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Welcome to Mark Barry's Review Blog - SOUNDS GOOD, LOOKS GOOD... It features in-depth reviews for Quality CD Reissues and Remasters - all with Discography Info (six times Amazon 'Hall of Fame' Reviewer). With over 2,600 posts - genres covered include Rock, Pop, Soul, Funk, Jazz Fusion, Blues, Rhythm 'n' Blues, Doo Wop, Vocal Groups, 1960s and 1970s, Prog, Psych, Folk, Blues-Rock, Goth, Punk, New Wave, 1980s, Reggae and more. I also review FILMS, TV Shows, BLU RAYS and BOOKS. Enjoy the reads...

Sunday 24 January 2016

"The Complete Stax/Volt Singles 1959-1968 (Volume 1)" by VARIOUS ARTISTS (1991 and 2016 Atlantic/Atco/Rhino 9CD Box Set Remasters) - A Review by Mark Barry...

1991 12" x 12" Original 'Jewel Case' Box Set

2003 'Jewel Case' Mini Box Set Reissue

2016 Brick-Block Mini Box Set Reissue with Card Sleeves

For Sale at Amazon UK...

"...Soul Power..."

Initially released as Volume 1 of 3 huge Box Sets covering the entire Stax/Volt singles output between 1959 and 1975 – "The Complete Stax/Volt Singles 1959-1968" originally came out as a clunky but beautiful 9CD Album-Sized 12" x 12" Box Set way back in the mists of April 1991. It was then reissued as a smaller square box with nine jewel cases in September 2003 (using the same Barcode 7567822182) - and subsequently as nine mid-priced individual volumes. But all have been deleted now for years – some even accumulating massive price tags online. Since that time 'Concord Music Group, Inc.' have acquired the Stax catalogue and that's where this January 2016 reissue comes in...

USA released 19 January 2016 (22 January 2016 in the UK) – "The Complete Stax/Volt Singles 1959-1968" by VARIOUS ARTISTS on Atlantic/Atco/Rhino 081227954666 (Barcode is the same number) is a 9CD 'Mini Box Set' Reissue containing 244-tracks (using 1991 Remasters), an 84-page booklet and plays out as follows:

Disc 1, 29-Tracks (72:48 minutes):

1. Fall In Love – THE VELTONES (September 1959, Satellite 100, A)

2. 'Cause I Love You – CARLA & RUFUS (August 1960, first Satellite 103, A - then Atco 6177, A)

3. Gee Whiz – CARLA THOMAS (November 1960, first Satellite 104, A - then Atlantic 2086, A)

4. You Make Me Feel So Good – THE CHIPS (January 1961, Satellite 105, A)

5. A Love Of My Own – CARLA THOMAS (March 1961, Atlantic 2102, A)

6. Last Night – THE MAR-KEYS (June 1961, first Satellite S107, A - then Stax 107, A)

7. I Didn't Believe – RUFUS and FRIEND (June 1961, Atco 6199, A)

8. I'm Going Home – PRINCE CONLEY (July 1961, Satellite 108, A)

9. (Mama, Mama) Wish Me Good Luck – CARLA THOMAS (August 1961, Atlantic 2113, A)

10. Morning After – THE MAR-KAYS (September 1961, Stax 112, A)

11. The Life I Live – BARBARA STEPHENS (October 1961, Stax 113, A)

12. About Noon – THE MAR-KEYS (October 1961, Stax 114, A)

13. Burnt Biscuits – THE TRIUMPHS (November 1961, Volt 100, A)

14. I Kinda Think He Does – CARLA THOMAS (November 1961, Atlantic 2132, A)

15. Foxy – THE MAR-KEYS (November 1961, Stax 115, A)

16. You Don't Miss Your Water – WILLIAM BELL (November 1961, Stax 116, A)

17. Formula Of Love – WILLIAM BELL (November 1961, Stax 116, B-side to "You Don't Miss Your Water")

18. Goofin' Off – MACY SKIPPER (November 1961, Stax 117, A – some copies list this as Stax 116 in error)

19. Wait A Minute – BARBARA STEPHENS (January 1962, Stax 118, A)

20. Sunday Jealous – NICK CHARLES (February 1962, Stax 119, A)

21. That's The Way It Is With Me – BARBARA STEPHENS (March 1962, Stax 120, A)

22. No Tears – THE TONETTES (March 1962, Volt 101, A)

23. Pop-Eye Stroll - THE MAR-KEYS (March 1962, Stax 121, A)

24. The Three Dogwoods – NICK CHARLES (April 1962, Stax 122, A)

25. Why Should I Suffer With The Blues – THE CANES (April 1962, Stax 123, A)

26. Whot's Happenin'? – THE MAR-KEYS (June 1962, Stax 124, A)

27. Just Across The Street – THE DEL-RIOS (June 1962, Stax 125, A)

28. There's A Love – THE DEL-RIOS (June 1962, Stax 125, B-side to "Just Across The Street")

29. Can't Ever Let You Go – RUFUS THOMAS (July 1962, Stax 126, A)

Disc 2, 27-Tracks (73:07 minutes):

1. Green Onions – BOOKER T & THE MGs (August 1962, Stax 127 and Volt 102, A – the only single to be released on both Stax and Volt)

2. Behave Yourself – BOOKER T & THE MGs (August 1962, Stax 127, B-side to "Green Onions")

3. Any Other Way – WILLIAM BELL (August 1962, Stax 128, A)

4. I'll Bring It Home To You – CARLA THOMAS (October 1962, Atlantic 2163, A)

5. Sack-O-Woe – THE MAR-KEYS (October 1962, Stax 129, A)

6. These Arms Of Mine – OTIS REDDING (October 1962, Volt 103, A)

7. Teardrop Sea – THE TONETTES (November 1962, Volt 104, A)

8. The Dog – RUFUS THOMAS (January 1963, Stax 130, A)

9. Jelly Bread – BOOKER T & THE MGs (January 1963, Stax 131, A)

10. I Told You So – WILLIAM BELL (January 1963, Stax 132, A)

11. Bo-Time – THE MAR-KEYS (January 1963, Stax 133, A)

12. Home Grown – BOOKER T & THE MGs (February 1963, Stax 134, A)

13. My Imaginary Guy – DEANIE PARKER & THE VALADORS (February 1963, Volt 105, A)

14. Just As I Thought – WILLIAM BELL (February 1963, Volt 135, A)

15. What A Fool I've Been – CARLA THOMAS (April 1963, Atlantic 2189, A)

16. The Hawg, Part 1 – EDDIE KIRK (May 1963, Volt 106, A)

17. Don’t Be Afraid Of Love – OSCAR MACK (May 1963, Volt 107, A)

18. That’s My Guy – CHERYL & PAM JOHNSON (June 1963, Stax 136, A)

19. Chinese Crackers – BOOKER T & THE MGs (June 1963, Stax 137, A)

20. Somebody Mentioned Your Name – WILLIAM BELL (June 1963, Stax 138, A)

21. What Can I Do – BOBBY MARCHAN (June 1963, Volt 108, A)

22. That's What My Heart Needs – OTIS REDDING (June 1963, Volt 109, A)

23. What Can It Be – THE ASTORS (July 1963, Stax 139, A)

24. Bango – BILLY & THE KING BEES (September 1963, Volt 110, A)

25. Them Bones – EDDIE KIRK (September 1963, Volt 111, A)

26. Walking The Dog – RUFUS THOMAS (September 1963, Stax 140, A)

27. I'll Show You – WILLIAM BELL (September 1963, Stax 141, A)

Disc 3, 28-Tracks (73:41 minutes):

1. Pain In My Heart – OTIS REDDING (September 1963, Volt 112, A)

2. Gee Whizz, It's Christmas – CARLA THOMAS (November 1963, Atlantic 2212, A)

3. Mo' Onions – BOOKER T & THE MGs (December 1963, Stax 142, A)

4. Frog Stomp – FLOYD NEWMAN (December 1963, Stax 143, A)

5. Can Your Monkey Do The Dog – RUFUS THOMAS (January 1964, Stax 144, A)

6. You Won't Do Right – BOBBY MARCHAN (January 1964, Volt 113, A)

7. Wondering (When My Love Is Coming Home) – THE DRAPELS (January 1964, Volt 114, A – some copies mistakenly credit this as Volt 113)

8. Each Step I Take – DEANIE PARKER (January 1964, Volt 115, A)

9. The Honeydripper – THE VAN-DELLS (January 1964, Stax 145, A)

10. Who Will It Be Tomorrow – WILLIAM BELL (February 1964, Stax 146, A)

11. Come To Me – OTIS REDDING (February 1964, Volt 116, A)

12. Don't Leave Me This Way – OTIS REDDING (February 1964, Volt 116, B-side of "Come To Me")

13. I Don't Want You Anymore – EDDIE JEFFERSON (February 1964, Stax 147, A)

14. Restless – THE COBRAS (March 1964, Stax 148, A)

15. Somebody Stole My Dog – RUFUS THOMAS (March 1964, Stax 149, A)

16. Big Party – BARBARA & THE BROWNS (March 1964, Stax 150, A)

17. That's Really Some Good – RUFUS and CARLA (April 1964, Stax 151, A)

18. Night Time Is The Right Time – RUFUS and CARLA (April 1964, Stax 151, B-side of "That's Really Some Good")

19. Security – OTIS REDDING (April 1964, Volt 117, A)

20. Dream Girl – OSCAR MACK (May 1964, Stax 152, A)

21. Closer To My Baby – DOROTHY WILLIAMS (June 1964, Volt 118, A)

22. I've Got No Time To Lose – CARLA THOMAS (July 1964, Atlantic 2238, A)

23. Young Man – THE DRAPELS (July 1964, Volt 119, A)

24. Soul Dressing – BOOKER T & THE MGs (July 1964, Stax 153, A)

25. After Laughter (Comes Tears) – WENDY RENE (August 1964, Stax 154, A)

26. Can't Explain How It Happened – IVORY JOE HUNTER (August 1964, Stax 155, A)

27. Bush Bash – THE MAR-KEYS (August 1964, Stax 156, A)

28. Please Return To Me – THE FLEETS (August 1964, Volt 120, A)

Disc 4, 27-Tracks (70:51 minutes):

