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Saturday, 8 December 2018

"The Marvelous Mrs. Maisel: Season 2" keeps up the brilliance of 2017's Season 1 and is a 2018 Christmas TV treat - A Review by Mark Barry...





"No More Schlongs For My Wife Please!" 

Season 2 of "...Mrs. Maisel..." Keeps Up The Brilliance of Season 1…

Everything about this 10-part Season 2 of "The Marvelous Mrs. Maisel" rocks - the money spent on the stunning sets and clothes (runs "The Crown" a close second for sheer sumptuousness), the witty and knowing rapid fire dialogue by a whole troupe of actors clearly having a blast and realizing they're into something special (something the public really likes too) and all of it so damn likeable in a 2018 television arena splattered with dystopian-world gore, murdered women and abducted children and other stuff that grips and impresses but ultimately leaves you feeling slightly soiled or in need of a shower.

While Rachel Brosnahan and Alex Borstein are mainlining every moment as the principal leads Miriam 'Midge' Maisel the Jewish housewife stand-up comedienne and her butch lesbian Manager Susie Myerson who is sleeping on the benches of the Gaslight Club in Greenwich Village because she can't afford NYC apartment rent (a street-fighter for her client's God-given genius and a foul-mouthed humour-machine that lifts up the screen every single time she appears) - the writers have smartly also upped the ante and screen-time for the parents on both sides of their nutty families. The truly fantastic Tony Shalhoub and Marin Hinkle as the adapting-to-a-new-world Jewish parents Abe and Rose Weissman (Midge's well-to-do Mum and Dad) bring on the chuckles in their cartloads – their huge dialogue passages like a great Woody Allen film firing on all sixes (there's a scene where Rose his wife has to paint a nude male model in a college art class and Abe’s pleading to the befuddled Dean of the school about art and nudity is hilarious – Abe’s fussing over a vacation to the Catskills where he uses miniature models to plan the packing down to the last cubic foot before they leave New York).

Over on Midges husband's side - Kevin Pollack and Caroline Aaron expertly play the deadpan Moishe and hyperactive-talkative Shirley Maisel (Joel's parents). Pass-remarking about Catholics and the second world war and constantly fretting over their children and the suitability of other people's families - they stash wads of dollar bills in secret locations (they like America but don't trust their banks) and then hand-write the whereabouts of these rubber-banded moneyballs on treasure maps that only they can read. A permanently hysterical mum, Rose Maisel suspects her son living at home may be gay because he has male friends over to his room that aren't married. Throw in Luke Kirby utterly electric as the legendary outlaw comic Lenny Bruce (getting arrested once again) and Bailey De Young as the fitness-husband-obsessed Imogene Cleary (Midge's best friend) and you've an inkling of the huge ensemble cast that quickly has you reaching for superlatives.

But coming through all of this is Michael Zegen as the much-maligned husband Joel who cheated on Midge in the first place thereby precipitating family carnage at every level in uptight late 50s New York - an ex husband now seriously regretting his mistake. As an actor usually playing a hood or an NYC spiv - Zegen has been around for years in huge TV shows like Girls, Mad Men, Boardwalk Empire, The Walking Dead and has featured in many movies - but this is surely his breakthrough role. A character that at first you didn't like and wanted gone has morphed over the seasons into a stand-up guy who realises his extraordinary wife is a star and needs her space to shine and Zegen has to realistically get across his character's acceptance of that. As Joel Maisel slowly takes over the economic and physical mayhem that is his father's clothing business - the wit is upped - but more importantly so is the emotion and pathos (a scene where Midge phones Joel from a Paris payphone to try to salvage their marriage is both heartbreaking and rings true to the cruelty of life sometimes). Midge and Joel Maisel love each other and his stupid ego has cost them and their children badly and he will spend most of Season 2 realizing he has to win that back - even if handsome competition in the Catskills is already moving in on his gorgeous gal.

Part of the Amy Sherman-Palladino's school of comedy (she was behind "Gilmore Girls") - the zippy Jewish fun of "The Marvelous Mrs. Maisel" and its first Season won over 15,000 Five-Star positives on Amazon.com alone and then went on after a slow burn realization to nab two Emmys at the beginning of 2018 - one for best comedy drama and one for its smart, funny and hugely-likeable lead - Rachel Brosnahan. And it is easy to see why – the writing in this US show is fantastic and enough to make any budding writer grin whilst at the same time feel just a tad envious. Thankfully episode after episode in Season 2 of "Mrs. Maisel" proves there is good telly out there that doesn't have to bludgeon you over the noggin or make you wretch.

