Every Man Needs A Woman
March 1968, Hip H-113 – non chart (Produced by Isaac Hayes/David Porter)

9. Precious Precious – ISAAC HAYES
10. Going To Chicago Blues 
16 March 1968, Enterprise 45-002 – non chart

11. Whatever Hurts You – THE MAD LADS
12. No Time Is Better Than Now
8 April 1968, Volt 45-162 – R&B No.31

13. The Happy Song (Dum-Dum) – OTIS REDDING
14. Open The Door 
8 April 1968, Volt 45-163, R&B No.10, Pop No.25

15. (I Love) Lucy – ALBERT KING
16. You're Gonna Need Me
8 April 1968, Stax 45-252 – R&B No.46

17. I Ain't Particular – JOHNNIE TAYLOR
18. Where There's Smoke There's Fire
25 April 1968, Stax 45-253 – R&B No.45

19. Georgy Girl – EDDIE HENDERSON QUINTET
20. A Million Or More Times
April 1968, Enterprise 45-003 – non chart

21. Send Peace And Harmony Home – SHIRLEY WALTON
22. The One You Can't Have All By Yourself
May 1968, Enterprise 45-004 – non chart

CD3 (79:21 minutes, 29 Tracks, 15 Singles – see Notes)
Stax Singles Yellow Label repro on CD, hard card leaf holder pictures The Staple Singers December 1968 US LP "Soul Folk In Action" in colour
Each coupling is the US 45 A-side first, B-side next (see NOTES below)

1. Soul-Limbo – BOOKER T. & THE MG'S
2. Heads Or Tails
31 May 1968, Stax STA-0001, R&B No.7, Pop No.17

3. I've Never Found A Girl (To Love Me Like You Do) – EDDIE FLOYD
4. I'm Just The Kind Of Fool
31 May 1968, Stax STA-0002, R&B No.2, Pop No.40

5. It's Been A Long Time Coming – DELANEY & BONNIE
6. We've Just Been Feeling Bad
31 May 1968, Stax STA-0003 - non chart

7. What A Man – LINDA LYNDELL
8. I Don't Know
17 June 1968, Volt VOA-4001, R&B No.50

9. Broadway Freeze – HARVEY SCALES & THE SEVEN SOUNDS
10. I Can't Cry Any No More
17 June 1968, Magic Touch MTA-16001 – non chart

11. Stay Baby Stay – JOHNNY DAYE
12. I Love Love
15 July 1968, Stax STA-0004 – non chart

13. Raspberry Rug – BOBBY WHITLOCK
14. And I Love You
1 July 1968, Hip H-8001 – non chart

15. Private Number – JUDY CLAY and WILLIAM BELL
16. Love-Eye-Tis
15 July 1968, Stax STA-0005, R&B No.17, Pop No.75

17. I Like Everything About You – JIMMY HUGHES
18. What Side Of The Door
15 July 1968, Volt VOA-4002, R&B No.21

19. Lollipop Lady – THE DELRAYS
20. (There's) Always Something There To Remind Me
July 1968, Arch ARA-1301 – non chart

21. Remone – LINDELL HILL
22. Used To Be Love 
26 July 1968. Arch ARA-1302 – non chart

23. Subconscious Train Of Thought – THE AARDVARKS
24. Unicorn Man 
August 1968, Arch ARA-1303 – non chart

25. Somebody Stole My Gal – FRESH AIR
26. Somebody Stole My Gal (Instrumental)
22 August 1968, Arch ARA-1304 – non chart

27. Bed Of Roses – JUDY CLAY
28. Remove These Clouds
September 1968, Stax STA-0006 – non chart

29. Long Walk To D.C. – THE STAPLE SINGERS
September 1968, Stax STA-0007 – A-side – non chart (see Notes)

NOTES on CD3: 
The last song on CD3 is The Staple Singers "Long Walk To D.C.", the A-side to Stax 0007 – its B-side "Stay With Us" is the first track on CD4

CD4 (78:35 minutes, 29 Tracks, 14 Singles – see Notes)
Volt Singles Blue Label repro on CD, hard card leaf holder pictures Johnnie Taylor December 1968 US LP "Who's Making Love…" in colour
Each coupling is the US 45 A-side first, B-side next (see NOTES below)

1. Stay With Us – THE STAPLE SINGERS
September 1968, Stax STA-0007 – B-side - non chart (see Notes)

2. Give 'Em Love – THE SOUL CHILDREN
3. Move Over
September 1968, Stax STA-0008 – non chart

4. Who's Making Love – JOHNNIE TAYLOR
5. I'm Trying
September 1968, Stax 0009, R&B No.1, Pop No.5

6. Funky Mississippi – RUFUS THOMAS
7. So Hard To Get Along With
September 1068, Stax STA-0010 – non chart - A-side by Eddie Floyd

8. Where Do I Go – CARLA THOMAS
9. I've Fallen In Love
September 1968, Stax STA-0011, R&B No.38, Pop No.88

10. So Nice – THE MAD LADS
11. Make Room
September 1968, Volt VOA-4003, R&B No.35

12. Lovin' Feeling – CHARMELLS
13. Sea Shell 
September 1968, Volt VOA-4004 – non chart – A-side is Righteous Brothers cover

14. It's Unbelievable (How You Control My Soul) – JEANNE & THE DARLINGS
15. I Like What You're Doing To Me
September 1968, Volt VOA-4005 – non chart

16. Smell Of Incense – SOUTHWEST F.O.B.
17. Green Skies
(Originally issued 10 July 1968 on GPC Records 1945)
Reissued September 1968, Hip HIA-8002 – non chart

18. Sally's Got A Good Thing – THE VILLAGE SOUND
19. The La La Song
September 1968, Hop HIA-8003 – non chart

20. Bring It On Home To Me – EDDIE FLOYD
21. Sweet Things To Do
12 October 1968, Stax STA-0012, R&B No.4, Pop No.17

22. Hang 'Em High – BOOKER T. & THE MG's
23. Over Easy 
12 October 1968, Stax STA-0013, R&B No.35, Pop No.9

24. You're Leaving Me – OLLIE & THE NIGHTINGALES
25. Showered With Love
19 October 1968, Stax STA-0014, R&B No.47

26. Kitchy Kitchy Koo – THE POP CORN GENERATION 
27. Shake It
October 1968, Hip HIA-8004 – non chart

28. Copy Kat – BAR-KAYS
29. In The Hole
2 November 1968, Volt VOA-4007 – non chart 

NOTES on CD4:
The last song on CD3 is The Staple Singers "Long Walk To D.C.", the A-side to Stax 0007 – its B-side "Stay With Us" is the first track on CD4

CD5 (78:17 minutes, 28 Tracks, 14 Singles)
Hip Single Label repro on CD, hard card leaf holder pictures Albert King October 1968 US LP "Live Wire – Blues Power" in colour
Each coupling is the US 45 single, A-side first, B-side next

1. Mighty Cold Winter – DINO & DOC [James Walker & Arthur L. Merriwether]
2. A Woman Can't Do (What A Man Do)
2 November 1968, Volt VOA-4006 – non chart

3. I Forgot To Be Your Lover – WILLIAM BELL
4. Bring The Curtain Down
November 1968, Stax STA-0015, R&B No.10, Pop No.45

5. Condition Red – THE GOODEES
6. Didn't Know Love Was So Good 
23 November 1968, Hip HIA-8005 – non chart

7. Running out – MABLE JOHN
8. Shouldn't I Love Him
30 November 1968, Stax STA-0016 – non chart

9. Family Portrait – BILLY LEE RILEY
10. Going Back To Memphis
November 1968, Hip HIA-8006 – non chart

11. My Baby Specializes – WILLIAM BELL and JUDY CLAY
12. Left Over Love
December 1968, Stax STA-0017, R&B No.45, Pop No.104

13. I'll Understand – THE SOUL CHILDREN
14. Doing Our Thang 
December 1968, Stax STA-0018, R&B No. 29

15. The Ghetto – THE STAPLE SINGERS
16. Got To Be Some Changes Made
December 1968, Stax STA-0019, - non chart

17. Blues Power (Edit) – ALBERT KING
18. Night Stomp (Edit)
December 1968, Stax STA-0020 – non chart – both sides live

19. The Echo – THE EPSILONS
20. Really Rockin
13 December 1968, Stax STA-0021- non chart – B-side is an instrumental

21. Funky Way – RUFUS THOMAS
22. I Want To Hold You
13 December 1968, Stax STA-0022 – non chart

23. The Children Have Your Tongue – THIS GENERATION
24. Give Her What She Wants
20 December 1968, Hip HIA-8007 – non chart

