"The Ladykillers" on BLU RAY. A Review of the 1955 Ealing Classic Film Now Restored & Reissued on a 2010 BLU RAY by Studio Canal.

"…And You Live Here…All Alone…”

When I first saw "The Ladykillers" in its supposed 'restored' state a few years back on DVD, I was a little under whelmed. It still seemed very washed out to me. But I'm thrilled to report that this February 2010 Studio Canal Collection BLU RAY completely changes that.

Given what they had to work with (a very corroded print covered in stuck-on hairs, fingerprints, scratch lines, blemishes in the negative, double-imaging of colour) - the result is little short of miraculous. It isn't picture-perfect for sure and some scenes still have corrosion and blocking in them, but mostly it's a massive improvement. Finally the BLU RAY format has brought out all that detailed restoration work - and it's the very best I've ever seen this beloved British classic look. The extras are superlative too - generous and hugely informative.

Details first...

Country choices in set-up are: Australia, Denmark, Germany, Spain, France, Netherlands, Norway, Finland, Sweden, UK, USA and Japan

Voice overdubbed Languages: French, German and Castellano [no Subtitles]

The Extras are:
1. Introduction by Terry Gilliam (a short & affectionate appraisal)
2. Commentary by Philip Kemp (a feature-length commentary by this noted expert that is full of superb detail and anecdotes - by far the best extra on here)
3. "Forever Ealing" Documentary (2002, voiced by Daniel Day-Lewis, features contributions from Colin Firth, John Mills, Richard Attenborough, Martin Scorsese, Francis Ford Coppola and many others)
4. Interview With Allan Scott (Screenwriter/Producer, superb comments on MacKendrick's directing techniques, plot structures, uses of colour etc)
5. Cleaning Up "The Ladykillers" (original versus restored split screen shots - no dialogue)
6. Interview with Ronald Harwood (Screenwriter & friend of Alexander "Sandy" Mackendrick the Director)
7. Interview with Terence Davies (Director, Writer - talks of MacKendrick's classes on Filmmaking)
8. Trailer
9. BD Live

The first time you 'really' see the improvement is when Mrs. Wilberforce hands in a basket at the local cop shop run by Jack Warner who placates her with wonderful gentility. And more too when the shadow of Alec Guinness addles up to her front door with 'danger' strings sounding - she opens it - and there he is - all sinister grin and grubby scarf. The colour is superb and hugely improved.

And then of course there's cast you couldn't buy now for love or money - each one a gem - the Classical String Quartet of thieves - Peter Sellers, Herbert Lom, Cecil Parker and the big lug Danny Green - each one absolutely necessary to the overall state of anarchy. There's even Frankie Howerd as the barrow boy.

But it's the perpetually making-tea old biddy played so brilliantly by Katie Johnson who steels the show. Like some perverse and malicious force of nature, Mrs. Wilberforce sweetly wanders through the entire film causing all sorts of mayhem and death and is blissfully unaware of it all. You find yourself chuckling uncontrollably all through the film and for days afterwards. Half the enjoyment of course is watching all of the boys thinking they're smarter than her and then after-a-while falling for her genuine British goodness - only to find that she kills them all (unintentionally of course)! The film also belongs just as much to Alec Guinness (who stepped in for Alistair Sims) the mastermind of the heist. He is just delicious - creepily brilliant as he slinks around Mrs. 'Lopsided' and her King's Cross St. Pancreas home. With a genuinely evil relish, he's all the time probing the unwitting old lady for holes he can use (dialogue above). Unbelievably good and it hasn't dated a jot either.



Did you know that Peter Sellers also does the voices of all the Parrots, or that Alec Guinness only found his Professor Marcus character through a set of protruding teeth and that because Katie Johnson was 79 when she took the part, Ealing were afraid that the role might actually kill the poor woman, so she had to be insured or she couldn't do the part (she stumped up the money herself). Well you do now - and you'll learn a whole lot more besides about this 1955 gem through this wonderful release.

When Mrs. Wilberforce asks in the local shop at the beginning of the movie "Has there been anything about the advertisement?" - I urge you to answer the call.

Treat yourself to "The Ladykillers" on BLU RAY - and then sit there with a big mug of tea and a digestive - tittering uncontrollably every few minutes at its sheer genius.

