"You Can Get It If You Really Want" [1970] by DESMOND DEKKER (September 2018 UK Doctor Bird Records 'Expanded Edition' CD Reissue - Andy Pearce Remaster) - A Review by Mark Barry...

"...Sing A Little Song..."

Tapping into the 50th Anniversary celebrations for Trojan Records UK - 2018 has seen Doctor Bird Records (part of Cherry Red UK) bombard us ravenous Reggae and Ska lovers with fantastic 'Expanded Edition' CD reissues of albums disappeared from our record shop racks four and five decades ago – many of which in truth weren't widely available in the first place.

Centred round the magical output of Trojan’s catalogue from the late 60ts on up to about 1975 (see list below) - these CD reissues are not haphazard cash-ins. Each is tastily done, reasonably priced, properly expanded booklets, often two albums on 1CD or one-album with a huge number of bonus tracks, rarities getting their digital debut and all of it mastered from best sources by one of the top Audio Engineers out there – Andy Pearce – a name more commonly known for his decades of work on a huge array of artists under the Universal umbrella.

For this release we get one of Trojan's true Kingston hit-makers – Desmond Adolphus Dacres - or DESMOND DEKKER to you and I. Here are the Pickney details...

UK released Friday, 28 September 2018 - "You Can Get It If You Really Want" by DESMOND DEKKER on Doctor Bird DBCD-015 (Barcode 5013929271531) is an 'Expanded Edition' CD Reissue that offers you his 12-track 1970 LP of the same name originally on Trojan Records TBL-148 and adds on a further 11-tracks from 1972 to 1975 – mostly single sides originally on the Creole label in the UK (67:45 minutes):

1. YOU CAN GET IT IF YOU REALLY WANT [Side 1]
2. I BELIEVE 
3. PERSEVERANCE 
4. GET UP LITTLE SUZIE 
5. PEACE ON THE LAND 
6. CINDY 
7. PICKNEY GAL [Side 2] 
8. YOU GOT SOUL 
9. COOMYAH 
10. THAT’S THE WAY LIFE GOES 
11. PEACE OF MIND 
12. POLKA DOT

BONUS TRACKS (2018 CD REISSUE):
13. BEWARE
14. EVERYBODY JOIN HANDS
15. SING A LITTLE SONG
16. BUSTED LAD
17. MY WORLD IS BLUE
18. MOTHER NATURE
19. MONEY AND FRIENDS
20. NO PLACE LIKE HOME
21. PICK UP THE PHONE
22. TRAVEL ON
23. SUGAR DUMPLING 

Tracks 1 to 12 are the "You Can Get It If You Really Want" UK LP from 1970 on Trojan Records TBL 148 

The 16-page booklet is a fantastic affair - new liner notes by fan and devotee of all things Jamaican - HARRY HICKS - whilst each page is festooned with ticket stubs, concert posters, a huge array of different picture sleeves for the big single, talk of "Israelites" - the first Reggae single to make it to No. 1 in the UK and break open the genre all over the world and much more. But best of all is one of my fave-rave Audio Engineers at the helm - ANDY PEARCE - who along with his engineer partner Matt Wortham has done Lee Perry, The Upsetters, Treasure Isle box set and wads of huge Rock names like Free, Rory Gallagher, Budgie, Wishbone Ash, ELP, Spooky Tooth, Mott The Hoople and so on..

Highlights for me include the hit singles I bought as a budding teen - "Peace In The Land", "Pickney Gal" and of course that stunning "You Can Get It..." Amidst the bonus stuff are goodies like "Sing A Little Song" (originally on Rhino), his cover of Jimmy Cliff's "My World Is Blue" originally on the 1975 UK LP "Israelites" on Cactus Records and a bopper in "Sugar Dumpling" - a non-album single cut tucked away on the flipside of April 1975's "Israelites" (Cactus CT 57). Very cool...

Desmond Dekker passed in 2006 and this rather brill little CD reissue does his memory and chart importance proud. Well done to all involved for treating his underestimated musical legacy with such affection...

2017 and 2018 Doctor Bird Records CD Reissues
(Featuring Larges Amounts of Trojan Records, 

Treasure Isle, Pama 60s & 70s etc)

1. BOB ANDY & MARCIA GRIFFITHS - Young, Gifted And Black/Pied Pier (May 2018, Doctor Bird DBCD-014 - Barcode 5013929271432)

2. ERROL BROWN/THE REVOLUTIONAIRES – Dubb Everlasting/Dub Expression [1977 and 1978 High Note 2LPs on 1CD] (November 2017, Doctor Bird DBCD-07 – Barcode 5013929270732)

3. DAVE & ANSEL COLLINS – Double Barrel (June 2018, Doctor Bird DBCD-016 - Barcode 5013929271630)

4. DESMOND DECKER & THE ACES – Action!/Intensified (August 2018 2CD Set, Doctor Bird DBCD-025 – Barcode 5013929272538)

5. DESMOND DEKKER – You Can Get It If You Really Want (September 2018 Expanded CD, Doctor Bird DBCD-015 - Barcode 5013929271531)

6. DESMOND DEKKER – Double Dekker [1973 UK 2LP set onto 1CD] (November 2018, Doctor Bird DBCD-018 – Barcode 5013929271838)

7. PHYLLIS DILLON – One Life To Live (September 2018, Doctor Bird DBCD-021 – Barcode 5013929272132)

8. ETHIOPIANS – Reggae Power/Woman Capture Man (January 2018, Doctor Bird DBCD-10 – Barcode 5013929271036)

9. MARCIA GRIFFITHS – Naturally/Steppin’ [1978 and 1979 2LPs on 1CD] (August 2017 CD, Doctor Bird DBCD-002 – Barcode 5013929270237)

10. DERRICK HARRIOTT & THE CRYSTALITES – Psychedelic Train (October 2017 CD, Doctor Bird DBCD-05 – Barcode 5013929270534)

