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Friday, 21 January 2022

"The Real Thing" by TAJ MAHAL – June 1971 US 2LP Live Set on Columbia Records (CBS Records in the UK) – band featuring Howard Johnson, Bob Stewart, Joseph Daly, Earle McIntyre, Bill Rich, John Simon, John Hall, Greg Thomas and Kwasi DziDzournu (September 2000 UK Columbia/Legacy Expanded Edition CD Reissue – Vic Anesini Remaster) - A Review by Mark Barry...



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GET IT ON - 1971
 
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"...Fishin' Blues..."
 
Apart from the largely laid-back Brass 'n' Blues band nature of this live double-album (recorded February 1971 at the famous Fillmore East venue in New York with a backing band that included four Tuba players) - what blows you away here is the gorgeous in-yer-face CD Remaster done in 2000 by Sony/Columbia Tape Engineer Supremo VIC ANESINI.
 
The Vicster has done huge names in the Sony/BMG cannon - Bruce Springsteen, Simon & Garfunkel, Santana, Elvis Presley, Billy Joel, Mott The Hoople, The Jayhawks, Jeff Beck, AerNilsson, Blood, Sweat & Tears, Mountain and so many more. I seek his work out. Well add Taj Mahal to that list because the "Taj Mahal" self-titled Blues Rock debut and this Americana live double are barnstormer transfers - exemplary. To the big kneed tubby tuba details...
 
UK released September 2000 - "The Real Thing" by TAJ MAHAL on Columbia/Legacy 498174 2 (Barcode 5099749817425) offers a 1971 Double-Album Plus One Bonus Track Remastered onto 1CD and plays out as follows (66:56 minutes):
 
1. Fishin' Blues (2:58) [Side 1]
2. Ain't Gwine To Whistle Dixie (Any Mo') (9:11)
3. Sweet Mama Janisse (3:33)
4. Going Up To The Country And Paint My Mailbox Blue (3:24) [Side 2]
5. Big Kneed Gal (5:34)
6. You're Going To Need Somebody On Your Bond (6:14)
7. Tom And Sally Drake (3:39) [Side 3]
8. Diving Duck Blues (3:46)
9. John, Ain't It Hard (5:30)
10. She Caught The Katy And Left Me A Mule To Ride (4:08, PREVIOUSLY UNRELEASED)
11. You Ain't No Sweet Walker Mama, Honey But I Do Love The Way You Strut Your Stuff (18:56)
Tracks 1 to 9 and Track 11 are the double-album "The Real Thing" – released June 1971 in the USA on Columbia G 30619 and in the UK on CBS Records S 64385. Produced by DAVID RUBINSON – it peaked at No. 84 in the US Billboard Rock LP charts (didn't chart UK).
 
Part of their 'Columbia High Fidelity "360 Sound" Series' (mimics the '360 Sound' logo that came with all American Columbia records originals) - the 12-page booklet is a tasty affair with period photos of the huge band and new liner notes from STANLEY CROUCH quite rightly praising the 'chances' Taj took with the Blues medium. This was a different sound with Tubas and Brass thrown into the audio mix. Most tracks still had that same Blues and R&B backbeat - but of course not all purists and their one-way-only-taste-buds would have been impressed. But anyone hearing the juxtaposition of the guitar-only opener "Fishin' Blues" and the Canned Heat meets Taj Mahal 19-minute finisher could only be impressed. And that Remaster is fantastic.  
 
I've typed in the playing times for the tracks above because I'd swear that two are considerably extended cuts without saying so - "Ain't Gwine..." up from 8:17 to 9:11 minutes and "Big Kneed Gal" up from 4:45 to 5:34 minutes (some of the others have maybe 10 or 12 more seconds, but not as noticeable as those two).
 
When the four horns come crashing in during "You're Going To Need Somebody On Your Bond" - it has a huge power and that cool mention of Mavis Staples in the lyrics. Taj Mahal on Banjo with Bob Stewart on Tuba for the Side 3 instrumental "Tom And Sally Drake" comes out beautifully - virtually no hiss - but full of that 'live warmth' the recording is famous for. Their cover of the Sleepy John Estes classic "Diving Duck Blues" is turned into a rollicking R&B meets Rock driver.
 
