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Friday, 25 April 2014

"Frankie Go Boom" on BLU RAY – A Review Of The 2013 Jordan Roberts Film







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"…A Strong Kind Man Dipped In Metal…" – Frankie Go Boom on BLU RAY

Sat alone with a laptop in his silver Winnebago in the desert of Death Valley outside Los Angeles – 29-year old Frank Bartlett (Charlie Hunnam) is avoiding his mother’s incessant phonecalls while trying to write a novel on revenge. He basically wants to kill his entire family – or if that’s not possible – then just his older brother Bruce will suffice (Chris O’Dowd).

Bruce - whom his mother Karen affectionately calls a ‘little shit’ - has humiliated and tortured Frankie on film more times than Miss Dharma D-Cup has revealed her wonder chest. But even though the Bartletts are reduced to using mopeds because Bruce sold the car for drugs (“apparently the insurance company doesn’t consider it theft if its family…”) – at least he’s out of rehab and 90 days sober. So there is that.

But while in celeb clean-up Bruce has befriended a whacko Hollywood Director called Jack (Chris Noth) who owns a pig and dates a reformed porn-star (mentioned above) who now wants to commune with God’s angels and not men’s underpants. So perhaps Bruce’s teeny-weeny indiscretion of putting Frankie’s Wedding Disaster video (where his wife sleeps with the best man) up on the Internet for 18 million people to see is all behind him. Well, sort of…

Because on his return home to Bruce’s coming-out-of-rehab party – crashing into Frankie and his beat-up car is the literally edible Lassie on her bicycle wearing a bra made of sweets (and little else). Lassie was going to surprise her boyfriend with her kinky outfit beneath a duffle coat – only he surprised her by being in the arms of someone else. So Lassie is drunk and on a bicycle in Los Angeles and collapses in front of Frankie with a bra made of sweets. What is a nice boy like Frankie to do?

After a wake up conversation in his car – he takes Lassie (the truly gorgeous Lizzy Caplan) back to his home where they go his clubhouse in the back yard. Once inside and sat on the bed - Lassie is determined to have a man desire her after her rebuttal – but unfortunately Frankie is so traumatized by his brother’s humiliation video (made him famous for all the wrong reasons) - he can’t get an erection. Hours go by – but with a little revenge pillow talk - they soon sort out Frankie’s soggy chip and physical and emotional sparks fly.

What they don’t know is that older-brother Bruce has spotted a film opportunity that is just too good to pass up. He’s secretly taped the whole sorry impotence thing and transferred it onto a DVD. Bruce now wants to take this latest Frankie disaster flick to mad Jack as a possible Indie Movie – a sex tape without the sex - even if it means destroying his brother’s life yet again (a small price to pay in the name of art).

Both our lovebirds now wake up not knowing what Bruce has done and Lassie leaves the love-struck Frankie a note – “Thanks for the loveliest and strangest night of my life…” But once inside the house again - Frankie learns from his equally crazy parents (great turns by Sam Anderson and Nora Dunn) what Bruce has done – and in desperate mad cap burglary efforts – tries to get the DVD back from Jack before it goes viral with 35 millions hits and his life is screwed for a second time. And on it goes to Frankie having to show his emotional mettle to a lady in need of a little chivalry…

What makes “Frankie Go Boom” so bloody good is a combo of all the right things – a fantastically funny script by Director and Writer Jordan Roberts and a cast to die for (some of whom worked for peanuts). And like a hip homemade movie reel - it uses hand-written cards to divide scenes and cool Indie tunes in between the set pieces.  

But central to it all is the stunning Lizzy Caplan who can probably bat her huge bug eyes at any guy and make them fall in love with her in less than ten seconds (the camera just adores this woman). Siding with her and grounding all the lunacy is Charlie Hunnam who is calm, subtle and just right as the ordinary guy who would be her ‘knight’ when she needs one (dialogue above). Throw in the genius casting of Chris Noth (from “Sex And The City” and “My One And Only”) as a manic Hollywood maverick who wants you to whack his butt to test the firmness of both cheeks as he runs naked on a treadmill - and Ireland’s fabulous Chris O’Dowd as a character who is both obnoxious and adorable at the same time – and you’re on a gigglesome winner.

But the film goes 5-star ballistic when uber tough-guy Ron Perlman (“Sons Of Anarchy”, “Hellboy” and “The Name Of The Rose”) turns up as the heart-of-gold transvestite Phyllis – all make up and fluffy scarves and frilly dresses. His scenes are priceless, achingly funny and even touching (it was a ballsy and smart move on his part to do the role). “I thought one of us in this conversation should be a man…” he advises the lost Frankie on the end of the phone line as Phyllis paints his toenails and smokes a cigar.