11. HARRY J. ALL STARS - Liquidator (June 2008 Expanded CD, Doctor Bird DBCD-012 - Barcode 5013929271234)

12. JUSTIN HINDS & THE DOMINOES – From Jamaica With Reggae (February 2018 Expanded CD, Doctor Bird DBCD-09 – Barcode 5013929270930)

13. THE KINGSTONIANS – Sufferer (September 2017 Expanded CD, Doctor Bird DBCD-03 – Barcode 5013929270336)

14. THE MAYTALS – Monkey Man/From The Roots (July 2018 2LPs on 1CD, Doctor Bird DBCD-017 – Barcode 5013929271739)

15. THE PIONEERS – Long Shot/Battle Of The Giants (September 2018, Doctor Bird DBCD-019 – Barcode 5013929271937)

16. THE UNIQUES - Absolutely The...Uniques (January 2018, Doctor Bird DBCD-011 - Barcode 5013929271135)

17. THE UPSETTERS – The Upsetter/Scratch The Upsetter Again (October 2018, Doctor Bird DBCD-022 – Barcode 5013929272231)

18. THE UPSETTERS – Return Of Django/Eastwood Rides Again (May 2018, Doctor Bird DBCD-013 - Barcode 5013929271333)

19. VARIOUS – Dancing Down Orange Street [Trojan 1969 LP] (September 2017 Expanded CD, Doctor Bird DBCD-04 – Barcode 5013929270435)

20. VARIOUS – Gay Feet, Every Night (October 2017 Expanded CD, Doctor Bird DBCD-06 – Barcode 5013929270633)

21. VARIOUS – Greater Jamaica Moonwalk Reggae/Reggay At Its Best (October 2018 2CD Set, Doctor Bird DBCDD-030 – Barcode 5013929273030)

22. VARIOUS – Hot Shots Of Reggae (November 2017 Expanded CD, Doctor Bird DBCD-08 – Barcode 5013929270831)

23. VARIOUS – King Size Reggae (November 2018, Doctor Bird DBCD-026 – Barcode 5013929272637)

24. VARIOUS – No More Heartaches/What Am I To Do? [2LPs from 1969 and 1970 onto 1CD] (August 2017, Doctor Bird DBCD-01 – Barcode 5013929270138)

25. VARIOUS [Duke Reid and Treasure Isle Productions] – Soul Of Jamaica/Here Comes The Duke (August 2018 2CD Set, Doctor Bird DBCDD-024 – Barcode 5013929272439)

2019 Doctor Bird Records CD Reissues

1. ROLAND ALPHANSO & THE ORIGINAL ORCHESTRA – ABC Rock Steady (April 2019 Expanded 2CD Set with 43 Bonus Tracks, Doctor Bird DBCDD-023 – Barcode 5013929272330)

2. DENNIS BROWN – Just Dennis/Deep Down (April 2019 2CD Expanded Set, Doctor Bird DBCDD-027 – Barcode 5013929272736)

3. ERROL BROWN & THE REVOLUTIONARIES – Culture Dub & Medley Dub (12 July 2019 2CD Expanded Set with 25 Bonus, Doctor Bird DBCDD-038 – Barcode 5013929273832)

4. ERROL BROWN & THE SUPERSONICS – The Treasure Dub Albums Collection (13 September 2019 2CD Expanded Set with Eight Previously Unreleased, Doctor Bird DBCDD-043 – Barcode 5013929274334)

5. ALTON ELLIS – Greatest Hits/Mr. Soul Of Jamaica [known as Greatest Hits in the UK] (11 October 2019 Expanded 2CD Set with 47 Bonus, Doctor Bird DBCDD-045 – Barcode 5013929274532)

6. THE ETHIOPIANS – Engine No. 5 (17 May 2019 1CD Expanded Set with 17 Bonus, Doctor Bird DBCD-035 – Barcode 5013929273535)

7. THE GAYLADS – Fire And Rain (14 June 2019 1CD Expanded Set with 13 Bonus, Doctor Bird DBCD-036 – Barcode 5013929273634)

8. JOHN HOLT – Like A Bolt (January 2019 Expanded CD, Doctor Bird DBCD-029 – Barcode 5013929272934)

9. THE MELODIANS – Rivers Of Babylon (9 August 2019 Expanded 1CD Set with 15 Bonus, Doctor Bird DBCD-041 – Barcode 5013929274136)

10. DERRICK MORGAN – Moon Hop/Derrick Morgan In London (April 2019 Expanded 2CD Set, Doctor Bird DBCDD-032 – Barcode 5013929273238)

11. DERRICK MORGAN – Derrick Morgan And His Friends (12 July 2019 Expanded 2CD Set with 24 Bonus, Doctor Bird DBCDD-039 – Barcode 5013929273931)

12. SONIA POTTINGER – Put On Your Best Dress: Ska & Rock Steady 1966-1967 (14 June 2019 Expanded 2CD Set with 35 Bonus, Doctor Bird DBCDD-037 – Barcode 5013929273733)

13. LORD TANAMO & FRIENDS – Festival Jump-Up [1965] (15 November 2019 Expanded 2CD Reissue of 1965 LP with 40 Bonus, Doctor Bird DBCDD-046 – Barcode 5013929274631)

14. LINVAL THOMPSON – The Linval Thompson Trojan Roots Album Collection [including two LPs by Big Joe & The Trinity called “African Princess” and “Rock In The Ghetto” and one Linval Thompson LP called “I Love Marijuana”) (11 October 2019 Expanded 2CD Set with 10 Bonus, Doctor Bird DBCDD-044 – Barcode 5013929274433)

