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Tuesday, 15 April 2014

“21 Grams” – Soundtrack CD by GUSTAVO SANTAOLALLA


"…Light In The Darkness…" – 21 Grams Soundtrack CD by GUSTAVO SANTAOLALLA

I remember watching the movie "The Motorcycle Diaries" in the cinema in 2004 and being ever so subtly moved by the accompanying soundtrack of Ry Cooder type guitar strums. It was a type of “Paris, Texas” vibe -all moody slide-guitars and strings rattling with menace and foreboding - but with a South American twist this time. It was hypnotic stuff and I knew I had to own it immediately.

Like Thomas Newman – there is something about GUSTAVO SANTAOLALLA and his incidental film music that sends me – and whenever I include it on a CD-R for play purposes – friends always ask,  “Who is this!”

I quickly began vacuuming up everything I could get my grubby paws on by the guy – backtracking to 2003’s “21 Grams". He appears to be the preferred music man for Director Alejandro Gonzalez Inarritu who also did the much praised “Amores Perros” and “Babel” (see review for the BLU RAY).  

The guest tracks are “Cut Chemist Suite” a rap song by OZOMATTI, “Low Rider” the 1976 Soul Rock classic by WAR. “You’re Losing Me” a 1973 US Funky Soul gem by ANN SEXTON and “When Our Wings Are Cut, Can We Still Fly” by THE KRONOS QUARTET. Best of the oddities is actor BENECIO DEL TORO doing a spoken version of Big Joe Turner’s Fifties anthem “Shake, Rattle & Roll” – it sounds like spoken TOM WAITS and is so cool - it’s frankly embarrassing. The rest are GS originals.

The music is trippy treatments bolstered up by shimmering guitars, a Harmonium and South American Pipes – “Can Dry Leaves Help Us?” even uses dialogue from the father and two children who phone their mum (and never come home). “Can We Mix The Unmixable?” is the same cool jumble but with a House backbeat. My fave though is the haunting “Can Light Be Found In The Darkness” which flicks electric guitars pings from speaker to speaker at the start while a Harmonium gives it backbeat power – ending in his trademark strummed acoustic guitars. It’s fabulous stuff…

This CD now appears to be passing hands for staggering sums of money - but I'd argue - it's worth it. I bought the Japanese 16-track version on Geneon GNCE-3011 (Barcode 4988102230258).

Beautiful, trippy, moving and cool as fuck – next stop for you should be the 2CD set for the amazing “Babel” which is frankly better than this – and that’s saying a lot…


“Raw Silk / Now We May Begin” by RANDY CRAWFORD (with THE CRUSADERS) – A Review Of Her 1979 and 1980 Warner Brothers Albums - Now Reissued And Remastered Onto 2CDs By Edsel Of The UK In 2013…



This review is part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:


                       http://www.amazon.co.uk/-/e/B00LQKMC6I


"…Tender Falls The Night…" – Raw Silk and Now We May Begin by RANDY CRAWFORD (featuring THE CRUSADERS)


When I worked for Reckless Records in Berwick Street in Central London – Randy Crawford albums were pretty much a no-no – they had little value – and few wanted them. But in the last decade or so - as Soul Boys of all colours have started to look back to those heady days of the late Seventies and early Eighties – albums by artists like Patrice Rushen and Candi Staton are getting revaluated all the time. Fans are veering away from the obvious hits and seeking out those tunes hidden in the grooves (both funk and ballad) - and Randy Crawford’s Warner Brothers output is the same.

For years her albums have languished unloved by digital reissue companies – well comes Edsel of the UK doing the job with real class and style. Here are the velveteen details For Edsel EDSK 7042 (released October 2013)…

Disc 1 (45:27 minutes):
Tracks 1 to 11 are her 3rd solo album “Raw Silk” – released June 1979 on Warner Brothers BSK 3283 in the USA and on Warner Brothers K 56592 in the UK.
It peaked at 63 on the US R&B charts (not in the UK) and was reissued in May 1982 in the UK after the success of the “Secret Combination” album

Disc 2 (37:02 minutes):
Tracks 1 to 8 are her 4th solo “Now We May Begin” – released May 1980 on Warner Brothers BSK 3421 in the USA and on Warner Brothers K 56791 in the UK. It peaked at 30 in the American R&B charts and became her first charted LP in the UK at Number 10.

