"Freak Out!" by THE MOTHERS OF INVENTION [featuring FRANK ZAPPA] – 27 June 1966 DEBUT US 2LP set on Verve Records in Stereo – featuring Frank Zappa, Roy Estrada, Elliot Ingber, Ray Collins, Jim Black and many guests (30 July 2012 Universal/Zappa Records CD Reissue – Transfer in 2011 by JOE TRAVERS based on the FZ-Approved "1987 1630 Digital Source") - A Review by Mark Barry...

This Review and Over 400 More Like It

Are Available In My E-Book 

NO NEED TO BE 
NERVOUS! 
THE GROOVIEST 1960s MUSIC ON CD 

Your All-Genres Guide To 

Exceptional Reissues and Remasters 

"...Wowie Zowie..."

In the sheer pandemic hysteria that is February 2020 - looking back on "Freak Out!" in all its June 1966 double-album Avant Garde glory (with a healthy dose of parody thrown in too) - it still feels staggeringly ahead of its time, indulgent, crap and darn it – just plain weird. 

"Freak Out!" feels like "2001: A Space Odyssey" did in 1968 or "Never Mind The Bollox..." in 1977 – outstanding in a field of its own – snarling at the world and it decriers like some demented banshee most sane-minded folks would want to go away. A heady mix of 60ts Psych, Symphonic Rock, Vocal Groups, R'n'B, Experimental and other nutty soundscapes (all of it wrapped around attacking dude lyrics few had heard before) – for sure "Freak Out!" is not for everyone, and yet Zappa's band debut still feels like a game changer…

It's digital history however is one of multiple-version nightmare - we got the American Rykodisc reissue in 1985, followed by Zappa Records in 1987, back to Rykodisc in 1995, another reissue from Ryko in 2002 only to arrive at his catalogue finally passing on to the Universal Music Group in 2012.

Bizarrely though and after all these decades in the digital domain, even now the 2012 CD reissue is still based on the '1987 1630 Digital Source' as per Zappa's instructions. Using the 1987 artwork that now credits the album as by 'Frank Zappa/The Mothers Of Invention' when of course it was originally just 'The Mothers Of Invention' – we do however get a new 2011 transfer by Audio Engineer Joe Travers. 

So without further riot gear intervention - let's get to Monster Magnet, Wowie Zowie, Suzy Creamcheese and The Brain Police...

UK released 30 July 2012 - "Freak Out! by THE MOTHERS OF INVENTION on Universal/Zappa Records 0238342 (Barcode 824302383421) offers the original 1966 double-album in full remastered onto 1 CD (No. 1 in a Series of Official ZAPPA Records releases) that plays out as follows (60:33 minutes):

1. Hungry Freaks, Daddy [Side 1]

2. I Ain't Got No Heart

3. Who Are The Brain Police?

4. Go Cry On Somebody Else's Shoulder

5. Motherly Love

6. How Could I Be Such A Fool

7. Wowie Zowie [Side 2]

8. You Didn't Try To Call Me

9. Any Way The Wind Blows

10. I'm Not Satisfied

11. You're Probably Wondering Why I'm Here

12. Trouble Every Day [Side 3]

13. Help, I'm A Rock

14. It Can't Happen Here

15. The Return Of The Son Of Monster Magnet [Side 4]

Tracks 1 to 15 are the double-album "Freak Out!" by THE MOTHERS OF INVENTION - released 27 June 1966 in the USA on Verve Records V6-5005-2 in Stereo Only and March 1967 in the UK as a single LP in Mono and Stereo on Verve Records VLP 9154 (Mono) and SVLP 9154 (Stereo) - finally issued as a double-album in the UK December 1971 on Verve Records 2683 004. It has the distinction of being Rock's second 2LP set after Bob Dylan's "Blonde On Blonde" which was released one week earlier, 20 June 1966.

NOTES:

When originally released Side 3 had two tracks - "Trouble Every Day" at 6:10 minutes and "Help, I'm A Rock (Suite In Three Movements)" at 8:10 minutes. "Help, I'm A Rock..." was in fact divided into three parts or movements - 1st Movement: Okay To Tap Dance, 2nd Movement: In Memoriam, Edgar Varese and 3rd Movement: It Can't Happen Here. At 12:16 minutes, Side 4 was credited as "The Return Of The Son Of Monster Magnet (Unfinished Ballet In Two Tableaus)" which had two parts (i) Ritual Dance Of The Child Killers and (ii) Nullis Pretii (No Commercial Potential). These have been edited, renamed and re-arranged by Zappa for the CD reissue as per the 1-15 track list above.

