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Sunday, 19 February 2023

"Blow Up Your Video" by AC/DC - February 1988 Album on Atlantic Records featuring Angus and Malcolm Young (Guitars), Brian Johnson (Vocals), Cliff Williams (Bass) and Simon Wright (Drums) (February 2003 UK Epic/Albert Productions CD Reissue with Access To Extra Online Material via 'ConnecteD Technology' - Part of The AC/DC Remasters Series - Repro Artwork Card Digipak Presentation with New Booklet, Picture CD and George Marino Remasters) - A Review by Mark Barry...




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This Review and 209 more are in my E-Book
Available on AMAZON 

LET'S GO CRAZY - 80ts Music On CD

Your All-Genres Guide To Exceptional CD Reissues and Remasters
Classic Albums, Compilations, 45s
All In-Depth Reviews from the Discs Themselves
Over 1,650 e-Pages of Info
(No Cut and Paste Crap)

"...That's The Way I Want My Rock 'n' Roll..."
 
I'd admit that at the time and as a self-professed AC/DC nut deeply invested in everything about the Bon Scott line-up of this fantastic Australian Rock Band - his loss in 1980 and back-to-business immediately replacement hammered me. 
 
I don't care how many copies "Back In Black" subsequently sold or how good Brian Johnson's vocals were (a near perfect fit that maybe only Gary Holton of the Heavy Metal Kids could have fitted if he'd have been able to stay away from the drugs) - I hated the "Back In Black" album with a nuclear vengeance. I thought it cold and trite and knew how much better it would have been had Bon been at the lyrics helm. 
 
So much of the AC/DC output for the entirety of the 80ts passed me by in a blur of 'they used to be good' oblivion. Until this snotty little number from early 1988 made me rethink and (partially) re-love (4 stars). Let's get to the kissing of the dynamite...
 
UK released 18 February 2003 - "Blow Up Your Video" by AC/DC on Epic/Albert Productions 510770 2 (Barcode 5099751077022) is a CD Reissue and Remaster that utilizes 'ConnecteD Technology' to access extra material via Online Sources (acdcrocks.com). It plays out as follows (42:57 minutes):
 
1. Heatseeker [Side 1]
2. That's The Way I Wanna My Rock N Roll 
3. Meanstreak
4. Go Zone
5. Kissin' Dynamite 
6. Nick Of Time [Side 2]
7. Some Sin For Nuthin' 
8. Ruff Stuff 
9. Two's Up 
10. This Means War 
Tracks 1 to 10 are their studio album "Blow Up Your Video" - released early February 1988 in the USA on Atlantic 7 81828-1 and Atlantic WX 144 in the UK. Produced by HARRY VANDA and GEORGE YOUNG - it peaked at No. 2 in the UK and No. 12 in the USA. 

The entire campaign of 20 or so titles in The AC/DC Remasters series comes in a card digipak that mimics the 'US' artwork (gold title stickers on the front). "Blow Up Your Video" sports a new 16-page booklet with wildly appreciative and enthusiastic histories from uber-fan ALAN Di PERNA alongside new photos, memorabilia from the 1988 US Tour and of course it sports that all-important GEORGE MARINO Remaster from original tapes that absolutely ROCKS. The 'ConnecteD' Technology angle means that when your computer is 'connected' to the Internet, you can access extra material (music and videos) from their website acdcrocks.com.

The album comes roaring in with one of its genuine rawkin' highlights - "Heatseeker" - the band and Johnson rearing to go. It's the kind of perfect Hard Rock winner AC/DC seem to conjure up in their sleep and not surprisingly Atlantic Records gave it first dibs in January 1988 - the 7" single Atlantic 7-89136 paired with another album winner "Go Zone" on the flipside. With a very definite avoidance of big-hair solos - AC/DC go after the happy with each rocker - of which there are many - saucy lyrics ahoy "Two's Up" "Kissin' Dynamite" and so on. 
 
Re-uniting with the Scott-era AC/DC-sound Producers of old - Harry Vanda and George Young - Johnson let rip. When you hear "This Mean's War" - his vocals are throat shredding while the riffage and drums smash all around you. "Nick Of Time" opens Side 2 with more of the same. And titling this review is the fabulous fun rawk of "That's The Way I Wanna Rock N Roll" - party time at the union hall - glory hallelujah - roll roll roll - blow up my video - tell the boss man where to go. Oh yeah - great stuff. 
 
