"Rendezvous" by SANDY DENNY (2005 Universal/island 'Expanded' CD - Denis Blackham Remaster) - A Review by Mark Barry...

"...I'm A Dreamer..."

"Rendezvous" features Steve Winwood of Track, John “Rabbit” Bundrick of Free, 

Jess Roden of Bronco and members of both Fairport Convention and Fotheringay

Her fifth and final solo LP (six including her stay with "Fotheringay" in 1970) was released in the UK in May 1977 to widespread public indifference and press bewilderment and would unfortunately prove to be her swan-song. Because of its deliberately 'modern' sound and the heavy-on-the-sauce productions on some numbers – "Rendezvous" has been applauded and berated in equal measure. But at least this gorgeous CD remaster gives it another chance. And I'd argue too damn right. Because as alway it's the good stuff with Sandy Denny that stays with you and obliterates all the rest. Here are the details for England's finest Lady Singer...

UK released May 2005 (reissued August 2007) – "Rendezvous" by SANDY DENNY on Universal/Island IMCD316 / 982 802-4 (Barcode 602498280249) is an 'Expanded Edition' CD Remaster and plays out as follows (58:40 minutes):

1. I Wish I Was A Fool For You (For Shame Of Doing Wrong)

2. Gold Dust

3. Candle In The Wind

4. Take Me Away

5. One Way Donkey Ride

6. I'm A Dreamer [Side 2]

7. All Our Days

8. Silver Threads And Golden Needles

9. No More Sad Refrains

Tracks 1 to 9 are her fifth and final album "Rendezvous" – released May 1977 in the UK on Island Records ILPS 9433. Produced by Trevor Lucas – all songs are Sandy Denny originals except "I Wish I Was A Fool For You (For Shame Of Doing Wrong)" by Richard Thompson, "Candle In The Wind" by Elton John and "Silver Threads And Golden Needles" by Jack Rhodes and Dick Reynolds (covered by The Springfields, Linda Ronstadt and Fotheringay).

BONUS TRACKS:

10. Still Waters Run Deep – a Sandy Denny original non-album B-side to "Candle In The Wind" - released May 1977 in the UK on Island WIP 6391 ('DJ Promo' copies only)

11. Full Moon – Previously Unreleased Outtake originally issued on the January 1986 4LP/3CD Box Set "Who Knows Where The Times Goes" on Island SDSP 100

12. I’m A Dreamer (Demo) – recorded at home, Byfield, Northants in March 1976. First issued on the October 2004 5CD Box Set "A Boxful Of Treasures" on Fledg'ling Records NEST 5002

13. Easy To Slip – a Little Feat cover version

14. Moments – a Bryn Haworth cover version

Tracks 13 and 14 first appeared on the 1995 Australian CD compilation "The Attic Tracks 1972-1984" for Sandy Denny and Trevor Lucas on Raven RVCD-46

As with all of these superb Sandy Denny CD reissues on Island's 'mid price' series – the project was researched and co-ordinated by DAVID SUFF and TIM CHACKSFIELD with assistance from JOE BACK at Universal. There’s a very tasteful card slipcase, a Pink Island label on the CD (that should actually be an Orange label to match 1977 and not the 1969 Pink-Eye variant) and hand-written lyrics from "So More Sad Refrains" on the inlay beneath the see-through CD tray. The 12-page booklet features brief but informative liner notes from Fledg'ling Records head honcho and Sandy fan DAVID SUFF - as well as repros of hand-written lyrics and music charts (the lyrics to the songs that were on the vinyl insert are also there too). But the big news is a Remaster by a fave Engineer of mine – DENIS BLACKHAM of Skye Mastering. And what a gorgeous job he's done. This CD sounds superb and is also one of those instances where the BONUS TRACKS tip the purchase into a 'must have'...

From the wind-in-her-hair against a city backdrop artwork and the opening keyboard-rock of Richard Thompson's "I Wish Was A Fool For You..." and the funked-up Miles Davis trumpet of "Gold Dust" – it's clear that this album trying real hard to leave 'Folk' behind – and kind of succeeding. You're also aware of the huge number of instruments and players present. Although it doesn't say who exactly plays on what – the big name luminaries impress - Steve Winwood of Traffic, John 'Rabbit' Bundrick of Free, Jess Roden of Bronco, Jerry Donahue, Richard Thompson, Dave Mattacks and Bob Pegg of Fairport Convention, Billy Lively of Ronnie Lane's Slim Chance, Pat Donaldson of Fotheringay, Bob Weston of Fleetwood Mac and even Reggae artist Junior Murvin. Not to be outdone by these band playing upstarts – the Backing Singers included a neat roll call too - Benny Gallagher and Graham Lyle of Gallagher & Lyle, famed session lady Sue Glover, Sunny Wheatman of 6ts female duo act Sue & Sunny, Kay Gardner of The Ladybirds and the wonder-larynx of Claire Torry whose vocals blew everyone away on Pink Floyd's "The Great Gig In The Sky" from 1973's "The Dark Side Of The Moon".

Sandy's dreadful cover of "Candle In The Wind" is an undoubted and much-derided clunker – and one can only wonder what Island was thinking releasing it as a 7" single to represent the album (four years after Elton's original nailed it in 1973). I've only ever seen 'DJ Promo' copies of WIP 6391 (and they're rare) – so I guess it was withdrawn and never made the stock copy stage. Far better is her self-penned non-album B-side "Still Waters Run Deep" (Track 10 in the Bonuses) – a jaunty tune with great female backing vocals that would surely have fitted better on the LP rather than the mawkish "Candle...”. The slow but wonderfully Soulful "Take Me Away" (credited as "Take Me Away The Load" in the booklet for some reason) is one of my poisons – a masterpiece that showcases her warm voice, songwriting talent and yet still manages to modernise her sound (I'd love to know who plays that great lead guitar - doesn’t sound like Richard Thompson). "One Way Donkey Ride" is cited by fans as another nugget and rightly so.

