Amazon Music Bestsellers and Deals

Wednesday 9 March 2011

"It Ain’t Gonna Be That Way – The Complete Smash Sessions" by CHARLIE RICH. A Review Of The 2011 Ace Records CD Compilation.

"…Who Is The Coolest Guy…"

Mercury Records of the USA released a CD compilation by Charlie Rich called “The Complete Smash Sessions” in 1992 – I’ve had it a while now to have the music. This new 28 February 2011 reissue CD by Ace Records of the UK is that 29-song US title with a slightly re-jiggered track list. But the real reason for fan-joy here is that Rich’s truly great musical content has finally gotten the superior remastered sound its always deserved (and a nicely expanded booklet too).

Let’s get to the details first because there’s a lot - Ace CDCHD 1298 (69:34 minutes) will allow you to sequence his 2 Sixties albums on Smash Records as follows:

“The Many New Sides Of Charlie Rich”, 1965 USA LP on Smash MGS-27070 [Mono] and SRS-67070 [Stereo]

Side 1:
1. Mohair Sam [9]
2. I Can't Go On [7]
3. Dance Of Love [8]
4. A Field Of Yellow Daisies [15]
5. I Washed My Hands In Muddy Water [20]
6. Everything I Do Is Wrong [11]
Side 2:
1. She's A Yum Yum [24]
2. It Ain't Gonna Be That Way [1]
3. Just A Little Bit Of You [4]
4. Moonshine Minnie [26]
5. Down And Out [21]
6. Lonely Weekends [A Smash Re-Recording Of His 1960 Hit on Phillips] [28]

“The Best Years”, 1966 USA LP on Smash MGS-27078 [Mono] and SRS-67078 [Stereo]

Side 1:
1. No Home [6]
2. So Long [16]
3. The Best Years [14]
4. Party Girl [2]
5. You Can Have Her [19]
6. Have I Stayed Away Too Long [12]
Side 2:
1. Hawg Jaw [27]
2. Something Just Came Over Me [5]
3. Double Dog Dare Me [25]
4. Just A Little Bit Of Time [17]
5. Blowin' Town [18]
6. Tear's A Go-Go [13]

The remaining 5 tracks are made up of the following:
“Man About Town” [10], “Let The Party Roll On” [22] and “Santa Claus’ Daughter” [29] were all previously unreleased outtakes which first appeared on the American 1992 compilation mentioned above - while “That’s My Way” [3] and “When My Baby Comes Home” [23] are the non-album A & B-sides of a 1966 USA 7” single on Smash 2060.

As you can see from the above LPs, they were issued in ‘both’ Mono and Stereo – this CD uses only the STEREO mixes on ALL tracks except 3 on the 2nd LP – “Party Girl”, “Just A Little Bit Of Time” and “Hawg Jaw” – these are Mono mixes.

The original US booklet was a barely illustrated skimpy 8-pages in black and white – here we get 16-pages with both album sleeves featured in full colour plates, pictured US 7” singles (stock and demo), trade newspaper reviews and black & white publicity and family photos. It’s very nicely done and features knowledgeable and affectionate liner notes by renowned British writer and music lover DEAN RUDLAND.

The remastered sound is by NICK ROBBINS at Sound Mastering in London and the difference is HUGE. Think Sixties Presley meets Roy Orbison on Monument - catchy tunes with top production values.
Best sound ever is on the fantastically hip “Mohair Sam” (lyrics above), the lovely ballad “A Field Of Yellow Daisies” (written by his wife Margaret Ann) and the jaunty piano of “She’s A Yum Yum” is so clear now too. The low down and gritty “I Washed My Hands In Muddy Waters” is the kind of Bluesy Sixties song I adore - can’t get enough of it.