1. Jump Back – RUFUS THOMAS (September 1964, Stax 157, A)

2. Chained And Bound – OTIS REDDING (September 1964, Volt 121, A)

3. In My Heart – BARBARA & THE BROWNS (September 1964, Stax 158, A)

4. Spunky – JOHNNY JENKINS (October 1964, Volt 122, A)

5. Bar B-Q – WENDY RENE (November 1964, Stax 159, A)

6. The Sidewalk Surf – THE MAD LADS (November 1964, Stax 160, A)

7. Can't Be Still – BOOKER T & THE MGs (November 1964, Stax 161, A)

8. A Woman's Love – CARLA THOMAS (November 1964, Atlantic 2258, A)

9. Yank Me – THE BARACUDAS (December 1964, Volt 123, A)

10. That's How Strong My Love Is – OTIS REDDING (December 1964, Volt 124, A)

11. Mr. Pitiful – OTIS REDDING (December 1964, Volt 124, B-side of "That's How Strong My Love Is")

12. Don't Let Her Be Your Baby – THE DEL-RAYS (January 1965, Stax 162, A)

13. Can't See You When I Want To – DAVID PORTER (January 1965, Stax 163, A)

14. My Lover – BARBARA & THE BROWNS (January 1965, Stax 164, A)

15. Got You On My Mind – THE ADMIRALS (February 1965, Volt 125, A)

16. How Do You Quit (Someone You Love) – CARLA THOMAS (February 1965, Atlantic 2272, A)

17. Biggest Fool In Town – GORGEOUS GEORGE (February 1965, Stax 165, A)

18. Banana Juice – THE MAR-KEYS (February 1965, Stax 166, A)

19. Little Sally Walker – RUFUS THOMAS (February 1965, Stax 167, A)

20. A Place Nobody Can Find – SAM & DAVE (March 1965, Stax 168, A)

21. Goodnight Baby – SAM & DAVE (March 1965, Stax 168, B-side to "A Place Nobody Can Find")

22. Boot-Leg – BOOKER T & THE MGs (April 1965, Stax 169, A)

23. Outrage – BOOKER T & THE MGs (April 1965, Stax 169, B-side of "Boot-Leg")

24. I've Been Loving You Too Long (To Stop Now) – OTIS REDDING (April 1965, Volt 126, A)

25. I'm Depending On You – OTIS REDDING (April 1965, Volt 126, B-side of "I've Been Loving You Too Long (To Stop Now)")

26. Candy – THE ASTORS (May 1965, Stax 170, A)

27. Give What You Got – WENDY RENE (May 1965, Stax 171, A)

Disc 5, 27-Tracks (72:30 minutes):

1. Stop! Look What You’re Doing – CARLA THOMAS (May 1965, Stax 172, A)

2. Willy Nilly – RUFUS THOMAS (June 1965, Stax 173, A)

3. Don't Have To Shop Around – THE MAD LADS (July 1965, Volt 127, A)

4. Crying All By Myself – WILLIAM BELL (July 1965, Stax 174, A)

5. I Take What I Want – SAM & DAVE (August 1965, Stax 175, A)

6. When You Move You Lose – RUFUS and CARLA (August 1965, Stax 176, A)

7. Respect – OTIS REDDING (August 1965, Volt 128, A)

8. Make It Me – THE PREMIERS (September 1965, Stax 177, A)

9. The World Is Round – RUFUS THOMAS (September 1965, Stax 178, A)

10. In The Twilight Zone – THE ASTORS (September 1965, Stax 179, A)

11. Blue Groove – SIR ISAAC & THE DO-DADS (November 1965, Volt 129, A)

12. You Don’t Know Like I Know – SAM & DAVE (November 1965, Stax 180, A)

13. Grab This Thing (Part 1) – THE MAR-KEYS (November 1965, Stax 181, A)

14. Be My Lady – BOOKER T & THE MGs (November 1965, Stax 182, A)

15. Comfort Me – CARLA THOMAS (December 1965, Stax 183, A)

16. I Can't Turn You Loose – OTIS REDDING (December 1965, Volt 130, A)

17. Just One More Day – OTIS REDDING (December 1965, Volt 130, B-side to "I Can't Turn You Loose")

18. I Want Someone – THE MAD LADS (January 1966, Volt 131, A)

19. Birds & Bees – RUFUS and CARLA (January 1966, Stax 184, A)

20. Philly Dog – THE MAR-KEYS (January 1966, Stax 185, A)

21. I Had A Dream – JOHNNIE TAYLOR (February 1966, Stax 186, A)

22. Satisfaction – OTIS REDDING (February 1966, Volt 132, A)

23. Things Get Better – EDDIE FLOYD (March 1966, Stax 187, A)

24. I'll Run Your Hurt Away – RUBY JOHNSON (March 1966, Volt 133, A)

25. Hot Dog – THE FOUR SHELLS (March 1966, Volt 134, A)

26. Let Me Be Good To You – CARLA THOMAS (March 1966, Stax 188, A)

27. Hold On I'm Comin' – SAM & DAVE (March 1966, Stax 189, A)

Disc 6, 25-Tracks (71:23 minutes):

1. Laundromat Blues – ALBERT KING (April 1966, Stax 190, A)

2. Sugar Sugar – THE MAD LADS (April 1966, Volt 135, A)

3. Share What You Got (But Keep What You Need) – WILLIAM BELL (May 1966, Stax 191, A)

4. Marching Off To War – WILLIAM BELL (May 1966, Stax 191, B-side to "Share What You Got (But Keep What You Need)")

5. My Lover's Prayer – OTIS REDDING (May 1966, Volt 136, A)

6.Your Good Thing (It's About To End) – MABLE JOHN (May 1966, Stax 192, A)

7. I Got To Love Somebody's Baby – JOHNNIE TAYLOR (June 1966, Stax 193, A)

8. I Want A Girl – THE MAD LADS (June 1966, Volt 137, A)

9. Knock On Wood – EDDIE FLOYD (July 1966, Stax 194, A)

10. B-A-B-Y – CARLA THOMAS (July 1966, Stax 195, A)

11. My Sweet Potato – BOOKER T & THE MGs (July 1966, Stax 196, A)

12. Booker-Loo – BOOKER T & THE MGs (July 1966, Stax 196, B-side of "My Sweet Potato")

13. Oh, Pretty Woman – ALBERT KING (August 1966, Stax 197, A)

14. Said I Wasn't Gonna Tell Nobody – SAM & DAVE (August 1966, Stax 198, A)

15. Never Like This Before – WILLIAM BELL (September 1966, Stax 199, A)

16. Fa-Fa-Fa-Fa-Fa (Sad Song) – OTIS REDDING (September 1966, Volt 138, A)

17. Patch My Heart – THE MAD LADS (September 1966, Volt 139, A)

18. Sister’s Got A Boyfriend – RUFUS THOMAS (September 1966, Stax 200, A)

19. Come To Me My Darling – RUBY JOHNSON (October 1966, Volt 140, A)

20. When My Love Comes Down – RUBY JOHNSON (October 1966, Volt 140, B-side to "Come To Me My Darling")

21. Try A Little Tenderness – OTIS REDDING (November 1966, Volt 141, A)

22. Crosscut Saw – ALBERT KING (November 1966, Stax 201, A)

23. Little Bluebird – JOHNNIE TAYLOR (November 1966, Stax 202, A)

24. Toe Hold – JOHNNIE TAYLOR (November 1966, Stax 202, B-side to "Little Bluebird")

25. Jingle Bells – BOOKER T & THE MGs (November 1966, Stax 203, A)

Disc 7, 26-Tracks (69:54 minutes):

1. You Got Me Hummin' – SAM & DAVE (November 1966, Stax 204, A)

2. You're Taking up Another Man's Place – MABLE JOHN (November 1966, Stax 205, A)

3. All I Want For Christmas Is You – CARLA THOMAS (November 1966, Stax 206, A)

4. Please Uncle Sam (Send Back My Man) – THE CHARMELS (November 1966, Volt 142, A)

5. Something Good (Is Gong To Happen To You) – CARLA THOMAS (January 1967, Stax 207, A)

6. Raise Your Hand – EDDIE FLOYD (January 1967, Stax 208, A)

7. Ain't That Loving You (For More Reasons Than One) – JOHNNIE TAYLOR (January 1967, Stax 209, A)

8. I Don't Want To Lose Your Love – THE MAD LADS (January 1967, Volt 143, A)

9. When Something Is Wrong With My Baby – SAM & DAVE (January 1967, Stax 210, A)

10. Let Me Down Slow – BOBBY WILSON (January 1967, Volt 144, A)

11. Hip Hug-Her – BOOKER T & THE MGs (February 1967, Stax 211, A)

12. Everybody Loves A Winner – WILLIAM BELL (March 1967, Stax 212, A)

13. Mini-Skirt Minnie – SIR MACK RICE (March 1967, Stax 213, A)

14. When Tomorrow Comes – CARLA THOMAS (March 1967, Stax 214, A)

15. The Spoiler – EDDIE PURRELL (April 1967, Volt 145, A)

16. I Love You More Than Words Can Say – OTIS REDDING (March 1967, Volt 146, A)

17. If I Ever Needed Love (I Sure Do Need It Now) – RUBY JOHNSON (April 1967, Volt 147, A)

18. Same Time, Same Place – MABLE JOHN (April 1967, Stax 215, A)

19. Tramp – OTIS and CARLA (April 1967, Stax 216, A)

20. Soul Finger – THE BAR-KEYS (April 1967, Volt 148, A)

21. Knucklehead – THE BAR-KEYS (April 1967, Volt 148, B-side to "Soul Finger")

22. Shake – OTIS REDDING (April 1967, Volt 149, A)

23. Born Under A Bad Sign – ALBERT KING (May 1967, Stax 217, A)

24. Soothe Me – SAM & DAVE (May 1967, Stax 218, A)

25. I Can't Stand Up – SAM & DAVE (May 1967, Stax 218, B-side to "Soothe Me")

26. Don’t Rock The Boat – EDDIE FLOYD (May 1967, Stax 219, A)

Disc 8, 28-Tracks (76:03 minutes):