THE MOTHERS OF INVENTION were:

FRANK ZAPPA – Guitar, Vocals (Wrote All Songs, Arranged & Conducted)

ELLIOT INGBER – Lead And Rhythm Guitars

RAY COLLINS – Lead Vocals, Harmonica, Tambourine, Finger Cymbals

RAY ESTRADA – Bass, Guitarron and Vocals

JIM BLACK – Drums and Vocals

Guests included:

David Wells on Trombone, Art Maebe on Horns, Kim Fowley on Hypophone

The double-sided four-leaf foldout inlay reproduces the original double-album’s zany and provocative liner notes and the short mainly technical notes on the 1987 Digital Remix by FZ. But the key element this time is ‘Transfers in 2011 by JOE TRAVERS’ which feel way better than before. I know it's a mid-price CD and all that value-for-money shtick - but it's a damn share that the inlay hasn't been upgraded with some discography history - and its always struck me as odd that this important release hasn’t been given a 2CD Deluxe Edition treatment along the way (FZ probably wanted it that way).

The bass thumps convincingly on the opener "Hungry Freaks, Daddy" as it jumps out of your speakers - lyrics having a go at "Mister America" and his blinkered great society - those guitars still distant though. No angels singing up above in the very Cream-sounding "I Ain't Got No Heart" - a lover's declarations of undying fealty falling on deaf ears and a pig-oinking vocal ending. With guitars properly freaking out half way through, things get even weirder with "Who Are The Brain Police?" - a song that set up that 'Zappa' sound for decades to come.

To the vocal group oohs and aahs of his 50ts youth, "Go Cry On Somebody Else's Shoulder" is filled with the opposite of romance - our Saturday Night At The Movies hero a bit more grown up and perhaps a little embittered despite the nicety of the tune. Both "Motherly Love" and "How Could I Be Such A Fool" contain that strange mixture of anger and genuine hurt abutting each other while those horn players swoon in the background. Frank doesn't care if "Wowie Zowie" doesn't brush her teeth or even shave her legs - he stills wants to visit in the afternoon and again that night. Working on his car (fixing the seat and front fender) and even though they've been going steady for six weeks – another untrue girl gets a lyrical drubbing in "You Didn't Try To Call Me".

The 2LP set gets its most commercial in the decidedly poppy "Any Way The Wind Blows" while Frank bemoans the fact that no one wants him - life abusing him in "I'm Not Satisfied" (and who would care if he was gone). More pop but this time with a tongue firmly planted in its cheek as Frank wonders why he and his band are with the hip gang – "You're Probably Wondering Why I'm Here" taking no prisoners in its vicious attack. Far better for me is the guitar and harmonica wail of "Trouble Every Day" - a five and half-minute bluesy romp with a fantastic driving hook and truly great multitudinous lyrics about riots on the streets and colours of skin that don't appeal to everyone and coverage of the same on establishment TV.

The homeward stretch comes in the grunting/different language groove of "Help, I'm A Rock" - a very Captain Beefheart slice of entertainment. Frank checked it out a couple of times so he reassures his baby in Kansas, Minnesota (and the rest of the world for that matter) that thankfully "It Can't Happen Here". The album dips over the edge completely for the final near 13-minutes of "The Return Of The Son Of Monster Magnet" - a romp too far for me frankly.

"Freak Out!" regularly receives five-stars from its many adorers and ridicule from the rest - a Bovril double. Musically it's a bit of both for me. "Suzy Creamcheese, what's got into you?" The Mothers Of Invention sang on that last mad stretch on Side 4. I doubt they knew in 1966 and in 2020, I'm personally none the wiser. But would I have it any other way!

"Voyage" by DAVID CROSBY (November 2006 UK Rhino/Atlantic 3 x HDCD Book Set Career Retrospective - Graham Nash and John Nowland Remasters) - Featuring The Byrds, Crosby, Stills, Nash & Young, Joni Mitchell, Graham Nash, Neil Young, Stephen Stills, Members of The Grateful Dead, Santana and Jefferson Airplane - A Review by Mark Barry...

This Review Along With 170 Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites

SOMETHING'S HAPPENING HERE Volume 1...
1960's and 1970's MUSIC ON CD - Exceptional CD Remasters
Just Click Below To Purchase for £3.95

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 

(No Cut and Paste Crap)

"...Home Through The Haze..."

I thought so when I bought it (and even after the Stephen Stills box arrived in 2013) - the 2006 David Crosby "Voyage" Box Set for my money is the best of the three retrospectives coming out of the CROSBY, STILLS and NASH camp of three (and that's saying a lot given the talent involved). There's a whole heap of goodness on here so let's down and hazy right away...