25. Who's Making Love – DAARON LEE
26. Long Black Train
20 December 1968, Hip HIA-8008 – non chart – A-side is a Johnnie Taylor cover

27. Take Care Of Your Homework – JOHNNIE TAYLOR
28. Hold On This Time
21 December 1968, Stax STA-0023, R&B No.2, Pop No.20

Produced by JOE McEWEN with the help of Robert Gordon, Chris Clough, Ryan Wilson, Sig Sigworth and Mason Williams - visually these Book Sets pack a punch if not being a tad unwieldy in real world use. The hard card CD holding leaves mentioned above are gorgeous – full colour plates of iconic Stax LPs – while snaps throughout the text show cool moments like Producer Steve Greenberg with a stoned Janis Joplin at a house party – Eddie Floyd and Steve Cropper (of Booker T) giving it some twin guitar poses like a Memphis version of Status Quo, white vocalist Delaney Bramlett shares a smile moment with Pervis Staples. You get Otis Redding's vocal group discovery The Epsilons, the mighty Mavis and Pops Staples checking Stax tape boxes, Linda Lyndell looking like she's ready for a night on the Vegas craps stood beside her Cadillac, Obituary cards and service itineraries for Phalon Jones, Jr. on 21 December 1967 – the Saxophone player in Otis Redding's backing band The Bar-Kays who died in the plane crash that also took Otis. And the darker surrounding picture too - photos of Rufus Thomas at City Hall with racist Mayor Henry Loeb as Memphis erupted post the Martin Luther King assassination while armed cops sit on cars outside, a sit-in by black postal and sanitation staff with Decent Wages For All Workers placards - the No Left Turn and I Am A Man protests - Honor King: End Racism cards held in hands as they march in their thousands (the cover photo). 

As you read the text and are hit with photos that espouse both joy and menace, it's a strange brew of electric progress vs. electric shocks – one step forward musically – two steps pushed back politically. But I focus on the positive – the vibe the music gave you – the images of abandon and sexiness and cool people getting it on. You gotta love the colour shots of William Bell and Judy Clay – the Stax cool couple of 1968 – Eddie Floyd at an airport shouting at jets to get on up Big Bird. There is also talk of the bitter and hamstringing distribution deal Stax and Atlantic had on paper (clauses put in by lawyers) whilst mentors like Jerry Wexler and Nesuhi Ertegun simultaneously professed solidarity with the label Jim Stewart and Estelle Axton had built with a roster of great artists. Disgusted the money was not enough during renegotiations, Stax walked away and would eventually dissolve into financial chaos in 1975. But outside all of this is the music – their identity moving into the realms of an Independent Black Music Company that appealed to ALL sides of the bombarded demographic. 

However, there is something of an elephant in the Soul Room about this release that should be talked about – that cover photo – and its supposed context with Stax. Although Stax was considered by punters like me (shall we say) to be more hard-hitting than the hit-single-chasing Motown – politics as this set tries to frame - was NOT their thing. As you listen to five CDs of Stax singles in 1968 – they chased that Billboard dragon just as hard as Motown and only on occasion did the positivity and action messages of The Staple Singers sing anything about the Black Experience of endemic Racism, workers inequality and slumlord misery ("Long Walk To D.C." and "The Ghetto"). The Vietnam War is not in here – William Bell's response to the loss of Redding ("A Tribute To A King") was a flipside to the business-as-usual A-side - "Every Man Oughta Have A Woman". Stax Music was obsessed with girls and relationships and the battle of the sexes – it wanted dancers and Funk and popularity in their R&B chartings - but hard political action in their songs – not here. That is not to say they didn’t get involved in the background – they did – but on 45-single – out front for the public to see – Stax were about shifting hit single units as much as the next guy trying to make in a fractured world.

PAUL BLAKEMORE did the Mastering – an award-winning Audio Engineer – and it just so damn good. For sure little is going to save the disastrous Rock-orientated label Hip Records were Stax seemed to be completely oblivious to what worked or was even any good. But throughout, you are hit with clarity, very little hiss, warm Bass and punchy Brass and of course discoveries that thrill and intrigue. Details…

I cannot hear the Otis Redding death song (Dock of the Bay) another time (too sad) and the Sam & Dave cut "I Thank You" is standard dancer fare for them. The lesser-heard Memphis Nomads had one 45 on Stax – the hug you and kiss you every night B-side "I Wanna Be (Your Lover & Your Honey)" being the tastier cut. Lovely and criminally forgotten is how I'd describe the rare Shirley Walton track "I Was Born To Love You" – a piano and strings pleading stroller – Shirley ably supported by some impassioned and soulful vocals from the backing ladies. And again the flipside for Otis & Carla is the best choice - "New Year's Resolution" while the Ollie & The Nightingales winner "I Got A Sure Thing" is a gem benefitting hugely from the Gary US Bonds type guttural rasp of lead vocalist Ollie Haskins (it has an equally sexy B-side, no wonder the single is sought after). Considering how good it is and with that HUGE brass and guitar start, it is odd that the chunky/funky get on up "Big Bird" from Eddie Floyd. 

CD5 offers us the very Sam & Dave earnest intensity of "Mighty Cold Winter" by the obscure duo of Dino & Doc (James Walker and Arthur L. Merriwether) – tears falling from their collective eyes in the month of July. They swap lead vocals on the hard-hitting morality-tale dancer B-side "A Woman Can't Do (What A Man Do)" making Volt VOA-4006 a tasty and sought-after double-header. That's followed by an effective chart-tickling pleader from William Bell – our Bill forgetting to be his baby's lover – and forgetful Bell feels so bad on the flipside that he literally wants to "Bring The Curtain Down". Cheesy, cornball, hugely enjoyable kitsch, contender for Kenny Everett’s worst records of all time – you could call the girl group Goodees sole entry "Condition Red" all these things and undoubtedly it would have at home on Phil Spector Records (long-hair bearded hippy courts dew-eyed lass, skeptical parents, bike ride and car-crash all in the same song). Their flipside is better – Girl Group harmonies and cool arrangements ahoy on "Didn't Know Love Was So Good" – a cool inclusion frankly. 

How in God's name the fantastic Ashford & Simpson written "Running Out" by Mable John was not a hit is a God Damn mystery (running out of forgiveness and tear drops) – her pleading to the girls for endorsement flipside "Shouldn't I Love Him" equal too. With that slight Amy Whitehouse innocent twang in her unusual voice, this pairing shows me why Mable John is such an unsung hero in certain circles. The Albert King 45 "Blues Power" is talking-to-the-audience moocher that is edited down from the album's ten minutes to a more manageable 3:07 minutes on 45 – the almost Allman Brothers Funky-Blues instrumental flipside "Night Stomp" too – down from 6:40 minutes to a more digestible 3:40 minutes. 

The HIP Label seemed to be an unmitigated disaster - horrible twee bubblegum and attempts at Pop & Rock songs chasing the charts by acts that are forgotten - and rightly so (the end run on CD5 is particularly depressing alleviated only by the final pairing of Johnnie Taylor). But then there's the discoveries - Dino & Doc's cool duo "Mighty Cold Winter" and its flipside - the Ollie & The Nightingale sides that ooze Vocal Soul class - Jeanne & The Darlings - the ever-suave Mad Lads. Soon to be a Domino for Eric Clapton's Derek & The Dominoes - Bobby Whitlock gets his moment and there are choice entries from Lindell Hill and a personal rave of mine - Linda Lyndell (what a gal, lucky man to have her). And I love B-sides - the rare one for Judy Clay and William Bell's "Private Number" called "Love-Eye-Tis" - the Eddie Floyd flip "I'm Just The Kind Of Fool" and Jimmy Hughes "What Side Of The Door".

A 5CD Book Set like "Stax '68: A Memphis Story" was/is always going to be a serious fan-affair. But if you get the inclination and a swelling of your wallet to the point where you can hide it among the spines on shelves and the missus can't batter you over the head with a rolling-pin spiked with nails - then splash out. 

I'm actively hunting down all these Craft Recordings splurges and despite minor distractions and plot anomalies - I'm knee-trembling at the lot of them. 

Well done to all involved at Craft Recordings and Concord Music Group and like those stunning Motown Year Books Hip-O Select did with fabulous Ellen Fitton mastering - roll on 1969, 1970, 1971, 1972 etc for the equally worthy STAX...

