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Sunday, 10 February 2019

"Second Album" by CURVED AIR from September 1971 UK on Warner Brothers (August 2018 UK Esoteric Recordings CD+DVD 'Expanded Edition' Reissue - Francis Monkman Remaster) - A Review by Mark Barry...







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"...Back Street Luv..."

There's nothing like a big fat hit single and Pans People on Top of the Pops doing a sexy lingerie routine to its groove to put an otherwise difficult band on the map. And June 1971's tan label Warner Brothers UK 7" single "Back Street Luv" was that doozy. When the album followed in September of that amazing year (see my e-book "There's Something About 1971...") the single had caused a flurry of interest and pushed its elaborate 'multiple flaps' sleeve presentation up to No. 11 in the UK LP charts – impressive stuff for a band that came on like a precursor to Roxy Music with a hot girl singer out front instead of a man sporting glitter and a squinty face. Warners even gave the American gatefold sleeve different artwork when they finally put the album out there in November 1971 - but Curved Air never made any real waves Stateside and it didn't chart.

Which brings us to 2018 and Esoteric Recordings of the UK (part of Cherry Red) who have clearly developed a passion for the band because like their exemplary Greenslade and Colosseum reissues – they've gone the full Prog Hog on England's CURVED AIR with dusted off archive recordings from the BBC and even Promotional/Euro Pop Programme footage on DVDs – much of it Previously Unreleased. They are even declaring that the fourth album "Air Cut" from 1973 is only now being released with the use of real master tapes (all other variants have been dubbed from vinyl apparently). Let's get the ever dance...

UK released 24 August 2018 (September 2018 in the USA) - "Second Album" by CURVED AIR on Esoteric Recordings PECLEC 22637 (Barcode 5013929473744) is a CD + DVD 'Expanded Edition' Reissue/Remaster that plays out as follows:

DISC ONE - CD (71:26 minutes):
1. Young Mother [Side 1]
2. Back Street Luv
3. Jumbo
4. You Know
5. Puppets
6. Everdance [Side 2]
7. Bright Summer's Day '68
8. Piece Of Mind
Tracks 1 to 8 are their second studio album "Second Album" – released September 1971 in the UK on Warner Brothers K 46090 and November 1971 in the USA on Warner Brothers WS 1951 (in different artwork). Produced by Colin Caldwell and Curved Air – it peaked on the UK LP charts at No. 11 (didn't chart USA).

BONUS TRACKS:
9. Young Mother In Style
BBC Radio One JOHN PEEL 'Top Gear' Session – Recorded 5 Jan 1971

10. It Happened Today
11. Blind Man
12. Propositions (including What Happens When You Blow Yourself Up)
13. Vivaldi
Tracks 10 to 13 are BBC Radio One 'John Peel Sunday Concert' Recordings from 4 March 1971, recorded at the BBC Paris Theatre, Regent Street, London – PREVIOUSLY UNRELEASED

DISC TWO - DVD (75 minutes, NTSC, All Regions):
Curved Air On The Air – Television Recordings 1971

1. It Happened Today
2. Vivaldi
3. Screw
Tracks 1 to 3 are a 'Warner Brothers Present Curved Air' – A 1971 Promotional Film – PREVIOUSLY UNRELEASED

4. Back Street Luv
5. Propositions
6. Interview
7. Vivaldi
Tracks 4 to 7 are 'Pop Deux' – Recorded at Taverne de l'Olympia, Paris on 6 July 1971. First Broadcast 4 September 1971 – PREVIOUSLY UNRELEASED

8. It Happened Today
9. Propositions
10. Vivaldi
Tracks 8 to 10 are 'Beat Club' Radio Bremen TV Sessions 1971 recorded March 1971

11. Back Street Luv (Version 1)
12. Piece Of Mind
13. Back Street Luv (Version 2)
Tracks 11 to 13 are 'Beat Club' Radio Bremen TV Sessions 1971 recorded September 1971

