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Thursday, 23 August 2018

"The Story Of TROJAN RECORDS" by LAURENCE CANE-HONEYSETT (August 2018 Eye Books HARDBACK) - A Review by Mark Barry...




"THE STORY OF TROJAN RECORDS"
August 2018 Eye Books Hardback Edition
by LAURENCE CANE-HONEYSETT

Truly Beautiful History of a Great British Reggae Label "Trojan" 
Sets A Standard For Record Label Biogs too...

Back in the day I reviewed "The Story Of Trojan Records" 6CD Box Set from 2011, Deluxe Editions of "Tighten Up Volumes 1 and 2" - even Cane Honeysett's groundbreaking book "Young, Gifted And Black" on Trojan (2003, Sanctuary Books) which published the first decent Discography on all of its output - a Herculean work if ever there was one. The booklet in the 6CD Box Set is gorgeous - but little (and I mean little) will prepare lifetime fans of this fantastic English Reggae, Ska and Dub label for 2018's Hardback extravaganza "The Story Of Trojan Records" (Eye Books - ISBN 9781785630781) - its properly gorgeous.

I've just come from a 4-day review on "Trojan 50" - the accompanying 4LP/6CD/2x7" Mega Box Set celebrating 1968 to 2018 - and this tome is the companion to that. I'm now sure that had this beautiful book been included in "Trojan 50" as well as the "Art Of The Album" Book - we would be looking at Reissue of the Year in any format.

What you get here is nearly 290 pages in an almost LP-sized hardback book with literally ever page festooned with memorabilia, 7" single labels, LP sleeves, Trade Adverts, Master Tape Boxes, Press Releases, Buttons, Top 50 release sheets shown on the counters of London specialist shops and personal recollections from people who were there (Chris Blackwell of Island Records does the intro) - 70 to 80% of which you haven't seen before. There's a 'picture sleeve' of Wilfred Edwards "I Love You No More" b/w "More Than Words Can Say" on Island (early Sixties, probably promo-only) that I've never seen and I don't think is even catalogued! On Page 55 there's The Ethiopians album "Engine 54 - Go Rock Steady" from 1968 - a British pressing on Doctor Bird in a Jamaican Wirl Records sleeve - set you back £400 - if you could find one! You get Christmas campaigns adverts, Fab 208 playlists, articles on Skinhead culture, Mods, Soul Boys, the famous 14/6d price tag for their TRL series that included the one that started it all - "Tighten Up". Speaking of that iconic album and so many other LP covers - there's even a few pages on the gorgeous and sexy Lucienne Camille - The Beautiful Face Of Reggae whose lovely figure and ample assets thrilled and tempted many a young lad browsing the swirly racks in Woolworths.

There are articles on Trojan's Island LP Revival releases - (the TRLS series with sought-after compilations like "Ride Your Donkey" and "Guns Of Navarone" along with Derrick Morgan's "Forward March!") - the famous red-covered titled sleeves of the Trojan 'Hot Shots' 45s (usually 5000-only picture sleeves for the hottest releases Trojan wanted fans to notice) - a stunning display of rarely seen International Picture Sleeves (stuff like Jimmy Cliff's "Vietnam" and Nicky Thomas' "Love Of The Common People" which of course Paul Young made a hit of in the 80ts) - right up the "This Is Trojan..." series of CD sets in 2018. There are interviews with key players stretching from 1995 to 2017 like Dave Betteridge (former Island and Trojan Managing Director) - Chips Richards (former Marketing Manager) - Graeme Walker (former Label Manager) - Jim Flynn (former Director of B&C and Trojan) - Rob Bell (former Label Manager) – Vic Keary (Sound Engineer at Chalk Farm Studios) – Rob Bell talking about Producers like Lee Perry, Bunny Lee, Clancy Eccles and Leslie Kong working in the famous Music House Studios - Phil Swain (Record Producer and Radio Presenter) and many more. There are biographies of artists towards the end of the text and peppered throughout (Ken Boothe, The Melodians, The Pioneers, Marcia Griffiths, The Maytals and more) - absolutely wonderful stuff full of memories hitherto unheard.