"Nothing But A House Party: The Birth Of The Philly Sound 1967-71" by VARIOUS ARTISTS - Featuring The Show Stoppers, The Delfonics, George Tindley, Jerry Butler, Honey & The Bees, Executive Suite, Cliff Nobles, The Ambassadors, Lou Jackson, Brenda & The Tabulations, Moses Smith, Sonny Boss, The Intruders, Barbara Mason, Peaches & Herb, Winfield Parker, The Ethics and more (May 2017 UK Ace/Kent Soul 24-Track CD Compilation with Duncan Cowell Remasters) - A Review by Mark Barry...

https://www.amazon.co.uk/Nothing-But-House-Party-1967-71/dp/B06Y5M39TH?crid=1PMDZLQ98USMO&dib=eyJ2IjoiMSJ9.DsFxjx0Mb1HYGkBF9fM5TQ.0KPjEql3yRp1rKJzHDM4AxIeF_mFDAnuiZ0Ul9lXahU&dib_tag=se&keywords=029667083829&qid=1721146323&sprefix=029667083829%2Caps%2C105&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=7656ef4387cdc82ff6040c5d978b669e&language=en_GB&ref_=as_li_ss_tl

This Review Along With 215 Others Is Available in my

SOUNDS GOOD E-Book on all Amazon sites

"SOUL GALORE!" 

60ts Soul, R&B, Northern Soul

Mod, New Breed, Funk, Rare Grooves

Atlantic, Chess, Motown, Stax Labels and many more...

 

Your Guide To The Best CD Reissues and Remasters 

Thousands of E-Pages

All Details and In-Depth Reviews From Discs 

(No Cut and Paste Crap)

 

<iframe sandbox="allow-popups allow-scripts allow-modals allow-forms allow-same-origin" style="width:120px;height:240px;" marginwidth="0" marginheight="0" scrolling="no" frameborder="0" src="//ws-eu.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=GB&source=ss&ref=as_ss_li_til&ad_type=product_link&tracking_id=mabasreofcdbl-21&language=en_GB&marketplace=amazon&region=GB&placement=B08YS58MPX&asins=B08YS58MPX&linkId=3962ed6fb1283b3f93519653796b8ade&show_border=true&link_opens_in_new_window=true"></iframe>

"...Don't You Understand What You're Doing To The Man..."

Having thoroughly enjoyed the Thom Bell Ace Records/Kent Soul CD compilation "Didn't I Blow Your Mind? The Sound of Philadelphia Soul 1969-1983" issued 31 May 2024 – I decided to root back further and unearthed this wee peach (from seven years back) dealing with early Philly pointers.

A typically cool release from Kent Soul of the UK in May 2017 and heralded on their rear inlay as 'Classic 60s and 70s soul from the City of Brotherly Love, recorded before the Philadelphia Sound went International' - "Nothing But A House Party: The Birth Of The Philly Sound 1967-71" has the usual Mono and Stereo 24-track MO, a beautifully annotated 20-page booklet festooned with label repros (TONY ROUNCE liner notes), promo photos and period memorabilia and corking Remastered Audio from their longstanding sound-engineer DUNCAN COWELL. 

It's All Over But The Shouting, and as they say, let's get to the detailed nitty-gritty…

UK released 26 May 2017 - "Nothing But A House Party: The Birth Of The Philly Sound 1967-71" by VARIOUS ARTISTS on Ace/Kent Soul CDKEND 466 (Barcode 029667083829) is a 24-Track CD Compilation of US 45-Single Remasters that plays out as follows (65:22 minutes):

1. Ain't Nothing But A House Party – THE SHOW STOPPERS (USA 1967 1st issue on Party Time PT-1002, A-side, 2nd issue March 1967 on Showtime STR-101, 3rd US issue October 1967 on Guyden 2131 – also UK March 1968 on Beacon 3-100, January 1971 UK on Beacon BEA 100 and others)

2. You're Been Untrue – THE DELFONICS (April 1967, Cameo C-472, A-side, Thom Bell co-writer and Producer)

3. It's All Over But The Shouting – GEORGE TINDLEY (July 1969, Wand WND 11205, B-side of "Ain't That Peculiar" - a Gulliver cover version, song by Len Barry and Tim Moore)

4. Never Give You Up – JERRY BUTLER (April 1968, Mercury 72798, A-side, written by Gamble & Huff and Butler)

5. Help Me (Get Over My Used To Be Lover) – HONEY AND THE BEES (April 1970, Josie 45-1020, A-side)

6. Christine – EXECUTIVE SUITE (October 1970, Jubilee 45-5705, A-side – Gulliver cover version – song written by Daryl Hall (of Hall & Oates), Len Barry and Tom Sellers)

7. Love Is All Right – CLIFF NOBLES (February 1968, Phil-L.A. Of Soul 313, A-side)

8. Ain't Got The Love Of One Girl (On My Mind) – THE AMBASSADORS (March 1969, Arctic 150, A-side, written by Barbara Mason)

9. Peace To You Brother – LOU JACKSON (January 1971, Spring 110, A-side)

10. My Balloon's Going Up – ARCHIE BELL And THE DRELLS (August 1969, Atlantic 45-2663, A-side – a Gamble & Huff Song and Production)

11. That's The Price You Have To Pay – BRENDA And THE TABULATIONS (March 1969, Dionn 512, A-side – Bobby Martin and Thom Bell Production)

12. Rainmaker – THE MOODS (August 1970, Wand WND 11224, A-side – written by Tim Moore during his stint with the Rock Band Gulliver (that also featured Daryl Hall) but first issued by The Moods who would later evolve into the Disco Inferno famous Trammps)

13. Keep On Striving – MOSES SMITH (July 1970, Cotillion 45-44075, A-side)

14. Piper Must Be Paid – SONNY ROSS (March 1971, Event EV 202, B-side of "Alakazam" – also July 1971 in the UK on Mojo 2093 001, A-side – written by George Tindley (see Track 3) and Gerald Smith)

15. You Better Stop It – BARBARA MASON (June 1969, Arctic 154, B-side of  "Happy Girl" – both sides written by Barbara Mason)

16. Goin' Home To An Empty House – SUNSHINE (1972, Phil-L.A. Of Soul 359, A-side – song written in 1969 by Northern Soul fave Herb Ward but only released in 1972 under another name (Sunshine) without his permission, Produced by Thom Bell)

17. Every Day Is A Holiday – THE INTRUDERS (December 1969, Gamble G 240, B-side of "Old Love" – both sides written by Gamble & Huff and Produced by Thom Bell)

18. (You) Got What I Need – FREDDIE SCOTT (July 1968, Shout S-233, A-side – a Gamble & Huff song also Produced)

19. Girl You're Too Young – LEN BARRY (2005, That Philly Sound TPS-R101, A-side – written and recorded 1968 – writers Archie Bell, Thom Bell and Kenny Gamble – Len Barry is ex The Dovells - "Girl You're Too Young" was recorded by Archie Bell & The Drells, their May 1969 issued US 45-single on Atlantic 45-2644 made No.13 on US Billboard R&B charts)

20. Your Fool Still Loves You – OSCAR WEATHERS (February 1970, Top And Bottom 402, A-side – Written and Produced by Van McCoy)

21. What You Gave Up – THE CONTINENTAL 4 (May 1971, Jay Walking JW-011, B-side of "Day By Day (Every Minute Of The Hour)" – Written by Norman Harris and Albert Felder and Produced by Bobby Martin) 

22. Let's Make A Promise – PEACHES  & HERB (October 1968, Date 2-1623, A-side, also issued November 1968 in the UK on Direction 58-3829, A-side – Written by Thom Bell, Mikki Farrow and Kenny Gamble – Arranged and Produced Gamble & Huff and Tommy Martin)

23. I'm On My Way – WINFIELD PARKER – PREVIOUSLY UNISSUED Take of Spring 116 recorded in 1971 - Arranged by Bobby Martin)

24. Standing In The Darkness – THE ETHICS (March 1970, Vent V-1008, A-side - Written by Norman Harris, Arranged by Thom Bell and Norman Harris)

NOTES: 

All Tracks are MONO except STEREO on Tracks 5, 8, 14, 17, 18, and 24

The floorfiller-song this CD compilation derives its name from - "Ain't Nothing But A House Party" - came out three times in one year in the USA (and on three 1967 different labels) and saw almost as many British reissues follow suit too. The Show Stoppers were brothers Alex and Laddie Burke (siblings of Solomon Burke over on the equally mighty Atlantic Records) – the foursome completed by another set of brothers Earl and Timmy Smith. Penned in part by future Jazz-Funk hero Joe Thomas - "Ain't Nothing But A House Party" seemed ready made for British Northern Soul and Mod Clubs – thereby reaching No. 11 on reissue in 1971 on Beacon Records when NS was exploding all over Blighty. Prior to their breakthrough "La-La-Means I Love You" hit in 1968 (an R&B No.2) and in the dying bankruptcy throws of Cameo Parkway – The Delfonics pushed out the Thom Bell and William Hurt gem "You've Been Untrue" – the same duo who penned the infectious "La-La…". Stylistically close to the (well) Stylistics – the criminally unsuccessful "You've Been Untrue" is the Sound of Philly Soul fans tingle to and it sounds just juicy here. 