1. My Inspiration – THE MAD LADS (June 1967, Volt 150, A)

2. Love Sickness – SIR MACK RICE (June 1967, Stax 220, A)

3. Sophisticated Sissy – RUFUS THOMAS (June 1967, Stax 221, A)

4. I'll Always Have Faith In You – CARLA THOMAS (May 1967, Stax 222, A)

5. How Can You Mistreat The One You Love – JEANNE & THE DARLINGS (June 1967, Volt 151, A)

6. Love Is A Doggone Good Thing – EDDIE FLOYD (June 1967, Stax 223, A)

7. Groovin' – BOOKER T & THE MGs (June 1967, Stax 224, A)

8. Slim Jenkin's Place - BOOKER T & THE MGs (June 1967, Stax 224, B-side to "Groovin'")

9. Glory Of Love – OTIS REDDING (June 1967, Volt 152, A)

10. I'm A Big Girl Now – MABLE JOHN (July 1968, Stax 225, A)

11. Wait You Dog - MABLE JOHN (July 1968, Stax 225, B-side to "I'm A Big Girl Now")

12. You Can't Get Away From It – JOHNNIE TAYLOR (July 1967, Stax 226, A)

13. Eloise (Hang On In There) – WILLIAM BELL (July 1967, Stax 227, A)

14. Knock On Wood – OTIS and CARLA (July 1968, Stax 228, A)

15. I'm Glad To Do It – C.L. BLAST (July 1967, Stax 229, A)

16. Double Up - C.L. BLAST (July 1967, Stax 229, B-side to "I'm Glad To Do It")

17. You Can't Run Away From Your Heart – JUDY CLAY (August 1967, Stax 230, A)

18. I’ll Gladly Take You Back – THE CHARMELS (August 1967, Volt 153, A)

19. Soul Man – SAM & DAVE (August 1967, Stax 231, A)

20. Daddy Didn't Tell Me – THE ASTORS (September 1967, Stax 232, A)

21. Give Everybody Some – THE BAR-KEYS (September 1967, Volt 154, A)

22. On A Saturday Night – EDDIE FLOYD (September 1967, Stax 233, A)

23. Don't Hit Me No More – MABLE JOHN (September 1967, Stax 234, A)

24. Somebody's Sleeping In My Bed – JOHNNIE TAYLOR (November 1967, Stax 235, A)

25. Winter Snow – BOOKER T & THE MGs (December 1967, Stax 236, A)

26. Everyday Will Be Like A Holiday – WILLIAM BELL (November 1967, Stax 237, A)

27. What'll I Do For Satisfaction – JOHNNY DAYE (November 1967, Stax 238, A)

28. Pick Up The Pieces – CARLA THOMAS (December 1967, Stax 239, A)

Disc 9, 27-Tracks (71:55 minutes):

1. Down Ta My House – RUFUS THOMAS (December 1967, Stax 240, A)

2. As Long As I've Got You – THE CHARMELS (December 1967, Volt 155, A)

3. Soul Girl – JEANNE & THE DARLINGS (December 1967, Volt 156, A)

4. Cold Feet – ALBERT KING (December 1967, Stax 241, A)

5. I Thank You – SAM & DAVE (January 1968, Stax 242, A)

6. Wrap It Up – SAM & DAVE (January 1968, Stax 242, B-side to "I Thank You")

7. (Sittin' On) The Dock Of The Bay – OTIS REDDING (January 1968, Volt 157, A)

8. Don't Pass Your Judgement – MEMPHIS NOMADS (January 1968, Stax 243, A)

9. Lovey Dovey – OTIS and CARLA (January 1968, Stax 244, A)

10. I Got A Sure Thing – OLLIE & THE NIGHTINGALES (February 1968, Stax 245, A)

11. Big Bird – EDDIE FLOYD (February 1968, Stax 246, A)

12. A Hard Day's Night – THE BAR-KAYS (February 1968, Volt 158, A)

13. Next Time – JOHNNIE TAYLOR (February 1968, Stax 247, A)

14. A Tribute To A King – WILLIAM BELL (March 1968, Stax 248, A)

15. Every Man Oughta Have A Woman – WILLIAM BELL (March 1968, Stax 248, B-side to "A Tribute To A King")

16. Able Mable – MABLE JOHN (March 1968, Stax 249, A)

17. The Memphis Train – RUFUS THOMAS (March 1968, Stax 250, A)

18. I Think I Made A Boo Boo – RUFUS THOMAS (March 1968, Stax 250, B-side to "The Memphis Train")

19. What Will Later On Be Like – JEANNE & THE DARLINGS (March 1968, Volt 159, A)

20. Hang Me Now - JEANNE & THE DARLINGS (March 1968, Volt 159, B-side to "What Will Later Be Like")

21. Soul Power – DEREK MARTIN (March 1968, Volt 160, A)

22. Bring Your Love Back To Me – LINDA LYNDELL (March 1968, Volt 161, A)

23. A Dime A Dozen – CARLA THOMAS March 1968, Stax 251, A)

24. Whatever Hurts You – THE MAD LADS (April 1968, Volt 162, A)

25. The Happy Song (Dum-Dum) – OTIS REDDING (April 1968, Volt 163, A)

26. (I Love) Lucy – ALBERT KING (April 1968, Stax 252, A)

27. I Ain't Particular – JOHNNIE TAYLOR (April 1968, Stax 253, A)

TOTAL NUMBER OF SINGLES ON EACH LABEL:

Atco and Atlantic 12, Satellite 7, Stax 158 and Volt 71

NOTE: Although there are 244 songs on this box set there were 248 singles released because 4 appeared on two labels - "Green Onions" on both Stax and Volt Records and the first three Satellite 7" single releases (Disc 1) also came out on Atco, Atlantic and Stax 45s.

Crazy as it sounds – this 2016 'Brick Block' reissue is so much prettier and easier to handle/shelf than its two bulky predecessors. Admittedly the 'reduced' print in the 84-page mini booklet can be hard to read at times and clearly looks like an acceptable copy (with the Discography between Pages 49 and 80 looking particularly anaemic). But its all here and that's cool by me. In fact compiler ROB BOWMAN's essay on the formative years of Stax (Pages 1 to 47) still remains a crucial read for fans of Soul Music. The cool-looking Black & Silver artwork on the cover of the box is on each CD and that lovely pale blue and red 'Stax/Volt' logo is carried over onto the box beneath that holds the CD and booklet (a nice touch)...

The AUDIO REMASTERS done in 1991 at DigiPrep by Rhino's most trusted Engineers BILL INGLOT and DAN HERSCH still stand up and don’t appear to have been touched or enhanced. I'd have to admit that In 2016 I've heard 'better' on many other compilations (Ace, Bear family) - so it's a shame that a newer polish wasn't given - but I'd still say that what you do get is great...

Disc 1 opens with the Vocal Group and Guitars of The Veltones followed by Staxs earliest superstars – Rufus and Carla Thomas – both sounding clean as a whistle. Hits begin with Carla's "Gee Whiz" and the stunning instrumental "Last Night" by The Mar-Keys – easily one of the coolest tunes of the early 60ts. But rarity and deep Soul fans will dig the three entries from Barbara Stephens who wrote all her own songs (even if she did sing a tad off key). Speaking of obscure – The Tonettes, Macy Skipper, The Triumphs and The Canes are not exactly names that roll off even the most experienced musical tongue – but each is superb in its own way (why wasn't the utterly cool instrumental "Burnt Biscuits" by The Triumphs (penned by Mort Shuman) a huge hit?). Speaking of things inexplicable - the Memphis blues singer Prince Conley (not to be confused with Arthur) puts in a blinding original on "I'm Going Home" - which is also the first session in the summer of 1961 that Steve Cropper remembers playing on as Stax's go-to session guitarist. Even the Vocal Group double entry from The Del-Rios (one smoocher, one bopper) is wickedly good. The Nick Charles entry "The Three Dogwoods" is holy-roller schlock of the worst kind and best forgotten...better is the brilliantly clever "Goofin' Off" by Macy Skipper where two hip dudes speed-rattle off venues, adverts and street jive. You may not be able to make much of the hipster rhymes out as they fly past - but its both very funny and very cool...

Disc 2 sees some Stax monsters – Booker T’s instrumental masterpiece and the coolest song in the known Universe "Green Onions" (the only tune in their catalogue that was released on both Stax and Volt and the label's first R&B No. 1), Otis Redding's tear-your-heart-out torch ballad "These Arms Of Mine" and the witty canine yelp of Rufus Thomas' dancefloor shuffler "Walking The Dog". Carla Thomas also hit decent chart placing with "I'll Bring It Home To You" (R&B 9, Pop 41) and "What A Fool I've Been" (R&B 28, Pop 91). Rarities include the Pop/Soul of Deanie Parker & The Valadors, the identikit Otis Redding vibe of Oscar Mack's "Don't Be Afraid Of Love" and the vocal group smooch of The Astors on the lovely "What Can It Be" (their first Stax 45 and a listed rarity at $100+). Personal poison goes to the jerky "Them Bones" by Eddie Kirk (wicked harmonica solo half way through) and the sweet girly Northern Soul vibe to "Teardrop Sea" by The Tonettes.

Disc 3 sees the first appearance of the ultra rare and obscure Wendy Rene sides that only appeared on the digital format in 2012 on Light In The Attic's superb CD compilation "After Laughter Comes Tears: Complete Stax Singles 1964-65..." Other hidden gems on Volume 3 also include cool instrumentals like the footpoundin' keyboard chug of "Frog Stomp” by Floyd Newman, The Van-Dells doing a saxophone version of the Joe Liggins R&B classic "The Honeydripper" and Cobra getting all Ike & Tina Turner funky on "Restless". The 'you can't be true' Albert King-style pleader "You Won't Do Right" by Bobby Marchan is excellent and I've a soft spot for the slow piano blues of "Can't Explain How It Happened" by Atlantic's 50ts R&B star Ivory Joe Hunter.

Disc 4 is the first showing for Sam & Dave with the superb double-whammy of "A Place Nobody Can Find" b/w "Goodnight Baby" (February 1965 on Stax 168) and April 1965 gave Stax their highest chart placing with Otis Redding's sublime "I've Been Loving You Too Long (To Stop Now)" at No. 2 on the R&B charts since "Green Onions" way back in 1961 hit the top. More nuggets on Volume 4 include the slick groove of "Jump Back" by Rufus Thomas where he's hitting an intruder on the head with a rolling pin - while Johnny Jenkins goes all Link Wray guitar-mad on the aptly titled "Spunky". While the audio on Jenkins might be a bit rough – there's no such problem on the Slo Soul of "A Woman's Love" by Carla Thomas or Otis Redding's monumental "That's How Strong My Love Is". The ultra rare "Got You On My Mind" by The Admirals is clearly dubbed from a disc but the heartbreaker "Biggest Fool In Town" by Gorgeous George boasts fabulous presence as he croaks his way through his 'being used' misery. "Candy" by The Astors will be a truly lovely discovery for most too. Brill also to have those rare non-album danceable B-sides - "Outrage" by Booker T & The MGs and "I'm Depending On You" by Otis Redding...what winners...

Disc 5 features more monsters of the genre – "Respect" by Otis Redding (a No. 4 R&B hit in August 1965) and the sophisticated Vocal Group Soul of The Mad Lads on their beautiful "Don't Have To Shop Around" (No. 11 R&B). It's amazing to think that something as sweet as Carla Thomas' "Stop! Look What You're Doin'" didn't score higher than No. 30 R&B for the first lady of Soul. Equally as affecting is "Crying All By Myself" from William Bell – here in powerfully emotive clarity. Hidden nuggets include the trumpet slick of George Hudson on the wickedly cool "Blue Groove" (The Do-Dads were part of Sir Isaac Hayes' backing band) and I've always loved Sam & Dave's infectious "I Take What I Want" covered to amazing affect by Rory Gallagher in a Rock-Soul mode on his 1975 album "Against The Grain" (a regular show-stopper at 'The Grove' dance I used to frequent in 1970s Dublin). Northern Soul fans will spread the talcum powder for "In The Twilight Zone" from The Astors, "Philly Dog" by The Mar-Keys and the decidedly groovy "Things Get Better" by Eddie Floyd – then swoon during the slow sets to the wonderful "Comfort Me" by Carla Thomas and tremble along with the quivering vocals of "I Want Someone" by The Mad Lads...

