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Tuesday, 21 December 2010

“Juicy Lucy” by JUICY LUCY (2010 Esoteric Recordings 'Expanded Edition' CD Remaster) - A Review by Mark Barry...



JUICY LUCY are part of my Series "SOUNDS GOOD: Exceptional CD Remasters 1970s Rock And Pop" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"…Walked 47 Miles Of Barbed Wire…Used A Cobra Snake For A Necktie…"

Sandwiched between "Valentyne Suite" by Colosseum (VO 1) and "Chapter Three" by Manfred Mann (VO 3) - "Juicy Lucy" by JUICY LUCY was only the 2nd album ever released on the then fledgling progressive rock Vertigo Label (famous for its Spiral label design). This reissue is 24-bit newly remastered reissue of that fab boogie-woogie debut LP (it was first put out by Repertoire in 1994) and features a relevant bonus track. It's also available digitally at www.losttunes.com. The quality remaster on this mid-price CD is by BEN WISEMAN at Audio Archiving in London. Here are juicy fruity details...

UK released August 2010 on CD  - "Juicy Lucy" by JUICY LUCY on Esoteric Recordings ECLEC2215 (Barcode 5013929731547) is an ‘Expanded Edition’ CD Remaster and breaks down as follows (41:07 minutes):

1. Mississippi Woman
2. Who Do You Love?
3. She’s Mine, She’s Yours
4. Just One Time
5. Chicago North-Western
6. Train
7. Nadine
8. Are You Satisfied
Tracks 1 to 8 are the album "Juicy Lucy" released September 1969 in the UK on Vertigo VO 2 (874 901 VTY)

Track 9 “Walking Down The Highway” is the non-album B-side to their debut 7" single "Who Do You Love" (Track 2 on Side 1). It was released 6 February 1970 in the UK on Vertigo V 1 and entered the UK singles chart in late March 1970 at number 28 - eventually rising to Number 14 in mid April. On the strength of that popular rocker the album also belatedly charted in the UK in April 1970 - rising to Number 41.

The 5-piece featured RAY OWENS on Lead Vocals with GLENN ROSS CAMPBELL on Lead Guitar, Mandolin and Vocals [both ex The Misunderstood], NEIL HUBBARD on Guitars, CHRIS MERCER on Saxophones & Keyboards [ex John Mayall's Bluesbreakers], KEITH ELLIS on Bass & Vocals [ex Koobas and Van Der Graaf Generator] and PETE DOBSON on Drums and Percussion.

Sporting one of those gatefold sleeves you never forget - a nude Zelda Plum covered from head to toe in soggy fruit (she turned up at some of the early gigs and danced with the boys as they played the tune) - it promised sleazy Rock’n’Roll your mother would disapprove of. And it delivered in places too - especially when Ray Owens was at the microphone.

But therein lay the problem with this record and this band. With him to the fore, they had the kind of attention-grabbing growling vocalist they needed with a voice that sounded like a cross between Captain Beefheart and the US DJ Wolfman Jack. But of its 8 tracks only "Mississippi Woman" and "Who Do You Love" featured Owen on Lead Vocals. Glenn Ross Campbell handled the others ("Just One Time" and "Chicago North-Western") with Keith Ellis ("She's Mine, She's Yours", "Train", "Nadine" and "Are You Satisfied") - who was nowhere near as good. It meant that those who'd bought the single and expected more of the same felt short-changed.

Having said that - there's absolute gems on here. Their own "Mississippi Woman" is a cracking rock track while the eerie slow-paced menace of "Just One Time" has graced many of my Shop Play CD compilations - it's hard to categorize but its utterly brilliant. Their cover versions of Chuck Berry's "Nadine" and Buddy & Herb Rich's "Train" are good rather than great and "Chicago North-Western" sounds like sub-standard Allman Brothers. But it ends well on the mandolin-driven Dr. John voodoo of "Are You Satisfied". The non-album B-side is excellent too - far better than it had any right to be. 

But then you're back to their rip-roaring incendiary cover of Bo Diddley's "Who Do You Love" - it's the album's ace-in-the-hole (lyrics above). Loud, manic and positively dangerous for hip joint replacements - it sounds utterly astonishing even now - a full 40 years after the event. Half way through its radio-rattling 3-minute duration, Campbell just goes ape on the slide steel guitar and combined with Owen's fantastic vocal delivery, it often brings customers to our counter asking - "who the f**k is this!"