I bought the USA Universal BLU RAY (Barcode 025192170461) - which has no REGION B playback problems (plays on UK and Euro machines). The BLU RAY picture quality is superb throughout and the ‘Behind The Scenes’ extra includes interviews with all the cast and the brilliant Writer/Director Jordan Roberts (O’Dowd and Perlman are particularly warm and engaging). There’s 3 film trailers (“Mental”, “A Haunted House” and “Admission”), 6 Deleted/Alternate Scenes and a fun bit on the trained porker ‘Oliver’ called “Pig In the Pool”. Audio is English 5.1 DTS Master Audi and Subtitles are English for the Deaf and Hard Of Hearing, Spanish and French.

“Frankie Go Boom” hits that rare triple whammy with a bullet – it’s cool, it’s sexy and it’s very, very funny.

Not a flaccid symbol in sight. It’s a rock-hard five-boner award for this one folks… 

Thursday, 24 April 2014

"This Time Around" by THE STAPLE SINGERS Featuring Mavis Staples – A Review Of Their 1981 American Compilation On Stax Records - Now Reissued For The First Time On CD By Ace Records Of The UK In 2013…


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"...Trippin' On Your Love..." 

Released Stateside in April 1981 on Stax Records MPS-8511 while The Staples Singers were briefly signed to 20th Century and Produced by the legendary Al Bell – this notorious 8-track vinyl LP is actually a compilation of old recordings from the 1970s reworked and reissued without the band's approval (or even knowledge) – put out at a budget price and promptly forgotten. But amongst its embellishments are absolute barnstormers – namely the near fanatical Northern Soul and Club following given to the song "Trippin' On Your Love" in the UK.

This is the first CD reissue and remaster of the "This Time Around" album ever (July 2013 release date) and Ace Records CDSXE 139 (Barcode 029667055321) is a typically brill reissue of a criminally forgotten record (33:23 minutes):

1. Live In Love [Side 1]
2. This Time Around
3. Trippin' On Your Love
4. A Child's Life
5. I Got To Be Myself [Side 2]
6. People Come Out Of Your Shell
7. When It Rains It Pours
8. If It Wasn't For A Woman

The remaster is by NICK ROBBINS at London's Sound Mastering and the 8-page booklet contains detailed liner notes by long-time Soul Fan and Ace Associate – TONY ROUNCE.

It starts out badly in my book – the "Live In Love" track probably dates from as early as 1969 or 1970 – so the instrumentation over it sounds up to date while the vocal sounds way too distant and demo-ish. "This Time Around" slows it down with a "...won't let my man down..." lyric. It is pretty once it gets going, but again the instrumentation still feels tagged on. But things go stratospheric with "Trippin' On Your Love" which is just gorgeous.

"A Child's Life" is sweet but far better is the Side 2 opener "I Got To Be Myself" – muted at one point to be 7" single (Stax 0255) - but it legendarily never got released (not even a promo has been found). Recorded around 1975 – "I Got To Be Myself" is a proper Staples winner. And it's followed by 3 superb tracks especially "When It Pours It Rains" and "If It Wasn't For A Woman" which contains stunning Mavis vocals ("...a house would never have been a home…if it wasn't for a woman…") and sympathetic arrangements.

So there you have it. In a ragbag like this, five out of eight tracks is not a bad tally in my book and when it comes to The Staples Singers, I gotta have it. And its relatively cheap too...

PS:
See also my reviews for the Staple Singers albums "We'll Get Over" (1969) and "Be Altitude: Respect Yourself" (1972) alongside CD compilations "The Ultimate Staple Singers" (2004), "Faith & Grace: A Family Journey 1956-1976" (2015) and "For What It's Worth: The Complete Epic Recordings 1964-1968" (2018)

"Snakes And Ladders/Sleepwalking" by GERRY RAFFERTY (June 2012 UK EMI '2 Original Classic Albums' 2CD Reissue) - A Review by Mark Barry…




 
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LET'S GO CRAZY - 80ts Music On CD

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"...Find A Way Home..."

Having bought and reviewed the 2CD reissue of Gerry Rafferty’s 1978 masterpiece "City To City" in September 2011 – like most fans I've been patiently waiting for EMI to get to the rest of his catalogue.

