“The Band’s Visit”. A Review of the 2007 Israeli Film on DVD.

“It’s The Sound Of The Water And The Waves…You Can Hear The Whole World…Like A Symphony…”

When the blue-uniformed Egyptian police band 'The Alexandria Ceremonial Orchestra' gets lost in small town Israel on its way to an Arab cultural centre where they're supposed to play, it sets the scene for personal and ideological differences to be tested and turned around - and the results are both achingly funny and truly life-affirming. "The Band's Visit" has clocked up over 35 International Awards and having enjoyed every rather lovely and quirky minute of it, I can easily see why it's captured the hearts of so many.

Tewfiq - the regimental, guarded and awkward 65-year old bandleader - is played with truly stunning restraint by veteran Arab actor SASSON GABAI - who in turns strikes up an unlikely relationship with the town’s feisty and vibrant 35-year old café owner Dina - played with relish and gusto by the gorgeous RONIT ELKABETZ – an actress who lights up the screen every second she’s on it (both are pictured below). This woman has a choker of gold around her ankle and her toenails are painted – any interesting man who comes to her ‘dead’ town had better watch out. Tewfiq is an interesting man – despite their huge age difference. But he’s also the sort of old school gentleman who will open a door for a lady, but won’t answer her probing personal questions – even if love ‘is’ on the cards…

The orchestra of 8 has its youngest member in the womanizing romantic that is Halib - played by the handsome SALEH BAKRI. The scene where he sings “My Funny Valentine” to a pretty receptionist behind a glass protection panel at the airport is both hilarious and touching.

In some respects not a lot happens in “The Band’s Visit” – hours pass, backgammon is played, roads lined with thousands of overhanging streetlights stretch out for miles in either direction without a car every bothering the shimmering tarmac. A fork falls on the kitchen floor, someone clips a moustache, a hat is hung over a picture of a tank so as not to offend. But then – against all this boredom and monochrome existence – you’re hit with scenes of unexpected tenderness. There’s a local lad waiting all night by the town callbox for his girlfriend to call. The shy and awkward band member played superbly by KHALIFA MATOUR sitting on the bed of the family who have offered him overnight accommodation; he’s watching their baby boy sleep - when he suddenly gets the notes in his head to finish that concerto for clarinet he’s been writing but sadly never finished. His face as he realizes his dream. Or in the local dancehall, the impossibly awkward and shy lad Papi - who wants an equally awkward and equally shy girl - is helped by the woman-knowing Halib – it’s as funny and as tender as cinema gets – truly fantastic stuff (all three are pictured below).


Alongside the silences is the other character - Music - and its ability to break down barriers, bring people together, dissipate awkward situations. It features heavily throughout the film and it gives the piece its emotional heart. The father of the family who sings Gershwin’s “Summertime” at the dinner table and all the religions join in; the pop music on the radio in the car breaking the silence for the youngsters as they drive through Saturday night; the band practising an Arabic lullaby in the warm evening air outside the town café…

But there’s better than that. There are about five scenes with Tewfiq and Dina where their discussions about men and women and marriage and children – are just electrifying – and its easy to see why so many of those International Film Awards were for the screenplay which the Writer/Director ERAN KOLIRIN freely admits took 9 years to perfect. Dina is lonely despite her vivaciousness and Tewfiq has deep hidden pain. When Gabai and Elkabetz are together, they’re dialogue and interaction really are something else – both of them rising to the great material. (His discussion about fishing being the most ‘important thing in the world’ gives this review its title).

If you were to highlight downsides, they’d only be minor niggles - the entire end credits rolling up in front of you are in Arabic and not in English so you can’t understand a single word - nor know who did what. And in the Special Features Section - the Photo Gallery pictures many of the actors without telling us Westerners who they are. Sloppy. However, these are countered by a lovely 20-minute “Making Of The Fairy Tale” featurette, which has interviews with the director, the music editor HABIB SHADAD and the principal actors - and is both warm and very illuminating.


With Arabs and Jews, Palestinian and Israeli artists all making this movie together - “The Band’s Visit” is Israeli cinema coming of age and something of a cultural milestone. It’s about music and love and made with the same. Eran Kolirin has produced a little gem out of all that political mayhem and personal demarcation – and he and his crew should be rightly proud of it.