15. LINVAL THOMPSON & THE REVOLUTIONAIRES – Negrea Love Dub/Outlaw Dub [1978 and 1979] (15 November 2019 Reissue featuring 2LPs onto 1CD (no bonus), Doctor Bird DBCD-047 – Barcode 5013929274730)

16. THE UPSETTERS featuring LEE 'SCRATCH' PERRY – Clint Eastwood/Many Moods Of The Upsetters (April 2019 2CD Expanded Set, Doctor Bird DBCDD-034 – Barcode 5013929273436)

17. VARIOUS – The Down Town Albums Collection [Down Town Label] (February 2019 2CD Set, Doctor Bird Records DBCDD-020 - Barcode 5013929272033)

18. VARIOUS – Gay Jamaican Independence Time – Boom Sha-Ka-La (17 May 2019 2CD Expanded Set with 35 Bonus, Doctor Bird DBCDD-028 – Barcode 5013929272835)

19. VARIOUS – Greatest Jamaican Beat... (March 2019 2CD Set, Doctor Bird DBCDD-033 – Barcode 5013929273337)

20. VARIOUS – Independence Jump Up Calypso (9 August 2019 2CD Expanded Set with 46 Bonus, Doctor Bird DBCDD-040 – Barcode 5013929274037)

21. VARIOUS – The Treasure Isle Ska Albums Collection (January 2019 2CD Set [4LPs and more], Doctor Bird DBCDD-031 – Barcode 5013929273139)

22. VARIOUS – You Can’t Wine/Music Alone Shall Live (13 September 2019 2CD Expanded Set with 33 Bonus, Doctor Bird DBCDD-042 - Barcode 5013929274235)

"Christmas With The Coopers" aka "Love The Coopers" - Good Christmas Movie That Also Has Olivia Wilde's Eyes! - A Review by Mark Barry...

Christmas films - especially those revolving around your stereotypical dysfunctional American family - can be cringeworthy or great ("The Family Stone" for instance is one that works beautifully). So I'm glad to say that as I downloaded and streamed "Christmas With The Coopers" to my all-singing and all-dancing Samsung 4K 55" Tele this November 2018 - I was more than pleasantly surprised.

First up the cast is large and wonderful - Diane Keaton and John Goodman head up Mom and Pop of the Cooper family from Pittsburgh. Charlotte and Sam have been together for 40 years but with disillusioned Sam considering exiting the house after one last head-jutting session around the Christmas dinner table with the siblings (who want to rip each other’s throats out) – theirs is an uneasy alliance – problems the kids don’t know about. They want to rekindle the way they used to feel and flashbacks show them in their earlier joy - but weariness and years of children and family has taken its emotional toll.

The staggering gorgeous Olivia Wilde plays the wayward daughter Eleanor - something of a cynic in her mid-30s – she's still flouncing around with inappropriate men until on her way home she is snowed in at an airport and meets soldier Joe at a bar. Played by a fabulously understated Jake Lacy - the rebel daughter who is at first off-putting and pass-remarkable – soon starts to hit it off with the straight-laced Republican Joe in his camouflage uniform. Realising there might be a genuine he’s-the-one connection between them and spotting an opportunity at the same time – Eleanor talks Joe into coming home with her as a 'boyfriend' – a wholesome foil that will surely ward off Mom's annual condescending stare and Guantanamo Bay type interrogation on goals and achievements (where are you going in life my dear). Not wanting to spend Christmas Day on an airport chair and actually thinking there might be something special in the air with this plucky, fun Eleanor and her elegant neck – Joe agrees.

In the meantime old-timer but platonic Bucky played by the wonderful Alan Arkin drops in yet again at his favourite diner to secretly smile at his favourite dish - the kind-hearted and attentive waitress Ruby played by the fab Amanda Seyfried. However, Ruby has plans, wants to leave town and have a shot at life for herself. But she also knows that this will hurt Bucky who has come to almost depend on her - love her even - despite the huge age difference between them. Meanwhile in a department store not far away in the snow-pretty town, the equally likeable Marisa Tomei plays Emma who is once again stealing jewellery in an attempt to impress her older sister Charlotte. Cop Andrew Mackie catches her and there then ensues soul-searching chitchat in the red, white and blue car from the backseat to the front. Both chastising but in a strange way helping each other - the ping-ponging chat soon moves away from lies to honesty and starts to mellow the official 'you're under arrest' dynamic - possibly offering up a way out for both in this festive time of giving and forgiveness.

Also in life's crapper is jobless Hank (Ed Helms) who hasn't told his fiercely argumentative wife Angie (Alex Borstein of "The Marvellous Mrs. Maisel" fame - the butch lesbian who befriends and manages Mrs. M) that she can't have quality presents this Christmas - or even the divorce she wants. Hank's smallest (a precocious girl) has taken to calling everyone she meets a 'dick' (and they sometimes deserve it too). And then there are two awkward but likeable teenagers (one is Hank's hapless older boy) obsessing over breasts, French kissing and not getting the crap kicked out of them by bigger classroom bullies. And of course there are endless amounts of carol singers spreading good cheer – wassailing alongside inebriated Santa’s sat in chairs in shopping malls with screaming brats on their laps looking up at them like they’re Beelzebub or his more evil twin. And on it goes...

Steve Martin is narrating all of this and the excellent script by Steven Rogers is never less than impressive whilst at times being downright insightful, moving and even occasionally magical - something you don't say too often when it comes to modern day Festive movies. For sure it feels a little cluttered in places and you've seen some of these set pieces before - but there are moments of remembrance by characters that floor it - really work - and they happen right up to its rather nice all-in ending.  

Called "Love The Coopers" when it was released Christmas 2015 – now re-branded "Christmas With The Coopers" for the 2018 watch-it-at-home generation - I think this snowbound Sleigh Ride through life and love and second chances is a wee bit of a hidden gem amongst an awful lot of dreck.