Disc 6 opens with the heavy-hitting guitar of Albert King on "Laundromat Blues" only to flow into the Pop/Soul of "Sugar Sugar" by The Mad Lads – a rare sickly-sweet miss for this classy act. The William Bell double entry puts his relationship advice of "Share What You Got (But Keep What You Need)" on the A-side with a plea to the youth to not be dumb and go "Marching Off To War" on the flip (Stax flexing its social conscience in May 1966 when the Draft and Vietnam loomed large over the young population). I've always loved Mable John's torch song "Your Good Thing (It's About To End)" on Stax 192 from May 1966 which Bonnie Raitt did a superlative version of on her 1979 Warner Brothers LP "The Glow" (a total winner written by Stax's secret songwriting weapons - Isaac Hayes and David Porter). Another lesser-heard slugger on here is Johnnie Taylor's excellent rasp on "Little Bluebird" - while the disc ends on Booker T's derivative and cheesy “Jingle Bells” – a merry jangle best left in the stocking...

Disc 7 opens with one of many Sam & Dave hits – where one minute their bopping with excitement on "You Got Me Hummin'" then they're worried deep about their gals on the fab "When Something Is Wrong With My Baby" – surely the very definition of a Soul Torch Ballad. Bobby Wilson gets a rare outing on the corking mid-tempo "Let Me Down Slow". Booker T and his merry band of MGs once again show their uncanny knack for penning an utterly brill/cool instrumental - and even give the groovy little sucker a catchy name like "Hip Hug-Her". The same cool applies to the wonderfully titled "Mini-Skirt Minnie" – where Miss Minster is driving the boys wild with some very short apparel. Rarity collectors will love "The Spoiler" – a very 60ts Soul bopper by Eddie Purrell (written by the MGs Booker T. Jones and Donald "Duck" Dunn) while Southern Soul nuts will warm to Mabel John's smoocher "Same Time Same Place". And what can you say about the fabulous boogie of "Born Under A Bad Sign" – Albert King with hard luck and trouble as his only friends. I've also loved Sam & Dave's cover of Sam Cooke's "Soothe Me" on the A with the incendiary "I Can't Stand Up For Falling Down" on the B (another gem from the pens of Homer Banks and Allen Jones – hell I even like the Elvis Costello cover version of it on his 1980 "Get Happy!" LP). I'd admit though that the Duncan Cowell remaster of "I Can't Stand Up..." on the 2008 Ace Records 3CD Box Set "Take Me To The River..." is infinitely better than what's on offer here. Disc 7 sleeks out with "Don't Rock The Boat" – a guitar Soul bopper that deserved better that a No. 98 Pop chart position...

Disc 8 throws up an impressive array of hits as Stax opened up their release throttle. Otis and Carla shared vocal jabs on their cover of Eddie Floyd's "Knock On Wood" while Sam & Dave hit the No. 1 R&B spot with the irrepressible "Soul Man" in August 1967. Otis Redding's "(Sittin' On) The Dock Of The Bay" made for a belated No. 1 after his awful loss (a body blow to Stax and the Soul World). In-between we get lesser-known gems like the Motown dancer "How Can You Mistreat The One You Love" from Jeanne & The Darlings, the "...I wanna share..." smooch of "I'm Glad To Do It" by C.L. Blast and the 60ts Rock-Soul of "What'll I Do For Satisfaction" – a fabulous Doors-like groover from Johnny Daye where he wonders what happens when his baby is finally gone (my heart bleeds for the chap). By June 1967 (the exact week The Beatles release "Sgt. Peppers" around the world) - Rufus Thomas is already talking of 'Discotheques' that contain 'groovy chicks' in "Sophisticated Sissy" - while Booker T only wants to piano-boogie down at "Slim Jenkin's Place" (another instrumental winner from the kings of dancefloor filling). Northern Soul enthusiasts will love the genuinely infectious dancers "How Can You Mistreat The One You Love" by Jeanne & The Darlings and "Eloise (Hang On In There)" by William Bell...and women's emergence from the shadows of bad relationships in "I'm A Big Girl Now" sung by a genuinely moved Mable John. Love the pure Soul of Judy Clay's "You Can't Run Away From Your Heart" – a fantastic 'done me wrong' song that she sings like her sanity depends on it...and the piano-led seasonal instrumental "Winter Snow" by Booker T & The MGs will shock most with its beauty...

NIGGLES versus PLUSES:

There’s a central weak point that applies to all three of these mammoth sets. It doesn’t take a genius to work out that of the 244 tracks on here – almost all are 'A-SIDES'. Huge wads of the B-sides were non-album tracks and in the age of the 45's dominance - Stax's quality control machine tried their damnedest to keep the standard of the flip-side up to the highs of the Radio-Plug on the A. So it’s a damn shame there aren’t more of those precious flips on this box (or Volume 2 and 3 for that matter). Also when you think of an obscure group like say THE ASTORS who produced only four 45s on Stax between 1963 and 1967 (139, 170, 179 and 232) – each is a nugget and beloved of collectors. There was in my opinion room on these sets for the flip-sides to a group that will probably never get a CD all to their own. You could of course argue this for so many acts on here (it's a hole worth mentioning in an otherwise wall of pure class - another set of 3 box sets beckons methinks). And on the AUDIO FRONT - I'd admit that some of these 1991 transfers have been much bettered on subsequent compilations – especially in the last ten years which has seen an explosion of Soul CD reissues from quality labels like Ace, Edsel, Raven, Rhino, Big Break Records, Light in The Attic and Hip-O Select (to name but a few). But I’d still argue that what you get here on Volume 1 for your three ten-spots is little short of astonishing – and may indeed be the best value Soul Box set 'ever'.

Volume 2 and 3 in the ‘Complete Stax Singles’ series (9 and 10CDs for each) originally turned up in 1993 and 1994 – and I’ve reviewed in detail their ‘mini box set’ reissues by Concord Music in December 2014 and March 2015. How cool is it in January 2016 to finally add the ‘granddaddy’ of them all 'Volume 1' to those other two on my fat and funky Soul shelves (yum yum).

Influential, sexy and hard-hitting Real Soul – 'Stax Records' was all of these things and more. And in truth I’ve loved this blinding little groover of a mini box set far more than is legal. Genius y’all...and then some...

PS: See also my in-depth reviews of Volume 2 and 3 - reissued in December 2014 and March 2015...

This review (and Volume 2 and 3) are part of my SOUNDS GOOD Music Book Series. One of those reference source titles is SOUL, FUNK & JAZZ FUSION - an E-Book with over 240 entries and 2200 e-Pages on Exceptional CD Remasters you need to know about. Purchase it on Amazon at the link below and search any artist or song - label - catalogue number - huge amounts of info taken directly from the discs (no cut and paste crap).

Friday 22 January 2016

"The Look Of Love: The Burt Bacharach Collection" by BURT BACHARACH (1998 USA and UK Rhino 3CD Remasters - Original 'Long Book' Version) - A Review by Mark Barry...

"...Let The Music Play..."

A veritable feast on the ears and eyes – this original US and UK 'long book' version from 1998 with 3CDs was superseded by the much cheaper 2010 card-slipcase reissue/variant – and has subsequently become something of a collector's item. It's especially difficult finding one without the notoriously easy-to-scuff outer plastic slipcase scraped to bits or even cracked on the sides. There's a mountain of stuff on here - so let's get to the Alfie cocktails, San Jose shimmy-shakers and Casino Royale suburban heartaches...

USA released November 1998 (December 1998 in the UK) – "The Look Of Love: The Burt Bacharach Collection" by BURT BACHARACH (featuring Various Artists) on Rhino R2 75339 (Barcode 081227533922) is a 75-track 3-CD 'Long Book' Set of Remasters and plays out as follows:

All catalogue numbers listed below are US 7" singles unless otherwise stated - preceded by the US release date:

Disc 1, 26-Tracks (70:55 minutes):
1. The Story Of My Life – MARTY ROBBINS (November 1957, Columbia 41013)
2. Magic Moments – PERRY COMO (January 1958, RCA Victor 7128)
3. The Blob – THE FIVE BLOBS (September 1958, Columbia 41250)
4. Please Stay – THE DRIFTERS (May 1961, Atlantic 2105)
5. I Wake Up Crying – CHUCK JACKSON (August 1961, Wand 110)
6. Tower Of Strength – GENE McDANIELS (September 1961, Liberty 55371)
7. Baby It's You – THE SHIRELLES (December 1961, Scepter 1227)
8. Mexican Divorce – THE DRIFTERS (February 1962, Atlantic 2134)
9. The Man Who Shot Liberty Valance – GENE PITNEY (April 1962, Musicor 1020)
10. Any Day Now (My Wild Beautiful Bird) – CHUCK JACKSON (April 1962, Wand 122)
11. Make It Easy On Yourself – JERRY BUTLER (June 1962, Vee Jay 451)
12. I Just Don't Know What To Do With Myself – TOMMY HUNT (August 1962, Scepter 1236)
13. It's Love That Really Counts (In The Long Run) – THE SHIRELLES (August 1962, Scepter 1237)
14. Only Love Can Break Your Heart – GENE PITNEY (August 1962, Musicor 1022)
15. (There Goes) The Forgotten Man – JIMMY RADCLIFFE (September 1962, Musicor 1024)
16. Don't Make Me Over – DIONNE WARWICK (November 1962, Scepter 1239)
17. Let The Music Play – THE DRIFTERS (March 1963, Atlantic 2182)
18. Blue On Blue – BOBBY VINTON (May 1963, Epic 9593)
19. True Love Never Runs Smooth – GENE PITNEY (June 1963, Musicor 66063)
20. Blue Guitar – RICHARD CHAMBERLAIN (September 1963, MGM 13170)
21. Reach Out For Me – LOU JOHNSON (July 1963, Big Top 3153)
22. Twenty Four Hours From Tulsa – GENE PITNEY (October 1963, Musicor 66067)
23. Anyone Who Had A Heart – DIONNE WARWICK (November 1963, Scepter 1262)
24. A House Is Not A Home – BROOK BENTON (July 1964, Mercury 72303)
25. Wives And Lovers – JACK JONES (September 1963, Kapp 551)
26. Wishin' And Hopin' – DUSTY SPRINGFIELD (June 1964, Philips 40207)