Then we get what I consider to be a genuine Sixties masterpiece – “It Ain’t Gonna Be That Way”. I play this sucker to death – and it sounds just awesome here. The Monkees-pop-vibe of “Just A Little Bit Of You” has fantastic audio too – even if he does ape Roy Orbison’s growl on the chorus. “Down And Out” is as ludicrously catchy as a Sixties’ tune gets – just great - while “Something Just Came Over Me” is near-perfect pop.

And as if this isn’t riches' enough, the 3 outtakes are all uptempo crackers – a cover of Joe South’s “Let The Party Roll”, a cover of William Young’s “Man About Town” and a happy bopper from his wife Margaret Ann – “Santa Claus’ Daughter”. The B-side of “That’s My Way” is the rare but brilliant “When My Baby Comes” and it will be gracing a cool 60ts comp of mine as soon as possible.

Niggles – the 3 mono mixes are a puzzle – I say this because the original 1992 US CD doesn't even hightlight them as such (at least the Ace title does) - but where are the 'Stereo' versions of these 3 tracks? But these are minor irritations on a CD that has genuinely put a smile on my weary mug.

To sum up – this is a brilliant and timely reissue. Charlie Rich had the voice, he wrote most of the songs and he even looked the part – yet it would take the Seventies and his Silver Fox Country ballads period before he finally got the credit he so obviously deserved. Charlie Rich (like Eden Kane and Terry Reid) is the kind of artist who needs rediscovery – and this CD is a superb starting block.

A fabulous job-done by Ace (yet again) and already one of my reissues of 2011.

Tuesday 8 March 2011

"Who’s Blue? Rare Chess Recordings Of The 60s And 70s" by ETTA JAMES. A Review Of The 2011 Ace/Kent Soul UK CD Compilation.


Etta James is part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

“…When You Talk That Sweet Talk…I Burn Like Oil On Fire…”

Across the 24 cuts on "Who’s Blue?" 18 sides are rare B-sides/album tracks new to CD - with one song (track 8) being a previously unreleased outtake from 1964. There’s a lot on here, so let’s get to the details…

Released in the UK on 28 February 2011, Ace/Kent Soul CDKEND 345 breaks down as follows (67:49 minutes):

1. Only A Fool
(From “Etta James”, 1973 USA LP on Chess 50042
Also 1974 USA 7” on Chess CH 2148, B-side of “Leave Your Hat On”)

2. Take Out Some Insurance
(From “Losers Weepers”, December 1970 USA LP on Cadet 847
Also 1971 USA 7” single on Chess CH 2112, A-side
Also 1975 USA 7” single on Chess CH 2171, B-side of “Lovin’ Arms”)

3. I’m So Glad (I Found A Love In You)
(From “Call My Name”, January 1967 USA LP on Cadet 4055
Also 1967 USA 7” single on Cadet 5552, B-side of “I Prefer You”)

4. (I Don’t Need Nobody To Tell Me) How To Treat My Man
(A Previously Unreleased Track That First Appeared On The 2000 Universal 3CD set “Etta James - The Chess Box”)

5. Fire
(1968 USA 7” single on Cadet 5620, A-side)

6. I’ve Been A Fool
(From “Etta Is Betta Than Evvah!”, 1976 USA LP on Chess 19003
Also USA 1976 7” single on Chess ACH-30001, B-side of “Jump Into Love”)

7. You’re The Fool
(From "Losers Weepers", December 1970 USA LP on Cadet 847)

8. Can’t Shake It
(Previously Unreleased 1964 Argo/Chess Recording, Released Here For 1st Time)

9. Do Right
(From "Queen Of Soul", 1964 USA LP on Argo 4040)

10. Nobody But You
(From “Etta James”. 1962 USA LP on Argo 4013)

11. Seven Day Fool
(From “The Second Time Around”, 1961 USA LP on Argo 4011)
(Also 1961 USA 7” single on Argo 5402, A-side)

12. That Man Belongs Back Here With Me
(From “Queen Of Soul”, 1964 USA LP on Argo 4040
Also 1964 USA 7” single on Argo 5477, B-side of “Breaking Point”)