For sure it won't be for everyone but like most I'm in love with this fabulous US TV show and I wish Amazon would put both seasons out soon on either DVD or BLU RAY so I could own them permanently because they're unavailable anywhere in the world at the moment as a hard copy on either format (apart for promo DVDs for the 1st season which have now become expensive auction site items).

In our loopy household and in the lead up to the 25th of December, we're valiantly resisting our inner binge impulses and trying (but mostly failing) to stagger episodes of Season 2 to 'one a night'. But one things for sure and like last year - "The Marvelous Mrs. Maisel" is going to be our top Xmas viewing once again.


Schlemiels rock and schlongs rule! Check out this smart and touching TV joy and as a wiser Irishman than I once said – "...Goodnight, and may your God go with you…"

Saturday, 1 December 2018

"Living/True Stories And Other Dreams/Judith" by JUDY COLLINS - 1971, 1973 and 1975 US Albums on Elektra (October 2018 UK Beat Goes On Records (BGO) Compilation - 3LPs Remastered onto 2CDs) - A Review by Mark Barry...



"...Send In The Clowns..." 

This gorgeous-sounding 2018 twofer from Beat Goes On of the UK offers Judy Collins fans a tasty triple whammy - three of her most popular albums from the first half of the Seventies remastered onto 2CDs in proper style after years languishing in the Nineties and Naughties digital dust.

First up is, "Living", released late 1971 on Elektra Records which peaked at No. 64 on the Billboard Top 100, then "True Stories And Other Dreams" from early 1973 (peaked at No. 27 and was called just "True Stories" in the UK) and the one she’s probably most remembered for – the "Send In The Clowns" album simply called "Judith" from 1975.

Bolstered up by that mammoth-selling single – the album "Judith" was a real seller for her peaking at No. 17 in the USA but marking her biggest chart presence in the UK since "Amazing Grace" went to No. 3 in November 1970 – an impressive No. 7 on the UK LP charts. I can remember the power of that almost spiritual ballad in 1975 – its pained sadness seemed to be literally everywhere (Radio and TV) and many were moved to cover it for years to come. Here are the living details...

UK released Friday, 12 October 2018 - "Living/True Stories And Other Dreams/Judith" by JUDY COLLINS on Beat Goes On BGOCD 1352 (Barcode 5017261213525) offers 3LPs Remastered onto 2CDs and plays out as follows:

CD 1 (64:03 minutes):
1. Joan Of Arc [Side 1]
2. Four Strong Winds
3. Vietnam Love Song
4. Innisfree
5. Song For Judith (Open The Door)
6. All Things Are Quite Silent [Side 2]
7. Easy Times
8. Chelsea Morning
9. Famous Blue Raincoat
10. Just Like Tom Thumb's Blues
Tracks 1 to 10 are her album "Living" - released November 1971 in the USA on Elektra EKS 75014 and January 1972 in the UK on Elektra K 42102.

11. Cook With Honey [Side 1]
12. So Begins The Task
13. Fisherman Song
14. The Dealer (Down And Losin')
15. Secret Gardens
Tracks 11 to 15 are Side 1 of the album "True Stories And Other Dreams" - released January 1973 in the USA on Elektra EKS 75053 and February 1973 in the UK on Elektra K 42132 as "True Stories".

CD2 (65:30 minutes):
1. Holly Ann
2. The Hostage
3. Song For Martin
4. Che
Tracks 1 to 4 are Side 2 of the album "True Stories And Other Dreams" - released January 1973 in the USA on Elektra EKS 75053 and February 1973 in the UK on Elektra K 42132 as "True Stories".

5. The Moon Is A Harsh Mistress [Side 1]
6. Angel, Spread Your Wings
7. Houses
8. The Lovin' Of The Game
9. Song For Duke
10. Send In The Clowns
11. Salt Of The Earth [Side 2]
12. Brother, Can You Spare A Dime
13. City Of New Orleans
14. I'll Be Seeing You
15. Pirate Ships
16. Born To The Breed
Tracks 5 to 16 are the album "Judith" - released March 1975 in the USA on Elektra Records 7E-1032 and May 1975 in the UK on Elektra Records K 52019.

