"Take Me To The River: A Southern Soul Story 1961-1977" by VARIOUS ARTISTS (September 2008 UK Ace/Kent Soul 3CD Compilation in a Hardback DigiBook Presentation with Outer Card Slipcase - Duncan Cowell and Rob Shread Remasters) - A Review by Mark Barry...

 

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This Review Along With Nearly 195 Others Is Available in my

SOUNDS GOOD E-Book on all Amazon sites

"SOUL GALORE!" 

60ts Soul, R&B, Northern Soul

Mod, New Breed, Funk, Jazz Dancers, Rare Grooves

Atlantic, Chess, Motown, Stax Labels and many more... 

 

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"...That's The Way I Feel About You..."

Even now at the tail-end of a pretty autumnal October 2022 (over 14 years after the late September 2008 event) - this fabulous 3CD Kent Soul compilation casts a shadow and exerts a pull. I'm always dragging it off the shelf and playing it. And as a lifelong 60ts/70ts Soul, Funk and Rare Groove fan - an in-depth review of this iconic Storyville of Soul digital jewel is long overdue. 

 

"Take Me To The River..." might have maddeningly difficult to navigate packaging (really should have been altered by now) - but "...A Southern Soul Story 1961-1977" also has the most gorgeous sound quality, especially on CD3 which features All Green's 1975 classic after which the set is named. Start in on the Willie Mitchell stuff from Hi Records like Denise LaSalle and Ann Peebles or the Spencer Wiggins, George Jackson, Luther Ingram class smoochers and I'm flying baby. To the nitty gritty...

"Take Me To The River: A Southern Soul Story 1961-1977" by VARIOUS ARTISTS is a 3CD Mini Box Set UK released 29 September 2008 on Ace Records/Kent Soul KENTBOX 10 (Barcode 029667000901). Except where noted most of the 95-tracks are Mono and Stereo US 7" single mixes with a Previously Un-issued Otis Redding nugget and many other vinyl rarities (see full track list below for a breakdown of what's what). It starts at Stax Records in 1961 and ends on the Ko Ko label in 1977.

Housed in a glossy outer card wrap is a gorgeous hardback book of 72-pages featuring knowledgeable and informative liner notes by Soul Experts and Compilers DEAN RUDLAND and TONY ROUNCE (they've done huge numbers of inlays for Ace and Edsel over the years). The text is peppered with beautiful colour photos - American 45's on Stax, Dial, Fame, Dot, Volt, Goldwax, Cadet etc - British 7" Demos on London, Pye, Chess and Stateside - record company publicity photos - American trade magazine adverts - recording studio shots. It's properly gorgeous stuff and surely some kind of award-winner (hats off to Neil Dell at 9th Planet). 

 

With regard to the packaging, it should however be noted that the card wrap is extremely tight and needs to be removed carefully lest you tear it - and although the book is a truly wondrous thing to behold - it can be awkward to read without snapping the spine (so be careful). Ace need to re-think this into a Clamshell Box Set with Mini LP Card Sleeves and a separate detached readable booklet - maybe even an Expanded Edition to 4CDs as some kind of 15th Anniversary Reissue for 2023? Maybe even used the Hardback Block Box they used on Volume 3 in the series "Back To The River..." so our spines can match up on shelves...

Each disc is theme-titled (see below) and as you can imagine the sound quality varies enormously from era to era. DUNCAN COWELL and ROB SHREAD at Sound Mastering have carried out the remasters and Audio Restoration - and overall the whole thing sounds fantastic and feels like real effort has been applied to every rendition (Cowell handled most of the superlative Blue Horizon CD reissues). Sure Discs 1 and 2 do have their rough edges and hissy fits on the Independent label stuff - but given the sheer passion of what's playing - it hardly ever seems to matter. Frankly - it's all a joyful listen and you can `feel' the engineers digging the transfers...