The only problem with forking out on this snotty little brute is obvious - you'll want the rest of them because your soul knows - you can never have enough AC/DC in your life and on the stereo terrifying the neighbours...

"Steve McQueen: Legacy Edition 2CD Reisue" by PREFAB SPROUT - June 1985 UK Second Studio Album on Kitchenware Records featuring Paddy and Martin McAloon, Neil Conti and Wendy Smith with Guests Thomas Dolby (Production and Keyboards), Phil Thornally (Production), Mark Lockheart (Saxophone) and Kevin Armstrong (Guitar) (June 2007 UK Sony/BMG/Legacy 2CD Deluxe Edition Reissue with a Thomas Dolby Remaster of the Album on CD1 with Nine New 'Acoustic Version' Interpretations of the Album Tracks by Paddy McAloon on CD2) - A Review by Mark Barry...






 
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This Review and 209 more are in my E-Book
Available on AMAZON 

LET'S GO CRAZY - 80ts Music On CD

Your All-Genres Guide To Exceptional CD Reissues and Remasters
Classic Albums, Compilations, 45s
All In-Depth Reviews from the Discs Themselves
Over 1,650 e-Pages of Info
(No Cut and Paste Crap)

 "...The Things You Do To Stop The Truth From Hurting You..."
 
I was living in Dublin when this giant-leap-ahead album hit the shops in June 1985 on the eclectically named Kitchenware Records - quietly blowing Prefab Sprout's debut album "Swoon" from March 1984 out of the proverbial musical water. While the account starter was interesting (as they say in reviewer parlance) - its follow-up "Steve McQueen" from only a year later was an altogether better beast in every possible way.
 
"Steve McQueen" wowed (Side 1 especially). Most of my mates were in awe of emo-inducing songs like "Bonny" and "When Love Breaks Down" never mind the brilliant lyrics and crafty riffage and synth fills in tunes like "Faron Young" (on the TV at four in the morning), "Goodbye Lucille No. 1" (give it a rest Johnny, Johnny) and "Moving The River" (a truly gifted kid, only as good as the last great thing you did) - the kind of Eighties Rock sophistication so many bands and serious artists of the time allured to but seldom achieved. And I've been in love with Steve McQueen's gorgeous panorama ever since. 
 
Called "Two Wheels Good" in the USA when it was issued on Epic Records (the estate of the famous actor took umbrage to the name 'Steve McQueen' being used as the album title) - it had slick Production values supplied by THOMAS DOLBY - but probably because of its 45-minutes plus total playing time, always sounded like a slightly muted audio letdown because of the limitations of vinyl. So we waited for CD to catch up and in early April 2007 - Sony-BMG did so with this fantastic 'Legacy Edition' 2CD reissue. To the six things on Paddy's mind (my review's not one of them)...

UK released 2 April 2007 - "Steve McQueen: Legacy Edition" by PREFAB SPROUT on Sony/BMG/Legacy KWCD3-25 - 82876731592 (Barcode 828767315928) is a 25th Anniversary 2CD Reissue with a Thomas Dolby Remaster of the 1985 album on CD1 and Eight 'New Acoustic Versions by Paddy McAloon' of key album tracks on CD2. It breaks down as follows:

CD1 "Steve McQueen" Original Album Remastered by Thomas Dolby (45:11 minutes):
1. Faron Young [Side 1]
2. Bonny 
3. Appetite
4. When Love Breaks Down 
5. Goodbye Lucille No. 1
6. Hallelujah
7. Moving The River [Side 2]
8. Horsin' Around 
9. Desire As 
10. Blueberry Pies
11. When The Angels
Tracks 1 to 10 are their second studio album "Steve McQueen" - released June 1985 in the UK on Kitchenware Records KWLP 3 and as "Two Wheels Good" in the USa on Epic Records BFE 40100. Produced by THOMAS DOLBY (except "When Love Breaks Down" by PHIL THORNALLY) - it peaked at No. 21 in the UK (didn't chart USA).