The card slipcase gives these BGO reissues a classy and luxurious feel whilst the 24-page booklet repro's all the album artwork including the lyrics for the "Judith" LP alongside new liner notes from noted writer and Music historian JOHN TOBLER. Releasing sixteen albums that reached the US charts between 1964 and 1982 alone (her career started in 1961) - Tobler is right to call Collins that most overused word - a legend. His notes go into her entire career so you don't actually get to the albums on hand until the last few pages, but its a fascinating read potted with loads of great observations and details.

But the big news has to be the new 2018 ANDREW THOMPSON remasters which make these already beautifully produced platters shine better than ever before. 

Her own tunes like "Fishermen Song" or "Secret Gardens" or the November 1971 single "Open The Door (Song For Judith)" flipped with her adaptation of a W.B. Yates poem put to music in "Innisfree" show her skills of a songwriter (it preceded the "Living" album on both sides of the pond). And as I rehear Joni's "Chelsea Morning", Jim Webb's "The Moon Is A Harsh Mistress", Leonard Cohen's "Joan Of Arc" and "Famous Blue Raincoat" or Stephen Stills' "So Begins The Task" - all sat alongside Tom Paxton's "The Hostage", Danny O'Keefe's "Angel, Spread Your Wings" and even The Stones in "Salt Of The Earth" - you're also reminded of her uncanny ear for a tune - Judy Collins with her nose to the ground - covering contemporary songs of the day that would have legs long past their recent release dates. The three albums all sound great, lively and full of instrumentation filling your speakers - a very nice job done...

Beat Goes On have gotten awfully good at this sort of release and outside of an all-encompassing Rhino box set of her entire Elektra Records catalogue (something WEA artists like Joni Mitchell, Ry Cooder, Little Feat and America have all enjoyed) - BGO of England has provided Judy Collins fans with a steady stream of decent Remasters in quality presentation - and this you have to say is another winner. Tasty and then some...

Thursday, 29 November 2018

"See/Search And Nearness" by THE RASCALS (September 2018 UK Beat Goes On Records (BGO) Compilation - 2LPs from 1969 and 1971 Remastered onto 2CDs) - A Review by Mark Barry...



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"...Carry Me Back..."

Having dropped the 'Young' moniker in 1968 for their fourth platter "Once Upon A Dream" (thereafter simply known as The Rascals) – the American band’s sixth and seventh albums (reissued here) were originally issued Stateside in December 1969 and March 1971 on Atlantic Records. But whilst the 'groovin' on a Sunday afternoon' troupe might have been trying to spread out artistically - commercially they were bombing in leaps and bounds.

Few now remember the slightly trippy "See" or "Search And Nearness" LPs - 1969's effort making No. 45 on the Billboard album charts whilst 1971's platter barely registered at No. 198 and then for only 1 week. In fact by the time "Search..." had come round (recorded late 1969 and into 1970) - the four-piece was down to three (Brigati left) and they would soon be signing to Columbia Records for "Peaceful World" - a supposed new start double-album released in the early summer of 1971 but one that again only registered mild public interest.

Neither of these final records for Atlantic were well received by the critics of the day – most saying the band was either languishing on their positive sunshine vibe of 1966 and 1967 that now sounded old hat in 1969 and 1971 or were offering too many styles on their new outings (Country Rock, Sunshine Pop, Psych and Jazz Rock are just some on platter number two alone) which conversely had the backwards effect of making them seem directionless and not expansive.

But Rascals fans see "See" or "Search And Nearness" differently – liking them precisely because of the stretching-out and the range of genres. For instance, my particular poison is a truly stunning Jazz Fusion Rock instrumental called "Nama" which ends Side 1 of "Search And Nearness" (written by the drummer Dino Danelli). Its 5:34 minutes of Keyboards, Saxophones and Drum solos would make most people double-take if they were shown the authors of such a piece as being by 'The Rascals'. Sounding not unlike War meets Billy Cobham meets Earth Wind And Fire – the band of "Good Lovin'" or "Groovin'" are absolutely unrecognisable here.

Availability-wise too both albums have been hard to find on deleted CD for years now - so this card-slipcase September 2018 Double-Disc Remaster by England’s Beat Goes On is a welcome addition to their increasingly impressive reissue catalogue (even if some will feel that this is a five-Star reissue of three-Star material – which it is). So coming to a digital nirvana portal near you - here are the all-seeing all-enlightening details...