13. Look Who’s Blue
(1964 USA 7” single on Argo 5465, Non-Album Track, B-side of Loving You More Every Day”)

14. You Can Count On Me
(From “Etta James”. 1962 USA LP on Argo 4013)

15. It Could Happen To You
(From “Sings For Lovers”. 1962 USA LP on Argo 4018)

16. Street Of Tears
(1962 USA 7” single on Argo 5418, B-side of “Stop The Wedding”)

17. Don’t Pick Me For Your Fool
(From “Call My Name”, January 1967 USA LP on Cadet 4055
Also 1967 USA 7” single on Cadet 5564, A-side)

18. Are My Thoughts With You
(From “Funk”, January 1970 USA LP on Cadet 832)

19. My Man Is Together
(From “Funk”, January 1970 USA LP on Cadet 832)

20. I’m Sorry For You
(1966 USA 7” single on Cadet 5526, Non-Album Track, B-side of “Only Time Will Tell”)

21. I Worry ‘Bout You
(From “Queen Of Soul”, 1964 USA LP on Argo 4040
Also 1963 USA 7” single on Cadet 5452, B-side to “Two Sides (To Every Story)”)

22. Let Me Know
(From “Etta James”. 1962 USA LP on Argo 4013)

23. What Fools We Mortals Are
(From “Funk”, January 1970 USA LP on Cadet 832)
24. Sweet Memories
(From “Funk”, January 1970 USA LP on Cadet 832)

The 24-page booklet is beautifully done – jam-packed with full colour plates of rarely seen album sleeves, pictured US 7” singles on Argo, Cadet and Chess, Sixties trade adverts for Cashbox and black & white publicity photos – a typically top job done by Ace. As well as the cleverly laid out pictorials - each song is broken down into properly detailed liner notes done by MICK PATRICK. The audio quality is great throughout too – full of life and presence – your speakers rattling with the bass and drums (remastering and audio restoration has been done by NICK ROBBINS and ROB SHREAD at the Sound Mastering Studios in London).

Proceedings open strongly with a brass floor-filler from 1973 called “Only A Fool”. But ‘funk’ isn’t really what’s on offer here overall (mores the pity). The not-so-aptly titled “Funk” LP from 1970 is a good example – it’s featured here by 4 tracks, but they’re pleading ballads and not kick-ass stuff the album title suggests. “What Fools We Mortals Be” and “My Man Is Together” are the better two.
Far cooler is the lone track from 1976 called “I’ve Been A Fool”. It features the ‘All Platinum’ label house band The Rimshots– and is a guitar-driven low down and dirty rock-funk tune (a great choice by compiler Mick Patrick - both as an album track and as a forgotten B-side).

As a listen, it’s a fascinating delve into the different styles her career pumped out into the public domain. There’s the crooner side of Etta in “It Could Happen To You”, a tune popularized by Jo Stafford and Dinah Washington before her. A slightly pop-country tip on “Look Who’s Blue” an old Don Gibson standard and the consummate balladeer on great unfairly forgotten B-sides like “I’m Sorry For You” and “I Worry ‘Bout You”.

Special praise has to go to Ace for the ‘previously unreleased’ nugget uncovered in some tape box somewhere “Can’t Shake It” – it may be a loner on here, but man is it good. Other highlights for me are the hard-hitting dancer “Don’t Pick Me For Your Fool” and the Stax Otis Redding sounding “Fire” – a Willie Dixon song sung originally by Koko Taylor (lyrics above).

To sum up –as a voracious collector of the Chess label, “Who’s Blue” is a winner for me. And speaking of Ace Records, they’re a little like great Woody Allen films (they come and go without enough people noticing them) - we are perhaps in danger of taking for granted how good Ace has become at these kind of compilations.

Lovely stuff and a job well done boys.

Sunday 6 March 2011

“Easy-A”. A Review Of The 2010 Film Now On A 2011 BLU RAY.

