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Friday, 20 December 2013

"Seed Of Memory" by TERRY REID. A Review Of His 4th Album From 1976 Now Remastered Onto CD In 2004 (Reissued 2013) by Beat Goes On.



This review is part of my Series "SOUNDS GOOD: Exceptional CD Remasters 1970s Rock And Pop" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

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Originally released on CD in May 2004 - this September 2013 reissue (again on the excellent Beat Goes On label) gives me a damn good excuse to review this cool and overlooked nugget of an album.

The vinyl LP was originally released June 1976 in the UK on ABC Records ABCL 5162 (ABCD-935 in the USA) and was his 4th label outing. His 1968 US debut LP on Epic "Bang Bang You're Terry Reid" and the UK follow up on Columbia "Terry Reid" from 1969 marked his more rocking side - while the mellow and slinky "River" from 1973 on Atlantic is more akin to what you get here.

Living in the USA at the time - his buddy GRAHAM NASH produced and brought on board an array of West Coast top players for "Seed Of Memory". Names like DAVID LINDLEY, AL PERKINS and TIM WEISBERG give the proceedings a very Crosby, Stills, Nash and Young feel with a little Boz Scaggs "Silk Degrees" and Neil Young's "On The Beach" thrown in for good measure (if that makes sense).

Reid famously turned down the lead vocalist spot in both Led Zeppelin and Deep Purple - and why they wanted him is in evidence here - his raspy pipes in full-on Eddie Hinton/Frankie Miller mode. All tracks are self-penned and it's mellow one moment, sexy the next and so on. The languid acoustic strumming of "Brave Awakening" feels like a mid-Seventies CSYN or Graham Nash song while "The Way You Walk" is the lone rocker - feeling like Neil Young let loose in the studio (great stuff). And his ability to pen a moving and plaintive ballad goes all the way back to his first US 45 "Mayday" (off "Terry Reid") on Epic 10498 which is fabulous stuff - that skill reappears on one of the album's undoubted highlights "To Be Treated Rite". Silly spelling of 'right' notwithstanding - it feels huge even now - acoustics and strings swirling around with a lonesome Bob Dylan harmonica refrain too (lyrics from it title this review).

ABC tried a 7" single by issuing the wonderfully funky Rock/Soul/Reggae vibe of "Ooh Baby (Make Me Feel So Young)" backed with "Brave Awakening" on the B in August 1976 on ABC 4137 - but it tanked despite being such a good track and as commercial as anything around at the time. "The Frame" is slinky Steely Dan/Boz Scaggs territory with lovely brass fills. At first the 7:21 minutes of the album finisher "Fooling You" feels overly long and slightly schmoozy but it works it ways into you - especially the gorgeous harmony vocals with Nash and James Brown's main man Fred Wesley floating in on some lovely horn. So why don't you know about this record? ABC ran into financial difficulties soon after the album was released and "Seed" never received the due plug it deserved (the terrible cover artwork didn't help either). And its been kind of underground ever since..

It doesn't say who remastered this Beat Goes On CD on BGOCD619 (43:15 minutes) - but the sound is really great - so well done - full of power and never compressed. It was superbly produced in 1976 anyway - but the remaster has brought that out big time.

Reid made another album for Capitol in 1979 called "Rogue Waves" (also re-issued in 2004 by BGO) and then a WEA album in 1991 called "The Driver" (which features a storming cover of the old Sixties fave "Gimme Some Loving"). Since then its been occasional live appearances to adoring audiences.

A cracking good album that you will return to again and again and make you want to track down everything he's ever done.
This is a good place to start that journey...

"5" by J.J. CALE - August 1979 Fifth Studio Album on Shelter/Island Records (June 2013 Universal JAPAN-Only SHM-CD Reissue with Mini LP Repro Artwork) - A Review by Mark Barry...





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"...Makes Me Feel Alright..."

Since his tragic loss in July 2013 renewed interest in J.J. Cale and his wonderfully laid-back songwriting magic has never been higher - and if you want an example of just how good he was (and can sound) - then a few bob spent on this fabulous Japanese CD reissue is going to be money well spent.