Give it a shot and I dare ye men out there to resist Olivia Wilde's eyes in close up - now that really would be a miracle...

"Remastered Part 1" by KATE BUSH (November 2018 UK Parlophone/Fish People 7CD Box Set) - A Review by Mark Barry...

This Review Along With 319 Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites
CADENCE / CASCADE 

PROG ROCK, PSYCH, AVANT GARDE...
And Others Genres Thereabouts
Exceptional CD Remasters

Covering 1967 to 1977 - It Also Focuses On

Fusion Rock, Acid Folk, Art Rock and Underground 

Just Click Below To Purchase

Thousands of E-Pages - All Details and In-Depth Reviews From Discs

(No Cut and Paste Crap)

"...Gorgeous CD Audio, But The Presentation Is Functional, 

A Track Is Inexplicably Replaced, One Dropped 

and Sadly There's Naught New..."

I hate to burst people's bubble when it comes to someone as gloriously special as KATE BUSH - but on receiving this 'Remastered Part 1' box set today, day of release, Friday 16 November 2018 - I have to say that apart from the James Guthrie and Joel Plante Remasters of the seven stunning albums from 1978 to 1993 (this duo of Audio Engineers did all the Pink Floyd albums in 2011 to universal praise) - I'm massively underwhelmed.

Let’s be real about this. There is nothing new here - at all. These albums should have remastered decades ago and the new Fish People variants (her own label) offer only a tri-gatefold card sleeve with an 8-page booklet inside each that contains the lyrics, session credits, artwork and absolutely nothing else. The only words added are 'Remastered by James Guthrie and Joel Plante at Das Boot Recording' inside every one of the booklets (Doug Sax was also involved in "The Red Shoes"). The inside box 'two worlds' artwork is nice, the tri gatefolds pretty and each Fish People Logo Picture CD reflects the album artwork – but in truth not so you’d notice that much. There are no new photos - no essays - no history - no sense of place - and worse of course - having waited decades - there isn't a single outtake or unreleased anywhere.

To add paying insult to injury - the truly fantastic six extra tracks that accompanied the EMI "Hounds Of Love" CD Remaster issued in 1997 are AWOL - flicked over to justify and flesh out an extortionately expensive Part 2 disc presently clocking in at a whopping £95 for the CD variant when most of the albums are pennies on Amazon and don’t require remastering. Those Hounds 12" Remixes of Big Sky and Cloudbusting were utterly exceptional, as were the non-album often Acapella B-sides like "The Handsome Cabin Boy" and "My Lagan Love" - lifting an already amazing album into the stratosphere. Not here. On release, 1989’s "The Sensual World" had 10 tracks on vinyl LP but the MC and CD had 11 - the extra "Walk Straight Down The Middle" is also AWOL. When I bought the CD then it had 11 songs – not 10. The popular compilation/best of "The Whole Story" from 1986 had a new vocal for "Wuthering Heights" and a new single "Experiment IV" – perfect extras material, but again – missing. Even the single-page leaf that accompanies the box on the outside has no place to go once you remove the shrink-wrap – so it’s going to get wrecked on any shelving.

But these are as nothing to what will surely become a serious bone of contention – the reissue of her undisputed meisterwerk "Hounds Of Love". Whilst fans are going to flip for the audio on 11 songs (the best it's ever sounded and such a brilliant album that only grows as time passes) - "The Big Sky" (Track 3 on Side 1) has now been inexplicably changed from the original album cut of 4:41 minutes to a '7" Mix' of 4:34 minutes that has crucial vocals mixed out - so is fundamentally different. In fairness, it does say '7" Mix' on the rear artwork and on the CD label - but what it doesn't say is that (and this is amazingly sloppy) - somehow the audio quality has dropped. If I A/B the new cut with my Japanese version - there is a muffled sound on this 2018 version (like its in a bucket) that is immediately noticeable after the audio high of the "Hounds Of Love" album track that precedes it! And of course this intrusion fundamentally changes the listen and alters the artwork of an album so many fans adore (so much for meticulous).

So what is good after all that bellyache? The AUDIO - I’ve had the Japanese CD Masters of these first seven studio albums issued in 2005 in repro artwork – and these 2018 versions are a whole different ball game – subtle and powerful in equal measure. I cannot emphasise how deeply lovely these long-awaited remasters are – at times breathtaking – wonderful stereo imaging – a feel of the air around instruments and her vocals thrilling every few seconds. These lovingly mastered beauties have genuinely added huge dollops of clarity to everything, lifting up deep album gems like "Kite", "In Search Of Peter Pan", "Delius" and "Army Dreamers", "There Goes A Tenner" and "Night Of The Swallow", "And Dream Of Sheep" and "The Morning Fog", "Reaching Out" and "Never Be Mine", "Moments Of Pleasure" – and so many more. I had tears pouring down my face re-hearing them.

The first two albums had some trace elements of hiss – but even something as beautiful and delicate as "The Man With The Child In His Eyes" is handled so well. By the time she got to album three "Never For Ever" with Jon Kelly at the Production controls – the audio goes off the charts good and stays that way thereafter. That difficult fourth album "The Dreaming" now feels ripe for rediscovery too. And when you clap your weary ears on the title track to "The Sensual World" or the gorgeous and moving "This Woman’s Work" – you may be in line for a wee blub yourself (in the comfort of your own home of course).

Let's get to the individual disc details...

Inside the 7CD version of "Remastered – Part 1" by KATE BUSH on Parlophone/Fish People 0190295569006 (Barcode is the same) - you get...