"…If You Hear A Rumour That I Have Chlamydia…Just Ignore It…"

"Easy-A" is a superb, witty and incredibly fresh coming-of-age flick with a razor-sharp script.

Olive Penderghast is an intelligent twenty-something woman (Emma Stone). Olive is articulate, grounded and quick with a retort - and definitely not a loose woman who goes with any boy behind the bike shed. In fact her virginity is still 'secretly' intact. Her best friend however is Marianne who hasn't had any part of her anatomy intact for quite some time (a scene-stealing part for Alison Michalka). Marianne has temptress hair, an ample bosom and tight blouses that show you her credentials in no uncertain terms. Possessed of a trashy mouth and practically the campus trollop, Marianne can't wait for her friend Olive to lose her cherry. So in an attempt to alleviate her constant vocal pressurizing, Olive tells Marianne that she has done 'it' at the weekend. She gives Marianne all the necessary details. Big mistake...

Next day, Olive's gay friend Brandon (Dan Byrd) hears the delicious news and is thrilled. He spots an opportunity. Brandon can't stand the pretence any more and asks Olive (in her new found waywardness) to fake making out with him so he can be accepted by all the fit hetro guys in collage. Olive agrees because she feels for Brandon. They stage a hysterically funny make out scene in a bedroom at a party with everyone listening at the door. He emerges as the male stud and hero to the lads. Soon the rumour mill starts and via the net and mobile phones, Olive attains a reputation as sleep-around-central. But then her goer status escalates, bringing down the religious nuts on her immoral ass (a great performance by Amanda Bynes) which causes Olive all sorts of grief - including even losing Todd (Penn Badgley) her childhood pal and real love. So what started out as a harmless joke in a toilet and a helping hand given to a friend in need - turns into a cottage industry that escalates out of control. It's very funny, spunky and consistently entertaining.

To hold your own as a lead in something like "Easy-A" takes real gumption and dare we say it - starpower - and Emma Stone has it. She is just gorgeous in this film - funny, playful and luminous in a way that an actress hasn't been in a very long time. It's a breakthrough part for her. Throw in a great supporting cast like Stanley Tucci (her father), Thomas Haden Church (her teacher), Patricia Clarkson (her mother), Lisa Kudrow (the collage councillor) and Malcolm McDowell (the collage Principal) to name but a few, genuinely cool jokes and one-liners and a jab or two at the tyrants who want to run our lives - and you have a winner on your hands.

The BLU RAY image is beautiful too - and there are some great extras with the cast and crew.

I loved "Easy-A" - it's young, it's funny, it's ballsy and sexy too.

Do yourself a favour and put it high on your rental/to buy list.

"The Duck" by JACKIE LEE (2010 Ace/Kent Soul 'Hip Pocket' CD Remaster in 6" Card Repro Artwork) - A Review by Mark Barry...



This review is part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"...There’s A Dance Going Around From Coast To Coast…They’re Calling It The Most…"

Back in August 2008 I did a Listmania on Amazon called "Ace Records Hip Pocket Series..." – it pictured 22 of 25 releases - 6" card repros in the British label’s eclectic and varied reissue series (covers many genres – see full list below).

This December 2010 CD of "The Duck" by JACKIE LEE on Ace/Kent Soul CDHP 032 (Barcode 0029667044226) is also on that ‘Hip Pocket’ list and features a CD transfer/remaster into a 6” Card Repro Sleeve. It plays out as follows (30:05 minutes):

1. The Duck
2. Hully Gully
3. The Shotgun And The Duck
4. Do The Temptation Walk
5. The Neighborhood
6. Land Of 1000 Dances
7. The Duck (Part 2) [Side 2]
8. Dancing In The Street
9. The Bounce
10. Do You Love Me
11. Everybody Jerk
12. Harlem Shuffle
Tracks 1 to 12 are a straightforward reissue of Jackie Lee's ultra-rare soul album called "The Duck" on Mirwood Records MW-7000. It was released in early 1966 in the USA and this 2010 CD features the original MONO tapes digitally remastered by NICK ROBBINS at Ace’s Sound Mastering studios in London. Being mid Sixties Soul and on a minor label - this is not exactly audiophile territory – but don’t let that put you off. These are the real tapes used here and the sound is just great – big, clear and full of vim and vigor.