“3 Original Album Classics” by ARETHA FRANKLIN. A Review of the 2010 Columbia/Legacy 3CD Mini Box Set.

"…It Should Have Ended Long Ago…"

Released February 2010 in the UK and Europe “3 Original Album Classics” is a mini CD box set with 3 x 5” LP card repro sleeves inside it - Columbia/Legacy 88697618262 breaks down as follows:

Disc 1 is the album “The Electrifying Aretha Franklin” released May 1962 in the USA on Columbia Records CL 1761 (Mono) and CS 8561 (Stereo). The Stereo version is used here (12 Tracks, 31:36 minutes). The back of the box wrongly lists 13 tracks.

Disc 2 is the album “The Tender, The Moving, The Swinging Aretha Franklin” released November 1962 in the USA on Columbia Records CL 1876 (Mono) and CS 8676. (Stereo). The Stereo version is used here (70:11 minutes)

(Note: as you can see from the playing time above - a mastering error has put 22 tracks on Disc 2 – it features an uncredited whole album - Tracks 13 to 22 are the LP “Soft & Beautiful” issued April 1969 on Columbia Records CS 9776 in Stereo).

Disc 3 is the album “Soul Sister” released July 1966 in the USA on Columbia Records CL 2521 (Mono) and CS 9321 (Stereo). The Stereo version is used here (11 tracks, 30:23 minutes).

The sound quality is truly gorgeous – exceptional really – and the credits can be downloaded from Sony’s website at www.musicmadesimple.info. But that’s where the good news ends...

The music is mostly awful. This was her stay at the straight-laced Columbia label and not the entirely creative and sympathetic Atlantic Records. Columbia tried to put her across as a female Nat King Cole – so each song either starts with violin strings or features them somewhere in the middle – to a point where you end up getting tune after tune with these soulless crooner arrangements. The mediocrity of the song choices too is hard to believe – “Rock-A-Bye Your Baby With A Dixie Melody” and “Swanee” for God’s sake! A woman with a godlike voice like this! Even Ray Charles’ mighty “Just For A Thrill” - which cannot be wrecked as a song - is reduced to saccharine.

It’s not all bad of course - “Only The Lonely” is lovely and features great vocal work, while her version of “Try A Little Tenderness” (later made famous by Otis Redding in 1967 on Atlantic) shows some of that magic touch. “Without The One You Love” is pretty too, even when it’s drowning in syrupy strings. And you’re constantly aware of that ‘sound’ – these are the remastered Legacy issues of a few years back and audio quality is truly breathtaking. But if you really want Aretha Franklin at her soulful best, then start with her Atlantic debut album “I Never Loved A Man The Way I Love You” from 1967 and prepare to be properly blown away. Unfortunately, track after track here only convinces you that this is not Sixties Soul, but Soulless Sixties Pap.

I picked this up in a London store a few days ago – only released 3 months ago and it’s already reduced to £5.

Cheap or not, uncredited extra album or no, I’d advise you to hear this set first, before you buy it.

One to avoid I’m afraid…

"Exile On Main St.: Deluxe Edition" by THE ROLLING STONES (May 2010 Polydor 2CD Remasters) - A Review by Mark Barry...

"…It's My Heart That You Stole…"

Following an album like 1971's magnificent "Sticky Fingers" was always going to be a tall order - but The Stones did it with swagger and panache. "Exile On Main St" was released 12 May 1972 as a 2LP set on Rolling Stones Records COC 69100 in the UK and on COC 2-2900 in the USA. It reached the coveted number 1 spot on both sides of the pond - and like The Beatles "White Album" before it - is a flawed and sprawling thing but considered by most to be a masterpiece nonetheless. And this fabulous Expanded 2CD Reissue/Remaster is only going to cement that legendary reputation even more. Here are the big red rubber lips, double entendres and three balls in a man’s mouth…

Released 17 May 2010 – "Exile On Main St.: Deluxe Edition" by THE ROLLING STONES on Rolling Stones/Polydor 273 429-5 (Barcode 602527342955) is a 2CD Deluxe Edition and breaks down as follows:

Disc (67:18 minutes):