Like “Caramel” and “The Namesake”, this is a foreign film that does not dwell on the extinction of life, but the living of it. I was deeply moved.

Put “Bikur Ha-Tizmoret” or “The Band’s Visit” high on your rental/to buy list – highly recommended.

“The Adventures Of Baron Munchausen” - Terry Gilliam's Movie. A Review of the 2008 BLU-RAY Edition.

Sometimes you despair. A new format is trust upon us - and an opportunity is presented to the movie industry to finally to do the business by their classics - and what do they do - they give us the same old dull stock and rip us off by getting us to pay more for it.

Twenty years on, Terry Gilliam's 1989 fantasy epic is still extraordinary - inventive, funny, touching, and on a scale few movies today would even dare to go near. Unfortunately, the 2008 transfer of it to the new format is more Blur-Ray than Blu-Ray. And while it's not awful all the way through - it's not far off it. For large parts of the film there's grain and blocking - the colours in some instances are better for sure - but it's also obvious that little or no restoration has been done to the print - when like "Time Bandits" - here is a fantasy film that is crying out for a clean up - and would surely have been much more commercially viable if it had been cleaned up - and a big deal made of it (even a re-launch in the cinemas?).

The extras mimic the special edition DVD issue - reviewed elsewhere - nothing great.

When you see "Cool Hand Luke" or "Zulu" or "2001: A Space Odyssey" on BLU RAY, the clean up work is immediately apparent and evident throughout the entire film - making them an enjoyable 'spot-the-difference' experience for the whole duration. But you know you're in trouble with "Munchausen" the second the washed out "Columbia" logo comes up at the beginning - I've seen crinkled videotape look better than this. What a huge disappointment and what a disservice to a really great fantasy film. I can only think of the gobsmacking beauty of Uma Thurman as she appears in a seashell to cheer myself up...

Unfortunately this release is why Amazon reviews are necessary. Avoid this overly expensive poor reissue unless you absolutely have to own it...

“Flashbacks Of A Fool”. A Review Of The 2008 Film on DVD.

“I Would Do Anything For You…I Would Walk A Thousand Miles…Read You My Secrets…”

Having just had a threesome with two luscious naked babes in the silk sheets of his bedroom (itself the size of Terminal 5) and having just stuffed up his hooter enough pharmaceuticals to paralyse the entire population of Vancouver, Daniel Craig then stands on the balcony of his multi-million-dollar Malibu home overlooking the Pacific ocean in his linen strides – and sighs – where did it all go wrong???

Some people think it started here…because some folks have asked how this film even got made. Reactions to “Flashbacks Of A Fool” have been very mixed – some calling it utter tosh - while others have been deeply moved by it and awarded it 5 stars. Personally I enjoyed the movie immensely – not a masterpiece by any stretch of the imagination - but there was an awful lot in “Flashbacks Of A Fool” to enjoy and nice to see a varied troupe of young and more experienced actors given real meat to work with – and rising to it – all are uniformly excellent.

Freed of the acting constraints of Bond, Craig is a revelation - fantastically different as the fading Joe Scott. All twitchy, needy and in his late 40’s, Joe is a one-time famous movie star who has lived his life to excess at all times and is now growing ever more dependent on his bored black maid and packets of powder from visiting white ‘friends’. Joe Scott is all egomania and awash in the nasty distant side of himself that goes with addiction and endlessly appeased self-praise.

Then he receives some news from his ageing mum (Olivia Williams) by long distance phonecall. His young adolescent past – especially his relationship with a compliant mate called Boots (understatedly played by Max Deacon) are now coming back to haunt him. As well as Boots - whom he left in the dust so that young Joe Scott (played by a superb and visually similar Harry Eden - pictured with Craig below) could seek fame and fortune in the USA - there are also intense feelings for his first true love - Ruth Davies - played by the lovely Felicity Jones - and how he eventually treated Ruth…


Other actors include Mark Strong who has a great piece as Joe’s now impatient Hollywood agent - and the actress Eve who plays her character Ophelia Franklin, Joe’s ever-supportive but wary maid convincingly well. Jodhi May is also superb as Evelyn, a friend to Joe’s mum who is always in the Scott family kitchen with her lustful married eye on the sexually naïve, but handsome and lithe young Joe.