UK released Friday, 21 September 2018 - "See/Search And Nearness" by THE RASCALS on Beat Goes On BGOCD 1357 (Barcode 5017261213570) offers two albums (1969 and 1971) Remastered onto 2CDs and plays out as follows:

CD1 "See" (42:12 minutes):
1. See [Side 1]
2. I'd Like To Take You Home
3. Remember Me
4. I'm Blue
5. Stop And Think
6. Temptation's 'Bout To Get Me
7. Nubia [Side 2]
8. Carry Me Back
9. Away Away
10. Real Thing
11. Death's Reply
12. Hold On
Tracks 1 to 12 are their sixth studio album "See" - released December 1969 in the USA on Atlantic SD 8246 (Stereo only) and in the UK on Atlantic 588 210. Produced by THE RASCALS - it peaked at No. 45 on the US LP charts (didn't chart UK).

THE RASCALS for "See" were:
FELIX CAVALIERE – Keyboards (Organ, Piano), Lead and Backing Vocals
GENE CORNISH – Guitar, Lead and Backing Vocals
EDDIE BRIGATI – Percussion, Lead And Backing Vocals
DINO DANELLI – Drums
Guests:
Chuck Rainey – Bass on all tracks except...
Ron Carter – Bass on "Nubia" and "Carry Me Back"
Hubert Laws – Flute on "Nubia", Danny Labbate – Soprano Sax on "Nubia"

CD2 "Search And Nearness" (38:44 minutes):
1. Right On [Side 1]
2. I Believe
3. Thank You Baby
4. You Don't Know
5. Nama
6. Almost Home [Side 2]
7. The Letter
8. Ready For Love
9. Fortunes
10. Glory Glory
Tracks 1 to 10 are their seventh studio album "Search And Nearness" - released March 1971 in the USA on Atlantic SD 8276 and in the UK on Atlantic 2400 113. Produced by THE RASCALS - it peaked at No. 198 in the USA (didn't chart UK).

THE RASCALS for "Search And Nearness" were:
FELIX CAVALIERE – Keyboards (Organ, Piano), Lead and Backing Vocals
GENE CORNISH – Guitar, Lead and Backing Vocals
DINO DANELLI – Drums
Others:
Eddie Brigati (left the band during recordings) – Lead Vocals on "You Don’t Know", "The Letter" and "Fortunes" (Felix Cavaliere Lead on all others)
Ron Blanco – Bass on Track 4
Chuck Rainey – Bass on Tracks 1, 2, 5, 7 and 9
Howard Cowart – Bass on Tracks 3, 6, 8 and 10
Joe Newman (Trumpet) with Joe Farrell and Seldon Powell (Saxophones) on "Nama"
David Brigati – Backing Vocals
The Sweet Inspirations – Backing vocals on "Glory Glory"
Cissy Houston and Tasha Thomas – Backing Vocals on "I Believe"

The card-slipcase adds the reissue a classy/luxurious look - Mojo contributor CHARLES WARING does his usual bang-up job with the liner notes gamely describing some of the not-so-brill songs with imaginative adjectives - whilst the big draw will be new 2018 ANDREW THOMPSON Remasters. I've always found the band's own productions a tad clumsy - panning the three vocalists between the speakers like a badly recorded Three Dog Night - but there's no doubt to my ears of the improvement. Even when the guitars are fuzzy and the vocals bucket-deep, the overall stereo imaging is great and at last there's really power to the rhythm section. These CDs are upgrades and contain real oomph on recordings that needed it.

Lead Vocalist and founder member Felix Cavaliere came up with 8 of the 12 compositions on "See" – guitarist Gene Cornish proffering "Remember Me" and "Away Away" - while "I’m Blue" is a co-write between FC and Eddie Brigati - leaving only a lone cover of the Soul masterpiece "Temptation’s ‘Bout To Get Me" – a James Diggs song made a hit by The Knight Brothers in 1965 on Checker Records. Despite its yeah-man image of a silhouette dove on the front cover – the album seemed more full of short songs trying to be hits rather than messages of love and racial integration. Atlantic has issued "Carry Me Back" as a lead-in 45 in August 1969 with the album cut "Real Thing" as its flipside and it reached a respectable No. 26 on the Billboard 100.

They covered The Box Tops hit "The Letter" on "Search And Nearness" LP – a gorgeous gatefold sleeve on original release (the rear child-face artwork is the inlay beneath the CD trays whilst the front cover is the front page of the 16-page booklet). They psych it up although not perhaps as brilliantly as one would hope – but there is not doubt of their passion for the huge social changes taking place in the USA in the opener "Right On" – sort of Three Dog Night does inequality with a Norman Whitfield groove.