Even though a Discography would have been stunning icing on the cake - you cannot call this 2018 Hardback Edition publication anything other than a balls-to-the-wall triumph. Keeper of the Trojan Catalogue flame now for many years - Author LAURENCE CANE-HONEYSETT and the huge team that put this together (acknowledged on the last few pages) should receive accolades a-plenty for "The Story Of Trojan Records". I'll be dipping into this shapely peach for years. Well done to all involved...

PS: And for Gawd's sake - can someone in Universal please do the same for Island Records, Polydor Records, Atlantic Records etc. Why aren't these musical cultural giants catalogued in Book Form??

Wednesday, 22 August 2018

"CLASSIC 1960s MUSIC ON CD" - Exceptional Remasters (a SOUNDS GOOD Music Book) - August 2018 Update

AUGUST 2018 UPDATE 

CLASSIC 1960s MUSIC on CD
- Exceptional Remasters...
by 
MARK BARRY

30+ New Entries

Now Has 326 Reviews
And A Huge 2, 230+ E-Pages for only £3.95
All info from the discs themselves
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Available Through My Author's Page on Amazon


Thursday, 16 August 2018

"What’s That Sound? Complete Albums Collection" by BUFFALO SPRINGFIELD (June 2018 Atco/Rhino 5CD Box Set of 2017 Remasters) - A Review by Mark Barry...








This Review and 364 More Like It
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GIMME SHELTER!
CLASSIC 1960s ROCK ON CD 
And Other Genres Thereabouts 
 
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"...A Field Day..."

The July 2001 "Buffalo Springfield Box Set" (reissued October 2013 in smaller packaging but with the same 88-song compliment – see separate review) seemed at the HDCD time to be the last word on this iconic 60ts American band – a four-disc behemoth with the guts of all three albums and wads of previously unreleased – even offering an Alternate Version of that notorious 1966 first album rarity "Baby Don't Scold Me".

But that was 16 years ago and the latest remastering skills has prompted another go round with Neil Young (who oversaw these transfers) now saying that these 2017 John Hanlon/Chris Bellman versions are the best yet and offer long-suffering fans far superior audio to anything that has gone before (and there's a Vinyl version too). And on the evidence of what I'm hearing here – Canada's most stately curmudgeon is right yet again because nowadays you really 'can hear Clancy sing'. There's a ton of detail to wade through, so here goes into the hour of not-quite-rain...

UK released 28 June 2018 (29 June 2018 in the USA) - "What’s That Sound? Complete Albums Collection" by BUFFALO SPRINGFIELD on Atco/Rhino R2 566970 (Barcode 603497860678) is a 5CD Box Set of 2017 Remasters in Mini LP Repro Artwork that plays outs as follows:

CD1 - "Buffalo Springfield" Mono
Originally US issued December 1966 Debut Album on Atco 33-200 (Tracks 1 to 12, see Notes)
2017 Remastered 13-Track Version (see Notes) on Rhino R2 33200M (36:02 minutes)
Side 1:
1. Go And Say Goodbye [Stephen Stills song]
2. Sit Down I Think I Love You [Stephen Stills song]
3. Leave [Stephen Stills song]
4. Nowadays Clancy Can't Even Sing [Neil Young song]
5. Hot Dusty Roads [Stephen Stills song]
6. Everybody's Wrong [Stephen Stills song]
Side 2:
7. Flying On The Ground Is Wrong  [Neil Young song]
8. Burned [Neil Young song]
9. Do I Have To Come Right Out And Say It [Neil Young song]
10. Baby Don’t Scold Me [Stephen Stills song]
11. Out Of My Mind [Neil Young song]
12. Pay The Price [Stephen Stills song]
13. For What It’s Worth

CD2 "Buffalo Springfield" Stereo
Stereo Remix Version of the Debut Album originally US issued March 1967 on Atco SD 33-200A
2017 Remaster on Rhino R2 33200 (32:59 minutes):
Side 1:
1. For What It’s Worth [Stephen Stills song]
2. Go And Say Goodbye [Stephen Stills song]
3. Sit Down I Think I Love You [Stephen Stills song]
4. Nowadays Clancy Can't Even Sing [Neil Young song]
5. Hot Dusty Roads [Stephen Stills song]
6. Everybody's Wrong [Stephen Stills song]
Side 2:
7. Flying On The Ground Is Wrong  [Neil Young song]
8. Burned [Neil Young song]
9. Do I Have To Come Right Out And Say It [Neil Young song]
10. Leave [Stephen Stills song]
11. Out Of My Mind [Neil Young song]
12. Pay The Price [Stephen Stills song]

