"The Golden Age Of American Rock ‘n’ Roll Volume 9” by VARIOUS ARTISTS (2001 Ace Records CD – Duncan Cowell Remasters) - A Review by Mark Barry...

"...Let's Have A Party..."

After a near two-year wait from Volume 8 in November 1999 - the ninth instalment of Ace's "The Golden Age Of American Rock 'n' Roll" CD Series came in early 2001 and followed the same route as Volumes 1 to 8 – offering up 30 cleverly sequenced Mono US 7" singles that hit the American Pop charts with a nice combo of the obvious and the obscure. Like preceding volumes – some are in Stereo (five - see Track Notes below) and only a few tracks actually made the British charts (even though many are now well known).

And all of this rare and hip material is presented to fans on both sides of the pond by a British record company that gives a damn - with a hard-won reputation across four decades of reissue quality (best tape sources used – no needle drops). The full 18 volumes up to late 2015 are listed below. So lets have some 'Rang Tang Ding Dong' as we shake our 'Ooh Poo Pah Doo' at 'Fannie Mae' (when her mother's not looking mind)...

UK and USA released February 2001 - "The Golden Age Of American Rock 'n' Roll Volume 9: Hot 100 Hits From 1954-1963" by VARIOUS ARTISTS on Ace Records CDCHD 800 (Barcode 029667180023) is a 30-track CD and breaks down as follows (71:18 minutes):

1. I'm A Fool To Care – JOE BARRY

April 1961 US 7" single on Smash 1702 (peaked at 24)

June 1961 UK 7" single on Mercury AMT 1149 (didn't chart)

Originally issued on Jin 144 in 1960 – the reissue on Smash 1702 charted

2. Palisades Park – FREDDY CANNON (Frank Stay and his Orchestra)

April 1962 USA 7” single on Swan 4106 (peaked at 3)

June 1962 UK 7" single on Stateside SS 101 (didn't chart)

3. I Wonder Why – DION and THE BELMONTS

May 1958 US 7" single on Laurie 3013 (peaked at 22)

June 1958 UK 7" single on London HLH 8646 (didn't chart)

4. A Casual Look – THE SIX TEENS

March 1956 US 7" single on Flip 315 (peaked at 25)

November 1956 UK 7" single on London HL-U 8345 (didn't chart)

Rare on UK 45 (£350) or 78” (£50) – same catalogue numbers

5. Lonely Weekends – CHARLIE RICH

January 1960 US 7" single on Philips International 3552 (peaked at 22)

April 1960 UK 7" single on London HLU 9107 (didn't chart)

6. Fannie Mae – BUSTER BROWN

November 1959 USA 7" single on Fire 1008 (peaked at 38)

September 1960 UK 7" single on Melodisc 45/1559 (didn't chart)

Stereo Version

7. Shortnin' Bread – PAUL CHAPLAIN And His Emeralds

June 1960 USA 7" single on Harper 100 (peaked at 82)

October 1960 UK 7" single on London HLU 9205 (didn't chart)

8. I Really Love You – THE STEREOS

July 1961 USA 7" single on Cub K9095 (peaked at 29)

September 1961 UK 7" single on MGM Records MGM 1143 (didn't chart)

Stereo Version

9. Doctor Feel-good by DR. FEELGOOD and THE INTERNS

January 1962 USA 7" single on Okeh 4-7144 (peaked at 66)

May 1962 UK 7” single on Columbia DB 4838 (didn't chart)

Stereo Version - the British 70ts R&B band Dr. FEELGOOD took their name from this song – Dr. Feelgood is Willie Perryman aka Piano Red

10. Seventeen – BOYD BENNETT And His Rockets

May 1955 USA 7" single on King 45-1470 (peaked at 5)

October 1955 UK 7” single on Parlophone MSP 6180 (didn't chart)

The British 45 is a listed rarity at £350.00

11. Daddy's Home – SHEP and THE LIMELITES

March 1961 USA 7" single on Hull H-740 (peaked at 2)

June 1961 UK 7" single on Pye International 7N 25090 (didn't chart)

12. Bop-A-Lena – RONNIE SELF

January 1958 USA 7" single on Columbia 41101 (peaked at 63)

Not released in the UK

13. A Wonderful Dream – THE MAJORS

May 1962 USA 7" single on Imperial 5855 (peaked at 22)

September 1962 UK 7" single on London HLP 9602 (didn't chart)

Produced by Jerry Ragovoy

14. Bertha Lou – CLINT MILLER

December 1957 USA 7" single on ABC-Paramount 45-9878 (peaked at 79)

Not released in the UK

15. I’m Movin' On – MATT LUCAS

March 1963 USA 7" single on Smash S-1813 (peaked at 56)

Not released in the UK

A Hank Snow cover version

16. Coney Island Baby – THE EXCELLENTS

May 1962 USA 7" single on Blast BL-205 (peaked at 51)

Not released in the UK

17. No, No, No – THE CHANTERS

June 1961 USA 7" single on DeLuxe 6191 (peaked at 41)

Not released in the UK

Lead Vocals Larry Pendergrass - originally released October 1958 on DeLuxe 6177 that didn't chart – reissued in 1961 on 6199 and 6200 (charted).

18. Just Got To Know – JIMMY McCRACKLIN

September 1961 USA 7" single on Art-Tone 825 (peaked at 64)

April 1962 UK 7" single on Top Rank JAR 617 (didn't chart)

19. Rang Tang Ding Dong (I Am The Japanese Sandman) – THE CELLOS

April 1957 USA 7" single on Apollo 510-45 (peaked at 62)

Not released in the UK

20. Fever – LITTLE WILLIE JOHN

May 1956 USA 7" single on King 45-4935 (peaked at 24)

September 1956 UK 7" single on Parlophone R 4209 (didn't chart)

Covered by a huge number of artists over the years - Peggy Lee (1958), Elvis Presley (1960) and The McCoys (1965) all charted with the song on 45 and LP – the British 45 is a listed rarity at £200

21. Crossfire – JOHNNY and THE HURRICANES

April 1959 USA 7” single on Warwick M-502 (peaked at 23)

July 1959 UK 7" single on London HL 8899 (didn't chart)

His debut in the UK - was also issued on 78" with the same catalogue number

22. Baby Oh Baby – THE SHELLS

August 1957 USA 7" single on Johnson 104 (peaked at 21 in December 1960)

February 1962 UK 7" single on London HLU 9288 (didn't chart)

UK single is a listed rarity at £40 – the single was bought nearly three years after its release and then charted in late 1960 on the Billboard Pop charts

23. Let’s Have A Party – WANDA JACKSON

November 1960 USA 7" single on Capitol 4397 (peaked at 37)

August 1960 UK 7" single on Capitol CL 15147 (didn't chart)

Originally released in the UK in 1958 on a 4-track EP on Capitol EAP1-1041 as the lead off track – the British A&B-side 45 followed in 1960

24. Tonight (Could Be The Night) – THE VELVETS featuring Virgil Johnson

May 1961 USA 7" single on Monument 441 (peaked at 26)