The sound quality is incredibly clean and crisp - full of power - while the 16-page booklet features a really detailed account by MARK POWELL of their transition from The Misunderstood of 1966 to Juicy Lucy of 1969. The UK inner gatefold is also reproduced, Chris Welch's original liner notes, there's pictures of the alternate Dutch, Mexican and New Zealand album artwork (more variations on a woman in fruit), the 7" single (UK Demo and Foreign Picture Sleeves) and Vertigo adverts for the album and the band. It's all very well done indeed.

There are some bands you're soppy for - and JUICY LUCY is one of them. And although some of the tracks on here don't quite live up to the wanton promise of that unbelievable single and that saucy-as-sin album cover - there's much that does...

PS: Their 2nd Vertigo album from October 1970 "Lie Back & Enjoy It" has also been remastered and reissued by Esoteric in 2010 with a bonus track - as has their 3rd LP on Bronze "Get A Whiff A This" (reissued in April 2013)

Sunday, 19 December 2010

"The Ultimate Staple Singers – A Family Affair 1953-1984" by THE STAPLE SINGERS - features Mavis and Pops Staples with Production by Steve Cropper, Al Bell, Don Davis, Curtis Mayfield, Eugene Record (and more) and Songs by Homer Banks, Bettye Crutcher, Bonnie Bramlett, Roebuck Staples, Curtis Mayfield, Donny Hathaway, Jimmy Holliday, We Three and more (September 2004 UK Ace/Kent Soul Records 2CD Compilation of Remasters with Four Previously Unreleased Tracks) - A Review by Mark Barry...





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70ts Soul, R 'n' B, Funk, Jazz Fusion
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RATINGS: 
Overall ****
CD1 is *** to ***** - CD2 is *****
Presentation *****
Mono and Stereo Audio *** to *****

"…If You're Ready (Come Go With Me)…"

Like most people I came across the Staple Singers through their fabulous run of Stax and Curtom sides in the Seventies (although their career stretched back to Gospel roots in the early Fifties). This impressive if not slightly maddening double CD by Ace Records of the UK (using their Kent Soul logo) is a thorough 30-year deep-dive retrospective for one of the most underrated Soul acts of all time. 'Ultimate' even includes four properly storming Previously Unreleased cuts and a chunky 28-page fact-filled booklet with interviews, photos, period memorabilia, 45-single labels and LP artwork etc - pretty much typical of Ace's quality. 

But - and despite my lifelong love of The Staples where I even feel like a bit of a ham saying anything negative about this legendary cross-the-barriers group - this particular 2CD compilation features rarities in one-off single sides, flips that haven't been on CD before and the occasional obscure album cut. And my point is that CD1 has an awkward listen because of it - especially the first 14 tracks that mostly cover their overtly Gospel years and that last clunker 'Solon Bushi' - a Japanese Folk Song that show have stayed in Tokyo. But outside of those personal reservations - it's pretty much joy-unto-the-rave fantastic - including four exclusives actually worthy of the moniker. Let's get into the details anyway...

UK released September 2004 - "The Ultimate Staple Singers: A Family Affair 1953-1984" by THE STAPLE SINGERS on Ace/Kent Soul CDKEN2 240 (Barcode 029667224024) offers up 44 tracks across 2 CDs covering their record label stays with United, Vee Jay, Riverside, Vanguard, Sharp, Epic, Stax, Curtom, Warner Brothers and Private I Records - with 4 previously unreleased thrown in. 

Disc 1 deals with 1953 up to 1971 (including their rare one-off 1953 debut on United Records, Track 5) - while Disc 2 covers everything after that (mostly Seventies) up to Warner Brothers and Private Records in 1984. All songs credited to The Staple Singers except Five Solo Efforts highlighted as such. Here's a breakdown...

