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"...Won't Be Lonely For Long..."
After
two pop albums with Deram ("Matthew And Son" and "New
Masters" in March and December of 1967) and a two-year spell battling a
bout of TB that nearly killed him - it was time for Steven Demetri Georgiou to
become a proper singer-songwriter. CAT STEVENS signed to Chris Blackwell's
mighty Island Records and the label's built-in policy of artistic-freedom saw
the London lad with cat's eyes explode with creativity. And that flourishing
sneaked in with April 1970's underrated and quietly forgotten "Mona Bone
Jakon" LP.
Next
port of call would be "Tea For A Tillerman" in November 1970 that
would yield huge hits like "Wild World", "Hard Headed
Woman", "Longer Boats" and the generation gap song "Father
And Son" - the LP landing Cat Stevens in every bedsit up and down the
country and around the globe. But it all with began with the rather solemn
"Mona Bone Jakon" earlier in that mercurial year - 1970. Time to
revisit the tearful dustbin on this gorgeous Remaster...
UK
released August 2000 (May 2000 in the USA) - "Mona Bone Jakon" by CAT
STEVENS on Universal/Island IMCD 267 / 546 883-2 (Barcode 731454688321) is a
straightforward CD Remaster of the 11-track 1970 LP and plays out as follows
(35:13 minutes):
1.
Lady D'Arbanville [Side 1]
2.
Maybe You're Right
3.
Pop Star
4.
I Think I See The Light
5.
Trouble
6.
Mona Bone Jakon [Side 2]
7.
I Wish, I Wish
8.
Katmandu
9.
Time
10.
Fill My Eyes
11.
Lilywhite
Tracks
1 to 11 are his 3rd studio album "Mona Bone Jakon" - released April
1970 in the UK on Island ILPS 9118 and August 1970 in the USA on A&M
Records SP-4260. Produced by PAUL SAMWELL-SMITH (all songs by CS also) - it
peaked at No.63 on UK LP charts in June 1970 (didn't chart USA).
Musicians
CAT
STEVENS – Guitars and Keyboards and Lead Vocals
ALUN
DAVIES – Additional Guitar
JOHN
RYAN – Bass
HARVEY
BURNS - Percussion
PETER
GABRIEL - Flute on "Katmandu"
DEL
NEWMAN - Arranged "Maybe You're Right", "Pop Star" and
"Lilywhite" - all others arranged by Cat Stevens
The
12-page booklet reproduces the handwritten lyrics that were on a rare insert
that came with original UK 'Pink Island' label vinyl LPs back in April 1970.
Starting a long tradition that would continue throughout the whole of the
Seventies - the front cover artwork is his own painting - the rear sleeve
colour photo is on the last page. It's a damn shame that no-one thought to
expand the booklet into even the most basic liner notes (a history) – or repro
the rare UK picture sleeve to the 3-track Maxi-Single for "Lady D'Arbanville"
on Island WIP 6086. That Maxi Single and its June 1970 release went Top Ten to
No. 8 helping the LP to actually chart in the UK at the lowly placing of No. 63
("Time" and "Fill My Eyes" were the B-sides).
BILL LEVENSON
supervised the reissue while TED JENSEN did the Remaster from original two-track
analogue master tapes at Sterling Sound in New York in December 1999. This CD
sounds gorgeous - all the instruments clear, strong and present in your
speakers. As it's largely acoustic too - it rattles with beautiful clarity...
It
opens with an obvious single - the lovely mid-paced "Lady
D'Arbanville". Actually it's darker than its pleasant strum would
initially suggest - the warmth of that acoustic soundstage countered with
cheery lines like "...in your grave you lie...I'll always be with you...this
rose will never die..." A hurting smoocher follows - this time Cat leading
with piano on "Maybe You're Right". It’s a rather stunning little
song that sounds like it could easily have been on "Tea For A
Tillerman". With it's strings and deep melody - I can't help thinking it
would have made a great follow up 45 - but Island let "Lady
D'Arbanville" be the only 7" single lifted from the album. The rather
acidic "Pop Star" whines just a little too much and just seems
strangely out of place (a B-side) - but at least as he sings "...going to
the cold bank..." the acoustics are crystal (a great transfer this). Side
1 ends with "I Think I See The Light" - a slight return to the Pop
sound of the Deram days - and the beautiful "Trouble" - a song that
exudes a tangible hurt (superb remastered sound).
Side
2 opens with the short and echoed title track "Mona Bone Jakon" where
he sings 'jack-on' and tells us 'it won't be lonely for long' - whatever that
means. A pencilled face with a closed-up mouth stares down at the lyrics for
"I Wish, I Wish" in the booklet (his own sketch) - a strange hybrid
sound that's somewhere between Deram and Island - and dig that fabulous
Acoustic Guitar solo (Alun Davies I'd swear). The catgut strings of a Spanish
acoustic guitar squeak throughout "Katmandu" where we hear the
occasional Flute flourishes of Genesis' Peter Gabriel making a few bob before
stardom on Charisma Records. It's a tad hissy this track but the audio is
magnificent - Jensen has wisely let it breath.
At 1:26 minutes "Time"
is short but wow what a gorgeous little melody - him on acoustic with the
occasional piano note nipping in and out like a jet (treated production). It
segues into the equally pretty "Fill My Eyes" - a song with a sweet
chorus. It finishes on another LP highlight - the ballad "Lilywhite"
- Newman's arrangement of those big strings and cello notes elevating the song
into something special - especially in that gorgeous fade-out passage.
"Mona
Bone Jakon" isn't as special as the "Tea For The Tillerman" and
"Teaser And The Firecat" LPs that would follow and make his name -
instead it's a four-star effort 'getting' to those two stabs of genuine
five-star greatness. But it has those moments and exudes the sort of acoustic
melodies and song-sound that made Cat Stevens such a global musical phenomenon.
Reacquaint yourself with this tunesmith's beginnings...especially with its fab
new audio...
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