1. Rocks Off

2. Rip This Joint

3. Shake Your Hips

4. Casino Boogie

5. Tumbling Dice

6. Sweet Virginia [Side 2]

7. Torn And Frayed

8. Sweet Black Angel

9. Loving Cup

10. Happy [Side 3]

11. Turd On The Run

12. Ventilator Blues

13. I Just Want To See His Face

14. Let It Loose

15. All Down The Line [Side 4]

16. Stop Breaking Down

17. Shine A Light

18. Soul Survivor

Disc 2 (41:12 minutes):

1. Pass The Wine (Sophia Loren)

2. Plundered My Soul

3. I’m Not Signifying

4. Following The River

5. Dancing In The Light

6. So Divine (Aladdin Story)

7. Loving Cup – Alternate Take

8. Soul Survivor – Alternate Take

9. Good Time Women

10. Title 5

Disc 1 has the full double-album compliment of 18 tracks while Disc 2 is a new 10-track mixture of previously unreleased outtakes and alternate versions. All songs are by Mick Jagger and Keith Richards except "Ventilator Blues" which is co-written with Mick Taylor, while "Shake Your Hips" and "Stop Breaking Down" are Slim Harpo and Robert Johnson cover versions. As with "Sticky Fingers", the additional musicians and producer (Jimmy Miller) added hugely to the power of almost every song and should be noted for it - Bobby Keys on Saxophone, Jim Price on Trumpet, Nicky Hopkins, Ian Stewart and Billy Preston on Piano and Organ with lady-soul veterans Clydie King and Vanetta Fields on Backing Vocals. Dr. John also sang backup on "Let It Loose".

SOUND:

As with the 2009 reissues STEPHEN MARCUSSEN (over 1000 mastering credits to his name including the “Alfie” soundtrack with Mick Jagger) and STEWART WHITMORE of Marcussen Mastering have remastered the original tapes and the sound is glorious throughout. "Loving Cup" followed by "Happy" are beautifully clear and "Tumbling Dice" is at last full and in your face. Most every track is improved - the instrumentation in your speakers with a fabulous live and shambolic feel. The acoustic and harmonica opening of "Sweet Virginia" and the drums of "All Down The Line" are superb. To me it's a huge improvement, a balls-to-the-wall triumph. Downsides - the hiss level on "Shine A Light" that was there in the first place is now more accented as it is on the frantic "Rip This Joint". Some despised the 2009 remasters, so this will be more of the same for them, but most I suspect will absolutely love it. Wish I could say the same about the presentation...

PACKAGING:

Very poor I'm afraid. The front flap and rear of the original 2LP cover are produced on the outside of the digipak (as they should be) with the inner LP photo spread reproduced on the inside of the digipak, BUT the original vinyl double also had two fantastic inner sleeves and a set of fold-out postcards. Only 1 side of the two inners is reproduced! That the idiots would not bother picturing the 'postcards' seems to be par for the course for Stones reissues these days, but that great shot of Mick & Keith at the mike with whiskey bottle in hand is missing - as is the "I Don't Want To Talk About Jesus I Just Want To See His face" quote on the other side - unbelievable! The supposedly exclusive 12-page booklet is different to all other issues, but turns out to be just black and white photos of the session and no liner notes whatsoever - none! The track-by-track details are now only bland black and white printed listings, which lose all of the inner sleeves magical artwork. It's an insult that this supposedly 'deluxe' reissue cavalierly misses out on crucial visual elements of the original release - it's hugely unimaginative and workmanlike at best.

BONUS DISC:

Although the 10 bonus tracks have the same original backing band - and despite what the track-by-track credits 'don't' tell you - it's obvious that the first 5 have had 'treatment' of some kind - vocal tracks added on/redone recently. 