CD1: (76:05 minutes)
1. Hammer And Nails (June 1962, US 45-single on Riverside R-4562, A-side)
2. Nobody's Fault But Mine (1962 Riverside recording first issued 1973 in the USA on the Staple Singers compilation LP "Use What You Got" on Fantasy F-9423)
3. Too Close (October 1960, US 45-single on Vee Jay VJ 893, B-side of "Pray On")
4. Uncloudy Day (November 1956, US 45-single on Vee Jay VJ 224, A-side)
5. Won't You Sit Down (Sit Down Servant) (December 1953, US Debut 45-single on United U-165, A-side)
6. I Wish I Had Answered (Live Recording from the 1964 US Various Artists LP "Newport Folk Festival 1964 - Evening Concerts Vol.2" on Vanguard VRS-9185 in Mono)
7. A Hard Rain's Gonna Fall (December 1965 US LP "This Little Light" on Vanguard Records RM 3527 in Mono - a Bob Dylan cover)
8. Swing Low (August 1962, US 45-single on Vee Jay VJ 912, A-side)
9. This May Be The Last Time (1960, US 45-single on Sharp 45-603, A-side)
10. For What It's Worth (August 1967, Epic 5-10220, A-side - a cover of the Buffalo Springfield hit written by Stephen Stills)
11. Be Careful Of The Stones You Throw (December 1964, December 1964 US 45-single on Epic 59748, B-side of "More Than A Hammer And Nail")
12. Why (Am I Treated So Bad) (May 1967, US 45-single on Epic 5-10158, A-side - Produced by Larry Williams)
13. It's Been A Change (November 1966, US 45-single on Epic 5-10114, B-side of "Pray On")
14. Will The Circle Be Unbroken (1966 US LP "Why?" on Epic LN 24196 in Mono)
15. The Ghetto (December 1968, US 45-single on Stax STA-0019, A-side - written by Homer Banks, Bonnie Bramlett and Bettye Crutcher)
16. Long Walk To DC (August 1968, US 45-single on Stax STA-0007, A-side - written by Homer Banks)
17. God Bless The Children (March 1970, US 45-single on Stax STA-0066, B-side of "Give A Damn" - 'God Bless The Children' is a Jimmy Holliday song)
18. (Sittin' On) The Dock Of The Bay (March 1969, US 45-single on Stax STA-0031, A-side - a cover version of the famous Otis Redding song)
19. The Gardener (June 1968, US 45-single on Stax STA-0039, B-side of "The Challenge" - written by We Three - Produced by Steve Cropper, Guitarist with Booker T. & The MG's)
20. When Will We Be Paid For The Work We Did (October 1969, US 45-single on Stax STA-0052, A-side - written by Randy Stewart of The Fiestas - Produced by Steve Cropper)
21. Who Took The Merry Out Of Christmas (November 1970, US 45-single on Stax STA 0084, A-side - Produced by Al Bell) 
22. John Henry - ROEBUCK "POPS" STAPLES (Previously Unissued Stax Recording - a Traditional probably recorded in 1969)
23. You're Gonna Make Me Cry (August 1971, US 45-single on Stax STA-0104, B-side of "Respect Yourself")
24. Solon Bushi (from the 1969 US LP "We'll Get Over" on Stax STS 2016 in Stereo - a cover of a Japanese Folk Song)
NOTES on CD1: 
Tracks 1 to 14 primarily feature their Gospel years with the Riverside, Vee Jay, Vanguard and Epic labels
Tracks 15 to 24 touch on the Stax issues from 1968 to 1971
Track 22 is PREVIOUSLY UNRELEASED