There is almost total audience silence preceding "John, Ain't It Hard" – a stunning National Steel Blues lurch – his lady all dressed up in red and talking trashy. You can feel the crowd loving the vibe and their hollers increase as the Tubas come sailing in – gorgeous audio. And that Previously Unreleased track "She Caught The Katy..." slots in before the near 19-minute Side 4 finisher "You Ain't No Sweet Walker Mama..." like it was always meant to be there - impressive.
 
"The Real Thing" by Taj Mahal is a fab little CD Reissue and one that in January 2022 is increasingly hard to find. Seek it out and enjoy a clap-along yourself...

Thursday, 20 January 2022

"On Track... ELECTRIC LIGHT ORCHESTRA - Every Album, Every Song" by BARRY DELVE (November 2021 UK Sonicbond Publishing Paperback Book) - A Review by Mark Barry...




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"...Mr. Blue Skies..."

I enjoyed the Led Zeppelin entry in this "On Track..." series of paperbacks (see separate review - Sonicbond Publishing have maybe 50 or so titles under this generic name) - a really good book written by someone who knows the music, the band and their recorded output.

So I was kind of expecting more of the same from Barry Delve's go at ELO and that’s exactly what you get – a genuinely excellent take on the band and where it hurts – the actual music.

Published 26 November 2021 (31 December 2021 in the USA) - this Sonicbond Publishing paperback "On Track... ELECTRIC LIGHT ORCHESTRA - Every Album, Every Song" by BARRY DELVE follows the same layout format as all the others - 160-ish A5 pages of text - 16-pages of colour illustrations (album artwork, singles, posters, live shots etc) and song-by-song reviews. You get full Personnel lists, release dates (no catalogue numbers) and chart positions.

Delve has been a lifelong fan of Roy Wood's and Jeff Lynne's multi-headed Rock-orchestral beast since their inception back in the days of The Move and The Idle Race. You know you're in the space of a proper fan when he explains the Brummie scene from whence they came, the debut self-titled album issued in the UK in November 1971 on Harvest Records forever being called "No Answer" in the USA by United Artists because the secretary that called from the States and asked for the LP title got those words as a reply and literally took it verbatim. Hence the American debut has always been "No Answer". Delve isn't delusional about his stringy crave either, rightly deriding the stink bomb that was the "Xanadu" film, but noting that ELO's June 1980 soundtrack LP on Jet Records wasn't a dog musically and duly achieved a No. 2 UK and No. 4 USA chart placing on the Rock LP lists with ease.

In fact as you wade through these typically in-depth ruminations on the songs and their slow growing chart successes - you begin to notice that ELO were so much bigger Stateside than they ever were in the UK - each of their albums consistently released in America as much as two months in advance of the British issues. The first two on Harvest UK established the String vs. Rock template both Wood and Lynne wanted for ELO - "The Electric Light Orchestra" in 1971, "ELO 2" in 1972 and "On The Third Day" followed by "Eldorado – A Symphony By" in 1973 and 1974, both for Warner Brothers.

ELO then went on to a hugely successful run on Jet Records - "Face The Music" (1975) and "A New World Record" (1976) - each release becoming ever more sophisticated and hit-obsessed. The onslaught to win hearts and ears culminated in the 1977 double-album monster "Out Of The Blue" and the equally prolific five-singles "Discovery" album in 1979 – the late Seventies being their zenith. After "Time" in 1981 (went to No. 1 in the UK though few remember it and unfairly so according to the writer), their fortunes waned badly and it is with no small amount of pride that Delve tells us that 2019's "From Out Of Nowhere" credited to Jeff Lynne's ELO went in at No. 1 in the UK – their first decent chart showing in a quite a while and showing they were no longer perceived as just an oldies band.

There are reminiscences and interview quotes - all key players and musicians are listed like Roy Wood, Jeff Lynne, Bev Bevan, Michael de Albuquerque, Kim Kaminski, Richard Tandy etc as well as Lynne solo - and each outtake or period straggler song that turned up after the event on CD reissues and remasters are also discussed at the end of each LP review.