PREFAB SPROUT was Paddy McAloon (Lead Singer, Songwriter on all Songs, Guitars etc), Martin McAloon, Wendy Smith and Neil Conti. Guests included Kevin Armstrong who contributed Guitar to "Halleujah" and "Desire As" - while Mark Lockhart also proffered Saxophone on "Desire As". But the big name on "Steve McQueen" was THOMAS DOLBY who Produced the whole album (except "When Love Breaks Down" which was initially done by Phil Thornally and then Remixed by Dolby) and did the keyboards for nine of its eleven tracks - "Hallelujah" and "Desire As" being the two exclusions.

CD2 "New Acoustic Versions by Paddy McAloon" - Recorded Summer 2006 (34:58 minutes):
1. Appetite 
2. Bonny
3. Desire As 
4. When Love Breaks Down
5. Goodbye Lucille No. 1
6. Moving The River 
7. Faron Young 
8. When The Angels 

The foldout card digipak is pretty if not a little underwhelming and insubstantial. There is a 12-page oversized booklet with new liner notes from PAUL LESTER done in December 2006. They give a potted history of the album's impact on both us and the band and does go into the new songs and their wildly different interpretations - the guitar riffage of "Faron Young" replaced with melodies you don't expect but so work. And the Thomas Dolby Remaster of the principal album is just 'so' beautifully subtle - muscular, clean but never antiseptic or polished to within an inch of its Supertramp life. He's kept the audio histrionics down - you just get gorgeous clarity and when that solo kicks in in "Bonny" - I'm in floods (check out the cover version Tom Smith of The Editors did of "Bonny" - stunning - McAloon would be proud to call it pal).
 
What's missing? For years fans of "Steve McQueen" have had to do with the US CD version called "Two Wheels Good" which while not remastered contained 3 bonus tracks not on the UK CD - "Faron Young (Truckin' Mix)", "The Yearning Loins" and "He'll Have To Go". 
 

Between October 1984 and as late as February 1986, no less than 6 singles came off the album in the UK - "When Love Breaks Down" was put out 3 times  - "Faron Young", "Appetite" and "Goodbye Lucille No. 1" were also issued and between them and their multiple formats, they produced as many as 12 unreleased B-sides and mixes. Shame none are here. But all of that disappears once you hear the audiophile-sounding 'acoustic' reinterpretations on CD2 which are unbelievably good. Wow. Here's hoping band main-man Paddy McAloon will consider doing the same for 1988's "From Langley Park To Memphis" or 1990's "Jordan: The Comeback" - too mouth watering a thought to even comprehend!

 
"...Wishing she could call him heartache, but it's not a boy's name..." 
 
Smart lyrics, smart man - get this fantastic CD twofer in your life like you're Robin Hood and you've spotted a good tree up ahead with the best arrows in the forest...

Saturday, 18 February 2023

"High Adventure/Vox Humana" by KENNY LOGGINS – September 1982 and April 1985 US Studio Albums on Columbia Records featuring Michael McDonald of The Doobie Brothers, Steve Parry of Journey, David Sanborn, The Pointer Sisters, Tom Scott, David Foster, Phil Bailey, Steve Lukather, Steve Pocaro of Toto and many more (August 2014 UK Beat Goes On (BGO) Compilation – 2LPs onto 2CDs – Andrew Thompson Remasters) - A Review by Mark Barry...


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This Review and 209 more are in my E-Book
Available on AMAZON 

LET'S GO CRAZY - 80ts Music On CD

Your All-Genres Guide To Exceptional CD Reissues and Remasters
Classic Albums, Compilations, 45s
All In-Depth Reviews from the Discs Themselves
Over 1,650 e-Pages of Info
(No Cut and Paste Crap)

"...We All Do The Best We Can..."

 

Part of the Rock-Soul-Folkie duo of LOGGINS and MESSINA (Jim Messina was ex Poco and Buffalo Springfield) – Kenny Loggins had already clocked up five studio albums and 2 live sets with the pairing between 1972 and 1977 - and along with it considerable chart success and record sales. His inevitable solo career began in earnest in April 1977 with "Celebrate Me Home" on Columbia Records and continued into his most productive and commercially viable decade – the Eighties.