1. "The Kick Inside" (February 1978, Debut Album)

Parlophone/Fish People 01902295568986 (13 Tracks, 43:16 minutes)

2. "Lionheart" (September 1978, Second Album)

Parlophone/Fish People 01902295568979 (10 Tracks, 37:02 minutes)

3. "Never For Ever" (September 1980, Third Album)

Parlophone/Fish People 01902295568962 (11 Tracks, 37:28 minutes)

4. "The Dreaming" (September 1982, Fourth Studio Album)

Parlophone/Fish People 01902295568955 (10 Tracks, 43:24 minutes)

5. "Hounds Of Love" (September 1985, Fifth Studio Album)

Parlophone/Fish People 01902295568948 (12 Tracks, 47:25 minutes)

6. "The Sensual World" (October 1989, Sixth Studio Album)

Parlophone/Fish People 01902295568931 (10 Tracks, 42:06 minutes)

7. "The Red Shoes" (November 1993, Seventh Studio Album)

Parlophone/Fish People 01902295568924 (12 Tracks, 55:03 minutes)

As you can no doubt tell from the opening paragraphs of this review (and having lived with it for a day now) – I'm conflicted over this reissue. Apart from the beautiful audio and whether its pretty or not - as a box set of celebration for an artist I've loved for over 40 years – I feel the presentation has missed a major trick here. Given the glory of the Audio – why oh why didn't someone think to up the presentation game for such a fantastic British artist?

When you think of the jaw-dropping hardback books contained in the first three BOWIE Box Sets also put out by Parlophone (each was a work of art, I've reviewed all three - "Five Years", "Who Can I Be Now" and "A New Career In A New Town") – the absence of anything here that expands on what these Kate Bush albums were about or their context in the musical landscape is unforgivable (most were groundbreaking, hugely influential and unique in their vision). I suppose you can accuse me of whining and whinging when I knew what I was buying, but it doesn't make my arguments any less relevant.

It will probably drop in price soon as we veer towards Christmas 2018 – but I'd advise that if you want say "Never For Ever" or "The Dreaming" - go for the individual CD reissues. Those buying the individual releases of "Hounds Of Love" and her equally wonderful "The Sensual World" should note that (audio aside) they are both comprised over previous CD issues (who knows but Parlophone may recall "Hounds" and fix that replacement song – a wait and see situation I’m afraid).

An improvement for sure across so much - but man when you think of what a wow (pun intended) it could have been and that poorer-audio replacement of a huge fan-fave song on her best ever album - it's a real let down. And until I win at the Lotto, I'll be avoiding shelling out on that unnecessarily overpriced 'Remastered Part 2' also...

"Mental Train: The Island Years 1969-71" by MOTT THE HOOPLE (November 2018 UK Universal/Island 6CD Box Set of Remasters) - A Review by Mark Barry...

"...Thunderbuck Ram..."

I was both looking forward to and in some ways dreading this MOTT THE HOOPLE Box Set - an odd thing to say when you're spending over £40 of your pensioner’s pre-Brexit allowance. And typically "Mental Train..." both delivers and disappoints is several weird ways.

What’s good - the new Andy Pearce and Matt Wortham Remasters have massively improved on what went before - as their skills always seem to do (see my reviews for Free, Budgie, Rory Gallagher, ELP  – a very long list of great work). Some of the unreleased stuff is shockingly magnificent - check out Take 6 of "Angel Of Eight Avenue" on Disc 5 mixed from faders-up multi-tracks - whilst Kris Needs once again nails it with wickedly insightful liner notes that feature new contributions from key players (Campbell Devine and Kris Needs compiled the set). But there's fluff too aplenty, the mock distressed look card artwork is horribly presented and the actual albums themselves have always left so much to be desired – piano-plonking tedium often sitting uncomfortably alongside thundering Rock brilliance. Guy Stevens would have been proud even if the band weren't selling jack for four whole LPs.

There's an absolute ton of Buffin details to crawl through, so Mad Shadows and Willard Manus paperbacks ahoy (they took their name from one of his novels) – let’s get Overend Watts mental on this huge haul...

UK released Friday, 2 November 2018 - "Mental Train: The Island Years 1969-71" by MOTT THE HOOPLE on Universal/Island MOTTBOX 001 (Barcode 602547869623) is a 89-Song 6CD Box Set of New Remasters (30 Previously Unreleased) with a 52-Page Hardback Book, Single Sleeve Mini LP Artwork for all Six Discs and a fold-out Colour Poster all housed in a 10x8 Box with Ribbon. It breaks down as follows:

CD1 "Mott The Hoople" (79:13 minutes, 17 Tracks):

1. You Really Got Me [Side 1]

2. At The Crossroads

3. Laugh At Me

4. Backsliding Fearlessly

5. Rock And Roll Queen (Full Album Version, 5:10 minutes) [Side 2]

6. Rabbit Foot & Toby Time

7. Half Moon Boy

8. Wrath And Wroll

Tracks 1 to 8 are their debut album "Mott The Hoople" - released 22 November 1969 in the UK in Stereo on Island Records ILPS 9108 and June 1970 in the USA on Atlantic Records SD 8258. Produced by GUY STEVENS - it didn't chart in the UK but peaked at No. 185 in the USA in July 1970. 

BONUS TRACKS:

9. If Your Heart Lay With The Rebel (Would You Cheer The Underdog) - PREVIOUSLY UNRELEASED INSTRUMENTAL

10. Rock And Roll Queen [Single Edit, 3:20 minutes] - October 1969 debut UK 7" single on Island WIP 6072, non-album version

11. Road To Birmingham - non-album B-side to their October 1969 UK debut 7" single on Island WIP 6072

12. Road To Birmingham (Guy Stevens Mix) - PREVIOUSLY UNRELEASED

13. You Really Got Me (Full Take, 11:14 minutes) - PREVIOUSLY UNRELEASED

14. You Really Got Me (Guy Stevens Vocal Mix, 2:51 minutes) - PREVIOUSLY UNRELEASED

15. Rock And Roll Queen (Guy Stevens Mono Mix, 3:21 minutes) - PREVIOUSLY UNRELEASED

16. Rock And Roll Queen (Kitchen Sink Instrumental, 5:22minutes) - PREVIOUSLY UNRELEASED

17. Little Christine [Recorded 24 June 1969] - first UK released March 1981 on the Mott The Hoople compilation LP "Two Miles From Heaven" on Island Records IRSP 8