Not released in the UK

Stereo version

25. Ooh Poo Pah Doo – Part 1 – JESSE HILL

February 1960 USA 7" single on Minit 607 (peaked at 28)

May 1960 UK 7" single on London HLU 9117 (didn't chart)

26. So Tough – THE ORIGINAL CASUALS

December 1957 USA 7" single on Back Beat 503 (peaked at 42 in February 1958)

Not released in the UK

27. Queen Of My Heart – RENE and RAY

May 1962 USA 7" single on Donna 1360 (peaked at 79)

Not released in the UK

Paul Venezuela (Rene) and Ray Quinones (Ray)

28. You Talk Too Much – JOE JONES and His Orchestra

September 1960 USA 7" single on Roulette R-4304 (peaked at 3)

November 1960 UK 7" single on Columbia DB 4533 (didn't chart)

29. Out Of Sight, Out Of Mind – THE FIVE KEYS

August 1956 USA 7” single on Capitol F3502 (peaked at 23)

October 1956 UK 7" single on Capitol CL 14639 (didn't chart)

In the UK "Out Of Sight, Out Of Mind" was the B-side to "That's Right" (the USA reversed this) – it's also a listed rarity on 45 in the UK at £150

30. If You Wanna Be Happy – JIMMY SOUL

December 1962 USA 7” single on S.P.Q.R. 45-3305 (peaked at 1)

April 1963 UK 7” single on Stateside SS 178 (peaked at 39)

Stereo Version – real name Jim McCleese

NOTES: all tracks are in MONO except tracks 6, 8, 9, 24 and 30 – which are in STEREO

Volume 9 has an info-packed 30-page booklet (two more pages than Vol. 8 and that was the largest) festooned with ROB FINNIS liner notes and cool pics - quality publicity photos of forgotten names like Paul Chaplain and his Emeralds, Stereos, Piano Red as Doctor Feelgood with his Interns, Ronnie Self, Matt Lucas, Little Willie John and The Cellos. These snaps run alongside rare Trade Adverts for Jimmy McCracklin, Johnny and The Hurricanes, The Shells, The Velvets, The Excellents, The Original Casuals and Joe Jones. The two-page colour collage of British 45s in their labels bags that was a feature on Volumes 1 to 4 has been replaced with smaller pictures of various UK and US record labels throughout the text (all songs in chronological order) - Finnis connecting all the musical and historical dots. Compiled by Trevor Churchill, John Broven and Rob Finnis – the clever sequencing makes it feel like an old jukebox and this CD compilation features a generous total playing time of 71+ minutes.

The DUNCAN COWELL Remasters are fantastically good – toppermost of the poppermost Audio quality on rarities like the swooning white boy Vocal Groups smooch of "Coney Island Baby" by The Excellents sounding like it was recorded yesterday (really loudly too) while the '...movin' and groovin' satisfies my soul...' of Wanda Jackson's superb girly rocker "Let's Have A Party" sounds fresh and alive. The shout and response song "Ooh Poo Pah Doo" by Jesse Hill shakes and shimmies while the sheer class of The Five Keys on "Out Of Sight, Out Of Mind" is pure Vocal Group Harmony gorgeousness and a real highlight on here. In fact despite the disparate sources – the Audio is uniformly great throughout and will warm the cockrels of collector's hearts.

Volume 9 opens with a blatant Fats Domino knock-off – the catchy New Orleans shuffle of "I'm A Fool To Care" by Joe Barry – a No. 1 in the Big Easy when it was originally issued in 1960 on Jin Records and then a nationwide hit again when reissued by Smash Records in 1961. Vocals Groups come at you in differing tempos – the white-boy bopping of "I Wonder Why" by Dion and The Belmonts while the lovely (and rare) smooch of "A Casual Look" by The Six Teens with a 13-year old Trudy Williams has sheet music pictured for it on Page 7. You're then hit with two dancefloor winners – the Presley-sounding "Lonely Weekends" from Charlie Rich (started off the decade with a bang in January 1960) and the utterly wonderful chug of "Fannie Mae" by Buster Brown – an R&B harmonica driven piece that reminds me of Little Walter at his Chess Records best. Another stepper that collector’s will love is the drums rumba of "Shortnin' Bread" by Paul Chaplain and The Emeralds – where apparently his baby loves the stuff.

Beautifully clear Audio also accompanies the echo-laden smooch of "Daddy's Home" – an old-fashioned Vocal Group number by Shep and The Limelites who came from The Heartbeats (see "A Thousand Miles Away" – track 26 on Volume 8). What a gorgeous song – I've had it on Rhino CD compilations – but never sounding as good as this. The same Audio magnificence applies to the wonderfully sappy "I Really Love You" complete with its 'dum dum dum' vocal backing. Bill Haley and His Comets would blush at the obvious knock-off "Seventeen" by Boyd Bennett and his Rockets – a great little 1955 Rock 'n' Roller that may as well be the bequiffed one under another name. Rock and Roll and Rockabilly fans will flip for a trio of blasters – first up is the joyful fun of "Doctor Feel-good" by Piano Red - the 70ts British R&B band with Wilko Johnson and Lee Brilleaux took their name from this 45 – a version done by Johnny Kidd and the Pirates. Then there's pure manic dynamite with "Bop-A-Lena" by Ronnie Self – and finally an irresistible lip-curling "Bertha Lou" by Clint Miller where she pickles his body from his head to his feet – his blood running wild (careful now). Matt Lucas attempts a rocking cover of Hank Snow's "I'm Movin' On" and wins - while The Chanters charms us with their 'don't kiss me anymore' pleas in "No, No, No" – here in best ever Audio.

As I said of Volumes 1 to 8 – what's wicked about these Ace CD compilations is the oddities – finding gems you just don't know. The recorded-in-a-bucket but crammed full of pure R&B feeling of "Just Got To Know" by Jimmy McCracklin reminds of heroes like Amos Milburn, Piano Red and Smiley Lewis. It might have more hiss than most would like - but the novelty tune "Rang Tang Ding Dong" is a rocking hoot nonetheless while the wild pace of the instrumental "Crossfire" will keep Saxophone blasters happy. Superb audio accompanies the weirdly cute 'darling I do' of "Tonight (Could Be The Night)" - the lead singer of The Velvets smoothly promising his gal a ring around her finger come the evening moonlight (good luck with that sweetie). Crude and lo-fi to the max – the romantic shuffler "Queen Of My Heart" exudes an innocence that could only have come from the period. And it ends with two politically incorrect winners – the 'even worry my pet' blabbermouth girlfriend song "You Talk Too Much" by Joe Jones is liable to elicit a slap in his kisser nowadays (it's tell-it-like-it-is lyrics was a sensation at the time and the trade adverts played on this) – while the fantastically witty don't-marry-a-pretty-wife song "If You Wanna Be Happy" by Jimmy Soul was a huge No. 1 for a reason (I loved the Kid Creole & The Coconuts tongue-in-cheek version of it in the 80ts).