Musically it’s wonderfully evocative stuff. The vibe is very uptempo mid-Sixties Motown – Jackie Lee’s lead vocal supporting by girly vocals, pinging vibes, brass and an incessant bass and drums backbeat – all of it done with an almost Wall-Of-Sound production. None of the tunes push past two minutes thirty seconds – they come in – do the business – and exit again. It’s proper Northern Soul territory and easy to see why Soul fans adore him on the dancefloors of the UK and Europe.

The title track on 7” was a huge hit the USA charts in December 1965 and the album charted too in February of the following year - 1966. The same irresistible beat infests "Hully Gully" (lyrics above) and as you can see from the track list, there are plenty of Atlantic and Motown covers tapping into the same territory.

The 5" card sleeve is dinky looking. The rear sleeve contains the original liner notes (not exactly readable I’m afraid) and the inner card sleeve reproduces the original Mirwood Records label on both sides (a nice touch). 

Apart from Ace's superb 2009 28-track CD "The Mirwood Records Masters", there’s been precious little of Jackie Lee in the marketplace. So if you already own that great CD, then you won’t need this. But if you don’t, then this is a very cool place to start appreciating the man’s mojo - and start practising those talcum-powder floor-filling moves…

Recommended like your baby doing the 'Temptation Walk' in hot pants...

Titles in Ace Records Mid-Price 'Hip Pocket' CD Series are:

1. DONALD AUSTIN – Crazy Legs (Ace/Westbound CDHP 016, Dec 2006)
2. THE BISHOPS – Cross Cuts (Ace/Chiswick CDWIKM 256, June 2005)
3. HADDA BROOKS – Femme Fatale (Ace CDCHM 1129, Nov 2006)
4. THE CHAMPS – Go, Champs, Go! (Ace CDCHM 1126, Sep 2006)
5. THE DAMNED – Machine Gun Etiquette (Ace/Chiswick CDHP 027, July 2007)
6. THE ESCALATORS [ex Meteors] – Moving Staircases (Ace CDHP 017, Dec 2006)
7. THE EVERLY BROTHERS – The Everly Brothers (Ace CDCHM 1127, Sep 2006)
8. FUNKADELIC – Maggot Brain (Ace/Westbound CDHP 030, Aug 2007)
9. CHUCK HIGGINS – Pachucko Hop (Ace CDHP 024, April 2007)
10. B. B. KING – The Jungle (Ace/Kent CDHP 031, Nov 2007)
11. JOHNNY MOPED – Cycledelic (Ace/Chiswick CDHP 029, Oct 2007)
12. JACKIE LEE – The Duck (Ace/Kent CDHP 032, Dec 2010)
13. LONNIE MACK – The Wham Of That Memphis Man! (Ace CDCHM 1134, Nov 2006)
14. MOTORHEAD – Motorhead [1977 Debut LP] (Ace/Chiswick CDHP 021, Oct 2007)
15. THE OLYMPICS – Something Old, Something New (Ace/Kent CDHP 018, Dec 2006)
16. THE RADIO STARS – Songs For Swinging Lovers (Ace/Chiswick CDWIKM 5, June 2006)
17. THE SONICS – Here Are The Sonics! (Ace/Big Beat CDHP 022, Feb 2007)
18. THE SONICS – The Sonics Boom (Ace/Big Beat CDHP 023, April 2007)
19. ROOSEVELT SYKES [aka 'The Honeydripper'] – Sings The Blues (Ace CDCHM 1132, Nov 2006)
20. VARIOUS – For Dancers Only [Kent's 1st Reissue LP compilation] (Ace/Kent CDHP 019, Feb 2007)
21. VARIOUS – For Dancers Also [Kent's 2nd Reissue LP compilation] (Ace/Kent CDHP 020, April 2007)
22. VARIOUS – Hollywood Rock 'n' Roll [80ts Rockabilly compilation] (Ace CDHP 026, July 2007)
23. VARIOUS – Fool's Gold [70ts Punk compilation] (Ace/Chiswick CDHP 028, August 2007)
24. LINK WRAY – Early Recordings (Ace/Chiswick CDCHM 6, June 2006
25. THE ZOMBIES – Odyssey And Oracle (Ace/Big Beat CDHP 025, June 2007)