Delve's book is thorough, informational and above all feels like a genuinely good appraisal of an often unrated band celebrating their 50th Anniversary in 2021.

"On Track...ELECTRIC LIGHT ORCHESTRA, Every Album, Every Song" does for E.L.O.'s legacy where it matters - discussing the actual songs and albums.

Priced at £14.99 - I've seen it on sale at just above ten quid. So, if you're a fan, it's a must own and for the music/history curious - a big recommend too...

Wednesday, 19 January 2022

"Tea For The Tillerman: 2CD Deluxe Edition" by CAT STEVENS – November 1970 UK Fourth Studio Album (And Second) on Island Records (January 1971 USA on A&M Records) – Featuring Alun Davies on Guitar, John Ryan on Double Bass, Harvey Burns on Drums, Jack Rostein on Violin, Paul Samwell-Smith on Backing Vocals and Production with Del Newman String Arrangements (4 December 2020 UK Universal UMC/Cat-O-Log/Island Records 50th Anniversary Reissue 2CD Deluxe Edition with 14 Bonus Tracks – Geoff Pesche Remaster) - A Review by Mark Barry...






This Review and 317 More Like It 
Are Available in my e-Book...

ALL THINGS MUST PASS
1970

Your All-Genres Guide To
Exceptional CD Reissues and Remasters 
Classic Albums, 45-Singles, Compilations 
ALL GENRES
Over 2,350 E-Pages of Reviews from the discs themselves
(No Cut and Paste Crap)

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"...Coming To Win Us..."
 
To date I've purchased two of these 50th Anniversary Reissues - "Mona Bone Jakon" and "Tea For The Tillerman" - both albums originally issued in 1970. 
 
They are part of an ongoing series of reissues entitled The Yusuf / Cat Stevens Cat-O-Log Collection. But in order to get a lay of the land on this new version of "Tea For The Tillerman", we need to backtrack a little. 
 
Not surprisingly and following on from the bare-bones single CD remaster of 2000, Universal subjected both November 1970's "Tea For The Tillerman" and its popular September 1971 follow-up album "Teaser And The Firecat" (UK release dates) to their chunky 2CD DELUXE EDITION Series in November 2008 – another Ted Jensen Remaster with eleven new Previously Unreleased bonus tracks on CD2 of "Tillerman".
 
You would therefore think that they would all turn here in December 2020 on this New 2CD Deluxe Edition Remaster along with more for our audio delectation – but actually – no. Six have survived the transfer - Wild World (Demo Version, Recorded 1969), Miles From Nowhere (Demo Version, Recorded 1969), Longer Boats (Live At The Troubadour, Recorded 1970), Into White (Live At The Troubadour, Recorded 1970), On The Road To Find Out (Live at KCET-TV, Recorded in Los Angeles, 1971) and Tea For The Tillerman (Live At The BBC, Recorded 1970 for BBC Radio 1's "Sounds Of The Seventies" at the Playhouse Theatre). Not even the Super Deluxe Edition 5CD Box Set has the remaining five – one live track recorded in Japan in 1976, two from the Majikat Earth Tour of 1976 and two more recorded 2006 at Yusuf's Café. 
 
So any fan wanting the lot will need to keep that 2008 2CD Deluxe Edition – which frankly seems a bit lax. But given the gorgeous new Audio on this 2020 version, new Unreleased actually worth owning and its rather spiffing presentation, there is still oodles to be gleeful about. Let's deal with what we have...
 
UK released 4 December 2020 - "Tea For The Tillerman: 2CD Deluxe Edition" by CAT STEVENS on Universal UMC/Cat-O-Log/Island Records 0602508395253 (Barcode 602508395253) is a 2CD Reissue and Remaster with 14 Bonus Tracks (on CD2) that plays out as follows: 
 
CD1 "Tea For The Tillerman, 2020 Remaster" (36:51 minutes):
1. Where Do The Children Play? [Side 1]
2. Hard Headed Woman
3. Wild World
4. Sad Lisa
5. Miles From Nowhere
6. But I Might Die Tonight [Side 2]
7. Longer Boats
8. Into White
9. On The Road To Find Out
10. Father And Son
11. Tea For The Tillerman
Tracks 1 to 11 are his fourth studio album "Tea For The Tillerman" - released November 1970 in the UK on Island Records ILPS 9135 and January 1971 in the USA on A&M Records SP-4280. Produced by PAUL SAMWELL-SMITH - it peaked at No. 20 in the UK and No. 8 in the USA.
 