Released November 2006 in the USA - "Voyage" by DAVID CROSBY on Rhino Atlantic R2 77628 (Barcode 081227762827) [UK is Rhino/Atlantic 8122-77628-2] is a 3 x HDCD Remasters Box Set and breaks down as follows:

Disc 1 (76:12 minutes):

1. Eight Mile High - THE BYRDS (on the album "5th Dimension" released August 1966 in the USA on Columbia 9349 (Stereo))

2. Renaissance Fair - THE BYRDS

3. Everybody's Been Burned - THE BYRDS (tracks 2 and 3 on the album "Younger Than Yesterday" - released March 1967 in the USA on Columbia CS 9442 (Stereo))

4. Wooden Ships - CROSBY, STILLS & NASH

5. Guinnevere - CROSBY, STILLS & NASH

6. Long Time Gone - CROSBY, STILLS & NASH (tracks 4 to 6 are from the album "Crosby, Stills & Nash" released June 1969 in the USA on Atlantic SD 8229 and in the UK on Atlantic 588 189)

7. Déjà Vu - CROSBY, STILLS, NASH & YOUNG

8. Almost Cut My Hair - CROSBY, STILLS, NASH & YOUNG (tracks 7 and 8 are from the album "Déjà Vu" released March 1970 in the USA on Atlantic SD 7200 and in the UK on Atlantic 2401 001)

9. Tampalas High (At About 3) - DAVID CROSBY

10. Laughing - DAVID CROSBY

11. Music Is Love - DAVID CROSBY

12. Song With No Words (Trees With No Leaves) - DAVID CROSBY

13. What Are Their Names - DAVID CROSBY

14. I'd Swear There Was Somebody Here - DAVID CROSBY (tracks 9 to 14 are from his first solo LP "If I Could Only Remember My Name" released February 1971 in the USA on Atlantic SD 7203 and in the UK on Atlantic 2401 005)

15. Where Will I Be - CROSBY, NASH

16. Page 43 - CROSBY, NASH (tracks 15 and 16 from the album "Graham Nash / David Crosby" released April 1972 in the USA on Atlantic SD 7220 and May 1972 in the UK on Atlantic K 50011)

17. Critical Mass - CROSBY, NASH

18. Carry Me - CROSBY, NASH

19. Bittersweet - CROSBY, NASH

20. Naked In The Rain - CROSBY, NASH (tracks 17 to 20 are from the album "Wind On The Water" released October 1975 in the USA on ABC Records ABCD-902 and January 1976 in the UK on Polydor 2310 428)

21. Dancer - CROSBY, NASH (on the album "Whistling Down The Wire" released July 1976 in the USA on ABC Records ABCD-956 and in the UK on Polydor 2310 468)

Disc 2 (74:20 minutes):

1. Shadow Captain - CROSBY, STILLS & NASH

2. In My Dreams - CROSBY, STILLS & NASH (tracks 1 and 2 are from the album "CSN" released June 1977 in the USA on Atlantic SD 19104 and in the UK on Atlantic K 50369)

3. Delta - CROSBY, STILLS & NASH (on the album "Daylight Again" released July 1982 in the USA on Atlantic SD 19360 and in the UK on Atlantic K 50896)

4. Compass - CROSBY, STILLS, NASH & YOUNG (on the album "American Dream" released November 1988 in the USA on Atlantic 7 81888-1 and in the UK on Atlantic WX 233)

5. Tracks In The Dust - DAVID CROSBY (on the album "Oh Yes I Can" released February 1989 in the USA on A&M Records 395232-1 and in the UK on A&M Records AMA 5232)

6. Arrows [Live] - CROSBY, STILLS & NASH (on the album "Live It Up" released June 1990 on LP in the UK and USA on Atlantic 7567 82101-1)

7. Hero - DAVID CROSBY

8. Yvette In English - DAVID CROSBY (tracks 7 and 8 are on the album "Thousand Roads" released on CD June 1993 in both the USA and UK on Atlantic 7567 82484-2)

9. Rusty And Blue - CPR

10. Somehow She Knew - CPR [David Crosby, Jeff Pevar & James Raymond] (tracks 9 and 10 are from the album "CPR" released 1998 on Samson Music CD0145 on CD)

11. Breathless - CPR

12. Map To Buried Treasure - CPR (tracks 11 and 12 are from the album "Just Like Gravity" released 2001 in the USA on Gold Circle GC 20002-2)

13. At The Edge - CPR (on the 2CD album "Live At The Wiltern" released 1998 in the USA on Samson Records GC 0148)

14. Through Here Quite Often - CROSBY & NASH

15. My Country `Tis Of Thee - DAVID CROSBY (tracks 14 and 15 are on the 2CD set "Crosby Nash" released 2004 on Sanctuary 06076-84683-2 in the USA and Sanctuary SANDD293 in the UK and Europe)

Disc 3 PREVIOUSLY UNRELASED (76:28 minutes):

1. Long Time Gone [Demo Version] - CROSBY & STILLS

2. Guinnevere [Alternate Mix/Take] - DAVID CROSBY

3. Almost Cut My Hair [Demo Version] - DAVID CROSBY

4. Games [Demo Version] - DAVID CROSBY

5. Déjà Vu [Demo Version] - CROSBY & NASH

6. Triad [Demo Version] - DAVID CROSBY

7. Cowboy Movie [Studio Version] - DAVID CROSBY (features Neil Young and JERRY GARCIA, PHIL LESH and MICKEY HART of THE GRATEFUL DEAD)