Well they sort of have – and this cheapo double CD reissue is one of the piddly results. There’s not much to go on unfortunately but nevertheless - let's get to details...

UK released June 2012 – "Snakes & Ladders/Sleepwalking" by GERRY RAFFERTY on EMI 5099970475326 (Barcode 5099970475326) offers '2 Original Classic Albums' from 1980 and 1982 reissued onto 2CDs and plays out as follows:

Disc 1 (48:48 minutes):
1. The Royal Mile [Side 1]
2. I Was A Boy Scout
3. Welcome To Hollywood 
4. Wastin' Time
5. Look At The Moon
6. Bring It All Home
7. The Garden Of England [Side 2]
8. Johnny's Song
9. Didn't I
10. Syncopathin' Sandy 
11. Cafe Le Cabotin
12. Don't Close The Door 
Tracks 1 to 12 are his 3rd solo album "Snakes And Ladders" – released April 1980 on United Artists UAK 30296 in the UK and June 1980 in the USA on United Artists LOO-1039 (peaked at No. 15 in the UK LP charts and No. 61 in the USA). 

Disc 2 (37:15 minutes):
1. Standing At The Gates [Side 1]
2. Good Intentions
3. A Change Of Heart
4. On The Way
5. Sleepwalking [Side 2]
6. Cat And Mouse
7. The Right Moment
8. As Wise As A Serpent
Tracks 1 to 10 are his 4th solo album "Sleepwalking" – released September 1982 on Liberty LBG 30352 in the UK and Liberty LT-51132 in the USA

The gatefold slip of paper that acts as an inlay pictures the front album artwork on the inner pages of each album – and that's it. The inner sleeves that came with both UK LPs are AWOL - as is all the musician and recording info. No liner notes of any kind. In fact there isn't even mention of mastering - and as far as I can tell – these are exactly the same as the Eighties CDs I've had for years. So the sound is very good, but a sympathetic Peter Mew remaster would have elevated these cool albums to sonic greatness.

But while the presentation may be bog standard – the music is a different matter. These are two great Gerry Rafferty albums (is there a bad one?) – with the second definitely having the edge on the first.

"Snakes And Ladders" opens proceedings with the Drum and Fife of "The Royal Mile" with that lovely melody of his. Ex Les Fleur De Lys guitarist Bryn Haworth plays his distinctive slide guitar on the superb "I Was A Boy Scout". Orchestra Arranger Will Malone and String Leader Gavin Wright add a huge amount to the melody of "Look At The Moon". Pete Wingfield (ex Jellybread and solo star of "Eighteen With A Bullet" fame) adds his keys to the jaunty "Bring It All Home" which also features the awesome 'Baker Street' Saxophone of Raphael Ravenscroft (as does the song "Welcome To Hollywood"). Side 2 opens with the wonderfully languid "The Garden Of England" and Rafferty returns to an old Stealers Wheel tune with "Johnny's Song". He then goes all country swing with "Didn't I". Both Pete Wingfield and Bryn Haworth guest on keys and guitar on the finisher "Don't Close The Door" – an album highlight. Another contribution comes from Bassist Pete Zorn of the obscure group Fishbaugh, Fishbaugh & Zorn who plays on "Johnny's Song", "Didn't I" and "Syncopathin Sandy".

Although there are 12 tracks on "Snakes" – the 8 on "Sleepwalking" feel so much more mature and cohesive - less tracks but a much better album and I'd argue is an 80ts Classic that goes unrecognized as such. On this sleeper classic "Good Intentions", "On The Way" and "Sleepwalking" are all swirling magnificent – 5 to 6-minute tracks allowed to breathe and linger. The funky and catchy "Cat And Mouse" should have been a single and is so Radio friendly with its chugging guitar and matching vocal. "The Right Moment" is both sad and beautiful. But it's "As Wise As A Serpent" that blows me away every time – a genius Rafferty tune – sly and slinky – it worms its way into your heart – making you want to replay - again and again (lyrics above).

For four to six quid new, these 2CDs are ludicrously good value for money – but let's hope that one day soon - someone somewhere does his EMI/Liberty catalogue a Remaster and Anthology favour. Frankie Miller, Ian Hunter, Robin Trower, Ten Years After and so many others have all received that accolade.

Gerry Rafferty was lost to us in early 2011 to the ravages of booze and it's about time that his memory and especially his musical legacy be given the loving attention its always deserved…

"High Road To China" on BLU RAY – A Review Of The 1983 Brian Hutton Film Now Reissued Onto BLU RAY In 2012





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"…You Dirty Rotten Rat!" – High Road To China on BLU RAY

Before there was George Clooney - there was Tom Selleck - as personable an actor as you could get. Women loved him and guys admired him.