The outer card wrap gives the whole reissue a quality feel – as does the 20-page booklet which pictures the albums, publicity photos, track by track recording info and exceptionally detailed liner notes by Soul Expert and long-time Edsel Associate TONY ROUNCE.

The remasters by PHIL KINRADE at Alchemy are exceptionally good – but then the original production values of Stephen Goldman for “Raw Silk” and The Crusaders for “Now We May Begin” were top notch anyway – uber high class and soulful. Superlative musicians abound - Leon Pendarvis and Don Grusin on Keyboards, Abraham Laboriel and Will Lee on Bass, John Tropea and Greg Poree on Guitars with Rick Marotta and Joe Pocarro on Drums and Percussion…and the fabulous Crusaders (Joe Sample, Wilton Felder and Stix Hooper) adding their stardust to all of “Now We May Begin”.

The Sound is gorgeous on both albums – giving the quieter tracks off “Raw Silk” like the beautiful cover of the Bert Williams Traditional “Nobody” and Allen Toussaint’s “Declaration Of Love” a clarity they never had before. It’s a patchy album for me – but having said that I’d forgotten how good her re-working of Marvin Gaye’s acidic love song is – “Just To Keep You Satisfied” – a top rediscovery.

Things went stellar with “Now We May Begin” because The Crusaders came on board after she guested on the huge “Street Life” track in 1979. In fact Warners pumped out no less than 5 of its 8 album cuts as singles (As & Bs) – and most charted too – “One Day I’ll Fly Away” becoming almost signature for her. But what I wanted this reissue for is the 7 Joe Sample/Will Jennings songs – the stunning strings and Dean Parks’ guitar slink of “Now We May Begin” – love it – love it (definitely a forgotten groove and nugget). But despite all that famous band overshadowing – the one song on here that always got me is her own lone composition “Tender Falls The Rain” which ended up being B-side material for three releases. It’s gorgeous Soul (lyrics from it title this review).  

She would go on to real album brilliance with “Secret Combination” – but here is where her success story really started. A sweet lady – take a punt on this classy reissue…

Monday, 14 April 2014

"John B. Sebastian/The Four Of Us/Tarzana Kid/Welcome Back/BBC In Concert 1970 DVD" by JOHN SEBASTIAN (2014 Edsel 2CD/1DVD Reissue & Remaster) - A Review by Mark Barry…




UK released February 2014 - "John B. Sebastian/The Four Of Us/Tarzana Kid/Welcome Back and BBC IN Concert DVD" by JOHN SEBASTIAN on Edsel EDSG 8039 (Barcode 740155803933) - this 2CD/1DVD triple features the four Reprise albums John Sebastian made after he left The Lovin' Spoonful in 1968. It also sports a Previously Unreleased Concert recorded for England’s BBC "In Concert" TV Program (broadcast 16 October 1970) that is approved by the artist himself and making its DVD debut here. Here is a stacked-up spoonful of loving details...

Disc 1 (75:57 minutes):
1. Red-Eye Express
2. She’s A Lady
3. What She Thinks About
4. Magical Connection
5. You’re A Big Boy Now
6. Rainbows All Over Your Blues
7. How Have You Been
8. Baby, Don’t Ya Get Crazy
9. The Room Nobody Lives In
10. Fa-fana-fa
11. I Had A Dream
Tracks 1 to 11 are his debut solo LP "John B. Sebastian" - release January 1970 in the USA on Reprise RS 6379 and April 1970 in the UK on Reprise RSLP 6379

12. Well Well Well
13. Black Snake Blues
14. I Don’t Want Nobody Else
15. Apple Hill
16. Black Satin Kid
17. We’ll See
18. Sweet Muse
19. The Four Of Us
Tracks 12 to 19 are his 2nd studio album "The Four Of Us" - released in the USA August 1971 on Reprise RS 2041 and Reprise K 44149 in the UK

Tracks 20 and 21 are "Give Us A Break" and "Music For People Who Don't Speak English" - released February 1972 - they are the non-album A&B sides of a USA 7" single on Reprise 1074