CD2 2: (78:14 minutes)
1. This World (July 1972, US 45-single on Stax STA-0137, A-side, Produced Al Bell)
2. I Have Learned To Do Without You - MAVIS STAPLES (June 1970, US 45-single on Volt VOA-4044, A-side, Produced Don Davis)
3. Respect Yourself (August 1971, US 45-single on Stax STA-0104, A-side - Written by Mack Rice and Luther Ingram)
4. Tryin' Times - ROEBUCK "POPS" STAPLES (Previously Unissued Version of Stax STA-0064, a US 45-single issued March 1970, the B-side of "Black Boy" - Session Probably Included Donny Hathaway and Phil Upchurch)
5. Heavy Makes You Happy (Sha-Na-Boom Boom) (November 1970, US 45-single on Stax STA-0083, B-side of "Love Is Plentiful" - Produced by Al Bell)
6. I'll Take You There (March 1972, US 45-single on Stax STA-0125, A-side)
7. You've Got To Earn It (June 1971, US 45-single on Stax STA-0093, A-side)
8. The Only Time You Ever Say You Love Me - MAVIS STAPLES (Previously Unissued Volt recording)
9. Oh La De Da (Previously Unreleased Remixed Version of US 45-single Stax STA-0156, A -side without fake audience noises)
10. If You're Ready (Come Go With Me) (September 1973, US 45-single on Stax STA-0173, A-side)
11. City In The Sky (June 1974, US 45-single on Stax STA-0215, A-side)
12. I Got To Be Myself (October 1975 US 45-single on Stax STN-0255, A-side with "Be What You Are" LP track "Heaven" as the B-side. NOTE: this 45 isn't listed in many discographies because although allocated a catalogue number, promo and stock copies never show up so it was probably unreleased, hence its rarities inclusion here. The track later appeared on "This Time Around", an April 1981 US LP on Stax Records MPS-8511)
13. Touch A Hand, Make A Friend (January 1974, US 45-single on Stax STA-0196, A-side)
14. Trippin' On Your Love - MAVIS STAPLES (Recorded circa 1975, first appeared on the April 1981 US Staple Singers LP "This Time Around" on Stax MPS-8511) 
15. Let's Do It Again (October 1975, US 45-single on Curtom CMS 0109, A-side)
16. New Orleans (January 1976, US 45-single on Curtom CMS 0113, A-side - Produced and Written by Curtis Mayfield)
17. Love Me, Love Me, Love Me (October 1976, US 45-single on Warner Brothers WBS 8279, A-side - written by Curtis Mayfield)
18. I Honestly Love You (Edit) (January 1978, US 45-single on Warner Brothers WBS 8510, A-side - Produced by Eugene Record of The Chi-Lites)
19. Slippery People (August 1984, US 45-single on Private I Records ZS4 04583, A-side - a Talking Heads cover version)
20. H-A-T-E (Don't Live Here Anymore) (April 1984, US 45-single on Private I Records ZS4 04384, A-side - Produced by Pervis Staples)
NOTES on CD2: 
Tracks 4, 8 and 9 are PREVIOUSLY UNRELEASED

Of the 20 singles they charted between 1971 and 1985 on the US Billboard R&B charts (group and solo) - an impressive 14 are here (on Disc 2) - they are "Heavy Make You Happy (Sha-Na-Boom Boom)" (1971), "You've Got To Earn It" (1971), "Respect Yourself" (1971), "I'll Take You There" (1972), "This World" (1972), "Oh La De Da" (1972), "If You're Ready (Come Go With Me)" (1973), "Touch A Hand, Make A Friend" (1973), "City In The Sky" (1974), "Let's Do It Again" (1975), "New Orleans" (1976), "Love Me, Love Me, Love Me" (1976) and "Slippery People" (1984). There's also the solo Mavis Staples torch ballad single "I Have Learned To Do Without You" from 1970.

CD1 opens with two righteous winners "Hammer And Nails" "Nobody's Fault But Mine" - but the B-side "Too Close" track might be rare but it is not great and the recording quality on the Vee Jay Gospel warbler "Uncloudy Day" sounds a lot like a hissy acetate. That is followed by their Jesus-Soul debut "Won't You Sit Down" on United Records in 1953 - another that feels like a home-recording and although I understand its historical importance - I prefer the Vanguard LP track "I Wish Had Answered" in all its warbling guitar and handclaps - lead vocals shared by Pops and Mavis - gorgeous quality for a Newport Folk Festival cut. Dylan’s Protest Song period in 1963 (featured so effectively in the film "A Complete Unknown") begins to attract the family when they cover his "A Hard Rain's Gonna Fall" - Pops in the left speaker while Mavis and her Brother and Sister fill out the right. Back to Gospel with the carry-me-home Traditional of "Swing Low" done in a near instrumental-naked manner - their voices testifying while Pops plinks away on his lone guitar. Recording values again takes a dive with "This May Be The Last Time" - a rare US 45 on Sharp Records - but after the eight that have preceded it feels like a Heavenly Reach too far. 

Better is the fantastic Stereo production values for their hip-and-happening cover of Buffalo Springfield's "For What It's Worth" - a truly great fit lyrically and musically for The Staple Singers in 1967 (how many people have covered this Stephen Stills classic). But again, we get another unnecessary B-side called "Be Careful Of Stones That You Throw" where Pops gets all spoken-preachy about nosey neighbours. But the listen is redeemed by the fantastic social-awareness of "Why Am I Treated So Bad?" - a young black girl trying to ride the bus to school - all alone as I sing this song - gorgeous audio too. Chug like Ike and Tina Turner for their calls to the President of the USA to keep his high-talking promises in "It's Been A Change" - Pops getting to let rip on his guitar while Mavis sings about staying in school and getting an education. Finally, their first period ends with Track 14 - taking their mum away in "Will The Circle Be Unbroken".