8. Kids And Dogs - DAVID CROSBY ["If I Could Only Remember My Name" outtake recorded September 1970)

9. Have You Seen The Stars Tonite? - PAUL KANTNER and JEFFERSON STARSHIP

10. The Lea Shore - CROSBY & NASH (Live at Carnegie Hall, New York, 30 September 1971)

11. Traction In The Rain (Live at Carnegie Hall, New York, 30 September 1971) - CROSBY & NASH

12. King Of The Mountain [Demo Version] - DAVID CROSBY

13. Homeward Through The Haze [Alternate Take/Mix] - CROSBY, STILLS, NASH & YOUNG

14. Samurai (1980 Previously Unreleased Studio Version] - DAVID CROSBY

15. Climber (1999 Previously Unreleased Studio Version) - CROSBY, STILLS, NASH & YOUNG

16. Dream For Him (Live at the Nationwide Arena, Columbia, Ohio, December 2005) - CROSBY, STILLS, NASH & YOUNG

The first thing that strikes you (apart from the fab HDCD remasters) is the quality of the booklet that accompanies the stippled effect die-cut hardback book shell - it's beautifully and carefully laid out and a properly amazing read. Produced by Graham Nash and Joel Bernstein and spanning 1966 to 2006 - you get page after page of Henry Diltz colour photos, deeply personal reminiscences on the songs by Crosby and his musical buddies Neil Young, Stephen Stills, Graham Nash and Joni Mitchell (to name but a few contributors) and most impressive of all - an entire third disc of previously unreleased songs - that in my book may be the best ever put out anywhere - ever! The HDCD remasters handled by Graham Nash and JOHN NOWLAND (was involved with Neil Young's reissues) are simply amazing - right across the board.

Why is this box set so good? When you separate out David Crosby's songs from the contributions he made to the supergroups he was in (BYRDS, CSNY, Solo Crosby, Nash & Crosby etc) and line them up alongside each other - the effect is quite magical. His tunes are 'so' melodious and dare we say it - more ‘trippy’ than the heavier Stills and Young material. And all of his songs are imbibed with a sense of the naked-personal - vying with political outrage at what was happening in the USA and the World at the time. As the Byrds' "Everyone's Been Burned" slides into "Wooden Ships" and the guitar funk of "Long Time Gone" by CSN and then into the ethereal beauty of "Tampalas High (At About 3)" - it makes you wonder why the others in the group seemed to constantly grab the limelight from under his artistic feet. By the time I get to the sublime Joni Mitchell vocal harmony passage swirling with the guitars on "Laughing"- I'm gone man - I'm cooked - this guy is a frigging genius (and a career-spanning retro like this has been long overdue).

But what clinches the deal for me is Disc 3 - it's unbelievably good. How could all of this primo unreleased stuff have stayed in their various cans all this time? It opens with a ramshackle but cool take on "Long Time Gone" but then we get genuine beauty in an Alternate Take of "Guinnevere" - the remaster making it glisten like melodic gold. He lets it rip vocally on a more acoustic take of the "Déjà Vu" classic "Almost Cut My Hair". The "Triad" demo is fantastic and so well recorded. "Cowboy Movie" features Jerry Garcia of the Grateful Dead on Guitar with Neil Young trying to steal the show by rocking it out too much (Phil Lesh and Mickey Hart of the Dead are there too). It's eleven minutes of Crosby and Young magic. When I bought and reviewed the Rhino CD remaster of his stunning solo 1971 album "If I Could Only Remember My Name" I remember being disappointed at their only being one bonus track - the previously unreleased outtake "Kids And Dogs". 

That is until I played it - wow! For its seven minutes of acoustic strumming think Nick Drake trying out a new song then adding CSYN vocals (just harmonizing without words) and you're there - it's fabulous stuff (apparently it too features Jerry Garcia on guitar). Paul Kantner and Jefferson Starship turn up on the gorgeous "Have You Seen The Stars Tonite?" with devastating harmonies vocals. The two live tracks from September 1971 are lovely - especially "Traction In The Rain" - surely one of his prettiest melodies. And on it goes to a 2005 live version of the child-song "Dream For Him" with Neil Young and Stephen Stills - ending the set on a musical and conscience-provoking note.

"The blind leading the blind...I'm amazed how they stumble...home through the haze..." Crosby sings on the stunning "Homeward Through The Haze".

Often pitched at under thirty quid - don't stumble - take a punt on this wonderful and classy CD retrospective...it's worth every penny...