NOTES ON THE DEBUT: Buffalo Springfield's self-titled debut album has a tangled history on both vinyl and now CD too – so here goes. Originally released 6 December 1966 on Atco 33-200 in Mono and Atco SD 33-200 in Stereo – the first version had 12 songs – six to each side as per Tracks 1 to 12 above on CD1. However, recorded the day the LP was released (6 December 1966) and then issued for the Christmas market 23 December 1966 on Atco 45-6459 with "Do I Have To Come" as the flipside - the band's most famous song "For What It's Worth (Stop, Hey What's That Sound)" changed everything for the group. With accumulating radio play -18 February 1967 saw the anti-war song enter the US Billboard singles chart and slowly became a huge commercial and political hit – eventually peaking at No. 7 and staying on the American hit parade for almost three months. Such was the power of the song and its identity with Buffalo Springfield – Atco decided to reissue the debut album with that song given prominence (Track 1 on Side 1). "Baby Don't Scold Me" from the December 1966 version was dropped from the new 21 March 1967 Mono and Stereo mixes and the track-run altered also. The album was remixed by the band into MONO and re-released as Atco 33-200A (Mono) and Atco SD 33-200A (Stereo). The second (and band preferred) 12-track version has been used ever since.

Now there's a third variant here in this June 2018 Five-Disc Box Set - the song "For What It’s Worth" added on at the end of Side 2 as a 13th track for completion purposes. There has never been a 13-track "Buffalo Springfield" album until now - so that configuration is exclusive to this Box Set which is also available as a American VINYL variant on Atco/Rhino R1 566970 (Barcode 603497860661) issued 29 June 2018 as a limited edition of 5000 copies.

However, if you want to configure the March 1967 12-Track Mono version from CD1 use the following tracks:
Side 1: Tracks 13, 1, 2, 4, 5 and 6
Side 2: Tracks 7, 8, 9, 3, 11 and 12

Eagle-eyed fans will notice that the STEREO version of "Baby Don’t Scold Me" included on the original December 1966 LP but not on the March 1967 reissue is NOT on CD2 as a Stereo Bonus. It’s never been issued in true Stereo anywhere in the world on any CD and the reason still remains something of a mystery that not even this new box set clears up (this also makes the secondary title 'Complete Albums Collection' inaccurate).

CD3 "Buffalo Springfield Again" Mono
Second Album originally US issued October 1967 on Atco 33-226
2017 Remaster on Atco/Rhino R2 33226M (33:58 minutes):
Side 1:
1. Mr. Soul [Neil Young song]
2. A Child's Claim To Fame [Richie Furay song]
3. Everydays [Stephen Stills song]
4. Expecting To Fly [Neil Young song]
5. Bluebird [Stephen Stills song]
Side 2:
6. Hung Upside Down [Stephen Stills song]
7. Sad Memory [Richie Furay song]
8. Good Time Boy [Richie Furay song]
9. Rock & Roll Woman [Stephen Stills song]
10. Broken Arrow [Neil Young Song]

CD4 - CD3 "Buffalo Springfield Again" Stereo
Second Album originally US issued October 1967 on Atco SD 33-226
2017 Remaster on Atco/Rhino R2 33226 (34:01 minutes):
Same Tracks as CD3

CD5 - "Last Time Around" Stereo
Third and Final Studio Album US released July 1968 on Atco SD 33-256 in Stereo Only
2017 CD Remaster on Rhino R2 33256 (33:39 minutes)
Side 1:
1. On The Way Home [Neil Young song]
2. It's So Hard To Wait [Richie Furay and Neil Young song]
3. Pretty Girl Why [Stephen Stills song]
4. Four Days Gone [Stephen Stills song]
5. Carefree Country Day [Jim Messina song]
6. Special Care [Stephen Stills song]
Side 2:
7. The Hour Of Not Quite Rain [Richie Furay/Micki Callen song]
8. Questions [Stephen Stills song]
9. I Am A Child [Neil Young song]
10. Merry-Go-Round [Richie Furay song]
11. Uno Mundo [Stephen Stills song]
12. Kind Woman [Richie Furay song]

AUDIO:
Re-mastered by JOHN HANLON in 2017 (with Neil Young) and then Mastered by CHRIS BELLMAN at Bernie Grundman Mastering - these new versions are amazing in terms of fidelity. You'd have to say that the bulk of the work appears to have been on the first two albums in MONO - but I'm a fan of that last patchy album and these new STEREO mixes are rocking my 'Carefree Country Day' with a vengeance.