Instead of too-slow pace of "The Ghetto" - I would have started the Stax section with the stomping heart joy that fills every sexy bop-moment of "Long Walk To DC" - a Homer Banks song about going from Alabama to Washington to once again get a white President to pay attention to social injustice. Mavis sings with real passion during the Jimmy Holiday pleader "God Bless The Children" - a gorgeous marriage of Soul meets Gospel for all the right reasons. The tremendous audio continues with their cover of the Otis Redding classic "(Sittin' On) The Dock Of The Bay" - not my fave I would have to say but Mavis gives it such heft as she does everything, she gets her astonishing pipes around. So much better is the genuinely sweet Soul with Strings of the Stax gem "The Gardiner" - a B-side better than its A. Money and proper pay rises rears its boots-on-the-ground head for the superb "When Will We Be Paid For The Work We Did" - beat up, stoned, good to die in foreign wars but not good enough to share a water fossett, stripped of culture - the lyrics by Randy Stewart of the Doo Wop Group The Fiestas so on the money it hurts.

But then it hits - the first of four classy unreleased songs - number one credited to Pop Staples. The quality is shocking - how have these gems remained in the can until now? The Traditional song "John Henry" is given a harmonica/guitar driven John Lee Hooker boogie - its nearest approximation is "Keep On Chooglin'" by Creedence Clearwater Revival on The Paul Butterfield Blues Band circa 1965 - fabulous stuff. Although there are no charts to confirm, Rounce surmises that the band is the one used at Audio Finishers Studio in Chicago when Pops recorded the “Black Boy” and "Tryin' Times" single. Said to be Donny Hathaway on Keyboards, Phil Upchurch on Guitar, Morris Jennings, Paul Asbell and Jeff Carp on Harmonica. What a find “John Henry” is. CD1 romps home with a total winner - the lord-have-mercy help-with-it-children pleader "You're Gonna Make Me Cry" where Mavis works through a funeral-paced Soul groove helped by Brass Jabs and a funky sway. Fantastic stuff - but unfortunately followed by the rubbish that is "Solon Bushi" - who thought this ending to CD1 was a good idea.  

The unreleased goodies continue apace on CD2 with "Tryin' Times" - also by Pops Staples. An unreleased alternate version of Stax STA-0064 - it was co-written by Donny Hathaway and Leroy Hutson and first recorded by Roberta Flack in 1969 on her "First Take" album (Donny did his own version on the "Everything Is Everything" LP in 1971). Pops goes with the slower Flack interpretation of "Tryin' Times" and it's a socially aware bluesy winner. I've played both tracks many times on the shuffle play in the record shop and they've always elicited a customer response. Then on Disc 2 are "The Only Time You Ever Say You Love Me" by Mavis Staples (a gorgeous slow ballad) and a version of "Oh La De Da" without the fake audience participation that appeared on the Stax 0156 single. Both are superb too. Not a lot of unreleased stuff I know, but man the quality of the four is so good...

The mastering has been handled by DUNCAN COWELL at Sound Mastering (it's uniformly excellent throughout - especially on the Fifties and Sixties material), while the chunky 28-page colour booklet is jammed with pictured 45's and adverts and has detailed and informative liner notes by noted Soul writer and aficionado TONY ROUNCE. Between them - they've handled large numbers of Ace and Edsel soul reissues throughout the 2000's - see a TAG above for each giving pictorial displays of their work...

I love The Staples Singers - "I'll Take You There" (lyrics above), "If You're Ready (Come Go With Me)" and the wonderful number one R 'n' B hit "Let's Do It Again" - every song imbibed with their lifelong creed of positive action, love and racial harmony - and music as a healer. It must be said that CD1 with its overtly religious themes for the first 14 or so sides may not be everyone's cup of tea - especially if you're only aware of The Staple Singers sound only via their Stax releases (hence the three to five stars for material). But it is still and impressive listen from start to finish and 'Ultimate' has great audio quality too.

