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Wednesday 18 March 2020

"The Professor And The Madman" - A Review by Mark Barry of the 2019 Farhad Safina Film starring Mel Gibson, Sean Penn, Stephen Dillane, Natalie Dormer and Eddie Marsan - Now on BLU RAY...




"...Fly...On The Wings Of Words..." 

- The Professor And The Madman on BLU RAY -


As you sit through the engaging real-life-story movie that is "The Professor And The Madman" - you might well think - where was this fabulous film in the 2020 Oscars? Why was the entire world told that fatuous tut like Tarantino's "Once Upon A Time In Hollywood" was worthy of our attention or even an Oscar for Brad Pitt? There are just so many choice roles in "The Professor And The Madman" that on any other year, it would have been garnished with nominations galore. Is it that in Hollywood, Mel Gibson is still a persona non grata? Well, be that as it may, this is without question the Australian actor and director's most accomplished work in decades...

Shot in Ireland and especially the older parts of Dublin (the truly gorgeous library inside Trinity College is featured to fabulous effect), I suspect that for many viewers, this beautifully realized movie is coming out of left field. Few have heard of it, let alone went to see it in a cinema. Based on a true story - principled Scotsman and Professorial multi-lingual scholar James Murray (Mel Gibson) is charged with forming an English Language Dictionary chronicling every word along with its history, meaning and literature reference - a task that has defeated snooty Oxford and Cambridge dons for decades - possibly even driven some of them stark raving mad.

But James Murray is different. He has armour and secret weapons. His wife Ada is his rock and their many children fill James with wonder, strength and even purpose (Ada is beautifully played by Jennifer Ehle of Pride and Prejudice TV Series fame). Murray is also in love with language and words to the point where he feels they may even be a route to the divine, love and that most difficult of all emotions in the mid 19th century - forgiveness.

Used on one third of the earth as a 'mother tongue' - Murray goes at the impossible task of finding and defining 'every' word and permeation of the English language with aid from his team of researchers led by Henry Bradley (Iain Gruffudd). But it soon becomes obvious why others have been driven to tears with such a task - smashed up every time against the rocks of 'proof' for even the simplest of words like 'art' or 'approved' - and that's just the 'A's'. But help comes from an unlikely source and a parallel story.

Possessed of a demon-infested and yet brilliant mind, Dr. William Minor is also drawn to the healing of literature. But while he was once a respected surgeon in the American Civil War, conflict and actions he was forced into (maiming a soldier deemed to be a deserter) have left his mind shattered to the point where in a frenzy of voices and illusions - he shoots dead a young man called Everett. This has left his young wife Eliza and her five children to destitution (Natalie Dormer excelling in a genuinely great part for the Games Of Thrones star). Dr. Minor (a seriously brilliant Sean Penn) is easily convicted and sent to prison – Eliza Everett initially glad to see him suffer.

Inside the correctional facility/lunatic asylum for the criminally insane that is Broadmoor in Berkshire, he meets Dr. Richard Brayn - a caring physician played by the stunning Stephan Dillane - also of Games Of Thrones and cruelly robbed of an Oscar for his exceptional work in the Churchill film "Darkest Hour". Determined to methodically help inmates rather than let them rot in cells, Dr. Brayn gives the mad but clearly intelligent American leeway that may indeed lead to his salvation – space, paper and books. And after a letter is found inside a book that has called on the entire English-speaking world to supply words and their meanings, the strange relationship with the Scottish Professor James Murray and the convicted-of-murder American Civil War surgeon William Minor begins – over an English book from Oxford.

Both Gibson and Penn are magnificent in this movie - not just good - but towering. Throw in the genuinely awesome humanity that Eddie Marsan of "Ray Donovan" fame brings to everything that he does (Eddie plays a guard called Mr. Muncie who takes pity on the madman and is instrumental as a liason) and a fantastically good Steve Coogan as an establishment friend to James Murray who can oil and circumnavigate the cogs of Oxford snoots malicious and vindictive towards the Scotsman (Anthony Edwards and Laurence Fox leading the doubters) - and you get an inkling of the kind of quality ensemble cast that is on offer here. There are at least six or seven more names I could mention...