"Blonde On Blonde" by BOB DYLAN [CD Variants You Want] – June 1966 US 2LP Set on Columbia Records (August 1966 UK on CBS Records) in Both MONO and STEREO – Musicians Included Charlie McCoy, Wayne Moss and Kenneth Buttrey of Area Code 615 and Barefoot Jerry, Al Kooper of Blood, Sweat & Tears, Hargus Robbins, Jerry Kennedy, Joe South, Bill Aikins, Paul Griffin, Will Lee, Bobby Gregg of The Devil’s Anvil, Wayne Butler of Charlie McCoy & The Escorts, Henry Strzelecki of The Teenagers and Robbie Robertson of The Band (credited as Jamie Robertson) (September 2003 Columbia 2xSACD Reissue in STEREO, March 2004 CD Reissue in STEREO, October 2010 Reissue Inside A 9CD Box Set in MONO – Plus Outtakes in the November 2015 "Cutting Edge: The Bootleg Series Vol.12" Compilation Itself Released in 3 Different Variants) - A Review by Mark Barry...

This Review and Over 384 More Like It

Are Available In My E-Book 

 

GIMME SHELTER!

CLASSIC 1960s ROCK ON CD 

And Other Genres Thereabouts 

 

Your All-Genres Guide To 

Exceptional Reissues and Remasters 

All Reviews From The Discs 

No Need To be Nervous!

(No Cut and Paste Crap)

<iframe style="width:120px;height:240px;" marginwidth="0" marginheight="0" scrolling="no" frameborder="0" src="//ws-eu.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=GB&source=ss&ref=as_ss_li_til&ad_type=product_link&tracking_id=mabasreofcdbl-21&language=en_GB&marketplace=amazon&region=GB&placement=B013TDUC2K&asins=B013TDUC2K&linkId=573f2e449223d6ca3608be4714bc08db&show_border=

"...Pledging My Time..."

Critiquing Bob Dylan's universally acclaimed 1966 double-album "Blonde On Blonde" in 2020 is hardly going to win me the 'Kellogg’s Cornflakes Truly Scrumptious Humanitarian and All-Round Tasty Guy Of The Century’ Award (yet again).

But having said that and as we start the new 20's decade – seriously - what CD variant of this 60ts humdinger do you buy? I'm going to go all reviewer-feral and suggest that this fantastically creative 2LP splurge is one of those very rare occasions in the excesses of reissueland where you can never get enough - so I'm plumbing for five purchases or more. Here are Leopard-Skin Pill-Box Hats...

1. Rainy Day Women # 12 and 35 [Side 1]

2. Pledging My Time

3. Visions Of Johanna

4. One Of Us Must Know (Sooner Or Later)

5. I Want You [Side 2]

6. Stuck Inside Of Mobile With The Memphis Blues Again (originally credited as 'Memphis Blues Again')

7. Leopard-Skin Pill-Box Hat

8. Just Like A Woman

9. Most Likely You Go Your Way And I'll Go Mine [Side 3]

10. Temporary Like Achilles

11. Absolutely Sweet Marie

12. 4th Time Around

13. Obviously 5 Believers

14. Sad Eyed Lady Of The Lowlands [Side 4]

Tracks 1 to 14 are his 7th studio album "Blonde On Blonde" - released as a 2LP set 20 June 1966 in the USA on Columbia C2L 41 (Mono) and Columbia C2S 841 (Stereo) and 13 August 1966 in the UK on CBS Records DDP 66012 (Mono) and CBS Records SDDP 66012 (Stereo). Produced by BOB JOHNSTON - Rock's first double-album entered the US LP charts 23 June 1966 for the first time and the UK LP charts 20 August 1966 - peaking at No. 9 and No. 3 in each country respectively (it beat "Freak Out!" by The Mothers Of Invention by one week, 27 June 1966).

After some well-documented rubbish digital starts in the 80s and 90s when Columbia actually docked something like two whole minutes off the double-album in order to make it fit onto a sonically dullard single CD – enter renowned Audio Engineer GREG CALBI in 2003 to properly sort out huge chunks of the Mighty Zim's voluminous back-catalogue accompanied by MARK WILDER who coordinated and Mastered the amazing Mono Box Set in 2010 and large numbers of The Bootleg Series before and since that date. Here are details for all relevant CD reissues surrounding the "Blonde On Blonde" album…

ESSENTIAL "Blonde On Blonde" CD REISSUES TO CONSIDER: 

1. First up came the SACD reissues of 15 September 2003 that put all of the STEREO "Blonde On Blonde" onto a 2-Disc Hybrid Multi-Channel set with dual SACD-Audio and Stereo-Audio layers built into both discs (5.1 Channel Surround Sound too). Grammy-winning Audio Engineer GREG CALBI did the mastering honours. UK issued Columbia 512352 6 (Barcode 5099751235262) is currently on sale for about £10 used and more if new (Disc 1: 39:59 minutes, Disc 2: 33:02 minutes).