CURVED AIR was:
SONJA KRISTINA (Linwood): All Lead Vocals
DARRYL WAY: Vocals, Electric Violin and Piano on "Puppets"
FRANCIS MONKMAN: Guitar, Keyboards and VCS3 Synthesizer
IAN EYRE: Bass Guitar
FLORIAN PILKINGTON-MIKSA: Drums

The three-way foldout digipak and booklet reproduce all aspects of the John Kosh original album artwork – a many-flaps sleeve with the rainbow design that mirrored the concept of Terry Riley's "A Rainbow In Curved Air" US album from 1969 on Columbia Masterworks from whence the band took their name. Although they had no input into the design, it certainly made the LP feel substantial and combined with that lightning-in-a-bottle single – propelled the 12" record out of the racks into onto Garrard SP25s everywhere. There are also lots of great black and white photos of the band from the period – most of which I've not seen before and the May 2018 liner notes by MALCOLM DOME are typically excellent and informative. The only thing I would say is that the US gatefold card sleeve had different artwork and it seems a tad remiss not to have reproduced it here.

The Remaster has been done by band member FRANCIS MONKMAN and compared to my 2008 Rhino Encore version is a big improvement. The opener "Young Mother" explodes on so many levels – those violin and keyboard passages and the power in "Back Street Luv" with that right speaker keyboard separation is almost disconcerting.

Speaking of which - in the 24-page booklet that features new interviews – Sonja recalls how the "Back Street Luv" seven-inch single changed everything for the band – coverage, acceptance and even screaming from the front rows of subsequent tours. Originally released 18 June 1971 (ahead of the LP) as Warners WB 8029 with the album track "Everdance" on the B-side – when distribution of the Warner Brothers 'Kinney Music' catalogue started 1 July 1971 (previously done by Pye) – somewhere in there the single for the British "Back Street Luv" 45 was re-pressed as Warner Brothers K 16092. Using this catalogue number, it entered the charts for the week ending 7 August 1971 at No. 34, dropped out for a week and returned 21 August 1971 at No. 30 and thereafter quickly rose to a peak of No. 4 for the chart week ending 18 September 1971. Sitting comfortably alongside The Who's "Won't Get Fooled Again", Family's "In My Own Time", T. Rex's number 1 "Get It On" and Atomic Rooster's "Devil's Answer" (similar sounds around those same weeks) – the Funky Prog Rock groove of "Back Street Luv" grabbed the listener by the short and curlies and didn't let go (the sultry looks of lead vocalist Sonja Kristina helped matters too). The album of course benefitted from this hugely as did the size of gigs they were now playing.

Despite the obvious killer sexiness of the single - for me one of the LP's best melodies is "Jumbo" – a ballad by Darryl Way and Sonja Kristina that feels like a string quartet is accompanying all those keyboard moments – it's almost Tom Waits in its gorgeousness (stay in your room after dark, don't venture outside, Sonja warns her young listener). We're back to rocking with the guitar-driven "You Know" – a deadringer for a second 45 from the album but Warners never went with it (Monkman plays a blinder here and a huge Remaster too). Side 1 ends with another Way/Kristina composition – five and half minutes of "Puppets". It opens with giggles, then keyboard phasing and I must admit I found the Remaster has somehow made that rhythm section seem even discombobulating and not necessarily in a good way. Monkman provides all three on Side 2 beginning with the manic "Everdance" – sort of like The Flock let loose at the local school hall. I've always had an aversion to the three-minute manic-jaunt that is "Bright Summer's Day '68" – a relationship disintegrating in a disconcertingly happy-go-lucky sunshine-shining-down kind of a way. It ends on the album's undoubted monster – the near thirteen minutes of "Piece Of Mind" - an opus sounding not unlike ELP meets Blood, Sweat and Tears via Linda Hoyle's Affinity (over on Vertigo Records). The Remaster has made that pounding piano and violin duo feel even more eerie and powerful and when that keyboard solo comes in and the pace kicks up a notch – the effect is spectacular – Sonja talking the lyrics (wish they'd reproduced them in the booklet).