 

And that’s where this brilliant little duo CD combo comes in – giving us his 5th and 6th solo albums from 1982 and 1985. The big hair and big productions break down as follows…

 

UK released 4 August 2014 – "High Adventure/Vox Humana" by KENNY LOGGINS on Beat Goes On BGOCD1160 (Barcode 5017261211606) is a BGO digital compilation that offers 2LPs Remastered onto 2CDs (no bonuses) and plays out as follows:

 

Disc 1 (41:32 minutes):

1. Don't Fight It [Side 1]

2. Heartlight 

3. I Gotta Try

4. Swear Your Love

5. The More We Try 

6. Heart To Heart [Side 2]

7. If It's Not What You're Looking For 

8. It Must Be Imagination

9. Only A Miracle 

Tracks 1 to 9 are the album "High Adventure" - released September 1982 in the USA on Columbia Records TC 38127 and CBS Records 85932 in the UK (peaked at No. 13 on the US album charts).

 

Disc 2 (43:56 minutes):

1. Vox Humana [Side 1]

2. No Lookin' Back 

3. Let There Be Love

4. I'll Be There

5. I'm Gonna Do It Right 

6. Forever

7. At Last 

8. Loraine

9. Love Will Follow

Tracks 1 to 9 are the album "Vox Humana" – released April 1985 in the USA on Columbia FC 39174 and CBS 26221 in the UK. 'Vox Humana' is the Latin for Human Voice – the album peaked at 41 on the US album charts (didn't chart UK).

 

The substantial 24-page booklet features all lyrics and track-by-track annotation (with Loggins own notes) and a detailed summary by noted writer NEIL DANIELS. The outer card wrap – now generic with all BGO CD reissues – gives the whole shebang a classy feel too. But the big news is that Bernie Grundman's stunning original Production values have been brought to the fore by a superb 2014 ANDREW THOMPSON remaster. These CDs sound huge and in a good way.

 

In the late Seventies and into the Eighties – I was like many – obsessed with all things MICHAEL McDONALD. I hunted down his many contributions on other people's albums – Steely Dan, Christopher Cross, Bonnie Raitt, Stephen Bishop, Donna Summer – you name it – I had to have it. Loving the "Minute By Minute" album by The Doobie Brothers to distraction in 1978 – I more than noticed the name KENNY LOGGINS turning up on songs – especially his co-write with McDonald on the fabulous Grammy-winning "What A Fool Believes". That connection again features strongly on the "High Adventure" platter where McDonald co-writes and plays keyboards on three (no silken vocals unfortunately) - "I Gotta Try", "Heart To Heart" and "Only A Miracle".

 

Co-Produced with BRUCE BOTNIK (of THE DOORS fame) – the 9-track "High Adventure" LP also featured a co-write with Journey's STEVE PARRY on "Don't Fight It" itself benefiting heavily from the zippy guitar of NEIL GUIRALDO (Pat Benatar's better half). It was a chart hit – peaking at 17 in the USA in September 1982. Production genius and ex Skylark Keyboardist DAVID FOSTER contributed to "If It's Not What You're Looking For" - while TOM SNOW who did beautiful songs for Randy Crawford like "You Bring The Sun Out" on her lovely May 1981 album "Secret Combination" for Warner Brothers co-wrote the equally pretty "It Must Be Imagination". His long-time session associate MIKE HAMILTON also plays tasty guitar throughout.

 

With the mega soundtrack "Footloose" taking up most of 1984 – Loggins returned with the 9-track "Vox Humana" in 1985, again featuring large amounts of co-writes with heavy-hitters like DEAN PITCHFORD, TOM SNOW, NATHAN EAST, DAVID SANFORD and his wife EIN LOGGINS. The album also featured the usual plethora of classy session players – MICHAEL LANDAU and BUZZY FEITON on Guitars, STEVE POCARO of Toto on Synths, MICHAEL OMARTION on Keyboards, DAVID SANBORN on Saxophone and NEIL LARSEN with GREG PHILLINGANES also on Keyboards. 

 

"I'm Gonna Do It Right" benefits from the backing vocals of THE POINTER SISTERS, STEVE LUKATHER's Guitar solo on "Forever" is typically brill and economical, PHIL BAILEY's backing vocals on "At Last" are cool and DAVID FOSTER provided choppy keys on "Lorraine" and "I'll Be There". Michael McDonald would name his second solo LP after Track 2 "No Lookin' Back" - a co-write between him, American Vocalist and Keyboard Player ED SANFORD and Kenny Loggins. 

 

Both discs are all so Eighties I know – terrible jackets and equally awful trousers. But as always with KL, the melodies in stuff like "Heart To Heart" and "The More We Try" are still there. Fans need this BGO twofer and it's another winner from England's Beat Goes On who champion the neglected side of reissues so well...