Good as they all are though, the cast excels because the story and the writing that depicts this unusual tale is simply beautiful - a gorgeous script by Director Farhad Safina (credited as P.B. Shemran) and Todd Komarnicki (Safina wrote large swathes of both seasons to a Kelsey Grammer Mayor-of-Chicago TV Series I loved called "Boss"). Based on a 1998 book by Simon Winchester called "The Surgeon Of Crowthorne", the 2019 film "The Professor And The Madman" has heart and compassion and delights in language and its power to diffuse and even heal. And on it goes to the credits where photographs and achievements give further insight into these odd but earnest men and their achievements – Bear McCreary’s music lifting proceedings all the way to the end.

I loved "The Professor And The Madman" and I suspect many others will too. As the damaged man, Dr. Minor says, "...I can fly out of here...on the wings of words..." Good advice, I think. A really, really good movie and well done to all involved...

BLU RAY: The Good, The Bad and The Ugly - MOVIE TRANSFERS That Are Fabulous, That Are Good and Then There Are The Ones That Suck - Reviews by Mark Barry...




BLU RAY: The Good, The Bad and The Ugly
Prints that are fabulous, sort of good and those that suck...

1.    Back To The Future Trilogy. The three "Back To The Future" films are remembered with great affection and rightly so (the first especially). But little will prepare you for how good they look on this 4-disc Lowry Digital Restoration Box Set. Great extras too - see review...

2.    Pride And Prejudice – The Film. Formerly only available in HD-DVD with the dodgy US ending, this March 2010 UK Blu Ray reissue finally allows this superb adaptation room to shine. Massive improvements over the DVD - see review....

3.    The Prisoner (TV Series). First aired in Sept 1967, this iconic 35mm-filmed masterpiece has enthralled & divided ever since. This stunning Sept 2009 6-Disc Box Set won’t. Gobsmacking to look at -see review…

4.    Brief Encounter. David Lean's 1945 morality tale of repressed England love in a train station finally given a properly great makeover by the British Film Institute. People say things like "frightful" and "beastly". The loveliest this absolute classic has ever looked. See review…

5.    Kelly's Heroes. Released in 1970 after "M.A.S.H." and in the same month as "Catch 22" - this 3rd slice of WW II irreverence has been beloved by movie fans ever since. The Blu Ray print is a revelation. See review…

6.    Shakespeare In Love. Re-watching this film in 2011 and you get its 13 Academy Award nominations. But now it has a fabulous transfer too onto Blu Ray - bringing out endless detail in the clothing and sets. See review…

7.    Band Of Brothers. I bought "Pacific" on Blu Ray but haven't finished it. This, however, is a different ball game. "Band Of Brothers" is truly astonishing on Blu Ray and one of the format's best bargain-buys. See review...

8.    Chitty Chitty Bang Bang. A 1968 family film given a frame-by-frame Lowry Digital Restoration and reissued on a 2010 Blu Ray with spectacular results. A benchmark even for Lowry. See review…

9.    Road To Perdition. You would think a film like this would be absolute Blu Ray heaven – but I found it an ever so slightly disappointing print. Although it’s a great re-watch as a film, the definition never rises to it

10. Green Zone. Filmed in a hand-held documentary way to get gritty realism and huge swathes of it at night, unfortunately what you get on Blu Ray is a really bad film with a rubbish unwatchable print. 

11. 2010: The Year We Make Contact. A very good Sci-Fi film from 1985, but unfortunately it has an awful transfer to Blu Ray that completely undermines your enjoyment of the watch. See review…

12. The Adventures Of Baron Munchausen. Another great film with ingenious and unique Gilliam visuals let down by a very so-so transfer. This should be a winner on Blu Ray. See review…

13. Stargate: The Ultimate Edition. Improved in places, but still with real problems in others. However, has hours of genuinely expanded extra features and a good price - both make it tempting. See review… 

14. Amadeus. A sumptuous period piece about the musical genius and fall of Mozart. And yet this is another film that should be gob-smacking on Blu Ray, but only manages slightly better. Very, very disappointing…

15. The X-Men Quadrilogy. Each of the first 3 films is a double-edition whilst "Wolverine" is a single-disc version (7 total). Superlative transfers to Blu Ray (way better than the DVDs) with a shed load of extras and a good price.

