GERRY GOFFIN and CAROLE KING [by Various Artists] – "Hung On You: More Gerry Goffin & Carole King Songbook" (March 2015 Ace CD Remasters) - A Review by Mark Barry...

"…It Hurts To Live…"

Most people perceive Carole King as beginning her musical life in 1971 with the magisterial and legendary "Tapestry" album (both it and her life before that - are now the subject of the "Beautiful" musical which has just hit the West End of London to rave reviews). But her songwriting skills go back to the early Sixties where she and her husband Gerry Goffin penned a huge run of hits for other people. 

And that's where this rather lovely CD compilation comes in - 4th in a series by Ace Records of the UK covering Goffin & King's wide-ranging net of artists. Here are the American boys and girls handling their teenage ups and downs...

UK released March 2015 - "Hung On You: More Gerry Goffin & Carole King Songbook" by VARIOUS ARTISTS on Ace Records CDCHD 1427 (Barcode 029667070324) is a 25-Track CD compilation in the British label's Singer Songwriter Series that breaks down as follows (67:17 minutes):

1. Hung On You - THE RIGHTEOUS BROTHERS (1965 USA 7" single on Philles 129, B-side of "Unchained Melody")

2. That Old Sweet Roll (Hi-De-Ho) - DUSTY SPRINGFIELD (1969 USA 7" single on Atlantic 45-2647, B-side of "Willy & Laura May Jones")

3. Road To Nowhere - THE HEARTS AND FLOWERS (1967 USA 7" single on Capitol 5829, B-side to their debut 45 "Rock And Roll Gypsies")

4. Don't Let Me Stand In Your Way - SKEETER DAVIS (1964 USA 7" single on RCA 47-8450, B-side of "What Am I Gonna Do Without You")

5. You Turn Me On Boy - THE HONEY BEES (1965 USA 7" single on Fontana 1505, A)

6. What A Sweet Thing That Was - THE SHIRELLES (1961 USA 7" single on Scepter 1220, B-side of "A Thing Of The Past")

7. Will Power - THE COOKIES (1963 USA 7" single on Dimension 1012, A and in the UK on Colpix PX 11012, A)

8. This Little Girl - DION (1963 USA 7" single on Columbia 4-42776, A)

9. The Sheik - THE CLOVERS (from the 1960 US LP "Love Potion Number Nine" on United Artists UAS-6099, Stereo)

10. Am I The Guy - TONY ORLANDO (1961 USA 7" single on Epic 9452, B-side of "Bless You")

11. Show Me Girl - THE HONDELLS (1966 USA 7" single on Mercury 72626, B-side of "Cheryl's Goin' Home")

12. Sharing You - BOBBY VEE (1962 USA 7" single on Liberty 55451, A)

13. When My Little Girl Is Smiling - THE DRIFTERS (1962, Atlantic 2134, A)

14. Randy - EARL-JEAN (1964 USA 7" single on Colpix 748, A)

15. Anything Can Happen  - WALTER JACKSON (1962 recording first issued in 2006 on the CD compilation "It's All Over: The Okeh Recordings Vol.1" on Kent-Soul CDKEND 263)

16. It's Gonna Be All Right - THEOLA KILGORE (1966 USA 7" single on Mercury 72564, B-side of "I Can't Stand It")

17. Where Does Love Go - FREDDIE SCOTT (1964 USA 7" single on Colpix 724, A)

18. Please Hurt Me - LITTLE EVA (1963 USA 7" single on Dimension D 1019, A)

19. So Many Lonely People - HENRY ALSTON (1964 USA 7" single on Colpix CP 731, A)

20. Don't You Want To Love Me - CONNIE STEVENS (1966 USA 7" single on Warner Brothers 5691, A)

21. Keep Your Hands Off My Baby - THE ORLONS (from the 1963 US LP "All The Hits By The Orlons" on Cameo C 1033, Mono)

22. No One Ever Tells You - THE CRYSTALS (1962 USA 7" single on Philles 105, B-side of "He Hit Me (And It Felt Like A Kiss)")