Disc 2 (63:25 minutes):
1. Sitting In Limbo
2. Friends Again
3. Dixie Chicken
4. Stories We Could Tell
5. Face Of Appalachia
6. Wild Wood Flower
7. Wild About My Lovin’
8. Singing The Blues
9. Sportin’ Life
10. Harpoon
Tracks 1 to 10 are his 3rd studio album "Tarzana Kid" - released in the USA September 1974 on Reprise MS 2187 and November 1974 in the UK on Bearsville K 54028

11. Hideaway
12. She’s Funny
13. You Go Your Way And I’ll Go Mine
14. Didn’t Wanna Have To Do It
15. One Step Forward, Two Steps Back
16. Welcome Back
17. I Needed Her Most When I Told Her To Go
18. A Song A Day In Nashville
19. Warm Baby
20. Let This Be Our Time To Get Along
Tracks 11 to 20 are his 4th studio album "Welcome Back" - released in the USA April 1976 on Reprise MS 2249 and Reprise K 54074 in the UK

DVD “In Concert: John Sebastian Sings John Sebastian”
1. Lovin’ You
2. You’re A Big Boy Now
3. She’s A Lady
4. Rain On The Roof
5. Daydream
6. Jug Band Music
7. Goin’ To German
8. Nashville Cats
9. Improvisation On Harmonica
10. Darling Be Home Soon

The presentation on this reissue is top-notch - a four-way foldout digipak with a chunky 36-page booklet featuring recording details, lyrics, photos, an essay on his career by noted writer PAUL MYERS, pictures of the original album labels and even personal photos supplied by Catherine Sebastian. PHIL RYNSTON at Tall Order has done the mastering and the sound is uniformly great throughout.

The first album sounds amazing if not stylistically mixed up and out of time (recorded in 1968 but released until early 1970). The clarity on tracks is thrilling - "What She Thinks About" with Harmony Vocals by Graham Nash and my personal favourite - the trippy acoustic "How Have You Been" with Paul Harris later of Manassas on Harmonium. "Baby Don't Ya Get Crazy" is awful (even if it features Stephen Stills on Lead Guitar) but "I Had A Dream" ends the platter on a swirling upbeat note.

I've always thought the 2nd album was a massive improvement over the first opening with the bluesy Josh White cover "Well, Well, Well" which would later become "In My Time Of Dying" at the hands of Led Zeppelin on 1975's "Physical Graffiti". It continues with Clifton Chenier's "Black Snake Blues" - again in slide guitar boogie mode. "I Don't Want Nobody Else" intros like an Eddie Hinton song and is pure Sebastian Lovin' Spoonful melody - great stuff. After the pretty ditty "Apple Hill" - it's back to rocking on "Black Satin Kid". The piano of "Sweet Muse" sounds so clear now as does the acoustic guitar on the finisher title track. It's also a genuine blast to hear the non-album single "Give Us A Break" after all these years on a scratchy 45 - and with its superb instrumental B-side "Music For People Who Don't Speak English" sounding not unlike a War outtake with Lee Oskar on Harmonica.

The "Tarzana Kid" album features a huge cast of guests and is the funkiest of the four - there's Russell DaShiell of The Don Harrison Band, Lowell George of Little Feat, Emmylou Harris, The Pointer Sisters, Ry Cooder, Phil Everly, Buddy Emmons on Pedal Steel and David Lindley on Fiddle. The lovely "Face Of Appalachia" is co-written with Lowell George and features his signature style of guitar playing - it's a nugget. The Traditional "Wild About My Lovin'" features a perfectly complimentary Ry Cooder giving it some cool Mandolin and Slide. And I've often put the Rock-Funky instrumental "Harpoon" on many a 70's FEST CD-R compilation (always has folks asking after it).

The opener for album number four "Hideaway" sounds like Dave Edmunds while the title track "Welcome Back" became an unlikely US number 1 on the back of a John Travolta TV program called Welcome Back, Kotter. It's all a bit poppy on "She's Funny" but gets better on "You Go Your Way And I'll Go Mine". He returns successfully to The Lovin' Spoonful's 1966 hit "Didn't Want To Have To Do It" by making it slower but still as lovely. The melody of "I Needed Her Most When I Told Her To Go" is so The Band - and in a good way.  Jeff Baxter plays Pedal Steel on the country "A Song A Day In Nashville" will tickle Gram Parsons fans. It ends nicely on the harmonica and strings of "Let This Be Our Time To Get Along" - as lovely a song as he's even penned.