16. Ray (Ray Charles Biopic with Jamie Foxx). The reason I bought so completely into High Definition was viewing the HD-DVD of this Ray Charles biopic. A great film sensationally rendered. So good you can even see their wig lines! 

17. Coraline. Weird and wonderful animation (very Tim Burton) complete with 2D and slightly gimmicky 3D Versions (& several viewing glasses). An immaculate print and it's reasonably priced too. See review… 

18. Taken. A very good example of an ordinary print on DVD – but extraordinary on Blu Ray. It’s taught, beautifully filmed and endlessly re-watchable. The people’s rental/to buy champ for 2008. See review...

19. Intolerable Cruelty. 2011 Blu Ray reissue of a Coen Brothers film that divides fans. I think it deserves reappraisal and it’s fabulous to look at on the new format. See review…

20. Quo Vadis. Restored print with beautiful clarity, however, this bloated 1951 sand-and-sandals epic is a bit of a bore – even with Peter Ustinov and Leo Genn’s scene stealing. See review

21. Rio Bravo. A 1959 Western in Colour with great performances from the Duke and Walter Brennan. But the real revelation is Dean Martin. The print is very good too despite the vintage. See review...

22. Despicable Me. Saw this at the cinema in 3D - what a blast!  The yellow big-eyed Minions engendered incredible laughs and affection. Up close, this 2D Blu Ray reveals the beautifully realized artwork. Fresh & fun. (Triple Pack, Blu Ray, DVD & Digital Copy)

23. Out Of Sight. Another HD-DVD only title I owned – Blu Ray has the same stunning visual quality (big improvement on DVD), zippy script, chemistry between Clooney & Lopez & making-of with the cool cast interviewed. 

24. Live And Let Die. All 22 of the Bonds got Lowry Digital Restoration (still only 9 on Blu Ray). The opening New Orleans segment has best-ever clarity. From Russia With Love, Dr. No, Thunderball – all the same…

25. The Lake House. Initially only on the defunct HD-DVD format, this Blu Ray reissue mimics that entirely (even the menus are the same) and gives you a lovely print of a lovely movie. See review…

Monday 16 March 2020

"The Prisoner: The Complete Series In High Definition" – A Review of the Limited Edition BLU RAY Box Set released 28 September 2009 by NETWORK of the UK - Versus The '50th Anniversary Edition' from 2017 (reissued in 2019) – A Review by Mark Barry...






The September 2009 Issues - Standard and Deluxe





The 2017 '50th Anniversary Edition' Issues - Standard and 'Village Editions' Deluxe 


The 2019 Reissue of the 2017 Standard '50th Anniversary Edition' 



"…We Have A Citizen's Advice Bureau Up There…They're Very Good Apparently…"

When the 1st episode of "The Prisoner" was aired by ITV in September 1967 in the UK (June 1968 in the USA by CBS), "Sgt. Peppers" was still at number one and the Summer of Love was in full swing. All things seemed possible - and at the same time, with the Vietnam War, Race Riots and the escalation of Government control over personal lives - many things seemed slightly sinister too...

Enter into this volatile soup the cocky and charismatic actor Patrick McGoohan fresh from his global TV success as John Drake in "Danger Man". The distinctly voiced actor (born in New York, but raised in Ireland and Britain) had a mind-bending idea for a new "spy" TV series limited to only 7 episodes. "The Village" would be a self-contained world where no one had a name but a number and would act as a sort of containment home for retired secret agents that big-brother Government wanted to control and keep an eye on. Each week would see a new Number 2 trying to crack Number 6 (McGoohan) through ever more elaborate means. Escape was curtailed by a moving floating blob called "Rover" – this giant boob chased, cornered and then suffocated its victims up against a wall or into the sand (nice). The futility of even 'trying' to escape was reinforced by the insidious repetition of phrases like "be seeing you" - an early version of wordplay and spin-doctors playing us. It was a brilliant pitch and Lew Grade (head of Independent Television) thought it was "...crazy enough that it might just work...". But come February 1968 when the 17th truly-out-there "Fall Out" episode was finally aired (some saying it made little sense), McGoohan was on the defensive and practically being run out of his own country by angry and confused fans... How utterly cool! Now let's get to its transition on HD BLU RAY...