Friday, 17 February 2023

"The Colour Of Spring" by TALK TALK - March 1986 UK Third Studio Album on EMI Records featuring Mark Hollis, Tim Friese-Greene and Lee Harris with Guest Musicians Robbie McIntosh and David Rhodes on Guitars, Steve Winwood of The Spencer Davis Group, Traffic, Blind Faith and Solo Career on Organ, Mark Feltham of Nine Below Zero on Harmonica, Danny Thompson of Pentangle on Double Bass, Alan Gorrie of Average White Band on Bass, Gaynor Sadler on Harmonica, David Roach on Saxophone, Paul Webb on Bass and more (September 1997 UK EMI CD Reissue with a Phill Brown and Denis Blackham Remaster from Original Tapes) - A Review by Mark Barry



 
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This Review and 209 more are in my E-Book
Available on AMAZON 

LET'S GO CRAZY - 80ts Music On CD

Your All-Genres Guide To Exceptional CD Reissues and Remasters
Classic Albums, Compilations, 45s
All In-Depth Reviews from the Discs Themselves
Over 1,650 e-Pages of Info
(No Cut and Paste Crap)

"...Fresh Upon The Ground..."

I have a few touch-points when it comes to naysayers about the Eighties being nothing more than Poodle Rock, Synths and Drum Machines and Shoulder Pads bigger than their hair-dos. For such a maligned decade - the mid 80s onward didn't half produce some utterly ball-busting greatness. 

It's now 40-years plus and I still haven't tired of Frankie Goes To Hollywood's shooting stars never stop double "Welcome To The Pleasuredome" (1984), David Sylvian's "Brilliant Trees" (1984), Kate Bush's meisterwerk "Hounds Of Love" (1985), Peter Gabriel's fabulous "So (1986), John Martyn's underrated "Piece By Piece" (1986), Deacon Blue's "Raintown" (1987), Love And Money's "Strange Kind Of Love" (1988) with Production from Steely Dan's Gary Katz, Joni Mitchell's "Chalk Mark In A Rainstorm" (1988), R.E.M.'s "Green" (1988), Simple Minds' "Street Fighting Years" (1989), Del Amitri's "Waking Hours" (1989) and The Blue Niles' "Hats" (1989). 

And this is not forgetting Paul Simon's other-genres-enlightening "Graceland" (1986), the Texas debut "Southside" (1989) that introduced us to the fabulous vocals of Sharleen Spiteri and Ally McErlaine's stunning guitarwork, Matt Johnson's The The and his acidic but brilliant "Infected" (1986), The Smiths on a one-after-another stormer with "Meat Is Murder" (1985) and "The Queen Is Dead" (1986), Bruce Springsteen's "Tunnel Of Love" (1989), Prince's "1999" (1982) and "Purple Rain" (1984), John Mellencamp's "The Lonesome Jubilee" (1988), Eurythmics' "Be Yourself Tonight" (1985), Tom Petty's "Full Moon Fever" (1989) and so many more. 

But up there with a whizz-bang bullet in the Top 10 pantheon for that entire decade is Talk Talk's gorgeous third album "The Colour Of Spring" from March 1986. Everything about this winner spells event. With the core of singer-songwriter MARK HOLLIS and Keyboard whizz and Producer TIM FRIESE-GREENE and Bassist LEE HARRIS - they roped in a formidable array of Guest Musicians to help achieve the vastly more sophisticated and ethereal sound the album debuted (a move away from the overly synth-based Pop of the first two LPs in 1982 and 1984 "Talk Talk" and "It's My Party". 

That list included the lauded Robbie McIntosh and David Rhodes on Guitars, Steve Winwood of The Spencer Davis Group, Traffic, Blind Faith and Solo Career on Organ, Mark Feltham of Nine Below Zero on Harmonica, Danny Thompson of Pentangle on Double Bass, Alan Gorrie of Average White Band on Bass with other players like Gaynor Sadler on Harmonica, David Roach on Saxophone, Paul Webb on Bass and some schoolkids and a choir. 

There are only 8 songs on the LP - but they matter and each in its own little way is a sonic masterpiece - beautifully arranged and produced by TFG. Throw in the seriously gorgeous and eye-catching JAMES MARSH hand-painted artwork that graced the front sleeve and all the hugely collectable 12" singles that came off the album - and "The Colour Of Spring" impacted with a face slap - sit up and take notice of this boys and girls of the C-90 generation. 