For sure not everything here is going to be worshipped from afar, but I can't help think that the second LP especially has stuff worthy of rediscovery and even an occasional rant ("Nama" baby - you heard it here first). Yes its 3-star material, but man what a 5-star presentation of it. Well done to all involved...

Wednesday, 28 November 2018

"My Friend/Missing You/Am I That Easy To Forget/I'd Fight The World" by JIM REEVES (June 2018 Beat Goes On Reissue - 4LPs Remastered onto 2CDs) - A Review by Mark Barry...





"...Heartache Following Me..."

BGO of the UK have gotten rather good at these kind of value-for-money twofers – the fourth volume in their reissue campaign covering the first Gentleman of Country.

Offering up four complete 70ts albums onto 2CDs from Jim Reeve's vast back catalogue - you get "My Friend" and "Missing You" (both 1972), "Am I That Easy To Forget" (1973) and "I'd Fight The World" - all originally on RCA Victor Records in Stereo. And even though he'd been gone since 1964, back in the Country-obsessed 70ts US charts - his well of unissued recordings were still being mined and his popularity with the public as strong as that of say Buddy Holly (these posthumous albums all charted).

UK released 8 June 2018 - Beat Goes On BGOCD 1313 (Barcode 5017261213136) has the now ubiquitous card slipcase that lends the release a sort of class and even elegance, great new liner notes and best of all - high def remastering from their resident engineer ANDREW THOMPSON.

These RCA Victor recordings were always recorded well, but listening to his own "Could I Be Falling In Love" or Ray Baker's "There's A Heartache Following Me" or Dale Noe's "Missing Angel" and the production values for overdubbed material are amazing. For sure some of the cardigan stuff on album two can be cloying, but more often than not the fact that the Texas troubadour wrote almost 90% of what's on here is seriously impressive.

"...Heartache following me..." has never sounded so good. Recommended...

"Help Me Rhonda" [aka "New Lovers and Old Friends"] by JOHNNY RIVERS (July 2017 UK Beat Goes On CD Reissue and Remaster) - A Review by Mark Barry...




"...You Better Move On..."

Called "New Lovers & Old Friends" in the USA (Epic PE 33681) and "Help Me Rhonda" in the UK (Epic S EPC 80987, released September 1975) – this entire album of cover versions by Johnny Rivers hasn't dated at all well.

Beat Goes On has been reissuing JR's catalogue for years now - and audio-wise July 2017’s BGOCD 1303 (Barcode 5017261213037) benefits hugely from another quality remaster from BGO's resident Sound Engineer - ANDREW THOMPSON. This was a well-recorded album in the first place with a large array of flashy session names - so the Audio is top notch.

But despite Brian Wilson adding vocals to his own "Help Me Rhonda" - Michael Omartian and Chuck Finley on the cover of "It's The Same Old Song" (a Holland-Dozier-Holland hit for The Four Tops in 1965) - much of these remakes barely rise above tepid.

Rivers takes on the Tyrone Davis Soul classic "Can I Change Your Mind", Jimmy Cliff's Reggae hit "You Can Get It If You Really" and Arthur Alexander's R&B smash "You Better Move On" (favoured so much by The Beatles). But most make you want to rush back to the brilliant originals - while Ned Doheny's "Postcards From Hollywood” isn’t anything special despite his deserved rep amongst Yacht Rock aficionados.

Highlights however include the Rock-Soulful ballad "Spare Me A Little" - a typically pretty melody from the pen of Fleetwood Mac's Christine McVie (it originated on their "Bare Trees" album from 1972) and the impossibly hooky "Dancin' In The Moonlight" first waxed by Boffalongo on their "Beyond Your Head" LP on Liberty Records in 1970. The obscure song has had a colourful history - Sherman Kelly's catchy tune turned up as a stand-alone single credited to High Broom on Island Records in the UK (WIP 6088 was also 1970). Then it went with him to his next band King Harvest who re-did it in 1972 on Perception Records (Pye in the UK). But most will know of the song via Toploader who had a huge hit with "Dancin' In The Moonlight" in 2000. Here its chipper vibe is retained.

Fans should waste no time and dive in (especially given the great audio and classy presentation) – but I’d advise others to cop a middle-of-the-road listen before a buy...

"Not A Through Street" by JOHNNY RIVERS - 1983 Album on Priority Records (March 2018 UK Beat Goes On CD Reissue - Andrew Thompson Remaster) - A Review by Mark Barry...




"...Nowhere Else To Go..."