It's not surprising that the lushly-orchestrated "I'm A Dreamer" was chosen as the album's representative track on the 2009 "Meet On The Ledge" 3CD Box Set celebrating the Folk-Rock of Island Records – it's a highlight on here. "All Our Days" has a touch of the Kate Bush in its ambitious orchestration – a forgotten gem. "Silver Threads And Golden Needles" was a minor hit for The Springfields (with Dusty Springfield) way back in September 1962 (No. 20 in the US charts) while Linda Ronstadt covered it too on her April 1969 debut solo LP "Hand Sown...Home Grown". Sandy's own UK folk band Fotheringay would release a version of it on the belated album project "Fotheringay 2" in 2008 – the supposed 2nd LP from 1970 that never was. That 2008 version is similar to the languid feel of the "Rendezvous" take just minus the colliery band backing (some prefer it). The "Rendezvous" LP ends on "No More Sad Refrains" – a sophisticated love song that is perhaps too loaded down with syrupy strings.

When you hear how good both "Still Waters Run Deep" and the gorgeous ballad "Full Moon" are ("...tonight is like the fist night we met...") – it's pretty damn clear that mistakes were made in choosing "Gold Dust" or "Candle In The Wind" as LP tracks instead. It's arguable that had "Full Moon" been released as a UK 7" single – surely radio would have picked up on its beauty? Her 'Demo' of "I'm A Dreamer" is hissy for sure but that's more than wiped away by the delicacy of the performance – her and a piano – gorgeous. The final two bonuses are cover versions – Little Feat's "Easy To Slip" (from 1973's "Sailin Shoes") and Bryn Haworth's "Moments" (from 1978's "Grand Arrival"). The Little Feat cover just doesn't really work (they had such a unique sound) but the beauty of Haworth's "Moments" makes for a more satisfying listen – a sweet little melody with great guitar-work (I wish someone would pair Haworth's A&M albums "Grand Arrival" from 1978 with 1979's "Keep The Ball Rolling" onto 1CD).

After 1975's "Rising For The Moon" and 1977's "Rendezvous" failed commercially – both her former muckers Fairport Convention and Sandy Denny herself were dropped by Island Records – out in the wilderness so to speak. After a freak accident in a friend's home in the spring of the following year (she fell down some stairs) - Sandy went into a coma and horribly - a brain haemorrhage took her not long after.

Alexandra Elene MacLean Denny passed 21 April 1978 – gone too soon – a voice many considered too beautiful for words. This last stab at commerciality might have offended purists at the time with its cod Reggae and overdone productions in places. But over time – the beauty-moments on "Rendezvous" have revealed themselves to be more than the whole. And it's a cheap too as a Remaster.

"...Miss you more than I can say..." - Sandy sang on the beautiful love song "Full Moon". Set up a meeting with this underrated and forgotten album...because I reckon the good bits are going to improve your listening world big time...

PS: see reviews for "Fotheringay" (1970) and her 1972 debut on Island Records "Sandy"

"Morning Glory: The Tim Buckley Anthology" by TIM BUCKLEY (2001 Elektra/Rhino 2CD Remasters) - A Review by Mark Barry...

"...Song To The Siren..."

Blessed with an angelic ring-them-bells voice that would literally make women swoon and Male Sopranos nervous - Tim Buckley's artistry has nonetheless always been a strange thing in collecting circles. Despite his stunning set of pipes and beautiful song arrangements - I've seen this superlative Rhino 2CD Anthology fall as low as 75p on some online sites – while at the same time his original British sixties vinyl albums easily command fifty, sixty, seventy pounds – especially masterpieces like "Happy Sad" on orange-Elektra and "Starsailor" on Straight Records. Cheap or no - I'd like to argue that this 2CD star-in-a-reasonably-priced-car is genuinely essential listening you need in your man cave. Here are the Hellos and Goodbyes...

UK and Europe released 31 March 2001 (April 2001 in the USA) – "Morning Glory: The Tim Buckley Anthology" by TIM BUCKLEY on Elektra/Rhino 8122-76722-2 (Barcode 081227672225) is a 33-Track 2CD Set in a Card Slipcase and plays out as follows:

Disc 1 (77:21 minutes):

1. Wings

2. She Is

3. Song Slowly Song

4. It Happens Every Time

5. Aren’t You The Girl

Tracks 1 to 5 from his debut album "Tim Buckley" – released October 1966 in the USA (December 1966 in the UK) on Elektra Records EK-4040 (Mono) and Elektra EKS-74040 (Stereo) - same LP catalogue numbers for both countries. The STEREO MIX is used.

6. Pleasant Street

7. Hallucinations

8. No Man Can Find The War

9. Once I Was

10. Morning Glory

11. Goodbye And Hello

Tracks 6 to 11 from his 2nd studio album "Goodbye And Hello" – released September 1967 (December 1967 in the UK) in the USA on Elektra EKL-318 (Mono) and Elektra EKS-7318 (Stereo) - same LP catalogue numbers for both countries. Reissue copies (about October/November 1967) have the catalogue number Elektra EKS-74028. The STEREO MIX is used.