And that's where this one-of-four CD Reissues and Remasters comes a stomping in. UK catalogue-numbered RETALK 100 to 104 - the four albums from "Talk Talk" in 1982, "It's My Party" in 1983, "The Colour Of Spring" in 1986 to "Spirit Of Eden" in 1988 are in the series - each spine spelling out a single letter at the top and base - TALK TALK. The beautifully clear yet muscular Remasters were done by a duo of much respected Audio Engineers - PHILL BROWN and DENIS BLACKHAM (of Skye Mastering) - each making the original 1/2" EMI Analogue Tapes shine like never before. This is a fantastic-sounding CD and my only fault would be that it could have done with those tasty Non-LP B-sides from the 12" singles. 

To the details - once more unto the butterfly breach/peach...

UK released September 1997 - "The Colour Of Spring" by TALK TALK on EMI RETALK 102 - 7243 8 57131 2 5 (Barcode 724385713125) is a straightforward CD Reissue and Remaster of the album and plays out as follows (45:43 minutes):
 
1. Happiness Is Easy [Side 1]
2. I Don't Believe In You
3. Life's What You Make It
4. April 5th
5. Living In Another World [Side 2]
6. Give It Up 
7. Chameleon Day
8. Time It's Time
Tracks 1 to 8 are their third studio album "The Colour Of Spring" - released March 1986 in the UK on EMI Records EMC 3506 and in the USA on EMI-America ST-17197. Produced by TIM FRIESE-GREENE - it peaked at No. 8 in the UK and No. 58 in the US Rock LP charts.

The 12-page booklet reproduces the inner sleeve (handwritten almost illegible lyrics intact) with musician credits beneath and a very nice touch is to give each of James Marsh's paintings (that graced the album's singles) a full leaf each (Pages 8 to 11). There isn't a history, liner notes or any involvement from the band, which is a bit of a let down - but the songs and the audio are the business (I've seen this CD for sale on Auction Sites for under four or even three pounds). To the chameleon music...

"Happiness Is Easy" opens accounts in a fantastic Talk Talk kind of a way - the song benefiting from a bevvy of impressive types - Steve Winwood on Organ, Robbie McIntosh on Guitar and Alan Gorrie of Average White Band on Electric Bass with Danny Thompson of Pentangle on Upright Bass. Bizarrely - there is also a Robbie McIntosh in AWB (their drummer), but the McIntosh used here is the session guitarist and a different bloke. The children chanting lyrics come courtesy of the School of Miss Speake

EMI had preceded the March 1986 release of "The Colour Of Spring" album in January with the first of four singles from it - "Life's What You Make It" which hit a healthy interest-arousing No. 16 in the UK and No. 90 in America. March 1986 saw "Living in Another World" which made a lesser No. 48 in Blighty and then "Give It Up" in May 1986 which hit No. 59 and inexplicably - the best track on the album as far as I'm concerned - "I Don't Believe In You" in November of 1986 only to not chart at all. It's interesting to note that the last three British 45s, 12s and Picture Discs mentioned weren't released by EMI America in the States where the album seemed to languish as a non-event. 

Speaking of "I Don't Believe In You" - it is the second of three tracks on "The Colour Of Spring" album that benefits big time from the floating Organ sound of Steve Winwood (the other song is "Living In Another World"). Both lingering-mood tunes also having Robbie McIntosh on guitar (his soloing on "I Don't Believe In You") is one of the highlights of the album - while David Rhodes provides a second guitar for "Living In Another World". And while the ear gravitates to the hits - especially "Life's What You Make It" - longtime listeners will adore the quietly brilliant "April 5th" and "Chameleon" too. It ends on "Time It's Time" - a wonderful eight-minute moody and broody little bugger that boasts Percussion from Morris Pert of Stomu Ymashta's Red Buddah band (and before that Sun Treader, also on Island Records) with Martin Ditcham of Virgin's Avant Garde band Henry Cow. The mood is also buoyed up with the church-like eerie vocals of The Ambrosia Choir. I love it. 

"The Colour Of Spring" by Talk Talk is like Kate Bush's "Hounds Of Love" or Prefab Sprout's "Steve McQueen" from 1985 or Dead Can Dance's "The Serpent's Egg" on 4AD Records from 1988 - the kind of off-kilter genius I'll play the whole way through.

