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Saturday, 8 December 2018

"The Marvelous Mrs. Maisel: Season 2" keeps up the brilliance of 2017's Season 1 and is a 2018 Christmas TV treat - A Review by Mark Barry...





"No More Schlongs For My Wife Please!" 

Season 2 of "...Mrs. Maisel..." Keeps Up The Brilliance of Season 1…

Everything about this 10-part Season 2 of "The Marvelous Mrs. Maisel" rocks - the money spent on the stunning sets and clothes (runs "The Crown" a close second for sheer sumptuousness), the witty and knowing rapid fire dialogue by a whole troupe of actors clearly having a blast and realizing they're into something special (something the public really likes too) and all of it so damn likeable in a 2018 television arena splattered with dystopian-world gore, murdered women and abducted children and other stuff that grips and impresses but ultimately leaves you feeling slightly soiled or in need of a shower.

While Rachel Brosnahan and Alex Borstein are mainlining every moment as the principal leads Miriam 'Midge' Maisel the Jewish housewife stand-up comedienne and her butch lesbian Manager Susie Myerson who is sleeping on the benches of the Gaslight Club in Greenwich Village because she can't afford NYC apartment rent (a street-fighter for her client's God-given genius and a foul-mouthed humour-machine that lifts up the screen every single time she appears) - the writers have smartly also upped the ante and screen-time for the parents on both sides of their nutty families. The truly fantastic Tony Shalhoub and Marin Hinkle as the adapting-to-a-new-world Jewish parents Abe and Rose Weissman (Midge's well-to-do Mum and Dad) bring on the chuckles in their cartloads – their huge dialogue passages like a great Woody Allen film firing on all sixes (there's a scene where Rose his wife has to paint a nude male model in a college art class and Abe’s pleading to the befuddled Dean of the school about art and nudity is hilarious – Abe’s fussing over a vacation to the Catskills where he uses miniature models to plan the packing down to the last cubic foot before they leave New York).

Over on Midges husband's side - Kevin Pollack and Caroline Aaron expertly play the deadpan Moishe and hyperactive-talkative Shirley Maisel (Joel's parents). Pass-remarking about Catholics and the second world war and constantly fretting over their children and the suitability of other people's families - they stash wads of dollar bills in secret locations (they like America but don't trust their banks) and then hand-write the whereabouts of these rubber-banded moneyballs on treasure maps that only they can read. A permanently hysterical mum, Rose Maisel suspects her son living at home may be gay because he has male friends over to his room that aren't married. Throw in Luke Kirby utterly electric as the legendary outlaw comic Lenny Bruce (getting arrested once again) and Bailey De Young as the fitness-husband-obsessed Imogene Cleary (Midge's best friend) and you've an inkling of the huge ensemble cast that quickly has you reaching for superlatives.

But coming through all of this is Michael Zegen as the much-maligned husband Joel who cheated on Midge in the first place thereby precipitating family carnage at every level in uptight late 50s New York - an ex husband now seriously regretting his mistake. As an actor usually playing a hood or an NYC spiv - Zegen has been around for years in huge TV shows like Girls, Mad Men, Boardwalk Empire, The Walking Dead and has featured in many movies - but this is surely his breakthrough role. A character that at first you didn't like and wanted gone has morphed over the seasons into a stand-up guy who realises his extraordinary wife is a star and needs her space to shine and Zegen has to realistically get across his character's acceptance of that. As Joel Maisel slowly takes over the economic and physical mayhem that is his father's clothing business - the wit is upped - but more importantly so is the emotion and pathos (a scene where Midge phones Joel from a Paris payphone to try to salvage their marriage is both heartbreaking and rings true to the cruelty of life sometimes). Midge and Joel Maisel love each other and his stupid ego has cost them and their children badly and he will spend most of Season 2 realizing he has to win that back - even if handsome competition in the Catskills is already moving in on his gorgeous gal.

Part of the Amy Sherman-Palladino's school of comedy (she was behind "Gilmore Girls") - the zippy Jewish fun of "The Marvelous Mrs. Maisel" and its first Season won over 15,000 Five-Star positives on Amazon.com alone and then went on after a slow burn realization to nab two Emmys at the beginning of 2018 - one for best comedy drama and one for its smart, funny and hugely-likeable lead - Rachel Brosnahan. And it is easy to see why – the writing in this US show is fantastic and enough to make any budding writer grin whilst at the same time feel just a tad envious. Thankfully episode after episode in Season 2 of "Mrs. Maisel" proves there is good telly out there that doesn't have to bludgeon you over the noggin or make you wretch.

For sure it won't be for everyone but like most I'm in love with this fabulous US TV show and I wish Amazon would put both seasons out soon on either DVD or BLU RAY so I could own them permanently because they're unavailable anywhere in the world at the moment as a hard copy on either format (apart for promo DVDs for the 1st season which have now become expensive auction site items).

In our loopy household and in the lead up to the 25th of December, we're valiantly resisting our inner binge impulses and trying (but mostly failing) to stagger episodes of Season 2 to 'one a night'. But one things for sure and like last year - "The Marvelous Mrs. Maisel" is going to be our top Xmas viewing once again.


Schlemiels rock and schlongs rule! Check out this smart and touching TV joy and as a wiser Irishman than I once said – "...Goodnight, and may your God go with you…"

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