CD2 "Mad Shadows" (73:24 minutes, 15 Tracks):

1. Thunderbuck Ram [Side 1]

2. No Wheels To Ride

3. You Are One Of Us

4. Walkin' With A Mountain

5. I Can Feel [Side 2]

6. Threads Of Iron

7. When My Mind's Gone

Tracks 1 to 7 are their second studio album "Mad Shadows" - released September 1970 in the UK on Island Records ILPS 9119 and October 1970 in the USA on Atlantic SD 8272 (didn't chart in either country)

BONUS TRACKS:

8. Thunderbuck Ram - BBC Session, Top Gear, 21 February 1970 [John Walters Producer]

9. Thunderbuck Ram (Original Take with Organ Solo, 4:50 minutes) - PREVIOUSLY UNRELEASED

10. No Wheels To Ride (Demo Version, 6:29 minutes) - PREVIOUSLY UNRELEASED

11. Moonbus (Baby's Got A Down On Me) - PREVIOUSLY UNRELEASED

12. The Hunchback Fish (Vocal Rehearsal, 6:01 minutes) - PREVIOUSLY UNRELEASED

13. You Are One Of Us (Take 9, 5:12 minutes) - PREVIOUSLY UNRELEASED

14. Going Home [recorded 16 Jan 1970] - first UK released March 1981 on the Mott The Hoople compilation LP "Two Miles From Heaven" on Island Records IRSP 8

15. Keep A Knockin' (Studio Version, Take 2, Little Richard cover, 2:30 minutes) - PREVIOUSLY UNRELEASED

CD 3 "Wildlife" (73:30 minutes, 17 Tracks):

1. Whiskey Women [Side 1]

2. Angel Of Eight Avenue

3. Wrong Side Of The River

4. Waterflow

5. Lay Down

6. It Must Be Love [Side 2]

7. Original Mixed Up Kid

8. Home Is Where I Want To Be

9. Keep A Knockin' (Live 1970 at The Fairfield Hall, Croydon in London)

Tracks 1 to 9 are their 3rd studio album "Wildlife" - released 19 March 1971 in the UK on Island Records ILPS 9144 and April 1971 in the USA on Atlantic Records SD 8284 (didn't chart in either country); the Live Version of "Keep A Knockin'" also includes an uncredited version of "What I’d Say" by Jerry Lee Lewis

BONUS TRACKS:

10. Midnight Lady – 9 July 1971 UK 7" single on Island WIP 6105, Non-album A-side

11. The Debt – Non-album B-side of "Midnight Lady"

12. Downtown – 17 September 1971 UK 7" single on Island WIP 6112, Non-album A-side (B-side was the Mick Ralphs album track "Home..."); A-side is a Crazy Horse cover version originally written by Danny Whitten and Neil Young on his backing band's self-titled debut album from 1970

13. Brain Haulage (Whiskey Women) (3:55 minutes) – PREVIOUSLY UNRELEASED

14. Growing Man Blues (Take 10, 3:40 minutes) - PREVIOUSLY UNRELEASED

15. Long Red (Demo, 3:53 minutes) - PREVIOUSLY UNRELEASED

16. The Ballad Of Billy Joe (3:38 minutes) - PREVIOUSLY UNRELEASED

17. Lay Down (Take 8, 5:08 minutes, Melanie cover) - PREVIOUSLY UNRELEASED

CD4 "Brain Capers" (68:58 minutes, 16 Tracks):

1. Death May Be Your Santa Claus [Side 1]

2. Your Own Backyard

3. Darkness Darkness

4. The Journey

5. Sweet Angeline [Side 2]

6. Second Love

7. The Moon Upstairs

8. The Wheel Of The Quivering Meat Conception

Tracks 1 to 8 are their fourth studio album "Brain Capers" - released 19 November 1971 in the UK on Island Records ILPS 9178 and January 1972 in the USA on Atlantic Records SD 8304 (didn't chart in either country)

BONUS TRACKS:

9. Mental Train (The Moon Upstairs) (5:16 minutes) - PREVIOUSLY UNRELEASED

10. How Long (Death May Be...) (4:10 minutes) - PREVIOUSLY UNRELEASED

11. Darkness Darkness (3:04 minutes, Jessie Colin Young song, Youngbloods cover) - PREVIOUSLY UNRELEASED

12. Your Own Backyard (Complete Take, 4:12 minutes, Dion Cover) - PREVIOUSLY UNRELEASED

13. Where Do You All Come Front? (Backing Track, 3:16 minutes) - PREVIOUSLY UNRELEASED

14. One Of The Boys (Take 2, 4:22 minutes) - PREVIOUSLY UNRELEASED

15. Movin' On - first UK released March 1981 on the Mott The Hoople compilation LP "Two Miles From Heaven" on Island Records IRSP 8 (mastered from a cassette)

16. Black Scorpio (Mamma's Little Jewel) - first UK released March 1981 on the Mott The Hoople compilation LP "Two Miles From Heaven" on Island Records IRSP 8 (mastered from a cassette)

CD5 "The Ballads Of Mott The Hoople" (Exclusive compilation, 73:18 minutes, 12 Tracks):