12. Buzzin' Fly

13. Strange Feelin'

14. Sing A Song For You

Tracks 12 to 14 are from his 3rd studio LP "Happy Sad" – released March 1969 in the USA and UK on Elektra Records EKS-74045 (Stereo only).

15. Phantasmagoria In Two (Live)

16. I've Been Out Walking (Live)

17. Troubadour (Live)

Tracks 15 to 17 recorded Live in London, England on 7 October 1968 – finally released June 1990 in the UK as "Dream Letter/Live In London 1968" on Demon DFIEND 200 (2LPs) and DFIENDCD 200 (2CDs) and in the USA on Bizarre/Straight/Rhino R2 70361 (Stereo).

Disc 2 (73:27 minutes):

1. Happy Time

2. Chase The Blues Away

3. I Must Have Been

4. The River

5. So Lonely

6. Blue Melody

Tracks 1 to 6 are from his 4th studio album "Blue Afternoon" – released November 1969 in the USA and UK on Straight STS-1060 (Stereo) - reissued January 1970 in the USA on Warner Brothers WS-1842.

7. I Had A Talk With My Woman (Live)

Track 7 from his 5th album "Lorca" – released October 1970 in the USA on Elektra EKS-74074 (Stereo) and in the UK on Elektra 2410 005 (Stereo)

8. Moulin Rouge

9. Song To The Siren

10. Monterey

Tracks 8 to 10 from his 6th album "Starsailor" – released November 1970 in the USA (January 1971 in the UK) on Straight STS 1060 (Stereo) – reissued July 1971 in the USA on Warner Brothers WS-1881.

11. Sweet Surrender

12. Hong Kong Bar

13. Make It Right

Tracks 11 to 13 from his 7th album "Greetings From L.A." – released August 1972 in the USA on Straight/Warner Brothers BS-2631 and in the UK on Warner Brothers K 46176.

14. Sally Go 'Round The Roses

Track 14 from his 8th album "Sefronia" – released September 1973 in the USA on Discreet MS-2157 and May 1974 in the UK on Discreet K 49201.

15. Who Could Deny You

Track 15 from his 9th and final album "Look At The Fool" – released November 1974 in the USA on Discreet DS 2201 and in the UK on Discreet K 59204.

16. Song To The Siren (From 'The Monkees TV Show' - Introduced by Mickey Dolenz)

Recorded live on set in November 1967 - it features Tim Buckley on Vocals and 12-String Guitar and is PREVIOUSLY UNRELEASED.

"Morning Glory" is housed in a fetching card slipcase (dig that Velvet Underground & Nico advert on the wall behind him) that houses a three-way foldout card digipak within with a 32-page oversized booklet in one of its flaps. JAMES AUSTIN does the 'foreword' that's followed by comprehensive liner notes from BARRY ALFONSO and Lead Guitarist on Buckley's first few albums LEE UNDERWOOD. There's track-by-track annotation, the 10 LPs from "Tim Buckley" in October 1966 through to the posthumous "Dream Letter/Live In London 1968" 2LP set in June 1990 are pictured too. But the best news is the Audio that after years of crappy 80s CDs is fab across the board. Long-time engineer associates with Rhino DAN HERSCH and BILL INGLOT have handled the transfers and remasters and done a wonderful job. It's thrilling after all these years to hear gems like "Once I Was" and "Buzzin' Fly" sound this good. Sure there's hiss on some tracks but the music is alive and clear and tracks like "Happy Time" and the ethereally atmospheric "Song To The Siren" make the hairs on the back on my neck stand up.

As you can see from the detailed track list above – Disc 1 concentrates on 1966 to 1968 – his first three albums "Tim Buckley", "Goodbye And Hello" and "Happy Sad" encompassing the fantastic Demon Records 2LP reissue "Dream Letter" (Live 1968 recordings finally released in 1990). You can chart his journey from straight-up Folky on the lovely "Wings" through the Harpsichord 60ts Pop of "Pleasant Street" on to his exploration of vocals and jazz rhythms on "Buzzin' Fly" and "Strange Feelin'". Buckley's 12-String Guitar and Lee Underwood's Lead Electric underpin the mournful "Chase The Blues" (a little hiss on this one) while the duo appear again on the beautiful live cut "I Had A Talk With My Woman" recorded at the Troubadour in West Hollywood in September 1969 for the "Lorca" album. I can only imagine what it must have been like for that audience to hear this extraordinary vocal come out of that microphone – "I Had A Talk With My Woman" is showcase - amazing stuff.

It's a damn shame that only 3 tracks turn up from the ever-elusive "Starsailor" LP - but at least the cod-French "Moulin Rouge", the beautiful "Song To The Siren" and the slightly Zappa-esque "Monterey" all sound great – the remaster really lifting them. Having said that only 1 track from "Lorca" and "Look At The Fool" isn't enough. I would have liked his covers of Fred Neil's "Dolphins" and Tom Waits' "Martha" from 1973's "Sefronia" on here too as well as the Soulful title track "Look At The Fool" – all songs that still showed his magic at a time of drugs and problems. And the "Forever Changing..." 1999 Box Set covering the history of Elektra Records uncovered the magnificent 1967 outtake "Wayfaring Stranger" - the set is a little less by their absences. By way of compensation there's a previously unreleased solo acoustic take of  "Song To The Siren" introduced by Mickey Dolenz of The Monkees. It's pure Buckley magic and at 3:18 minutes – a warm and musically fitting way to end this exceptional retrospective.