As you can see from the detailed track-lists provided below - the quality simple hammers you right from the get go (and there's a lot of it). All the huge hits are here - These Arms Of Mine by Otis Redding, When A Man Loves A Woman by Percy Sledge, Tired Of Being Alone by Al Green and I'm Gonna Tear Your Playhouse Down by Ann Peebles. In between you get stuff like O.V. Wright's superb "You're Gonna Make Me Cry" which The Staples Singers did a powerfully moving cover version of (it's the B-side to "Respect Yourself" in the USA on Stax). But it's the artists you don't know that thrill. Bill Brandon's lovely "Rainbow Road" and Tony Border's wicked funk "Polly Wolly". Another grooving winner is Johnnie Taylor's cool "Jody's Got Your Girl And Gone" - slinky like Clarence Carter's "Back Door Santa". And I can never get enough of Luther Ingram's gorgeous " (If Loving You Is Wrong) I Don't Want To Be Right".

The lone Previously Unreleased track is a genuine Otis Redding sensation - Take 1 of "Try A Little Tenderness" which sees him and his band getting a feel for the song. But even at this early stage - the slow-burn magic is there in the arrangement and vocal phrasing and it's like eavesdropping on the making of a bona-fide classic. B-side genius turns up twice - King Floyd's funky "Groove Me" and Joe Simon's stunner "My Adorable One" from 1964. Simon's flipside features plinking intro guitar, languid pace, hurting lyrics and vocals alternating from pleading to outright passion - Tony Rounce quite rightly surmising that it practically set up a template for Southern Soul ballads for years to come (Ace even gives us the "Take 15" spoken count-in at the beginning of the song). Paul Kelly's fabulous social-conscience piece "Stealing In The Name Of The Lord" is properly brilliant as well - masterfully covered by lead vocalist David Clayton-Thomas of Blood, Sweat & Tears on his self-titled 1972 debut album (see separate review). "If I Can't Run To You I'll Crawl" by Barbara & The Browns features an impassioned vocal by Barbara Brown that will ensure her immortality amongst aficionados. James Carr, ZZ Hill, Gwen McCrae, Joe Tex, Bobby Womack and Spencer Wiggins - the list of quality goes on and on...

While the big hits and belters of the era reside on Discs 1 and 2 - my heart actually lies with Disc 3 on this one - to me it's little short of perfection. It's primarily Seventies cuts so the production values go up but the quality of the songs is staggering. And there's those discoveries too like Bobby Newsome's fabulous groover "Jody, Come Back And Get Your Shoes" or the beautiful Sax Soul of "How Can I Get Next To You" by veteran singer George Jackson. There's heartache pouring out of every note on "You've Got My Mind Messed Up" by Quiet Elegance - a revival of a James Carr hit (written by Willie Mitchell) - it features gorgeous lead vocals by Frances "Frankie" Gearing. The two album cuts are clever choices too - Denise LaSalle's funkified cover of "Breaking Up Somebody's Home" (from her 1971 Westbound LP "On The Loose") and Al Green's stunning Little Junior Parker tribute "Take Me To The River" which bizarrely was never a 45 in the USA (Talking Heads covered it in 1978 to great effect). Wonderful stuff...

To sum up - this compilation clobbers you on three fronts - a beautifully annotated and fantastically informative read (despite its awkward card wrap and clumsy hardback) - the immaculate song choices and top sound quality. "Take Me To The River" fills your living room with confessional urban tales - dodgy doings in the bedroom with someone else's wife or husband (whichever suits). The only downside is the preponderance for smoochers across all three discs (a few more steppers would have broken up the moaning with a welcome shuffle)- but it's a minor whine in the face of such copious amounts of Soulful class and emotional excellence.

"One of the best compilations ever, in any genre..." and "absolutely defines the genre's sound and variety..." - both the Record Collector and Mojo magazines raved. And having waded through literally thousands of contenders for the reissue-crown-jewels over the decades  - they should know the real deal when they see it. Wash me in these waters any day of the week - superlative and then some...

PS: For those interested in further punishment - I've also reviewed the companion 3CD volume from November 2011 - "The Fame Studios Story: 1961-1973" and the third set in the series "Back To The River: More Southern Soul Stories 1961 to 1978" from November 2015...

