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70ts Soul, R 'n' B, Funk, Jazz Fusion
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"... I Got The Vibes..."
This cleverly put together set of 20 tracks is a tribute to one man – Alvertis Isbell – or Al Bell to you and I. Bell joined Stax Records in 1965 straight from two successful Radio shows in Washington and Memphis and would eventually own the label several years later. He had a passion for Gospel and its message of love and racial integration and saw the fusion of Soul and Gospel Music as an obvious and natural progression.
After a few years of aborted attempts with 'Chalice' Records, he struck pop and message gold by signing The Staple Singers in the late Sixties. With them in tow and more label successes following, he formed the Stax offshoot label 'Gospel Truth' for the Seventies – which is where this CD compilation comes in…
Most tracks are culled from that label's rare and lesser-seen album catalogue issued between 1971 and 1976 (later edited down to just 'Truth' Records). There's a lot here that's new to CD, so let's get to the details first…
UK released 30 August 2010 - "The Gospel Truth: The Gospel And Funk Of Stax Records" by VARIOUS ARTISTS on Ace/Beat Goes Public CDBGP 222 (Barcode 029667522229) breaks down as follows (78:01 minutes):
1. Son Of The Deacon – THE SONS OF TRUTH (from the 1973 USA LP "A Message From The Ghetto" on Gospel Truth GTS-2714)
2. Sometimes I Feel Like A Motherless Child – CLARENCE SMITH (from the 1973 USA LP "Whatever Happened To Love" on Gospel Truth GTS-2716)
3. Do Your Thing – THE MARION GAINES SINGERS (from the 1972 USA LP "This Too Is Gospel" on Gospel Truth GTS-2713)
4. We're Gonna Have A Good Time – JACQUI VERDELL (1972 USA 7" single on Gospel Truth GTA-1211, A-side)
5. Brand New Day (Theme From The United Artists Motion Picture "The Landlord") – THE STAPLE SINGERS (1970 USA 7" single on Stax STA-0074, A-Side)
6. Talk That Talk (Part 1) – THE RANCE ALLEN GROUP (from the 1975 USA LP "A Soulful Experience" on Truth TRS-4207)
7. I Got The Vibes – JOSHIE JO ARMSTEAD (1973 USA 7" single on Gospel Truth GTA-1207, B-side of "Ride Out The Storm")
8. You Need A Friend Like Mine – ANNETTE THOMAS (1974 USA 7" single on Truth TRA-3208, B-side of "What Good Is A Song")
9. (There's Gonna Be A) Showdown – THE RANCE ALLEN GROUP (1972 USA 7” single on Gospel truth GTA-2014, A-Side)
10. Let Me Come Home – THE HOWARD LEMON SINGERS (from the 1973 album catalogued as "I Am Determined" on GTS-2724)
11. It Will Soon Be Over – THE MARION GAINES SINGERS (from the 1972 USA LP "This Too Is Gospel" on Gospel Truth GTS-2713)
12. I Don't Know Where We’re Headed – THE SONS OF TRUTH (from the 1973 USA LP "A Message From The Ghetto" on Gospel Truth GTS-2714)
13. Better Get A Move On – LOUISE McCORD (from the 1972 USA LP "A Tribute To Mahalia Jackson" on Gospel Truth GTS-2711 – also issued July 1972 as a USA Promo-Only 7" single on Gospel Truth GS-01031-PL - due to dancefloor demand in the UK, also coupled in 2004 on the Beat Goes Public BGP 45-single BGPS-019 as a B-side to "Tramp (Live)" by The Otis Redding and Carla Thomas Band on the A)
14. When Will We Be Paid For The Work We Did – THE STAPLE SINGERS (1969 USA 7" single on Stax STA-0052, A-Side)
15. If The Shoe Fits, Wear It – THE 21st CENTURY (1973 USA 7" single on Gospel Truth GTA-1209)
16. Keep My Baby Warm – CHARLES MAY & ANNETTE MAY THOMAS (1973 USA 7" single on Gospel Truth GTA-1206, A-Side)
17. I'll Keep On Trying – CLARENCE SMITH from the 1973 USA LP "Whatever Happened To Love" on Gospel Truth GTS-2716)
18. Stumblin' Blocks, Steppin' Stones (What Took Me So Long) – JOSHIE JO ARMSTEAD (1973 USA 7" single on Gospel Truth GTA-1214, A-Side)
19. You Can't Stop Me Now – THE MARION GAINES SINGERS (from the 1972 USA LP "This Too Is Gospel" on Gospel Truth GTS-2713)
20. Name The Missing Word – THE STAPLE SINGERS (from the 1972 USA LP "Be Altitude: Respect Yourself" on Stax STS-3002)
Compiled and annotated by Soul lover and expert DEAN RUDLAND, the 12-page booklet features full-colour plates of rarely seen album sleeves by Clarence White, The Marion Gaines Singers, The Rance Allen Group, The Howard Lemon Singers and Louise McCord giving a tribute to her Gospel hero Mahalia Jackson. There's a couple of USA 45s pictured, a trade advert and a Bible on the cover with the BGP and Stax logos on it – nice! Excepting The Staple Singers, very few of these artists are household names, so Rudland's researched and informative liner notes make for an enlightening read. NICK ROBBINS at Sound Mastering in London has once again done the remastering and a typically great job it is too – full of life and presence. He always seems to get a better sound than I have on other Stax CDs. The only glitch is that the Louise McCord track (13) is mistakenly credited on the rear sleeve to a Gospel Truth 45 1206 (which is actually Track 16) - it was never officially issued as a GT 45 except in Promo-Form which I have listed above.