There’s also a particularly brilliant sequence - which many have already commented on – where young Ruth and Young Joe are dancing to Roxy Music’s “If There Is Something” from the band’s 1972 debut album “Roxy Music” (lyrics above). As young Ruth places the needle into track three of Side One, we see the pink-rim palm-tree Island label of an original vinyl LP pressing…and off she goes. She sings the words and mimes the movements of Bryan Ferry. Young Joe follows suit - falling hopelessly in love - under her magic spell - and loosing him self to a moment that will haunt him for the rest of his makeup bound life. Although its just them dancing to a Seventies song - the lyrics and the music make it intensely moving - and nostalgic too – and all of it imbibed with men’s inexplicable love for Bowie and Roxy Music and Mott The Hoople and T.Rex and…well, any music from that magical period really (Felicity Jones as Ruth and her older self played by Claire Forlani are pictured below).


The story then goes on to teenage lust, family squabbling and a terrible tragedy that wasn’t avoided by a busy-body old neighbour who’s shouting wasn’t heard (played to perfection by Miriam Karlin)…

Although the ‘flashback” sequence is very long – I thought it was brilliantly realised – especially young Joe’s awakening to the effect he has on the opposite sex – which of course is carried on into his film star years as Daniel Craig character. And although he’s a bit of an obnoxious git really and therefore difficult to like – Craig to his credit plays his character true all he way – whether he grows or not. There’s also a very satisfactory reconciliation scene with an emotionally blocked, but still very beautiful Claire Forlani…the grown-up Ruth.

Written and Directed by Baillie Walsh, the cinematography also features lovely South Australian locations dubbing as Summertime coastal Britain and original music by Richard Hartley in between the 70’s tunes.

'Growing up' has been done before so many times, so it’s hard to get a new or even fresh angle on it, but it was cleverly realised and brilliantly acted in “Flashbacks Of A Fool”. And while some have complained that Craig is only on screen for 30 minutes – man what a great half hour it is – a lot better than the half-assed crap that was the last Bond outing where I felt his heart wasn’t in it at all. Well on this film his acting is. And as the brilliant and evocative “It Ain’t Easy” by David Bowie played out the credits, I was compelled, moved and grinning from ear to ear.

Put “Flashbacks Of A Fool” high on your rental/to buy list – highly recommended.

“1000 Volts Of Holt” by JOHN HOLT. A 26 January 2009 2CD DELUXE EDITION Reissue Of The 1973 UK Classic LP On Trojan Records.

“Take The Ribbon From Your Hair…Shake It Loose…And Let It Fall…”

If you already own the 2002 46-track “Expanded Version” of this iconic UK reggae album - then you’ll want to know if this January 2009 2CD DELUXE EDITION with its meagre 39 tracks is worth buying – yet again! And yes and no is the typically infuriating answer…

There’s a lot on here, do let’s break it down first…

Disc 1 is entitled 1000 VOLTS…PLUS! (67:31 minutes):
1. Never, Never, Never [Shirley Bassey cover]
2. Morning of My Life [Bee Gees cover]
3. Stoned Out Of My Mind [Chi-Lites cover]
4. Baby I’m-A-Want You [Bread cover]
5. Help Me Make It Through The Night [Kris Kristofferson cover]
6. Mr. Bojangles [Jerry Jeff Walker/Nitty Gritty Dirt Band cover]
7. I’d Love You To Want Me [Lobo cover] (End Of Side 1)
8. Killing Me Softly With Her Song [Roberta Flack cover]
9. You Baby [Ronettes cover]
10. Too Much Love [Bread cover]
11. Girl From Ipanema [Astrid Gilberto cover]
12. Which Way You Going Baby [Susan & Terry Jacks of The Poppy Family cover] (End of Side 2)
Tracks 1 to 12 are the November 1973 UK LP “1000 Volts Of Holt” on Trojan Records TRLS 75 (it finally charted in early 1975)

13. Morning Of My Life
14. Stoned Out Of My Mind
15. Baby I’m-A-Want You
16. Help Me Make It Through The Night
17. Mr. Bojangles
18. Too Much Love
19. Girl From Ipanema
20. Which Way You Going Baby
Tracks 13 to 20 are Bonus Tracks (Jamaican Mixes). Only 2 of the Jamaican Mixes are previously unreleased - “Morning of My Life” and “Too Much Love”. The version of “Too Much Love” on the 2002 set is an extended mix at 4:21 minutes while this DELUXE EDITION cut is an edit at 2:40 minutes. Although the other 6 tracks were on the 2002 set, it should be noted that like the album, they’re all in VASTLY IMPROVED SOUND on this DELUXE EDITION.