Disc 2, 27-Tracks (75:32 minutes):
1. Walk On By – DIONNE WARWICK (April 1964, Scepter 1274)
2. (There's) Always Something There To Remind Me – LOU JOHNSON (July 1964, Big Hill 552)
3. Me Japanese Boy I Love You – BOBBY GOLDSBORO (June 1964, United Artists 742)
4. To Wait For Love – TONY ORLANDO (September 1964, Epic 9715)
5. Kentucky Bluebird (Send A Message To Martha) – LOU JOHNSON (October 1964, Big Hill 553, A)
6. Land Of Make Believe – DIONNE WARWICK (from the August 1964 album "Make Way For Dionne Warwick" on Scepter SPS-523)
7. The Last One To Be Loved – LOU JOHNSON (October 1964, Big Hill 553, B-side to "Kentucky Bluebird...")
8. Fool Killer – GENE PITNEY (from the 1965 album "Gene Pitney's More Big Sixteen/Volume Two" on Musicor MS-3043)
9. Don't Go Breaking My Heart – BURT BACHARACH (May 1965, Kapp 657, A – also appeared on the May 1965 Stereo album "Hit Maker!" on Kapp KLS-3428)
10. What The World Needs Now Is Love – JACKIE DeSHANNON (April 1965, Imperial 66110)
11. Trains And Boats And Planes – BURT BACHARACH (May 1965, Kapp 657, B-side of "Don't Go Breaking My Heart" – also appeared on the May 1965 Stereo album "Hit Maker!" on Kapp KS-3428)
12. What's New Pussycat? – TOM JONES (June 1965, Parrot 9765 – also appeared on the July 1965 Stereo LP to the Soundtrack for "What's New Pussycat?" on United Artists UAS 5128)
13. My Little Red Book – MANFRED MANN (appeared on the July 1965 Stereo LP to the Soundtrack for "What's New Pussycat?" on United Artists UAS 5128)
14. Here I Am – DIONNE WARWICK (June 1965, Scepter 12104 – also appeared on the July 1965 Stereo LP to the Soundtrack for "What's New Pussycat?" on United Artists UAS 5128)
15. A Lifetime Of Loneliness – JACKIE DeSHANNON (September 1965, Imperial 66132)
16. Made In Paris – TRINI LOPEZ (January 1966, Reprise 0435)
17. Promise Her Anything – TOM JONES (February 1966, Parrot 9809)
18. Are You There (With Another Girl) – DIONNE WARWICK (December 1965, Scepter 12122)
19. Come And Get Me – JACKIE DeSHANNON (April 1966, Imperial 66171)
20. Alfie – CILLA BLACK (August 1966, Capitol 5674)
21. In Between The Heartache – DIONNE WARWICK (September 1966, Scepter 12167)
22. Nikki – THE BURT BACHARACH ORCHESTRA & CHORUS (December 1966, Liberty 55934)
23. So Long Johnny – JACKIE DeSHANNON (July 1966, Imperial 66196)
24. The Windows Of The World – DIONNE WARWICK (July 1967, Scepter 12196)
25. Take A Broken Heart – RICK NELSON (December 1966, Decca 32055 – also appeared on the March 1967 original cast album for "On The Flip Side" on Decca 74826)
26. I Say A Little Prayer – DIONNE WARWICK (October 1967, Scepter 12203)
27. Casino Royale – HERB ALPERT & THE TIJUANA BRASS (March 1967, A&M 850 – also appeared on the April 1967 original motion picture soundtrack LP to "Casino Royale" on Colgems 5505)

Disc 3, 22-Tracks (79:11 minutes):
1. The Look Of Love – DUSTY SPRINGFIELD (appeared on the April 1967 original motion picture soundtrack LP to "Casino Royale" on Colgems 5505 - later re-recorded and issued July 1967 as a 7" single on Philips 40465)
2. Do You Know The Way To San Jose – DIONNE WARWICK (April 1968, Scepter 12216)
3. This Guy's In Love With You – HERB ALPERT (May 1968, A&M 929)
4. Knowing When To Leave – JILL O'HARA (from the December 1968 original Broadway cast album "Promises, Promises" on United Artists 9902)
5. Promises, Promises – DIONNE WARWICK (October 1968, Scepter 12231)
6. Pacific Coast Highway – BURT BACHARACH (May 1969, A&M 1064 – also appeared on the June 1969 album "Make It Easy On Yourself" on A&M 4188)
7. Raindrops Keep Fallin' On My Head – B.J. THOMAS (October 1969, Scepter 12265 – also appeared on the November 1969 original soundtrack album to "Butch Cassidy And The Sundance Kid" on A&M SP-4227)
8. Odds And Ends (July 1969, Scepter 12256)
9. Everybody's Out Of Town – B.J. THOMAS (March 1970, Scepter 12277)
10. I'll Never Fall In Love Again – DIONNE WARWICK (December 1969, Scepter 12273)
11. (They Long To Be) Close To You – THE CARPENTERS (June 1970, A&M 1183)
12. Paper Mache – DIONNE WARWICK (June 1970, Scepter 12285)
13. One Less Bell To Answer – THE 5th DIMENSION (October 1970, Bell 940)
14. Check Out Time – DIONNE WARWICK (November 1970, Scepter 587)
15. Hasbrook Heights – BURT BACHARACH (from the May 1971 album "Burt Bacharach" on A&M SP-3501)
16. The Balance Of Nature – DIONNE WARWICK (from the January 1972 album "Dionne" on Warner Brothers BS 2585)
17. Living Together Growing Together – THE 5th DIMENSION (December 1972, Bell 310)
18. You'll Never Get To Heaven (If You Break My Heart) – THE STYLISTICS (May 1973, Avco 4618)
19. Arthur's Theme (Best That You Can Do) – CHRISTOPHER CROSS (July 1981, Warner Brothers 49787 – also appeared on August 1981 original soundtrack album "Arthur (The Album)" on Warner Brothers 3582)
20. On My Own – PATTI LaBELLE & MICHAEL McDONALD (March 1986, MCA 52770)
21. That’s What Friends Are You – DIONNE & FRIENDS (October 1985, Arista 9422)
22. God Give Me Strength – BUT BACHARACH & ELVIS COSTELLO (from the September 1996 original motion picture soundtrack "Grace Of My Heart" on MCA 15102)

Beautifully produced by PATRICK MULLIGAN and ALEX CUMMING – only 6 of the 75 songs on "The Look Of Love" contain an actual Burt Bacharach credit as an artist – the remainder are of course songs he wrote with his lyric writing partner Hal David for other players – almost all them considerable chart hits.

PACKAGING:
This 1998 original American 3CD set comes in a 'long hardback book' form with an outer plastic slipcase (artists names embossed on the slipcase) and a drop-dead gorgeous 90-page booklet attached to the centre. From Page 32 to 81 each song is given a full on appraisal by ALAN CUMMING with further chapters by BILL DeMAIN on 'The Burt Bacharach Story', PAUL GREIN on 'The Lyricist Hal David' and 'The Voice of Dionne Warwick' as well as Production credits, recording details and Discography info. There's copious amounts of artist photos peppered throughout the text, a colour LP discography page for Bacharach's own releases towards the end - and so much more. You really do get a feel for the period and his creative/collaborative brilliance. It's exemplary stuff and much of it not available on the reissues.

To confuse matters further - 2001 saw Universal/Warners reissue "The Look Of Love" using the exact same cover artwork and title - but this time as a sort of 2CD 50-track 'Best Of' with a dropped-down 16-page booklet (to locate that cheaper option use Barcode 095483962457). On top of that - there's subsequently been another Rhino 3CD release in 2006 called "Magic Moments" with much of what's on the original "Look Of Love" 3CD set but with many other rarities included too (true fans will need both). Price-wise the 2006 3CD "Magic Moments" release is available for less than seven quid from most retailers and the 2CD "Look Of Love" reissue for as little as three quid in places (or even less) - so why pay £10 to £50 or more for the 1998 American original long book version? The answer is the stunning presentation (not present in the reissues) and the equally marvellous BILL INGLOT and ADAM GARVER Audio remasters...

AUDIO:
The SOUND will knock your socks off. The AUDIO by BILL INGLOT with help from ADAM GARVER is simply stupendous – quite possibly the best work Inglot has ever done – and that's really saying something considering the vast WEA catalogue he's handled for Rhino and everything else in between (three decades of work). The notes say that in the main STEREO masters were used except for early singles where only the MONO tapes exist. The results are a listen that amazes at every twist or turn. Let's get to the music...

Disc 1 - after the Fifties bubblegum pop of Marty Robbins and Perry Como followed by the part-naff, part-genius novelty winner that is "The Blob" – we settle into some truly great Soul sides. Atlantic's The Drifters were never far from Bacharach's heart (they appear twice in the guise of "Please Stay" and "Let The Music Play") while Chuck Jackson pleads mercy on the truly gorgeous "I Wake Up Crying". Gene McDaniels employs the croaking and yelping gestures of Jackie Wilson for his melodramatic "Tower Of Strength". Jackson returns with the epic production of "Any Day Now..." – while the remaster audio on Jerry Butler's exquisite "Make It Easy On Yourself" simply blows you away. And on tracks like "It's Love That Really Counts..." by The Shirelles and Bobby Vinton's admittedly cheesy "Blue On Blue" – the stunning audio once again hammers you. Both Lou Johnson ("Reach Out For Me") and Tommy Hunt ("I Just Don't Know What To Do With Myself") straddle the border of 60ts Pop and 60ts Soul with their Bacharach weepies – and his fabulous association with the expressive larynx of Dionne Warwick still tingles as you listen to pristine transfers of "Don't Make Me Over" and "Anyone Who Had A Heart" (check out that left speaker Sax solo). Disc 1 ends on a triple domestic whammy – the wonderful deep tone of "A Home Is Not A Home" by Brook Benton – the suburban shagging song "Wives And Lovers" by Mister Smiley himself Jack Jones – finishing with Dusty's "...won't get you into his arms..." wistful longing in the innocent "Wishin' & Hopin'" (somebody help this woman).