VERSIONS:
28 September 2009 saw TWO issues – the UK standard version (Region B only) with Prison Bars artwork and a blue clip case is Barcode 5027626700348 whilst their was also a Limited Edition in a Beautiful Box with Number 6's Kit-Car on the cover (the one I've reviewed) with an extra paperback book inside. The problem/confusion for buyers arises because it has no barcode on the rear so you can only differentiate by asking the seller or checking their photos as to what issue you're buying. The Box Set variant (pictured above) as you will find out is long deleted and has acquired something of a nasty price tag – but it is in my mind the prettiest variant. There are of course US variants (there's was issued October 2009) with slightly altered artwork too and most tend to be REGION 1 only. 

30 October 2017 saw 'The Complete Series' reissued as a 50th Anniversary Edition and again in TWO variants. I'll deal with the Standard Edition first because it's the one most people will see or try to buy because of its cheap cost. In a Network Exclusive Digipak ("The Complete Series starring Patrick McGoohan" is the title on the cover), compared to that gorgeous 2009 issue, the artwork on the Standard Edition is abysmal (Barcode 5027626804343). It has a treated profile face shot of McGoohan against the backdrop of the village – just mostly white artwork. That in itself has been reissued 29 July 2019 and it appeared again in October 2019 – same artwork (Barcode 5027626830144).

You get a flimsy card wrap on the outside that really is as unappetising as the artwork on Amazon suggests. That same crap blurry cover picture is on the fold out card inner which contains the discs and there's a foldout page that barely lists the titles - and that's your lot. With the 2009 standard Blu Ray case version on Amazon for £25 or less (with all 6-discs containing the beautifully remastered programs from the 60s cult classic) - this is hugely disappointing and a poor effort for forty quid. I couldn't stand to look at it and sent it back for a refund immediately. What a downer...avoid.

But to annoy us even further, also issued 30 October 2017, there is a Network UK '50th Anniversary Limited Edition' that goes all bells and whistles. This variant is loosely called 'Village Editions' (because of its artwork on the front cover). It comes with a new documentary called "In My Mind" with footage from 1983 cobbled together with a reluctant Patrick McGoohan, 6CDs of Remastered Music from the show called 'Village Recordings', the 6 restored BLU RAY discs now labelled as 'Village Films', visual stuff called 'Village Books' which features the hardback book 'An Illustrated History' by ANDREW PIXLEY – and all of this is contained in an outer 'Village Editions' box (Barcode 5027626816346). They come as boxes within boxes – so the ‘Village Films’ outer contains the shitty looking standard edition BLU RAY set within. It was initially pitched at about £70 but that is of course deleted and prices now vary hugely on the auction market for this pretty looking set – somewhere between £150 and £260 at times.

But for the purpose of this post, lets review the September 2009 Box Set...

UK-released on BLU RAY in September 2009 (Oct 2009 in the USA with different packaging) - the UK packaging is a box-of-chocolates shaped cardboard box with two compartments - the first contains a near-300 page paperback book entitled "The Prisoner - A Complete Production Guide" by ANDREW PIXLEY. It was originally produced exclusively for NETWORK and their 2007 remastered DVD box and is reprinted here; the second inset has a 6-disc BLU RAY clip box (each disc features a different picture). Discs 1 to 4 contain all 17 episodes - the complete series - and each episode with its own special features. Discs 5 and 6 have staggering amounts of further extras including input from those involved, previously unseen behind-the-scenes footage, a different version of "Arrival" and several commentaries by the production crew. It's exhaustive stuff. Only the BLU RAY set itself inside the box has a Barcode - 5027626700348

While the paperback is fan-obsessed with details and a truly informative account, it is completely devoid of any photographs, which I feel is not just disappointing, but does this otherwise fantastic presentation a major disservice. While there are loads of pictures on Disc 6 (in High Def) and fabulous complimentary features too - it would have been nice to trawl over a really good book featuring photos of those superb production values. No disrespect to the author whose work here is incredible and must have taken years of research, it's just that all words and no visual make it a very dry read (it was probably too cost-prohibitive).