Disc 2 is entitled 4000 VOLTS OF HOLT - RARE & UNRELEASED MASTERS
(60:30 minutes)
1. I Don’t Want To Be Lonely
2. It’s Just Because
3. My Eyes
4. Love And Affection (aka Sweet Vibrations)
5. Here Today (Gone Tomorrow)
6. If I Could Hear Her (aka Blue Dawn)
7. I Could Dance All Night
8. Maybe Some Day
9. I Played The Fool [writer unknown]
10. Got My Head On Straight
11. Come Dance With Me
12. Good Morning Sun
13. Room Full Of Tears
14. Only You
15. Lonely Times
16. Sweet Malinda
17. Love So Right [Mac Davis cover]
18. Baby Don’t Get Hooked On Me [Mac Davis cover]
19. Just The Way You Are [Billy Joel cover]
All songs on Disc 2 are written by John Holt - except where noted.
Tracks 16 and 19 are from 1979 - while 17 and 18 are from 1980.
The other 15 are PREVIOUSLY UNRELEASED (most from an aborted album in 1975).

The 20-page booklet has photos, singles pictured, trade adverts and a detailed track-by-track breakdown of the album by LAURENCE CANE-HONEYSETT (he co-wrote the superb book “Young, Gifted & Black; The Story Of Trojan Records” - see separate review).
The 4-way digipak is the same as the “Tighten Up” DELUXE EDITION of 2008, the flaps have photos from the period, the see-through trays that hold the CDs have the album details underneath - and the orange and white coloured CD labels mimic the original UK 1973 Trojan vinyl LP. All of it very nicely laid out.

SOUND:
Remastered by TIM DEBNEY at Fluid Mastering, the sound quality is really fantastic and a vast improvement on the now dull-sounding 2002 issue – I’d say the tracks are now twice as loud – and not loud for the sake of it - but clear – the bass and percussion in particular, so sweet now. The improvement of sound thankfully also extends to tracks 13 to 20 (the Bonus Jamaican Mixes), which are so much more ‘reggae’ than the released soft soul versions – more edgy and genuinely excellent bonus tracks. Considering how rough most Reggae can sound - a really great job done has been done here.

While you could say that Disc 1 is a triumph (especially soundwise), I’m not so sure about the rather weedy poppy tracks on Disc 2 – they’re the sorts of lightweight pop-soul-reggae tunes that many fans and purists hate. The sound quality is excellent though. Highlights for me include “Too Much Love”, “My Love” and “It’s Just Because”. Lyrics from the huge international hit "Help Me Make It Through The Night" are the title of this review.

I saw this in a certain Megastore on Oxford Street the week of release for two coins above a twenty spot, which is a ridiculous rip off. If you can lay your hands on it at a good price - between £12 and £14 - then I’d say the DELUXE EDITION is a good buy.

Four out of five stars then.

PS: see also reviews for the DELUXE EDITIONS of the Various Artists compilation “Tighten Up” and Symarip's “Skinhead Moonstomp” (pictured below).

PPS: Dear compiler boffins at Universal - now please do "Tighten Up Vol.2" and 3 and 4 and 5 and...

“Married Life” – The Movie. A Review of the 2008 Film on BLU RAY.

“Did We Build Our Happiness On The Unhappiness of Others…?”

Name-checking the top grade cast in "Married Life" - a sort of 40's/50's film noir tale of marital shenanigans - will be enough to draw most movie lovers in. And while Patricia Clarkson and Rachel McAdams are typically lovely, deep and believable in their roles, it's the two men - Pierce Brosnan and Chris Cooper - who really get to shine.

Its directed by IRA SACHS (pictured below) and adapted by him and ORAN MOVERMAN from the 1953 book by JOHN BINGHAM called "Five Roundabouts To Heaven".
Narrated by Richard (Brosnan's character), you just know you're going to enjoy this story when you hear him casually say, "I always thought marriage was a mild kind of illness...like the Flu or Chicken Pox...to which I was safely immune". Brosnan's tone throughout the narration changes - at first it's sly and laidback and suave - so you're not sure if he's the good guy or the bad guy - or both - and nor do you want to know - because in this clever and beautifully revealing film, the finding out is half the fun...