23. The Boy From Chelsea - TRULY SMITH (1967 UK 7" single on Decca F 12700, A)

24. Snow Queen - THE TOKENS (from the 1970 LP "Greatest Moments" on BT Puppy BTPS 1012)

25. Something In The Morning - THE AMERICAN BREED (from the 1968 LP "Bend Me, Shape Me" on ACTA Records 8003, Mono)

NOTES:

Tracks: 5, 7, 8, 10, 11, 14 to 16, 18 and 19, 20 to 24 and 26 are MONO

Tracks: 1 to 4, 6, 9, 12, 13, 17 and 25 are STEREO

There's the usual fact-filled 16-page booklet from Ace with great liner notes from MICK PATRICK - the text peppered with label photos of those rare 45s on Colpix, Dimension, Philles and Scepter (to name but a few). There's a repro of sheet music for Vee's "Sharing You", superb black and white publicity shots for Skeeter Davis, Tony Orlando and The Cookies and the rare US picture sleeve for "Unchained Melody" by The Righteous Brothers (its B-side "Hung On You" opens the compilation). It's a typically lovely job done. The audio is remastered by an engineer of long-standing - NICK ROBBINS - and despite the differing sources - the audio is uniformly excellent throughout (even on those dense Philles recordings). In some cases the audio is exceptional.

"Hung On You" heavily features the Sixties Girl-Group Sound - Pop tunes full of catchy melodrama and High School joy/misery. Period charm oozes out of these grooves - even if at times it's dolloped on with way too many spoons of sugar. It opens strongly with a nice one-two of The Righteous Brothers and Dusty. But a piece of genuinely forgotten Pop genius crops up with The Hearts And Flowers flipside on Track 3 - "Road To Nowhere". The Hearts And Flowers were a West Coast Folky-Rock ensemble similar to the cheery sounds of The Association and they produced a winner with this concoction. The song was later picked up Judy Henske and Britain's Trash - it's a total nugget on here (and in fabulous audio quality). You're then hit by a four flusher for Girl Power - Skeeter Davis on "Don't Let Me Stand In Your Way" (produced by Chet Atkins), the infectious "You Turn Me On" by The Honey Bees (sounding so Phil Spector) - but the best of all is the catchy "Will Power" by The Cookies featuring the lovely vocals of Dorothy Jones, Earl-Jean McCrea and Margaret Ross (Earl-Jean gets a solo outing "Randy" on track 14).

Breezy Pop comes in the form of Tony Orlando's "Am I The Girl" followed quickly by the Herman's Hermits sound of The Hondells doing "Show Me Girl" and the cheesy bubblegum pop of Bobby Vee.

Wobbles - "The Sheik" feels like The Clovers reaching for a novelty hit and not quite making it - while the Stereo mix of "When My Little Girl Is Smiling" actually sounds strange after all these years of hearing the Mono version (all those plucked strings). Walter Jackson sounds uncomfortable with the obvious Pop slant of "Anything Can Happen" - but despite that he still puts in a fabulous vocal performance that lifts the song. And I'm not sure the PC brigade who watch over us all (nice of them) would approve of the emotional flagellation advocated in Little Eva's sappy "Please Hurt Me". Countering that is the surprisingly lovely "Where Does Love Go" where Freddie Scott puts in a Soulful belter of a performance (the Cash Box trade advert for Colpix CP 724 is reproduced on Page 10). The mournful "No One Ever Tells You" by The Crystals is a young-girls advice song (lyrics from it title this review). Even more disarming is the gorgeous longing in "The Boy From Chelsea" by Truly Smith (Josephine Taylor) - an overlooked British Pop nugget musically directed by Island Records' Chris Blackwell. It was penned a few years prior and slated to be used by Davey Jones of The Monkees - and you can see why its wistfulness and melodrama appealed to Northern Soul fans (quite apart from the fact that it sold zip on release).

As ever - Ace Records pull off a neat stunt - another CD winner (their 4th) for one of the most successful songwriting duos in History - Gerry Goffin and Carole King. And would we have it any other way...