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TRACK LIST for 

"Take Me To The River: A Southern Soul Story 1961-1977"

Disc 1 "You Don't Miss Your Water" (76:18 minutes):

Tracks 5, 8, 9, 12, 13, 14, 16, 20 and 26 are in STEREO - all others are MONO

1. You Don't Miss Your Water - WILLIAM BELL (1961, Stax 116)

2. Go Home Girl - ARTHUR ALEXANDER (1962, Dot 16425)

3. These Arms Of Mine - OTIS REDDING (1962, Volt 103)

4. Steal Away - JIMMY HUGHES (1964, Fame 6401)

5. My Adorable One - JOE SIMON (1964, Gee Bee 077, B-side to "Say (Your Love Is True)"

6. You're Gonna Make Me Cry - O.V. WRIGHT (1965, Backbeat 548)

7. When A Man Loves A Woman - PERCY SLEDGE (1966, Atlantic 2326)

8. Losin' Boy - EDDY GILES (1967, Murco 1031)

9. Try A Little Tenderness - OTIS REDDING (this is Take 1 of the single version on Volt 141 recorded in 1966 and is Previously Unissued)

10. Something I Never Had - JARVIS JACKSON (1966, Sims 291)

11. Ninety-Nine And A Half (Won't Do) - WILSON PICKETT (1966, Atlantic 2334)

12. Got To Make A Comeback - EDDIE FLOYD (1966, Stax 194)

13. When Something Is Wrong With My Baby - CHARLIE RICH (Originally Recorded in 1967 - it remained Previously Unreleased until it was put on a vinyl compilation called "I'll Shed No Tears - The Best Of Hi Recordings" in 1984)

14. The Dark End Of The Street - JAMES CARR (1967, Goldwax 317)

15. Do Right Woman - Do Right Man - ARETHA FRANKLIN (1967, Atlantic 2386)

16. Let's Do It Over - TOUSSAINT McCALL (A previously unreleased 1967 recording first issued in Japan on a 1982 LP on P-Vine Records)

17. I Can't Stand Up For Falling Down - SAM & DAVE (1967, Stax 218)

18. You Ain't Woman Enough (To Take My Man) - JUNE EDWARDS (1967, South Camp 7008)

19. Let's Face Facts - THE MASQUERADES (1967, Wand 1168)

20. She Ain't Gonna Do Right - JAMES and BOBBY PURIFY (A 1967 recording first issued in 2000 on the Sundazed CD compilation "Shake A Tail Feather - The Best Of")

21. Bless You Little Sweet Soul - AL JOHNSON (1967, South Camp 7002)

22. Dirty Man - LAURA LEE (1967, Chess 2013)

23. Cover Me - EDDIE HINTON (a 1967 demo recording first issued the Zane Records "Dear Y'All" CD Compilation in 2000. It was recorded by Percy Sledge in 1968 and Jackie Moore in 1971 - both on Atlantic)

24. You're Gonna Miss Me - REUBEN BELL with the BELTONES (1968, Murco 1046)

25. I'd Rather Go Blind - ETTA JAMES (1967, Cadet 5578)

26. Without Love (There Is Nothing) - OSCAR TONEY JR (1967, Bell 699)

Disc 2 "Rainbow Road" (79:54 minutes):

Tracks 3, 6, 21 and 22 are in STEREO - all others are MONO

1. You Left The Water Running - MAURICE and MAC (1968, Checker 1197)

2. I'll Go Crazy - DON BRYANT (1968, Hi 2143)

3. Rainbow Road - BILL BRANDON (1968, Tower 430)

4. The One You Can't Have All By Yourself - SHIRLEY WALTON (1968, Enterprise 004)

5. Tell Him Tonight - WILLIAM BOLLINGER (1967, Chess 1994)

6. A Smile Can't Hide (A Broken Heart) - OLLIE & THE NIGHTINGALES (A Previously Unreleased 1968 Stax Recording)

7. Uptight Good Woman - SPENCER WIGGINS (1967, Goldwax 321)

8. I Forgot To Be Your Lover - WILLIAM BELL (1968, Stax 0015)

9. I'll Make It Up To You - CLAY HAMMOND (1968, Kent 503)

10. Slip Away - CLARENCE CARTER (1968, Atlantic 2508)

11. That's The Way Love Turned Out For Me - JAMES CARR (1968, Goldwax 338)

12. Polly Wolly - TONY BORDERS (1969, Revue 11054)

13. Another Man's Woman, Another Woman's Man - CANDI STATON (on her 1970 US LP "I'm Just A Prisoner" on Fame Records ST 4201)