Thursday 3 March 2011

"All About Eve" - A Review Of The 1950 Black & White Classic – Now Reissued Onto BLU RAY in 2011.

"…There Isn’t Another Like You…There Couldn’t Be…"

On 23 February 2006, 20th Century Fox issued their new "Cinema Reserve" Series on DVD in the UK. Fox’s mission-statement was to present their best back catalogue in the very best way. It some instances, this actually worked - in others it didn’t (see my review for the 1951 Sci-Fi masterpiece "The Day The Earth Stood Still" – Number 001 in the series). The list eventually petered out at Number 17 in July 2007 (“Some Like It Hot”) when the new High Definition formats began taking over and further issues seemed and were pointless.

Which brings us to this January 2011 single-disc Blu Ray reissue. Number 003 in the "Cinema Reserve" series is the 1950 black & white classic "All About Eve". It came in a 2-disc steel-tin (pictured below), had a specially shaped info-filled concertina-booklet inside, relevant extra features and a supposedly newly restored print. And this reissue simply apes the 'content' of that 2006 2DVD set completely - but without any fancy packaging or generic series name (mores the pity).


But is it any good? Yes and no. First and foremost is the PRINT itself – it claims to have been ‘restored to pristine quality’ which is just nonsense. There aren’t scratches on the negative like ruined old stock, but there are occasional lines and worse – there’s an ever-present blurring and blocking that afflicts large portions of the film. The print is good – it is - but it never really dazzles. This is not a Black & White British Film Institute clean up (“Saturday Night Sunday Morning”) or a Lowry Digital Restoration (“Roman Holiday”). As I say, just be prepared for the print to be ‘good’ rather than great…

The extras are a mixed bag – here’s what’s on offer:

1. Audio Commentary by Celeste Holm (the actress who played Karon Richards in the film), Christopher Mankiewicz (son of the Writer & Director, Joseph L. Mankiewicz) and Kenneth Geist (Author of “Pictures Will Talk” – a biography on the sixty films of Joseph L Mankiewicz)
2. Audio Commentary by Sam Staggs (author of the novel “All About Eve”)
3. 4 Movietone News Segments
(a) 1951: Academy Awards Honor Best Film Achievement (2:22 minutes)
(b) 1951: Hollywood Awards Gala Premier Of “All About Eve” (1:50 minutes)
(c) Holiday Magazine Awards (2:42 minutes)
(d) Look Magazine Awards (1:50 minutes)
4. 3 Featurettes
(a) Backstory: “All About Eve” (24 minutes)
(b) Bette Davis Interviewed by “New Week” Magazine (1 minute)
(c) Anne Baxter Interviewed by “Woman’s Home Magazine” (1 minute)
5. Original Theatrical Trailer

As you can see from the above list, you 'seem' to be offered a lot in the way of extras, but much of it is very short and very disposable. The commentaries are excellent and the main featurette - “Backstory” - tells how Joseph Mankiewicz took a short story by Mary Orr called "The Wisdom Of Eve" from a magazine and adapted it into a screenplay he initially called "Best Performance". Fox’s Darryl F. Zanuck loved it, but noticed what he thought would be a better title in the first page (he circled it) – "All About Eve".