2. That STEREO Mix and Greg Calbi Remaster was then reissued 29 March 2004 onto a normal single CD – UK issued Columbia 512352 2 (Barcode 5099751235224) is currently on sale for just over £5 new and less used (73:01 minutes)

3. All of Bob Dylan's MONO variants from the 1960s appeared 18 October 2010 in the "The Original Mono Recordings" 9CD Box Set on Columbia MONO-88697761042 (Barcode 886977610424) including the double-album "Blonde On Blonde" (Disc 1: 40:07 minutes, Disc 2: 33:09 minutes).

4. "The Cutting Edge 1965-1966: The Bootleg Series Vol. 12" which features Previously Unreleased Outtakes from three albums "Bringing It All Back Home", "Highway 61 Revisited" and "Blonde On Blonde" was issued 6 November 2015 in three forms

(i) "The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12" is a 2CD Hard-Card Slipcase set on (UK) Columbia/Legacy 88875124422 (Barcode 888751244221) - a 36-Track 2CD Compilation where the 11 songs on Disc 2 (Tracks 7 to 17) are Alternate Takes of "Blonde On Blonde" material (Disc 1: 70:21 minutes, Disc 2: 75:00 minutes)

(ii) "The Cutting Edge 1965-1966: The Bootleg Series Vol.12" is a 6CD Box Set with 111 Tracks on Columbia/Legacy 88875124412 (Barcode 888751244122) where the whole 30 songs of Discs 5 and 6 are given over to "Blonde On Blonde" outtakes (Disc 1: 69:16 minutes, Disc 2: 75:16 minutes, Disc 3: 65:32 minutes, Disc 4: 68:22 minutes, Disc 5: 76:01 minutes and Disc 6: 75:17 minutes). Of the 30 versions across both discs, three have been issued before on varying compilations whilst the fourth is the finished album cut of "Rainy Day Women No. 12 & 35" (Take 1) but it has added on some preceding studio dialogue. The other three are Track 2 on Disc 1 and Track 3 on Disc 2 - "Visions Of Johanna (Take 8)" and "Stuck Inside Of Mobile With The Memphis Blues Again" (Take 5) both of which appeared on the 2005 issue of "The Bootleg Series Vol. 7". Fourth is Track 6 on Disc 1 ' "She's Your Lover Now (Take 15)" which first appeared in 1991 on "The Bootleg Series Vol.1-3".

(iii) "The Cutting Edge 1965-1966: The Bootleg Series Vo.12 - COLLECTOR'S EDITION" is a Worldwide Limited Edition of 5000 copies (Numbered Certificate Inside). This behemoth contains 379 tracks across the CDs, 9 Mono 7" singles in varying picture sleeves from around the world (18 songs), three hardback books and two further Digital Audios - the first that gives access to the entire set in varying Hi-Res forms - while the second entitled "Bob Dylan 50th Anniversary Collection: 1965" gives download access to a further huge cache of 208 songs, 14 full concerts with 10-hours of music. Whilst this has to be the actual 'motherlode' as far as Dylan geekozoids are concerned, accessibility for the rest of us in 2020 is now a problem. This beast has of course sold out, is deleted and last I saw, was happily garnishing an astonishing £1,250 price tag on a certain well-known auction site (with the distinctive blue hessian cover slightly damaged).

5. Before 2015 previously unreleased outtakes and live variants of tracks from 1966's "Blonde On Blonde" have also turned up on: 
(a) Three on the November 1985 5LP/3CD retrospective "Biograph"; "Visions Of Johanna (Live)" from 26 May 1966 at The Royal Albert Hall in London and two outtakes - "Jet Pilot" and "I Wanna Be Your Lover" 
(b) Two outtakes on the March 1991 5LP/3CD retrospective "The Bootleg Series Vol.1-3"; "I'll Keep It With Mine", "She's Your Lover Now" 
(c) Three outtakes on the August 2005 2CD retrospective "The Bootleg Series Vol.7 - No Direction Home - The Soundtrack"; "Leopard-Skin Pill-Box Hat (Take 1)", "Stuck Inside Of Mobile With The Memphis Blues Again (Take 5)" and "Visions Of Johanna (Take 8)"  

Some might say that a body should just keep it simple - buy the 2004 Greg Calbi single-CD remaster in Stereo for a fiver and be done with it (Barcode 5099751235224 will locate it on Amazon). But as I said earlier, when you listen to any of "The Cutting Edge" releases, you realize the sessions between January and May 1966 were so ridiculously creative that these extracurricular releases aren't just padding - they finally allow us (young bucks and old codgers alike) hear what creative lightning in a bottle actually sounds like.

Rehearsals for "Visions Of Johanna" (he announces this is initially called "Freeze Out") and the acidic tongue-lashing giving to lovers in "She's Your Lover Now" are hair-raising moments. And to hear juicy alternates of "Just Like A Woman", "Leopard-Skin Pill-Box Hat" and the stunning rock-swing of "Pledging My Time" has me reaching for a clever words card index bigger than Alaska (see also my review for the Mono Box Set).