In the superb TONY ROUNCE liner notes, he clumps the George Tindley and Sonny Ross entries together (Tracks 3 and 14) – Tindley singing his own 45 of course whilst producing the latter. Philly singer Tindley went all the way back to the 1953 Vocal Group The Dreams and Kenny Esquire & The Starlites. Written by Len Barry and Tim Moore (later with US Rock group Gulliver which also housed an uppercoming Daryl Hall of Hall & Oates) – the Soulful B-side "It's All Over But The Shouting" is a corker while "Piper Must Be Paid" is another flip that in another world could have been an A-side. Class (and that is the right word) oozes out of every note in the Jerry Butler caress that is "Never Give You Up" – a co-write by the silken-voiced Butler with Kenny Gamble and Leon Huff – the main men for Philadelphia International Records and a whole other 20-CD Box Set of hits. 

The four gorgeous gals of Honey & The Bees are pictured on Page 7 in silver dresses that amplify more than their pearly whites – lead vocalist Nadine Felder being the Honey in the Beehive (Gwen Oliver and Cassandra Wooten would go on to become a part of The Ritchie Family who had a No.1 Dance Chart hit in 1976 with "The Best Disco In Town"). Their Honey & The Bees contribution here is the oh-so-hip "Help Me (Get Over My Used To Be Lover)" – an infectious bopper from 1970 on Josie Records. Rounce pairs the 1970 entries for Executive Suite and The Moods again because of songwriters – this time with Tom Sellers, Len Barry (ex Dovells) and John Madara. Along with Tim Moore and Daryl Hall, Tom Sellers had been in Gulliver – a Rock Group mostly remembered because of the Hall & Oates connection (before they started their career with Atlantic Records). Rounce calls "Christine" by Executive Suite top-tier Vocal Group Soul (Vincent Unto is the lead Tenor, sharing lines with Hall) even if it failed to make waves past New Jersey and Philadelphia on initial release. The Moods and their "Rainmaker" is a joyful discovery for me – one of the hidden gems here that features ex Volcanos singers who would later morph into The Trammps come the Saturday Night Fever explosion in the late Seventies.

The Cliff Nobles A-side "Love Is All Right" has a reverse-face history – DJs ignoring it for the vocal-less backing track on the flipside which the Phil L.A. of Soul Records label had dubbed "The Horse". Played as a throwaway lead-in to News Reports and Traffic Bulletins and essentially featuring MFSB of Philly Fame in all but name, "The Horse" nonetheless elicited huge public interest and before Phil L.A. of Soul knew it, the B-side went to No.2 on the US Billboard R&B charts. Ace and Kent-Soul have decided to give us the brassy what-your-love-has-done-to-me A-side instead (Cliff Nobles is pictured on Page 9 of the booklet) – the path less travelled and a bopping dancer sweetie it is too. Soul heroine Barbara Mason is the connection between Tracks 8 and 11 – The Ambassadors and Barbara Mason – her "You Better Stop It" a seriously prized US 45 amongst Blighty aficionados. Lou Jackson wants to get rid of shame and hate is his Slow Soul message march song "Peace To You Brother" – got to be a brighter day. We move to Atlantic Records for Archie Bell and The Drells and the strings-and-bop sound of "My Balloon's Going Up" a - joyous Gamble & Huff concoction that made Northern Soul fans tingle and mingle. 

But even that mirth is whomped into pure Soul submission with the gorgeous Brenda & The Tabulations 1969 gem "That's The Price You Have To Pay" – a Gamble & Huff production that has become legendary amongst lovers of the genre. Moses Smith is earnest enough in his "Keep On Striving" but followed shortly after by Barbara Mason, her invitation to arm-folding "You Better Stop It" is so Northern Soul it hurts. Deep-Soul legend Herb Ward does not want to go home where only loneliness and solemnity await – his mellow-drama overload "Goin' Home To An Empty House" put out by his record label without his permission and under the pseudonym Sunshine to hide their dodgy deed. The Intruders dancer "Every Day Is A Holiday" is so late-60ts Philly Sound – Freddie Scott the same – not surprising with Gamble & Huff behind both. Len Barry worries what her parents might think – his girl too young to hold his hand – mama not going to allow it. And on it goes to The Ethics getting all Stereo with their "Standing In This Darkness". 

Ace Records of the UK know their audience and punters know what to expect when they buy one of their CD compilations. But every now and then, you have dip your cloth-cap to their genius at listens like this. 

Great choices, tasty packaging and quality audio into the mushy bargain - bit of a belter frankly...

THOM BELL and some PHILLY SOUND CD Compilations

From Ace Records and Kent Soul of the UK (all reviewed)

1. Thom Bell by Various Artists - "Ready Or Not: Philly Soul Arrangements & Productions 1965-1978" 
UK released 25 June 2020, Ace/Kent Soul CDTOP 488 (Barcode 029667098021)

2. Thom Bell by Various Artists - "Didn't I Blow Your Mind? The Sound of Philadelphia Soul 1969-1983"
UK released 31 May 2024, Ace/Kent Soul CDTOP 522 
(Barcode 029667110624)

3. Various Artists - "Nothing But A House Party: The Birth Of The Philly Sound 1967-1971"
UK released 26 May 2017, Ace/Kent Soul CDKEND 466 (Barcode 029667083829)

4. Various Artists - "Psychedelic Soul Produced by Norman Whitfield" 
UK released 27 August 2021, Ace/Kent Soul CDTOP 504 (Barcode 029667103121)

5. Earl Young - "Groove Machine: The Earl Young Drum Sessions"
UK released 24 February 2024, Ace/Kent Soul CDTOP 1629 (Barcode 029667109925)

"Soulsville U.S.A. - A Celebration of Stax" by VARIOUS ARTISTS - Featuring The Veltones, Carla Thomas, The Mar-Keys, William Bell, Booker T & The MG's, Rufus Thomas, Wendy Rene, Otis Redding, The Astors, Sam & Dave, The Mad Lads, Mabel John, Eddie Floyd, Albert King, Ollie & The Nightingales, Linda Lyndell, Judy Clay, The Staple Singers, Johnnie Taylor, The Emotions, Isaac Hayes, Jean Knight, The Dramatics, Little Milton, The Soul Children, Frederick Knight, Mel & Tim, The Temprees, Ollie & The Nightingales, Shirley Brown, Linda Lyndell and some duets (September 2017 UK/EU Craft Recordings/Universal/Stax 3CD 60-Track Compilation Spanning 1959 to 1974 with Joe Tarantino Remasters – Part of the 'Stax 60 Series: Celebrating 60-Years Of The Memphis Sound') - A Review by Mark Barry...

https://www.amazon.co.uk/Soulsville-U-S-Celebration-Stax/dp/B073JSFCVR?crid=14RENQUZD934I&dib=eyJ2IjoiMSJ9.i_gcTdCDGyJg0DHTGaiszBWIjREEWhpzvjdg74dDa8c.ehZCsYMT2DXJfTqyx5MxXEAEvk2L-0WPpk-BI99Lc8o&dib_tag=se&keywords=888072029392&qid=1720457995&sprefix=888072029392%2Caps%2C81&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=5b220c8bdef7ee62ba95adc5ad7d368c&language=en_GB&ref_=as_li_ss_tl

"...I Got A Sure Thing..."

In 2024 the world will look at another Stax Records CD Compilation like its unnecessary. Musical nostalgia trips aside – it was nice and even cool back in the day but do I really need the return of Woolworths to my High Street right now? 

Well, my beloved Wimpy are gone too, but that doesn't mean I still don't crave me a delicious all-singing calories-be-damned Banana Boat dessert!

There are so many Large and Small Box Sets, Multi-Disc Compilations, 2CD Anthologies and Single-Disc Best Of's to choose from when it comes to nabbing a Stax Music one-stop - it's frankly dizzying. So why this digital threesome in the Stax 60 Series – Celebrating 60 Years Of The Memphis Sound – because it's a Craft Recordings release. Originally out of the USA in 2017 and also given a EU/UK release that year - this satisfying 3CD-overview has some of the loveliest and clearest Remasters of this Classic Soul label to date.