"Spirit Of Eden" that followed in 1988 would see them go even more uncommercial minimalist and soundscape weird - Mark Feltham of Nine Below Zero giving the greatest Harmonica solo ever on "The Rainbow" - its opening track. But in truth - 1986's "The Colour Of Spring" is the Talk Talk album I go potty for. Mark Hollis and his staggering warble vocals gave us a self-titled solo album in January 1998 on Polydor Records (much praised), but retired after that (despite huge cash offers) and was lost to us in February 2015 - a passing that I know many fans could hardly believe let alone bare. Both Hollis and the band were a talent that just wouldn't play the game (much to our advantage) - and I for one love them to bits for it...

The September 1997 TALK TALK EMI CD Remasters
RETALK 100 to 104 are UK Catalogue Numbers - The Next Are International 
None Have Bonus Tracks - Phill Brown and Denis Blackham Remasters

1. The Party's Over (July 1982 Debut Album)
UK CD Remaster on EMI RETALK 100 - EMI 7243 8 56796 2 9 
(Barcode 724385679629) 

2. It's My Life (February 1984 Second Studio Album)
UK CD Remaster on EMI RETALK 101 - EMI 7243 8 56797 2 8 
(Barcode 724385679728)

3. The Colour Of Spring (March 1986 Third Studio Album)
UK CD Remaster on EMI RETALK 102 - EMI 7243 8 57131 2 5 
(Barcode 724385713125)
 
4. Spirit Of Eden (September 1988 Fourth Studio Album) 
UK CD Remaster on EMI RETALK 103 - EMI 7243 8 57129 2 0 
(Barcode 724385712920)

Tuesday, 14 February 2023

"Anthem Of The Sun" by THE GRATEFUL DEAD - July 1968 US LP on Warner Brothers in Stereo featuring Jerry Garcia, Bob Weir, Phil Lesh, Ron McKernan, Mickey Hart, Bill Kreutzmann and Tom Constanten (July 2018 UK Rhino/Dead.Net 50th Anniversary Deluxe Edition 2 x HDCD Reissue in Digipak Repro Artwork with David Glasser, Jamie Howarth and Jeffrey Norman Audio Restoration and Remasters) - A Review by Mark Barry...






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"...The Faster We Go, The Rounder We Get..."

 

I have had a hard time with The Grateful Dead and their music for decades.

 

Not everyone would agree – some might even get aerated and whomp me one. Like fellow Space-Psych-Rock cult bands Hawkwind or Gong, I know Deadhead fans are notoriously loyal obsessives. They will say this pioneering San Francisco band can be credited with starting Psych and Stoner Rock, were anti music-commercialism when others raced towards it, contributors to the counter-culture on a biblical level (The Lost Continent of MU ahoy). The Dead are 60ts doyens, feted and worshiped, fuzzed-out poster art darlings etc.

 

But in truth I have found much of their output dull, badly recorded, indulgent and downright un-listenable a full five to six decades after the event. In 2018 or 2023 for that matter, it is hard to forgive this level of experimental tomfoolery let alone enjoy it. They could never seem to write a tune to save their weed-lives. As one reviewer back in the day noted "...there really is no excuse for this kind of junk. But there is an explanation – drugs..." Not much truck then (if you will forgive the obvious keep-on trucking pun).

 

And so it is with this '50th Anniversary Deluxe Edition' of their second disruptor album "Anthem Of The Sun" initially thrust on a hippy-world in July of 1968. The remaster is an improvement for sure (those drums and percussive sounds on "Alligator" for instance and the vocal panning in "Caution" is a little clearer) and I have honestly not heard the 1971 remix version that so many prefer sound so muscular either. But then the music is such hard going. And as a supposedly DE – Rhino's effort is not without its disappointments either – a piddly 16-page booklet that seems to want to avoid all that period colour and memorabilia and a foldout card Digipak that isn't exactly exciting or adventurous in any real way. To what we have got - let's get to the quadlibets for tender feet...