The opener BBC track "Young Mother In Style" features a typically excited BBC intro at a new song from the ‘sensational’ band. The following Peel Session (recorded in March 1971 and Previously Unreleased) features four songs from their "Airconditioning" debut alum released in November of the previous year – one of which "Propositions" incorporates the non-album B-side "What Happened When You Blow Yourself Up" (the flipside to their first British 45 "It Happened Today"). The audio is a wee bit distorted for the beginning of "Blind Man" as Sonja warbles her voice but thereafter it’s really rather shockingly good. The heavy guitar and bass "Propositions" stretches to six and half minutes as it incorporates the funky keyboard groove of "What Happened When You Blow Yourself Up" towards the end (the essence of creation baby). There’s hiss too on "Vivaldi" but the performance is all out at eight and half minutes. Which brings us to the visuals...

The DVD is pleasingly long at one hour and fifteen plus minutes - beginning with a decidedly ragged-looking lead in to a 1971 Warners Promotional film that gives us three tunes from their debut. Both Bassist and Guitarist sport plastic see-through body instruments (oh you're so cool boys) while Darryl Way dangles a scarf from the tuning screws of his violin – Sonja looking absolutely gorgeous in silver tassels. There doesn't appear to have been any restoration to the footage of newspaper clippings as the band plays "It Happened Today" nor as Way goes on a wild violin whig-out during "Vivaldi" (impressive playing by the way). Better is the French footage that begins at 16 minutes with a storming live cut of "Back Street Luv" – Curved Air singing "...ragged back streets...head on a wall..." and sounding/looking like a band that's arrived. There's a short between tunes interview with Sonja and Trevor that's translated into French on screen before we're back to the best footage of all – the three at the end that feature great image and sound combined – the Version 2 of "Back Street Luv" simply showing more visual effects than Version 1 because someone no doubt thought it looked cooler.

All in all – this is a great reissue of an album that’s been all but forgotten except by the faithful. Fans will adore it and Prog investigators will need to dive in and get air-conditioned. Well done to all...

2018 CURVED AIR Reissues on Esoteric Recordings
Francis Monkman Remasters
Nos. 1, 2 and 3 are 'Expanded Editions' - No. 4 is album-only

1. Airconditioning (November 1970 UK Debut LP)
2CD Remaster UK released 26 January 2018 on Esoteric Records PECLEC 22616 (Barcode 5013929471641)

2. Second Album (September 1971 UK LP)
CD + DVD Remaster released 24 August 2018 on Esoteric Recordings PECLEC 22637 (Barcode 5013929473744)

3. Phantasmagoria (April 1972 UK LP)
CD + DVD Remaster released 27 July 2018 on Esoteric Recordings PECLEC 22638 (Barcode 5013929473843)

4. Air Cut (April 1973 UK LP)
CD Remaster (no Bonus material) released 26 January 2018 on Esoteric Recordings PECLEC 2617 (Barcode 5013929471740) First Use of Original Tapes

Saturday, 26 January 2019

"How Come The Sun (1971) + Tom Paxton EP (1967)" by TOM PAXTON (November 2018 UK Beat Goes On 'Expanded' CD Reissue - Andrew Thompson Remaster) - A Review by Mark Barry...



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GET IT ON - 1971
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"...Little Lost Child..."

Having punched out no less than seven albums (a debut in 1962 Gaslight Records and six on Elektra) - "How Come The Sun" was the US Folkie's first set of studio recordings for his new signing Reprise Records - capitalising on the popular double-album "The Compleat Tom Paxton: Recorded Live" issued in March of 1971 that preceded it.