And who out there in movie land doesn't want to see a film with Chris Cooper in it? Harry (Cooper's character) is in a stagnating but not entirely loveless marriage to Pat (Clarkson). Then along comes the young, alive and beautiful Kay (McAdams) who stirs Harry's very soul - but alas also grabs the loins of the caddish Richard (Brosnan) - his lifetime buddy and pal. Friendships are tested, plots are formed and everyone drinks loads of scotch and smokes acres of cigarettes and acts as if nothing is wrong...

The boys as you can imagine - given meaty material - are great. Warm, cold, up, down - Cooper layers his performance - and he slyly fools you too by doing so. Brosnan is still great eye-candy and effortlessly charming - caddish one moment - genuine the next - he plays his character both ways - and does it very, very well. McAdams is enough to make most grown men weak at the knees and Patricia Clarkson - who probably has the least likeable of roles - makes you empathize with here character as a real person - a great performance from a genuine class act. In fact, you can just 'feel' how all the actors are rising to the slyness in the story - and you suspect they thoroughly enjoyed both working off each other and making this intelligently written little gem.

Visually it's period Americana - were in MAD MEN territory here - it's gorgeous to look at - and very "Shawshank" in places on the outdoor scenes - an absolute blast to view on Blu Ray.

The real unexpected pleasure, however, comes in 3 fully realised Alternate Endings that are almost as enjoyable as the entire movie - and without spoiling it - they take the story to other places - and brilliantly too. Brosnan - in particular - is exceptionally good.

There's a commentary by director and co-script writer Ira Sachs, but it's a damn shame there isn't an on-set segment - because here's actors and a movie you admire - and that would have been just great to get the writer and director's perspective too outside of hearing the entire film commentary

Not a masterpiece for sure, but a great little watch nonetheless and one that deserves your attention.

"Did We Build Our Happiness On The Unhappiness of Others...?" Brosnan asks towards the end of his voice over - watch this 'classy' little noir thriller to find out...

“Daisy-Fresh From Hawthorne, California (Best Of The Dunhill Years)” by EMITT RHODES. A REVIEW of the 1998 UK-only CD Compilation on Edsel EDCD 569

EMITT RHODES is part of my Series "SOUNDS GOOD: Exceptional CD Remasters 1970s Rock And Pop" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"I Was Dying Inside...I Was Hoping You'd Come Along..."

In truth, there was a time when you couldn’t give away Emitt Rhodes albums here in the UK, but something of a rediscovery of his music has taken place in the last two decades that has brought his LPs out of the bargain bins and into the eBay lists. A quick scan of the alarmingly high CD prices on his reissues will also quickly confirm this.

Hailing from Hawthorne (a suburb in Los Angeles), Rhodes first came to prominence with the US sixties group “The Merry-Go-Round” who made one album for A&M in 1967, their self-titled debut “The Merry-Go-Round”. Around the album, they issued a wad of singles, but neither bothered the charts. These releases are quite sought after now. Even this July 1998 UK-only CD compilation on Edsel EDCD 569 is now quite rare.

Vocally Rhodes is a cross between Nilsson on “Nilsson Schmilsson”, Todd Rundgren on “Something/Anything?” and Ron Mael of Sparks on “Kimono My House”. But there is also the Beach Boys and Dennis Wilson vibe too. With all these cool influences bounding around, his songs and their arrangements have aroused a lot of interest in those who like their Seventies tunes melodic and layered. His first album is probably his most popular and fans will be glad to see it represented here in its entirety. Impressively, all 22 songs on here are written, played and arranged by Emitt Rhodes.

The 12-page booklet has informative liner notes by ALAN ROBINSON, but there is no mention of mastering or remastering - and unfortunately the sound varies wildly – I’d say most of it is ok rather than great. A lot of the tracks are hissy, but they’re also punchy enough to be acceptable.

While I like the 1st LP, for me the song writing improved immeasurably on “Mirror”. I especially love “Better Side Of Life” and “Really Wanted You” (lyrics above) – very Dennis Wilson – and in a really good way.