14. Buying A Book - JOE TEX (1969, Dial 4090)

15. To The Other Woman (I'm The Other Woman) - DORIS DUKE (1970, Canyon 28)

16. Stealing In The Name Of The Lord - PAUL KELLY (1970, Happy Tiger 541)

17. Faithful And True - Z.Z. HILL (1970 on Quinvey 7003 and 1971 on Mankind 12003)

18. Love's Gonna Tear Your Playhouse Down (Pts. 1 & 2) - CHUCK BROOKS  (1970, Volt VOA-4034)

19. I Went Off And Cried - KIP ANDERSON (1969, Excello 2302)

20. If I Can't Run To I'll Crawl - BARBARA & THE BROWNS (1971, Xl Records NN and Sounds Of Memphis 705)

21. What I Don't Know Won't Hurt Me - PAUL THOMPSON (1970, Volt 4042)

22. Jody Got Your Girl And Gone - JOHNNIE TAYLOR (1970, Stax 0085)

23. Wish I Was Back - THOMAS BAILEY (1971, Federal 12567)

24. I Can't Give You My Heart - JIMMY BRASWELL (1971, King 6374)

25. Lead Me On - GWEN McCRAE (1970, Columbia 45214)

Disc 3 "The River" (75:01 minutes):

Tracks 1, 8, 15, 17, 21 and 24 are in STEREO - all others are MONO

1. Mumble In My Ear - MARCEL STRONG (1971, Fame 1475)

2. Breaking Up Somebody's Home - DENISE LaSALLE (1971 USA LP "On The Loose" on Westbound 2016)

3. Tired Of Being Alone - AL GREEN (1972, Hi 2194)

4. I Can't Be Satisfied - SPENCER WIIGGINS (1973, Sounds Of Memphis 716)

5. Groove Me - KING FLOYD (1970, B-side "What Our Love Needs" on Chimneyville 435)

6. She's All I Got - FREDDIE NORTH (1971, Mankind 12004)

7. Jody, Come Back And Get Your Shoes - BOBBY NEWSOME (1972, Spring 125)

8. Stating All Over Again - MEL & TIM (1972, Stax 0127)

9. We Always Come Back Strong - SAM DEES (A 1972 recording first issued on "Second To None" - a 1995 Ace/Kent Soul CD Compilation on CDKEND 125)

10. I've Been Lonely For So Long - FREDERICK KNIGHT (1972, Stax 0117)

11. (If Loving You Is Wrong) I Don't Want To Be Right - LUTHER INGRAM (1972, Ko Ko 2111)

12. I'm Gonna Tear Your Playhouse Down - ANN PEEBLES (1972, Hi 2232)

13. I'm Through Trying To Prove My Love To You - BOBBY WOMACK (1973, United Artists 255)

14. Hurts So Good - MILLIE JACKSON (1973, Spring 139)

15. You've Got My Mind Messed Up - QUIET ELEGANCE (1973, Hi 2245)

16. I Get My Groove From you - BOBBY PATTERSON (1974, Paula 386)

17. Take Time To Get To Know Him - TOMMIE YOUNG (1972, Soul Power 110)

18. How Can I Get Next To You - GEORGE JACKSON (1974, MGM 14732)

19. I'll Be The Other Woman - THE SOUL CHILDREN (1973, Stax 0182)

20. Heartbreak Woman - CLARENCE CARTER (1974, Fame 415)

21. Take One Step (I'll Take Two) - CHET DAVENPORT (1974 recording that first appeared on the 2000 Various Artists CD compilation "Curiosities: The Ace 70's Singles & Sessions" on Westside WESD 208)

22. Take Me To The River - AL GREEN (on the 1975 LP "Al Green Explores Your Mind" on Hi Records 32087)

23. If You've Got To Love Somebody - TOMMY TATE (1977, Ko Ko 726)

24. I'll Play The Blues For You - VERNON "GEATER" DAVIS (1976, Odds And Ends 7600) (a cover of the Albert King 1972 hit on Stax)

"FAQ" by THE WHO - A Review Of The March 2014 'Backbeat Books' Paperback by MIKE SEGRETTO...