As I replay the oh-so-pretty "Morning Glory" and he sings "...tell me stories...I call to the hobo..." – I'm awash with admiration – moved too.

Tim Buckley was a musical genius, a mercurial talent and a songsmith you need in your home. This is the one to buy...

"Wanna Make Love.../Sun-Power/Sunburn" by SUN (March 2016 UK Beat Goes On Records (BGO) Compilation - 3LPs onto 2CDs – Andrew Thompson Remasters) - A Review by Mark Barry...

"…Live On, Dream On…"

The brainchild of Dayton Saxophonist Byron Byrd – SUN rode the Earth, Wind & Fire Soul Train back in the late Seventies and produced some seriously good dancefloor Funk along the way.

This flawed reissue from England's Beat Goes On Records contains their first three Soul/Funk albums for Capitol Records in 1976, 1977 and 1978 Remastered onto 2CDs – but unfortunately not without a silly error on Disc 2 (BGO are normally a byword for quality). It's still worth buying though - so here are the soothing Factor-8 details...

UK released March 2016 (April 2016 in the USA) – "Wanna Makes Love (Come Flick My BIC)/Sun-Power/Sunburn" by SUN on Beat Goes On BGOCD 1225 (Barcode 5017261212252) offers 3 Albums Remastered onto 2CDs and plays out as follows:

Disc 1 (77:07 minutes):

1. Love On, Dream On

2. Tell The People

3. My Woman

4. They're Calling For More

5. Wanna Make Love (Come Flick my BIC) [Side 2]

6. Love Is Never Sure

7. The Show Is Over

8. It's Killing Me

9. Give Your Love To Me

Tracks 1 to 9 are their debut album "Live On, Dream On" – initially released March 1976 in the USA on Capitol ST-11461 (Capitol E-ST 11461 in the UK) in a plain gold sleeve with the word SUN centered. After the "Wanna Make Love..." single became a belated hit – the LP was renamed "Wanna Make Love (Come Flick My BIC)" in July 1976 and reissued with the more commonly seen 'hot woman' artwork. It's that title and artwork that's used for this CD reissue. The BIC in the LP and song name refers to the US disposable cigarette lighter 'BIC' who instead of suing ran with the line and even made promo-only gold BIC lighters with the logo SUN on them.

10. Light Me Up

11. Boogie Bopper

12. We're So Hot

13. Conscience

14. Time Is Passing [Side 2]

15. Just A Minute Of Your Time

16. Organ Grinder

17. She Lives Alone

Tracks 10 to 17 are the album "Sun-Power" – released May 1977 in the USA on Capitol ST-11609 (no UK release)

Disc 2 (40:46 minutes):

1. Introduction (a) You Are My Sunshine (b) Sun is Here

2. Dance (Do What You Wanna Do)

3. When You Put Your Hand In Mine

4. You're The One

5. Long Drawn Out Thang [Side 2]

6. You Don’t Have To Hurry

7. I Had A Choice

8. Sun Of A Gun

Tracks 1 to 8 are their 3rd album "Sunburn" – released April 1978 in the USA on Capitol ST-11723 (Capitol E-ST 11723 in the UK).

The care slipcase lends the whole shebang a classy feel and the 24-page booklet with liner notes from Mojo writer and genre expert CHARLES WARING gives you a detailed overview of their entire career. You get session details, lyrics for the first two LPs and photos. The Remasters are by ANDREW THOMPSON and suffice to say that these babies FUNK with a capitol UNK – the audio on these CDs is superlative – alive and fresh and guaranteed to make even the most jaded rear end boogie Woogie. However – as one other reviewer has quite rightly pointed out – there’s a major mastering error on Disc 2. The track "Dance (Do What You Wanna Do)" is inexplicably presented as a 4:08 minute 7" single edit on my CD without saying so instead of the Full Album Version at 6:06 minutes. As this is a huge club and dancehall fave so it's a major boo-boo on the part of BGO who should have of course included the 7" single edit as a Bonus Track at the end of Disc 2. Perhaps later pressings will rectify this – but for the moment fans will have to do with what they've got. As I say – the Audio is superb – and frankly that's what I’m after more...

The 1976 debut LP is the most overtly P-Funk of the three – going straight for the butt-wiggling jugular with the brilliant opener "Live On, Dream On" – a relentless groove making sure that shapes and spandex are gonna fill the dancefloor. "Tell The People" gives it some Meters guitar allied with Graham Central Station falsetto vocals and is another winner. Can't say I'm partial to the sappy ballad "My Woman" which sounds like he's gonna start rapping in a Barry White voice about making 'lurve' any second (pretty audio though). Better is the Latin rhythms in "Calling for More" with Dean Hummons playing a blinder on the piano. 

The Byron Byrd penned "Wanna Make Love (Come Flick My BIC)" was issued by Capitol in the US as a 45 (Capitol 4254) with the acoustic ballad "Love Is Never Sure" as its flip-side. The infectious Roger Troutman voicebox vocals on the A and that funky dancing backbeat meant a six-week stint on the single charts for "Wanna Make Love..." (peaked at No. 76 in October 1976). Capitol UK even gave the 3:26 minute song a 12" single release on Capitol 12 CL 16109 – a long sought-after stepper for DJs in the know. "The Show Is Over" is a pretty song while Trumpeter Chris Jones discovers his inner Stevie Wonder on his Innervisions-hooky "It's Killing Me". It ends on the brass and piano EWF vibe of "Give Your Love To Me" – another commercial winner from Trumpeter Chris Jones.