I know there are others that are cheaper - but make no mistake - Ace Records of the UK and their imprint Kent Soul have done the business by The Staple Singers on this twofer. "The Ultimate Staples Singers - A Family Affair 1955-1984" is a fantastic overview of their extraordinary career - buy it and thoroughly enjoy.

PS: see also reviews for the following - "Be Altitude: Respect Yourself" (1972 album on Stax) now 2011 reissued and remastered with bonus tracks as part of the "Stax Remasters" series, the "We'll Get Over" album reissue on CD, the compilation "This Time Around" from 1981 with the fabulous "Trippin' On Your Love" song, the 2015 Stax Box Set "Faith & Grace" (4CDs) which boasts awesome audio but awkward packaging and finally the motherload for lovers of their Stax period - "Come Go With Me: The Stax Collection" from November 2020 - a 6CD Craft Recordings Mini LP Repro Artwork CD Box Set with 6LPs onto 7CDs Plus Singles and Unreleased...

Thursday, 16 December 2010

"The Ry Cooder Anthology: The UFO Has Landed" by RY COODER - Studio Album and Movie Soundtrack Themes from October 1970 to June 2008 (November 2008 UK Warner Brothers/Rhino 2CD Compilation with Handpicked Tracks by The Artist and New Bernie Grundman Remasters) - A Review by Mark Barry...




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"…Why Don't You Try Me Tonight?"

I wanted to point out something about this 2CD retro that many seem to be ignoring - or not mentioning at all - the TRULY STUNNING SOUND QUALITY.

Fans of the wonderful Ry Cooder will know that apart from an occasional CD here and there and an 8-album campaign in Japan in 2007 - there have been NO remasters of his huge catalogue anywhere. Nearly 40 years of recording and no decent reissues to speak of (Tom Waits and Prince are 2 others that jump to mind on that front). The Japanese versions are just that - Japan only - and are costly as imports. There is the "Ry Cooder 1970-1987" 11CD Box Set from November 2014 (which I've reviewed) but not everything on that is remastered either.

Which brings me to Rhino/Warner Brothers 8122-79891-9 (Barcode 081227989194) released November 2008. "The Ry Cooder Anthology: The UFO Has Landed" by RY COODER is a superlative 34-track 2CD reissue that covers his entire Warner Brothers and Reprise career - as well as his soundtrack work in the last 3 decades. It plays outs as follows:

Disc 1 (63:58 minutes):
1. Get Rhythm
2. Low Commotion
3. Available Space
4. On A Monday
5. Do Re MI
6. Which Came First
7. The Very Thing That Makes You Rich [Makes Me Poor]
8. Down In Hollywood
9. Smells Like Money
10. Let's Work Together *
11. I Got Mine
12. Cherry Ball Blues
13. Jesus On The Mainline
14. Tattler
15. Teardrops Will Fall
16. Maria Elena
17. Jesse James
Tracks 3 and 5 from "Ry Cooder" (October 1970)
Tracks 4 and 15 from "Into The Purple Valley" (February 1972)
Tracks 12 and 16 from "Boomer's Story" (November 1972)
Tracks 13 and 14 from "Paradise And Lunch" (April 1974)
Track 11 from "Chicken Skin Music" (August 1976)
Tracks 7 and 8 from "Bop Till You Drop" (July 1979)
Track 17 from "The Long Riders O.S.T." (April 1980)
Track 6 from "The Slide Area" (April 1982)
Tracks 1 and 2 from "Get Rhythm" (November 1987)
Track 9 from "Johnny Handsome O.S.T." (October 1989)
Track 10 is Previously Unreleased *

Disc 2 (70:41 minutes):
1. Paris, Texas
2. Theme From Southern Comfort
3. Tap 'Em Up Solid
4. Billy The Kid
5. Crazy 'Bout An Automobile (Every Woman I Know)
6. Drive Like I've Never Been Hurt
7. Feelin' Bad Blues
8. Boomer's Story
9. How Can You Keep Moving (Unless You Migrate Too)
10. Alimony
11. Always Life Him Up/Kanaka Wai Wai
12. Theme From Alamo Bay
13. Dark End Of The Street
14. Why Don't You Try Me
15. Poor Man's Shangri-La
16. Going Back To Okinawa
17. Little Sister
Tracks 4 and 9 from "Into The Purple Valley" (February 1972)
Tracks 8 and 13 from "Boomer's Story" (November 1972)
Track 3 from "Paradise And Lunch" (April 1974)
Track 11 from "Chicken Skin Music" (August 1976)
Track 17 from "Bop Till You Drop" (July 1979)
Tracks 5 and 14 from "Borderline" (October 1980)
Track 2 from "Southern Comfort" (September 1981) - first issued on "Music From Ry Cooder" 2CD set August 1995, the track then Previously Unreleased on CD)
Track 1 from "Paris, Texas O.S.T." (February 1985)
Track 12 from "Music From Alamo Bay O.S.T." (August 1985)
Track 7 from "Crossroads O.S.T." (July 1986)
Track 16 from "Get Rhythm" (November 1987)
Track 15 is from "Chavez Ravine" (June 2005)
Track 6 from "I, Flathead" (June 2008)