Like Volumes 1 to 8 – instalment No. 9 is an adventurous, period evocative, cleverly paced compilation that barely puts a foot wrong. Loving the damn lot. And there are seventeen more volumes where this came from...

Titles in "The Golden Age Of American Rock 'n' Roll" CD Series are:

1. The Golden Age Of American Rock 'n' Roll: Hard-To-Get Hot 100 Hits From 1954-63 (Ace CDCHD 289, November 1991)

2. The Golden Age Of American Rock 'n' Roll Volume 2: Hot 100 Hits From 1954-1963 (Ace CDCHD 445, March 1993)

3. The Golden Age Of American Rock 'n' Roll Volume 3: Hot 100 Hits From 1954-1963 (Ace CDCHD 497, January 1994)

4. The Golden Age Of American Rock 'n' Roll Volume 4: Hot 100 Hits From 1954-1963 (Ace CDCHD 500, October 1994)

5. The Golden Age Of American Rock 'n' Roll Volume 5: Hot 100 Hits From 1954-1963 (Ace CDCHD 600, October 1995)

6. The Golden Age Of American Rock 'n' Roll Volume 6: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 650, January 1997)

7. The Golden Age Of American Rock 'n' Roll Volume 7: Hot 100 Hits From 1954-1963 (Ace CDCHD 700, November 1998)

8. The Golden Age Of American Rock 'n' Roll Volume 8: Hot 100 Hits From 1954-1963 (Ace CDCHD 750, November 1999)

9. The Golden Age Of American Rock 'n' Roll Volume 9: Hot 100 Hits From 1954-1963 (Ace CDCHD 800, February 2001)

10. The Golden Age Of American Rock 'n' Roll Volume 10: Hot 100 Hits From 1954-1963 (Ace CDCHD 850, September 2002)

11. The Golden Age Of American Rock 'n' Roll Volume 11: Hot 100 Hits From 1954-1963 (Ace CDCHD 1200, September 2007)

12. The Golden Age Of American Rock 'n' Roll Volume 12: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 1280, February 2011)

13. The Golden Age Of American Rock 'n' Roll: Special Country Edition (Ace CDCHD 845, April 2002)

14. The Golden Age Of American Rock 'n' Roll: Special Novelty Edition (Ace CDCHD 890, November 2003)

15. The Golden Age Of American Rock 'n' Roll: Special Doo Wop Edition 1953-1963 (Ace CDCHD 1000, May 2004)

16. The Golden Age Of American Rock 'n' Roll: Special "Bubbling Under" Edition – Regional Hits That Just Missed The Hot 100 1959-1963 (Ace CDCHD 1050, March 2006)

17. The Golden Age Of American Rock 'n' Roll – The Follow-Up Hits: Hard-To-Get Hot 100 Hits (Ace CDCHD 1190, January 2008)
18.  The Golden Age Of American Rock 'n' Roll: Special Doo Wop Edition Volume 2 1956-1963 (Ace CDCHD 1230, May 2009)

This review and hundreds more like it can be found in my SOUNDS GOOD Music Book Series - BLUES, GOSPEL, RHYTHM 'n' BLUES and ROCK 'n' ROLL - Exceptional CD Remasters is available to buy/download at Amazon at the following link...

"Mother And Child" Original Soundtrack Music by ED SHEARMUR (2010 Varese Sarabande CD) - A Review by Mark Barry...

"...A Waltz For Karen..."

Sometimes you stumble on a Soundtrack that works on every level - moving, heartfelt and joyous - the music swells and sweeps you away. You may even find yourself crying for no reason. The melodies remind you of something beautiful that you've forgotten - something elusive - but you can't quite put your finger on what that is.

Thomas Newman achieves this on occasion with his gorgeous soundtrack music - stuff like "The Shawshank Redemption", "Road To Perdition" and "The Second Best Exotic Marigold Hotel" (see my review for the CD). John Barry too of course and Ennio Morricone - both on a stack of beautiful soundtracks. And now I think we can add Britain's Edward Shearmur to that expanding list of greats - a Londoner whose sessioned with Page and Plant and scored several respected soundtracks to date.

The "Mother And Child" movie is wonderful storytelling - a beautifully intricate and human tale. It's an unravelling mother/daughter/families story told through several interlocking couples and featuring a huge cast of great actors shining in a screenplay written and directed by Columbia Cinematographer and Filmmaker Rodrigo Garcia.

Garcia did "Lola" in 1989 and the excellent "Passengers" in 2008 (again with David Morse - see my review for the Blu Ray) and the decidedly off-the-cuff Glenn Close dressed-as-a-man movie "Albert Nobbs" in 2011 (set in turn of the century Dublin). Garcia also penned episodes for prestigious TV shows like "The Sopranos", "Six Feet Under" and had huge involvement in the magnificent Gabriel Byrne shrink-and-patients TV Series "In Treatment" for three Seasons (Byrne won a deserved Emmy).

The Original Soundtrack CD to "Mother And Child" appears to be only available in the USA on Varese Sarabande 302067 021 2 (Barcode 030206702125) and plays to 40:31 minutes (16 tracks). The inlay is a gatefold slip of paper that shows a collage of the principal actors - Annette Bening, Naomi Watts, Jimmy Smits, Samuel L. Jackson, Kerry Washington, S. Epatha Merkerson, Cherry Jones, Elpidia Carrillo, David Morse and Shareeka Epps. It was Executive Produced by Alejandro Gonzalez Inarritu who brought us the stunning "Birdman" in 2014 (see my review for the Blu Ray).

There's barely any info on how it was recorded let alone what instruments Shearmur plays - but the music is beautiful - and at times intensely moving. Different variants of a gorgeous Piano refrain – gut-string acoustic guitars - big chunky synth drones – mostly mellow and easy on the ear and heart. The lovely opening song "Little One" is written and sung by Lucy Schwartz (the only one with lyrics) - the rest are instrumentals by Shearmur that rearrange a reoccurring beautiful theme but played on differing instruments. There's a final track on here called "Karen's Letter" - and sublime is the only word to apply to it.

A musical gem - seek it out if you can...

"The Golden Age Of American Rock 'n' Roll Volume 8" by VARIOUS ARTISTS (1999 Ace Records CD Remasters) - A Review by Mark Barry...

"...Red Hot Lincoln..."

The eight instalment of Ace's "The Golden Age Of American Rock 'n' Roll" CD Series follows the same route as Volumes 1 to 7 – 30 cleverly sequenced Mono US 7" singles that hit the American Pop charts with a nice combo of the obvious and the obscure. Unlike preceding volumes none are in Stereo while only 4 of these tracks actually made the British charts. And all of this rare and hip material is presented to fans on both sides of the pond by a record company that gives a damn - with a hard-won reputation across four decades of reissue quality (best tape sources used – no needle drops). The full 18 volumes up to late 2015 are listed below. So lets do the 'Mojo Workout' as we shunt to the 'Bongo Stomp' in our 'Red Hot Lincoln' (and at our age too)...