Highlights from the other two albums include the catchy dancer "Light Me Up" and the 7:11 minutes of the beautiful arranged "Time Is Passing" – an almost Crusaders-ish groove with a wonderful slink to it that hooks you immediately. I've always dug the funk-cool of "Organ Grinder" where the band sound like Narada Michael Walden talking about that girl in the disco with her hot body in deadly motion. The slap-bass funk of "Sun Is Here" could probably have done without its superfluous "You Are My Sunshine" opening minute and that "Dance..." track has always been a fave. "When You Put Your Hand In Mine" feels like a Smokey Robinson solo track complete with falsetto vocal – better is the hard-hitting Funk of "Long Drawn Out Thang" – a fantastic and sexy dancefloor slap-bass marathon at 6:19 minutes. Another winner is the wickedly catchy "You Don't Have To Worry" - a tune Graham Central Station would have top-ten'd easily...

To sum up - a great reissue of three criminally forgotten albums by Soul and Funk boys SUN. I've loved re-hearing this wicked and underrated LPs again but that glitch on Disc 2 is a major mistake (docked a star for that) and needs to be fixed by BGO pronto. Outside of that fans should dive in and butt-waddle to the glory years of SUN once more...

"Aqualung: 40th Anniversary Adapted Edition" by JETHRO TULL (2016 Chrysalis 2CD and 2DVD Reissue) - A Review by Mark Barry...

"…Elephants And Lions Too…”

Back in the tenement fog of Monday the 31st of October 2011 – I got terribly excited about the 2CD variant of the '40th Anniversary' Reissue of Jethro Tull's "Aqualung". Remastered with real skill and care by Porcupine Tree's STEVE WILSON – compared to the audio dreck we'd had for nearly 30 years – the 2011 2CD set was/is a sonic revelation. Out of my financial reach at the time (and the same for most everyone else I suspect) – there was also a 2011 5-Disc 'Collector's Edition' of "Aqualung" with LP, CDs, DVD and BLU RAY that was pricey then and has become something of an extortionate collectable ever since.

Well along comes Chrysalis in April 2016 and offers up a cheaper alternative - a fully-loaded 'Adapted Version' of that Super Deluxe 'Collector's Edition' Box set – this time with 2CDs and 2DVDs clipped inside a beautifully packaged 80-page Book Pack. It's the same Remastering from 2011 but 'newly' handled in 2016 'only' by Steve Wilson with some multitrack transfers by Kris Burton. The Audio is fabulous - it's packaged better and at under a twenty-spot - priced to sell. Here are the snots running down my nose...

UK released Friday 22 April 2016 - "Aqualung: 40th Anniversary Adapted Edition" by JETHRO TULL on Chrysalis 0825646487080 (Barcode is the same) is a 4-Disc REISSUE BOOK SET consisting of 2CDs and 2DVDs (1 is Audio, 2 is Audio and Video) that plays out as follows:

Disc 1 (43:45 minutes):

1. Aqualung

2. Cross-Eyed Mary

3. Cheap Day Return

4. Mother Goose

5. Wond’ring Aloud

6. Up To Me

7. My God [Side 2]

8. Hymn 43

9. Slipstream

10. Locomotive Breath

11. Wind Up

Tracks 1 to 11 are their 4th album "Aqualung" - released 19 March 1971 in the UK on Chrysalis ILPS 9145 and 3 May 1971 in the USA on Reprise MS 2035. It reached number 4 and 7 on the UK and US LP charts. No 45's were released to support the album in the UK - but "Hymn 43" was put out as a 7" single in the USA with "Mother Goose" as its B-side on Reprise 1024 (see Disc 2 Track 1 re UK singles).

Disc 2 – Associated 1970 & 1971 Recordings (51:25 minutes):

A Steven Wilson Stereo Remix (Tracks 1 to 10)

Flat Transfer (Tracks 11 to 15)

1. Lick Your Fingers Clean - an album outtake that first appeared on the 1996 25th Anniversary reissue - this is a 2011 'New Mix'. It was supposed to be released as a single in 1971 on Chrysalis WIP 6098 in the UK but was withdrawn

2. Just Trying To Be - first appeared as the last track on Side 2 of the July 1972 double album "Living In The Past". This is a 2011 'New Mix' at 1:37 minutes

3. My God (Early Version) - a 9:42 minute outtake complete with studio dialogue at the beginning

4. Wond'ring Aloud - a 1:51 minute outtake recorded 13 Dec 1970

5. Wind Up - an 'Early Version' at 5:21 minutes with Ian Anderson on piano. This is a 2011 'New Mix'

6. Slipstream (Take 2) - a 54-second outtake

7. Up The 'Pool - an 'Early Version' at 1:12 minutes (released version is Track 10)

8. Wand'ring Aloud, Again - a 7:07 minute 'Full Morgan Version' with the band and extra verses

9. Life Is A Long Song (New Mix)

10. Up The 'Pool (New Mix)

Life Is A Long Song (Original EP, Flat Transfer)

11. Life Is A Long Song

12. Up The 'Pool

13. Dr. Bogenbroom

14. From Later

15. Nursie

Tracks 11 to 15 were recorded in May 1971 and made up the "Life Is A Long Song" 7" EP released September 1971 on Chrysalis WIP 6106 in the UK (the picture sleeve is featured in the last collage pages of the booklet along with its sheet music). They reappeared as Tracks 3 to 7 on Side 4 of the "Living In The Past" double LP in 1972.