Strangely for such a high profile singer-songwriter - July 1971's "How Come The Sun" is only now seeing the CD light of day (47 years after the event) and this time by England's Beat Goes On (BGO) who have chucked the 4-track EP "Tom Paxton" [aka "The Marvellous Toy EP"] from 1967 on Elektra Records onto the end as a Bonus Item (a UK-only release at the time). This forgotten LP has been a firm fan want for decades and while I don't think it's the lost masterpiece some say it is - there's much to love here and BGO have once again done its subject matter the reissue the business. Let's get to radiant details...

UK released 23 November 2018 (30 November 2018 in the USA) - "How Come The Sun + Tom Paxton EP" by TOM PAXTON on Beat Goes On BGOCD 1364 (Barcode 5017261213648) offers the 9-Track 1971 LP and a Bonus 4-Track 1967 EP (issued only in the UK) that plays out as follows (44:07 minutes):

1. I Had To Shoot That Rabbit [Side 1]
2. Icarus
3. Little Lost Child
4. General Custer
5. She's Far Away
6. Prayin' For Snow [Side 2]
7. Louise
8. A Sailor's Life
9. How Come The Sun
Tracks 1 to 9 are his 8th studio album "How Come The Sun" - released July 1971 in the USA on Reprise RS 6443 and July 1971 in the UK on Reprise K 44129. Produced by TOM PAXTON and DAVID HOROWITZ - Tracks 2, 8 and 9 are co-writes between Paxton and Horowitz (all others are TP originals) and the album peaked on the US LP chart in August 1971 at No. 120 (didn't chart UK).

10. The Marvellous Toy [Side 1]
11. Beau John
12. Deep Fork River [Side 2]
13. My Dog's Better Than Your Dog
Tracks 10 to 13 are the UK-only 4-Track 7" single EP "Tom Paxton" [aka "The Marvellous Toy" EP] released 1967 on Elektra Records EPK-802

The outer card slipcase always lends these BGO reissues a classy look and the new 16-page JOHN O'REGAN liner notes illuminate much of Paxton's hugely productive career to his 80th birthday in 2017 (a total of 63 albums) - but its the ANDREW THOMPSON Remasters that will be the big draw here. The LP had a cast of six or seven musicians so it feels like a Folk-Rock record more than just a straight-up Acoustic picker - this Remaster picking out the lovely playing and better melodies like the gorgeous "She's Far Away" that ends Side 1 or the aching-melodica lament that is "A Sailor's Life" over on Side 2. The EP is stark (I'd swear its Mono) - straight up Acoustic renditions and although I can understand that its on here as a UK-only release - its sound and (childish) themes seem a world away from the 1971 album. Still it all sounds great. Other LP highlights are "Little Lost Child" and the Fred Neil timbre of "Deep Folk River" on Side 2 of the EP.

After a mid July 1971 release, by the very end of that month the "How Come The Sun" LP was bubbling under at No. 213 on the US Billboard Album charts. Come 14 August 1971 his LP had pushed up to No. 120, stayed there another week and then sank out of the listings rather quickly. Paxton would go on to "Peace Will Come" in 1972 and "New Songs For Old Friends" in 1973 - completing his Reprise run of studio albums - two more rarities that remain firmly off the digital radar some four and a half decades after release. 

For sure Tom Paxton's voice was never the strongest and admittedly some of the 1971 material may be dated in 2019 - but having waited so many decades, fans will adore this reissue (especially the quality presentation) and the curious will learn why he's held in such esteem...

It's SOUND! "A QUIET PLACE" the 2018 Movie - A Review by Mark Barry...






"It's SOUND!" 

"A Quiet Place" Is Good Old Fashioned 
By-The-Seat-Of-Your-Soiled-Pants Movie Entertainment
And Easily One of 2018's Best Films...

"A Quiet Place" is top-notch entertainment!

OK - for sure there are event holes in the plot galore (as some have gone to pains to point out) - but I say Blubber my Bum to that. Because I have not seen a movie deliver so much with so little in such a long time.