I have a thing for Craft Recordings - they have also done John Lee Hooker, Authentic Cuban Music from the Sixties, Creedence Clearwater Revival, Terry Callier's beautiful Folk-Soul debut album on Prestige Records in 1968 and even Travis at Glastonbury. And I've loved (reviewed most too) their many celebratory releases on all things Stax-related with stunning Box/Book Sets on Isaac Hayes, The Staple Singers, Stax '68: A Memphis Story (a pivotal year for Soul and Politics), Stax Singles 4: Rarities & The Best Of The Rest, the rare 45s of The Gospel Truth Label, Writer Demos and loads more – many on celebrated well-mastered VINYL outings too that audiophiles have been waking up to across this last decade.

"Soulsville U.S.A. - A Celebration of Stax" comes housed in a four-flaps foldout Digipak with a 20-page colour booklet inside – 60-Tracks offering up US 45s on Satellite, Stax, Volt, We Produce, Enterprise and Truth Records from The Veltones in September 1959 through to Shirley Brown in August 1974. It includes all their major US Billboard chart-toppers and more - legendary Soul names like Otis Redding, Rufus Thomas, Sam & Dave, Booker T & The MG's, Carla Thomas, Johnnie Taylor, Isaac Hayes, Shirley Brown, The Mad Lads, The Staple Singers, Frederick Knight et al. Time to Tramp – to the details…

UK/EU released 22 September 2017 - "Soulsville U.S.A. - A Celebration of Stax" by VARIOUS ARTISTS on Craft Recordings/Universal/Stax 0888072029392 (Barcode 888072029392) is a 3CD 60-Track Compilation of Remasters spanning The Veltones from September 1959 to Shirley Brown in August 1974. All tracks are US 45-single A-sides (unless otherwise stated) and the order of information is; release date, catalogue number, and highest attained number positions on the USA Billboard R&B and Pop charts. It plays out as follows:

CD1 (55:23 minutes):
1. Fool In Love – THE VELTONES (September 1959, Satellite 100)
2. Gee Whizz – CARLA THOMAS (November 1960, Satellite 104, R&B No.5, Pop No.10)
3. Last Night – THE MAR-KEYS (June 1961, Satellite 107/Stax 107, R&B No.2, Pop No.3)
4. You Don't Miss Your Water – WILLIAM BELL (November 1961, Stax 116, Pop No.95)
5. Green Onions – BOOKER T. & THE MG'S (August 1962, Stax 127/Volt 102, R&B No.1, Pop No.3)
6. Walking The Dog – RUFUS THOMAS (September 1963, Stax 140, R&B No.5, Pop No.10)
7. After Laughter – WENDY RENE (August 1964, Stax 154)
8. I've Been Loving You Too Long (To Stop Now) – OTIS REDDING (April 1965, Volt 126, R&B No.2, Pop No.21)
9. Candy – THE ASTORS (May 1965, Stax 170, R&B No.12, Pop No.63)
10. You Don't Know Like I Know – SAM & DAVE (November 1965, Stax 160, R&B No.7, Pop 90)
11. Don't Have To Shop Around – THE MAD LADS (July 1965, Volt 127, R&B No.11, Pop No.93)
12. Let Me Be Good To You – CARLA THOMAS (March 1966, Stax 188, R&B No. 11, Pop No.62)
13. Your Good Thing (Is About To End) – MABLE JOHN (May 1966, Stax 192, R&B No.6, Pop No.95)
14. Knock On Wood – EDDIE FLOYD (July 1966, Stax 194, R&B No.1, Pop No.28)
15. Hold On! I'm Comin' – SAM & DAVE (March 1966, Stax 189, R&B No.1, Pop No.21)
16. Try A Little Tenderness – OTIS REDDING (November 1966, Volt 141, R&B No.4, Pop No.25)
17. B-A-B-Y – CARLA THOMAS (July 1966, Stax 195, R&B No.3, Pop No.14)
18. Hip Hug-Her – BOOKER T & THE MG'S (February 1967, Stax 211, R&B No.6, Pop No.37)
19. Soul Finger – THE BAR-KAYS (April 1967, Volt 148, R&B No. 3, Pop No.17)
20. Tramp – OTIS & CARLA [Otis Redding and Carla Thomas] (April 1967, Stax 216, R&B No.2, Pop No.26)

CD2 (60:16 minutes):
1. Born Under A Bad Sign – ALBERT KING (May 1967, Stax 217, R&B No.49)
2. Soul Man – SAM & DAVE (August 1967, Stax 231, R&B No.1, Pop No.1)
3. (Sittin' On) The Dock Of The Bay – OTIS REDDING (January 1968, Volt 157, R&B No.1, Pop No.1)
4. Big Bird – EDDIE FLOYD (February 1968, Stax 246)
5. I Got A Sure Thing – OLLIE & THE NIGHTINGALES (February 1968, Stax 245, R&B No.16, Pop No.73)
6. Soul Limbo – BOOKER T. & THE MG'S (May 1968, Stax 0001, R&B No. 7, Pop No.17)
7. What A Man – LINDA LYNDELL (June 1968, Volt 4001, R&B No. 50)
8. Private Number – JUDY CLAY & WILLIAM BELL (July 1968, Stax 0005, R&B No. 17, Pop No.75)
9. I've Never Found A Girl (To Love Me Like You Do) – EDDIE FLOYD (May 1968, Stax 0002, R&B No.2, Pop No.40)
10. The Weight – THE STAPLE SINGERS (from the LP "Soul Folk In Action" released January 1969 in the USA on Stax STS 2004 and May 1969 UK on Stax SXATS 1004 in Stereo -a Cover Version of The Band song)
11. Who's Making Love – JOHNNIE TAYLOR (September 1968, Stax 0009, R&B No.1, Pop No.5)
12. I Like What You're Doing (To Me) – CARLA THOMAS (January 1969, Stax 0024, R&B No.9, Pop No.49)
13. I Forgot To Be Your Lover – WILLIAM BELL (November 1968, Stax 0015, R&B No.10, Pop No.45)
14. Time Is Tight – BOOKER T & THE MG'S (February 1969, Stax 0028, R&B No.7, Pop No.6)
15. Do The Funky Chicken – RUFUS THOMAS (November 1969, Stax 0059, R&B No.5, Pop No.28)
16. So I Can Love You – THE EMOTIONS (March 1969, Volt 4010, R&B No.3, Pop No.39)
17. Walk On By – ISAAC HAYES (July 1969, Enterprise 9003, R&B No.13, Pop No.30)
18. Keep On Loving Me – JOHNNIE TAYLOR & CARLA THOMAS (June 1969, Stax 0042, R&B No.4, Pop No.36)
19. Heavy Makes You Happy (Sha-Na-Boom Boom) – THE STAPLE SINGERS (November 1970, Stax 0083, R&B No.6, Pop No.27)
20. (Do The) Push And Pull (Part 1) – RUFUS THOMAS (October 1970, Stax 0079, R&B No.1, Pop No.25)

CD3 (69:13 minutes):
1. Mr. Big Stuff – JEAN KNIGHT (March 1971, Stax 0088, R&B No.1, Pop No.2)
2. Jody's Got Your Girl And Gone – JOHNNIE TAYLOR (December 1970, Stax 0085, R&B No.1, Pop No.28)
3. Never Can Say Goodbye – ISAAC HAYES (April 1971, Enterprise 9031, R&B No.5, Pop No.22)
4. Whatcha See Is Whatcha Get – THE DRAMATICS (May 1971, Volt 4058, R&B 3, Pop No.9)
5. Respect Yourself – THE STAPLE SINGERS (September 1971, Stax 0104, R&B No.2, Pop No.12)
6. Theme From Shaft – ISAAC HAYES (September 1971, Enterprise 9038, R&B No.2, Pop No.1)
7. Son Of Shaft – THE BAR-KAYS (November 1971, Volt 4073, R&B No.10, Pop No.53)
8. That's What Love Will Make You Do – LITTLE MILTON (December 1971, Stax 0111, R&B No.9, Pop No.59)
9. Hearsay – THE SOUL CHILDREN (February 1972, Stax 0119, R&B No.5, Pop No. 44)
10. In The Rain – THE DRAMATICS (February 1972, Volt 4075, R&B No.1, Pop No.5)
11. Do Your Thing – ISAAC HAYES (January 1972, Enterprise 9042, R&B No.3, Pop No.30)
12. I've Been Lonely For So Long – FREDERICK KNIGHT (February 1972, Stax 0117, R&B No.8, Pop No.27)
13. I'll Take You There – THE STAPLE SINGERS (March 1972, Stax 0125, R&B No.1, Pop No.1)
14. Starting All Over Again – MEL & TIM (May 1972, Stax 0127, R&B No.4, Pop No. 19)
15. Dedicated To The One I Love – THE TEMPREES ((July 1972, We Produce 1808, R&B No.17, Pop No.93)
16. Hey You! Get Off My Mountain – THE DRAMATICS (February 1973, Volt 4090, R&B No.5, Pop No.43)
17. Cheaper To Keep Her – JOHNNIE TAYLOR (September 1973, Stax 0176, R&B No.2, Pop No.15)
18. If You're Ready (Come Go With Me) – THE STAPLE SINGERS (September 1973, Stax 0179, R&B No.1, Pop No.9)
19. I'll Be The Other Woman – THE SOUL CHILDREN (November 1973, Stax 0182, R&B No.3, Pop No.36)
20. Woman To Woman – SHIRLEY BROWN (August 1974, Truth 3206, R&B No.1, Pop No.22)

Formed by ex-Banker JIM STEWART and his record-shop owning sister Estelle Axton (the ST and AX in STAX) – their McLemore Studios in Memphis, Tennessee, USA was an oasis for artists of ANY colour – something highly unusual in the deeply race-riven South of the Fifties and Sixties. 