 
CD2 "Tea For The Tillerman, Demos, Alternate Versions, Bonus Tracks, Live Recordings" (45:21 minutes):
1. Wild World (Demo)
2. Miles From Nowhere (Studio Demo)
3. But I Might Die Tonight (Deep End Movie Version)
4. Can This Be Love? (Album Out-Take)
5. Honey Man (Duet with Elton John recorded October 1967, first issued October 2001 on the "On The Road To Find Out" 4CD Long Box Set, Reissued June 2008 in a smaller Digibook Format as "Cat Stevens")
6. If You Want To Sing Out Sing out (Demo)
7. Don’t Be Shy (Demo)
8. Wild World (Live At The Troubadour, December 1970)
9. Longer Boats (Live At The Troubadour, December 1970)
10. Into White (Live At The Troubadour, December 1970)
11. On The Road To Find Out (Live at KCET-TV Studios, Los Angeles USA, 8 June 1971)
12. Where Do The Children Play? (Live at KCET-TV Studios, Los Angeles USA, 8 June 1971)
13. Father And Son (Cat Stevens In Concert, 27 November 1971)
14. Tea For The Tillerman (BBC Live Recording, 16 June 1970)
 
The hardback book with embossed front-cover artwork that precisely mimics the original British LPs that comes with these 2CD Deluxe Editions is gorgeous and of course the same generic artwork will make a row of titled spines stretching right up his last album on Island Records "Back To Earth" in December 1978. To date (January 2022), there have been three (see list below). Unfortunately once the shrink-wrap is torn open, the titled sticker has nowhere to go and worse, the credits page on the rear simply falls off (don't know why they can't simply paste these bloody things on).
 
But once inside, those minor niggles fade. There is a newly laid out 28-page booklet with notes from Yusuf, guitarist Alun Davies and Producer Paul Samwell-Smith that replaces the 12-page inlay of the old 2000 CD version. Anyone who had the original UK and US LPs on Island and A&M Records will remember fondly the Gatefold Sleeve with that cauldron photo on the inside and the lyrics in tiny print on the rear. The looking down photo is now on the inside flaps and the lyrics smartly abutting text that deals with every song.
 
There are some tasty touches – the titled US 45-single sleeve for Where Do The Children Play? On A&M Records AM 1291 siding the text for that Side 1 song opener – a French face-profile picture sleeve for Sad Lisa that was backed with Wild World on Island 6014 042 – a rare Dutch picture sleeve for Father And Son with Moonshadow on the flipside on Island 10 485 AT. There are publicity photos, live shots of Cat with his right-hand man Alun Davies on acoustic guitars, two of the British Mastertape Boxes, the album artwork, sheet music and even a rare Dutch split photo issue 45 for Wild World that shows and tells us Jimmy Cliff sings it, while Cat Stevens wrote it (Island 6014 024). It’s very pretty (see photos provided) and well thought out. Let downs (as it is with all these 2CD sets) – those missing tracks - CD2 merely listing its bonuses in the booklet but with no discussion at all – a lazy approach. Also be careful removing the actual CDs (both entirely Pink in colour to reflect the original famous British label on Island Records) – they are tucked in tight into pouches built into the walls of the hardback sleeves so are too damn easy to rip.
 
Ted Jensen - a long-standing Audio Engineer of WEA catalogue renown – mastered both the 2000 single CD reissue series and the 2CD Deluxe Edition in 2008 – and lovely they were too. Here we get technology advanced by 20 years and GEOFF PESCHE at Abbey Road having another go round in 2020. These '50th Anniversary' Reissues are gorgeous – the liquid watery sound of the piano on "Sad Lisa" (recorded through a Lesley) comes pounding out of your speakers like never before, the acoustic clarity on the opening to "Father And Son" feeling bigger and more spacious. John Ryan and his Double Bass on the flying saucers song "Longer Boats" thumping away like a goodun. All the instruments are in your face and in a clarity-way you would actually want. Impressive...
 