16. Reprise Radio Advert - is a 52-second "US Radio Spot" featuring Ian Anderson talking about the album and God with music snippets from several tracks

NOTE: Tracks 3, 4, 6 7 and 8 were PREVIOUSLY UNRELEASED in 2011. The original Disc 2 in 2011 had 14 tracks – this 2016 16-track version adds on the flat transferred remasters of "Life Is A Long Song" and "Up The 'Pool" (tracks 11 and 12) as extras.

DVD ONE (Audio):

'Aqualung' remixed in 5.1 surround and presented in DTS 96/24 AC3 Dolby Digital and 96/24 LPCN Stereo

Associated 1970 & 1971 Recordings. Seven tracks remixed in 5.1 Surround and presented in DTS 96/24 and AC3 Dolby Digital, and 10 remixed in 96/24 LPCM Stereo

DVD TWO (Audio & Video):

A flat transfer from the original Stereo master of the album in 96/24 LPCM Stereo

Original 1974 Quad Mix as 4.1 presented in DTS 96/24 and AC3 Dolby Digital Surround

A flat transfer from the original Stereo master of the 5-track EP "Life Is A Long Song" in 96/24 LPCM Stereo

The 1971 "Life Is A Long Song" promotional film with new remixed stereo soundtrack

The 4-discs are housed in a gatefold BOOK PACK with an 80-page booklet attached to the centre (the 45-page variant in the original 12" x 12" Collector's Edition reduced in size). It has the 6000-word DOM LAWSON Essay on the whole "Aqualung" process (recording, tours, singles, aftermath), recollections from Engineer John Burns, songwriter and band leader Ian Anderson's own track-by-track recollections, notes from remastering Engineer Steven Wilson on the whole transfer process (July 2011), lyrics to all songs (including the extras) in the same script as was depicted on the original LP inner sleeve, an article on Island Studios and the usual plethora of pictured memorabilia. This looks and feels substantial and at twenty quid (or less) is a deal for fans and newcomers alike.

A smart move is to have the entire "Life Is A Long Song" EP on Disc 2 (5 tracks) rather than the three that appeared on the 2011 2CD version. Disc 2 now has 16 tracks rather than 14 – and they've included the lyrics too - so someone in the Chrysalis camp has heard those moans. As you can see Disc 3 is DVD Audio only while Disc 4 is DVD Audio and Video – but what an array of stuff. I've never seen the "Life Is A Long Song" promotional film – but they've even remixed it with a new stereo soundtrack. I find the channel separation in the 1974 'Quad Mix' to be utterly bizarre and fascinating at one and the same time. I must admit having lived with the Wilson Remaster – I find the flat Stereo transfer just that – flat as a bleeding pancake. But I hadn't heard the Surround 5.1 mix before and listening to it (admittedly on a mate's system) is a truly stunning experience. Stuff comes at you from every direction – clarity and instruments colliding like a wild dodgem ride on a recording you thought you knew inside out. Another smart move is to keep both DVDs Region 0 - Region Free in other words. Other nice touches include the painting-artwork of Burton Silverman reproduced beneath the front and rear see-through trays (the inner gatefold of the original vinyl LP) - the CDs are green in colour as per the original Chrysalis labels – the DVDs carry the LP cover and inner sleeve shot - and even the booklet numbers the pages in Roman numerals in keeping with the original album artwork.

As I said before – the 2011 Audio is a sensation. STEVEN WILSON explains in suitably techno gobbledygook the lengths he and his team went to get the best possible sound out of the 8 and 16-track master tapes without compromising the integrity of the original recordings. Multi-track Transfers were done by KRIS BURTON and Mastering carried out by PETER MEW at Abbey Road (a name long associated with quality reissues - see Listmania and tags). The results are amazing. However for 2016 (as I said above) - the liner notes have 'only' Steven Wilson listed as the mastering engineer this time out and are definitely credited as new (2016 copyright). Harking back to say "My God" - the track that opens Side 2 - the clarity on this most brilliant of tracks is truly hair-raising and ever so slightly better than I've heard before. 

Even as the opening riff of "Aqualung" rattles around your speakers accompanied by the sleazy "...sitting on a park bench..." lyrics - the audio quality is in your face, but not in a forced way. Suddenly the track has real muscle and the details leap out at you. It's breathing for the first time. "Cross-Eyed Mary" has superlative bass end now and the treated guitar 'so' good. But for me the real fireworks start with the double combo of the acoustic "Cheap Day Return" with the acoustic/rock of "Mother Goose". The improvement is GLORIOUS - and when the guitar kicked in half way through "Mother Goose" - I'll confess to blubbing out a little proggy tear. "Up To Me" is fantastically good too - huge guitar riffage. The improvement continues on Side 2 with amazing clarity on "My God" - especially those acoustic passages. The riff in "Hymn 43" is just huge now and the quiet lead into "Locomotive Breath" is not drenched in hiss - but clean and powerful. The album ends with "Wind Up" which has the best lyrics Anderson ever wrote about personal beliefs and it sounds just wonderful (lyrics above).

I had thought after the blast of the album that Disc 2 would be throwaway - not so. A truly lovely gem tucked away on the "Living In The Past" 1972 double is "Just Trying To Be" which I had on a 1999 Mobile Fidelity remaster (see review) - well here the sound quality is beautiful and far better. I was also taken aback by the full 7-minute band version of "Wand'ring Aloud, Again" which properly stretches out - it's a superb bonus. It takes the "Wand'ring Aloud" album track from "Aqualung" at 1:53 minutes length and adds on the "Wand'ring Again" outtake at 4:15 minutes length that turned up on the 1972 "Living In The Past" double and segues way them together with an extra bridge in the song and more lyrics (hence its new title here is a make up of both song titles). It's very cleverly done and because there are new bits in it - it's been called 'Previously Unreleased'. The roughest sounding outtake here is the 'Early Version' of "My God", but again his passion in the vocals is the reason for inclusion. And again the clarity on the 5-track "Life Is A Long Song" EP is far better than that on the MF release. Great stuff...