1.    Thirteen Days [Side 1]
2.    Boilin’ Pot
3.    I’ll Make Love To You Anytime
4.    Don’t Cry Sister
5.    Too Much For Me
6.    Sensitive Kind
7.    Friday [Side 2]
8.    Lou-Easy-Ann
9.    Let’s Go To Tahiti
10. Katy Kool Lady / Out Of Style [*See Paragraphs Below]
11. Fate Of A Fool
12. Mona

His 5th studio album "5" was issued on vinyl album in August 1979 on Shelter/Island ISA 5018 in the UK and Shelter 3163 in the USA. Its first CD appearance was May 1990 on Mercury 810 313-2 (along with "Really"), but it was Ok-sounding rather than great. Tracks from it were re-mastered for the 1997 2CD anthology "Any Way The Wind Blows" and fans got to hear just how good it could sound. But little will prepare them for the sonic beauties of this 2013 remaster - beautifully transferred and fully realizing the magic that was always there.

Released in Japan 26 June 2013 – “5” by J.J. CALE on Universal UICY-75631 (Barcode 4988005771629) is a SHM-CD (Super High Materials) and features repro Mini LP artwork and an exclusive Remaster. The SHM-CD doesn't require a special CD player and is a better form of the CD format that picks up the nuances of the transfer better.

Just hearing the opening of "Thirteen Days" and I know I'm in the territory of a different beast here. The sound quality is gorgeous (originally Produced by Audie Ashworth) - all instruments suddenly playing around your speakers. As was the nature of most of his albums - depending on the take or studio he recorded in - sound quality varied from track to track - and "5" is no different. "Boilin' Pot", "Don't Cry Sister" and "Fate Of A Fool" are right out front and feature some pronounced hissy moments - but nothing that doesn't take away from the overall sonic smack (there's real improvement here). But the real fireworks go to the two gorgeous ballads "Sensitive Kind" and "Mona" which now sound truly epic - superbly remastered (lyrics from "Mona" title this review). "Friday" too has wonderful clarity and punch - as does the beat-box feel of "Let's Go To Tahiti".

The only real bummer is that once again the track error of putting "Out Of Style" (an out-take) on here instead of "Katy Kool Lady"(*) has been repeated. The song is listed as Track 4 on Side 2 of the artwork of course - but the song never turns up. There are some words on the OBI strip about it - but because it’s in Japanese - I can't make out what they're saying. To my knowledge this cool song still remains CD-AWOL from his catalogue anywhere in the world - which is ludicrous. There was an opportunity missed here to rectify that silly mistake. The booklet has the lyrics and little else (there was no inner sleeve to the LP), but it's the sound I keep returning to.

Another point worth noting is that "Classic Album Collection" with its 5CDs in 2013 claims on both Amazon UK and USA sites to be 2013 remasters - they're not - they're exactly the same CDs as was used in the 1990s. I suspect this 2013 'remastering' claim belongs only on these Japanese issues. I've ordered "Okie" and "Troubadour" on the strength of this. 

I've loved this album for decades and it’s a blast to finally hear it sound so great. I know these SHM-CD repro reissues are pricey - but I've found they're so worth it.

What a loss - what an artist - he was one of my audio heroes growing up - and his influence on Eric Clapton, Dire Straits and even John Mayer is undeniable.

Albums in the June 2013 J.J. CALE Japanese SHM-CD Reissue Series are:

1. Naturally (1972 - his debut) on Universal UICY-75627 (Barcode 4988005771582)
2. Really (1973) on Universal UICY-75628 (Barcode 4988005771599)
3. Okie (1974) on Universal UICY-75629 (Barcode 4988005771605)
4. Troubadour (1976) on Universal UICY-75630 (Barcode 4988005771612)
5. "5" (1979) on Universal UICY-75631 (Barcode 4988005771629)
6. Shades (1981) on Universal UICY-75632 (Barcode 4988005771636)
7. Grasshopper (1982) on Universal UICY-75633 (Barcode 4988005771643)
8. No. 8 (1983) on Universal UICY-75634 (Barcode 4988005771650)

"Troubadour" by J.J. CALE from 1976 (June 2013 Universal Japan-Only SHM-CD In Mini LP Repro Artwork and Some Tracks Extended) - A Review by Mark Barry...