"Pass The Wine (Sophia Loren)" is an ok opener, but the track that sounds most like a genuine outtake peach is "Plundered My Soul" which is fantastic (it was issued in April 2010 as a limited edition Record Shop Day 7" single in the USA and UK). Best approximation is that it sounds like the B-side "Tumbling Dice" should always have had (lyrics above). "I'm Not Signifying" is ok, but hardly great, but there then follows a genuinely lovely ballad "Following The River" complete with the new girls giving it some soulful backing vocals (Lisa Fischer and Cindy Mizelle). It's far better than you think. "Dancing In The Light" is a jaunty mid-tempo song similar to "Hide Your Love" off "Goat's Head Soup". The opening of "So Divine (Aladdin Story) is closer to Brian Jones Rolling Stones circa "Dandelion" and its really interesting - Jim Price on vibes and Bobby Keys on some kind-of treated saxophone sound. There follows two "Alternate Takes" of "Loving Cup" and "Soul Survivor". Now these are far closer to what we want - "Loving Cup" opens with a lovely Nicky Hopkins piano refrain and suddenly it's "there" - that shambolic feel to everything - especially the guitars of Richards and Taylor dueling to the end yet complimenting each other so perfectly. Now this I will love.  And then another gem - Keith carrying the vocals and sloppy stuff on "Soul Survivor" instead of Mick - and it works - and when that riffing guitar kicks in, I'm balling my eyes out and there are chills on my arms. "Good Time Women" is a forerunner for "Tumbling Dice" and is fab - rough and tumble as well. "Title 5" opens with studio chatter of "Take 1" and is a strange little rocking instrumental which kind of peters out, interesting but that's all...

Ok - so there's no live stuff and there should be (legendarily good), the "All Down The Line" Alternate Take that's on the B-side of the "Plundering My Soul" 7" single isn't on here either, which is just stupid - and the 4-track Excerpts 7" Flexi single from the April 1972 NME in the UK with song edits and an exclusive "Exile On Main Street Blues" track is nowhere to be seen let alone pictured either. But overall - I'm kind of shocked at how good Disc 2 is. I'll ignore some of these newer makeovers for sure, but those Alternate Takes are thrilling.

In May 2012, "Exile" will be 40 years old and Mick and Keef will be more Zimmer Frames than Glimmer Twins. But that won't stop this coolest of double-albums from being the absolutely business. I suspect the real truth about this 2CD reissue is far simpler - men around the world will see this digital temptress pouting on the shelf of their local megastore, feel a quickening of the pulse and a movement in their trouser area - and be unable to resist.

And you know - you can't help but feel that these two canny English lads already know this…

PS:

HMV in the UK have issued "Exile" with the digipak inside an exclusive card slipcase (Polydor 274 102-3). I've pictured both sides of it for fans.

The Japanese, however, have not surprisingly got the most desirable version of them all; it’s inside a 14-disc box set called “From The 70’s To 00’s” which contains all their albums from “Sticky Fingers” through to “A Bigger Bang”. They are all on the SHM-CD format (Super High Materials) and each has the original album artwork repro’d on one of those 5” Mini LP sleeves we so love (UICY-91558). “Exile” is included - being the 2010 Remaster version – and is in a gatefold card sleeve complete with its original foldout postcards and two inner sleeves. 

PS:
HMV in the UK have issued “Exile” with the digipak inside an exclusive card slipcase (Polydor 274 102-3). I’ve pictured both sides of it for fans.



The Japanese, however, have not surprisingly got the most desirable version of them all; it’s inside a 14-disc box set called “From The 70’s To 00’s” which contains all their albums from “Sticky Fingers” through to “A Bigger Bang”. They are all on the SHM-CD format (Super High Materials) and each has the original album artwork repro’d on one of those 5” Mini LP sleeves we so love (UICY-91558). “Exile” is included - being the 2010 Remaster version – and is in a gatefold card sleeve complete with its original fold-out postcards and two inner sleeves.

"Have Mercy – His Complete Chess Recordings 1969 To 1974" by CHUCK BERRY (March 2010 US Hip-O Select 4CD Box Set of Remasters - Released January 2010 via Their Website) - A Review by Mark Barry...

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BLUES, VOCAL GROUPS, 
RHYTHM 'n' BLUES and ROCK 'n' ROLL On CD 
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"…She Worked Night And Day To Keep Us Six Kids Alive…"

"Have Mercy..." is the 3rd and final volume of Chuck Berry's Chess recordings. Released in the USA via their website in January 2010 (general release March 2010), Hip-O Select/Geffen B0013790-02 houses 71 tracks across 4CDs, 23 of which are previously unreleased (plus one further track which is previously unreleased in the USA - Track 4, Disc 3). Its packaging consists of a slightly oversized 4-way fold-out digipak that is itself tied with a string on a lapel on the front - aping the layout of the two preceding sets (see PS below). It's a non-numbered worldwide limited edition of 6000 copies and Discs 1 to 4 run to 69:23, 71:37, 69:45 and 65:10 minutes respectively.