But that minor niggle quickly pales into insignificance once your eyes see the frame-by-frame fully restored 35mm print. Presented in 1:33:1 aspect and filling the full screen - it is ABSOLUTELY GLORIOUS TO LOOK AT - and puts many a modern production to shame. I noticed maybe only one or two occasions where the image had lines or some other stock fault - for 98% of the time, the digitally restored high definition print is faultless and a constant joy and revelation to look at.

Filmed in a real-life folly called Portmeirion in Gwynedd in Wales (fans still visit the town in Prisoner regalia), the entire seaside town was the dream of architect Clough Williams-Ellis who purchased the peninsula in 1923 and began building his own Mediterranean village there complete with an English twist. Portmeirion had in fact featured in previous "Danger Man" episodes and McGoohan and his family had often holidayed there. With a budget of £50,000-per-episode, a large uniquely clothed cast of extras and an entire town bathed in summer sunshine to play with, the extraordinary location and production values collided to produce a vision that stuns to this day.

The clarity is AWESOME... There's a scene in Episode 1 "Arrival" where McGoohan is offered a chair in Number Two's lair - a hole in the floor slides across and up pops a stool - but this time you can clearly see that the hole is cardboard - and not steel. In Episode 2 "The Chimes Of Big Ben" when Nadia Gray wakes up as Number 8, you can see her hair is immaculate and her eyelids are heavily pasted in blue makeup... (the episode also features Finlay Currie as the General who was Magwitch the Convict in David Lean's masterpiece "Great Expectations")  - and on it goes!

In the 90-minute extra "Don't Knock Yourself Out" actors, producers and editors describe McGoohan on set in 1967 as charismatic, brilliant and a visionary - while others like Leo McKern and one actress in particular loathed McGoohan the man to the point of distraction - calling him monster, maniacal, brutish and a bully. Oddjob actor Patrick was undoubtedly the whole lot.

And like William Shatner and his 'big role', Captain Kirk from Star Trek, McGoohan had an equally spiky relationship with the character and TV series that both defined and pigeonholed him for decades. Still, you can't help but feel that Patrick is up there right now (whatever mood he's in) beaming down at this wonderful box set.

Is "Number 1" that part of you that capitulates - as McGoohan seems to suggest when one of the masks is unveiled in "Fall Out"? I don't know. But that's what "The Prisoner" is like - even after more than four decades, it's still thought provoking, wildly imaginative and stunningly relevant - especially on the core subjects of individual freedom and Governmental control. And now on BLU RAY it has the box set it has always deserved, even if the paperback is a wee bit of a letdown.

I've reviewed quite a few superlative restorations before this - "North By Northwest", "The Italian Job", "Cool Hand Luke", "Saturday Night, Sunday Morning" and "The Loneliness Of The Long Distance Runner" (see reviews for all), but this takes the gong. "The Prisoner" on BLU RAY is bound to make many fans go weak at the knees and will hopefully draw in a new generation of lovers for one of the most extraordinary television programs ever made.

Downsides – crappy reissues - without doubt and in March 2020 – it seems amazing to me that either the lovely-looking September 2009 box or the October 2017 '50th Anniversary Limited Edition' Box Sets aren't generally available and instead we're left with that awful-looking 2017/2019 issue with its crap white artwork and an almost complete lack of physical visuals. 

Time for another reissue I think. We wait in hope. Good hunting and be seeing you...

INDEX - Entries and Artist Posts in Alphabetical Order