Not surprising that CD2 opens with the Demo of "Wild World" that first appeared in 2008 – it has huge audio presence and even in its purely acoustic state – packs a serious punch. From there we go to piano for "Miles To Nowhere" – his playing just fantastic and featuring different fills to that of the recording version (it also has Acoustic doubled onto it – great). Things dip dramatically with a seriously overwrought "But I Might Die Tonight" done for the "Deep End" movie – a far heavier and uglier version that you can’t help feel has been dubbed from something other than a mastertape.
 
But things kick into the stratosphere with a gorgeous unreleased outtake called "Can This Be Love?" – what a discovery – acoustic, piano and double bass, drums – its fully formed and would have been a stunning B-side to say "Father And Son" in both tone and theme. The duet with Elton John "Honey Man" first showed on the 2001 4CD Box Set "On The Road To Find Out" and is probably best forgotten by both great men. Far better is a 2:59 minute Demo Version of "If You Want To Sing Out Sing Out" – a finished version of which recorded in February 1971 made its way onto the "Harold And Maude" film. Another winner from that film is "Don’t Be Shy" (also recorded proper in February 1971) which again turns up here in crystal clear 2:41 minute Demo form – a beautiful little melody fans will thrill too.
 
Smartly that’s followed by "Wild World" played live at the Troubadour in LA in December 1970 – a month after the album came out in the UK – its audio almost mimicking that of the "Don’t Be Shy" demo. Very well recorded, "Longer Boats" follows which he announces is about spaceships. He carries on with a thing called "Into White" – as pretty and as delicate as the LP version – and again – well recorded for the day. And on it goes...
 
His first album for Island Records "Mona Bone Jakon" issued in April 1970 was a good start - a three-star effort 'getting' to the genuine five-star greatness of "Tea For The Tillerman". In September 1971 when he issued "Teaser And The Firecat" – there would be no doubt – Cat Stevens became a household name and one of the artists carrying the burgeoning singer-songwriter flag of excellence.
 
So, despite a few minor whinges, anywhere beneath or around a British ten-spot for this new 2020 "Tea For The Tillerman" 2CD Deluxe Edition and it quickly becomes an absolute must buy for fans and unconverted alike.
 
Now, if I could only afford that Super Deluxe Box Set, I’d put the kettle on...again...
 
Titles in The Yusuf/Cat Stevens/Cat-O-Log Collection Series
50th Anniversary Reissues - Geoff Pesche Remasters at Abbey Road
 
1. Mona Bone Jakon (April 1970 UK Original LP)
All 50th Anniversary Formats UK/EU released 4 December 2020
On Universal UMC/Cat-O-Log Records/Island Records
Single CD Version is 0602508820298
2CD Deluxe Edition Version is 0602508395260
4CD/LP/12”/BLU RAY Super Deluxe Box Set Version is 0602508395178
VINYL LP Version is 0602508820304
 
2. Tea For The Tillerman (November 1970 UK Original LP)
All 50th Anniversary Formats UK/EU released 4 December 2020
On Universal UMC/Cat-O-Log Records/Island Records
Single CD Version is 06025088203598
2CD Deluxe Edition Version is 0602508395253
5CD/LP/12”/BLU RAY Super Deluxe Box Set Version is 0602508395086
VINYL LP Version is 0602508820311
 
3. Teaser And The Firecat (September 1971 UK Original LP)
All 50th Anniversary Formats UK/EU released 19 November 2021
On Universal UMC/Cat-O-Log Records/Island Records
Single CD Version is 0602435513188
2CD Deluxe Edition Version is 0602435513126
4CD/BLU RAY Super Deluxe Box Set Version is 00602435949628
VINYL LP Version is 0602435513218

Tuesday, 18 January 2022

"Mona Bone Jakon: 2CD Deluxe Edition" by CAT STEVENS – April 1970 UK Third Studio Album (and first) on Island Records (August 1970 USA on A&M Records) – Guests Include Alun Davies on Guitar, Peter Gabriel on Flute, Paul Samwell-Smith on Backing Vocals and Production with Del Newman String Arrangements (December 2020 UK Universal UMC/Cat-O-Log/Island Records 50th Anniversary Reissue 2CD Deluxe Edition with 10 Bonus Tracks – Geoff Pesche Remaster) - A Review by Mark Barry...