UK and USA released November 1999 - "The Golden Age Of American Rock 'n' Roll Volume 8: Hot 100 Hits From 1954-1963" by VARIOUS ARTISTS on Ace Records CDCHD 750 (Barcode 029667175029) is a 30-track CD and breaks down as follows (74:07 minutes):

1. Shout! Shout! (Knock Yourself Out) – ERNIE MARESCA

February 1962 US 7" single on Seville 117 (peaked at 6)

March 1962 UK 7" single on London HLU 9531 (didn’t chart)

Credited as "Shout Shout" in the UK - Maresca also wrote "No One Knows" and "A Lover's Prayer" for Dion & The Belmonts

2. Whispering Bells – THE DELL-VIKINGS

May 1957 USA 7” single on Dot 45-15592 (peaked at 9)

August 1957 UK 7" single on London HLD 8464 (didn’t chart)

3. We Belong Together – ROBERT and JOHNNY

February 1958 US 7" single on Old Town 1047 (peaked at 32)

Never released in the UK

Robert Carr and Johnny Mitchell

4. Sorry (I Ran All The Way Home) – THE IMPALAS

January 1959 US 7" single on Cub K 9022 (peaked at 2)

May 1959 UK 7" single on MGM Records MGM 105 (peaked at 28)

5. Way Down Yonder In New Orleans – FREDDY CANNON

August 1959 US 7" single on Swan 4043 (peaked at 3)

November 1959 UK 7" single on Top rank JAR 247 (peaked at 3)

6. So Fine – THE FIESTAS

February 1959 USA 7" single on Old Town 1062 (peaked at 11)

May 1959 UK 7" single on London HL 8870 (didn’t chart)

7. Bongo Stomp – LITTLE JOEY and THE FLIPS

June 1962 USA 7" single on Joy 45K-262 (peaked at 33)

July 1962 UK 7" single on Pye International 7N 25152 (didn’t chart)

Little Joey is Joey Hall

8. Wicked Ruby – DANNY ZELLA and his Zell Rocks

January 1959 USA 7" single on Fox ZTSC-10057 (peaked at 71)

Not released in the UK

An Instrumental - the B-side of "Black Sax"

9. Tragedy – THOMAS WAYNE with The DeLons

October 1958 USA 7" single on Fernwood 109 (peaked at 5)

April 1959 UK 7” single on London HLS 8846 (didn’t chart)

Produced by Scotty Moore – Elvis' Guitar Player – also issued in the UK on an Export issue 7" single London HL 7075

10. Here I Stand – WADE FLEMONS & The Newcomers

November 1958 USA 7" single on Vee-Jay VJ-295 (peaked at 80)

Not released in the UK

11. Gee – THE CROWS

May 1953 USA 7" single on Rama RR-5 (peaked at 14)

June 1954 UK 7" single on Columbia SCM 5119 (didn’t chart)

The UK 45 is incredibly rare – booked at £2000+ in the Record Collector Price Guide - while the 78" version on Columbia DB 3478 is booked at £150.00

12. Don’t Be Angry – NAPPY BROWN

March 1955 USA 7" single on Savoy 45-1155 (peaked at 25)

June 1955 UK 7" single on London HL 8145 (didn’t chart)

Real name Napoleon Brown – "Don't Be Angry" was covered shortly afterwards by two R&B Vocal Groups - The Crew Cuts on Mercury 70597 (peaked at 14) and after that (also in 1955) by The Cadets on Modern 956 (failed to chart)

13. One Summer Night – THE DANLEERS

June 1958 USA 7" single on Mercury 71322 (peaked at 7)

October 1958 UK 7" single on Mercury AMT 1003 (didn’t chart)

The British 45 is rare – booked at £200 – as is the 78" (same catalogue no) at £40

14. Lotta Lovin' – GENE VINCENT & His Blue Caps

July 1957 USA 7" single on Capitol 3763 (peaked at 13)

August 1957 UK 7" single on Capitol CL 14763 (didn’t chart)

15. Ballad Of A Girl And Boy – THE GRADUATES

January 1959 USA 7" single on Shan-Todd ST-0055 (peaked at 74)

Not released in the UK

16. Bullwhip Rock – THE CYCLONES

July 1958 USA 7" single on Trophy T-500 (peaked at 83)

Not released in the UK

The B-side of "Nelda Jane" by Bill Taylor and Cyclones

17. Mojo Workout (Dance) – LARRY BRIGHT

January 1960 USA 7" single on Tide T-006 (peaked at 92)

Not released in the UK

A derivative of the Muddy Waters classic "I Got My Mojo Working"

18. Zing! Went The Strings Of My Heart – THE FURYS

December 1962 USA 7" single on Mack IV 112 (peaked at 92)

May 1963 UK 7" single on Stateside SS 182 (didn't chart)

Written by James McEachin who would later become a TV actor in Tenafly and Perry Mason (also a successful novelist)

19. Air Travel – RAY and BOB

September 1961 USA 7" single on Ledo 1151 (peaked at 99)

Not released in the UK

Ray Appleberry and Bobby Swayne

20. Once Upon A Time – ROCHELL and THE CANDLES with Johnny Wyatt

November 1961 USA 7" single on Swingin’ 623 (peaked at 26)

Not released in the UK

Male quartet formed by Rochell Henderson

21. The Fool – SANFORD CLARK

June 1956 USA 7” single on Dot 15481 (peaked at 7)

October 1956 UK 7" single on London HLD 8320 (didn’t chart)

22. Speedoo – THE CADILLACS

October 1955 USA 7" single on Josie 785 (peaked at 17)

Not released in the UK

23. My Wife Can’t Cook – LONNIE RUSS

November 1962 USA 7" single on Four-J 501 [aka 4j 501] (peaked at 57)

February 1963 UK 7" single on Fontana 267263 TF (didn’t chart)

24. Running Bear – JOHNNY PRESTON

June 1959 USA 7" single on Mercury 71474 (peaked at 1)

January 1960 UK 7" single on Mercury AMT 1079 (peaked at 1)

Written by J.P. Richardson – aka The Big Bopper

25. The Mountain’s High - DICK and DEEDEE

July 1961 USA 7" single on Liberty F-55350 (peaked at 2)

September 1961 UK 7" single on London HLG 9408 (peaked at 37)

Dick St. John and Mary Spelling – it had been issued initially as the B-side to "I Want Someone" on Lama 7778 in April 1961 - when DJs flipped the record. Liberty F-55350 took over putting "The Mountain's High" on the A-side.