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MORE THAN A FEELING 
1976

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"...You Got Something I Can't Live Without..."

**** THIS REVIEW IS FOR THE 
JAPANESE-ONLY SHM CD REMASTER FROM 2013 ****

Since his tragic loss in July 2013 renewed interest in J.J. Cale and his wonderfully laid-back songwriting magic has never been higher - and if you want an example of just how good he was (and can sound) - then a few bob spent on this fabulous Japanese CD reissue is going to be money well spent. And more importantly to long-time fans - this 'actually remastered' reissue has tracks that are longer than all previous releases. Here are the gory details...

His 4th studio album "Troubadour" was originally issued on vinyl album in September 1976 on Shelter/Island ISA 5011 in the UK and Shelter SRL-52002 in the USA (excepting one song, they're all Cale originals). Its first CD appearance was way back in 1983 on Mercury 800 001-2 (the infancy of CD) - but it was an OK-sounding CD rather than a great one. Tracks from "Troubadour" were re-mastered for the 1997 2CD anthology "Any Way The Wind Blows" and fans got to hear just how good it could sound. But little will prepare them for the stunning sonic attack of this 2013 remaster - beautifully transferred and fully realizing the magic that was always there.

Released in Japan 26 June 2013 - "Troubadour"by J.J. CALE on Universal UICY-75630 (Barcode 4988005771612) is a SHM-CD (Super High Materials) and features Repro LP artwork including the Inner Sleeve - rare in any of his Seventies albums (includes track-by-track recording info). The OBI mentions that this disc is part of the "Rock Company '77" Series.

A SHM-CD doesn't require a special CD player to play it on (compatible on all) nor does it need audiophile kit to hear the benefits. It's a new form of the format that picks up the nuances of the transfer better (top quality make). I own about 10 of them and they're uniformly superb. But the big news here is that some tracks are extended over previous issues. It's total playing time is 37:43 minutes as opposed to the original at 36:27 minutes. I've listed a track-by-track comparison to show the timing differences...

1.  Hey Baby (3:20 new, 3:11 old) [Side 1]
2.  Travelin' Light (2:53 new, 2:50 old)
3.  You Got Something (4:05 new, 4:00 old)
4.  Ride Me High (3:40 new, 3:34 old)
5.  Hold On (2:06 new, 1:58 old)
6.  Cocaine (2:53 new, 2:49 old)
7.  I'm A Gypsy Man (2:46 new, 2:42 old) [Side 2]
8.  The Woman That Got Away (2:56 new,
9.  Super Blue (2:42 new, 2:41 old)
10. Let Me Do It To You (3:01 new, 2:59 old)
11. Cherry (3:31 new, 3:21 old)
12. You Got Me On So Bad (3:19 new, 3:17 old)

As you can see from the list above - on some tracks the difference is very slight - but on say "Ride Me High" - the combo of the superb remaster and the extra 10-second extended ending - make it almost feel like a new song - the version we should always have been listening to.

On the subject of sound - a few words first about the remaster (and Cale's remasters in general). Both Amazon UK and USA list the 5CD mini box set "Classic Album Selection" as having 2013 remasters ("Troubadour" is among them) - it doesn't. Although the CDs look exactly like the old issues, closer examination will show that each has a new catalogue number that reflects the box - but that's all. They all have the old Mercury designed labels of silver and orange lines and are precisely the same as the old Eighties and early Nineties reissues. My Mac even remembered the old track references I'd personally put in. I tried an outside source - like a desktop CD player - same thing - same old discs - absolutely not new. So where does this '2013 Remaster' claim come from? I suspect from these Japanese SHM-CD reissues which are Universal Japan issues only. The point is that the sound difference between this SHM-CD and the ordinary 'digitally mastered' disc in the 2013 "Classic" box is literally like chalk and cheese. Don't get me wrong - the discs in the "Classic" box set sound good - they do - especially the 3 criminally underrated Eighties LPs "Shades", "Grasshopper" and "No. 8" which were beautifully produced anyway. And the box is cheap too. It's his Seventies classy first five albums that need the remastering. And if you're a real fan - once you get an earful of this SHM-CD of "Troubadour" - you'll have to own the lot because the sound upgrade is so great.