This Review and 315 More Like It 
Are Available in my e-Book...

ALL THINGS MUST PASS
1970

Your All-Genres Guide To
Exceptional CD Reissues and Remasters 
Classic Albums, 45-Singles, Compilations 
ALL GENRES
Over 2,350 E-Pages of Reviews from the discs themselves
(No Cut and Paste Crap)

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"...I Think See The Light..."
 
To date I've purchased two of these 50th Anniversary Reissues - "Mona Bone Jakon" and "Tea For The Tillerman" - both albums originally issued in 1970. 
 
They are part of an ongoing series of reissues entitled The Yusuf / Cat Stevens Cat-O-Log Collection
 
2021 has also seen September 1971's "Teaser And The Firecat", and 2022 will undoubtedly see September 1972's "Catch Bull At Four" also get a 50th Anniversary makeover, and in multiple formats too.
 
Only ever available as a bare-bones single CD remaster from 2000, this is the first time "Mona Bone Jakon" has been given a proper upgrade (see list of formats below). And like most purchasers/fans I've loved the fabulous new spangly-clean Geoff Pesche Remasters (done at Abbey Road in 2020), and the 2CD Hardback Book Digipaks are certainly presentation lookers. But there are frustrating clunkers across this 2CD set masquerading as 'Bonuses' and irritating omissions that really should have been on here (and this is before we get to the initial vs. now prices of the 'Super Deluxe Box Sets' which started out at £185+ and are now hard to sell at £78 and £75 respectively).
 
Anyway, let's deal with what we have to celebrate and moan about in equal measure...
 
UK released 4 December 2020 - "Mona Bone Jakon: 2CD Deluxe Edition" by CAT STEVENS on UMC/Cat-O-Log/Island 0602508395260 (Barcode 602508395260) is a 2CD Reissue and Remaster with 10 Bonus Tracks (on CD2) that plays out as follows: 
 
CD1 "Mona Bone Jakon, 2020 Remaster" (35:19 minutes):
1. Lady D'Arbanville [Side 1]
2. Maybe You're Right
3. Pop Star
4. I Think I See The Light
5. Trouble
6. Mona Bone Jakon [Side 2]
7. I Wish, I Wish
8. Katmandu
9. Time
10. Fill My Eyes
11. Lilywhite
Tracks 1 to 11 are his 3rd studio album "Mona Bone Jakon" - released April 1970 in the UK on Island ILPS 9118 and August 1970 in the USA on A&M Records SP-4260. Produced by PAUL SAMWELL-SMITH with all songs written by CAT STEVENS - it peaked at No.63 on UK LP charts in June 1970 (didn't chart USA).
 
CD2 "Mona Bone Jakon, Demos and Live Recordings" (31:59 minutes):
1. Maybe You're Right (Studio Demo)
2. I Think I See The Light (Studio Demo)
3. Trouble (Studio Demo)
4. I Wish I Wish (Studio Demo)
5. I Want Some Sun (Studio Demo)
6. Interview - BBC Live Recording 16 June 1970
7. Lady D'Arbanville - BBC Live Recording 16 June 1970
8. Katmandu - BBC Live Recording 16 June 1970
9. Time / Fill My Eyes  - Audience Recording Live at Plumpton Jazz & Blues Festival 8 Aug 1970
10. Maybe You're Right - Audience Recording Live at Plumpton Jazz & Blues Festival 8 Aug 1970
 
The hardback book with embossed front-cover artwork that precisely mimics the original British LPs that comes with these 2CD Deluxe Editions is gorgeous and of course the same generic artwork will make a row of titled spines stretching right up his last album on Island Records "Back To Earth" in December 1978. To date (January 2022), there have been three (see list below). Unfortunately once the shrink-wrap is torn open, the titled sticker has nowhere to go and worse, the credits page on the rear simply falls off (don't know why they can't simply paste these bloody things on).
 