26. A Thousand Miles Away – THE HEARTBEATS

September 1956 USA 7" single on Hull H-720 (peaked at 53)

Not released in the UK

Vocal group that featured Johnny 'Shep' Sheppard who would become Shep & The Limelites – it was the B-side of "Oh Baby Don't" but DJs like Alan Freed flipped it and made "A Thousand Miles Away" the classic hit

27. Hey Girl, Hey Boy – OSCAR McLOLLIE and JEANETTE BAKER

April 1958 USA 7" single on Class 288 (peaked at 61)

Not released in the UK

Oscar McLollie was a Band Leader in the early 50ts – Jeanette Baker was in the Vocal group The Dots (Caddy Label)

28. Been So Long – THE PASTELS

January 1958 USA 7" single on Argo 5287 (peaked at 24)

Not released in the UK

Featuring DiFosco Ervin on Lead Vocals – later went solo as Big Dee Irwin and had a hit in April 1963 with "Swinging On A Star" on Dimension 1010

29. I Don’t Love You No More (I Don’t Care About You) – JIMMY NORMAN

April 1962 USA 7” single on Little Star 113 (peaked at 47)

Not released in the UK

Jimmy Norman Scott – was with the Vocal group The Viceroys

30. Hot Rod Lincoln – JOHNNY BOND

June 1960 USA 7” single on Republic 2005 (peaked at 26)

September 1960 UK 7” single on London HLU 9189 (didn’t chart)

Credited in the UK as "Hot Rod Jalopy"

NOTES: all tracks are in MONO

Volume 8 has an impressive 24-page booklet festooned with ROB FINNIS liner notes and cool pics - quality publicity photos of forgotten names like Robert & Johnny, Freddy Cannon, Danny Zella, The Graduates, Larry Bright and The Pastels. These snaps run alongside rare Trade Adverts for The Dell-Vikings, The Danleers, Nappy Brown, Rochell and The Candles, The Cadillacs and Lonnie Russ. The two-page colour collage of British 45s in their labels bags that was a feature on Volumes 1 to 4 has been replaced with smaller pictures of various UK and US record labels throughout the text - Finnis connecting all the musical and historical dots. Compiled by Trevor Churchill, John Broven and Rob Finnis – the clever sequencing makes it feel like an old jukebox and it features a generous total playing time of 74+ minutes.

The DUNCAN COWELL Remasters are blindingly good – toppermost of the poppermost Audio quality on rarities like the blasting boogie of "Way Down Yonder In New Orleans" by Freddy Cannon sounding like it was recorded yesterday (really loudly too) while the 'my baby’s so doggone neat...' of "So Fine" by The Fiestas sounds amazingly clean. The last two tracks on here - "I Don't Love You No More (I Don't Care About You)" by Jimmy Norman (complete with a witty false phonecall at the beginning) and the amazing 'we was passing cars like they were standing still' boogie of "Hot Rod Lincoln" by Johnny Bond will thrill Rhythm 'n' Blues and Rockabilly fans to the core. In fact despite the disparate sources – the Audio is uniformly great throughout and will warm the cockrels of collector's hearts.

Volume 8 opens with a Frat Rock classic guaranteed to see beer spilled on mummy’s clean carpet - "Shout, Shout (Knock Yourself Out)" by Ernie Maresca – a man who penned several hits for Dion & The Belmonts (mentions "Runaround Sue" in the lyrics of "Shout, Shout"). Vocals Groups come at you in tempos next – the bopping "Whispering Bells" by The Dell-Vikings while the lovely smooch of "We Belong Together" by Robert and Johnny feels like the kind of gem that's going to turn up in a teen romance movie real soon. You don't hear tracks like The Impalas "Sorry (I Ran All The Way Home)" anymore – but here is has fabulous audio. I’m loving the crazy cross-genre duo of "Bongo Stomp" by Little Joey & The Flips which comes on like a Jungle Rhythm Vocal R&B dancer with a man singing like a big girl's blouse – and the mad-as-a-dingbat rhythms in "Wicked Ruby" by Danny Zella who was six-foot-three and 20 stone (get out of the way ladies).

Beautifully clear Audio also accompanies the echo-laden smooch of "Tragedy" – an old-fashioned love song sung by the crooner Thomas Wayne while the spirit of Buddy Holly meets Vocal Groups pervades the wonderful vocal arrangements on "Here I Stand" by Wade Flemons – a record you try to pin down but can't (Finnis rates it as near perfect 50ts Pop and he has a point). The uber-rare "Gee" by the smitten 'love that girl' Crows vocal group is basic for sure but magical too. Time to bop and dance and give it some quivering lip with the fabulous jiver "Don’t Be Angry" by Nappy Brown – sounding just brill as that blasting Saxophone solo comes sailing in. And it doesn’t get more Street Corner Symphony than "Once Summer Night" by The Danleers – here in best ever Audio. Homegrown Hero Gene Vincent makes a welcome insertion with his great 'want your lovin' all the time' of "Lotta Lovin'" – properly great Rock 'n' Roll.

As I said of Volumes 1 to 7 – what’s wicked about these Ace CD compilations is the oddities – finding gems you just don’t know. The whip-crack-away Jerry Lee Lewis piano-pumping boogie of "Bullwhip Rock" by Cyclones is the kind of R&R instrumental that sends fans into frenzy (what a genius choice – Wayne Brooks, Jr. is the rocking pianist). Re-working the Muddy Waters classic "I Got My Mojo Working" – Larry Bright's fantastic "Mojo Workout (Dance)" sounds like an American Gene Vincent with just as much passion and gusto (stunning inclusion). Superb audio accompanies the weird yet wonderful 'take a little trip to China' of "Air Travel" sounding not unlike a souped-up version of Sam Cooke's "Another Saturday Night". And the 'she was mine...' Vocal Group romancer "Once Upon A Time" is a brilliant inclusion too – never heard it before but a winner nonetheless (collectors will dig this).

An Elvis quivering vocal and plinking guitar bolster up the heavily echoed voice of Sanford Clark as he explains that "The Fool" told his 'baby goodbye' (not a great move apparently) - while the sheer aural blast of "Speedoo" by The Cadillacs is bound to do your speakers some damage if you don't control that volume dial. Funny, politically incorrect and possibly even sexist claptrap – "My Wife Can't Cook" is great fun nonetheless as Lonnie Russ explains about his dearly beloved's lack of culinary skills with gravy and beans (a worry that). Loving the drama of the drums combined with the strangely miked vocals for "The Mountain's High" by Dick and DeeDee – another brilliant choice that most collectors won’t have. Beautiful is the only way to describe The Heartbeats gorgeous delivery of the Vocal Group ballad "A Thousand Miles Away" – Shep’s vocal soaring against a backdrop of perfectly pitched voices. Fun R&B comes in the shape of "Hey Girl, Hey Boy" by Oscar McLollie and Jeanette Baker giving it some 'da da' and 'wee wee' as they size each other up. But then you're clobbered with genuine Vocal Group majesty – the truly wonderful "Been So Long" by The Pastels - Finnis quite rightly describing it as having a 'timeless quality'...

Like Volumes 1 to 7 – instalment No. 8 is an adventurous, period evocative, cleverly paced compilation that barely puts a foot wrong. Loving the damn lot. And there are seventeen more volumes where this came from...