Disc 2 sees the dominance and wonder of his collaborations with female singers like Jackie DeShannon and in particular Dionne Warwick. The audio on Dionne's "Walk On By", "Land Of Make Believe" and "Are You There (With Another Girl)" is the stuff of dreams – warm, vibrant and sounding like they were recorded yesterday. Burt's own "Hit Maker!" solo songs begin to make their presence known as does all that madcap soundtrack stuff from "What's New Pussycat?" and the pseudo-Bond "Casino Royale". Disc 3 opens with Dusty Springfield and Dionne Warwick – but Herb Alpert, The Carpenters and that monster hit from the "Butch Cassidy & The Sundance Kid" soundtrack "Raindrops Keep Fallin' On My Head" by B.J. Thomas sail out of your speakers with warmth and well-remembered affection. Nice to see lesser heard songs like the lovely "One Less Bell To Answer" by The 5th Dimension get an airing along with Jill O'Hara's rare "Knowing When To Leave" from the film "Promises, Promises". It ends with a flurry of 80s chart presence in the shape of Christopher Cross, Michael McDonald, Patti LaBelle and of course a reunion for charity with Dionne Warwick (& Friends). The last track is a wonderful modern-day collaboration between two consummate songwriters – Elvis Costello and Burt. And throughout the three discs – you feel Hal David's uncanny knack at tapping into the human condition – words about love, longing, loss, sex and domestic appliances. What a duo...

Sure there are cheaper options - and with that plastic slipcase being so easy to scuff – I’ve seen sealed American originals go for £60 to £70 because collectors want it pristine – but I blagged my copy with a scuffed-up outer slipcase for a ten spot and love every second of it.

Rhino have produced some extraordinary reissues over the decades - especially in their more lavish box sets of the 90s - "Beg, Scream & Shout: The Big Ol' Box Of 60ts Soul" in its 7" Single-Sized Box and "Girl Group Sounds" in its Round Hat Box - both jump to mind. I consider this peach amongst them. They took time, love and care on this baby and "The Look Of Love" shows and sounds for it.

Compiler and writer Alan Cumming entitles one of his chapters in the liner notes as 'The Big, Astonishing, Gloriously Human Bacharach Sound' – and on the Audio and Visual evidence presented in "The Look Of Love" - the canny man's right...

This review is part of my SOUNDS GOOD Music Book Series. One of those reference source titles is COOL 1960s MUSIC - an E-Book with over 220 entries and 2200 e-Pages on Exceptional CD Remasters you need to know about. Purchase it on Amazon at the link below and search any artist or song - label - catalogue number - huge amounts of info taken directly from the discs (no cut and paste crap).

Thursday 21 January 2016

"The Amazing Charlatans" by THE CHARLATANS (1996 Ace/Big Beat CD - Duncan Cowell Remasters) - A Review by Mark Barry...

"...See The Undertaker Man..."

Forever missing the proverbial timing boat and not managing an album until it was too late and most of the music buying public simply didn’t care – THE CHARLATANS nonetheless hold a special place in the hearts of 60ts lovers – an LSD-popping rag-tag bunch of musically brilliant San Francisco dandies who deserved superstardom but have posthumously had to settle for cult status. They were reputedly first with the 'San Francisco Sound'...

Their lone self-titled American album "The Charlatans" issued by Philips in 1969 is not covered by this release - but what "The Amazing Charlatans" does offer is the first legal and decent reissue of 'all' the years that led up to that ignominious one-LP exit. Here are the acidic details for 1965 to 1968...

UK released September 1996 – "The Amazing Charlatans" by THE CHARLATANS on Ace/Big Beat CDWIKD 138 (Barcode 029667413824) is a 23-track CD-only compilation and plays out as follows (67:27 minutes):

1. Codine Blues

2. Alabama Bound [1967 Demo Version, Extended]

3. I Always Wanted A Girl Like You

4. I Saw Her

5. How Can I Miss You When You Won't Go Away

6. 32-20

7. We're Not On The Same Trip

8. Wallkin'

9. Sweet Sue, Just You

10. East Virginia

11. The Shadow Knows

12. I Got Mine

13. Sleepin' In Society

14. Devil Got My Man

15. By Hook Or By Crook

16. 'Long Come A Viper

17. Sidetrack

18. Alabama Bound (1966 Version)

19. Number One

20. Baby Won't You Tell Me

21. Jack Of Diamonds

22. The Blues Ain't Nothin'

23. Groom 'N' Clean Advert

NOTES:

All tracks Remastered from Original Analogue Tapes except Tracks 14 to 18 and 22 - which have been dubbed from acetate

All tracks are STEREO except tracks 1, 6, 11 and 14 to 18 – which are MONO

Tracks 1, 4, 6, 11, 14, 15, 16, 17 and 18 are from the Kama Sutra Sessions, Recorded Early 1966 in San Francisco

Tracks 2, 3, 5, 7, 8 and 9 are from the Golden State Recorders Sessions, Demos recorded July 1967 in San Francisco

Tracks 10, 12 and 13 are from the Pacific High Recorders Sessions, Early 1968 Demos recorded in Sausalito

Tracks 19 to 22 are from the Coast Recorders Sessions, August 1965 Demos recorded in San Francisco

THE CHARLATANS featured:

MIKE "Slim Pickens" WILHELM – Guitars and Vocals

GEORGE HUNTER – Keyboards

PAT FERGUSON – Keyboards

DARRELL De VORE – Keyboards, Bass, Vocals & Percussion

BYRON "Mike" FERGUSON – Keyboards

RICHARD "Baby Face" OLSEN – Bass, Woodwind & Vocals

TERRY WILSON – Drums

DAN HICKS – Drums and Vocals

The chunky 28-page booklet is a veritable feast for fans – featuring compiler ALEC PALAO stunningly indepth analysis of what happened and to whom. Its peppered with very cool photos from the band’s archives – the aborted first 45 single "Codine" that even got to advert stage in 1966 before Kama Sutra worked out its naughty subject matter – there's stunning colour photos of the boys in their dandy outfits and boater hats looking like a cross between the Eagles playing outlaws and the Byrds wearing rim-hats and round specs. The Remasters are from NICK ROBBINS transferred at London’s Sound Mastering from original tapes. Given their demo and practice nature – the audio is fab – even the Mono cuts sound punchy – especially goodies like the rare B-side "32-20"...

This CD represents the first legitimate reissue of this material and as you can imagine being demos and sessions – it veers from genius - their B-side cover of Robert Johnson's "32-20" (the flip to "The Shadow Knows" which features stunning slide from Wilhelm sounding not unlike Beefheart's Band on a roll) and Dan Hicks jaunty "How Can I Miss You When You Won't Go Away") to vaudeville crap like "Sweet Sue" and the rather brutal embarrassment of their one released 7" single "The Shadow Knows" with its cod vocals (an admitted embarrassment to the band). Their cowboy-hatted, barroom brawl, dandy inclinations come screaming through on the jiggy "I Got Mine" and "Steppin' In Society".

But better for me is the Byrds-edge to their cover of Skip James classic "Devil Got My Man" and "Sidetrack" both of which feature part-time band-member Lynne Hughes on Lead Vocals. Sounding not unlike Britain’s Jo Ann Kelly in her vocal range - I can't help feel that her great Bluesy feel was what the band really needed? Who knows – perhaps a folksier version of Jefferson Airplane might have emerged? The 1966 version of the Traditional "Alabama Bound" features Dan Hicks on Lead Vocals – who would of course form The Hot Licks Band in the Seventies and go on to considerable success (Wilhelm went on to be with Loose Gravel and The Flamin' Groovies for many years). It ends on a 42-second advert that uses their music for a 'grooming product' – a comb...

It’s not all genius - as some would have you believe – but with that killer look they had (a gang rides into town and takes over) – a couple of better tunes to side the goodies they already had and some half-decent management – San Francisco's THE CHARLATANS might have been so much more that a curious footnote in musical history. Still – there’s this wicked CD to savour...and I find myself playing their melodious jangle more often these days and wondering...

"Hot Hits & Hot Ones: Is This The Way That You Get Your High?" By THE STANDELLS (1993 Ace/Big Beat CD - Duncan Cowell Remasters) - A Review by Mark Barry...

"...Young Barracudas..."

Los Angelinos hipsters THE STANDELLS pioneered 60ts Garage and Punk (although they probably didn't see it as such) - and this old (1993) but wickedly to-the-point CD compilation from England's Ace Records (using their Big Beat label imprint) is a near-perfect stab/reminder of that 'so cool' frenzied brilliance. This little sucker rocks - it really does. Here are the White Guys painting it black...

UK released June 1993 – "Hot Hits & Hot Ones: Is This The Way You Get Your High?" by THE STANDELLS is a 21-track CD compilation on Ace/Big Beat CDWIKD 114 (Barcode 029667411424) and plays out as follows (62:49 minutes):

1. Dirty Water (1965 US 7" single on Tower 185, A)

2. Rari (1965 US 7" single on Tower 185, B-side of “Dirty Water”)

3. Sometimes Good Guys Don't Wear White (1966 US 7" single on Tower 257, A)

4. Medication (from their June 1966 debut LP "Dirty Water" on Tower ST 5027, Stereo)

5. There Is A Storm Comin' (from their June 1966 debut LP "Dirty Water" on Tower ST 5027, Stereo)

6. 19th Nervous Breakdown (from their June 1966 debut LP "Dirty Water" on Tower ST 5027, Stereo)

7. Why Did You Hurt Me (1966 US 7” single on Tower 257, B-side of "Sometimes Good Guys Don't Wear White")

8. Why Pick On Me? (1966 US 7" single on Tower 282, A)

9. Paint It Black (from their December 1966 2nd LP "Why Pick On Me – Sometimes Good Guys Don't Wear White" on Tower ST 5044, Stereo)

10. Black Hearted Woman (1967 US 7" single on Tower 314, B-side of "Riot On Sunset Strip")

11. Mainline (from their December 1966 2nd LP "Why Pick On Me – Sometimes Good Guys Don't Wear White" on Tower ST 5044, Stereo)

12. Mr. Nobody (1966 US 7" single on Tower 282, B-side of "Why Pick On Me?")

13. Wild Thing (from their 3rd LP "The Hot Ones" on Tower ST 5049, Stereo)

14. Riot On Sunset Strip (1967 US 7" single on Tower 314, A)

15. Try It (1967 US 7" single on Tower 310, A)

16. Barracuda (from their 4th and final LP "Try It" in 1967 on Tower ST 5098, Stereo)

17. Poor Shell Of A Man (1967 US 7” single on Tower 310, B-side of "Try It")

18. Can't Help But Love You (1967 US 7" single on Tower 348, A)

19. Ninety-Nine & A Half (1967 US 7" single on Tower 348, B-side of "Can't Help But Love You")

20. Animal Girl (1967 US 7” single on Tower 398, A)

21. Soul Drippin' (1967 US 7” single on Tower 398, B-side to "Animal Girl")

Bar 2-sides (entry No. 4) - the rest of THE STANDELLS US 45s on Tower Records can be sequenced from this CD as follows [8] = Track 8 etc:

1. Dirty Water [1] b/w Rari [2] – December 1965, Tower 185

2. Sometimes Good Guys Wear White [3] b/w Why Did You Hurt Me [7] – August 1966, Tower 257

3. Why Pick On Me [8] b/w Mr. Nobody [12] – October 1966, Tower 282

4. Don't Tell Me What To Do b/w When I Was A Cowboy – January 1967, Tower 312

5. Riot On Sunset Strip [14] b/w Black Hearted Woman [10] – February 1967, Tower 314

6. Try It [15] b/w Poor Shell Of A Man [17] – May 1967, Tower 310

7. Can't Help But Love You [18] b/w Ninety-Nine & A Half [19] – October 1967, Tower 348

8. Animal Girl [20] b/w Soul Drippin' [21] – February 1968, Tower 398

The 8-page inlay features liner notes from noted writer and long-time Ace Records associate and CD compiler ALEC PALAO. There are photos of the four band members Dick Dodd, Tony Valentino, Larry Tamblyn and Dave Burke alongside snaps of them with The Rolling Stones (acted as their opening act). The potted history goes into their formation in the bars of Los Angeles and break-up after album No.4 "Try It" appeared in late 1967 (Lowell George of Little Feat joined them for a brief period as their live guitarist but they never recorded with this line up and he soon split after differences). The snap of the Standells on the rear of the booklet looking dapper with Brian Jones, Mick Jagger, Keith Richards and Bill Wyman at an airport somewhere is the epitome of 60ts cool but it's a real shame that none of the three gorgeous and rare US pic sleeves to "Riot On Sunset Strip", "Try It" and "Can't Help But Love" aren't reproduced (a booklet upgrade is due methinks)...