"Backstory" then goes into how Claudia Colbert threw out her back two weeks before principal shooting and only at the last minute and with great reluctance did Zanuck call in the hated Bette Davis ("You’ll never work in this town again..."). Davis saw the genius in it immediately – agreed to do it - was as sweet as light on set - and re-launched her fading career at 41. It opened 13 October 1950 to genuine critical acclaim - eventually earning it a staggering 14 Oscar Nominations (a record only equalled by “Titanic” in 1995).
Although "All About Eve" did win 6 Oscars including the big ones – Best Picture, Screenplay and Direction - four of its actresses – Bette Davis, Anne Baxter, Celeste Holm and Thelma Ritter – were all famously nominated, but lost out on that March 1951 night. All of this and a few lines for the luminous Marilyn Monroe in an early role.

The weirdest extra is “Holiday Magazine” Awards where none of the stars showed and it seems to be hosted by some morally uptight fascist hijacking the film to stamp his own agenda on things…it has a slightly sinister big-brother feel to it. The “Look Magazine” footage is badly corrupted so the vocal track is missing much of the time – and although it contains segments with Bette Davis, Bob Hope and even Jimmy Stewart – it’s chopped and very disjointed – fascinating though.

As to the movie itself - in a world where playwrights treat actors with disdain (“It’s about time the piano realised it didn’t compose the Concerto…”) and lead actresses are treated like Goddesses (Eve’s assessment of Margo titles this review), only George Saunders caustically casts a sceptic eye over the proceedings. He plays Addison De Witt – an aristocratic theatre critic who sees right through Eve’s single-minded determination to usurp Margo’s crown and be the toast of the theatre boards. Anne Baxter plays Eve Harrington (wannabe actress) and Bette Davis plays the object of her lust – actress and beloved star Margo Channing – with Bette’s part literally being Art imitating Life. Davis is magnificent in the part.

Speaking of larger than life characters and genius, George Saunders (who won the Oscar for Best Supporting Actor) opens the film in a voice-over that goes for 4 minutes straight. Ruminating on all the principal characters in the movie (the camera pans to each sat at some dreary awards ceremony) - its quite possibly some of the best dialogue ever written - incredibly insightful stuff that would make Aaron Sorkin green with envy. And it’s biting assessments still sound relevant to this day - 61 years on.

To sum up - this is an acceptable Blu Ray reissue, but not a great one, when you can’t help but feel that such a classic deserved better.

As you’ve probably guessed - the “Cinema Reserve” issues are now being reissued by Fox one by one on Blu Ray. Personally, I’d check the reviews first ‘before’ you rush in and buy each and every one of them…(“The Hustler” has a beautiful print – “Lifeboat” is awful).

“Fasten your seatbelts. It’s going to be a bumpy night…” Betty Davis warned. She was of course right…

CINEMA RESERVE LIST of 17 DVD REISSUES (2006 to 2007)
 
For those interested, I've compiled an alphabetical list of the 17 titles (2 were cancelled) with the Series Number, Film Title, Film Release Date and finally the Cinema Reserve Release Date:

1.    Number 003: All About Eve (1950) (26 Feb 2006)
2.    Number 013: Beyond The Valley Of The Dolls (1970) (12 Feb 2007)
3.    Number 007: Butch Cassidy & The Sundance Kid (1969) (22 May 2006)
4.    Number 019: Cleopatra (due 2007, cancelled)
5.    Number 001: The Day The Earth Stood Still (1951) (26 Feb 2006)
6.    Number 009: The Fly (1986 Remake) (3 July 2006)
7.    Number 010: The Hustler (1961) (18 Sept 2006)
8.    Number 011: Kagemusha (1980) (27 Nov 2006)
9.    Number 004: Laura (1944) (27 Feb 2006)
10.  Number 005: Lifeboat (1944) (27 March 2006)
11.  Number 018: The Magnificent Seven (1960) (due 2007, cancelled)
12.  Number 016: Midnight Cowboy (18 June 2007)
13.  Number 002: My Darling Clementine (1946) (27 Feb 2006)
14.  Number 006: Patton (1970) (24 April 2006)
15.  Number 008: The Seven Year Itch (1955) (19 June 2006)
16.  Number 017: Some Like It Hot (1959) (23 July 2007)
17.  Number 012: Tora! Tora! Tora! (1970) (18 Dec 2006)
18.  Number 015: Valley Of The Dolls (1967) (14 May 2007)
19.  Number 014: The Verdict (1982) (19 March 2007)