Here is a link to AMAZON UK to get this superb publication at the best price:

http://www.amazon.co.uk/gp/product/B00KFF2PNA

“…I Sing My Heart Out To The Infinite Sea…” - FAQ by THE WHO 

There's a point in time when yet another book about a classic Rock band is about as welcome as fart in a spacesuit. And when this 374-page oversized paperback came stuffed through my letterbox - I was a bit concerned at first. But have no fear - this is a fabulous collection and I haven't enjoyed a read this much - in years.

First of all - as a tome about The Who - it's best described as a sort of "Odds And Sods" compilation but in book form - a gathering together of bits and pieces of insider information that make up a 'bigger picture' of the band.

Take Chapter 5 - which is called Sound Round - it deals with Producers and Sound Men - fascinating insights into legendary names like Shel Talmy, Glyn Johns, Kim Lambert and even Barry Gray. Chapter 22 is called "Hit The Stage" so you get important concerts and knowledgeable info about what happened at them and why and the consequences to the band and even fans. Chapter 18 is called "All Mixed Up" which tells what's been remixed and remastered - and where - fabulous stuff about the different variants of "Magic Bus" or the 7" single edits. Chapter 12 is called "I'm The Snappiest Dresser" and goes into The Who and mod styling.

Chapter 15 is genius - plotting the Rock Opera via Ogdens Nut Gone Flake in 1967 and SF Sorrow in 1968 through to Tommy in 1969 and of course the wonderful 1973 double-album Quadrophenia. Chapter 14 is called Wish You Were Here and is a potted International Discography. Chapter 4 is Meet The New Boss discussing their managers across the decades - Helmet Gorden, Pete Meadon, Chris Stamp, Mike Shaw and others. Chapter 23 is called I Used To Follow You and goes into their influences and British contemporaries like The Kinks and The Small Faces. And I love the chapter on underrated tunes - like Townshend and Daltrey's impassioned singing on "The Song Is Over" that ends Side 1 of "Who's Next". There's stuff about who the band sessioned with (solo included) - who their heirs are - The Who as Punk Pioneers - reoccurring themes through their music - the album artwork and who did it - the singles that failed and why - foreign singles - stunning European EPs - The Who on TV and Film - Unrecorded songs and Lost Tapes (Lifehouse etc) - there's chapters about girlfriends and wives and friends of the band who kept them sane and out of prison. The only real let down (if you could call it that) is the absence of colour in the superb 7" Single. EP and Album covers that dot the text page after page - but I suspect costs would have been astronomical for such a thing.

You have to say that this is a clever take - all the weird and wonderful titbits about this most iconic of bands and their solo careers put together in one place. It would have taken years of research and author MIKE SEGRETTO also doesn't take that creepy reverential stance - he names the bad - and often gets very witty about the good and even the ridiculous (which surrounded The Who a lot).

As you can imagine all of this makes for a blindingly great read.

I love THE WHO - just looking at them urinating on that Obelisk of Concrete on the front cover of 1971's "Who's Next" gets me a bit wet in the trouser area too.

If you're a fan - you will need to own it. If you're just curious - then treat yourself. And don't be too surprised if you find yourself chuckling of an evening with your glass of warm milk and reading glasses on - breaking admiring smiles at the sheer audacious snotty British genius of it all.

THE WHO folks - accept no substitute. God bless 'em and their battered instruments...

-------------------------------------------------------------------------------------------

PS: If you're interested in 1970's Rock - here is a link to my new book which is available to buy on AMAZON as a Kindle Download: SOUNDS GOOD: Exceptional CD Remasters 1970's Rock & Pop

http://www.amazon.co.uk/-/e/B00LQKMC6I

"SOUNDS GOOD: Exceptional CD Remasters - 1970's Rock And Pop" - An Amazon Kindle Book by Mark Barry (100 Detailed Reviews)

Here is a link to my AUTHOR'S PAGE on AMAZON where this 370+ page book is available to buy:

http://www.amazon.co.uk/-/e/B00LQKMC6I

Having worked for Reckless Records for over 20 years (one of the best second-hand record shops in London's West End) and having bought/reviewed over 1440 titles (CDs, DVDs and BLU RAYs) - as you can imagine I come across a huge number of reissues - some more worthy than others.