With titles like "Shelter In Time Of Storm", "Believe In Me" and his own "Nowhere Else To Go" - 60ts and 70ts burn out Johnny Rivers had embraced Christianity as a saviour and turned classics like "Reach Out (I'll Be There)" by The Four Tops and the Traditional "Uncloudy Day" (made famous by The Staple Singers on Epic Records in the Sixties) into songs of celebration and positivity and not just another set of obvious feet shufflers.

"Not A Through Street" by JOHNNY RIVERS was originally issued Stateside early 1983 on Priority Records PJU 38439 - a 12-track album of holy-roller tunes or themes thereabouts and as far as I know this is the first digital outing for that 80ts Christian Rock album. Details...

UK released March 2018 - this gorgeous-sounding BGO reissue of "Not A Through Street" by JOHNNY RIVERS on Beat Goes On BGOCD1331 (Barcode 5017261213310) transfers that forgotten platter onto a single CD, adding on a card slipcase, an annotated and expanded booklet and new 2018 High Def Remastering by ANDREW THOMPSON.

His cover of Dion's "Golden Sun, Silver Moon" and Sam Cooke's monumental "A Change Is Gonna Come" are given suitably imbued performances too. Fans of that superb Soul Group THE WATERS should also note that their gorgeous Harmony Vocals can be heard on "Nowhere Else To Go", "Reach Out (I'll Be There)", "Believe In Me", "Shelter In Time Of Storm" and "How Sweet It Is (To Be Loved By You)" with Lead Singer and Soloist Oren Waters on "Nowhere Else To Go" and "Golden Sun, Silver Moon" (see my review of their 1980 platter "Watercolours" on Arista reissued in 2018 as an Expanded Edition CD by Big Break Records of the UK). Another highlight is Leo Graham's "Turning Point" and "New Meaning" by singers Jim and Ginger Hendricks.

For sure, some of the dreaded 80ts production values linger – and in a bad way - but for any fan who's ever liked this forgotten Johnny Rivers album - this fab-sounding 2018 BGO CD Reissue is the one to own...

"East Of Midnight/Waiting For You/A Painter Passing Through" by GORDON LIGHTFOOT (February 2018 Beat Goes On 2CD Reissue and Remaster) - A Review by Mark Barry...




"...A Painter Of Songs Passing Through..."  

Typically classy BGO reissue that grabs three from the later part of Gordon Lightfoot's huge career – three albums of Country and Folk Rock that most passed by - 1986's "East Of Midnight" (a co-write with David Foster on "Anything For Love"), 1993's "Waiting For You" (covers Dylan's "Ring Them Bells") and finally 1998's "A Painter Passing Through".

Each of these three albums has long been deleted (the first was originally on Warner Brothers on LP and CD and the other two on Reprise CD only) and they're now made available again here via BGO of the UK. Details...

UK released February 2018 - Beat Goes On BGOCD 1325 (Barcode 5017261213259) offers three albums remastered onto 2CDs and plays out as follows...

CD1: 
"East Of Midnight" (1986) 
1. Stay Loose [Side 1]
2. Morning Glory 
3. East Of Midnight
4. A Lesson In Love
5. Anything For Love 
6. Let It Ride [Side 2]
7. Ecstasy Made Easy 
8. You Just Gotta Be
9. A Passing Ship
10. I'll Tag Along 

"Waiting For You" (1993)
11. Restless
12. Ring Them Bells
13. Fading Away 
14. Only Love Would Know
15. Welcome To Try
16. I'll Prove My Love
17. Waiting For You
18. Wild Strawberries
19. I'd Rather Press On
20. Drink Yer Glasses Empty 

CD2:
"A Painter Passing Through" (1998)
1. Drifters
2. My Little Love 
3. Ringneck Loon
4. I Used To Be A Country Singer 
5. Boathouse
6. Much To My Surprise
7. A Painter Passing Through 
8. On Yonge Street 
9. Red Velvet
10. Uncle Toad Said 

There's the usual card slipcase, a detailed 20-page booklet from noted writer JOHN TOBLER and best of all - fabulous audio remasters from ANDREW THOMPSON. These were good then but they’re better now.

Highlights for me are "Morning Glory", "Fading Away" and a cover of Ian Tyson's "Red Velvet". For sure there are lacklustre moments on these albums, but there's also magic and more often than not as you listen - you're left with an abiding sense of admiration for his sheer songwriting capabilities long praised by many within his own ranks of troubadours (and you can so hear why).

A rather tasty little reissue actually. Recommended...

INDEX - Entries and Artist Posts in Alphabetical Order