There was an album called “The American Dream” issued in the USA in April 1971, but it contained the Merry-Go-Round tracks and other unreleased stuff from 1967 to 1968. It is not represented on this comp…


Here’s a detailed breakdown of the tracks that are (65:01 minutes):
1. With My Face On The Floor
2. Somebody Made For Me
3. She’s Such A Beauty
4. Long Time No See
5. Lullaby
6. Fresh As A Daisy
7. Live Till You Die
8. Promises I’ve Made
9. You Take The Dark Out Of The Night
10. You Should Be Ashamed
11. Ever Find Yourself Running
12. You Must Have
Tracks 1 to 12 are the entire debut album “Emitt Rhodes” first issued December 1970 in the USA on ABC/Dunhill DS 50089 and then on Probe Records SPBA 6256 in the UK in February 1971

13. Birthday Lady
14. Better Side Of Life
15. Mirror
16. Really Wanted You
17. Golden Child Of God
Tracks 13 to 17 are 5 of the 10 tracks on his 2nd album “Mirror” issued on ABC/Dunhill DSX 50111 in the USA in November 1971 and on Probe Records SPBA 6262 in the UK in December 1971

18. Warm Self Sacrifice
19. Blue Horizon
20. Shoot The Moon
21. Only Lovers Decide
Tracks 18 to 21 are 4 of the 12 tracks on his 3rd album “Farewell To Paradise” issued September 1972 on Probe Records SPBA 6266 and ABC/Dunhill DSX 50122 in the USA.

22. Tame The Lion
Track 22 is a non-album A-side. In the UK it was on Probe Records PRO 565 and in the USA on A&M 4315, both issued in 1972. “Golden Child Of God” - an album track off “Mirror” - is its B-side in both countries.

“Daisy-Fresh…” is a good compilation – if you can find it.

Recommended – even at a cost.

PS: Dear Universal - surely an extensive Hip-O Select box set is in the making here?

“…Anything Built Like That….Gotta Be Named Lucille…” The Movie COOL HAND LUKE on BLU RAY Disc – A REVIEW.

Originally released in the cinema in late 1967, like most people, I came across the fantastic "Cool Hand Luke" on a piddly little television set at home, sometime in the mid Seventies. And like most folk, I've loved it and its indomitable spirit ever since.

Fast-forward to September 2008, and it arrives on the shiny new Blu Ray format - and to see it all cleaned up and pucker like this - and on a juicy big plasma screen too - is a treat few movie fans will be able to resist.

As close to `beautiful' as a man could get, Newman shone from the second he smiled in the opening credits. The rest of the cast too were just fantastic - it's almost a case of spot the famous face now - Harry Dean Stanton and the young Dennis Hopper in early roles, George Kennedy in probably his best part, Strother Martin, JD Cannon, Lou Antonio, Joe Don Baker...the list is endless...and all of it with a top screenplay by DONN PEARCE and FRANK PIERSON and complimented by a cool LALO SCHIFFRIN soundtrack.

But the real treat for lifetime fans of the film is the PRINT. From the moment you see the red steel "violation" sign fill the screen as a drunk Lucas Jackson chops the head off yet another parking meter in his hick home town with a steel cutter, you know this print has been seen to properly - and I mean properly - it's absolutely gorgeous to look at.

Most of the action takes place in the blistering heat of a Florida prison and its daily work details, so there's a sort of heat haze over every outdoor shot, but the clarity of the restored print is still fantastic. When some of the prisoners are going through the compounds gates - beautifully clear. Paul Newman as he lays on his top bunk before the 8pm curfew looking at a bare light bulb just inches away...again so clean...

And then there's the film itself...there are so many great scenes:
...the full-on sex-kitten JOY HARMON (27 at the time, but looking more like 20) washing the car in that clinging floral dress while the boys sweat nearby digging a trench in the road ("I'm dying here...") is probably one of the sexiest and most delicious scenes ever put to film (George Kennedy calls her Lucille). Strother Martin's famous lines about "communication" when one of the prisoners gets shirty, the mirror shades of "Boss" reflecting everything from the birds he shoots to approaching trucks, the boisterous and loaded card games, the egg-eating contest, hiding out in the chapel at the end of the film as `boss man' comes after Lucas...George Kennedy dying inside as the spirit of his new friend is close to being broken, but doesn't break (Kennedy won the Academy Award for Best Supporting Role)...all of it brill...and like its title...effortlessly cool.