It doesn't say which engineer has done the remaster and transfer in the booklet but the work is AWESOME - truly beautiful sound on every track. If I was to nail down two that show most improvement  - it would be "The Woman Who Got Away" and "Cherry". The opening bass and drums on "Woman" are so sweet and clear now - as is the slinky piano playing. I'd also swear that the original CD had a slight glitch/skip in the mastering - that seems to be now fixed. But the slightly longer "Cherry" is incredible. The high-hat symbol that runs throughout sounds like its going to punch out your grandmother - and his vocal hovering in echo over it all - shimmering and full of eerie presence. I also love the whack that now comes out of both "Travelin' Light" and the Side 2 opener "I'm A Gypsy Man" (a Sonny Curtis cover). The shuffling sticks and pedal steel on "Super Blue" is accentuated too as is the chugging guitar in the naughty "Let Me Do It To You". I could go on... I've also reviewed the SHM-CD of "5" from 1979 and its just as amazing.

J.J. Cale was one of my audio heroes growing up - and his influence on Eric Clapton, Dire Straits and even John Mayer is undeniable. What a loss and what an artist. And damn the Japanese for being so good with these bloody things - because I need all 8 of them now! My long-suffering bank manager will be pleased...

Albums in the June 2013
J. J. CALE
Japan-Only SHM-CD Reissue Series in Mini LP Repro Sleeves are:

1. Naturally (1972 - his debut) on Universal UICY-75627 (Barcode 4988005771582)
2. Really (1973) on Universal UICY-75628 (Barcode 4988005771599)
3. Okie (1974) on Universal UICY-75629 (Barcode 4988005771605)
4. Troubadour (1976) on Universal UICY-75630 (Barcode 4988005771612)
5. "5" (1979) on Universal UICY-75631 (Barcode 4988005771629)
6. Shades (1981) on Universal UICY-75632 (Barcode 4988005771636)
7. Grasshopper (1982) on Universal UICY-75633 (Barcode 4988005771643)
8. No. 8 (1983) on Universal UICY-75634 (Barcode 4988005771650)

Thursday, 19 December 2013

"Farther On Up The Road: The Chrysalis Years 1977-1983" by ROBIN TROWER [feat James Dewar] (2012 EMI 3CD Remasters) - A Review by Mark Barry...




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"…Tasting The Charms…"

For years Procol Harum's Robin Trower seemed locked into those Hendrix comparisons - pumping out album after album of Hard Rock Riffage - simple no-nonsense guitar classics like "Bridge Of Sighs" and "For Earth Below" in 1974 and 1975. Then come the late Seventies and his inner Bernard Edwards and Chic seemed to grab him by the short and curlies and the man went for it. And I for one - loved it to bits.

I've always thought his "In The City" and "Caravan To Midnight" LPs from 1977 and 1978 (with the mighty James Dewar on vocals) to be Funky Rock meisterworks where Trower and his Flange Pedal got real familiar (it helped that the Bass player Rustee Allen used to ply his plank with Sly & The Family Stone). And that's where this 3CD set comes in. Here are the fret-flicking details...

UK released 27 Feb 2012 - "Father On Up The Road: The Chrysalis Years 1977-1983" by ROBIN TROWER on EMI/Chrysalis 301 3862 (Barcode 5099930138629) is the mega label's second anthology for guitar virtuoso Robin Trower ("A Tale Untold" was the first) and the 3CD set breaks down as follows:

Disc 1 (79:30 minutes):
1. Somebody Calling
2. Sweet Wine Of Love
3. Bluebird
4. Falling Star
5. Farther On Up The Road
6. Smile
7. Little Girl
8. Love's Gonna Bring You Round
9. In City Dreams
Tracks 1 to 9 are the album "In City Dreams" released September 1977 in the UK and USA on Chrysalis CHR 1148.

10. Bluebird (7" Edit) - a non-album version

11. My Love (Burning Love)
12. Caravan To Midnight
13. I'm Out To Get You
14. Lost In Love
15. Fool
16. It's For You
17. Birthday Boy
18. King Of The Dance
19. Sail On
Tracks 11 to 19 are the album "Caravan To Midnight" released August 1978 in the UK and USA on Chrysalis CHR 1189.