But once inside, those minor niggles fade. There is a newly laid out 28-page booklet replacing the 12-page inlay of the old 2000 CD version. Anyone who had the original UK and US LPs on Island and A&M Records will remember fondly that the inner holding bags actually had the lyrics to the songs printed out in his handwriting on either side of the bag with little noodle drawings above some of the songs. The 2000 CD booklet repro'd that, but unfortunately this reissue ditches all such slavish devotion to detail in favour of a more elaborate presentation. In-between the period B&W/Colour photos and rare Euro Picture Sleeves, each song gets a detailed liner-notes history of its creation and the lyrics are typed next to them in a clear font. The period snaps are fab - publicity photos, live shots with Alun Davies on Guitar, a repro of the Harold And Maude film that Cat Stevens gave songs to and well as two pages at the rear showing the actual British Mastertapes. Genesis fans will know that an in-between albums 19-year-old Peter Gabriel played flute on "Katmandu" (not much of a contribution truth be told) and we get thankful reminiscence from him on it, but sadly no photos. A huge let down (as it is with all these 2CD sets) is that CD2 is merely listed by tracks in the booklet but has no discussion at all – the lazy approach. There is a sort of apology and acknowledgment that the Audience Tape sound on the two Plumpton Jazz & Blues Festival cuts is less than brill - even with Abbey Road audio restoration and remastering. I think they're a joke and CD2 filler of the worst order. But more of that later...
 
Ted Jensen - a long-standing Audio Engineer of WEA catalogue renown – mastered the 2000 single CD reissue series and lovely they were too. Here we get technology advanced by 20 years and GEOFF PESCHE at Abbey Road having another go round in 2020. These '50th Anniversary' Reissues are gorgeous and even though you can feel the crudity with which "Mona Bone Jakon" was recorded, the audio feels bigger and more spacious. The instruments are in your face and in a clarity-way you would actually want. Impressive...
 
MBJ opens with an obvious single, the lovely mid-paced "Lady D'Arbanville". Actually darker than its pleasant strum would initially suggest - the warmth of that acoustic soundstage is countered with cheery lines like "...in your grave you lie...I'll always be with you...this rose will never die..." A hurting smoocher follows - this time Cat leading with piano on "Maybe You're Right". It’s a rather stunning little song that sounds like it could easily have been on "Tea For A Tillerman". With it's strings and deep melody - I can't help thinking it would have made a great follow up 45 - but Island let "Lady D'Arbanville" be the only 7" single lifted from the album. The rather acidic "Pop Star" whines just a little too much and just seems strangely out of place (a B-side) - but at least as he sings "...going to the cold bank..." the acoustics are crystal (a great transfer this). Side 1 ends with "I Think I See The Light" - a slight return to the Pop sound of the Deram days - and the beautiful "Trouble" - a song that exudes a tangible hurt (superb remastered sound).
 
Side 2 opens with the short and echoed title track "Mona Bone Jakon" where he sings 'jack-on' and tells us 'it won't be lonely for long' - whatever that means. A pencilled face with a closed-up mouth stares down at the lyrics for "I Wish, I Wish" in the booklet (his own sketch) - a strange hybrid sound that's somewhere between Deram and Island - and dig that fabulous Acoustic Guitar solo (Alun Davies I'd swear). The catgut strings of a Spanish acoustic guitar squeak throughout "Katmandu" where we hear the occasional Flute flourishes of Genesis' Peter Gabriel making a few bob before stardom on Charisma Records. It's a tad hissy this track but the audio is magnificent – Pesche has wisely let it breath. At 1:26 minutes "Time" is short but wow what a gorgeous little melody - him on acoustic with the occasional piano note nipping in and out like a jet (treated production). It segues into the equally pretty "Fill My Eyes" - a song with a sweet chorus. It finishes on another LP highlight - the ballad "Lilywhite" - Newman's arrangement of those big strings and cello notes elevating the song into something special - especially in that gorgeous fade-out passage.
 