The one real downside for me is the lack of extras - how we would have loved to have seen some on-set footage, interviews, a documentary even, but no... There aren't enough languages subtitled either (French and Spanish)...docked a star for those disappointments.

"Cool Hand Luke" on Blu Ray is a triumph. What we have here is not a failure to communicate, but a great version of a great movie.

It's just such a damn shame there isn't any extras to put that icing on the cake. Still, highly recommended.

PS: The wholesome, clean-living and entirely innocent Joy Harmon is pictured below.

“Transsiberian”. A Review Of The 2008 Movie Now Released On BLU RAY.

"Remember What Your Mother Told You...Don't Talk To Strangers..."

In 1985 I remember being glued to a tremendous chase movie by ace Japanese director Akira Kurosawa called "Runaway Train" which featured escaped convicts Jon Voight and Eric Roberts on a unmanned out-of-control speeding diesel ploughing its brutish way through the Alaskan wilderness. "Transsiberian" goes for the same canvas - only this time the malevolent monster is ploughing its way through the unforgiving wastes of Russia en route to Beijing in China.

On board the crowded behemoth are Woody Harrelson and Emily Mortimer as the hapless idealistic religious couple who are befriended by a young set of cute backpackers, the devilishly handsome South American Eduardo Noriega and the strangely silent American Kate Mara. Following close behind is Russian policeman Ben Kingsley and his less-than-decent-to-women sidekick Thomas Kretschmann. You can guess the rest...

Although the naivety of the two principal characters is a little difficult to swallow at times - especially in today's clued-up world - the story chugs along nicely - and at times grimly - from one ditzy disaster to another. Emily Mortimer is fantastic as a woman who grits her teeth and battles to save herself and her marriage to a good man - surrounded by snakes, corrupt authorities, locked doors and blocked toilets. "Transsiberian" also works of course because of the quality of its top principal cast - Kingsley and Harrelson are brilliant as always, but in different ways, and Noriega and Mara are believable delicious eye-candy any man or woman would fall for.

But almost more than the actors is the 'other' character in the movie - the terrain itself and its people. The abandoned churches, the cruddy old train stations, the dense pine forests, the drunk locals singing on the crowded carriages showing off their Gulag war wounds - it's a world you rarely see in cinema nowadays - and therefore brings a freshness to the story that makes it all so mightily watchable. And all of this is told with a backdrop of dread lingering over their every move - the feeling that as an American or a European, if you actually were lost in the wilds of the snowy tundra, then who'd find you? And in the corrupt halls of Russia's infrastructure, who'd even care? A clever angle on an old story.

Trundling its way to a very satisfactory conclusion, Paul Anderson's film must have been a cinematic treat at the local fleapit. My DVD version was o.k., but a friend of mine played me the American Blu Ray version which came out in the States last year (it's due Feb 2009 in the UK) and it is gobsmacking to look at - it makes a HUGE difference to your enjoyment of the film. Buy or hire that version - rather than the DVD.

"Transsiberian" is a very entertaining watch - not a five-star masterpiece by any means - but a great ride nonetheless. Highly recommended.

“The Eagle Has Blearily Landed On Blu-Ray…”

"The Eagle Has Landed" on Blu Ray only confirms what most film fans fear the most - film companies are only too willing to screw us again. While the print isn't exactly the direst I've ever seen - it isn't exactly clean or clear either - which is what you want on this new format. The print in my opinion is awful throughout - blurry, washed out and undefined.

Sure it looks ok from a distance, but that's about it! And the outer box cleverly avoids any mention of a remaster or a clean up. There are no extras on it either. When you look at the pristine transfers given to "Zulu", "2001: A Space Odyssey", the "Bond" movies or even the beautiful print on "The Shawshank Redemption" - all 'old' movies that have been cleaned up properly - then you know what a dog this presentation is.

You wouldn't mind if the movie was any good either - it isn't. First we're treated to Robert Duvall and Anthony Quail playing Germans officers to almost laughable effect, then Michael Caine appears as the 'good' German paratrooper who tries to save a Jew (as if they'd even bother), and the icing on this particularly twisted cake finally comes with Donald Sutherland playing the 'top of the morning' Irishman, an IRA conspirator with a whiskey in his hand and a smile on his face. His hammy performance is an embarrassment - all of them involved in a last-ditch plot to capture Churchill.