FRED ROTHWELL and ANDY McKAIE have compiled the set with Rothwell handling the 24-page booklet (he is author of the book "Long Distance Information – Chuck Berry's Recorded Legacy"). Pictured beneath the see-through trays and on the final flap are the following 5 albums from that period…

1. "Back Home" (November 1970 on Chess LPS-1550 in the USA, February 1972 on Chess 6310 113 in the UK)
2. "San Francisco Dues" (September 1971 on Chess CH-50008 in the USA, March 1972 on Chess 6310 115 in the UK)
3. "The London Chuck Berry Sessions" (June 1972 on Chess CH-60020 in the USA, July 1972 on Chess 6310 122 in the UK)
4. "Chuck Berry/Bio" [aka "Bio"] (September 1973 on Chess CH-50043 in the USA, October 1973 on Chess 6499 650 in the UK)
5. "Chuck Berry" [released as "Chuck Berry '75" in the UK] (February 1975 on Chess CH-60032 in the USA, March 1975 on Chess 9109 101 in the UK)

The three volumes of "Golden Decade" doubles are not referenced at all in the booklet, neither is the "St. Louis To Frisco To Memphis" album from 1972 with The Steve Miller Band live on one side because that was released through Mercury Records. The studio side of "The London Chuck Berry Sessions" (Side 1) features Derek Griffiths of The Artwoods and Dog Soldier on Guitar, Rick Grech of Traffic and Family on Bass with Ian McLagan and Kenny Jones of the Faces on Piano and Drums respectively. Side 2 of that album was recorded live in Coventry in England and features the Average White Band as Berry's backing group. Elliott Randall of Steely Dan's "Reelin' In The Years" guitar-solo fame plays Pedal Steel guitar on "I'm Just A Name" and "Too Late" on Disc 4, while Jazz Fusion favourite and multi-instrumentalist Phil Upchurch plays Bass on Tracks 1 to 8 on Disc 1.
A rarity for US collectors is the UK-only 7” single live version of "South Of The Border" (Chess 6145 027), which features Jimmy Campbell of Vertigo-Spiral Label fame on Guitar (it's the previously unreleased in the USA track).

The A & B sides of the US 7" single Chess 2090 ("Tulane" and "Have Mercy Judge") start things off strongly on Disc 1 and you immediately hear the quality songwriting and the cool sound upgrade. The 1st-generation master tapes have been remastered by ace-engineer ERICK LABSON (has over 1,300 credits to his name including the majority of the Chess catalogue) and his work here is again exemplary – the sound is great. There's hiss on a few tunes for sure and the unreleased live stuff is untreated so it sounds very rough – but there's a fab little instrumental called "Woodpecker" tucked away on Side 2 of "Bio" that I've been trying to get a good CD copy of for years – and here it is at last – and (if you'll forgive the pun) it's ring, ringing like a bell. So too when the British band back up Berry on the T-Bone Walker cover of "Mean Old World" (off "The London Chuck Berry Sessions" LP) – you can really feel and hear that as well – thrilling stuff.

More than a few of the 23 previously unreleased tracks are shockingly good – "Untitled Instrumental" features the fab piano playing of Ellis 'Lafayette' Leake with great harmonica fills from Robert Baldori, while the 9-minute instrumental "Turn On The Houselights" sees Chuck play a blinding lead guitar. It's not all good of course - from the "Chuck Berry" LP sessions in 1975 (all of Disc 4) the outtakes "Jambalaya” and "The Song Of My Love" are truly awful, while the abomination that is "My Ding A Ling" on Disc 3 is on here in its full album length version of eleven minutes and the 7" single edit too and even has an added previously unreleased studio version. But it is to this day quite possibly the worst song ever made – and cringing to listen to (No. 1 in a few places, I dare say his bank balance rather enjoyed it though). But overall – the outtakes are excellent – and along with the largely unheard remastered album tracks – it all makes for a rather spiffing listen.