Fans who bought the original 2011 2CD 'Collector’s Edition' may feel they don’t need this – but I'd argue the extras and the new sound make it yet another 'must own'. The curious should just dive right in as the cost is now within the bounds of most people's pockets...

2017 is the 45th Anniversary for 1972 - so roll on "Living In The Past" - Jethro Tull's July 1972 double album of odds and sods. I've always loved the beautifully packaged "Living in The Past" and it deserves no less than the same lavish treatment...

PS: see also my reviews for Steven Wilson's remaster of 1970's "Benefit" (the album before "Aqualung"), EMI's superb 'Collectors Edition' of their 1968 debut "This Was" and Mobile Fidelity's 1999 2CD stab at "Living In The Past"...

"The Kink Kontroversy: Deluxe Edition" by THE KINKS (2011 Universal/Sanctuary 2CD Remasters) - A Review for Mark Barry...

"…Where Have All The Good Times Gone…"

Like many fans of this great British band - I've watched the release of 6 Kinks 'Deluxe Editions' since the beginning of 2011 with a certain amount of skepticism. Haven't these albums been done to death already and isn't this just more monetary milking of it? 

But then many fans began to rave about the great new remastered sound on these doubles - so I took the plunge and they were right. The 2011 Deluxe Edition 2CD Sets for THE KINKS are probably the best were ever going to get - and they’ve been presented with a fantastic eye to detail - even managing three Previously Unreleased performances on this particular twofer. Here are the not so Kontroversial details...

UK released 28 March 2011 in the UK (April 2011 in the USA) - "The Kink Kontroversy: Deluxe Edition" by THE KINKS is a 2CD Reissue/Remaster on Universal/Sanctuary 275 628-5 (Barcode 602527562858) and plays out as follows:

Disc 1 (30:14 minutes):
1. Milk Cow Blues
2. Ring The Bells
3. Gotta Get The First Plane Home
4. When I See That Girl Of Mine
5. I Am Free
6. Till The End Of The Day
7. The World Keeps Going Round [Side 2]
8. I’m On An Island
9. Where Have All The Good Times Gone
10. It's Too Late
11. What's In Store For Me
12. You Can't Win
Tracks 1 to 12 are their 3rd LP "The Kink Kontroversy" - released 26 November 1965 in the UK on Pye Records NPL 18131 (Mono) and Pye NSPL 18131 (Export Only issue in Simulated Stereo) - and 30 March 1966 in the USA on Reprise Records R 6197 (Mono) and Reprise RS 6197 (Simulated Stereo). The MONO MIX only is used for this 2011 CD Remaster. RAY DAVIES wrote all songs except "Milk Cow Blues" by Sleepy John Estes and "I Am Free" by DAVE DAVIES.

Disc 2 (43:54 minutes):
1. Dedicated Follower Of Fashion (Mono Single)
2. Sittin' On My Sofa (Mono Single)
Tracks 1 and 2 are the non-album A&B-sides of a 7" single released 19 November 1965 in the UK on Pye 7N 15981 and 2 March 1966 in the USA on Reprise 0454
3. I'm Not Like Everybody Else (Mono Single)
Track 3 is the non-album B-side of “Sunny Afternoon” released 3 June 1966 in the UK on Pye 7N 17125 and July 1966 in the USA on Reprise 0497
4. Mr. Reporter (Outtake)
Track 4 first appeared as a Bonus on the March 1988 UK CD Reissue of "Face To Face" on Sanctuary/Essential ESM CD 479
5. Dedicated Follower Of Fashion (Alternate Take)
Track 5 first appeared as a Bonus on the March 1998 UK CD Reissue of "The Kink Kontroversy" on Sanctuary/Essential ESM CD 507
6. Time Will Tell (Outtake)
Track 6 first appeared on the October 1983 Vinyl LP "Dead End Street – The Kinks Greatest Hits" on the Bonus 10" that came with initial copies - but was withdrawn after legal action from The Kinks. First CD appearance was on the 1997 "Kollectable Kinks Kontraband" 2CD set in the Netherlands.
7. And I Will Love You (Unissued EP Track)
Track 7 appeared on the December 2008 "Picture Book" 6CD Box Set on Universal/Sanctuary 531 3049
8. I'm Not Like Everybody Else (Alternate Vocal) – PREVIOUSLY UNRELEASED
9. All Night Stand (Demo)
10. Milk Cow Blues (Live)
11. Ray Talks About Songwriting [Dialogue only]
12. Never Met A Girl Like You Before (Live) - PREVIOUSLY UNRELEASED
13. Wonder Where My Baby Is Tonight (Live)
Tracks 10 to 13 recorded 10 August 1965 live at the Playhouse Theatre in London – broadcast on the BBC's 'Saturday Club', 4 September 1965
14. Pete (Quaife) Talks About Records [Dialogue only]
15. Till The End Of The Day (Live)
16. A Well Respected Man (Live) - PREVIOUSLY UNRELEASED
17. Where Have All The Good Times Gone (Live)
Tracks 14 to 17 recorded 13 December 1965 live at the Playhouse Theatre in London – first broadcast on the BBC's 'Saturday Club', 18 December 1965