Will we ever see the likes of it again - maybe - maybe not. But Dylan's "Blonde On Blonde" is one of those releases where once in indeed never enough. Buy em all I say, big and small…

"Living The Blues" by CANNED HEAT – Third Album from November 1968 on Liberty Records (A 2LP set, UK and USA) featuring Bob 'The Bear' Hite, Alan 'Blind Owl' Wilson, Henry 'Sunflower' Vestine, Larry 'The Mole' Taylor and Adolfo 'Fito' de la Parra with Guests John Mayall, John Fahey, Joe Sample of The Crusaders, Dr. John and Jim Horn with Production from Skip Taylor (September 2003 [Reissued April 2022] UK Beat Goes On Reissue – 2LPs onto 2CDs - Andrew Thompson Remasters) - A Review by Mark Barry...

This Review and more like it Available in Your All-Genres Guide

To Exceptional CD Reissues and Remasters (2024 Version)

Classic Albums, Compilations, 45s 

Over 2,350 E-Pages of In-depth Information from the discs themselves...

 

"...Boogie Music..."

After two albums "Canned Heat" (July 1967) and "Boogie With Canned Heat" (January 1968) - the American Blues-Rock Boogiemeisters dropped the big one - the off-its-time but still brilliant double album "Living The Blues".

Old yet innovative, indulgent yet immersive - the first LP was a studio set with a 19-minute 9-Part Psych-Blues track on Side 2 - whilst Sides 3 and 4 took one 40-minute live song called (not surprisingly) "Refried Boogie" and split it into two. "Living The Blues" was also in the first vanguard of charting double-albums alongside Bob Dylan's "Blonde On Blonde", The Mothers Of Invention's "Freak Out" (both 1966), Donovan's "A Gift From A Flower To A Garden" (1967 USA, 1968 UK) and The Beatles' epoch-making 'White Album' released 22 days later in the same month – November 1968 (Canned Heat's double was issued Stateside on the 1st).

Like so many cool 2LP sets – there’s just something about them that makes me dip into them again and again - and I've returned to this boogie beast across the years (indulgent bits or no) and always loved it. Plus "Living The Blues" spanned that huge single that apparently broke the band worldwide. So let's get going up the country...

UK released 18 September 2003 (reissued April 2022) – "Living The Blues" by CANNED HEAT on Beat Goes On BGOCD591 (Barcode 5017261205919) is a 2CD Reissue and Remaster of their third album, a 2LP set from late 1968 originally on Liberty Records (UK and USA) that plays out as follows:

Disc 1 (49:39 minutes):

1. Pony Blues [Side 1]

2. My Mistake

3. Sandy's Blues

4. Going Up The Country

5. Walking By Myself

6. Boogie Music [incorporating 15 seconds of a 1929 recording of "Tell Me Man Blues" by Henry Sims]

7. One Kind Favor [Side 2]

8. Parthenogenesis

(i) Nebulosity

(ii) Rollin' And Tumblin'

(iii) Five Owls

(iv) Bear Wires

(v) Snooky Flowers

(vi) Sunflower Power (RMS Is Truth)

(vii) Raga Kafi

(viii) Icebag

(ix) Childhood's End

Disc 2 (41:11 minutes):

1. Refried Boogie (Part I) (20:10 minutes)

2. Refried Boogie (Part II) (20:50 minutes)

Disc 1 and 2 are the double-album "Living The Blues" - released 1 November 1968 in the USA on Liberty Records LST-27200 and late November 1968 in the UK on Liberty Records LDS 84001E. Produced CANNED HEAT and SKIP TAYLOR - Sides 1 and 2 are studio material with Sides 3 and 4 being one long live track divided into two (recorded at the Kaleidoscope in Hollywood, California). It peaked at No. 18 in the US Rock LP charts (didn’t chart UK).

CANNED HEAT was:

BOB 'The Bear' aka 'Big Fat' HITE – Lead Vocals

ALAN 'Blind Owl' WILSON - Vocals, Slide Guitar, Chromatic Harmonica and Jaw Harp

HENRY 'Sunflower' VESTINE - Lead Guitar (and Sitar)

LARRY 'The Mole' TAYLOR - Bass (Congas on "Snooky Flowers")

ADOLFO 'Fita' de la Parra - Drums

Guests:

Joe Sample of The Crusaders plays piano on "Sandy's Blues" (Miles Grayson did Horn Arrangements)

Jim Horn plays flute on "Going Up The Country"

John Mayall plays piano on "Walking By Myself" and "Bear Wires"

Dr. John plays piano and arranged horns on "Boogie Music" (Henry Sims plays Violin)

John Fahey plays guitar on "Nebulosity" - Part (i) of "Parthenogenesis"

The outer card slipcase lends the 2CD reissue a feeling of substance with longstanding liner-notes writer JOHN TOBLER providing us with a potted history of this famous American Blues-Rock band and a track-by-track analysis of this - their 2LP urge-to-splurge from November 1968. There's the inner gatefold sleeve artwork and the cover's title logo in-between text. The Remaster is cracking (probably ANDREW THOMPSON) and even if the live "Refried Boogie" is a tad hissy because of its live-nature it still rocks with presence, clarity and power. 