PS: the other three Ace compilations covering the Goffin & King output are:

1. Goffin & King: A Gerry Goffin & Carole King Song Collection 1961-1967

(October 2007, Ace Records CDCHD 1170)

2. Honey & Wine: Another Gerry Goffin & Carole King Song Collection

(March 2009, Ace Records CDCHD 1216)

3. Something Good From The Goffin & King Songbook

(March 2012, Ace Records CDCHD 1327)

"Yesterday Has Gone: The Songs Of Tony Randazzo" by VARIOUS (September 2019 Ace Records CD Compilation – Nick Robbins Remasters) - A Review by Mark Barry...

"...Gonna Take A Miracle..."

(TONY RANDAZZO is part of Ace Record's Singer Songwriter Series)

I've had Ace CDs that went the extra Country Mile in the Audio department before - but this little British issued doozy goes a few 60ts furlongs further.

This is a truly fantastic sounding CD containing Melodrama Pop, 60ts Soul, Girl Group heartache and young boys going out of their heads whilst pining for miracles (and not just the Smokey kind). Most of the music centres around late 1965 and into 1966 (primo 45-singles time) and at 71:43 minutes - "Yesterday Has Gone..." is a generous slab of quality misery into the bargain that collectors will lick their lips over.

For sure Randazzo's overblown Phil Spector-ish I'm-gonna-die pleading same-song-structure every time can grate after a while - and there are some truly yucky saccharine moments with The Vogues and The Kane Triplets that will test punters patience worse than EU Brexit negotiations. But make no mistake, with the likes of Little Anthony & The Imperials, Timi Yuro, The Royalettes and Derek Martin on board – musically there is also so much here to adore (twelve are in glorious Stereo too). Let's move from the outside and start looking in...

UK released Friday, 27 September 2019 (4 October 2019 in the USA) - "Yesterday Has Gone: The Songs Of Teddy Randazzo" by VARIOUS ARTISTS on Ace Records CDTOP 1556 (Barcode 029667096027) is a 25-Track CD compilation of Remasters in their Singer-Songwriter Series that plays out as follows (71:43 minutes):

1. I'm On The Outside (Looking In) - LITTLE ANTHONY & THE IMPERIALS (August 1964 US 7" single on DCP Records DCP 1104, A-side)

2. Can't Stop Running Away - TIM YURO (May 1965 US 7" single on Mercury 72431, A-side)

3. Baby Are You Puttin' Me On - THE ROYALETTES (from the 1966 US LP "The Elegant Sound Of The Royalettes" on MGM Records SE-4366 in Stereo)

4. You Don't Need A Heart - TONY RANDAZZO (March 1965 US 7" single on DCP Records DCP 1134, A-side)

5. Think Before You Act - TONY ORLANDO (September 1965 US 7" single on Atco 45-6375, A-side)

6. You Better Go - DEREK MARTIN (June 1965 US 7" single on Roulette R-4631, A-side)

7. It's Gonna Take A Miracle - THE ROYALETTES (June 1965 US 7"single on MGM K 13366, A-side)

8. Rain In My Heart - FRANK SINATRA (December 1968 US 7" single on Reprise 0798, A-side)

9. We're On Our Way - THE VOGUES (May 1971 US 7"single on Bell 991, B-side of "Love Song")

10. Buttercup Days - THE KANE TRIPLETS (October 1968 US 7" single on United Artists UA 50466, A-side)

11. Let Me Dream - GEORGIA GIBBS (December 1965 US 7" single on Bell 635, A-side)

12. Let Me Know When It's Over - ESTHER PHILLIPS (September 1965 US 7" single on Atlantic 45-2304, A-side)

13. Lonely Girl - ANNABELLE FOX (May 1966 US 7" single on Satin S-402, A-side)

14. Better Off Without You - RITCHIE ADAMS (November 1966 US 7" single on MGM K 13629, B-side of "You Were Mine")

15. I'm Lost Without You - BILLY FURY (January 1965 UK 7" single on Decca F. 12048, A-side)

16. Or Not At All - JIMMY RICE (April 1965 US 7" single on Red Bird Records RB 10-027, A-side)

17. Good For A Lifetime - AL HIBBLER (January 1966 US 7" single on Satin S-401, A-side)

18. Goin' Out Of My Head - DIONNE WARWICK (from the 1970 US LP "Very Dionne" on Scepter SPS 587 in Stereo, produced by Bacharach & David)