Real-life husband and wife team John Krasinski and Emily Blunt show once again they are both individual and collective class acts in "A Quiet Place" – Evelyn and Lee Abbott silently clutching their petrified family as they run from empty towns. Eventually after horrible losses – they end up as a small but still naked and vulnerable unit – surviving a year later on a wheat farm in a world invaded by ravenous beasties (Dad's long list of unanswered SOS signals show that few others seem to have been so resilient or creative in staying alive).

Newcomers Millicent Simmonds and Noah Lupe play the Abbott kids - Reagan a deaf girl watching over her younger more able-bodied brother Marcus (who is even more scared of the oversized gremlins than his older sister). Mum and Dad principal leads Krasinski and Blunt needed quality here and man did they luck out. Both young actors are revelations - each having to convincingly show amped up naked terror without the use of words or for that matter any kind of sound. To make matters worse - mummy's tummy is expanding and that innocent one's newborn noises will draw those pincer-like gnashers and blood frenzy if they're not minute-by-minute careful and uber prepared.

The slimy but fast-vicious creatures wow - cleverly introduced bit-by-bit to maximise their impact. They're similar in creepy slimeball horror to that other-worldly ugly bug in Netflix's fabulous TV Show "Stranger Things" – now a cult programme that has thrilled millions across two Seasons and made most of its young leads global stars.

For sure the arrival, wherefore and purpose of the aliens is perhaps left a little too sketchy – but this is a film that stands on the family's survival alone and I thought that was all "A Quiet Place" needed (keep to the point – pure and simple). Many also expressed disappointment in the ending, but I thought it was economical and shotgun brilliant. And kudos should also go to Marco Beltrami for his staggeringly effective score (jump baby jump) and to Scott Beck who co-wrote the script with Krasinski and Bryan Woods. 

After "A Quiet Place" and its expertly strangulating-your-jugular primal tension (delivered for a mere $18 million dollars when others costing ten times that don't deliver at all) - Hollywood will be sitting up and taking notice of John Krasinski, throwing scripts at the tall American by the post Brexit dozen (he also Directed the movie and IMO should be nominated for his work).

Fab and then some...and well done to all involved...

Friday, 18 January 2019

"Five-A-Side + Bonus Track/Time For Another/No Strings" by ACE featuring Paul Carrack, Bam King and Phil Harris (October 2018 UK Beat Goes On Compilation - 3LPs onto 2CDs Plus A Bonus Track - Andrew Thompson Remasters) - A Review by Mark Barry...


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"...Time For Another..."

England’s ACE made three respected albums for Anchor Records in the Seventies (1974, 1975 and 1977) before principal songwriter, front man and lead singer Paul Carrack jumped ship to session with the mighty Frankie Miller, did work with Roxy Music before a short lived spot in England’s Squeeze – one of the great bands of the Punk and New Wave era.

Carrack's debut solo album "Groove Approved" finally appeared in 1979 on Chrysalis Records. Thereafter he moved on to a huge career and Number 1 chart greatness with Mike Rutherford of Genesis and his Mike & The Mechanics band and from there onto a steady 10 to 15 album solo career that sees him gigging still and doing shows and a UK tour in 2019. If anything, with social media outlets like YouTube, Facebook and the downloading giant Spotify – Paul Carrack's light has never been higher – a truly wonderful British Rock singer with a Soulful voice and a knack for penning a fab tune – the kind of quality artist people keep rediscovering and passing on the good news (Carrack has rabid fans who go to see him gig everywhere he touches down).