For this 1st Volume of SOUNDS GOOD (concentrating on Seventies Rock and Pop) - I've collated together 100 detailed reviews of what I feel are exceptional CD remasters. Each entry is indepth - focusing on decent remasters - interesting imports - rarities - info that helps a purchase decision etc. 

You get catalogue numbers, barcodes to identify correct issues, playing times, packaging and liner notes descriptions, remaster engineers named and a lot of info on the original album. I often provide a Discography for Box Sets and multiples. These lists include Imports, Audiophile CDs and Japanese SHM-CDs too.

I'll be following the “1970s ROCK and POP ” Kindle e-book with other SOUNDS GOOD titles:

1. SOUNDS GOOD: Soul, Funk and Jazz Fusion 

2. SOUNDS GOOD: Blues, Vocal Groups, R'n'B and R'n'R

3. SOUNDS GOOD: 1960s Rock, Pop, Psych and Garage 

4. SOUNDS GOOD: 1970's Rock and Pop - Volume 2 

Hope you enjoy the read

Mark Barry (August 2014)

"The Complete Invictus Studio Recordings: 1969-1978" by CHAIRMEN OF THE BOARD (2014 UK Edsel 9CD Box Set of Remasters with Mini LP Repro Artwork Card Sleeves and Bonus Tracks) - A Review by Mark Barry...

This Review Along With 333 Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites

HIGHER GROUND 
70ts Soul, R'n'B, Funk, Jazz Fusion
Exceptional CD Reissues and Remasters  

Just Click Below To Purchase for £6.95 (2024 Update)

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 

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"…Skin I'm In…"

There’s a huge haul in this mini box set – so let's get to the Soulful nitty-gritty right away:

UK and USA released August 2014 - "The Complete Invictus Studio Recordings: 1969-1978" by CHAIRMEN OF THE BOARD is a 97-track 9CD British Box Set on Edsel COTBOXO1 (Barcode 501479789094). It offers fans their 4 studio albums, 3 solo LPs and 2CDs worth of Bonus Tracks – non-album singles, rarities and four previously unreleased tracks (two of which are new Tom Moulton remixes). 

Each CD-album is housed a hard-card 5" Mini LP repro artwork card sleeve (American artwork) while the Bonus Tracks come in gatefold hard card 5" sleeve that uses the Invictus Label Bag as its artwork. It breaks down as follows:

Disc 1 is their 12-track debut album "Give Me Just A Little More Time" (38:16 minutes) – released April 1970 in the USA on Invictus ST-7300 and November 1970 in the UK as "Chairmen Of The Board" (with the same track list) on Invictus SVT 1002

Disc 2 is their 12-track 2^nd LP "Chairmen Of The Board/In Session" (40:21 minutes) – released November 1970 in the USA on Invictus ST-7304 and April 1971 in the UK on Invictus SVT 1003

Disc 3 is their 9-track 3^rd album "Bittersweet" (41:14 minutes) – released October 1972 in the USA on Invictus ST-9801 and SVT 1006 in the UK

Disc 4 is their 11-track 4^th and final LP "Skin I'm In" – October 1974 in the USA on Invictus KZ 32526 (37:19 minutes)

Disc 5 is a 10-track solo album by GENERAL JOHNSON called "Generally Speaking" (41:41 minutes) – released 1972 in the USA on Invictus ST-9803

Disc 6 is a 9-track solo album by HARRISON KENNEDY called "Hypnotic Music" (38:02 minutes) – released 1972 in the USA on Invictus ST-9806

Disc 7 is a 10-track solo album by DANNY WOODS called "Aries" (42:41 minutes) – released 1972 in the USA on Invictus ST-9808

Disc 8 is BONUS TRACKS: 1971-1973 (36:07 minutes) – all track are by COTB except where noted:

Tracks 1 and 2 are Savannah Lady and I'm In Love Darling by GENERAL JOHNSON – the A&B sides of a 1972 USA 7" single on Invictus IS-9093