And I can remember seeing "High Road To China" at the cinema on release in 1983 and the audience warming wholeheartedly to its old-fashioned story of daring-do - a ripping yarn set in the 1920's with a handsome/rugged male lead (Tom Selleck) and a ballsy/brainy moll in distress (the lovely Bess Armstrong). All that and a score from John Barry that made the flying sequences feel lush and huge. I vividly recall Brian Hutton's movie being great 'fun' - a sort of poor man's Raiders/Indiana Jones and re-watching it on BLU RAY only confirms that. And remarkably it hasn't really aged a jot either...

Miss Eve Tozer is a pretty society brat (Bess Armstrong) - the headstrong daughter of Bradley Tozer (Wilford Brimley). She spends money like water and her evenings doing the Charleston in the men's clubs with adoring officers waiting to light her cigarette. But then her faithful manservant Charlie Shane advises her that Mister Bentik (Robert Morley) - the partner in her absent fathers company - will be able to get all the assets (and therefore all the money) if he can legally declare her Dad dead in 12 days. But her father is in Afghanistan and Eve will need a plane to get there...possibly even a reliable hand at the throttle...

Enter war-hero and ace fighter pilot Patrick O'Malley who just so happens to own two biplanes (Lorraine and Dorothy) and is both drunk and broke. O'Malley not only needs the hair of the dog to wake him up - but money to keep him and his trusty mechanic Struts (Jack Weston) in the liquid lunches they've become accustomed to. So after much haggling and brat refusal - Eve hires them for $60,000 - and off the motley crew set for Fort Kipling inside Afghanistan to seek her father.

Along the way - they almost get Eve sold into slavery to a Sheik who keeps telling women to shut-up (a very funny Brian Blessed) - pick up a sultry lady passenger who helps them escape a war on the British (the gorgeous Cassandra Gava as Alessa) while the headstrong duo of Eve and O'Malley continue to have shouting matches on the ground and in the air everywhere they go. Until the gang has to finally fly into Xinjiang in China where they find her Dad setting explosives in a small but worthy battle (he's become a General to lowly Chinese peasants defending their hillside town against a merciless warlord)...

The will-they won't-they fighting between Selleck and the pint-sized Armstrong is done well (title above) - and not only do they have chemistry on screen - there's a very genuine likeability about both of them. Jack Weston, Brian Blessed, Robert Morley and Wilford Brimley (as Eve's father) provide a lot of the laughs in-between the set pieces. And there's convincing battle sequences, aerial photography and battle-of-the-sexes jokes galore. Great fun really...

The BLU RAY picture quality is a very mixed bag - from gorgeous to awful and back again almost all of the time. It's defaulted to Full Aspect so it fills the entire scene (no lines top or bottom) and overall - I'd still have to say that it looks great despite its age. There's a slight haze on many scenes to give it that oldie look - and when it gets to the Robert Morley sequences back in his English Mansion as Bentik - the grain and fuzz swells are many (even if the humour is great). But then you're hit with a shot beside the two planes in a field where it looks absolutely gorgeous. Even in the tents at night when Eve is being sold as a slave to Suleman Khan (Brian Blessed) - the picture is very, very clean. But when they finally do get to China - there's a scene where Eve looks over at a sleeping O'Malley - it's awful one moment - uber clean the next - back to middling. The picture quality flits all over the place. But again (and I must stress this) 'overall' the BLU RAY is a very a worthy upgrade if you love the film. It's just that with a bit of a clean up - a bit of digital TLC - it could have been fabulous.

I found the AUDIO to be most disappointing of all - it's rubbish frankly. Right from the clean opening credits - the soundtrack feels like its been tagged on - or recorded in a very small bucket. There's no real oomph of any kind - which is a shame because John Barry's work here is typically beautiful and panoramic too. English is the lone subtitle and there are no extras - slim pickings I'm afraid.

Is "High Road To China" worth buying on BLU RAY - overall - I'd still say yes. It's unlikely that we'll see the film look any better.

Sure it's a shame they didn't get the Lewis Guns out for a full-on restoration - but it's still a cracker of a movie and worth taking a punt on...