Let's get to the band ACE. CD reissues for our hero pub-rockers have been a very mixed bag. But after years of crap sounding budget compilations (deleted and ludicrously expensive into the bargain) - along came Cherry Red Records of the UK in June 2011 finally reissuing the three platters by ACE in proper style – all with unreleased BBC sessions and the occasional outtake. But they in turn have been deleted and again have started to procure high prices. Which brings us to this timely 2018 reminder of the much-loved band and Carrack’s songwriting beginnings. Time For Another indeed – here are the details…

UK released Friday, 26 October 2018 - "Five-A-Side + Bonus Track/Time For Another/No Strings" by ACE on Beat Goes On Records BGOCD 1360 (Barcode 5017261213600) offers 3LPs and a Bonus Track Remastered onto 2CDs and plays out as follows:

Disc 1 (60:56 minutes):
1. Sniffin' About [Side 1]
2. Rock And Roll Runaway
3. How Long
4. The Real Feeling
5. 24 Hours
6. Why [Side 2]
7. Time Ain't Long
8. Know How It Feels
9. Satellite
10. So Sorry Baby
Tracks 1 to 10 are the band's debut album "Five-A-Side" - originally issued November 1974 in the UK on Anchor ANCL 2001 and March 1975 in the USA using the same catalogue number but entitled "An Ace Album" (peaked at No. 11 in the US LP charts). Despite the front sleeve title "An Ace Album", the first US LPs actually have the title "Five-A-Side" on their labels.

BONUS TRACK:
11. Tastes Like A Fish – A "Five-A-Side" album outtake (instrumental) which first appeared on the June 2011 UK 2CD reissue of "Five-A-Side" on Cherry Red CDBRED 493 (Barcode 5013929149328)

12. I Think It's Gonna Last
13. I'm A Man
14. Tongue Tied
15. Does It Hurt You
15. Message To You
Tracks 12 to 16 are Side 1 of their second studio album "Time For Another" - released November 1975 in the UK on Anchor Records ANCL 2013 and December 1975 in the USA with the same catalogue number (it peaked at No. 153 in the USA, didn't chart UK).

Disc 2 (61:09 minutes):
1. No Future In Your Eyes
2. This Is What You Find
3. You Can't Lose
4. Sail On My Brother
5. Ain't Gonna Stand For This No More
Tracks 1 to 5 are Side 2 of their second album "Time For Another" (for details see Disc 1)

6. Rock And Roll Singer [Side 1]
7. You're All That I Need
8. Crazy World
9. I'm Not Takin' It Out On You
10. Movin'
11. Gleaming In The Gloom [Side 2]
12. Let's Hang On
13. Why Did You Leave Me
14. Found Out The Hard Way
15. C'est La Vie
Tracks 6 to 16 are their third and final studio album "No Strings" - released January 1977 in the UK on Anchor Records ANCL 2020 and February 1977 in the USA with the same catalogue number (peaked at No. 170 on the US LP charts, didn't chart UK)

The band retained the same line-up through the three releases - Paul Carrack on Lead Vocals and Keyboards (ex Warm Dust), Phil Harris on Lead Guitar (ex The Action, formed the band as Ace Flash and the Dynamos), Alan 'Bam' King on Rhythm Guitar (ex The Action, Mighty Baby and B.B. Blunder), Terry 'Tex' Comer on Bass (ex Warm Dust) with Dubliner Fran Byrne on Drums (ex Bees Make Honey). American Guitarist Jon Woodhead joined the band for the "No Strings" LP replacing Phil Harris.

The card slipcase for these BGO reissues lends the release a classy feel whilst the new August 2018 liner notes from JOHN TOBLER acknowledges input from Michael Heatley who did the wordy-deed for the 2011 Cherry Red issues. The inner 'football cards' artwork from "Five-A-Side" is here as are the lyrics for the "How Long" album (neither of the other two original LPs came with lyrics so unfortunately they're not here) and other photos of our boys looking suitably pub-rocking, standing dodgy by a dartboard with a pint of Ale in hand and a ciggie hanging out of their working-class gobs. But what most will love is the new AUDIO by BGO's longstanding Engineer ANDREW THOMPSON - Fabulous stuff that equals if not betters the 2011 issues. 