Niggles and speculation – like the other two sets, the packaging is ok rather than great and had Bear Family of Germany gotten their hands on this project, we would have had a 9 disc box (instead of 12) with a 180-page 12" x 12" hardback book for about the same cost – and it would have been complete with visuals that would have taken 2 years to compile rather than two days to dash off. A fantasy reissue I know, but worth making the comparison…

Having said that - as it stands "Have Mercy" is far better than I thought it would be – his Rock 'n' Roll mojo and lyrical brilliance still intact in the Seventies (the 6-minute poem "My Pad" is deep and prophetic as are the lyrics from "Bio" which titles this review). And if you were to make up a single disc representing the best of what's on this mini box set – then I guarantee you'd shock certain people as to how good it is.

So there you have it - fabulous in places, a let down in others – 2010's "Have Mercy" does at least see Chuck Berry's Seventies' legacy be given some proper respect at last - especially audiowise. Recommended.

PS: His initial output for the famous label was released in 2008 as "Johnny B. Goode - The Complete 50's Recordings" - then followed in 2009 by the 2nd set - "You Never Can Tell – The Complete Chess Recordings 1960 to 1966" (see separate review)...

“Meridian 1970” by VARIOUS ARTISTS. A Review of the Jon Savage CD Compilation from 2005 – And A Suggested Follow-Up for 1971.

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"…Warm Embraces I Have Found…"

In an overcrowded and weary marketplace, the VARIOUS ARTISTS CD compilation has slowly become something of an unloved and unwanted beast - and to look at “Meridian 1970” you really wouldn’t think very much of it either - and be tempted to pass it by

It doesn’t have a great sleeve to start with - and the track list on the rear is full of names you barely even know - and what’s this stuff in the subtitle about “Protest, Sorrow, Hobos, Folk And Blues”!
Even the liner notes are made up entirely of crumpled pages from 4 rock music insiders who put together a compilation of their favourite childhood tracks and then described each in barely legible hand-written pages (complete with coffee stains).
And who is this Jon Savage geyser anyway?

But then you play it – and man does it ‘so’ work.
It’s genius – it really is.

“Meridian 1970” was released in February 2005 in the UK on Forever Heavenly FHVN2LP CD (through EMI) and its 20 tracks run to 78:23 minutes.

1. Mouthful Of Grass - Free
2. Nobody - The Doobie Brothers
3. Industrial Military Complex Hex - The Steve Miller Band
4. Hamburger Midnight - Little Feat
5. Catch The Man On The Rise - Sir Douglas Quintet
6. 3.10 Smokey Thursday - Danny O'Keefe
7. Message From The Country - The Move
8. Shouldn't Have Took More Than You Gave - Dave Mason
9. Three Hours - Nick Drake
10. One Night Wonder - Meic Stevens
11. Man Of Constant Sorrow - Rod Stewart
12. Cripple Creek - Skip Spence
13. Tulsa County - The Byrds
14. Biloxi - Jesse Winchester
15. Song Of The Wandering Aengus - Donovan
16. Good Shepherd - Jefferson Airplane
17. Black Uncle Remus - Loudon Wainwright III
18. Hear The Wind Howl - Leo Kottke
19. The Moonstone - Tommy Flanders
20. Ashes The Rain And I - The James Gang

So why does it ‘work’? The song choices are brilliant and follow each other magnificently. There’s also the journey into the off-the-beaten track – discoveries that are exactly that – discoveries. Opening with the wonderfully soulful instrumental “Mouthful Of Grass” (the original B-side to Free’s “All Right Now” from May 1970 on Island), the emphasis is very much on ‘good’ songwriting and not just obscurities for the sake of it. And the mixture of American acts with British artists is sweet too – The Move perfectly follow Danny O’Keefe, while the funk of Little Feat and the jangling melody of The Byrds lift the pace when needed. The guitar-driven rock of Sir Douglas Quinter on Track 5 matches the 12-string instrumental of Leo Kottke later on Track 18 - but in different ways.

You could of course argue endlessly about the song choices (I wouldn’t have used that Donovan track), but mostly it’s all good. There’s beautiful stuff on here too - ex Blues Project Tommy Sanders released his lone album in early 1970 on Verve and it sank without a trace – unfair – especially considering just how good “The Moonstone” is (lyrics above). Ending with the moody string-filled gem “Ashes, The Rain And I” by The James Gang (featuring Joe Walsh) is a superb choice too.

Given the varying sources and production values, the sound quality wavers between good only (Meic Stevens) to superb (The Doobie Brothers, Nick Drake, Dave Mason and Leo Kottke).