The award-winning sound engineer BERNIE GRUNDMAN has mastered "The UFO Has Landed" from the original tapes and he's done a beautiful job - especially given the differing recording dates (the Seventies stuff in particular sounds incredible). The 2nd point is the alignment of the songs themselves; chosen by Ry and his son, they're not in release date order, but as you can see from the track lists above mixed up so that one decade seamlessly flows into the next and back again. A nice idea - but in reality hard to get right - and they have. As a listen it really works. It opens with 1987's "Get Rhythm", then tracks from "Ry Cooder" from 1970 - skip to 1979's "Bop Till You Drop" - skips back to 1974's "Paradise And Lunch" on to 1985's "Paris, Texas" and so on. It gives the play list a fresh feel - and as the remaster quality hammers you, it's like hearing his material anew.

Speaking of sound quality - there's one particular example on here I'd recommend. Many fans will know that 1972's "Boomer Story" is one of those album gems few know anything about - but should. It's a criminally forgotten beauty and luckily its featured on here with 4 tracks - "Cherry Ball Blues", "Boomer's Story", the cover of the James Carr hit "Dark End Of The Street" and the truly beautiful instrumental "Maria Elena". If you've never heard this gorgeous Mexican-style soulful instrumental (sounding like it was recorded in 2006 and not 1972), then go to iTunes and download it for 80p - fabulous stuff.

The DDD recording of "Bop Till You Drop" has always been somehow dull and subdued on CD - but here at least it has more subtle muscle - even if you have to crank "The Very Thing That Makes You Rich (Makes Me Poor)" a little too much (lyrics above). There's also that terrible hiss on "Paris, Texas" - but the remaster has also accentuated just how brilliantly menacing the slide guitar work is - it's all 'feel'... very, very cool. Another lovely track is the theme to "Alamo Bay" and the huge slide sound on "Feelin' Bad Blues" from the 1986 "Crossroads" soundtrack. And on it goes...

Niggles - they've called it after the quirky "UFO Has Landed In The Ghetto" track from 1982's "The Slide Area" and haven't included the track, there's soundtrack stuff aplenty on here when there was the much-praised "Music From Ry Cooder" double CD compilation of 1995 for that - and the liner notes in the 40-page booklet by Ry on each track are often short, cryptic and generally useless. Worse - as you can see from the rather lax playing times on both discs above - there was room for plenty more. We could have had goodies like "All Shook Up", "Teardrops Will Fall", "Ditty Wah Ditty", "Fool For A Cigarette/Feelin' Good" and "I Think It's Going To Work Out Fine". The previously unreleased cover of Wilbert Harrison's "Let's Work Together" is good rather than great.

Having said all of that - I've played this double to death - it's brilliant in so many ways. And every time I feature "Maria Elena" in the shop shuffle it brings a customer to the counter asking after it. They know its Ry Cooder - they just don't know which track it is. I can see it in their faces - making a mental note - forgot how much I loved this guy - I must buy this. You should too.

Recommended like a shoeshine boy getting’ some badly needed rhythm...

“Ella Fitzgerald & Louis Armstrong For Lovers” by ELLA FITZGERALD and LOUIS ARMSTRONG (2005 and 2010 Verve CD Remasters) - A Review by Mark Barry...




"…As Far As I’m Concerned… It’s A Lovely Day…"

The 11-tracks on "For Lovers" by ELLA FITZGERALD and LOUIS ARMSTRONG (Verve 0602498807989) weigh in at a surprising 53:38 minutes and the sound quality is BEAUTIFUL.

Originally released on CD in June 2005 - this budget-priced August 2010 reissue features all Fifties Mono recordings remastered to perfection by one of Universal's top engineers - ELLEN FITTON.