1. Like A Rolling Stone (Fragment, 1:29 minutes)

2.  No Wheels To Hide (Live, 1st House Fairfield Hall, Croydon, 7:25 minutes) - PREVIOUSLY UNRELEASED

3. Angel Of Eight Avenue (Take 6, Mastered from faders-up multi-tracks) - PREVIOUSLY UNRELEASED

4. The Journey (10:24 minutes) - PREVIOUSLY UNRELEASED

5. Blue Broken Tears (3:11 minutes, Mastered from faders-up multi-tracks) - PREVIOUSLY UNRELEASED

6. Black Hills (Full Ralphs Version, 4:07 minutes) - PREVIOUSLY UNRELEASED

7. Can You Sing The Song That I Sing (15:54 minutes) - PREVIOUSLY UNRELEASED

8. Till I'm Gone - first UK released March 1981 on the Mott The Hoople compilation LP "Two Miles From Heaven" on Island Records IRSP 8 (mastered from a cassette)

9. The Original Mixed Up Kid - BBC Session, Mike Harding, 16 March 1971

10. Ill Wind Blowing - first UK released March 1981 on the Mott The Hoople compilation LP "Two Miles From Heaven" on Island Records IRSP 8 (mastered from a cassette)

11. I'm A River (Rehearsal, 10:40 minutes) - PREVIOUSLY UNRELEASED

12. Ride On The Sun (Sea Diver) - first UK released March 1981 on the Mott The Hoople compilation LP "Two Miles From Heaven" on Island Records IRSP 8 (mastered from a cassette)

CD6 "It's Live And Live Only" (Exclusive Compilation, 78:18 minutes, 12 Tracks):

1. Rock And Roll Queen

2. Ohio

3. No Wheels To Ride/Hey Jude

4. Thunderbuck Ram

5. Keep A Knockin'

6. You Really Got Me

Tracks 1 to 6 recorded 1 September 1970 at The Fairfield Hall in Croydon, London

"Ohio" is a Neil Young song - a Crosby, Stills, Nash & Young cover; "Hey Jude" is a Beatles cover; Keep A Knockin' is a Little Richard cover and "You Really Got Me" is a Kinks cover

7. The Moon Upstairs

8. Whiskey Women

9. Your Own Backyard

10. Darkness, Darkness

11. The Journey

12. Death May Be Your Santa Claus

Tracks 7 to 12 recorded 30 December 1971 for the BBC's Radio 1 "In Concert" programme (produced by Guy Stevens)

MOTT THE HOOPLE was:

IAN HUNTER (Ian Hunter Patterson) – Lead Singer, Piano

MICK RALPHS – Lead Guitars and Second Lead Vocals

VERDEN ALLEN (Terence Allen) – Organ and Other Keyboards

OVEREND WATTS (Pete Overend Watts) – Bass

DALE “Buffin” GRIFFIN (Terence Dale Griffin) – Drums

Guests:

Guy Stevens – Production, Song Contributions

James Archer of the LSO – Violin on "Angel Of Eighth Avenue"

Jess Roden (of Bronco) – Backing Vocals on "Lay Down"

Stan Tippins (of Doc Thomas Group) – Backing Vocals on "Lay Down"

Jerry Hogan – Pedal Steel Guitar on "It Must Be Love" and "Original Mixed-Up Kid"

Jim Price – Trumpet on "Second Love"

The box looks the part and ribbon allowing you to access the six single card sleeves in the inner well is a nice touch – but as already said and noted by other buyers – none of the card sleeves actually reflect the original British albums. The gatefolds for the first three are gone – removed to the book. The five pinched faces on the inner debut gatefold is spread across the back pages of the hardback, the child and lions photo inside "Mad Shadows" is on the inside of the front, the live shot of the band on the inner gatefold of "Wildlife" is behind text on Pages 36 and 27 and the airplanes inner for "Brain Capers" and the gimmick mask appear at both ends of the book too. The colouring of the CDs reflects the original British LP pressings - the Pink Island 'Pink I' Logo for the first two – the Palm Tree Pink Rim Logo Label for the other two and so on...

The book may seem a little slight at first but there’s a lot of info inside and period stuff to peruse (a fab promo photo on Page 13 for the Doc Thomas Group which featured a young Mick Ralphs and Pete Watts before Guy Stevens altered their names for Mott). Renowned writer KRIS NEEDS provides the tangled and at times chaotic history of the British Band – informative and entertaining reading, as always. The uber rare British picture sleeve for the 1969 "Rock And Roll Queen" single in on Page 48 as is the front sleeve for the final Island album from the period – the 9-Track "Rock And Roll Queen" compilation from 1972 on Island ILPS 9125. It was issued to cash in on the success of the "All The Young Dudes" single and LP on CBS Records (their first chart single courtesy of a song gifted to them by David Bowie). The LP is pictured on Page 48 (along with other European single picture sleeves) and if you want to sequence the popular "Rock And Roll Queen" compilation as a CD from this Box Set use the following tracks:

Side 1:

1. Rock And Roll Queen (Disc 1, Track 5, Album Version)

2. The Wheel Of The Quivering Meat Conception (Disc 4, Track 8)

3. You Really Got Me (Disc 1, Track 1)

4. Thunderbuck Ram (Disc 2, Track 1)

5. Walkin' With A Mountain (Disc 2, Track 4)

Side 2:

1. Death May Be Your Santa Claus (Disc 4, Track 1)

2. Midnight Lady (Disc 3, Track 10)

3. Keep A Knockin' (Live, Full Album Version) (Disc 3, Track 9)

The Audio is fabulous and as these hirsute/girl-leering gents were prone to Rocking out big time like Spooky Tooth with spiked Vodka or a demented Free in a graveyard after dark – both Pearce and Wortham capture all that bottled power so well. The listen is also surprisingly downbeat – way too many slow ballads – ill-advised Country Rock stints on "Wildlife" and a 15-minute outtake from Hunter that will test his mother’s patience. Having said that – I actually think that Disc 4 with the Previously Unreleased material is one of the strongest discs on here – fantastic alternate versions – that Take 6 of the Manhattan morning ballad "Angel Of Eight Avenue" brought a tear of joy to my demonically-possessed elderly-person’s eyes. Let’s get to the content...