It may seem silly to say this, but getting a compilation like this ‘right’ is far more difficult than you would imagine – and as a voracious compilation maker myself - I was more than impressed when I only recently stumbled upon this unassuming little gem.

Do yourself a favour and spend a fiver on “Meridian 1970” – and enjoy the journey these 4 guys began over 40 years ago – and are still geed-up about to this day.

PS: I’ve listed below a suggested follow up compilation “Meridian 1971” – I’d welcome suggestions – it took me 30 tries!

MERIDIAN 1971
A Compilation of Tracks From Not-So-Well-Known 1971 LPs
(A suggested follow up compilation to Jon Savage’s CD “Meridian 1970”)

Posted 5 May 2010 – 20 Tracks, 75:47 minutes

1. Old, Old Woodstock - VAN MORRISON
(From the album “Tupelo Honey”
November 1971 UK LP on Warner Brothers K 460114)

2. It Ain’t Easy - JOHN BALDRY [aka Long John Baldry]
[Features MAGGIE BELL of STONE THE CROWS on Duet Vocals with RON WOOD of THE ROLLING STONES on Guitar; Produced by ROD STEWART]
(From the album “It Ain’t Easy”
June 1971 UK LP on Warner Brothers K 46088)

3. Really Wanted You - EMITT RHODES
(From the album “Mirror”
December 1971 UK LP on Probe SPBA 6262)

4. Born Under A Bad Sign - RITA COOLIDGE
[Written by Booker T Jones and William Bell, covered by Albert King & Cream]
(From her debut album “Rita Coolidge”
1971 UK LP on A&M Records AMLS 2015)

5. Walk To The Point – DAVE MASON and CASS ELLIOTT
[From the album “Dave Mason and Cass Elliott”
May 1971 UK LP Probe Records SPBA 6259)

6. Are You Leaving For The Country – KAREN DALTON
[From the album “In My Own Time”
1971 USA-only LP on Just Sunshine Records PAS 6008)

7. A Hundred Mountains – JACKIE LOMAX [features Bryn Haworth on Guitar]
(From the album “Home Is In My Head”
1971 UK LP on Warner Brothers K 46091)

8. Anymore - BOB LIND
(From the album “Since There Were Circles”
1971 USA LP on Capitol ST-780)

9. Gu Gu Gu – TUCKY BUZZARD
(From the album “Tucky Buzzard”
1971 USA LP on Capitol ST-787)

10. Mr. Skin – SPIRIT
(From the album “The Twelve Dreams Of Dr. Sardonicus”
1971 UK LP on Epic Records S EPC 64191)

11. Dawn Of Another Day – BRIAN AUGER’S OBLIVION EXPRESS
(From the album “A Better Day”
1971 UK LP on Polydor 2383 062)

12. Midnight – THREE MAN ARMY [featuring Adrian Curtis on Guitar]
(From the album “Third Of A Lifetime”
1971 UK LP on Pegasus PEG 3)

13. If I Laugh – CAT STEVENS
(From the album “Teaser And The Firecat”
September 1971 UK LP on Island Records ILPS 9154)

14. Back Down The River - JOHN MARTYN
(From the album “Bless The Weather”
November 1971 UK LP on Island ILPS 9167)

15. Black Woman (The Wild Ox Moan) – ALEXIS KORNER
[Acapella version of a Blues song sung in the 1930’s by Vera Hall Ward]
(From the album “Alexis”
1971 UK LP on Rak Records SRAK 501)

16. Change – TONY JOE WHITE
(From the album “Tony Joe White”
1971 UK LP on Warner Brothers K 46068)

17. Better Days – GRAHAM NASH [feat Neil Young [credited as Joe Yankee] on Piano with Rita Coolidge and Dallas Taylor on Backing Vocals]
(From the album “Songs For Beginners”
June 1971 UK LP on Atlantic 2401 011)

18. Orleans – DAVID CROSBY
(From the album “If I Could Only Remember My Name”
February 1971 UK LP on Atlantic Records 2401 005)

19. Love Ain’t For Keeping – THE WHO
(From the album “Who’s Next”
August 1971 UK LP on Polydor 2408 102)

20. Moonlight Mile – THE ROLLING STONES
(From the album “Sticky Fingers”
April 1971 UK LP on Rolling Stones Records COC 59100)