19. Better Use Your Head - MEL TORME (from the 1966 US LP "Right Now!" on Columbia CS 9335 in Stereo)

20. I Watched You Slowly Slip Away - HOWARD GUYTON (February 1966 US 7" single on Verve VK-10386, A-side)

21. Yesterday Has Gone - ANTHONY & THE IMPERIALS (May 1968 US 7" single on Veep V-1285, A-side)

22. Think Twice Before You Walk Away - PORGY And THE MONARCHS (December 1966 US 7" single on Musicor MU 1221, B-side of "My Heart Cries For You")

23. Hurt So Bad - THE DELFONICS (from the 1968 US LP "La La Means I Love You" on Philly Groove PG 1150)

24. Love At First Sight - THE STYLISTICS (January 1979 US 7" single on Mercury 74042, A-side)

25. A Million To One - THE MANHATTANS (October 1971 US 7" single on DeLuxe 45-137, B-side to "Cry If You Wanna Cry")

Tracks 1, 3, 8, 9, 10, 11, 18, 19, 21, 23, 24 and 25 are in STEREO

Tracks 2, 4, 5, 6, 7, 12, 13, 14, 15, 16, 17,20 and 22 are in MONO

The 24-page colour booklet is the usual classy affair from Ace Records of the UK - each artist and song given promo photos, those rare US labels repro'd and of course photos of our elegant songwriting hero - Brooklyn's Tony Randazzo. Soul and R&B Music aficionados IAN CHAPMAN and MICK PATRICK both do a bang-up job of filling in the 60ts details - Patrick quite rightly pointing out that Randazzo's co-writers Bobby Weinstein, Victoria Pike, Lou Stallman, Bobby Hart and Roger Joyce all deserve to be spoken of in the same voice of respect that is afforded the affable Randazzo. You might argue that TR is so closely associated with the orbit and success of Little Anthony & The Imperials (that's him sat in the control booth with the boys around him on the front cover of the booklet) - that more of their classic output should have been featured here - but Little Anthony's catalogue on End, DCP and Veep Records has been done extensively elsewhere.  For sure by the time you reach The Stylistics in 1979, the end of the CD is putting up mediocrity instead of magic - but the rest is fabulous 60ts melodrama and I suspect collectors will accept the rough with the smooth that comes with all-encompassing compilations like this. Besides NICK ROBBINS - long-time Audio Engineer at Ace Records and a guy who’s transferred literally hundreds of full-length compilations from every conceivable type of master-tape box - has excelled himself. The Audio is properly gorgeous.

"Yesterday Has Gone" opens with a killer one-two - a magisterial Stereo cut of Little Anthony & The Imperial's masterpiece "I'm On The Outside (Looking In)" followed by the Mono beauty of Timi Yuro with "Can't Stop Running Away" (a tune she apparently also recorded in Italian for the Euro market). The Royalettes two slices of 60ts Soul live up the word elegant in their US LP title (they are given a beautiful full-page black and white publicity photo on Page 13 of the booklet) – while the Derek Martin smoocher and one-time Fireflies vocalist Ritchie Adams are me discoveries of the month. I can honestly live without the Sinatra workmanlike rendition of "Rain In My Heart" and the aforementioned syrup-overloads of The Vogues and The Kane Triplets (no matter how gorgeous their blond hair looks on Page 17) – stuff like the Jimmy Rice cut and the Howard Guyton slowly slipping away melodrama (recorded with The Five Pearls in 1954) are the business.

Not all genius for damn sure, but this is a CD compilation that for many has been a long time coming. I suspect collectors everywhere are going top be well pleased – and frankly – yet another feather in the cap of Ace Records – a cap that after 40 years of quality reissues must weigh a few tons by now...

