“Arthur Or The Decline And Fall Of The British Empire: Deluxe Edition” by THE KINKS (June 2011 Universal/Sanctuary 2CD Remasters) - A Review by Mark Barry...

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"…We Thought Our World Would Never Change…"

Better than the previous 2004 single CD issue - along with the gains - there are some minor omissions too on this long-awaited KINKS Deluxe Edition of 1969's "Arthur..." 

So here are the intimate details for "Arthur Or The Decline And Fall Of The British Empire: Deluxe Edition" by THE KINKS - a 2CD Reissue and Remaster released 20 June 2011 in the UK on Universal/Sanctuary 273 227-4 (Barcode 602527322742). It breaks down as follows:

Disc 1 (78:24 minutes):

1. Victoria

2. Yes Sir, No Sir

3. Some Mother’s Son

4. Drivin’

5. Brainwashed

6. Australia

7. Shangri La

8. Mr. Churchill Says

9. She’s Bought A Hat Like Princess Maria

10. Young And Innocent Days

11. Nothing To Say

12. Arthur

Tracks 1 to 12 are the MONO version of the LP "Arthur Or The Decline And Fall Of The British Empire" released 10 October 1969 in the UK on Pye Records NPL 18317 (no Mono version was released in the USA – only Stereo – see Disc 2)

BONUS TRACKS:

Track 13 is "Plastic Man" – the non-album Mono A-side of a UK 7” single released 29 March 1969 on Pye Records 7N.17724 ("King Kong" from "Village Green…" is its B-side)

Track 14 is "This Man He Weeps Tonight" – the Mono non-album B-side of a UK 7” single released 12 September 1969 on Pye Records 7N.17812 (the mono A-side is "Shangri La" from the album)

Track 15 is "Mindless Child Of Motherhood" - the Mono non-album B-side of a UK 7" single released 20 June 1969 on Pye Records 7N.17776. The A-side is the album track "Drivin'" – the B-side is credited as Kinks featuring Dave Davies

Track 16 is "Creeping Jean" – credited to Dave Davies, it’s the Mono B-side of a UK 7” single released 17 January 1969 on Pye Records 7N.17678 – it’s A-side is Track 18 – the non-album "Hold My Hand"

Track 17 is "Lincoln County" – credited to Dave Davies, it’s the Mono A-side of a UK 7” single released 20 August 1968 on Pye Records 7N.17514 – it’s B-side is the non-album "There’s No Life Without Love" which is 'not' on here – it’s only available on the 2004 single CD version of "Something Else" 

Track 18 is "Hold My Hand" – see Track 16

Tracks 19 to 21 are "Victoria", "Mr. Churchill Says" and "Arthur" – December 1969 studio recordings with further overdubs, mixing and editing – broadcast by the BBC in December 1969 on the 'Dave Lee Travis' show on Radio One

Disc 2 (79:48 minutes):

Tracks 1 to 12 are the STEREO version of the LP - Pye Records NSPL 18317 in the UK and Reprise Records RS 6366 in the USA (same tracks as Disc 1)

BONUS TRACKS:

Track 13 is "Plastic Man" – a Stereo take released in 1969 on a Dutch LP called "Star Parade" on SR International 79343

Track 14 is "This Man He Weeps Tonight" – a Stereo take originally released 25 January 1973 in the USA on "The Great Lost Kinks Album" on Reprise Records MS 2127

Track 15 is "Drivin'" – Previously Unreleased Stereo Alternate Mix from an Acetate