But the lovely new 2020 album audio is as nothing to the five Studio Demos that start CD2, that as far as I'm concerned actually outshine the finished versions on CD1. They are startling in their sonic clarity to say the bloody least – beautiful – acoustic guitar on "Maybe You're Right" and "I Wish I Wish" with pounding piano on "I Think I See The Light". His attack on these Studio Demos is palpable – like he's got something to prove after a yearlong illness with TB and with this stunning audio feel more 'alive' than the rather stilted finished cuts ended up sounding on the LP. The new outtake "I Want Some Sun" is beautifully recorded but awkward, not great either vocally or lyric-wise and easy to see why it remained in the can all these years.
 
As I say, fans are going to love those five Studio Demos. Unfortunately the dairy of them is quickly reduced to rubble by the crappy last five – one of which is a 1:11 second interview with the BBC explaining about Patti D'Arbanville, the actress he was dating at the time who featured in the Andy Warhol movie "Flesh" and whom "Lady D'Arbanville" is based upon. "Katmandu" follows, but both are hissy and only OK sonic-wise. The two Plumpton Jazz and Blues Festival offerings are awful (the poster is repro'd in the booklet) – unlistenable far-away crap. They shouldn't be here and 'historical importance' is a poor excuse. When I think of the Mona outtakes on the Cat Stevens Box Set like "I've Got A Thing About Seeing My Grandson Grow Old" or the lovely Harold And Maude tracks like "Don't Be Shy" and "If You Want To Sing Out Sing Out" – they would have been so much more appropriate and genuine 'bonuses'. As it is, it won't take fans long to work out that the good five could have been tagged onto the 1CD 50th Anniversary version - cheaper for us - less for the morally upright artist.
 
"Mona Bone Jakon" isn't as special as the "Tea For The Tillerman" and "Teaser And The Firecat" LPs that would follow and make his name. Instead it's a three-star effort that's getting to those two stabs of genuine five-star greatness. 
 
I've also watched this 2CD Deluxe Edition of "Mona Bone Jakon" fluctuate wildly in price ever since release, up to a point that as I write this in January 2022, it's less than eight quid new on Amazon with "Tillerman" clocking in at one point a few days ago at a staggering low price of £6.35 for the double!
 
So, to sum up - anywhere under a whinging ten-spot for the 2CD Deluxe Edition of "Mona Bone Jakon" and I say go for it my peeps of taste and cultural refinement, this being upgraded tears from a dustbin truly worth nabbing...
 
Titles in The Yusuf/Cat Stevens/Cat-O-Log Collection Series Of
50th Anniversary Reissues - Geoff Pesche Remasters at Abbey Road
 
1. Mona Bone Jakon (April 1970 UK Original LP)
All 50th Anniversary Formats UK/EU released 4 December 2020
On Universal UMC/Cat-O-Log Records/Island Records
Single CD Version is 0602508820298
2CD Deluxe Edition Version is 0602508395260
4CD/LP/12”/BLU RAY Super Deluxe Box Set Version is 0602508395178
VINYL LP Version is 0602508820304
 
2. Tea For The Tillerman (November 1970 UK Original LP)
All 50th Anniversary Formats UK/EU released 4 December 2020
On Universal UMC/Cat-O-Log Records/Island Records
Single CD Version is 06025088203598
2CD Deluxe Edition Version is 0602508395253
5CD/LP/12”/BLU RAY Super Deluxe Box Set Version is 0602508395086
VINYL LP Version is 0602508820311
 
3. Teaser And The Firecat (September 1971 UK Original LP)
All 50th Anniversary Formats UK/EU released 19 November 2021
On Universal UMC/Cat-O-Log Records/Island Records
Single CD Version is 0602435513188
2CD Deluxe Edition Version is 0602435513126
4CD/BLU RAY Super Deluxe Box Set Version is 00602435949628
VINYL LP Version is 0602435513218

INDEX - Entries and Artist Posts in Alphabetical Order