“American Friends” on DVD – A Review Of The 1991 Tristram Powell Film Now Reissued By The BBC In 2012




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"…I Pleaded We Were Americans…But That Only Seemed To Make Matters Worse…" 
– American Friends on DVD

It's 1866 - and crusty old Reverend Francis Ashby (a Fellow Of Oxford University in England) is 46, unmarried and about to depart on his annual holiday to the Swiss Alps to partake of the bracing air and spirit rejuvenating views. His man servant Haskell (a very witty turn by Bryan Pringle) has packed his guide book, boots and other manly things - and breathes a sign of relief because thankfully there'll be no 'dirty women' as he refers to them on this trip. Like Ashby - Haskell is British you see - and the very thought of such things is an anathema to him...

But once there - two American ladies Miss Caroline (40) and Miss Elinor Hartley (20) are out on the mountains - when through her binoculars - young Elinor (Trini Alvarado) sees a naked Ashby (Michael Palin) taking a dip in a mountain stream. Something is lit in her heart. And as time passes both in the UK and in Switzerland - his kindness towards her grows ("How else should one behave?") - and an unlikely but very real love blossoms between them.

A young Irish-born girl sent to the USA when she was 5 and adopted by Aunt Caroline - Elinor has been educated, clothed and raised a lady in the best company. But while she's pretty - Elinor is essentially pure and hugely innocent to the world. And her genuinely caring Aunt worries about the headstrong girl wanting a life and love of her own. And at times Aunt Caroline (a superb Connie Booth as a woman of a certain age in a time of uber restraint) even dares to dream of love too with the decent man of learning and classics - Ashby.

But despite his best dismissive efforts to repel the ladies and a party of British hikers who spot an opportunity to place their son in Oxford by buttering up the Fellow - soon Ashby is engaged in reluctant walks with the two women - then a dance one Summer evening - and even a brief but beautiful kiss with Elinor. He too it seems is taken by love and suddenly his eyes are opened to a life beyond the confines of dead books and dead languages. But old habits die hard - and conflicted - he heads back to the safety of Founder's Port, Latin Essays and the stuffy rules and regulations of Oxford - where the changing of a Soup Tureen requires a committee meeting.

But back home he finds that Rushden - the very elderly President of Oxford is on his last legs ("The Visigoths are at the gates!" he cries out) and a new President will be elected soon. But vying for the position with Ashby is the cunning and morally lecherous Oliver Syme who beds every girl he can in the cottage he owns by the river. Ashby is perceived by all at the famous college to have 'no known moral blemish' and is therefore a front-runner. But then the American ladies come calling to visit Ashby - and needing a place to lodge - Syme lets the cottage by the river to the unsuspecting duo. But as Aunt Caroline and Ashby become closer (walks, dinner and indepth conversation) - young Elinor becomes impatient with Ashby - and in a rash night with Syme involving wet clothes - her virtue is sullied. Ashby now knows he has to make a choice - go for the college prize - or save the girl's reputation...

Based on the journals of his real uncle Edward Palin who resigned as an Oxford Fellow in 1866 and raised 7 children with an American woman he met on holidays in Switzerland - Michael Palin's script is co-written with Director Tristram Powell - and is a slow boiler and an utter delight for it. I've always loved this small but perfect film and owned a Region 4 Australian DVD of it to have a copy I could watch. George Delerue's string score is beautifully complimentary too in so many scenes.

This November 2012 BBC DVD reissue (Barcode 5051561037252) is not without its problems though. It's defaulted to 16 x 9 Anamorphic so it fills the entire screen (no lines to or bottom) and the print from a distance is lovely throughout - it is. But there are times when shimmer and shocking grain and dirt flicks appear (Molina's character giving a lesson to students) - only momentarily though. Overall it's in great shape. It's just that I would have dearly loved to see this gorgeous little movie be given the full restoration makeover - but alas.

Subtitles are English for the Hard of Hearing and there are no Extras.

The core of the 4 actors - Palin, Alvarado, Booth and Molina are all superb in their parts - as are Alun Armstrong and Bryan Pringle (now sadly lost to us). But it's the gentility of the story that stays. "Her eyes catch mine...I adore her..." a young student tells Ashby who can't concentrate on his studies because he longs for an older woman in the choir he attends. 46-year old Ashby looks out his Oxford window at the courtyard below where the two American ladies are being ushered away by a stuffy college stickler for rules - and knows for the first time in a very long time - what his young student feels so deeply.

"American Friends" has always been a minor masterpiece to me - a lovely piece of British cinema.
And decent - like the country itself...

INDEX - Entries and Artist Posts in Alphabetical Order