PS: Titles in "The Golden Age Of American Rock 'n' Roll" CD Series are:

1. The Golden Age Of American Rock 'n' Roll: Hard-To-Get Hot 100 Hits From 1954-63 (Ace CDCHD 289, November 1991)

2. The Golden Age Of American Rock 'n' Roll Volume 2: Hot 100 Hits From 1954-1963 (Ace CDCHD 445, March 1993)

3. The Golden Age Of American Rock 'n' Roll Volume 3: Hot 100 Hits From 1954-1963 (Ace CDCHD 497, January 1994)

4. The Golden Age Of American Rock 'n' Roll Volume 4: Hot 100 Hits From 1954-1963 (Ace CDCHD 500, October 1994)

5. The Golden Age Of American Rock 'n' Roll Volume 5: Hot 100 Hits From 1954-1963 (Ace CDCHD 600, October 1995)

6. The Golden Age Of American Rock 'n' Roll Volume 6: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 650, January 1997)

7. The Golden Age Of American Rock 'n' Roll Volume 7: Hot 100 Hits From 1954-1963 (Ace CDCHD 700, November 1998)

8. The Golden Age Of American Rock 'n' Roll Volume 8: Hot 100 Hits From 1954-1963 (Ace CDCHD 750, November 1999)

9. The Golden Age Of American Rock 'n' Roll Volume 9: Hot 100 Hits From 1954-1963 (Ace CDCHD 800, February 2001)

10. The Golden Age Of American Rock 'n' Roll Volume 10: Hot 100 Hits From 1954-1963 (Ace CDCHD 850, September 2002)

11. The Golden Age Of American Rock 'n' Roll Volume 11: Hot 100 Hits From 1954-1963 (Ace CDCHD 1200, September 2007)

12. The Golden Age Of American Rock 'n' Roll Volume 12: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 1280, February 2011)

13. The Golden Age Of American Rock 'n' Roll: Special Country Edition (Ace CDCHD 845, April 2002)

14. The Golden Age Of American Rock 'n' Roll: Special Novelty Edition (Ace CDCHD 890, November 2003)

15. The Golden Age Of American Rock 'n' Roll: Special Doo Wop Edition 1953-1963 (Ace CDCHD 1000, May 2004)

16. The Golden Age Of American Rock 'n' Roll: Special "Bubbling Under" Edition – Regional Hits That Just Missed The Hot 100 1959-1963 (Ace CDCHD 1050, March 2006)

17. The Golden Age Of American Rock 'n' Roll – The Follow-Up Hits: Hard-To-Get Hot 100 Hits (Ace CDCHD 1190, January 2008)

18.  The Golden Age Of American Rock 'n' Roll: Special Doo Wop Edition Volume 2 1956-1963 (Ace CDCHD 1230, May 2009) 

This review and hundreds more like it can be found in my SOUNDS GOOD Music Book Series - BLUES, GOSPEL, RHYTHM 'n' BLUES and ROCK 'n' ROLL - Exceptional CD Remasters is available to buy/download at Amazon at the following link...

"The Golden Age Of American Rock 'n' Roll Volume 7" by VARIOUS ARTISTS (1998 Ace Records CD Remasters) - A Review by Mark Barry...

"...Book Of Love..."

The seventh instalment of Ace's "The Golden Age Of American Rock 'n' Roll" CD Series follows the same route as Volumes 1 to 6 – 30 cleverly sequenced Mono US 7" singles that hit the American Pop charts with a nice combo of the obvious and the obscure. "I Like It Like That Part 1" by Chris Kenner and "Hushabye" by The Mystics are in Stereo – while only Ernie K-Doe (6) and The Cascades (23) made the British charts. And all of this rare and hip material is presented to fans by a record company that gives a damn - with a hard-won reputation across four decades of reissue quality (best tape sources used – no needle drops). The full 18 volumes up to late 2015 are listed below. So lets avoid the 'Mother In Law' as we succumb to the 'Ling, Ting, Tong' and do 'The Caterpillar Crawl' (all in the best possible taste of course)...

UK and USA released November 1998 - "The Golden Age Of American Rock 'n' Roll Volume 7: Hot 100 Hits From 1954-1963" by VARIOUS ARTISTS on Ace Records CDCHD 700 (Barcode 029667170024) is a 30-track CD and breaks down as follows (72:32 minutes):

1. Book Of Love – THE MONOTONES

February 1958 US 7" single on Argo 5290 (peaked at 5)

May 1958 UK 7" single on London HLM 8265 (didn’t chart)

2. Susie-Q – DALE HAWKINS

May 1957 USA 7” single on Checker 863 (peaked at 27)

September 1957 UK 7" single on London HL 8482 (didn’t chart)

In the liner notes it states that Ace has 'taken the original master and re-created the reverb to produce a better quality master with extra length at the end'...

3. C. C. Rider – CHUCK WILLIS

March 1957 US 7" single on Atlantic 45-1130 (peaked at 12)

June 1957 UK 7" single on London HLE 8444 (didn’t chart)

4. Echo – THE EMOTIONS

December 1962 US 7" single on Kapp 490 (peaked at 76 in January 1963)

December 1962 UK 7" single on London HLT 9640 (didn’t chart)

5. Come On, Let's Go – RITCHIE VALENS

August 1958 US 7" single on Del-Fi 4106 (peaked at 42)

November 1958 UK 7" single on Pye International 7N 25000 (didn’t chart)

The American B-side is "Framed" – a Lieber Stoller song first recorded by The Robins in 1955

6. Mother-In-Law – ERNIE K-DOE

February 1961 USA 7" single on Minit 623 (peaked at 1)

April 1961 UK 7" single on London HLU 9330 (peaked at 29)

Real name Ernest Kador – song written, produced and featuring Allen Toussaint (on Piano)

7. Ling, Ting, Tong – THE FIVE KEYS

October 1954 USA 7" single on Capitol F 2945 (peaked at 28)

November 1954 UK 7" single on Capitol CL 14184 (didn’t chart)

Their first British 45 and very rare – listed at £500+

8. Sea Cruise – FRANKIE FORD

December 1958 USA 7" single on Ace 554 (peaked at 14)

April 1959 UK 7" single on London HL 8850 (didn’t chart)

Written by Huey "Piano" Smith

9. Just A Dream – JIMMY CLANTON And His Rockets

July 1958 USA 7" single on Ace 546 (peaked at 4)

September 1958 UK 7” single on London HLS 8699 (didn’t chart)

Credited as Jimmy Clanton in the UK

10. The Caterpillar Crawl – THE STRANGERS

March 1959 USA 7" single on Titan FF-1701 (peaked at 49)

Not released in the UK

An instrumental featuring Joel Scott Hill on Guitar

11. To Be Loved (Forever) – THE PENTAGONS

January 1961 USA 7" single on Donna 1337 (peaked at 48)

April 1961 UK 7" single on London HLU 9333 (didn’t chart)

Rare UK 45 booked at £100 - originally released in 1960 on Fleet International F-100 in the USA – B-side to “Down At The Beach”