The self-titled debut always felt to me like a rudderless beginning - the opening three covers (The Kinks "You Really Got Me", Doug Sahm's "At The Crossroads" and Sonny Bono's "Laugh At Me") displaying a band that seemed to be recording whatever they liked as they were rehearsing. For sure there's power in the sheer riffage on offer as they turn the Kink's proto-punk anthem into an instrumental - whilst Hunter's "Backsliding Fearlessly" sounds like a bad Dylan cover. The first sign of a genuine 'rawk' hit comes with Mick Ralphs "Rock And Roll Woman" presented here in two variants - the full and clear stereo album cut at 5:10 minutes and the severely muffled single edit of 3:20 minutes that sounds like it was mastered in a bucket. "Rabbit Foot And Toby Time" is another rockin' Ralphs tune, but it's an instrumental of two minutes duration that goes absolutely nowhere. Side 2 and the album in general is dominated by the 10:39 minutes of Ian Hunter's "Half Moon Bay" - a slow boiler with great organ playing from Verden Allen that at times feels both epic and indulgent with just the right measures of both. The debut ends with a mad Guy Stevens contribution called "Wrath And Roll" (a habit they would repeat again and again) and unfortunately you can't help thinking it might have been a better idea to include something possibly resembling a tune. Way more interesting is the Previously Unreleased and catchy-titled "If You Lay With The Rebel (Would You Cheer At The Underdog)?" - a riffage instrumental with better Production values than some of the album tracks. Die-hard fans will appreciate 11:17 minutes of "You Really Got Me" where the take descends into guitar mayhem and the fruity "Little Christine" from the "Two Miles..." compilation actually feels like the Faces circa their debut.

From the axe of Mick Ralphs, "Mad Shadows" opens with the wild "Thunderbuck Ram" where England’s Mott The Hoople suddenly thinks it’s a hybrid between MC5 and The Stooges with a bit of melodic Peter Green’s Fleetwood Mac thrown in for the middle eight. As Ian Hunter delivers the brooding, epic and even sad "No Wheels To Ride" – only two songs in and the second album already feels like the band has found something – their own MTH sound. A trio of Hunter songs - the reverential "You Are One Of Us", the Chuck Berry boogie of "Walkin' With A Mountain" and the warbling seven-minute keyboard ballad that opens Side 2 "I Can Feel" (complete with Uriah Heep drama vocals) stamps his songwriting authority on proceedings (lovely solo too from Ralphs). "Threads Of Iron" is a jaunty little number from guitarist Ralphs with a catchy 'you are what you are' vocal line. The album closes with Hunter's unnerving and funereal composition "When My Mind's Gone" - a six-and-half-minute piano plonk that sounds as casket-inducing as its title suggests. It's a good album. Amidst the extras - Radio 1's Fluff Freeman introduces an in-the-distance BBC Session version of "Thunderbuck Ram" immediately indicating what an exciting prospect this band must been - live and in yer face. Far better however is the 'Original Take with Organ Solo' of the same song where Mott start to sound dangerously close to Peter Green's "Oh Well" with a disgruntled Hammond playing in the background (have to say this is a highlight amongst the unreleased). Another goody comes in the guise of the Kossoff-sounding riffage for "Moonbus (Baby's Got A Down On Me)" – a very tasty period find. It's also cool to finally hear their fast and furious studio take for Little Richard Penniman's "Keep A Knockin'" – here kept down to a boogie baller of just two and a half minutes (the Georgia Peach would approve).

They try to go American-ish with the very Steppenwolf guitar vs. organ boogie of "Whiskey Women" – the opening track to the infuriating every-musical-direction-will-do third album "Wildlife". But that boys-own beginner is solidly trounced by what I believe to be Ian Hunter's first moment of musical magic – the gorgeous ballad "Angel Of Eight Avenue" where he describes waking up in New York on the first Mott US tour with a lady who is as fragile and as beautiful as the Manhattan morning he's gazing out upon (what a lovely transfer too – great work boys). The cover of Melanie's "Lay Down" features a chorus contribution from Bronco's Jess Roden but the Country-Rock of "It Must Be Love" is awful (the "Downtown" stand alone single wasn't much better - a cover of a Crazy Horse song). The album ends of what feels like a different group - a crowd rousing 11-minute live take on Little Richard's "Keep A Knockin'" with Mick Ralphs showing what he can do when let rip. Late 1971's "Brain Capers" was always their best album and it seems the band thinks so too. "Death May Be Your Santa Claus" opens the record in raucous Rock fashion and this time covers of Dion's "Your Own Backyard" and The Youngbloods "Darkness Darkness" (a Jessie Colin Young song) actually sound like Mott made the right choices. Both "The Journey" and "Sweet Angeline" see Hunter in a melancholy mood (there's a man on a bridge called Suicide) - while Verden Allen provides a rare lead vocal on his own "Second Love". A damn good album "Brain Capers" - wee bit of a lost masterpiece really. I hadn't expected either CD5 or CD6 to provide much but they're full of goodies – especially those unreleased studio outtakes on disc five.

For sure "Mental Train..." is not for the casual browser and it would take until album number five ("All The Young Dudes") to awaken record buyers to MOTT THE HOOPLE. But their is a strange kind of bloody-minded heroism on offer here - a time when bands were allowed to sound nuts - grow with each release - until that initial magic someone saw before they signed them - finally broke through.

Leaping lizards but it's astonishing any of them survived given the times and acrimony within the ranks. Ralphs would go on of course to form Bad Co. with Paul Rodgers of Free whilst Ian Hunter would enjoy a massive solo career and aged 79 in 2018 is still rocking, touring and writing.

Always nuts but glam loveable - on the musical evidence presented here - you may find yourself seeking out Mott The Hoople and "Death May Be Your Santa Claus" this Christmas...