I've raved about her work before in many reviews - the 14 volumes of "The Complete Motown Singles" - The Marvelettes "Forever" 3CD set -"This Is The Story…" 3CD Box set by The Supremes etc - and her remastering here is right up to those standards.

The 8-page foldout inlay gives full recording credits with a short set of liner notes and the band on several tracks featured such luminaries as OSCAR PETERSON (Piano), HERB ELLIS (Guitar), RAY BROWN (Bass) and LOUIE BELLSON and BUDDY RICH (Drums). Most of the tracks were recorded in August 1956 (some in 1950, 1951 and 1957) and it makes for a lovely listen – the two jazz giants playing off each other’s vocal styles.

The sonic delight of “The Nearness Of You” open proceedings very nicely and “Isn’t This A Lovely Day” is as pretty as they’re combined talents produced (lyrics above). The songs are all smoochy in that ‘dinner suit and cocktails’ kind of a way - and I suppose you could argue that the disc could have been filled out more, but the compilers have gone for an ‘album’ feel – and they were right - it works precisely because less-is-more.

A lovely disc and a very sweet listen indeed – recommended.

Tuesday, 14 December 2010

“Pride & Prejudice” – A Review Of The 2005 Film Now Reissued On A 2010 BLU RAY.

"…So This Is Your Opinion Of Me…"

In order to have this movie in High Definition, I’ve had the HD-DVD format of it for a few years now – but it’s an America issue and has the awful US ending. Now at last it arrives on BLU RAY in the UK (May 2010) and it’s just as gorgeous a transfer. It uses exactly the same elements that the HD-DVD did – even the same menus – and the extras from the DVD are all intact also (with the US ending tagged on as an Alternate).

The improvement in picture quality is immense over the rather blurred DVD experience. As it opens with a misty dawn and the twitter of birds, we see the young and feisty Elizabeth Bennet (played with a magical touch and staggering assurance by Kiera Knightly) walking with a book. But it’s not until she crosses the courtyard of her home that the real quality kicks in – and it’s a wow. The picture takes you aback – it wasn’t this good in the cinema I can tell you…

It isn’t perfect throughout by any means though. Because they were going for authenticity, a lot of the early evening and dark night sequences are shot in candlelit rooms (as they would have lived), so you get fuzziness in the definition… But once you get out into the countryside or inside one of the great halls of stately homes – where proper lighting prevailed - the picture quality is beautiful. There is one famous dream sequence where only Kiera’s closed eyes fill the screen – she is dreaming of standing on the cliff edge - the clarity is gobsmacking. You also notice the weave of the clothing, the dirt on the hemlines, the ever so slightly unkempt hair – the attention to detail is great.

Directed by Joe Wright and released in late 2005, the film version was living in the shadow of the legendary 6-part BBC production from 1995 – so the movie had a lot on its shoulders and admirably rose to the task. Another trump card was Dario Marianelli’s lush piano score (Oscar nominated) swirling around the scenes like a graceful swan.

In the cinema, it was a delight to look and experience - but sitting at home and watching it in real definition is a far more rewarding and illuminating experience. The acting chops on display is right across the board and apart from a slightly jarring ending, it had the hallmarks of a shoot that was fun and supremely confident in its delivery. I know others will cite the BBC production as definitive – but I think there’s more than enough room on my shelf for both.

Matthew MacFadyen, Brenda Blethyn, Rosamund Pike, Carey Mulligan, Judy Dench, Tom Hollander – they were a cleverly chosen cast – and Rupert Friend won the heart of the lovely Kiera (which might explain the ethereal beauty of her performance). But it’s the stunning adaptation of Jane Austen’s novel by DEBORAH MOGGACH that is the real hero of the day. There is a sequence when Elizabeth and Darcy finally face off against each other in the rain – the dialogue is to die for – and should have been Oscar rewarded. As a dabbler in screenplays myself, I can’t stress enough just how good the work here is – dazzling stuff.

It’s under a tenner, the DVD extras are all intact, the picture quality is much improved and in some cases unbelievably so – and its eminently re-watchable. To sum up - if you’re a fan of the film or Austen, then you must own “Pride & Prejudice” on this format.

A Blu Ray gem and highly recommended.

INDEX - Entries and Artist Posts in Alphabetical Order