12. Cherrystone – THE ADDRISI BROTHERS

May 1959 USA 7" single on Del-Fi 4116 (peaked at 62)

June 1959 UK 7" single on London HL 8922 (didn’t chart)

Don and Dick Addrisi

13. Unchained Melody – VITO & THE SALUTATIONS

September 1963 USA 7" single on Herald H-583 (peaked at 66)

Not released in the UK

Vito Balsamo – written in 1955, the song "Unchained Melody" has been a hit for a large number of artists – Les Baxter, Al Hibbler, Roy Hamilton, Jimmy Young and most famously by The Righteous Brothers in 1965 (many went to No. 1)

14. Pretty Girls Everywhere – EUGENE CHURCH and The Fellows

August 1958 USA 7" single on Class 235 (peaked at 80)

Not released in the UK

Eugene Church and Jesse Belvin were part of The Cliques whose song "The Girl In My Dreams" is on Volume 3 of this series (track 24)

15. Confidential – SONNY KNIGHT

September 1956 USA 7" single on Dot 45-15507 (peaked at 17)

January 1957 UK 7" single on London HLD 8362 (didn’t chart)

US 45 originally issued on Vita V-137 – it was the reissue on Dot 15507 (78") and Dot 45-15507 (7" single) that charted. The original gold-label tri-centre 45 in the UK on London is rare – booked at £350+

16. Watch Your Step – BOBBY PARKER

July 1961 USA 7" single on V-Tone 223 (peaked at 51)

July 1961 UK 7" single on London HLU 9393 (didn’t chart)

Guitarist with The Paul Williams Big Band who played as the live back up group for huge names in the Rock 'n' Roll field – Buddy Holly, Little Richard, Chuck Berry etc

17. Harlem Nocturne – THE VISCOUNTS

November 1959 USA 7" single on Madison M 123 (peaked at 52)

December 1959 UK 7" single on Top Rank JAR 254 (didn’t chart)

This instrumental was reissued in September 1965 in the USA on Amy 940 and charted at 39 – higher than the original Madison release

18. I Like It Like That, Part 1 – CHRIS KENNER

April 1961 USA 7" single on Instant 3229 (peaked at 2)

September 1961 UK 7" single on London HLU 9410 (didn't chart)

Chris Kenner also wrote, "Land Of 1000 Dances" - which was a hit for him in 1962 on Instant 3252, Cannibal and The Headhunters in 1965 on Rampart 642 and Wilson Pickett in 1966 on Atlantic 2348

19. Foot Stomping – Part 1 – THE FLARES

June 1961 USA 7" single on Felsted 8624 (peaked at 25)

October 1961 UK 7" single on London HLU 9441 (didn’t chart)

The US B-side is Part 2 – the UK issue is "Foot Stomping" b/w "Hotcha Cha-Cha Brown"

20. Money (That’s What I Want) – BARRETT STRONG

November 1959 USA 7" single on Anna 1111 (peaked at 23)

April 1960 UK 7" single on London HLU 9088 (didn’t chart)

The A-side is credited as written by Janie Bradford and Berry Gordy, Jr (of Motown) but Barrett Strong has always maintained that his name should have been in the writing credits. It was reissued on Tamla 54027 and was only the 2nd single issued in the UK with Motown connections - and was made famous by The Beatles who played it live and recorded in on their "With The Beatles" LP in November 1963

21. Tear Drops – LEE ANDREWS (and THE HEARTS)

November 1957 USA 7” single on Chess 1675 (peaked at 20)

January 1958 UK 7" single on London HLM 8546 (didn’t chart)

There was also an export issued pressed in the UK on London HL 7031 – both it and the stock copy on HLM 8546 are very rare – listed at £300+ each

22. Mr. Lee – THE BOBBETTES

June 1957 USA 7" single on Atlantic 45-1144 (peaked at 6)

September 1957 UK 7" single on London HLU 8477 (didn’t chart)

They provided backing vocals on Johnny Thunder's "Loop De Loop" on Diamond D-129 in late 1962

23. Rhythm Of The Rain – THE CASCADES

November 1962 USA 7" single on Valiant 6026 (peaked at 3)

January 1963 UK 7" single on Warner Brothers WB 88 (peaked at 5)

24. I Wonder What She’s Doing Tonight – BARRY and The Tamerlanes

August 1963 USA 7" single on Valiant 6034 (peaked at 21)

November 1963 UK 7" single on Warner Brothers WB 116 (didn’t chart)

Barry DeVorzon

25. Hushabye – THE MYSTICS

April 1959 USA 7" single on Laurie 3028 (peaked at 20)

July 1959 UK 7" single on HMV Records POP 646 (didn’t chart)

26. Clap Your Hands – THE BEAU-MARKS

April 1960 USA 7" single on Shad 5017 (peaked at 45)

May 1960 UK 7" single on Top Rank JAR 377 (didn't chart)

27. Sugar Bee – CLEVELAND CROCHET & Hill Billy Ramblers

December 1960 USA 7" single on Goldband G-1106 (peaked at 80)

Not released in the UK

Some copies credit '...& Hill Billy Ramblers' – others '...and Band' – first Cajun record to break Top 100

28. Shop Around – THE MIRACLES

October 1960 USA 7" single on Tamla 54043 (peaked at 2 in February 1961)

February 1961 UK 7" single on London HL 9276 (didn't chart)

Featuring Smokey Robinson

29. Daughter – THE BLENDERS

July 1963 USA 7” single on Witch 114 (peaked at 61)

Not released in the UK

30. Yea, Yea - THE KENDALL SISTERS

February 1958 USA 7” single on Argo 5291 (peaked at 73)

May 1958 UK 7” single on London HLM 8622 (didn’t chart)

NOTES: all tracks are in MONO except Tracks 18 and 25 - which are in STEREO

Volume 6 has an impressive 24-page booklet festooned with ROB FINNIS liner notes and cool pics - quality publicity photos of forgotten names like The Strangers, Chuck Willis, Jimmy Clanton, Dale Hawkins, The Pentagons and Sonny Knight. These snaps run alongside rare Trade Adverts for Ritchie Valens, The Addrisi Brothers, The Bobbettes, Lee Andrews, The Mystics, Ernie K-Doe and The Miracles. The two-page colour collage of British 45s in their labels bags that was a feature on Volumes 1 to 4 has been replaced with smaller pictures of various UK and US record labels throughout the text - Finnis connecting all the musical and historical dots. Compiled by Trevor Churchill, John Broven and Rob Finnis – the clever sequencing makes it feel like an old jukebox and it features a generous total playing time of 72+ minutes.

The DUNCAN COWELL Remasters are blindingly good – toppermost of the poppermost Audio quality on rarities like the echo-marvel of "Susie-Q" by Dale Hawkins or the 'ooh wee...' old man rhythm in my shoes of "Sea Cruise" by Frankie Ford. Despite the disparate sources – the Audio is uniformly great throughout and will warm the cockrels of collector's hearts.