But while the music may be 4 out of 5 - what gives this reissue that extra star is the real prize - the DVD. Stood alone in front of an appreciative and tiny British audience (maybe 30 people) - Sebastian is dressed in tie-dye shirt and trousers and enthusiastically works his way through new songs and a few Spoonful classics like "Rain On The Roof" and a storming version of "Daydream". He switches between acoustic, electric acoustic and electric lead - holding the stage easily and having great fun and banter with the crowd. He even puts in a fabulous Harmonica Solo towards the end and wraps it all up with a superlative rendition of the Spoonful's beautiful "Darling Be Home Soon". Defaulted to Full Aspect - the picture quality is great considering it's been in the can for 43 years. There's no extras on here - but man what a find - it's a real jewel in this reissue's crown.

It's not all genius by any means - there are clunkers on the CDs - and his mid Seventies voice was never the most emotive nor effective. But there is also so much to admire. This is impressive stuff - and you have to say that Edsel have done John Sebastian's musical legacy a solid with this superb release. Well done to all involved... 

"Groundhog Day" on BLU RAY – A Review Of The 1993 Harold Ramis Movie…


Here is a link to Amazon UK to get this BLU RAY issue at the best price:


"…Chance Of Departure Today – 100%!" – Groundhog Day on BLU RAY

Phil Connors is the Weatherman for Channel 9 out of Pittsburgh (WPBH). Under serious duress - he’s been farmed out for four years in a row to the small town of Punxsutawney in Western Pennsylvania (Weather Capitol of the World Since 1877). He’s there to see another namesake predict the snow front coming in over the mountains even better than he can. Because every February 2nd 'Punxsutawney Phil The Groundhog' pops out of his tree trunk - and in front of the gathered townspeople and American media - tells The Mayor whether or not there will be 6 more weeks of Winter or an early Spring. And legendarily - the furry little Beaver-like creature is never wrong. Phil Connors (as you can imagine) couldn’t be more pleased about this prestigious career gig.

And this year deadpan Phil has a crew of two in tow – both believing him to be a shallow, self-centred, wisecracking smartass who doesn’t care about the town, its people or even the fun they’re having – and they’d be right. Assistant Rita (Andie McDowell) and cameraman Larry (Chris Elliott) think Phil is a prick - and with every cynical jab and jibe he proves them correct – over and over again.

So on arrival Phil discounts Rita’s obvious interest in him – and stays in The Pennsylvania Hotel in town instead. He rises at six a.m. the following morning to the sound of two local DJ’s doing a Groundhog Day comedy routine to the music of "I Got You Babe" by Sonny and Cher. Phil does the tedious gig with the varmit and the microphone and the camera – meets a man from the past he can’t stand (a stunning turn by Stephen Tobolowsky as Ned Ryerson) – gets locked into the town by a freak snow storm - and goes back to his hotel hoping to forget about the whole godawful schmaltzy thing.

But the next morning Phil wakes up at six a.m. to the same song and the same DJs corny puns. He looks out the window and it’s not snowing – Phil is reliving the same day – all over again. At first Phil is freaked - but of course no one believes him. Then as each day goes by and exactly the same things happen – he begins to twig he can predict the reactions of everyone – including the lovely Rita - who needs to be won over with gallantry, humanity and a liberal reading of Romantic French Poetry. Phil also begins to realize that if he makes a mistake talking to Rita in the town’s Tip Top Café – he can come back the next day and say the right thing. That will impress. Or better still – plug the local babes for info in the morning – then come back the following afternoon and use it to his dating advantage. Soon he’s doing this with everyone in town.

But as time goes by – he also learns the other positive of living in a modern day setting for "It's A Wonderful Life" – he can do good. So every new day Phil saves a child who falls from a tree – jacks the tyre of a group of old ladies who break down in a car – saves a man who chokes on a piece of steak in a restaurant – gives an old timer who is freezing to death outside bowls of soup… He even learns to ice-sculpt and play the piano really well. But unfortunately despite his best bedroom lines – his efforts to get his lovely assistant into the sack end up with him getting his face slapped by Rita – a lot. But of course as the days become weeks then months even years – he learns depression and loss - and that even suicide/killing himself in various interesting ways won’t get him off the hook or out of the endless repetitive cycle. But perhaps love might…