"Blues Jam In Chicago, Volume Two" by FLEETWOOD MAC and CHESS PLAYERS (November 1999/July 2004 Sony/Blue Horizon 'Expanded Edition' CD Reissue and Remaster) - A Review by Mark Barry...

"…I Want You To Rock Me Baby…All Night Long…"

With guests from the famed US Blues and R&B label Chess Records, the two volumes "Blues Jam In Chicago, Volume One" and "...Volume Two" are based around Fleetwood Mac's 4th vinyl outing in December 1969 – the 2LP set "Blues Jam At Chess" (also known as "Fleetwood Mac in Chicago" in the USA). Having a rather convoluted history on all formats - both the original UK and American record issues and their subsequent Remastered 1999 and 2004 CD Reissues require some serious explanation as regards release dates, artwork and even content. So here goes – the records first...

Fleetwood Mac's 4th vinyl outing was a double-album called "Blues Jam At Chess" issued December 1969 on Blue Horizon Records S 7-66227 in the UK and Blue Horizon BH 3801 in the USA (different artwork). Produced by MIKE VERNON and MARSHALL CHESS at the Chess "Ter-Mar" Studios in Chicago - the artists involved were FLEETWOOD MAC, OTIS SPANN on Piano, WILLIE DIXON on Bass, WALTER "Shakey" HORTON on Harmonica, J.T. BROWN on Tenor Sax, GUITAR BUDDY on Guitars (Pseudonym for Buddy Guy), HONEYBOY EDWARDS on Bass and S.P. LEARY on Drums. It was recorded in one day - 4 January 1969 – and has a multiple credited title (the artists listed in block capitols above).

The following year the Stateside double-album was initially split into two single LPs and retitled "Blues Jam In Chicago, Vol.1" and "...Vol.2" – released June and September on Blue Horizon BH 4802 and BH 4803 respectively. They again had different artwork (colour photos of the sessions). Neither charted - but reissued as a double-LP proper under the title "Fleetwood Mac In Chicago" in June 1971 on Blue Horizon BH 3801 – it did chart and peaked at No. 190 on a 6-week run. This double variant sported yet more artwork changes – the title stenciled onto the side door of a blue car/cab. To confuse matters even further and on the back of the success of the Buckingham/Nicks "Fleetwood Mac" Reprise Records LP – it was reissued yet again December 1975 as "Fleetwood Mac In Chicago" on Sire S2X 6009 and charted belatedly for a second time – peaking at No. 118 in a 16-week chart run. This 3rd reissue reverted to a plain sort of eggplant red titled cover - the one used for the original 1969 Blue Horizon double.

The cover of the original 1969 British 2LP set had a wavy backdrop and titled sleeve - no real effort in the art department - while the 1971 and 1975 US doubles didn't fare much better either – a blue car door sleeve for 1971 and a plain red cover for 1975. These new CD remasters however use the much prettier 1970 "Blues Jam At Chicago – Volumes 1 & 2" artwork for both volumes and were first issued inside November 1999's "The Complete Blue Horizon Sessions 1967-1969" 6CD Box Set – and are now re-released 12 July 2004 as individual stand-alone single CD reissues (this one is "Blues Jam In Chicago Volume Two" on Columbia/Blue Horizon 5164472 - Barcode 5099751644729). So at last to the rejiggered musical content...

The original American Volumes issued June and September 1970 were simply Sides 1 and 2 of the British and American double-LP on Volume 1 with Sides 3 and 4 put onto Volume 2. But as these July 2004 CDs are taken from "The Complete Blue Horizon Sessions 1967-1969" Box Set  – they're the 'Expanded Edition' versions with (in some cases) radically reconfigured tracks. In order to show the musical differences I've detailed the Vinyl Track List first - then the Expanded CD...