Volume 7 opens with a crystal-clear Vocal group classic "Book Of Love" by The Monotones that is followed by a song that practically gave a young John Fogerty and CCR their entire sound – the wonderful "Susie-Q" by Dale Hawkins. Beautifully clear Audio also accompanies the rolling rhythms of Chuck Willis "C.C. Rider" (what a great R&B tune) while layered voices swoon "Echo" by a smitten vocal group The Emotions. You forget how cool the jiver "Come On, Let's Go" by Ritchie Valens is – sounding just brill on that tasty guitar solo - as does the tale of marital horror "Mother-In-Law" where Ernie K-Doe reckons she was 'sent from down below'. I’ve always loved The Five Keys as an R&B group and their bopper "Ling, Ting, Tong" comes with a infectious beat and dodgy lyrics about Chinamen.

As I said of Volumes 1 to 6 – what’s wicked about these Ace CD compilations is the oddities – finding gems you just don’t know. The 'you'd be mine' pleader "Just A Dream" by Jimmy Clanton is fab stuff – riddled with teenage 'won't forget you' angst and tattoo your name on my buttocks 'misery'. A Link Wray quivering guitar fills the stunning and slinky instrumental "The Caterpillar Crawl" while The Addrisi Brothers sound like a happy Everly Brothers doing a bop-winner on the impossibly catchy "Cherrystone". Bizarre is the only way to describe Vito & The Salutations indecently speedy butchery of "Unchained Melody" – a travesty quickly forgotten by a fantastic sounding Eugene Church who finds that "Pretty Girls Everywhere" are causing his teenage libido considerable botheration (you can’t even go to the beach man and 'they're everywhere!').

Sonny Knight's smoocher "Confidential" is a very clever choice – but it gets absolutely stomped on by Bobby Walker's "Watch Your Step" – a barnstormer of a tune with a wicked 60ts guitar line that makes you want to do the neck jerk and not give a damn. Equally smart is the echoed guitar instrumental of  "Harlem Nocturne" by The Viscounts while the crowd-pleasing 'name of the place' is "I Like It Like That" by Chris Kenner comes at you in wonderfully alive Stereo. I'd also forgotten what a powerhouse of a tune "Money (That's What I Want)" by Barrett Strong is – hardly surprising I suppose as it’s a derivative of the Ray Charles Atlantic Records classic "What I'd Say" (those Liverpudlians covered "Money" on their 2nd LP "With The Beatles" in late 1963).

Genius inclusions – the gorgeous Vocal Group "Tear Drops" by Lee Andrews tells us that he was wrong to take the chance with somebody new (my dear) – and I never tire of the party song "Mr. Lee" – a hugely popular tune by The Bobbettes (on the mighty Atlantic Records). It may be sappy by today's standards but its hard even now to resist the lovely "Rhythm Of The Rain" by The Cascades. The frisky "Daughter" by The Blenders advises its listeners that the girl must leave those boys alone (not sure she's gonna listen to mother on this one). We even get a little Eddie Cochran with the vocals of "Yea, Yea" by The Kendall Sisters where the rhythm could be Eddie but fronted by girls trying to resist 'one kiss' (not having a lot of luck either). But my fave on here is "Sugar Bee" by the wonderfully named Cleveland Crochet – a first time breakthrough Cajun 45 that features the most amazing overall sound – a guitar chug that’s both Creole and Captain Beefheart at the same time (if you can imagine such a thing). It’s a Rock 'n' Roll record – a Cajun tune – it’s guitar boogie – what a winner...

Like Volumes 1 to 6 – instalment No. 7 is an adventurous, period evocative, cleverly paced compilation. But most important of all – it’s blindingly great fun to listen to - stirring up so many fond memories. So even if you weren't there - you will feel all "American Graffiti" after a night in with this CD compilation. But most of all you get a real sense of why UK fans in the 50ts and 60ts looked to the USA with such awe. The Yanks had it all – the cool - the cars - the girls - the film stars and best of all - the music. And there are seventeen more volumes where this came from...

PS: Titles in "The Golden Age Of American Rock 'n' Roll" CD Series are:

1. The Golden Age Of American Rock 'n' Roll: Hard-To-Get Hot 100 Hits From 1954-63 (Ace CDCHD 289, November 1991)

2. The Golden Age Of American Rock 'n' Roll Volume 2: Hot 100 Hits From 1954-1963 (Ace CDCHD 445, March 1993)

3. The Golden Age Of American Rock 'n' Roll Volume 3: Hot 100 Hits From 1954-1963 (Ace CDCHD 497, January 1994)

4. The Golden Age Of American Rock 'n' Roll Volume 4: Hot 100 Hits From 1954-1963 (Ace CDCHD 500, October 1994)

5. The Golden Age Of American Rock 'n' Roll Volume 5: Hot 100 Hits From 1954-1963 (Ace CDCHD 600, October 1995)

6. The Golden Age Of American Rock 'n' Roll Volume 6: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 650, January 1997)

7. The Golden Age Of American Rock 'n' Roll Volume 7: Hot 100 Hits From 1954-1963 (Ace CDCHD 700, November 1998)

8. The Golden Age Of American Rock 'n' Roll Volume 8: Hot 100 Hits From 1954-1963 (Ace CDCHD 750, November 1999)

9. The Golden Age Of American Rock 'n' Roll Volume 9: Hot 100 Hits From 1954-1963 (Ace CDCHD 800, February 2001)

10. The Golden Age Of American Rock 'n' Roll Volume 10: Hot 100 Hits From 1954-1963 (Ace CDCHD 850, September 2002)

11. The Golden Age Of American Rock 'n' Roll Volume 11: Hot 100 Hits From 1954-1963 (Ace CDCHD 1200, September 2007)

12. The Golden Age Of American Rock 'n' Roll Volume 12: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 1280, February 2011)

13. The Golden Age Of American Rock 'n' Roll: Special Country Edition (Ace CDCHD 845, April 2002)

14. The Golden Age Of American Rock 'n' Roll: Special Novelty Edition (Ace CDCHD 890, November 2003)

15. The Golden Age Of American Rock 'n' Roll: Special Doo W*p Edition 1953-1963 (Ace CDCHD 1000, May 2004)

16. The Golden Age Of American Rock 'n' Roll: Special "Bubbling Under" Edition – Regional Hits That Just Missed The Hot 100 1959-1963 (Ace CDCHD 1050, March 2006)

17. The Golden Age Of American Rock 'n' Roll – The Follow-Up Hits: Hard-To-Get Hot 100 Hits (Ace CDCHD 1190, January 2008)
18.  The Golden Age Of American Rock 'n' Roll: Special Doo W*p Edition Volume 2 1956-1963 (Ace CDCHD 1230, May 2009)

This review and hundreds more like it can be found in my SOUNDS GOOD Music Book Series - BLUES, GOSPEL, RHYTHM 'n' BLUES and ROCK 'n' ROLL - Exceptional CD Remasters is available to buy/download at Amazon at the following link...