OK, you can and should argue that the missing "Baby Don't Scold Me" track in Stereo is yet another disappointing AWOL scenario - but I like the five separate discs forcing me the listener to take the album's as they were (are). It's admittedly a tad odd to hear "For What It's Worth..." at the tail-end of the "Buffalo Springfield" debut instead of as Track 1, Side 1 like we've been used to all these decades down the line. But 13-track-version or no - the AUDIO is so damn clear and alive.

The Stereo mix for "Sit Down I Think I Love You" has brighter guitar and the combo vocals sound glorious - the Salsa shuffle rhythm section and Stills vocals of "Pretty Girl Why" is superb too on the 3rd LP and the wall of fuzzed guitars that is "Bluebird" is almost too much (what a tune). That Phil Spector epic feel to Young's "Expecting To Fly" where the drums and strings seem like they're in a very far away cathedral now has a tighter hold - beautiful song beautifully transferred. The acoustic guitar on Furay's gorgeous "Sad Memory" is intimate as is his Fred Neil vocals. The opening cut "On My Way Home" from the 3rd LP was missing from the 2001 remasters - so it's cool to have an upgraded version of that too.

Do I miss the stunning long-version of "Bluebird" from 1973 double-album retrospective - or the Take 1 Demo of "Baby Don't Scold Me" that appeared on Disc 1 of the 2001 "Box Set" 4CD retrospective - hell yes. Can't help thinking that a sixth CD gathering up album outtakes might have been nice ("Neighbor Don't You Worry") - but that would I suppose have diluted the purity of the albums as presented.

The single card inlay with Neil Young liner notes repeating his 'this version is superior to any pre-existing version' five times in a row (for each LP) is almost childish in its laziness. But despite niggles - it's all about the MUSIC and the AUDIO - and the makers of "What's That Sound?" have nailed it. True believers will need both "Box Set" and this - newbies should dive in and learn what all the fuss was about.

"...There's something happening here..." - Stephen Stills sang on the monumental "For What It's Worth..." - vocalising what was on young people's minds in the mid 60ts. 

They carried a sign for this one and so should you...

Wednesday, 15 August 2018

"Darkness, Darkness" by PHIL UPCHURCH - July 1972 US 2LP Studio Set on Blue Thumb Records (March 2008 Japan-Only Universal/Geffen SHM-CD Remaster in a Jewel Case) - A Review by Mark Barry...


This Review Along With 314 Others Is Available In My
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70ts Soul, R'n'B, Funk, Jazz Fusion
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"…Inner City Blues…"

Chicago-born session guitarist Phil Upchurch had put out two albums on Cadet Records - "Upchurch" in 1969 and "The Way I Feel" in 1970 - when he then signed to Tommy LiPuma's new label - Blue Thumb. "Darkness, Darkness" was his debut for that record label and is quite rightly considered by many to be a masterpiece of Jazz-Funk and Soul.

Produced by Phil Upchurch and Tommy LiPuma - it was originally issued as a 2LP set on Blue Thumb Records BTS 6005 in July 1972 in the USA and then subsequently on Island/Blue Thumb Records ILPS 9219 in the UK.

There are two variants of the Japanese CD. First up is a 27 June 2001 standard CD jewel case edition on MCA/Universal UICY-3308 (to locate it use Barcode 4988005272263). It is not a SHM-CD but was cut using the 'Rubidium Atomic Clock' Process and sounds beautiful too (I also have that issue). But what makes this 2008 reissue 'sing' is the new 24-bit remaster combined with the Super High Materials format on which it's pressed (a SHM-CD in industry lingo). The sound quality on this disc is superlative - a truly gorgeous Audio Transfer and a very real advert for what this 'best of the best' format can do. Here are the details for that issue...