The 60ts Rockin' Blues account opens with Bob Hite croaking through a likeable and loud cover of Charlie Patton's "Pony Blues" itself followed by a wicked Al Wilson Bluesy original "My Mistake" - the 'Blind Owl' taking Lead Vocals with that famously effeminate singing of his (when the vocals and guitar do kick in, it has some punch). 'Big Fat' Hite returns with his own "Sandy's Blues" ably helped by Joe Sample of The Crusaders on Piano - a near seven-minutes of slow misery Blues where Bob needs a woman that won't play him for a fool (I believe pools of tears may have been involved in this lengthy troubled search). The brass and rolling feel sound fantastic in this Remaster, as does that Slide Guitar.

Then we get the single "Going Up The Country" which Liberty released 22 Nov 1968 Stateside as a 2:30 minute edit in a fetching picture sleeve (the album cut is 2:50 minutes) with the equally good (if not better) "One Kind Favor" on the flipside. The British issue followed a week later in their distinctive label bag - 29 Nov 1968 on Liberty LBF 15169 with the British spelling of "One Kind Favour" credited on the B-side. The hippy flute, girly plinging guitar and lyrical tie-in with the Woodstock Festival sent "Going Up The Country" up to the charts to No. 11 in America. If I'm honest I've always preferred the mean harmonica-blasting cover of Jimmy Rodgers' "Walking By Myself" that follows where Bob Hite sings gruff lead vocals, Al Wilson blows and moans the chromatic as John Mayall tinkers on the honky-tonk keys (fab stuff).

Talking about sweet Soul Music – Skip Taylor offers us the first of two inclusions – "Boogie Music" and "One Kind Favor" - both apparently containing the power to make a blind man see and the dance rise up and dance the Hoochie coo. Using the moniker of 'Lawrence Taylor Tatman III' as the song author, Skip Taylor's "Boogie Music" also features Dr. John on Piano (the great New Orleans Night Tripper also arranged those cleverly complimentary brass jabs) - while "One Kind Favor" is a Blind Lemon Jefferson cover that the original artwork again credits to 'arranged and adapted' by L.T. Tatman III. Sounding not unlike the kind of Blues riff Led Zeppelin circa 'I' and 'II' would have gargled for breakfast - "One Kind Favor" has great guitar interplay and Hite sounding invested and digging it.

After that wicked and steady compliment of varying boogie tunes, it feels like all of Side 2 has been leading up to the big experimental one (or astray whichever way you look at it) - the Psych Blues 9-part nonsense-titled "Parthenogenesis" – a fantastic 19-minute style-splash that sees Canned Heat venture into the weird and wonderful with Producer Skip Taylor at the helm. It opens with weird jaw-harp and Fahey guesting on guitar for about a minute and a half only to return to familiar Harmonica Blues Boogie with a double-header - "Rollin' And Tumblin'" and "Bear Wires" where John Mayall helps out on honky-tonk piano (Mayall's album "Bare Wires" was out at the time and with him staying at Bob Hite's home, the song is a play on words). Then as if out of nowhere, we get a drum solo assisted by congas called "Snooky Flowers" (apparently named after a musician they knew), the thankfully short Santana-like interlude is kept interesting by great playing and pans to the left and right of the speakers.

Then there's the heavy-heavy five guitars of "Sunflower Power" that can be described as grungy stoner Psychedelic Blues which 13:42 minutes flows beautifully into the Indian Sitar and warbling Chromatic Harmonica of the Indian sounding "Raga Kafi" which at 16:18 arrives at the Guitar Boogie of "Icebag" where Vestine is channeling his inner Albert Collins. At 18:51 minutes we float off into echoed Jaw Harp Land with "Childhood's End" bringing to a close a piece of music you can call genius and indulgence in equal measure. I love it. Now while the studio set is really good, Sides 3 and 4 of the live "Refried Boogie" can be both brilliant and testing, one way-too-long guitar solo that I'm sure the crowd loved on the night - but as you get to the beginning of Part II may leave you reaching for the stop button (others say it's the very essence of the band).

Like the indulgent dross that I felt populated much of the 'White Album' on Side 4 (Revolution No. 9) - "Living The Blues" is of course of its time. But man what a time it was. Boogie With Canned Heat in 2020 or 2022 (it's been reissued April as above)? Sounds like a good idea to me...