Time hasn't been kind to "The Eagle Has Landed" I'm afraid. Instead of being a great yarn - it now comes across as a God-awful film. But this review is for those who do like the movie. What I'd say is this - save your hard earned if you're hoping for a picture upgrade on the new format of Blu Ray. Try to hire it first if you can, so you can see for yourself just how washed out it looks. A big disappointment.

Unless you absolutely adore this film - avoid like the plague.

“Driving Wheel” by LITTLE JUNIOR PARKER. An Iconic 1962 US Album on Don Robey’s Duke Records Given A 2006 CD Remaster and Reissue by HIP-O SELECT…

Originally issued in 1962 on Duke Records DLP-76 in its rare full-colour "Cadillac" sleeve (pictured above), the album was re-issued a year later in 1963 (also DLP-76) and yet again in 1974 as part of the ABC/Duke reissue series on DLPX-76. Both the 1963 and 1974 reissues used the 'driving wheel' artwork (pictured below).


This 12-track Hip-O Select CD reissue of November 2006 (B0006408-02) unfortunately uses that same artwork...and as you can see, it's staggeringly dull. When you see the beautiful original artwork, you realise what a sloppy choice Hip-O Select has made here.

There's no booklet either, just a next-to-useless one-page inlay barely offering any info, no history of the record, no photos, not even session details, no singles pictured - nothing! And when it does give us info, it gets it wrong - it quotes the album as being issued in 1973 and its catalogue number as being DLPX-76 - the 1974 reissue catalogue number! There's no bonus tracks either (see 7" singles below) - a bit slap dash to say the bloody least.

Still, it is remastered by noted engineer GAVIN LURSSEN and given that the songs were put down using less than fantastical recording techniques, he's done a remarkable job - very clean and evocative of early Sixties Chicago blues - even if the echoing mono recordings sound a little like re-channelled stereo from time to time. With brass on almost every track, the sound is loud and takes some getting used to - but when you do, the album becomes so enjoyable - one gem after another. At times it sounds like the "American Graffiti" soundtrack - evocative of cars and girls and drive-ins...

Here's the breakdown (29:04 minutes):
1. Driving Wheel (a Roosevelt Sykes cover)
2. I Need Your Love So Bad (a Percy Mayfield cover)
3. Foxy Devil (a Deadric Malone song)
[Deadric Malone is a pseudonym for DON ROBEY; Robey owned Duke & Peacock Records and was a prolific songwriter)
4. Somebody Broke This Heart Of Mine (a Deadric Malone song)
5. How Long Can This Go On (a Junior Parker song)
6. Yonders Wall (an Elmore James cover)
7. Annie get Your Yo-Yo (a Deadric Malone/Joseph Scott song)
8. Tin Pan Alley (a Robert Geddins cover)
9. Someone Somewhere (a Junior Parker song)
10. Seven Days (a Junior Parker/Deadric Malone song)
11. The Tables Have Turned (a Junior Parker song)
12. Sweet Talking Woman (a Deadric Malone song)

USA 7" singles off and around the album were:

1. "Driving Wheel" b/w "Seven Days", May 1961 on Duke 335
2. "In The Dark" b/w "How Long Can This Go On", November 1961 on Duke 341
3. "Annie Get Your Yo-Yo" b/w "Mary Jo", February 1962 on Duke 345
4. "I Feel Alright Again" b/w "Sweeter As The Days Go By", 1962 on Duke 351
5. "Foxy Devil" b/w "Someone Somewhere", 1962 on Duke 357
6. "The Tables Have Turned" b/w "Yonders Wall", 1963 on Duke 367

As you can see from the two lists above, only 8 of the 12 tracks across the 6 singles are featured on this CD - and with a bit of effort on the part of Hip-O Select, the remaining 4 could have been included as bonus tracks. "In The Dark" and "I Feel Alright Again" are available on other compilations, but to my knowledge "Sweeter As The Days Go By" and "Mary Jo" aren't.

If you wanted a taster of how the CD sounds, iTunes is offering the entire album as a £7.99 download - check out the lovely "Someone Somewhere" (the title of this review is lyrics from it) or the Ruth Brown Atlantic rhythm and blues feel of "Foxy Devil" and you'll get a good idea of what "Driving Wheel" is like.

A legendary "Hall Of Fame" blues album - docked a star for Hip-O Select's less-than-stellar reissue of it.