Released 5 March 2008 in Japan – "Darkness, Darkness" by PHIL UPCHURCH on Universal/Geffen UICY-93418 (Barcode 4988005506979) also comes in a 5" Mini-LP card sleeve that reproduces the original gatefold artwork front and rear - and has an OBI (different to the 2001 issue) and outer cellophane protective wrap with the SHM-CD sticker. It breaks down as follows (67:06 minutes):

1. Darkness, Darkness [Youngbloods cover, Jesse Colin Young writer]
2. Fire & Rain [James Taylor cover]
3. What We Call The Blues [Phil Upchurch song]
4. Cold Sweat [James Brown cover]
5. Please Send Me Someone To Love [Percy Mayfield cover]
6. Inner City Blues [Marvin Gaye cover]
7. You've Got A Friend [James Taylor cover]
8. Love & Peace [Arthur Adams song]
9. Sweet Chariot [Traditional Song cover]
10. Sausalito Blues [Phil Upchurch song]

PHIL UPCHURCH - Lead Guitar
ARTHUR ADAMS - Rhythm Guitar
JOE SAMPLE of THE CRUSADERS - Keyboards on Tracks 1, 2
DONNY HATHAWAY - Keyboards on Tracks 3 and 10
BEN SIDRAN - Organ on Track 8
CHUCK RAINEY - Bass
HARVEY MASON - Drums On All [except DON SIMMONS on Track 4]

As you can see from the track list and musician credits above, it's heavy on cover versions of the time (the title track itself is written by Jesse Colin Young of The Youngbloods) and the sessions featured the cream of musicians in the field. It was also engineered by Bruce Botnick of Elektra Records production fames (The Doors, MC5 and Love).

Musically - if you were to give "Darkness, Darkness" a comparison - it's "Breezin'" by George Benson and "Free As The Wind" by The Crusaders (both from 1976) - only 5 years earlier. Each track is a jazz-guitar-driven instrumental with a very funky and soulful feel. The quality of songs is also uniformly excellent, even if "Fire & Rain" can sound at times a little like The Shadows doing a cheesy cover version. The two Upchurch originals are superb especially the slow BB King feel of "What We Call The Blues". The playing standard is exceptional - and the warmth of the remaster only accentuates that. It's a joy to listen to - it really is. The title track "Darkness, Darkness" was written by Jesse Colin Young of The Youngbloods and picked up before Upchurch had a go by English Rockers Mott The Hoople who did a cover of it on their "Brain Capers" LP on Island Records in 1971. You can so hear why both like it as a song - it swings and grooves. Other faves include a Jazz-mellow cover of the old Percy Mayfield classic "Please Send Me Someone To Love" and a neck-jerking Funk-guitar work out of Marvin Gaye's wonderful What's Going On album finisher "Inner City Blues (Makes Me Wanna Holler)". Ben Sidran slinks about on the Organ for the Arthur Adams cover of "Love & Peace" – another fab groove and something that sounds 2016 and not 1971.

On the SHM-CD format "Darkness, Darkness" is presently a Japan-only release - and is already deleted, so it will therefore cost you to acquire it - but it's so worth it if you can. If you want a less pricey but equally worthy variant - there is also a May 2014 Higher Plane CD Reissue of the album out of the States on Higher Plane HIPE5502.2 (search Barcode 0639857550224 for that release).

Any guitar player who was the principal sideman to such soul luminaries as Jerry Butler and Curtis Mayfield has got to be up there. Superb stuff and big time recommended...

PS: His second LP for Blue Thumb - "Lovin' Feeling" from 1973 - was also reissued in 2008 on the SHM-CD format on Geffen UICY-93419. 

And at a budget level on the 'Chess Best Collection' Standard CD Series out of Japan - 1969's "The Way I Feel" and 1969's "Upchurch" (with Charles Stepney and Donny Hathaway) were both reissued 27 August 2014 on Universal/Cadet UICY-76555 and Universal/Cadet UICY-76556 (Barcodes 4988005840202 and 4988005840219 respectively). Unfortunately neither is reported to have been remastered and present only so-so sound...

INDEX - Entries and Artist Posts in Alphabetical Order