Musically this is a London white boy's Rock band with a Soulful twist - not unlike Cado Belle who would join Anchor in 1976. There's a lovely J.J. Cale lilt to the rhythms too and Carrack's voice has always been one of the band's strong points (not to mention his quality songwriting). The only British single off the album was of course the fabulous Carrack original "How Long" - UK issued as a 45 in October 1974 on Anchor ANC 1002 with "Sniffin' About" on the flip. It hit a respectable peak of 20 in the British single charts in November (just as the album came out).

But its US equivalent issued in March 1975 on Anchor ANC-21000 went Top 5 eventually gaining Number 3. The 45 "How Long" was a huge radio hit Stateside and saw the LP (known as "An Ace Album" over there) push its way up to Number 11 in March 1975 (it didn't even dent the top 50 in the UK). Despite the warmth given "How Long" in good old Blighty - oddly the newly established Anchor Records didn't release a follow up single that surely cost the album momentum. Anchor America did try "Rock & Roll Runaway" b/w "Know How It Feels" in the USA on Anchor ANC-21002 - but it stalled at Number 71. A further 7" came out March 1975 in the UK ahead of the second album "Time For Another" - it was "I Ain't Gonna Stand For This No More' with Five-A-Side's "Rock And Roll Runaway" as it's B-side (Anchor ANC 1014) - but again despite a strong A - it went nowhere. Let's get to the album...

Produced so sweetly by JOHN ANTHONY (of Queen, Genesis, Rare Bird and Van Der Graaf Generator fame) - "Five-A-Side" opens with the catchy "Sniffin' About" and gets even better with the piano funky jaunt of "Rock & Roll Runaway". But then you're hit with absolute magic - the standout "How Long". To this day it sends me and to hear it sound this good is a proper blast. We're back to Katy Lied Steely Dan keyboard Funk with "The Real Feeling" (nice guitar too) and the superb "24 Hours" (both Carrack tunes).

Side 2 opens with what should have been the 2nd single - the killer groove of "Why?" - sounding like the Average White Band on a Rock tip. "Time Ain't Long" is about family, parents and their passing - and to this day its lyrics don't seem to sit comfortably with the upbeat soulful melody. Things slow down and get better with the Soulful "Know How It Feels". The TV song "Satellite" gets piano funky again while the finisher "So Sorry, Baby" could also have been a great single (a Paul Harris original). The good news is that the lone outtake "Tastes Like A Fish" is a wee gem - the bad news is that it's minus an obvious vocal - so what you get is a Funky Instrumental of about 3 minutes.

Compared to the perk of the debut - the other two albums felt ever so slightly ordinary - mediocre single sleeve artwork for both platters not helping their profile either. By the time the 1977 final studio album came around and even with a new producer of repute – Punk was making ACE seem like a sideshow with the Rock-Soul fun of 1974 and 1975 a distant memory. Anchor UK released singles like "I Ain't Gonna Stand For It" in April 1975 (Anchor ANC 1014 with "Rock & Roll Runaway" from the debut on the flipside) and "No Future In Your Eyes" in November 1975 (Anchor ANC 1024 with the LP’s "I’m A Man" on the B) to try to sell the second LP "Time For Another" - but neither was successful. They tried two more for the "No Strings" LP too - "You’re All I Need" in February 1977 (Anchor ANC 1036 with "Crazy World" on the other side) and "Found Out The Hard Way" in May 1977 (Anchor ANC 1040 with "Why Did You Leave Me?" on the flip) – but few were listening and their initial "How Come" fame and fortune was spent. The band split soon after...

You wouldn’t call these three albums by ACE masterpieces by any stretch of the imagination – but there is still a lot to love here. And with quality presentation combined with great new audio - if you’ve been on the Pub Rock fence with a tepid beer lollygagging sadly in your aging arthritic hand thinking it is indeed "Time For Another" – then dig in - before this 2018 2CD Trio on BGOCD1360 gets deleted too…

INDEX - Entries and Artist Posts in Alphabetical Order