The DUNCAN COWELL Stereo Remasters are from original tapes and sound ballsy and full of menace and life. Each of the four Tower Records albums was issued in both MONO and STEREO – Ace has used the STEREO versions. If you wanted the first album "Dirty Water" in its gritty Mono entirety – buy the CD Ace CDWIKD 110 which gives you "Dirty Water" in Mono and the follow up "Why Pick On Me..." in Stereo lumped together onto 1CD (52:15 minutes).

Essentially "Hot Hits & Hot Ones..." offers you the A & B-sides of their eight Tower Records 45s frantically issued between late 1965 and early 1968 (only "Don't Tell Me What To Do" b/w "When I Was A Cowboy" is missing) – along with a smattering of seven LP sides in Stereo. For me every track is a blast - fresh still. The lyrics for the brilliant "Some Times Good Guys Don't Wear White" are radical and articulate - reflecting the changing and turbulent times - "...good guys, bad guys, which is which...the white-collar worker or the digger in the ditch..." Not surprisingly you get sly druggy references in "Medication" – a kind of 1966 love song that is back-dropped by the sinister fuzz-guitar of Tony Valentino. That edgy stabbing nature permeates "There's A Storm Comin'" too – and their cover version of "Paint It Black" may as well be The Stones its so faithful to the sound of the original.

The hard-hitting Standells trademark sound is never far away - the bright lights, the pretty girls, the long-haired dudes and scared parents all clashing with the 'heat' make "Riot On Sunset Strip" feel well - riotous. The thrashing drums of Dick Dodd, that Doors organ of Larry Tamblyn lingering in the background and the raging vocals in "Black Hearted Woman" still thrills as does the irresistible 'get my kicks' on the old "Mainline" (stunning sound quality). But my crave on here is the brilliant "Barracuda" where we were told that our excitable boy is "...a mean Barracuda...don't you mess with me...I'm lonely and I'm starved for some of your love...ah sweet thing...you're just what I've been thinking of..." (look out ladies). Even their cover of "Wild Thing" by The Troggs from the much derided "Hot Ones" album has the groovy edge of the original and pre-dates Hendrix's incendiary version. I also love those brilliant B-sides like "Poor Shell Of A Man" and "Ninety-Nine & A Half" (great brass fills) - both rocking like The Stones and melodic like The Byrds...

A fantastic sounding CD with uber-cool 60ts music...genius baby yeah...and that’s just the left leg...

Tuesday 19 January 2016

"Here’s One You Didn’t Know About: From The RPM & Kent Vaults" by B.B. KING (2015 Ace CD Remasters) - A Review by Mark Barry...

"...You May Want To Release It..."

Hardly surprising that following Blues Boy’s passing in May 2015 aged 89 - the market was flooded with myriad compilations of material out of copyright. But typical of Ace Records – they honour the great Bluesman memory with an absolute stormer! 25-tracks, 23 of which are Previously Unreleased, a near 80-minute playing time, properly copious and intelligent liner notes and 12 of these suckers in glorious STEREO! Here are the Bluesy details...

UK released 27 November 2015 (December 2015 in the USA) – "Here's One You Didn't Know About: From The RPM & Kent Vaults" by B.B. KING on Ace Records CDTOP 1457 (Barcode 029667074322) is a 25-track CD compilation of mainly Previously Unreleased material and plays out as follows (79:52 minutes):

1. Catfish Blues (aka Fishin' After Me) – Alternate Version of Kent 351

2. Be Careful Baby

3. Growing Old – Take 2 of Kent 470

4. Gotta Find My Baby (aka They Call The Blues) – 1960s Version, Take 8

5. Long Nights (The Feeling They Call The Blues) – Take 4 of Kent 389

6. Loving you In Vain (aka Heartache And Pain) – Alternate Take To a version That First speared on the UK CD compilation "Blues In My Heart" by B.B. KING released 2004 on Ace CDCHM 966

7. Shut Your Mouth – Take 1 of RPM 430

8. Sweet Little Angel – Version 1 – Alternate of RMP 468

9. Sweet Little Angel – Version 2 – Take 1 of a track on 1957's "Singin' The Blues" LP on RPM 3005

10. Bad Case Of Love – Take 6 of Kent 362

11. Talkin' The Blues – Take 2 of RPM 435

12. Whole Lot Of Lovin' (1963 Re-Record) – Take 1 of Kent 388

13. You Know I Go For You – Alternate of Kent 301

14. You’ve Been An Angel – Take 1 of Kent 315

15. Be Careful With A Fool – Take 1 of RPM 494

16. When My Heart Beats Like A Hammer – Take 1 of RPM 412

17. Don't You Want A Man Like Me – Take 3 of RPM 411

18. Early In The Morning – Take 2 of RPM 486

19. I Wonder Why – Take 4 of Kent 447

20. Partin' Time – Take 3 of Kent 346

21. Soul Beat (aka Powerhouse) – Take 1 of Kent 475

22. Why Not – Take 8-A of a track that first appeared on the 2002 4CD Box Set "The Vintage Years" by B.B. KING on Ace ABOXCD 8

23. The Woman I Love (Copper Colored Mama) – Take 3 of RPM 408

24. Whole Lotta Meat (aka Hey Little Girl) – Take 10 of a Track that first appeared on the 1987 UK LP "One Nighter Blues" on Ace CHD 201

25. Going Down Slow (1959 Version) – Take 2 of a track on the 1963 US LP "16 Of The Best Of B.B. King" on Galaxy G-8202

NOTES:

All Tracks are 2015 PREVIOUSLY UNRELEASED

Except Tracks 9 and 17 which appeared in 2014 on "Speak Easy: The R.P.M. Records Story Volume 2 – 1954-57" on Ace CDTOP 1421

Tracks 1, 2, 4, 5, 10, 12, 19, 20, 21, 22, 24 and 25 are STEREO

Tracks 3, 6, 7, 8, 9, 11, 13, 14, 15, 16, 17, 18 and 23 are MONO

Compiled and researched by ROGER ARMSTRONG and DICK SHURMAN - the 16-page booklet features wonderfully detailed new liner notes by DICK SHURMAN whose knowledge and affection for B.B. seems to know no bounds. And on the audio evidence presented here – his joy is hardly surprising. This is a quality release for King fans and Shurman knows it. In between the text are wickedly evocative pictures of Scotch Magnetic Tape Master Boxes along with some snaps of his backing band in the studio.

It’s the usual classy presentation from a label that’s been doing this for 40 years – but you have to say that Sound Engineer DUNCAN COWELL has excelled himself here. The audio on this baby is awesome – and never more so that on the 12 cuts that come at in glorious STEREO – each version filled with a huge in-your-living- room vibe to the sound and genuine excitement to the listen. Not only is B.B.'s playing fluid and impressively cool – the band is cooking and you can literally feel they know it. We’ll done to all involved...

The title of the compilation comes from dialogue B.B. speaks at the beginning of "Catfish Blues" – clearly enjoying his mojo and the band's company in the studio. The Version 1 of "Sweet Little Angel" on here shows his best playing too. Some great "...pulse is weak..." studio patter at the beginning of the infectious "Bad Case Of Love" – boogie-woogie in fabulous Stereo. We get a tad Elmore James slasher side for "Whole Lot Of Lovin'" where B.B. tells us of his gal's "dreamy eyes" which are clearly affecting the man's mental stability and other parts of his manly frame (fab Stereo too). Gutsy Blues comes at you for the Mono "When My Heart Beats Like A Hammer" – and even though its Take 1 – it seems finished to me (gorgeous piano playing too). It ends on the near eight minutes of "Going Down Slow" where the vocal is a tiny bit rough – but the power of the playing and the sympatico band more than win the day.

A wonderful reissue for B.B. KING fans and surely one of the 'Blues CD Reissues Of 2015'...nice one boys...

Sunday 17 January 2016

"Visions Of A New World" by LONNIE LISTON SMITH & THE COSMIC ECHOES (2015 Ace/Beat Goes Public CD Remaster) - A Review by Mark Barry...

"...Soul Flow..."

Jazz Funk and Fusion has a bedrock of superstar albums like Donald Byrd's "Spaces And Places", Herbie Hancock's "Headhunters", The Crusaders "Free As The Wind", George Benson's "Breezin'" and even Grover Washington Jr.'s "Winelight" from 1980. High on that list has to be Lonnie Liston Smith's April 1975 masterpiece "Expansions" which preceded "Visions Of A New World" by only five months ("Visions..." was released Stateside in October 1975). The tendency then is to overlook the albums after and before those smashes and Lonnie's wonderful follow up to "Expansions" is a case in point. "Visions Of A New World" is a melodic, mellow and Soulful Jazz Funk and Fusion gem and has had the heart of genre lovers for four decades since its release. And now Ace Records of the UK (through their Beat Goes Public label imprint) has given it a new 2015 CD remaster and reissue and the bugger only sounds gorgeous - properly ripe for rediscovery by a new generation. Here are the stellar details...