Track 16 is "Mindless Child Of Motherhood" – as per Track 14

Track 17 is "Hold My Hand" – as per Track 13

Track 18 is "Lincoln County" – a Previously Unreleased Stereo Mix

Track 19 is "Mr. Shoemaker's Daughter" – Stereo, a Previously Unreleased Mix

Track 20 is "Mr. Reporter" – Stereo, a Previously Unreleased Remix

Track 21 is "Shangri La" – Stereo, a Previously Unreleased Backing Track

The 24-page booklet is as tastefully laid out as the "Face To Face" and "Something Else" issues – they all have the same generic look. The liners notes this time are again by noted writer PETER DOGGETT (Record Collector magazine) but with contributions from Ray Davies, Dave Davies and Mick Avory of the band. There’s photos of the UK album artwork including the legendarily rare 'Queen Victoria' insert that only came with original copies. There’s lovely colour repros of rare Euro and US 7" single picture sleeves, trade adverts, newspaper clippings, memorabilia, lyrics to all the songs and there’s even input from fan sites etc. The breakdown of the tracks is very well done too - what came from what and why. Both of the discs are also themed - the CDs reflect the light blue and black colouring of the original UK Pye Records LP label - with Side 1 pictured beneath the see-through tray of CD1 and Side 2 beneath the tray of CD2 - all nice touches.

ANDREW SANDOVAL, DAN HERSCH (of Digiprep and Rhino fame) and ANDY PEARCE carried out the remasters - and the sound quality is exceptionally good. The STEREO mix in particular is STUNNING – leaping out of the speakers in a way it never did before - beautifully clear. And for American fans who’ve only ever grown up with the Stereo mix on Reprise Records, the MONO variant on Disc 1 will come as a brutal shock. It makes a lot of the songs somehow bleaker, more focused – it’s hard to describe, but I like it. In fact - as with "Face To Face" and "Something Else" - the difference between the MONO and STEREO variants is acute, but never more so than here. Some prefer the stark power of the MONO mix – others the spread of the STEREO version - but this is definitely one of those 'Deluxe Editions' that actually benefits from the presence of both. They’re different beasts for sure - but equally admirable.

To the record itself – somehow "Arthur…" seemed to sense that the Sixties were coming to a close, but not on a high note. A lot of the lyrics aren’t so much acidic as ponderous as to what the future was going to bring – "…Now I’ve got children, I’m going grey…" from "Nothing To Say" (lyrics above also) or "I see the lines across your face - Time has gone and nothing can replace - Those great, so great - Young and innocent days…" from the slightly sad "Young And Innocent Days" (a band favourite).  The zippy album opener "Victoria" is fabulous as is the layered "Drivin'" – very Kinks – very good. "Shangri La" is pretty yet biting, while the lyrics to "Mr. Churchill Says" now sound ever so slightly disrespectful and even revolutionary. The guitars on the finisher "Arthur" are so clear too… 

Niggles – couple of B-sides left off (but they’re available elsewhere if you really want them) and I find these new card-digipaks easy to dent and mark without the outer plastic wrap that was on all initial Deluxe Editions. But these are minor points - at a whopping 42 tracks and with full playing times on both discs, there’s genuinely very little to moan about.

To sum up - a superb new remaster on both mixes, properly upgraded packaging and liner notes and extra tracks that actually warrant the title 'bonus'. Recommended like Princess Marina's hat…

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“Something Else By The Kinks: Deluxe Edition" by THE KINKS (June 2011 Universal/Sanctuary 2CD Reissue and Remaster) - A Review by Mark Barry...

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"…Lead The School Team To Victory…"

Like many fans of this great British band - I've watched the release of 6 Kinks 'Deluxe Editions' since the beginning of 2011 with a certain amount of scepticism. Haven't these albums been done to death already and isn't this just more monetary milking of it? But then several Reckless Records customers began to rave about the great new remastered sound on these doubles - so I took the plunge and they were right. These are better than previous 2004 single issues - and how. But along with the gains (there's 12 'previously unreleased' tracks), there are some minor omissions too. Here are the schoolboy details...

UK released 20 June 2011 in the UK - "Something Else By The Kinks: Deluxe Edition" by THE KINKS is a 2CD Reissue/Remaster on Universal/Sanctuary 273 214-1 (Barcode 602527 321417) and plays out as follows:

Disc 1 (79:46 minutes):

1. David Watts

2. Death Of A Clown

3. Two Sisters

4. No Return

5. Harry Rag

6. Tin Soldier Man

7. Situation Vacant

8. Love Me Till The Sun Shines

9. Lazy Old Sun

10. Afternoon Tea

11. Funny Face

12. End Of The Season

13. Waterloo Sunset

Tracks 1 to 13 are the MONO version of the LP "Something Else By The Kinks" released 15 September 1967 in the UK on Pye Records NPL 18193 and January 1968 in the USA on Reprise Records R 6279 [Mono Variant Was Promo-Only in the USA]

BONUS TRACKS:

Track 14 is "Act Nice And Gentle" – the Mono non-album A-side of a UK 7” single released 5 May 1967 on Pye Records 7N.17321

Track 15 is "Mr. Pleasant" - the Mono non-album A-side of a UK 7" single on Pye Records 7N.17314. Released 21 April 1967, it pressed up for export issue to Europe. It was also issued in the USA on 24 May 1967 on Reprise Records 0587. Its non-album B-side is "That is Where I Belong" - that track is 'not' available here – it’s on the "Face To Face Deluxe Edition"

Track 16 is "Susannah’s Still Alive" – credited to Dave Davies, it’s the Mono A-side of a UK 7” single released November 1967 on Pye Records 7N.17429 – it was issued in the USA on 31 January 1968 on Reprise Records 0660

Track 17 is "Autumn Almanac" – the Mono A-side of a UK 7” single released 13 October 1967 on Pye Records 7N.17400 – it was also issued 29 November 1967 in the USA on Reprise Records 0647

Tracks 18 and 19 are "Harry Rag" and "David Watts" - Alternate Takes, both are 'Previously Unreleased'

Track 20 is "Afternoon Tea" – An Alternate Mix – It was originally issued as a Canadian 7” single on Pye 828 in October 1967

Tracks 21 to 29 are "Sunny Afternoon", "Autumn Almanac", "Mr. Pleasant", "Susannah's Still Alive", "David Watts", "Love Me Till The Sun Shines", "Death Of A Clown", "Good Luck Charm" and "Harry Rag" – all are BBC Recordings (August to October 1967) with 21 to 25 being 'Previously Unreleased'

Track 30 is "Little Women – Unfinished Backing Track" – first released in 1998 on the "Face To Face" CD reissue

Disc 2 (69:42 minutes):

Tracks 1 to 13 (titles as per Disc 1) are the STEREO version of the LP - Pye Records NSPL 18193 in the UK and Reprise Records RS 6279 in the USA

BONUS TRACKS:

Tracks 14 and 15 are "Susannah's Still Alive" and "Autumn Almanac" – these 2 STEREO versions were first slotted for release on the 1968 "Four More Respected Gentlemen" UK LP, but withdrawn - they finally saw release in the USA on the 2LP Reprise Records retrospective "Kinks Kronikles" in March 1972.

Tracks 16 to 20 are "Sand On My Shoes", "Afternoon Tea", "Mr. Pleasant", "Lazy Old Sun" and "Funny Face" – all are Stereo and 'Previously Unreleased'

Tracks 21 is "Afternoon Tea" – a German Stereo Mix released on the German LP version in December 1967 on Pye Hitton HTSLP 340044

Track 22 is "Tin Soldier Man" – and is 'Previously Unreleased'

The 24-page booklet is as tastefully laid out as the "Face To Face" issue is – they all have the same generic look - liners notes by noted writer PETER DOGGETT (Record Collector magazine), photos of both the UK and US LP artwork along with many rare Euro and US 7" single picture sleeves, trade adverts, newspaper clippings, memorabilia and input from fan sites etc. The breakdown of the tracks is very well done too - what came from what and why. Both of the discs are also themed - the CDs reflect the purple colouring of the original UK Pye Records LP label - with Side 1 pictured beneath the see-through tray of CD1 and Side 2 beneath the tray of CD2 - all nice touches.

ANDREW SANDOVAL, DAN HERSCH (of Digiprep and Rhino fame) and ANDY PEARCE carried out the remasters - and the sound quality is exceptionally good. The STEREO mixes in particular are superb and so fresh, not just separated two-channel reprocessing, but a cohesive whole - very warm and beautifully clear. The difference between the MONO and STEREO versions in fact is acute (as it is on “Face To Face”). Some prefer the stark power of the MONO, but I think this is one of those 'Deluxe Editions' that actually benefits from the presence of both - they different beasts for sure - but equally admirable.

To the record itself - with "Sgt. Peppers" thrashing everything in sight from 1 June 1967 to the end of the year, that goliath’s presence perhaps goes some way to explaining why an album as brilliant as "Something Else…" was virtually ignored by the public on both sides of the pond. It made number 35 on the LP charts for 2 weeks in the UK and barely scraped 153 in the USA for 1 week. Talk about lost masterpiece…

The album opens with a double-whammy – "David Watts" (lyrics above) and "Death Of A Clown" – a duo of lyrical and musical brilliance. "Situation Vacant" is another gem – with lyrics like "…to keep his Mama satisfied, he went and bought the weekly classified…" Few bands excepting maybe The Beatles and The Stones had their finger on the pulse of Sixties society like The Kinks did – the light and the dark. The sonic punch out of both "Afternoon Tea" and the beautiful "Waterloo Sunset" is fantastic too. I love the even-more-trippy vocal on the Alternate "Lazy Old Sun" while the 'Alternate Backing Track' on "Tin Soldier Man" sounds like it will turn up on some retro TV program soon (it may be vocal-less, but it's fully-formed and ready to use). And as with "Face To Face", the keyboard flourishes of ace sessionman Nicky Hopkins can now be heard clearly throughout. Again - the whole thing feels like an embarrassment of riches.

Niggles – couple of B-sides left off (but they’re on the "Face To Face" double if you really want them) and I find these new card-digipaks easy to dent and mark without the outer plastic wrap that was on all initial Deluxe Editions. But these are minor points - at a whopping 52 tracks, there’s genuinely little to moan about.

To sum up - a superb new remaster on both mixes, properly upgraded packaging and liner notes and extra tracks that actually warrant the title 'bonus'.

Recommended like gazing on a fine Waterloo Sunset...

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"The Moonstone" by TOMMY FLANDERS - 1969 Debut US Album on Verve-Forecast Records in Stereo (2007 UK Rev-ola CD Reissue and Remaster) - A Review by Mark Barry...

"…Could It Be That We've Both Got Something Together To Share…"

Prior to the end of the Sixties, Tommy Flanders main claim to fame was being the original lead vocalist with 'The Blues Project' whose debut album "Live At The Café Au Go-Go In New York" was released in early 1966 to great acclaim. And although he'd left the band at the time of release and only featured on 4 of the tracks, he'd made a name for himself to such a degree that he signed a solo deal with Verve. But Flanders then went off the radar for years - only to re-appear in late 1969 at the age of 25 with this unheralded and very un-bluesy debut album - "The Moonstone". 

To this day it remains a bit of a Folk-Rock Singer-Songwriter unknown. But as the liner notes to this fab-sounding 2007 Rev-Ola CD Reissue and Remaster on CR REV 206 (39:15 minutes) proudly heralds, here is an LP that deserves "...much overdue re-appraisal..." - and in parts, I agree.

With Flanders producing and Denis McCarthy arranging, "The Moonstone" was recorded in May 1969 in Los Angeles and featured BRUCE LANGHORNE (Electric Guitars), DICK ROSMINI (Acoustic & 12-String Guitars), JERRY SCHEFF (Bass) and MICHAEL BOTTS (Drums). The album was first released in the USA in late 1969 on Verve Forecast FTS-3075 (in Stereo Only) and wasn't released in the UK until February 1970 on Verve SVLP 6020 (reissued in 1972 on MGM Records 2353 027). For all accounts, its arrival went unnoticed on both sides of the pond and it didn't seem to trouble LP charts anywhere.

The album produced a lone US 7" single at the time of release (1969) - "The Moonstone" b/w "Between Purple And Blue" on Verve Forecast PB 3075. Rare copies even had the album artwork as a picture sleeve, but it tanked (in some cases it appears to have been Promo-only as stock copies are unseen). There was a further attempt at 45-success in 1970 by pairing "Between Purple And Blue" with the non-album "First Time, Last Time" on MGM 14143, but again to no avail. Prior to these two issues, he'd even made a very rare single in 1967 called "Friday Night City" b/w "Reputation" on Verve 5064 - but again no joy. With regard to this CD reissue, it's a damn shame that these non-album sides (there's also album outtakes known to exist) weren't included as 'bonus' tracks here, but alas...

Vocally Tommy Flanders is very similar to that other star 'The Blues Project' produced - Al Kooper - only there's also touches of Tim Buckley, Tim Hardin and even Dylan thrown in. The arrangements are very easy on the ear - it opens with the lovely "Since You've Been Gone" and your hit with a big plus - the superb sound quality. Remastered by NICK ROBBINS at London's Sound Mastering, he's done a gorgeous job - it's warm, clear and gives a real loveliness to the primarily acoustic ballads (the "Big Sur" song "Morning Misty Eyes" and the jaunty "Boston Girls" for example).

So why is the album forgotten - the truth is that it's not just melancholic in tone; it's only half good at it. Flanders wrote all the songs himself except "Morning Misty Eyes" which is co-written with Gabriel Mekler (worked with Etta James among others) - and many are nice, but not much more. However, I would argue that 3 tracks on the record are truly great and absolutely worth the price of your admission - "Blue Water Blue", "The Moonstone" and "She's My Love". The title track is the most inspired tune on the record - slightly trippy, it's instantly catchy and has turned up on cool compilations like Jon Savage's "Meridian 1970" (see separate review), while the finisher "She's My Love" (lyrics above) is undeniably beautiful (even if it does have some cruddy dialogue at the beginning and end of it).

This is a clever reissue on the part of Rev-Ola (a subsiduary of Cherry Red Records). It's not all genius of course, but the good stuff genuinely deserves your attention.
Check "The Moonstone" out - it's worth the effort...

PS: another very nice release in this series is the gorgeous "If The Jasmine Doesn't Get You...The Bay Breeze Will" by VINCE MARTIN (Fred Neil's old folk partner in the mid Sixties on Elektra). It's another folky gem rarity from 1969 (on Capitol Records) - and again - it has beautiful sound quality.

“Bright Star”. A Review Of The 2009 Jane Campion Film Now On A 2010 DVD.

"…A Thing Of Beauty…"

“Bright Star” opens with a close-up of a thread being needled - but the pull and placing of the wool is not methodical nor part of some daily Nineteenth Century drudgery - it’s being done carefully – almost as if there’s tenderness being sown into each cross-stitch. We then see that the seamstress is a 20-year old lady sat by a window in the early hours of the morning in her bonnet and ribbons – she is Fanny Brawne (beautifully played by the Australia actress Abbie Cornish). Her younger sister Toots (Edie Martin) then wakes up in the bed nearby and sighs at Fanny – Toots may only be 6, but she knows exactly who all the 'just so' work is for…

Jane Campion’s 2009 re-telling of the mercurial love affair between the struggling English romantic poet John Keats and Fanny Brawne has been accused by scholars and purists as being historically inaccurate and frankly hogwash. But I feel this is to miss the point. This is a movie - and some artistic allowance is to be expected. But more importantly, Campion absolutely makes it work – and for the whole journey too. You care about these idealistic people – you are enthralled by their short but oh so sweet shot at happiness – and Fanny’s destruction at her soulmate’s loss is one of the most powerful scenes committed to celluloid in decades.

The setting is Hampstead Village, London in 1818 – and Greig Fraser’s Cinematography puts huge amounts of detail on screen. This is a world of Inky Quills, Scullery Maids and Pantaloons - where men smoke cigars, gulp brandy and sing chummy Acapella songs for the gathered Ladies and Gentlemen at society parties. A triple-pleated mushroom collar is a clothing advance and a man who is dying of consumption (Keats’ brother) is described as ‘diminished’.

Words are all in this society and Campion’s script revels in it. Keats’ poems “Endymion”, “Bright Star” and “When I Have Fears That I May Cease To Be” are all quoted – and the dialogue in-between is just as elegant and insightful. But of course the movie lives and dies on the dance of love between Cornish and Whishaw – and that courtship and deepening of feeling features so many great moments… a look she gives Keats in the woods as they walk and exchange ideas, her reaction to Tom’s death - create something of beauty to remember him by – an embroidered pillow case that she sat up all night making – her feet curling on a bed as she devours one of Keats love letters – her tender kisses on the paper as she posts her reply…
It could all have been so terribly corny, but both the actors and the script give it life and a genuine beating heart. Mark Bradshaw’s music is also used sparingly and with great effect – and when it isn’t there – the silence engenders a terrible feeling of foreboding (sickness, death).

Special mention should also go to Paul Schneider who is exceptional as the arrogant and obsessive Mr. Brown – supposed friend and fellow accomplice in poetry with Keats. Brown does everything to thwart the burgeoning romance between Keats and Brawne – feeling her a distraction from their lofty writing and a danger to his talent - even coveting her as his own. His vehemence forces Keats to step up to the plate and Fanny is well able for him. The core 3 actors here are fabulous together. Special mention should also go to Kerry Fox as Fanny’s practical mother and Thomas Brodie-Sangster (Liam Neeson’s son in “Love Actually”) as her younger brother Samuel - also quietly superb.

The extras include (a) Working With Jane Campion Documentary (b) Behind The Scenes Featurette (c) Deleted Scenes (d) Photo Gallery and (e) Trailer – the lone subtitle is ‘English For The Hearing Impaired’. My only real gripe is that it’s not on BLU RAY - a format that would surely make this beauty shine like a diamond (due in 2011 apparently).

Campion and her exceptionally talented cast are to be congratulated – “Bright Star” is a literate, sensual, beautifully staged and gushingly romantic tale - and proud of it. They did a great job and I for one was deeply moved…

“Face To Face: Deluxe Edition” by THE KINKS (June 2011 Universal/Sanctuary 2CD Reissue and Remaster) - A Review by Mark Barry...

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"...The Eagle Spreads Its Mighty Wings..."

Like many fans of this great British band, I've watched the release of 6 Kinks 'Deluxe Editions' since the beginning of 2011 with a certain amount of skepticism. Haven't these albums been done to death already and isn't this just more monetary milking of it? But then several pals began to rave about the great new remastered sound on these doubles - so I took the plunge on "Face To Face", "Something Else"" and "Arthur..." - and they were right. They're better than previous issues - and how. But along with the gains (there are 8 'previously unreleased' tracks) there are some strange omissions too...

Here are the details first - "Face To Face: Deluxe Edition" by THE KINKS was UK released 20 June 2011 on Universal/Sanctuary 277 262-0 (Barcode 0602527726205) as a 2CD set of Remasters and breaks down as follows:

Disc 1 (57:35 minutes):

1. Party Line

2. Rosy Won’t You Please Come Home

3. Dandy

4. Too Much On My Mind

5. Session Man

6. Rainy Day In June

7. House In The Country

8. Holiday In Waikiki

9. Most Exclusive Residence For Sale

10. Fancy

11. Little Queen Of Darkness

12. You’re Looking Fine

13. Sunny Afternoon

14. I’ll Remember

Tracks 1 to 14 are the MONO version of "Face To Face" LP released 28 October 1966 in the UK on Pye Records NPL 18149 and 7 December 1966 in the USA on Reprise Records R 6228

BONUS TRACKS:

Tracks 15 and 16 are "Dead End Street" and "Big Black Smoke" - they are the MONO A&B-side of a non-album 7" single released 18 November 1966 in the UK on Pye Records 7N.17222 and 30 November 1966 in the USA on Reprise Records 0540

Track 17 is "This Is Where I Belong" - the MONO non-album B-side of a UK 7" single on Pye Records 7N.17314, released 21 April 1967, pressed up for export issue to Europe - it's A-side is "Mr. Pleasant" (that track is missing here - it's on the 2004 CD reissue)

Track 18 is "She's Got Everything" - the MONO non-album B-side of the UK 7" single on Pye Records 7N.17573, released 28 June 1968 (A-side is "Days"). It was also released in the USA on 24 July 1968 on Reprise Records 9762.

Track 19 is "Little Miss Queen Of Darkness" - a Previously Unreleased Alternate Take

Track 20 is "Dead End Street" - a Previously Unreleased Alternate Version first issued on the 2008 Sanctuary Records 6CD box set "Picture Book"

Disc 2 (63:28 minutes):

Tracks 1 to 14 are the STEREO version of the LP - Pye Records NSPL 18149 in the UK and Reprise Records RS 6228 in the USA (tracks as per Disc 1)

BONUS TRACKS:

Tracks 15, 16 and 17 are "This Is Where I Belong", "Big Black Smoke" and "She's Got Everything" - these 3 STEREO versions were first slotted for release on the 1968 "Four More Respected Gentlemen" UK LP, but withdrawn - they finally saw release in the USA on the 2LP Reprise Records retrospective "Kinks Kronikles" in March 1972. 15 and 16 are listed as 'Previously Unreleased'

Tracks 18 - 22 are "You're Looking Fine (Alternate Stereo Mix)". "Sunny Afternoon (Alternate Stereo Mix)", "Fancy (Alternate Stereo Mix)", "Little Miss Queen Of Darkness (Alternate Stereo Mix)" and "Dandy (Alternate Stereo Mix)" - all are listed as 'Previously Unreleased'

The 24-page booklet is tastefully laid out - liners notes by noted Kinks expert DANIEL RACHEL, photos of both the UK and US LP artwork along with many rare Euro and US 7" single picture sleeves, trade adverts, newspaper clippings, memorabilia and input from fan sites (www.kindakinks.com) etc. The breakdown of the tracks is very well done too - what came from what and why. Both of the discs are also themed - the CDs reflect the purple colouring of the original UK Pye Records LP label - with Side 1 pictured beneath the see-through tray of CD1 and Side 2 beneath the tray of CD2 - all nice touches.

The remasters were carried out by ANDREW SANDOVAL, DAN HERSCH (of Digiprep and Rhino fame) and ANDY PEARCE and the sound quality is exceptionally good. The STEREO mixes in particular sound superb and fresh, not just separated two-channel reprocessing, but a cohesive whole - very warm and beautifully clear. The difference between the MONO and STEREO versions in fact is acute - some prefer the stark power of the MONO, but I think this is one of those 'Deluxe Editions' that actually benefits from the presence of both - they different beasts for sure - but equally admirable.

Great tracks include the hypnotic "Rainy Day In June" (lyrics above) which sounds like its going to turn up in an episode of "Mad Men" real soon, while it's followed by the equally classy Sixties pop of "House In The Country" - Ray at his acidic best. The sonic punch out of both "Sunny Afternoon" and "Too Much On My Mind" is fantastic. The acoustic guitars at the beginning of "Dandy" and "Too Much..." are so clear now - as are the keyboard flourishes of ace sessionman Nicky Hopkins throughout. I was also surprised at how different the previously unreleased Stereo mixes of "You're Looking Fine" and "Little Miss Queen Of Darkness" are, but not in a bad way. They're very cool additions - and all in all (released or unreleased) = the whole thing feels like an embarrassment of riches.

Niggles - on Disc 1, Tracks 17 and 18 are ‘B-sides’, when a quick glance at the short playing time for Disc 1 will reveal that there was plenty of room for the A's - "Mr. Pleasant" and "Days" - yet you have to keep your 2004 version for those or buy the DE of "Something Else". It's a small point, but it's worth making.

To sum up - a superb new remaster on both mixes, properly upgraded packaging and liner notes and extra tracks that actually warrant the title 'bonus'. Very nice indeed.

Recommended like lazing on a Sunny Afternoon...