When you think that out of nearly 800 45-single releases across their fifteen-year tenure (and 300 albums) – Stax Records and their subsidiaries (Satellite, Volt, We Produce, Enterprise and Truth) placed 243 on the Top 100 R&B charts and 167 on the Billboard Pop charts too – picking 60 was always going to be a compromise of sorts and have omissions punters wanted. And you can see the playing times on CD1 and CD2 are a tad shorter than one would like – but "Soulsville U.S.A. - A Celebration of Stax" still makes for the most magnificent and pleasing play. 

You get 13 R&B number ones, 1 Pop No.1 (unbelievably, the mighty "Theme From Shaft" only hit No. 2 R&B but went all the way to No.1 on the Pop charts) and countless top-slot near misses at No.2 and No.3 slots. NYC songwriter and regular contributor to Esquire Magazine JEFF SLATE does the liner-notes honours - his STAX RECORDS overview peppered by quality four-photo pages of Stax's main roster including lesser-seen names like Ollie & The Nightingales and even The Stax/Volt European Tour of 1967 entourage. There is then song-by-song credits which I've transcribed above. 

Each CD features major chart hits with just four deep dives – the non-charting but popular 45 fan-choices by The Veltones, Wendy Rene and Eddie Floyd while The Staples Singers get one album track (CD1 and CD2). And the JOE TARANTINO Mastering is gorgeous and clean throughout. The sound quality on The Temprees for instance doing their cover version of the Shirelles 60ts classic "Dedicated To The One I Love" – soaring vocals and strings – clarity and underlying power – so sweet. The same applies to the lesser-celebrated Vocal Group gymnastics of The Dramatics demanding peace and loving in their fab "Hey You! Get Off My Mountain". 

The huge hits like Booker T's "Green Onions", Eddie Floyd's "Knock On Wood", Redding's "Try A Little Tenderness" and posthumous number 1 "(Sittin' On) The Dock Of The Bay", Sam & Dave's Blues brothers staples "Hold On! I'm Comin'" and "Soul Man", Isaac Hayes' Blaxploitation Movie anthem "Theme From Shaft", Jean Knight's in-yer-face take-no-crap sassy "Mr Big Stuff" and the whole-world falls in love positivity of Mavis Staples fronting The Staple Singers in their gorgeous "If You're Ready (Come Go With Me)" are all accounted for. But it's the intermittent stops on the bus to Coolsville that grabs you by the short and talcums - the semi-instrumental head-jerkin' joy of "Last Night" by The Mar-Keys, the sexy domestic squabbling made to sound Soulful in Mabel John's fab "Your Good Thing (Is About To End)" and washing-clothes in a local laundrette shimmy of "What A Man" by Linda Lyndell as she crisp-flicks her latest beau's duds. 

Blues-Soul Boss shows up in the shape Albert King's "Born Under A Bad Sign" (a tune so many Rock bands adored) and the real-world knowing alimony wit of Johnnie Taylor's "It's Cheaper To Keep Her". The ladies get advisory and a tad mean with Shirley Brown's "Woman To Woman" while The Soul Children's "Hearsay" takes no lyrical prisoners either. Even after all these decades, you forget how good the Isaac Hayes Soul's Burt Bacharach vibe is on his "Never Can Say Goodbye" and "Walk On By" reworks - and there's the "Son Of Shaft" follow-up by The Bar-Kays - a Funk gem ripe for playlist rediscovery. For sure I might never want to hear the 'Country' in Otis & Carla's "Tramp" ever again, but I can't get sick of "I've Never Found A Girl (To Love Me Like You Do)" or the early Stax Soul groove inherent in The Mad Lads doing "You Don't Have To Shop Around". 

I could go on about "Soulsville U.S.A - A Celebration of STAX" but I'll leave the 60-track rediscoveries to you. I got my copy from an online retailer for a bargain-bin sealed price of under eight quid, but this three-fer can set you back over fourteen pounds and upwards to thirty because its Craft Recordings - so go Smokey Robinson and The Miracles on its tasty ass - and shop around.

Great choices, tasty packaging and above all that quality audio you crave - bit of a belter frankly... 

Old Irish Concerts Ticket Stubs Including Lisdoonvarna Folk Festivals, Thin Lizzy, AC/DC, Kid Creole and The Cocanuts, The Rolling Stones, Dire Straits and more

These Photos Pages and Old Poems From The Eras

Are featured in my new book

UNDECIDED JINNY JOE 

Available Now On Amazon 

My Author's Pages Is: 

https://www.amazon.co.uk/dp/B0CJWFFFJT?binding=paperback&linkCode=ll2&tag=mabasreofcdbl-21&linkId=f5c18b466377b4dc5eb742a7bf277d1a&language=en_GB&ref_=as_li_ss_tl

"Jon Savage's The Secret Public: How The LGBTQ+ Aesthetic Shaped Pop Culture 1955-1979" by VARIOUS ARTISTS - Featuring Little Richard, Esquerita, Billy Fury, Frank D'rone, The Dovells, John Leyton, Joey Dee & The Starliters, The Jaynetts, Lesley Gore, The Velvelettes, Bobby Marchan, The Velvet Underground & Nico, The Elgins, Big Brother & The Holding Company (featuring Janis Joplin), Norma Tanega, Al Stewart, The Kinks, Sly & The Family Stone, Abaco Dream, Lou Reed, Polly Perkins, Jobriath, Manu DiBango, The Temptations, The Miracles, Labelle, Grace Jones, Patrick Cowley, Jayne County & The Electric Chairs, Buzzcocks, Space, Tom Robinson Band, Sylvester, Michele and more (May 2024 UK Ace Records 2CD 41-Track Compilation In A Three-Way Fold-Out Card Digipak with Duncan Cowell Remasters – a Companion Audio Set to The Book of the Same Name by Faber & Faber) - A Review by Mark Barry...

https://www.amazon.co.uk/Savages-Secret-Aesthetic-Culture-1955-1979/dp/B000008F2X?crid=4MAQHY6WHJ6C&dib=eyJ2IjoiMSJ9.ZcteweekzeTE8MwuNT6QRQ.54o79nxVXnWtJH-bJSurBD8l1vCXnbQAnPmUx08ImGs&dib_tag=se&keywords=029667110723&qid=1719852812&sprefix=029667110723%2Caps%2C84&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=d5ee7712084c6a170226742fe629b453&language=en_GB&ref_=as_li_ss_tl

"...Shaved Her Legs And He Was A She..."

Having annotated and compiled nine 2CD sets for Ace Records in their Year-on-Year Single Series (I have reviewed four or five) – author and music-nut Jon Savage is no stranger to the art of how it plays. But with such a huge subject matter to cover and licencing restrictions shutting out obvious choices and gamechanger artists like Queen, David Bowie and Marc Bolan in T.Rex – both has kind of done for this brave and smart 2CD 41-Song attempt at chronicling secret-lifestyles that up until the mid-Seventies were still real-world taboo and probably even dangerous.

You can understand the song choices (CD1 covers 1955 to 1973, CD2 moves on with 1974 to 1979) and the chunky three-way fold-out Digipak Presentation with a 32-page booklet is both classy and substantial, but the listen only half works because some of the music just isn't up to snuff. CD2 suffers from tedious Extended Disco Mixes least not of all being the near 14-minutes of Michele remixed and involving leading light Patrick Cowley. But Savage would argue that left-of-field adventure is key and bold choices very much part of the ethos the LGBTQ community had to employ to just be - albeit under wigs and makeup and nights at the Club or Disco. Still, there is an awful lot to like here, and his journalistic annotation is quietly free of virtual-signalling but big on respect - which is something of a minor miracle in 2024. To the no-longer secret details...