UK released 31 July 2015 (August 2015 in the USA) - "Visions Of A New World" by LONNIE LISTON SMITH & THE COSMIC ECHOES on Ace/Beat Goes Public CDBGPM 294 (Barcode 029667529426) is a straightforward mid-price CD transfer in their 'Flying Dutchman Jazz Classics' Reissue Series and breaks down as follows (33:57 minutes):

1. A Chance For Peace

2. Love Beams

3. Colors Of The Rainbow

4. Devika (Goddess)

5. Sunset [Side 2]

6. Visions Of A New World (Phase I)

7. Visions Of A New World (Phase II)

8. Summer Nights

The 8-track album was originally released October 1975 in the USA on Flying Dutchman Records BDL1-1196 and January 1976 in the UK on RCA Victor SF 8461.

Lonnie Liston Smith plays keyboards on every track, Donald Smith puts in vocals on three – "A Chance For Peace", "Colors Of The Rainbow" and "Visions Of A New World (Phase I)" and also contributes Flute and Horns on "Love Beams", "Sunset", "Visions Of A New World (Phase II)" and "Summer Nights". The band includes Clifford Adams on Trombone, Cecil Bridgewater on Trumpet, Reggie Lucas on Guitar, Greg Maker on Bass, Wilby Fletcher on Drums with Ray Armando, Angel Allende and Lawrence Killan on Percussion.

NICK ROBBINS has carried the CD Remaster at Sound Mastering in London (an Engineer of long-standing and skill) and it sounds beautiful – bringing out the superb Bob Thiele Production values applied to all his Flying Dutchman releases (LLS co-produced this LP with him). The inlay is a four-part foldout – with new liner notes by noted writer DEAN RUDLAND, label repros, trade advert and the original LP credits. Its functional but highly informative.

It opens with the sublime "A Chance For Peace" – a track beloved by adventurous DJs, Funk lovers and CD compilation compliers. But what gets me is that I'd forgotten how perfect the 'whole' LP is - giving you moods and rare grooves – funky one moment – Soulful and smoochy the next – all Cosmic and peaceful thereafter. In fact its even commercial if you think about it (it charted at a healthy 14 in the USA). RCA Victor in the UK gave "A Chance For Peace" an airing in March 1976 on a British 45 (RCA 2668) but amazingly it sank without a trace (the LP was deleted in early 1977 too). We get all trippy on "Colors Of The Rainbow" as Donald Smith sings with abandon about Mother Nature smiling tears of joy. But we then get hit with the other mellow masterpiece on here "Devika (Goddess)" written by Soprano Saxophone player David Hubbard (with Sarina Grant). It grooves along to his lovely flourishes and is 5:16 minutes of pure Jazz Funk sexiness. Side 2 opens with a sensual piano intro to the wonderful "Sunset" – the track sounding and feeling like you’re witnessing the title – a Sunset. The two parts of “Visions” are piano-heavy Fusion with Donald Smith handling the spacy vocal on Phase I until it goes into George Duke Funk territory for Phase II. The LP ends on a swirling "Summer Nights" – again with cool Audio as its bedtime sexiness caresses your speakers...

A fabulous Reissue then - and if you don’t have the album – waste no time – it’s a steal at twice its mid-price...

PS: Titles in the 'Flying Dutchman Jazz Classics' Series of CD Reissues by Ace/Beat Goes Public of the UK include:

1. Fenix - GATO BARBIERI (Ace/BGP Records CDBGPM 268)

2. The Third World - GATO BARBIERI (Ace/BGP Records CDBGPM 272)

3. El Pampero – GATO BARBIERI (Ace/BGP Records CDBGPM 283)

4. Cesar 830 – CESAR (Ace/BGP Records CDBGPM 261)

5. Friends And Neighbors: Ornette Live At Prince Street – ORNETTE COLEMAN (Ace/BGP Records CDBGPM 266)

6. Afrique – COUNT BASIE (Ace/BGP Records CDBGPM 271)

7. Barefoot Boy - LARRY CORYELL (Ace/BGP Records CDBGPM 269)

8. George Russell Presents… - THE ESOTERIC CIRCLE (Ace/BGP Records CDBGPM 284)

9. Small Talk At 125th & Lenox - GIL SCOTT-HERON (Ace/BGP Records CDBGPM 290) - see REVIEW

10. Pieces Of A Man – GIL SCOTT-HERON (Ace/BGP Records CDBGPM 274)

11. Free Will – GIL SCOTT-HERON (Ace/BGP Records CDBGPM 281)

12. Astral Traveling – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 273)

13. Cosmic Funk - LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 278)

14. Expansions – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 263)

15. Visions Of A New World – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 294)

16. Reflections Of A Golden Dream – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 296)

17. Cosmic Funk And Spiritual Sounds; The Best Of The Flying Dutchman Years – LONNIE LISTON SMITH (Ace/BGP Records CDBGPM 254)

18. Newport News, Virginia – ESTHER MARROW (Ace/BGP Records CDBGPM 264)

19. Swiss Suite: Recorded Live At The Montreaux Jazz Festival - OLIVER NELSON (Ace/BGP Records CDBGPM 279)

20. Soul Is… - PRETTY PURDIE (Ace/BGP Records CDBGPM 282)

21. Head Start – BOB THIELE EMERGENCY (Ace/BGP Records CDBGPM 265)

22. Spirits Known And Unknown – LEON THOMAS (Ace/BGP Records CDBGPM 262)

23. The Leon Thomas Album - LEON THOMAS (Ace/BGP Records CDBGPM 270)

24. Blues And The Soulful Truth – LEON THOMAS (Ace/BGP Records CDBGPM 277)

25. The Creator: The Best Of The Flying Dutchman Masters – LEON THOMAS (Ace/BGP Records CDBGPD 257)

"Reflections Of A Golden Dream" by LONNIE LISTON SMITH & THE COSMIC ECHOES (2015 Ace/Beat Goes Public CD Remaster) - A Review by Mark Barry...

This Review Along With 100s Of Others Is Available in my

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"...Journey Into Space..."

Using their Beat Goes Public imprint (BGP) - Ace Records of the UK continue their wonderful reissue of Lonnie Liston Smith's trio of Jazz-Funk meisterworks with his 'Cosmic Echoes' band on Bob Thiele's Flying Dutchman Records back in the mid Seventies – albums that collectors and lovers of the genre have lusted after on more than a few Funky occasions.

April 2013 saw Smith’s hugely popular "Expansions" album from May 1975 get a 5-star CD reissue – while the second LP "Visions Of A New World" from October of that same year came our CD way in July of 2015. And now in November 2015 – the third and forgotten nugget in his initial cannon – April 1976's "Reflections Of A Golden Dream" with the massively popular Soul-Funk smash "Get Down Everybody (It's Time For World Peace)". All three reissues are part of Ace's 'Flying Dutchman Jazz Classics' CD Remasters Series. Here are the dreamscapes for Volume 3...

UK released 27 November 2015 (December 2015 in the USA) - "Reflections Of A Golden Dream" by LONNIE LISTON SMITH & THE COSMIC ECHOES on Ace/Beat Goes Public CDBGPM 296 (Barcode 029667529624) is a straightforward mid-price CD transfer in their ‘Flying Dutchman Jazz Classics’ Reissue Series and plays out as follows (38:57 minutes):

1. Get Down Everybody (It’s Time For World Peace)

2. Quiet Dawn

3. Sunbeams

4. Meditations

5. Peace And Love

6. Beautiful Woman [Side 2]

7. Goddess Of Love

8. Inner Beauty

9. Golden Dreams

10. Journey Into Space

The 10-track album was originally released April 1976 in the USA on Flying Dutchman Records BDL1-1460 and July 1976 in the UK on RCA Victor RS 1053.

Lonnie Liston Smith plays keyboards and 'funky electronic textures' on every track while singing lead on "Get Down Everybody (It's Time For World Peace)". As was the case on the "Visions Of New Worlds" LP earlier that year (1975) - Donald Smith puts in lead vocals on three songs – "Peace And Love", "Beautiful Woman" and "Inner Beauty" and also contributes Flute on three more - "Quiet Dawn", "Sunbeams" and "Golden Dreams". The band includes David Hubbard and Arthur Kaplin on Saxophones, Joe Shepley and Jon Faddis on Trumpets, Al Anderson on Bass, Wilby Fletcher on Drums with Guilherme Franco and Leopoldo Fleming on Percussion - while Maeretha Stewart, Patti Austin and Vivian Cherry sang Backing Vocals on tracks 1 and 5.

NICK ROBBINS has carried out the CD Remaster at Sound Mastering in London (an Engineer of long-standing and skill) and it sounds beautiful – bringing out the superb Bob Thiele Production values applied to all his Flying Dutchman releases (LLS co-produced this LP with him). The 8-page inlay features new liner notes by noted writer DEAN RUDLAND, label repros of Side 1 and 2 of the original Flying Dutchman LP and the US 7" single for "Get Down Everybody..." with "Goddess Of Love" on the B-side (Flying Dutchman JB 10616). There's also a two-page spread which repros the musician credits from the gatefold sleeve. It’s functional but highly informative.

It opens with the album’s most famous track – Lonnie Liston Smith giving it some rare vocals on the Jazz-Funk Rare Groove monster "Get Down Everybody (It's Time For World Peace)" – an anthem in clubs that pumps out the Brass and Rotary Connection vocals with a rapid backbeat. And again like "Visions Of A New World" from 1975 which I reviewed a few months back (also reissued by Ace’s BGP) - I'd forgotten how good the 'whole' LP is - giving you bedroom moods like the beautiful piano instrumental "Quiet Dawn" and then zither-slick grooves like the funky "Sunbeams" which feels like Dexter Wansel or Donald Byrd at their Philly International/Blue Note best. Swirling keyboard and vibe beauty follows once again with the gorgeous textures of "Meditations" - while the side ends on the Acoustic Bill Withers funk of "Peace & Love" – another stab at the vocal commercial hit of "Get Down Everybody" that even has a slightly Brazilian sway to it. It’s a winner and the label put it out as a 45 on Flying Dutchman DB-10702 with the wicked "Quiet Dawn" as its B-side.

Side 2 opens with the good but slightly less convincing shuffle of "Beautiful Woman" which I always skipped for the far better chunky-funk of “Goddess Of Love” – a flute-driven mid-tempo number that sounds sexy and sweet. The swirling “Inner Beauty" is the kind of ethereal Fusion I love – all spacey and magical somehow yet you can’t quite define why. I personally would have followed with "Golden Dreams" as another slick 45 – the spoken vocals and that slinky rhythm would surely have had some DJ spinning that bad mother. It ends on “Journey Into Space” – a trippy instrumental that sounds like our Lonnie has been listening to the percussion opening parts in Santana's "Caravanserai" just once too often...

Another fabulous reissue then by Ace’s BGP of Lonnie Liston Smith's Cosmic Echoes trio of albums - and if you don’t have the album "Reflections Of A Golden Dream" – then waste no time – it’s a steal at twice the mid-price...

PS: Titles in the "Flying Dutchman Jazz Classics" Series of CDs includes: