“Out Of Africa Collector’s Series” on BLU RAY. A Review Of The 1985 Film Now Fully Restored And Reissued In A ‘Limited Edition BLU RAY Book Pack’ As Part Of Universal’s 100th Anniversary Celebrations in 2012.

"…He Began Our Friendship With A Gift…"

*** THIS REVIEW IS FOR THE '2012' BLU RAY 

COLLECTOR'S SERIES BOOK PACK VERSION ***

In April 2012 Universal Studios was 100 years old - and to celebrate that movie-making centenary they had 13 of their most-celebrated films fully restored for BLU RAY. 1985's "Out Of Africa" is one of them and like the other titles in this series so far - the print quality of this beloved film is extraordinary and the presentation classy (a full list of titles in the 100th Anniversary BLU RAY Series is in the attached 'comment' section - including DVD releases).

Issued in the US 6 March 2012 (later given a UK release) - "Out Of Africa Collector's Series" comes in a gorgeous limited edition 44-page hardback 'Book Pack' (use Barcode 025192127793 on the Amazon search bar to get the right issue). It's a 2-disc set with the BLU RAY to the front and the Anamorphic Widescreen DVD to the rear. There's also a foldout insert included that has a code for a Digital Copy via download from Universal's website valid until 31 December 2013.

But the really great news for film fans everywhere is a stupendously good print and a REGION FREE release - so it will play on ALL BLU RAY machines and PlayStation 3 Consoles too (there was a preceding version on BLU RAY that received bad reviews re print - this version is not that one). 
Also note: there is a cheaper standard packaging version due 4 September 2012 in the USA with slightly altered front artwork - again it has a BLU RAY, DVD and Download - so check you're using the Barcode provided above to get the 'best' version).

PICTURE QUALITY:

Digitally remastered and Fully Restored from Original Film Elements - Universal are reputed to have stumped-up over $300,000 for the restoration - and the results have already received huge praise on web sites dedicated to the format. This overhauled 2012 "Out Of Africa" print is a full 1080p High Definition release with an aspect ratio of 1.85:1. What that means is the picture fills your entire screen without stretching - and combined with the gorgeous transfer - the effect is truly cinematic. For example the movie opens with a sunrise on the African Plains - all yellows and gold and browns. With the natural heat haze the land would produce and the semi-lighting conditions - this is a very difficult moment to get right - yet it is fantastically clear and clean. But even this is aced a few moments later when a bi-plane flies over the open plains during the daytime and it's little short of gobsmacking (dialogue from it titles this review). There then follows a scene in Denmark in snowy fields at a shooting party where I swear it looks like Dr. Zhivago (it's that good). In fact it's in these outdoor scenes (of which there are many) that the beautiful 'look' of "Out Of Africa" really excels - and it does so right through to the very end when Karen (Streep) bids farewell to her trusty steward Farah (played by Michael Bowens) at the train station.

It should be stressed however that it isn't perfect at all times by any means - there is some shocking fuzziness and grain on indoor shots - sequences at night around campfires and tents with Redford. There's a scene where Michael Kitchen as the dapper Englishman Berkeley Cole is talking to Meryl Streep at dinner in her home - the camera cuts to Streep and the print is perfect - but it then flicks back to Kitchen and the shot is suddenly covered in speckles of grain. They were either filmed apart or on two cameras - but the cleaned up print has only made the discrepancy more apparent and not less so.

But for the most part this is a joy to look at and at last gives full reign to David Watkin's sumptuous cinematography and Milena Canonero's crafted outfits (aristocratic European fashions alongside the colourful garments of African tribesmen). Throw in John Barry's most magisterial score ever - and as you can imagine - the impact is properly beautiful. A good example of all three occurs when the credits role - a steam train trundles across the wide-open expanses of 1913 Kenya in East Africa as we see the Danish Baroness standing at the back of her carriage in her immaculate outfit - then John Barry's score just nails it as the title of the film goes up onscreen. It's both fabulous to look at and moving too...a rare combination indeed.

BOOK PACK:

The 44-page booklet inside the hardback outer is pure eye candy as you can imagine. It opens with a 2-page appreciation by film-critic and historian Leonard Maltin, has reproductions of several script pages, US, Polish and East German advert posters, a Cast of Characters, a piece on the political makeup of Kenya at the time - the British to the North and the Germans to the South and essays on the principal leads Streep, Redford, the Composer John Barry and Director Sydney Pollock. There's interesting trivia items dotted throughout the text - for instance Redford initially played the Englishman Denys Hatton with an English accent - but Pollock felt no-one would accept Redford as a Brit so he had him re-record all of the parts in American. Or that during the tender hair-washing scene wild Hippos were in the river nearby and they kill more people than lions if they feel their territory is threatened - so Streep was more scared of them than bullwhipping lions. The quality of the colour photos is top-notch too.

EXTRAS:

Clocking in a whopping 1 hour and 12 minutes Charles Kiselayk's "A Song Of Africa" is a substantial bonus feature that has charming, insightful and witty contributions from Streep, Redford and Pollock - intermixed with archive footage of the young, older and near-death Karen Blixen. It fills out a lot of the gaps as to what happened before and after the films' parameters where she left Africa in 1931 after 17 years - 46-years old, childless, penniless, divorced and broken-hearted. She then wrote over 10 books under the pseudonym Isak Dinesen between 1935 and 1996 and suffered from Syphilis all her life. This extra is also in standard 480p definition - so when you see the washed-out widescreen stock footage - you begin to realize just how astounding the cleaned-up 1080p fullscreen print really is. The only mild irritant is the overly wordy narration where the speaker wants to prove he's Kahlil Gibran every few moments, as he waxes lyrical about the lady's journey. The 15 or so Deleted Scenes (Widescreen and in Standard Definition) come fast and furious – they’re very short and although one or two with the Farah character are interesting - you can see why most were cut...

CAST:

With 18 Oscar nominations and 3 wins to her name - you can't imagine any other actress ballsy enough to take on such a difficult, willful and frustrated woman. Yet Streep chews it up. Her accented Karen Blixen is wholly believable - vulnerable, proud, literate, deep, religiously repressed yet wanting to be sensually liberated - and reaching for it with the man she grew to adore and love - the English and debonair African hunter Denys Hatton. This is a big and romantic canvas - and both principals have affection for each other and respect for their various skills - their on-screen chemistry being a lovely thing to see. The scene where Denys takes her up in the bi-plane and flies across the landscape of mountains, rivers, waterfalls, zebras, giraffes and a lake full of birds to show her the real beauty of Africa - is breathtaking and even a little spiritual. Pollock's use of the indigenous tribes is superbly done too. Klaus Maria Brandauer, Michael Gough, Leslie Phillips, Shane Rimmer and the sorely missed Irish actor Donal McCann as her Doctor - all wonderful. Blink and you'll miss IMAN - David Bowie's wife - nursing the Michael Kitchen character whose contracted black water fever...

To sum up - clocking in at 2 hours and 40 minutes - "Out Of Africa" may seem a tad indulgent by today's standards of chop-em-out-fast-and-leave-em-panting blockbusters - but it works precisely because its epic. It was a mammoth undertaking at the time made by maverick people (Pollock worked on the script with Kurt Luedtke for over a year - Pollock sadly passed away in 2008) and this BLU RAY reissue does it proud.

And as with the other titles in this series - it's also heartening to see Universal Studios finally throw some proper money at the preservation of their movie legacy and be proud about doing so too. I'm collecting the whole series and live in hope that other studios respect their past in the same glorious way.

BLU RAY and DVD Specifications:

EXTRAS:

1. Deleted Scenes - over 15 short segments (about 15 minutes)

2. A Song Of Africa - An Original Full-Length Documentary On The Making Of The Film and Karen Blixen's Life by Charles Kiselayk (72 minutes)

3. Theatrical Trailer

4. Feature Length Commentary With Director Sydney Pollack

5. My Scenes

6. BLU RAY Exclusive: Pocket BLU - For Tablets and Smartphones - take the content on the go

7. BLU RAY Exclusive: BD Live - Internet-Connected Feature

VIDEO: 1080p High-Definition Widescreen 1.85:1

BLU RAY AUDIO: English 5.1 DTS-HD Master Audio and French 5.1 DTS Surround

DVD AUDIO: English Dolby Digital 4.1 and French Dolby Digital 2.0

SUBTITLES BLU RAY: English SDH (Deaf and Hard-Of-Hearing), Spanish and French SUBTITLES DVD: English SDH (Deaf and Hard-Of-Hearing)

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PS: The 13 Restored Titles in this Limited Edition Book Pack 'Collector's Series' are:

1. All Quiet On The Western Front (1930)

Released 13 Feb 2012 in the UK. Restored, Remastered and comes in a beautiful 40-page Book Pack. SEE DETAILED REVIEW.

2. The Birds (1963)

Release date to be advised...

NOTE: the UK 23 April 2012 'DVD' with Universal 100th Anniversary packaging does NOT contain a restored print - it will be in the BLU RAY book pack later in the year.

3. (Abbott And Costello in) Buck Privates (1941)

Released 17 April 2012 in the USA. A 2-disc Book Pack with Blu Ray, DVD and Digital Copy. It's fully restored and digitally remastered.

This BLU RAY has no UK release date as yet - but its a non-region coded disc so will play on ALL machines.

4. Dracula (1931)

Book Pack release date to be advised. Will contain both the English and Spanish versions. The restored print on BLU RAY is due in the USA and UK in Oct 2012 as part of the 8-film Box Set "Universal Classic Monsters: The Essential Collection".

NOTE: the UK 23 April 2012 'DVD' with Universal 100th Anniversary packaging does NOT contain a restored print.

5. E.T. - The Extra Terrestrial (1982)

USA release date Oct 2012 - November 2012 in the UK.

6. Frankenstein (1931)

Book Pack release date to be advised. The restored print on BLU RAY is due in the USA and UK in Oct 2012 as part of the 8-film Box Set "Universal Classic Monsters: The Essential Collection"

7. The Bride Of Frankenstein (1935)

Book Pack release date to be advised. The restored print on BLU RAY is due in the USA and UK in Oct 2012 as part of the 8-film Box Set "Universal Classic Monsters: The Essential Collection"

8. Jaws (1975)

Released August 2012 in the USA/September 2012 in the UK. BLU RAY Book Pack. Fully restored print with Steven Spielberg's involvement - new extras.

9. Out Of Africa (1985)

Released 6 March 2012 in the USA-Only. A 2-disc set containing a BLU RAY, DVD and means to a Digital Download via Universal's Website (a REGION FREE release so will play on all machines). There is a 'standard packaging' 2-disc version due 4 September 2012. See DETAILED REVIEW... 

10. Pillow Talk (1959)

7 May 2012 UK release. BLU RAY in a 44-page hardback Book Pack. Fully restored print and remastered sound. SEE DETAILED REVIEW.

11. Schindler's List  (1993)

Release date to be advised...late 2012 (DVD released in Jan 2012).

12. The Sting (1973)

Released 11 June 2012 in the UK. Restored and remastered and in Book Pack.

NOTE: There's also a 'card-wrap' version of this BLU RAY in the USA - so check which issue you're buying.

The Amazon code for the card wrap version is B007N31ZLA - the 'Book Pack Collector's Series' is B007UOWM6E. SEE DETAILED REVIEW.

13.  To Kill A Mockingbird (1962)

Released 10 January 2012. BLU RAY with 44-page Book Pack. SEE DETAILED REVIEW...

"Gimme Shelter" by MERRY CLAYTON - August 1970 US Debut Album on Ode Records featuring David Walker on Guitar and Joe Sample of The Crusaders on Keyboards (2010 UK Repertoire CD Reissue and Remaster in a Card Digipak) - A Review by Mark Barry...

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"…Don't Know Just What You're After…Do Know What You Need…" 

Talk about an unknown that shouldn't be. In order to understand the genuine class act you're dealing with here - a potted-history of Merry Clayton's past vocal glories will set the scene. She contributed to Neil Young's "The Old Laughing Lady" and "I've Loved Her So Long" on his self-titled debut album in 1968, sings on Joe Cocker's "Feelin' Alright" from his "With A Little Help From My Friends" debut album from 1969 and is on Allen Toussaint's magical "From A Whisper To A Scream" (1970). Just as impressively Merry sings on "Way Over Yonder", "Where You Lead" and "Smackwater Jack" on Carole King's magisterial "Tapestry" album (1971). Then there are sessions for B.B. King, Jesse Davis, Neil Diamond, Charles Wright, Jimmy Witherspoon, Billy Preston, Lee Michaels, Linda Ronstadt, Leon Russell, Ruth Copeland, Chi Coltrane, David T. Walker, Etta James, Rare Earth, The Who and even Ringo Starr.

But her most famous outing has to be her duet vocals with Mick Jagger on "Gimme Shelter" - one of the standout album tracks from "Let It Bleed" - the Rolling Stones masterpiece from 1969 (it was the first album produced by Jimmy Miller who suggested Merry for the vocals). She even turns up on Lynyrd Skynyrd's "Sweet Home Alabama" in 1974 and "Cornflake Girl" by Tori Amos in 1994…and is prominently featured in the award-winning 2013 movie about backing singers “20 Feet From Stardom”.

So it's hardly surprising that MERRY CLAYTON singed to Lou Adler's Ode Records in the late Sixties and quickly pushed out two solo albums - "Merry Clayton" in 1971 - and this - "Gimme Shelter" - her debut from August 1970. Here are the glad tidings…

1. Country Road

2. Tell All The People

3. Bridge Over Troubled Water

4. I’ve Got Life

5. Gimme Shelter

6. Here Come Those Heartaches Again [Side 2]

7. Forget It I Got It

8. You’ve Been Acting Strange

9. I Ain’t Gonna Worry My Life Away

10. Good Girls

11. Glad Tidings

Released August 1970 on Ode Records SP-77001 in the USA and on A&M Records AMLS 995 in the UK in late 1970 - the original vinyl album featured a world-class session band (Victor Feldman on Vibes, Joe Sample of The Crusaders on keyboards to name but two) and was top-heavy with contemporary cover versions of the time (but in a good way).

It doesn't say who's remastered this 2010 Repertoire reissue CD on REP 5176 (Barcode 4009910517628) but the sticker on the card digipak claims that it's been beautifully done - and they'd be right (38:23 minutes). The sound quality is fantastic - lending the Soul-meets-Gospel feel of the songs a huge sonic punch. Very little hiss - you can hear piano, drums, sweet bass and guitar strings rattling - loads of presence - it's a top job done. The 12-page inlay has affectionate and knowledgeable liner notes by noted UK writer CHRIS WELCH. 

Musically this is uplifting Soul with organs, brass, girly backing singers and impassioned lead vocals - a sort of Atlantic Aretha Franklin one moment then United Artists Tina Turner the next. And right from her opening cover of James Taylor's "Country Road" - the album hits you with one classy tune after another. Number 2 is another upbeat reinterpretation - a great variant of The Doors "Tell All The People". But both are aced by a slowed-down and deeply soulful version of Simon and Garfunkel's beautiful anthem "Bridge Over Troubled Waters".  Written by Galt McCormack "I've Got Life" started out in the "Hair" musical and was made famous by Nina Simone on her 1968 "Nuff 'Said" album. Side 1 ends with her own superb guitar-and-brass take on "Gimme Shelter" with its "just a shot away..." lyrics (it was issued as the 1st of 2 singles off the album in the USA on Ode Records ODE-66003 with "Good Girls" as its flipside).

Side Two opens with pure magic - a cover of the James Cleveland song "Here Comes Those Heartaches Again" done originally by Kim Weston on her 1970 album "Big Brass Four Poster" (on James Brown's People label). It doesn't say who added the strings but the sung suddenly elevates into sublime Jimmy Webb territory - a little like "5:30 Plane" by The Supremes on their 1972 Motown LP "The Supremes Produced And Arranged By Jimmy Webb" (see review for the Hip-O Select Supremes box set "This Is The Story..."). That gorgeous orchestration appears again on the album's lone original "I Ain't Gonna Worry My Life Away" - a blistering Etta James type torch ballad that Merry co-wrote with Billy Preston (lyrics from it title this review). The other superb Preston contribution here is "You've Been Acting Strange" - his own version surfaced on his September 1970 Apple Records album "Encouraging Words" (also reviewed). 

There's a Jimmy Miller (Rolling Stones Producer) and Gary Wright (of Spooky Tooth) song too called "Forget It, I Got It" which is so slinky and very cool. It was used as the B-side to "Country Road" issued as a 45 in the USA on Ode Records ODE-66007 (the 2nd and last single off the album). Things are brassed-up again with Billy Page's "Good Girls" and rounded off with a crowd-in-the studio version of "Glad Tidings" - a Van Morrison cover from his 1970 "Moondance" album that doesn't quite work for me. Others like it though as an upbeat finisher. Concluding - with so few clunkers and so many great song choices - this an absolute gem of an album from back in the day

Born on Christmas Day near New Orleans in 1948 - her parents were so overjoyed at their special arrival - they named her Merry. And you can't help but think that Mr. and Mrs. Clayton were right on the money. She's even been belatedly recognized for her talent and is prominently featured in the superb 2013 movie about backing singers called "20 Feet From Stardom" (fabulous movie/documentary). Get this gorgeous, uplifting and criminally forgotten goody in your life as soon as you can. 

And I'm sure he'd approve - but if this CD were a car - it'd be recommended like a pair of rubber lips on Mick Jagger's gear stick...

"Live At The Artist’s Den” by ROBERT PLANT and THE BAND OF JOY. A Review Of The July 2012 DVD and BLU RAY.

“…Sing My Song…”

Forever lumbered with an audience who are quite literally frothing at the gash to hear Led Zeppelin classics every time he plays live (and who can blame them) – to some extent Robert Plant has spent years distancing himself from that to establish a solo identity. And a truly genius move on his part was his "Raising Sand" album from 2007 with Alison Krauss – a captivating mixture of "O Brother, Where Art Thou?" old-timey Gospel and Country music given modern-day arrangements and a deliciously softened intimacy. Then came Part 2 of sorts in the "Band Of Joy" project/album from 2010.

Filmed in 2011 in the gorgeous setting of the War Memorial Auditorium in Nashville in Tennessee - 

I mention these two CDs above because in some ways "Live At The Artist's Den" feels like a live gig of both albums – with a few curveballs thrown in. And instead of Alison Krauss – we get Patty Griffin doing the female vocal honours – and she (like the rest of the band) absolutely rock.

As for the main man – Robert Plant not only looks and sounds great on this fab BLU RAY (he can do a soft vocal caress or a rock-God scream on a dime) – it's thrilling to see that he is wholly relevant to 2012 and not just 1969. His present set list and song choices now encompass Blues, Gospel, Traditionals, Folk, Rock and World – and it all meshes into the most wonderfully uplifting sound. You can't quite nail down a genre for this but you know it's good. Throw in a truly stunning set of musicians backing him up (Buddy Miller and Darrell Scott on guitars in particular) – and Plant finally seems comfortable – glad to be on stage with these great people - even grinning with relish as he revisits rarely-heard Led Zep album tracks. Wisely too he gives solo slots to Miller, Scott and Griffin - all of whom carry the limelight with shockingly good voices and an ability to play most famous musicians under the table. The four even do an Acapella piece at the end that is more than impressive.

But inevitably it's when the evening touches on stuff from Zep II like "Ramble On" and Zep III like "Tangerine" and “Gallows Pole” - then things just lift off into another stratosphere. Plant has re-arranged the songs so that they now sound like the unplugged feel of the "No Quarter" sessions but with a more rocking band and a grittier edge. The results are fantastic. There are also brilliantly reconstructed versions of "Black Dog" and "Rock And Roll" from "Zep IV" and a funkily cool reworking of "Houses Of The Holy".

Released July 2012 - the picture quality (on BLU RAY) is superb - the gig intimate – and the crowd responsive. And even if you don't know the newer material – the songs are very strong melodically and played with superb feeling by musicians who have a lifetime of musical knowledge flowing through their veins. The only downsides would be that the extras are short – and the gig could have been longer. I actually wanted more – and not less.

To sum up - you can't help but feel that Percy has always been smart - constantly trying to evolve himself and his knowledge of what he loves. And this superbly musical gig sees him finally arrive at a place where he's here in his future and at peace with his past. And we mere mortals can get to enjoy both.

Recommended like a "Hey Hey Mama…"

“Chariots Of Fire”. A Review Of The 1981 Film - Now Fully Restored And Reissued On A 30th Anniversary BLU RAY/CD Double-Pack In 2012.

 
"Bring Me My Arrows Of Desire…Bring Me My Chariot Of Fire…"

 

*** THIS REVIEW IS FOR THE USA 'BOOK PACK' BLU RAY REISSUE  ***

Little will prepare fans of "Chariots Of Fire" for this BLU RAY reissue - the picture quality is SENSATIONAL - and for a British film made on a budget in 1981 - that says a lot. 

Also - re-watching it in 2012 (the year of the 30th Olympiad in England) - it's nice to find that this homage to Sporting achievement and human spirit hasn't lost any of its capacity to stir the soul and bring a tear to the eye. It was rightly nominated for 7 Oscars at the time and won 4 - including Best Picture.

PACKAGING/CONTENT/PICTURE QUALITY:

The first thing to note is that even though the print quality and abundant extras are the same for the UK and US versions - they differ greatly in their 'packaging'. Also the UK issue comes in two versions - a simple uninspiring plastic clip-case with just 1 disc (type in barcode: 5039036052344 into Amazon) and a second issue with the music CD as well (type in barcode: 5039036051163).

This US Warner Brothers version that I'm reviewing however comes in a beautifully presented 36-page embossed hardback 'Book Pack' (or Digibook as its sometimes called) with an outer page attached to the rear (type in barcode: 883929093946). Regardless of which issue you buy - ALL are 'REGION FREE' issues so will play on every machine.

The booklet for the US variant is beautiful - featuring articles and pictures on Producer David Puttnam, Director Hugh Hudson and Writer Colin Welland. There's also text and photos on the principal cast members as well as notable supporting roles by John Gielgud, Ian Holm, Alice Krieg and Cheryl Campbell. There's also a page on the huge contribution made by Greek keyboardist VANGELIS - whose musical score has been both revered and parodied in equal measure ever since (most notably in the opening ceremony for the 2012 London Olympics just a few days ago).

This US issue and the UK double also house a 4-track music CD by VANGELIS (13:47 minutes) that features 2006 remasters of "Titles" (A Number 1 US hit in February 1982), "Abraham's Theme", "Eric's Theme" and "Jerusalem" (Vangelis with The Ambrosian Singers).

But the big news is the print - which has been FULLY RESTORED and defaulted to 1.85:1 aspect ratio - thereby filling your entire screen. Even in the notoriously difficult-to-light indoor sequences there is only slight blocking and grain - but on all outdoor scenes (of which there are many) - the clarity is exemplary. The DTS-HD Master Audio is English 5.1 Dolby Digital and Subtitles are English for Hard-Of-Hearing and French. Extras are discussed below...

THE FILM:

Taking its name from William Blake's preface to the epic "Milton: A Poem" - it focuses on the team who secured 4 medals for Britain in the 1924 Olympic Games in Paris - in particular the two Gold winners - Eric Liddell for the Men's 400 metres and Harold Abrahams for the Men's 100 meters. Nicholas Farrell (as Aubrey Montague), Nigel Havers (as Lord Andrew Lindsay) and Daniel Gerroll (as Henry Stallard) make up the other runners. Blink and you'll miss them cameos are - two sightings of American Comedienne Ruby Wax as a lady spectator in the Olympic crowds towards the end of the movie and an uncredited Stephen Fry in the "HMS Pinafore" chorus line-up.

Born in China but raised in Edinburgh - Eric Liddell (nick-named "The Flying Scotsman" after the famous steam train) was the son of a devout Missionary - and like his father before him cherished and practiced his religious convictions. Played to perfection by Scotsman Ian Charleson - Liddell often said that he was 'running for God' or 'felt His pleasure' as he speeded around track after track leaving all in his wake. Both King and Country would sorely test these implacable beliefs in Paris when they asked him to run on the Sabbath - and he refused. A little jiggering of racing dates saved face and the day...but it was the measure of the man that he withstood all that pressure and still won...

His principal rival was Harold Abrahams (played with huge gusto by Ben Cross) - a Jewish Cambridge University intellectual determined to deal with society's bigotry towards his kind by crushing all detractors in his path - including Liddell - whom he both feared and admired. But when he finally faces Liddell in a run and looses by a ticker-tape inch - the outsider is crushed. But help is at hand in the shape of an unorthodox Jewish coach called Sam Mussabini (a fabulous turn by veteran actor Ian Holm) who promises to make Harold faster and better (and does).

These indomitable boors inhabit a world of privileged chums wearing boater hats and striped blazers - men who sing Gilbert & Sullivan's "HMS Pinafore" songs with alarming relish. This is Britain after the senseless generation-depleting butchery of World War I - but still with that inbred sense of Empire coursing through their veins. You'd be right in thinking that all this snobbish elitism could become quickly tedious (and it threatens to do so for the first half hour), but the script rightly concentrates on something all the more compelling - their dedication, self-sacrifice and guts. Genuinely inspiring a hurting-country hungry for something noble to celebrate - you could even say they joined Christianity and Judaism on the Sports field for the National good. And on it goes to the 8th Olympics Games in 1924 and a funeral in London in 1978 (making it contemporary).

The wad of extras are superb - modern day interviews with all the protagonists - Ben Cross and Nigel Havers particularly animated and witty and pouring praise on Ian Charleson who sadly passed away in 1990. And again when they use the old stock footage of the film - you see just how glorious the full restoration truly is.

Like "The King's Speech" in so many ways - "Chariots Of Fire" is filled with British pride - but in a good way. This is a story about people worth remembering - their struggles - their heartbreaks and triumphs - their journey. Having not seen it in probably 30 years - I found it moving, inspirational and not in the least bit dated. And now it has the transfer and format it deserves. I know the US version may cost twice as much as the UK issue - but if you can go the few quid - then do so.

When Screenplay Writer Colin Welland accepted his Oscar - he famously announced "The British Are Coming!" Well, they're back...because this really is a fantastic reissue of a great movie.

I'm off now to run in slow motion by the sea and surf with that synth riff pounding through my very tight Speedos...nice!

“Papillion”. A Review Of The 1973 Prison-Drama Movie Starring Steve McQueen And Dustin Hoffman – Now Reissued Onto A US ‘Book Pack’ BLU RAY In 2011.

"...I'm Still Here!"

PACKAGING:

This is the first US Warner Brothers 'Book Pack' (or Digibook as they sometimes call it) that I've bought on BLU RAY and I'm impressed. It's beautifully presented - and more important - the print has been restored to a truly fantastic degree throughout. There are rarely any occasions when the transfer doesn't show the sweat and grime of this protracted prison drama with anything less than properly gorgeous clarity. It didn't look this good on DVD and that's for damn sure (and it's reasonably priced too).

Released May 2011 (barcode: 883929172764) - the other good news for fans outside of the USA is that it's a REGION FREE issue - so will play on every machine.

The booklet is 36-pages long and features both full-colour and black-and-white prints of the actors, Director Franklin J. Schaffner ("The Caine Mutiny", "12 Angry Men" and "Planet Of The Apes") and on-set photographs and key scenes from the movie. There's also an info-page pasted to the back of the hardback sleeve but it's flimsy and creases easily - so you might want to put the whole thing in a protective plastic. The disc itself not surprisingly sports a Butterfly logo. But I'd have to say that the side is let down somewhat by the supposed 'Special Features'. Apart from a "Theatrical Trailer" - the lone extra is called "The Magnificent Rebel" which lasts just over 12 minutes. Hoffman says a few words, McQueen nothing - however - it does feature the real Charriere revisiting the set designed by people who'd worked on "2001: A Space Odyssey" and "Patton" - a full scale rebuilding of his prison - complete with gates, walls, cells and guillotine. His ruminations are not surprisingly bitter - "Society does not want free men...it wants men to march like sheep..." - all police are corrupt - the judicial system vengeful. An unexpected up is that it does at least let you see just how bad the original footage was before restoration - covered in scratches, washed out and undefined...

THE FILM:

Cited by one drama teacher in the early Sixties as "least likely to succeed as an actor" - DUSTIN HOFFMAN had just come off a stunning run of layered performances in "The Graduate" (1967), "Midnight Cowboy" (1969), "Little Big Man" (1970) and "Straw Dogs" (1971). But for me his best nerd-in-over-his-head character is in 1973's "Papillon" where he absolutely aced it again with his beautifully controlled portrayal of Louis Dega. Dega is a weedy counterfeiter given life imprisonment for money fraud that cost several members of the French Government dear. Such is the severity of life in these tropical prisons and their inhospitable environs (chained communal bedrooms to swamp detail and back again) - Dega with his sticky-taped bifocals is unlikely to live let alone make parole. When the warden warns the arriving inmates in the yard talk to "Make the best of what we offer you...and you will suffer less..." he isn't joking. Those who attempt escape (and are caught) are publicly beheaded. If he doesn't rot to death in solitary - Dega will be stabbed in his sleep for his knowledge. The only way for Louis to survive is to buy protection. In this he is unwillingly paired with Henri Charriere (played by STEVE McQUEEN) - a man claiming he's innocent because he was framed for murder - but an inmate genuinely capable of handling himself and others. Charriere sports a Butterfly tattoo on his chest ('Papillon' in French) and is a spirit that will not be contained no matter what the dehumanizing regimes throw at him (long spells in solitary on barely subsistence food). Across 14 years that feel like 40 and 8 failed escape attempts - the wildly differing duo are then finally sent to the notorious penitentiary on Devil's Island - a rock in the Atlantic off the coast of South America (owned at that time by French Guiana) that also houses a leper colony. Surrounded by cliffs and an unforgiving sea - escape (they are told) is not possible. But even bruised, battered and considerably older by the end of the film - Papillon has other ideas...

It has to be said that this is a long movie - and decades of incarceration and brutality may not be everyone's idea of a fun night in. But the fantastical twisting story (which at times beggars belief - the nun's segment in particular) and the two leads firing on all sixes - produces a damn near irresistible combination. Both McQueen and Hoffman wisely avoid the trap of a buddy-buddy movie. These are two prisoners who don't even like each other much but have to co-exist in a living Hell. Yet both actors got under the skin of their characters so much that there are moments when Dega and Charriere simply look at each other and silently 'know' - dreams of freedom must be repressed - just thinking about it is too painful and wearing...

McQueen's 'Papillon' in particular (whether based on a real man or not) is a fantastic creation. Wilful yet somehow kind - bloody-minded yet fair - his Papillon is infused with an indomitable spirit. When in one of his long solitary confinement stretches (surviving on pacing the cell and eating cockroaches) - he looks up at the shaft of light above him coming through the steel bars he can't reach and croaks with defiance "Hey! You bastards! I'm still here!" Waist-deep in stinking rivers and thick mud, bedding on hard concrete floors and traipsing around in bedraggled rags in the ever-present swelter (partially filmed in Jamaica) - McQueen suffered for the part. But he knew it had substance and soul - so he dug in to find his man...and succeeded with grace and dignity. The role even replaced Steve McQueen 'The Star' with Steve McQueen 'The Actor' - ditching his 'coolest man on Earth' persona and proving his critics wrong.

"Papillon" is a magnificent film - still resonant to this day nearly 40 years after the event. It may leave you feeling like you've taken a day-long hike through the desert with the Foreign Legion followed by a nice relaxing full body dip in a cesspool to cool down afterwards - but it's a difficult watch that is 'so' worth the difficulty.

Recommended big time...

BLU RAY Specifications:

PICTURE: 1080p High Definition, 16 x 9 and 2.4:1 Aspect Ratios (Fills Full Screen)

AUDIO: DTS-HD Master Audio, English 5.1

SUBTITLES: English for Hard-Of Hearing, French and Spanish

EXTRAS: Theatrical Trailer and a 12-minute featurette called "The Magnificent Rebel"

PS: I'm sure I speak for many film fans when I say this - my wish would be that Warner Brothers would start reissuing their superb classic back-catalogue in this 'Book Pack' style here in the UK. Why are the British and European marketplaces being so short-changed on this?

Also - if you want an idea of what titles are available Stateside that play on UK machines - see my List Number 81 on Amazon UK entitled "US BLU RAYS That Are Better Than UK (And Play Here Too)"