ORIGINAL 1969/1970 VINYL TRACK LIST (Sides 3 and 4 of a 2LP set):

Side 3:

1. World's In A Tangle [Jimmie Rogers cover/J Lane]

2. Talk With You [Danny Kirwan song]

3. Like It This Way [Danny Kirwan song]

4. Someday Soon Baby [Danny Kirwan song]

5. Hungry Country Girl [Otis Spann cover]

Side 4:

1. Black Jack Blues [J.T. Brown song]

2. Everyday I Have The Blues [P Chatman cover]

3. Rockin' Boogie [Jeremy Spencer song]

4. Sugar Mama [Sonny Boy Williamson cover]

5. Homework [Clark Perkins song/ Otis Rush cover]

1999 and 2004 EXTENDED CD TRACK LIST (75:52 minutes):

Tracks 1 to 8 are as per the LP above (5 from Side 1 and 3 from Side 2)

9. My Baby’s Gone (David Edwards cover) - an outtake which first appeared on "The Blue Horizon Story 1965-1970 Volume 1" 3CD box set from 1997 (reissued in 2006)

10. Sugar Mama – Take 1 (Sonny Boy Williamson cover) [Take 1 – Incomplete – Previously Unreleased]

11. Sugar Mama – Take 2 [Master Version, as per the LP]

12. Homework (Clark Perkins song/Otis Rush cover) [as per the LP]

13. Honey Boy Blues (David Edwards cover) [Incomplete – Previously Unreleased]

14. I Need Your Love – Take 1 (Jimmie Rogers cover) [Take 1 – Incomplete – Previously Unreleased]

15. Horton's Boogie Woogie (Walter Horton cover) [Take 2 – Previously Unreleased]

16. Have A Good Time (Walter Horton cover) [Previously Unreleased]

17. That’s Wrong (Walter Horton cover) [Previously Unreleased]

18. Rock Me Baby (Jackson cover) [Previously Unreleased]

WALTER HORTON plays Harmonica on 13, 14, 15, 16, 17, 18 and sings on 13, 16, 17 and 18

BUDDY GUY, HONEYBOY EDWARDS and WILLIE DIXON are on 9 and 13

J.T. BROWN, HONEYBOY EDWARDS and WILLIE DIXON are on 6, 7 and 8

OTIS SPANN plays Piano and S.P. LEARY plays drums on 1 and 2

OTIS SPANN also plays Piano on 3, 10, 11 and 12 – and has Lead Vocals and Piano on 4 and 5

The tapes were digitally remastered to stunning sound quality by DUNCAN COWELL in 1999 for the Box Set (that’s what’s been used here) - as fresh as a politician's new excuses and the foldout leaf inlay has informative and detailed liner notes by original Producer and label head honcho MIKE VERNON as well as those in the studio photos.

Compared to Volume 1 – this second set gets the lion’s share of previously unreleased material – almost doubling the playing time - and while the first Volume is good if not a little dull (see separate review), the second is fantastic. It seems that as the session went on, the adoring Brits and the accommodating Yanks settled down and became more comfortable with each other to the point where sparks started to fly. I mean the mighty tunesmith of Chess – Willie Dixon – is in here – along with Buddy Guy and Otis Spann. How the genuinely in-awe-visitors must have been stoked...

But what chucks this half of the double album up into the stratosphere is the seven bonus previously unreleased cuts (Tracks 10 and 13 to 18) which are not incomplete takes or aimless studio chatter, but fully realised songs – albeit a little rough around the edges. “Rock Me Baby”, the Sonny Boy Williamson cover “Sugar Mama” (a regular in Rory Gallagher’s Taste live shows) and the Horton original “That’s Wrong” - all throw up fabulous moments of admiration and interplay. The whole gang is enjoying themselves and it has to be said that one of the keys ingredients in their pooled magic is Walter Horton’s wonderful harmonica playing and for that matter - sheer presence. And often less than a fiver of your English pounds online...this British/American Blues-Rock CD is seriously great value for money.

To sum up – a 5-star presentation to a 4 to 5-star second half – and for fans of Blues, Danny Kirwan, Jeremy Spencer and Peter Green’s Fleetwood Mac - it’s an absolute necessity.

PS:

"Blues Jam At Chicago Volume One" by FLEETWOOD MAC and CHESS FRIENDS on Columbia/Blue Horizon 5099751644620 (Barcode 5099751644620) is also an 'Expanded Edition' CD Reconfiguration and Remaster (68:24 minutes) and is available separately (see my review)...