 

UK/EUROPE issued 13 July 2018 - "Anthem Of The Sun" by THE GRATEFUL DEAD on Rhino/Dead.Net 603497864881 (Barcode 603497864881) is a 50th Anniversary Deluxe Edition 2 x HDCD Reissue in Digipak Repro Artwork with David Glasser, Jamie Howarth and Jeffrey Norman Audio Restoration and Remasters. CD1 offers the Original 1968 and Remixed 1971 Stereo Versions of the Album (one after the other) and a Previously Unreleased 22 October 1967 concert recorded live at Winterland in San Francisco, California is offered on CD2 (also in Stereo). They play out as follows:

 

CD1 Original 1968 Stereo Mix and 1971 Remix (78:18 minutes):

1. That's It For The Other One

I. Cryptical Envelopment

II. Quadlibet For Tender Feet

III. The Faster We Go, The Rounder We Get

IV. We Leave The Castle

2. New Potato Caboose

3. Born Cross-Eyed

4. Alligator [Side 2]

5. Caution (Do Not Stop On Tracks)

 

Tracks 6 to 10 as above but are the 1971 Album Remix

 

Tracks 1 to 5 are their 2nd studio LP "Anthem Of The Sun" – released July 1968 in the USA on Warner Brothers WS 1749 and November 1968 in the UK on Warner Brothers WS 1749 (both Stereo only). Produced by DAVE HASSINGER – it peaked at No. 83 on the US Billboard Rock LP charts (didn't chart UK).

 

CD2 Live At Winterland, San Francisco, CA on 22 Oct 1967 (55:06 minutes):

1. Morning Dew

2. New Potato Caboose

3. It Hurts Me Too

4. Cold Rain And Snow

5. Turn On Your Lovelight

6. Beat It On Down The Line

7. That's It For The Other One

I. Cryptical Envelopment

II. The Other One

III. Cryptical Envelopment

 

THE GRATEFUL DEAD was:

JERRY GARCIA – Lead and Acoustic Guitars, Kazoo, Vocals

BOB WEIR – Rhythm, 12-String and Acoustic Guitars, Kazoo, Vocals

RON McKERNAN – Organ, Celesta, Claves, Vocals

PHIL LESH – Bass, Trumpet, Harpsichord, Piano, Tympani and Vocals

MICKEY HART and BILL KREUTZMANN – Drums and Percussion

TOM CONSTANTEN – Prepared Piano, Piano, Electric Tape

 

Initially in shrink-wrap, it looks the part with its gold reissue details sticker on one side and a 50th Anniversary lightning head sticker on the other. But once you open it, the three-way fold out card sleeve doesn't really offer much – track lists in a difficult-to-read font. The picture art CDs are nice and some band hand-drawn recording details are beneath each see-through CD tray for Side 1 and Side 2. But the 16-page booklet is hugely disappointing even with new and deeply knowledgeable liner notes from STEVE SIBERMAN. He goes into the music scene at the time, their output and attitudes as a direct result of the 'chaotic splendour of LSD'. He also does not shirk from remarks then (and now) that some viewed this album as stoned-hippy cack (me being one of them).

 

I found the live CD (recorded October 1967) raw, but much more interesting that the terrible main studio album. The Dead open with a riffage-heavy cover of the Tim Rose winner "Morning Dew" following that with a track the crowd had not heard yet (would be on the "Anthem Of The Sun" album in 1968) – the near ten-minutes of "New Potato Caboose". And on it goes to fourteen minutes of "Anthem Of The Sun". The audio is pretty damn good given the vintage and circumstances – vocals to the left – Neil Young grunge guitar and Animals-type organ to the right. Bluesy lurch channelling a more hard-hitting B.B. King comes at us with their cover of the Tampa Red 40ts Blues classic "It Hurst Me Too" (great Harmonica too).

 

The terrible vocals and DIY-band vibe continue with "Cold Rain And Snow" – throwing back her yellow hair – only to be followed with more R&B – a cover of the Bobby Bland romper "Turn On Your Lovelight" which the Dead typically heavy up but you have to say in a good way (and you can so hear why CD2 is a cause for fan excitement). The drums, vocals and counter vocals are clean and it’s a surprisingly coherent bash at its very Gloria feel (great guitar work). And on it goes...

 

You would have to say that all three-out-of-five star ratings attributed to this supposed 50th Anniversary celebration are absolutely on the money. It is good but never really great despite the improved audio. Hear "Anthem Of The Sun" first before you buy is the best advice and also - don’t buy drugs, become a Board Member of Pfizer and they will give them to you and your family for free...

INDEX - Entries and Artist Posts in Alphabetical Order