Disc 2 (73:07 minutes):
1. Jack And Jill
2. Roads To Freedom
3. Victims Of The Fury
4. The Ring
5. Only Time
6. Into The Flame
7. The Shout
8. Mad House
9. Ready For The Taking
10. Fly Low
Tracks 1 to 10 are the album "Victims Of The Fury" released January 1980 in the UK and USA on Chrysalis CHR 1215.

Track 11 is "One In A Million" - the non-album B-side to the 7" single "Victims Of The Fury" released January 1980 on Chrysalis CHS 2402.

12. Into Money
13. What It Is
14. Won't Let You Down
15. No Island Lost
16. It's Too Late
17. Life On Earth
18. Once The Bird Has Flown
19. Carmen
20. Feel The Heat
21. End Game
Tracks 12 to 21 are the album "B.L.T." released February 1981 in the UK and USA on Chrysalis CHR 1324. The B.L.T. refers to the Guitarist, Bass and Drummer - Robin Trower, Bill Lordan and Jack Bruce.

Disc 3 (71:26 minutes):
1. Gonna Shut You Down
2. Gone Too Far
3. Thin Ice
4. Last Train To The Stars
5. Take Good Care Of Yourself
6. Fall In Love
7. Fat Gut
8. Shadows Touching
9. Little Boy Lost
Tracks 1 to 9 are the album "Truce" released January 1982 in the UK and USA on Chrysalis CHR 1352 (credited to Robin Trower and Jack Bruce).

10. Back It Up
11. River
12. Black To Red
13. Benny Dancer
14. Time Is Short
15. Islands
16. None But The Brave
17. Captain Midnight
18. Settling The Score
Tracks 10 to 18 are the album "Back It Up" released September 1983 in the UK and USA on Chrysalis CHR 1420 and FV 41420 respectively.

To get 6 albums and two 7" single sides thrown in for just over twelve quid is pretty amazing value for money (including a free rip to your PC or Mac). But the big deal here is the 2012 PETER MEW REMASTER. I've raved about this guy's touch at the tape before - even set a tag of his remastered issues for those interested in quality sound (there's hundreds) - and this double jewel-case set is no different. The sound is truly fantastic - full and clear without being over-hyped or amped up for the sake of it.

I've always thought "In City Dreams" to have been an overlooked funky nugget in his catalogue. Often associated with Hendrix in terms of guitar sound and technique - people are amazed at the sweetness of Trower's playing on lullabies like "Bluebird" and "Little Girl". But my bomb is the funky-rock of "Somebody's Calling" with its hooks and flange effect - I've often included in on my 70's Fest CD Shop Plays and it always brings a customer hustling to the counter wanting to know who this fantastic track is by (lyrics from it title this review).

The single "It's For You" was a purchase of mine on red vinyl back in the day when we devoured 45s for breakfast. There are so many goodies on here. A major highlight on the "Caravan To Midnight" LP is the stunning "I'm Out To Get You" where pinging guitar notes build and build until it reaches a Funk-Rock chug that keeps impressive as he adds layers of brilliant solos. It helps that the Bass Player was Rustee Allen - ex Sly & The family Stone. The spacey almost-Hawkwind-in-places title track instrumental "Caravan To Midnight" is another nugget on an overlooked album - sort of England's answer to Santana's Caravanserai only the guitar is a hundred times grungier. "Back It Up" was only issued on CD in 1999 and the other albums have been either unissued or released on long deleted titles. And apart from Bill Lordan and Jack Bruce who brought so much the table - the other unsung hero in the line-up is vocalist JAMES DEWAR (ex Stone The Crows) whose tones and lyrics brought the touch Trower needed to the songs (sadly missed).

The 12-page booklet pictures the albums and has a brief history on them by noted writer MALCOLM DOME whose name has graced many a quality reissue. In fact this entire EMI series is exemplary.

On the rocking "My Love (Burning Love)" James Dewar sings, "My love is a burning love...and its yours 'til the end of time..." Indeed it is.

I've also reviewed "Taking Some Time On..." by BARCLAY JAMES HARVEST, "That's Who!..." by FRANKIE MILLER and "Think About The Time..." by TEN YEARS AFTER in this 3CD series.
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