UK released Friday, 31 May 2024 - "Jon Savage's The Secret Public: How The LGBTQ+ Aesthetic Shaped Pop Culture 1955-1979" by VARIOUS ARTISTS on Ace Records CDTOP2 1647 (Barcode 029667110723) is a 2CD 41-Track Companion Audio Compilation to a book of the same name – and it plays out as follows (most tracks are US/UK 45s unless otherwise stated):

CD1 (78:53 minutes):
1. I Hear A New World – JOE MEEK & THE BLUE MEN (from the cancelled UK 1960 album "I Hear A New World" on Triumph TRX ST 9000 in Stereo – finally UK issued in 1991 on RPM Records RPM 103)
2. Tutti-Frutti – LITTLE RICHARD And His Band (US October 1955, Specialty SP-561, A-side; issued UK as the B-side of "Long Tall Sally" on London HLO 8366 in January 1957, credited as Little Richard and without a hyphen in the song title)
3. Esquerita And The Voola – ESQUERITA (US September 1958, Capitol F4058, B-side of his second US single "Rockin' The Joint")
4. Wondrous Place – BILLY FURY (UK September 1960, Decca F 11267, A-side)
5. Strawberry Blonde (The Band Rocked On) – FRANK D'RONE (US October 1960, Mercury Records 71720, A-side)
6. Foot Stompin' – THE DOVELLS (from the 1961 US Album "Bristol Stomp" on Parkway P 7006)
7. Johnny Remember Me – JOHN LEYTON (UK July 1961, Top Rank JAR 577, A-side)
8. Peppermint Twist - Part 1 – JOEY DEE And THE STARLITERS (October 1961, Roulette R-4401, A)
9. Sally, Go 'Round The Roses  – THE JAYNETTS (from the US 1963 Album "Sally, Go 'Round The Roses" on Tuff TU-5559)
10. You Don't Own Me – LESLEY GORE (from the US 1963 Album "Mixed-Up Hearts" on Mercury Records MG-20849)
11. Needle In A Haystack – THE VELVELETTES (US September 1964, V.I.P. Records V.I.P.-25007, A-side)
12. Get Down With It – BOBBY MARCHAN (US January 1965, Dial Records 45-4002, A-side)
13. I'll Be Your Mirror – THE VELVET UNDERGROUND featuring NICO (US July 1966, Verve Records VK-10472, B-side of "All Tomorrow's Parties")
14. Heaven Must Have Sent You – THE ELGINS (US August 1966, V.I.P. Records V.I.P.-25037, A-side)
15. Stand Up Straight And Tall – JACKIE SHANE (US April 1967, Modern 45xM 1031, B-side of "You Are My Sunshine")
16. Women Is Losers – BIG BROTHER & THE HOLDING COMPANY (US December 1967, Mainstream 675, A-side – featuring JANIS JOPLIN on Lead Vocals)
17. No Stranger Am I – NORMA TANEGA (US March 1967, New Voice 821, B-side of "Run, On The Run" – also on the US Album "Walkin' My Cat Named Dog" on New Voice 2001)
18. Pretty Golden Hair – AL STEWART (from the UK 1967 Album "Bed Sitter Images" on CBS Records S BPG 63087 in Stereo)
19. David Watts – THE KINKS (opening track on Side 1 of the April 1968 UK Extended Play 4-Track EP "The Kinks" on Pye Records NEP 24296)
20. Nothing But A Heartache – THE FLIRTATIONS (UK November 1968, Deram DM 216, A-side)
21. Stand! – SLY & THE FAMILY STONE (US March 1969, Epic 5-10450, A-side – see also Track 22 written by Sly Stone)
22.Life And Death In G & A – ABACO DREAM (US August 1969, A&M Records 1081, A-side, song written by Sylvester Stewart aka Sly Stone, he is not featured in this recoding by a US Rock Group from New York)
23.Nathan Jones – THE SUPREMES (US April 1971, Motown M 1182, A-side – Lead Vocalist Jean Tyrell, Diana Ross had left at this stage)
24. Walk On The Wild Side (Album Version) – LOU REED (from the November 1972 US and UK Album "Transformer" on RCA Victor LSP-4807. The LP version is 4:24 minutes with the verse censored for the US 45 at 3:57 minutes about Candy and giving head. The British UK 45 however had the full version with the naughty verse included and became a hit in April 1973 after it was re-promoted because David Bowie sang with the backing vocalists Thunderthighs as they sing Do De Do before the Ronnie Ross saxophone solo. Herbie Flowers on Double-Bass, Mick Ronson Strings, David Bowie Production)
25. Coochi-Coo – POLLY PERKINS (UK May 1973, Chapter One SCH-R 183, A-side)
26. I'maman – JOBRIATH (US May 1974, Elektra EK-45888, A-side – the title credit is run together as one word) 
27. Soul Makossa – MANU DIBANGO (French 1972 45, African Records 90.571 A, 4:24 minutes, B-side of "Hymne De La 8e Coupe D'Afrique Des Nation")
28. Law Of The Land – THE TEMPTATIONS (UK August 1973, Tamla Motown TMG 866, A-side, 4:45 minutes)

NOTES on CD1: All Tracks MONO 

Except Tracks 1, 7, 10, 15, 16, 18, 20-21 and 23-28 which are in STEREO

CD2 (77:36 minutes):
1. Get Dancin' (Single Version) – DISCO TEX AND THE SEX-O-LETTES Featuring SIR MONTI ROCK III (US September 1974, Chelsea CH 3004, A-side, 3:56 minutes)
2. Lady Marmalade (Album Version, 3:57 minutes) – LABELLE (from the November 1974 US LP "Nightbirds" on Epic KE 33075 – Produced and Arranged by Allen Toussaint)
3. Nobody's Gonna Change Me – THE DYNAMIC SUPERIORS (US July 1975, Motown M 1359F, A-side – an Ashford & Simpson song)
4. Ain't Nobody Straight In L.A. – THE MIRACLES (from the September 1975 US LP "City Of Angels" on Tamla T6-339 S1)
5. I Need A Man (12" Disco Mix, 7:30 minutes) – GRACE JONES (US 1977 12" Single, Beam Junction 12-BJ 1004, A-side – Produced/Mixed by Tom Moulton)
6. I Feel Love – PATRICK COWLEY (cover version of the Donna Summer song recorded 1977 in New York and clocking in at 9:48 minutes; first issued October 2020 on the US Patrick Cowley CD Compilation "Some Funkettes" on Dark Entries DE-283CD – see also Tracks 12 and 13 for Patrick Cowley)
7. Orgasm Addict – BUZZCOCKS (UK November 1977, United Artists UP 36316, A-side)
8. F*** Off – ELECTRIC CHAIRS (UK November 1977, Sweet FA WC 1, A-side, featuring Jayne County as Lead Vocalist (credited as Wayne County), Jools Holland on keyboards)
9. Glad To Be Gay – TOM ROBINSON BAND aka TRB (from the UK January 1978 4-Track EP "Rising Free" on EMI Records EMI 2749, Track 2 on Side 1 as "Sing If You're Glad To Be Gay")
10. I Was Born This Way (12" Disco Mix, Vocal, 6:31 minutes) – CARL BEAN (US 1977 12" Single, Motown M 00008D1, A-side (Vocal))
11. Prison (12" Version, 6:25 minutes) – SPACE (Canada 1978 12" Single, Vogue VO-302, A-side)
12. Disco Dance (12" Mega Mix, Vocal, 13:40 minutes) – MICHELE (US 1978 12" Single, West End Records WES 12100, A-side – song written by Patrick Cowley, Remixed by Tom Moulton, Michele was a pseudonym for French Singer Chantal Curtis – for Patrick Cowley see also Tracks 6 and 13)
13. I Need To Love Somebody Tonight (12" Version) – SYLVESTER (US 1979 12" Single, Fantasy 12 XFTC 171, A-side - a co-write between Patrick Cowley and Sylvester James, for Patrick Cowley see also Tracks 6 and 12)

NOTES on CD2: All Tracks are STEREO

The three-flap fold-out Digipak uses every surface (including beneath the see-through CD trays) to show either rare picture sleeves or 45-single label repros and coupled with a chunky 32-page booklet makes for something of a looker. The opening 4-page preamble sets the historical scene – walking a tightrope between declared orientations and the biggest open-secret in Music and the Arts. The text is festooned with images – trade adverts for Little Richard and 'Smash Pop Hit' "Tutti-Frutti", Lesley Gore's '4th Hit In A Row' or a smiling Sly Stone as he and his gang make a "Stand!" with parapet-preaching paragraphs from Epic Records about setting yourself free. Inbetween are sheet music repros for Lou Reed, The Jaynetts and Labelle sided by rare Demo 60ts labels for The Elgins and Joey Dee abutting hard-to-find picture sleeves for The Velvet Underground, Space, The Flirtations and loads more.