“Bad Reputation” by THIN LIZZY. A Review Of The June 2011 CD Reissue Now Newly Remastered & Expanded By 6 Tracks.

"…Chocolate Stains On My Pants…"

After the bad taste the last 3 Lizzy Deluxe Editions seem to leave in many fans mouths (advertised as new remasters, Universal simply used the 1996 versions and didn’t change the booklets or adverts) – I’m glad to say this reissue of Lizzy’s much-loved 8th album “Bad Reputation” is a real improvement on the former 1996 outing - and packs some nice surprises in the bonus department too.

Tracks 1 to 9 are the original LP "Bad Reputation" released 2 September 1977 on Vertigo Records 9102 016 in the UK and on Mercury SRM1-1186 in the USA. It peaked at Number 4 in the UK album charts and at 49 in the US. This June 2011 'Expanded Edition' CD on Universal/Mercury 2772693 adds on 6 bonus tracks and breaks down as follows (57:24 minutes):

Tracks 10 to 15 are "Killer Without A Cause", "Bad Reputation", "That Woman’s Gonna Break Your Heart", "Dancing In Moonlight (It’s Caught Me In Its Spotlight)" and "Downtown Sundown" – all are Previously Unreleased - a BBC Session Recorded 1 August 1977 (no other details provided).

Track 16 is "Me And The Boys (Soundcheck)" – this version is Previously Unreleased - no details are provided as to where or when this live recording was made…

The expanded 16-page booklet has new liner notes (doesn’t say who wrote them) and features the album’s original inner sleeve along with some new live photos of the band in both colour and black and white. It’s nice, but oddly doesn’t reference the bonus tracks at all except to list their titles (I mean 'Soundcheck' – where, when?)

The remaster was carried out by ANDY PEARCE and MATT WORTHAM at Wired Masters in the UK in 2010 – and the sound is much improved. The 1996 version always seemed slightly muffled – muddy almost – but each track here is very clear - especially the rhythm section. I’ve always loved the slightly romantic feel to "Southbound", "Downtown Sundown" and "Dear Lord" – and each sounds great – really clear, punchy without being overly cranked for effect. The irrepressible "Dancing In The Moonlight…" (lyrics above) leaps out of the speakers at you. The only two I found slightly underwhelming are "Soldier Of Fortune" and "Opium Trail" – maybe there’s just too much going on in the tracks – but they sound even more 'dense' that before – and not in a good way - but obviously it’s a matter of personal taste.

Amazingly, the opening two BBC tracks "Killer Without A Cause" and "Bad Reputation" start out sounding like the band live-in-the-studio (exciting and alive), but the next three end up sounding like polished overdubbed versions which are virtually indistinguishable from the album cuts. On the opening two, you really feel the songs coming alive – and the sheer rocking tightness of the group who’d been touring their wrinkled butts off for years – shines through also. There’s a rush of excitement on the first two – the last three are just a little 'too' polished – almost sedate.

And then you’re presented with a truly astonishing diamond in the rough - a genuine Thin Lizzy bonus track gem. "Me And The Boys" first turned up as a crowd-storming track on the "Live And Dangerous" double in 1978 (its also famously featured on the video of the concert), but it disappointingly wasn’t on the DE version of "Live & Dangerous" in 2010. Well – here it is – albeit in a 'Soundcheck' version – and it’s ragged and absolutely amazing. This is what Lizzy fans have craved – their band rocking like an absolute monster – tight even when they were shambolic. As I say - it’s messy - but man is it good!

To sum up – despite the booklet being slightly disjointed – the remaster is great and the bonus tracks – proper fan pleasers.

I remember being at Dalymount Park in Dublin (a football stadium) in the Summer of 1977 when Lizzy were at their peak – Phil pointing the reflection plate of his black bass through the crowd as the light caught it in the approaching evening. He was laying into the cool lyrics of “Dancing In The Moonlight…” and the whole place was boogieing – I remember thinking just how 'magic' they were.

I like it that this CD has brought some of that vibe back to me…after all these years…
Recommended.