The material as you can imagine is as funky as it is righteous – great grooves, positive vibes and all of it imbibed with a feeling of black pride finally breaking through - what heady times they were. Highlights include the fuzzed-up guitar rhythms of the opener "Son Of The Deacon" which is cleverly followed by "Sometimes I Feel Like A Motherless Child" a Traditional given a radical funky reworking. You’ll also notice from the total playing time that 20 tracks take up 78 minutes – this is because quite a few are over 5 minutes long – feeling like extended workouts (something a lot of listeners love).
A truly fantastic inclusion is the Isaac Hayes cover of "Do Your Thing" by The Marion Gaines Singers – a perfect marriage of soul, funk and gospel (..."better pray on"...). As writers - Gamble & Huff provide a typically Philly sound to Rance Allen's high-vocal acrobatics on "(There’s Gonna Be A) Showdown". There's almost a pre-disco feel to Joshie Jo Armstead's lovely "I Got The Vibes" (she was a member of The Ikettes), while "You Need A Friend Like Mine" is written by another Stax label stalwart – Frederick Knight. Soul-songwriting heroine Bettye Crutcher (provided hits for William Bell, Carla Thomas, Johnnie Taylor and The Staple Singers among others) penned my favourite on here - "Better Get A Move On" by Louise McCord. It features irresistible funky guitar licks while her great vocals rap lyrical about a woman ditching a mistreating man in a very Marlena Shaw kind of a way – superlative stuff.
Charles May penned both his own "Keep My Baby Warm" and "If The Shoe Fits, Wear It" for The 21st Century – both are more soul than gospel – and are lovely additions. Not surprisingly The Staples Singers are featured three times – their excellent cover of Al Kooper's theme to "The Landlord" movie – “Brand New Day” (lyrics above). But as much as I adore the ground, any of The Staple Singers walk on – "When Will We Be Paid…" has never been a rave of mine. Far better and given a pride of place picture beneath the see-through CD tray is the fabulous Louise McCord 1972 track "Better Get A Move On". Louise was a powerhouse singer with Gospel Group The Voices Of Tabernacle - and her unexpected Funky Nirvana moment is a message-groover penned by Bettye Crutcher. Backed by The Rance Allen Group, the flick-guitar Funky-Cool of "Better Get A Move On" became so popular in the dancehalls of Northern Soul - Ace issued it on their BGP imprint (Beat Goes Public) as a double A-side 45-single using "Tramp (Live)" by The Otis Redding and Carla Thomas Band on the A. The great Louise McCord also sang at the WattStax '72 Concert where she does a live version of "Better Get A Move On" (check out the February 2023 Craft Recordings 6-CD Book Set "Stax Records Presents WATTSTAX '72 The Complete Concert" - her fab live rendition is on Disc 2. McCord's storming live version remained unreleased for decades until it became a highlight on the 3CD set "Music From The WattStax Festival And Film" on Stax 3SCD 4440 which was only issued in 2003.
Another stunner is "Stumblin' Blocks, Steppin' Stones (What Took Me So Long)" by the deep-vocals of Joshie Jo Armstrong - a tune. The set closer is a very clever choice – a gem tucked away on The Staple Singers Stax album "Be Altitude: Respect Yourself" from 1972 called "Name The Missing Word" which is lyrically relevant to the comp's theme.
To sum up – it's an embarrassment of riches if you dig this sort of thing – and even if you don't – there's so much on here worth taking a chance on.
Ace Records deliver again folks – another job well done. On to Volume 2 please…




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