The part of Phil the Weatherman had initially been offered to Tom Hanks who rightly turned it down and Danny Rubin’s story began in the middle of the cycle (co-writes with Ramis changed all that). But what makes ‘Groundhog Day’ work is the witty and clever time warp moments and the casting of the one-and-only Bill Murray in the lead role - machine-gunning out those great one-liners like only he can (title of this review). Murray’s face is also a secret weapon unto itself – as is the gorgeous luminescence of Andie McDowell who seemed to spark amazing chemistry with her leading men (Gerard Depardieu in "Green Card" and Hugh Grant in "Four Weddings And A Funeral" are just two). But it’s Murray who nails it - slapstick cruel one moment – sweat as a Pumpkin Pie the next. Other actors could say, "Who can describe the television excitement of a large squirrel predicting the weather…" but would it be as funny?

The BLU RAY picture is TRULY GORGEOUS – defaulted to 1.85:1 Full Aspect – it looks incredible almost all of the time. Dancing on the podium to Ray Charles as the snow falls – talking to Andie McDowell as they eat cream cakes – drinks at the bar as he tries not to be a twat and say something crass… Apart from the occasional grain in the credits (as the George Clinton song plays) and during the blizzard – it’s beautifully restored and enhances every scene.

Audio is English 5.1 True HD, Czech 5.1, Hungarian 5.1, Italian 5.1 True HD, Polish 5.1 VO and Russian 5.1 VO. Subtitles are Bulgarian, Croatian, Czech, Danish, English UK, Finnish, Greek, Hindi, Hungarian, Icelandic, Italian, Norwegian, Polish Romanian, Slovene, Swedish, Turkish and English SDH.

Extras include – Audio Commentary With Director Harold Ramis, A Different Day Featurette (A discussion with Harold Ramis on the movie and its legacy), The Weight Of Time (a discussion with writer Danny Rubin), The Story Of Groundhogs, A Real Life Look At Marmots, Deleted Scenes, and Needle Nose Ned’s Picture In Picture Track (BLU RAY exclusive).

I suppose in the hands of another Director this material could have been more cynically portrayed – darker even – but Ramis likes people too much for that to happen. There’s now even a plaque on Main Street Woodstock in Illinois (where they filmed the town sequences) dedicated to “Ned’s Corner” where Phil Collins meets Ned Ryerson every day and reacts differently to him. Residents brought out heaters to warm the freezing cast – Bill Murray bought and distributed 500 Danish Pastries to the onlookers. Sometimes a movie is like that – it’s just good – and makes you feel all warm and fuzzy inside…even becomes a cult…

So remember – if a talking American marmot tells you what Sunday’s weather is going to be like for that crucial date with the lady of your dreams – I’d listen - lest you want sore cheek bones and no sex for the rest of eternity...

PS: Although it doesn’t say so on anywhere on the outer artwork – this ‘UK’ BLU RAY release is part of the “Sony Collectors Series”. Here are the other titles – all of which are numbered on the spine - and come in generic ‘slipcases’ with a blue band on top and a gold stripe set against a white card sleeve:

1. Taxi Driver (35th Anniversary Edition) (1976)
2. The Bridge On The River Kwai (Collectors Edition) (1957)
3. Stand By Me (25th Anniversary Edition) (1986)
4. Gandhi (2 Disc Special Edition) (1982)
5. Easy Rider (Special Edition) (1969)
6. Midnight Express  (Special Edition) (1978)
7. Boyz N The Hood (20th Anniversary Edition) (1991)
8. Das Boot (2 Disc Director’s Cut) (1981)
9. The Guns Of Navarone (50th Anniversary Edition) (1961)
10. Close Encounters Of The Third Kind (2 Disc Special Edition) (1977)
11. Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb (Special Edition) (1964)
12. Crouching Tiger Hidden Dragon (Special Edition) (2000)
13. The Caine Mutiny (Special Edition) (1954)
14. Lawrence Of Arabia (50th Anniversary Edition) (1962)
15. Bram Stoker’s Dracula (Special Edition) (1993)
16. Groundhog Day (Special Edition) (1993)
17. Glory (Special Edition) (1990) [see REVIEW for "Mastered In 4K" release]
18. From Here To Eternity (Anniversary Edition) (1953)

19. The Remains Of The Day (Anniversary Edition) (1993) [see REVIEW]

INDEX - Entries and Artist Posts in Alphabetical Order