Track 3 is Men Are Getting Scarce – it's the USA 7" single A-side edit at 3:13 minutes (the album version is 5:19 minutes) - released 1971 on Invictus IS-9103

Track 4 is Hanging On To A Memory – the non-album B-side to Tricked And Trapped (By A Tricky Trapper) – released 1971 on Invictus IS 9089

Tracks 5 and 6 are Elmo James (Single Edit – 3:28 minutes) and Bittersweet (Single Edit – 3:24 minutes) – the A&B-sides of a 7" single released 1971 in the USA on Invictus IS-9105

Track 7 is Let Me Down Easy – released 1972 as the non-album A-side 7" single on Invictus IS-9126

Tracks 10 and 8 are Everybody's Tippin' and Roller Coaster (Single Edit) by DANNY WOODS – the A&B-sides of a USA 7" single issued in 1971 on Invictus IS-9132. The A-side is non-album – the B-side a 2:53 minutes edit of the album version at 3:41 minutes

Track 9 is Everybody's Got A Song To Sing (Single Edit – 2:52 minutes) – the B-side of Working On A Building Of Love - a 1972 USA 7" single on Invictus IS-9122

Track 11 is Up-The Organization (Instrumental) by GENERAL JOHNSON – the non-album B-side to Sunday Morning People – a 1972 USA 7" single on Invictus IS-9112

Track 12 is Finder's Keepers (Instrumental) – the non-album B-side to "Finder's Keepers" – a 1973 USA 7" single on Invictus ZS7 1251

Disc 9 is BONUS TRACKS: 1973-2014 (42:30 minutes) - all track are by COTB except where noted:

Track 1 is Finder's Keepers (Vocal) – the non-album A-side version – a 1973 USA 7" single on Invictus ZS7 1251

Tracks 2 and 3 are Only Time Will Tell and Only Time Will Tell (Instrumental) by GENERAL JOHNSON – the A&B sides of a 1973 USA 7" single on Invictus ZS7 1252

Track 4 is Skin I'm In (Single Edit) – the A-side to the 1974 USA 7" single on Invictus ZS8 1276

Track 5 is Everybody Party All Night (Single Edit) – the A-side to the 1974 USA 7" single on Invictus S INV 2523

Tracks 6 and 7 are You've Got Extra Added Power and Someone Just Like You by COTB featuring PRINCE HAROLD – the non-album A&B-sides of a 1976 USA 7" single on Invictus ZS8 1278

Track 8 is Come On In And Dance – the non-album A-side of a 1978 USA 7" single on ICA Recording Group ICA-023

Tracks 9 and 10 are What's The Use and Where There Is Faith There Is Hope – two PREVIOUSLY UNRELEASED tracks. There are no writers credits and were found in the vaults in 2014.

Tracks 11 and 12 are PREVIOUSLY UNRELEASED 2014 TOM MOULTON REMIXES of You've Got Me Dangling On A String and Give Me Just A Little More Time

I love the aesthetic feel of the oversized 5" Repro Sleeves – very nice indeed front and rear. The 36-page booklet is gorgeous – full colour-plates of all 7 LPs - with further photos of the band and rare Euro 7" picture sleeves. The superlatively detailed and informative liners notes are provided by long-time Soul aficionado DEAN RUDLAND (with help from TONY ROUNCE) – their huge knowledge and love for the label and the period lifting every paragraph. The remasters are done by PHIL KINRADE at Alchemy in London and are wicked – full of presence and power. Comparing them – they sound better to the 2009 versions Edsel gave us when they presented this catalogue in 2CD sets years back.

It’s cool to hear the albums again minus the bonus tracks – just as I remember them. The first two LPs had the Invictus hits – "You've Got Me Dangling On A String", "Everything's Tuesday" and "Pay To The Piper". But for me it's the lesser-heard "Skin I'm In" album from 1974 that has more magic and the American "Aries" solo album by Danny Woods is a bit of a forgotten Seventies Soul masterpiece. The only slip-up I can see is the absence of the Instrumental of "Morning Glory" which was a B-side – other than that – this is exemplary stuff.

Pitched at twenty of our pounds – it works out at a few pence over two quid per CD – which is a bit of a deal frankly. Top job done by Edsel and congrats to all involved…