Tuesday 1 March 2011

"Meet Joe Black". A Review Of The 1999 Film Now Reissued On A 2011 BLU RAY.



"...I Heard A Voice In My Sleep Last Night. What Did It Say?
It Said 'Yes'…"

"Meet Joe Black" is the kind of film that elicits derision and affection in equal measure - well if it’s one of your guilty pleasures – then you need to own it on BLU RAY.

I've had the now defunct HD-DVD format of Martin Brest’s 1999 movie for a while now to have the film in High Definition – and this Blu Ray reissue uses the same menus and extras. But it's the print-quality that will be the big draw here. With an aspect that fills the entire screen, the transfer is lush, detailed and a pleasure to look at practically all of the time. In short – “Meet Joe Black” is beautiful on Blu Ray...

Mixing the supernatural with romance could have been awkward and even 'silly' in places (it sometimes is - Pitt speaking jive in the hospital to a black woman who knows he’s the Grim Reaper is cringing), yet Brest has achieved an assured beauty throughout. This is a nice film in so many ways. And possibly because of its themes of death and loss and how we live our lives, it manages real warmth and a rare intelligence. The growing attraction between Claire Forlani (as Susan Parrish) and Brad Pitt (as Joe Black) is nicely set up in a café at the beginning of the film and then played out against preparations for her father’s 65th birthday in his mansion throughout the film (Death has taken over his body and is being shown around by a reluctant Hopkins). Thomas Newman’s lovely score also adds a classy feel to the film too and is used when it’s needed.

But it’s the cast that make you watch - Claire Forlani is luminously beautiful as Daddy’s ‘too busy to be in love’ daughter – she has eyes that could make most men literally lose their balance – while Anthony Hopkins as the corporate mogul William Parrish brings a sheer decency to the piece that gives it a beating heart (his dialogue above). The scene where he gets a heart attack in his office and the voice of death condescends and ridicules his advice to his daughter – is brilliant. You ‘feel’ his terror and disorientation. Throw in great supporting roles for Jake Weber as the dastardly boardroom schemer Drew, Marcia Gay Harden and Jeffrey Tambor as William’s sister Allison and his bumbling but honest friend Quince – and it zips along very nicely indeed despite its 3-hour length. Pitt is hugely impressive too - handsome, sinister, controlled and funny too. He may be eye-candy to some, but there’s real talent there – and often.

Apart from a 'Photo Montage' (still photographs of the cast and crew on location and on sets), there’s a lone extra called "Spotlight On Location" that features interviews with all the key people. It's barely 10-minutes long (and very lo-fi in terms of picture quality) but its hugely entertaining. You can literally feel the awe and affection with which Anthony Hopkins is held by the entire cast - and short as it is, the featurette provides genuine insights into why and how the movie got made.

Audio is English 5.1 with Subtitles in French and English For The Deaf And Hard Of Hearing.

“Meet Joe Black” is never going to trouble an Oscar List or be a discussion point at the next MENSA Annual General Meeting (too gushingly romantic), but for those who have been touched by its themes of enjoying life while you have it – and love getting another chance – on BLU RAY it’s a winner.

“I want to see you get swept away…” William Parrish says to his daughter. Well, now you can…

INDEX - Entries and Artist Posts in Alphabetical Order