As with all of these DELUXE EDITION reissues – there's a fact-filled picture-festooned 24-page booklet full of period details. In this case noted knowledgeable type BOB STANLEY has done the honours with some thorough liner notes (on the core album). In between the interviews you get photos of the UK LP artwork (with fay distressed look rear sleeve) along with many rare 7" single picture sleeves and EPs (Dutch, Mexican, Japanese, Spanish, French, German, Danish), US and UK trade adverts, newspaper clippings, memorabilia and snaps of the boys looking like delinquents you wouldn't want your daughter to bring home. The breakdown of the tracks is very well done too - what came from what and why. Both of the discs reflect the purple colouring of the original UK Pye Records LP label - with Side 1 pictured beneath the see-through tray of CD1 and Side 2 beneath the tray of CD2 – the "Dedicated Kinks" EP pictured on the fold-out flaps - all nice touches. My copy also comes with an outer 'Deluxe Collectors Edition' plastic slipcase which none of the other reissues I bought had? Niggles – there isn’t enough discussion on the contents of Disc 2 (the BBC stuff isn't talked about at all).

ANDREW SANDOVAL, DAN HERSCH (of Digiprep and Rhino fame) and ANDY PEARCE carried out the remasters - and the sound quality is exceptional. Comparing my single-disc 2004 version of "Milk Cow Blues" with this new 2011 MONO take and the punch is immediate - quite incredible in fact. The previous version was thinny – here the wallop is absolute - giving this raucous R&B cover a real kick in the undercarriage. I then play one of my favourite ballads of theirs – "Ring The Bell" – and I'm a remaster convert reaching for adjectives. Those high-strung Spanish strings are so clear – there is hiss – but it’s not drowning the track and if anything the whacking drums are ‘too’ clear – a complaint I’ll take any day of the week.

To the record itself – their 3rd album "The Kink Kontroversy" peaked at No. 9 in the UK LP charts – as did the hip-shaking 7" single "Till The End Of The Day" with its stunning "Where Have All The Good Times Gone" B-side. Their 2nd album "Kinda Kinks" had hit No. 3 earlier in March of 1965 in Britain – so No. 9 for the LP and the 45 was a good follow-through. The brilliant and socially aware "Dedicated Follower Of Fashion" would rightly go to No. 4 on the UK single charts in March 1966 - just as "Kontroversy" was being released as an LP in the States. Musical historians have long since viewed "The Kink Kontroversy" as a bit of a poisonous little bugger at heart – and you can certainly hear the anger and weariness of being in the limelight come sneaking through "Gotta Get The First Plane Home" and the worrying song "The World Keeps Going Round" – both sounding better than ever on this 'DE'.

Another fave rave is surely going to be "Where Have All The Good Times Gone" – a song so many have latched onto since - David Bowie on 1973's "Pin Ups" and Van Halen on 1982's "Diver Down" to name but two. Here it's sounding so fresh and alive. However you half expect Ray Davies to don a grass skirt and start rattling maracas on the Dr. No hula-hula shake of "I'm On An Island" – another witty and acidic take on the strange dynamic of relationships. "It's Too Late" sounds big but still a tad fuzzy around the edges (the doubled vocals are clearer). "What's In Store For Me" had the potential for another killer single – a choppy little groover that questions what the future will bring. I also like the Dave Davies lone contribution "I Am Free" - while the album ends on the distorted garage guitar of "You Can't Win" – Ray laying down the emotional law to another girl with dubious intentions. 

The BONUS TRACKS are always a mixed bag – genius running alongside curios only uber-fans will ever play – and Disc 2 of this DE is no different. You can't go much wrong with "Dedicated Follower Of Fashion" and you could argue that the LP could have used its huge appeal and lyrical smarts. The non-album "Sittin' On My Sofa" is a genuine winner - but even better is the outtake "Mr. Reporter" a song that turns the tables on the tabloid hacks who hounded the band and their lifestyles. The Alternate Take of "Dedicated Follower Of Fashion" has wonderfully clear Bass and Guitar and frankly you can't help thinking that in any variant - it would have been a hit anyway. "Time Will Tell" is another outtake – Take 5 to be exact – and again Kinks fans will dig its fuzzed-up guitar groove. "And I Will Love You" sounds like Van Morrison's THEM complete with a weedy organ for backing. The first Previously Unreleased track is an 'Alternate Vocal' of "I'm Not Like Everybody Else" where it manages to sound like The Monkees circa 1964 getting down with their badass selves. It's a bit rough for sure but damn good too. "All Night Stand" is clearly a knackered Demo (a rough recording) but you can hear why it was included.

"...Coming to you from our London studio...this is that great British live show Top Of The Pops...and it's Blues time!" – the plummy BBC DJ announces in that so 60ts voice. Highlights include "Wonder Where My Baby Is Tonight" and Ray Davies talking about how his acetate for "I Go To Sleep" somehow made its way to Peggy Lee who recorded it (one of his heroes). The BBC recordings are superbly done – just as punchy as their LP counterparts. A hit single in the States on Reprise – "A Well Respected Man" is presented here in an unreleased live version – a more echoed take of this much-loved Kinks tune. You can kind of hear Davies losing the vocal every now and then – but it's still a great bonus.

To sum up - a superb new remaster, properly upgraded packaging and liner notes and extra tracks that actually warrant the title 'bonus'. Very nice indeed.

"...They seek him here...they seek him there..." – Ray Davies sang on the slippery "Dedicated Follower Of Fashion". 

Your search is over – this is the version of "The Kink Kontroversy" to own...