Beneath discography info, each paragraph ties in the song, artist or scene the tune featured in – some songs adopted by gay men and women because of lyrics that struck a chord or a perceived secret message. Details come thick and fast – Polly Perkins and her very Suzi Quatro 1973 woman-liberating camp-rocker "Coochi-Coo" entry tells us she was with Dusty Springfield's set and once compared 'Ready Steady Go!' Or the woman who got arrested in Liverpool for the heinous act of wearing a Promo Button on the  lapel of her jacket advertising the Jayne County & The Electric Chairs single. The US burlesque shock-rocker Jayne County from Atlanta had relocated to Blighty for the Punk Revolution and called her song the ever-so-slightly out-of-jointing "(If You Don't Want To Fuck Me) Fuck Off" - her Promo button simply stated, 'FUCK OFF'. But even now, closing in on 45-years after the event, the terribly-spiff British Bobby arresting her seems shockingly reactionary for all the wrong reasons. AUDIO is by long-standing Engineer DUNCAN COWELL and apart from the dreadful Joe Meek opener – songs like the magnificent duo of "Walk On The Wild Side" and "Lady Marmalade" are punching like a mule and sporting equal clarity as they do it. To the tunes and the overall listen…

Although arriving in from another planet (Savage argues that this is how gay men must have felt) – the withdrawn Joe Meek track "I Hear A New World" with its Pinky & Perky backing vocals and acetate production values is an awful start and it is painfully obvious that this compilation should have opened with the explosive Little Richard and his stunning "Tutti-Frutti". Flamboyant and considering himself beautiful – the photo on the front cover of the cool Digipak shows an adoring male fan staring in at Richard Penniman as he fixes his hair in his car with a brush – bare-chested of course. Nicking his style wholesale – Little Richard took liberally from the Esquerita look (Eskew Reeder) whose shrieking vocals and manic piano plinks on the B-side "Rockin' The Joint" is unfortunately another irritation rather than thrill. Far better is the sly world referred to in Billy Fury's Elvis-cool "Wondrous Place" – I want to stay and never go away. Lesbians in the Kings Road of London adopted the Frank D'rone big-band bopper "Strawberry Blond (And The Band Rocked On)" probably because of the lyrics "…waltz across the floor with the chick he adored…" – a very clever choice. 

The Andy Warhol-David Bowie connection to "Foot Stompin'" by The Dovells in 1961 is a longshot but still half a decent tune and I kind of agree with the hostile reaction given by the 1961 Juke Box Jury on John Leyton and his "Johnny Remember Me" – the public thought different though and with its galloping Joe Meek production leapt to No.1. A playlist regular in the Peppermint Lounge, a 45ft Street Gay Bar in New York, we can imagine one of its patrons Andy Warhol giving it some to "Peppermint Twist" by Joey Dee & The Starliters. A big fave for American gay men was the girl-group slink in "Sally, Go 'Round The Roses" where they won't tell your secret and you can let your hair down (and anything else for that matter). British Gay Men longing for love and a deeper connection in the La Duce Mod Club bopped to The Velvelettes connecting to the lyrics about how hard it is to find a good man – a "Needle In A Haystack". But much better for me is New Orleans veteran Bobby Marchan pointing his Jackie Wilson-type vocals at the fingersnappin' dancefloor – his superb dancer "Get Down With It" feeling like joy and not a bottled despair.

The arrival of the kick-the-walls-down changes of the mid 60ts are signalled by the lyrics and subtle subversion of Nico fronting The Velvet Underground. The B-side "I'll Be Your Mirror" is a tender Lou Reed love song that begs a different person to see themselves as beautiful too (Savage writes eloquently on this entry). But even that genius is whomped by the sheer in-yer-face bravery and cool in "Stand Up Straight And Tall" – Jackie Shane described as a Black American woman in a man's body – the song, an organ-grinding nightclub shuffler that is a fabulous choice for CD1. Fronting Big Brother & The Holding Company on Columbia Records and a short-stop from Woodstock fame, Janis Joplin hid her bisexuality but not her anger in "Women Is Losers" – even now it is an uncomfortable listen but Savage wants to show a full emotional-landscape. Although not very well recorded (more's the pity), the Joni Mitchell-influenced acoustic of Norma Tanega feels like the first genuine I'm-In-Love-With-You moment on the 2CD set – one woman blown away by another – it is lovely and almost naked in its intensity (I'll leave the Norma Tanega and Dusty Springfield story unfolded in the liner notes for your enjoyment).

Things take a British turn with Al Stewart celebrating more than hair that is fair in colour, The Kinks waxing lyrical about the boy's own private-school hedonism in "David Watts" (The Jam would of course memorably cover it in 1978 on their fab "All Mod Cons" album on Polydor). The US meets the UK occurs when the girly trio The Flirtations from South Carolina found they had a monster Northern Soul and Gay Anthem in Blighty – sinful loving of bad boys in their lyrics appealing. We then enter US Soul Vs. Hard Funk when Sly Stone turns up twice – first with the Family Stone (admittedly over familiar but mightily relevant to the theme) and the superb inclusion of the Hard-Funkin Abaco Dream and their "Life And Death In G & A". Written by Stone, the Abaco Dream turned out to be a New York Rock act who managed two US 45s and this one is a nugget. CD1 now sails into the sublime - "Nathan Jones" by The Supremes (Jean Tyrell fronting) flanging its way into our hearts and wiggle-butts while "Walk On The Wild Side" is just straight up genius and along with say "Green Onions" by Booker T. & The MGs practically owns the word cool and then some. But Savage goes out with a foursome bang – the Pink-and-Proud of it Polly Perkins and Jobriath songs raised their heads in 1973 above the sanctimonious media pulpits, aided by sexy gyrations from Manu DiBango and a socially-aware Temptations - Soul and Funk dominating but with African Rhythms and Norman Whitfield arrangements ("Law Of The Land" by The Temps has long been a fave-rave of mine and is a total winner). 

If I am truthful, I struggled a little with CD2. As I remember, even back in 1974, I found the Disco Tex track gimmicky and too in yer face for comfort. Far better to have opened with a genuine blast – Patti LaBelle and her band Labelle giving it some "…Voulez-vous coucher aver moi!" in the lyrics (French for I want to crochet, or should that be a word ending in k). Nona Hendryx and Sarah Dash benefit from great Allen Toussaint production in "Lady Marmalade" and the Bob Crewe/Kenny Nolan song is still a huge radio play a full 50 years on, when everyone I know would rather forget the embarrassing Sex-O-Lettes crud. Motown in 1975 were supporting Gay Acts – the defiant lyrics to The Dynamic Superiors song (supplied by Ashford & Simpson) screaming about convictions and feeling strong in the face of another morning facing the detractors. Clever choice comes in the shape of The Miracles engaging in Miami Latino Rhythms with their lyrically unambiguous "Ain't Nobody Straight In L.A." (homosexuality is a part of society). More relentless Disco beats comes in the guise of ex-model Grace Jones hamming it up with "I Need A Man" – jugular-chasing a marketplace that she knows loves her. The next is an outtake of "I Feel Love" – a 10-minute cover of the Donna Summer anthem that again overstays its synth welcome. 

Although, it still packs a kick-in-the-teeth quality, "Orgasm Addict" feels weird following such a 10-minute Disco bopper, but it does line up the truly brilliant Electric Chairs "F*** Off" – a down and dirty piece of Rock & Roll with lyrics that still make me laugh (hot shit and cold turd). Wayne County sounding like he/she means it! I still find the Tom Robinson depressing – a well-meaning effort that somehow alienates its listeners – and of course the prig BBC banned it. The Carn Bean twelve-inch "I Was Born This Way" is joyous stuff – holding his head high to a lush Philly-based arrangement. Madeline Bell lays into the Vocals for Space on their slow burner "Prison" – a tune that soon gets dancefloor-bootalicious as the synths solos and bass plucks build. The near 14-minutes of Michele giving it orgasmic "Disco Dance" would test the patience of a saint - the final CD2 track "I Need Somebody To Love Tonight" by Sylvester as least feeling honest in his personal pride as the backbeats drive on and on. 

"Jon Savage's The Secret Public: How The LGBTQ+ Aesthetic Shaped Pop Culture 1955-1979" will delight some (great choices) but bore others (too many long-winded Disco workouts on CD2). 

But whatever way you take your sugar in a tee-pee, Savage has done enough to open our eyes and ears and maybe even on occasion, our hearts, and minds. I liked this compilation a whole bunch. And for that I salute him and his Tutti-Frutti on a Rooty…