"This Was: The 50th Anniversary Edition" by JETHRO TULL – October 1968 UK Debut Album on Island Records in both Mono and Stereo, February 1969 US on Reprise Records in Stereo Only – Featuring Ian Anderson, Mick Abrahams, Glenn Cornick and Clive Bunker (November 2018 UK Chrysalis/Parlophone 'The 50th Anniversary Edition' Reissue with Mono and Stereo Versions of the Debut Album – Includes 3CDs, 1DVD with Previously Unreleased Mono/Stereo Material, Steven Wilson Remixes, Remasters and 4.1 Surround-Sound Versions) - A Review by Mark Barry...

 

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"…Won’t Somebody Tell Me Where I Lay My Head Last Night…"

 

The Jethro Tull catalogue has been steadily receiving these fabulous Hardback Digibook Versions for some years now – but their mighty British debut album "This Was" from October 1968 on Island Records (February 1969 in the USA on Reprise) has been a rather obvious and large hole in the run.

 

I've reviewed its predecessor, the April 2008 '40th Anniversary 2CD Collector's Edition' on EMI/Chrysalis 206 4972 (Barcode 5099920649722) – a worthy reissue for its time. But it's absolutely demolished by this 2018 '50th Anniversary' variant which once again has had the master-hand of Audio Engineer STEVE WILSON poking about in its Sixties innards. A lot to catalogue, so let's get sonically impressed...

 

UK released 9 November 2018 - "This Was: The 50th Anniversary Edition" by JETHRO TULL on Chrysalis/Parlophone 0190295611484 (Barcode 0190295611484) is a 3CD and 1DVD Hardback Digibook that plays out as follows:

 

CD1 (57:53 minutes):

A STEVEN WILSON STEREO REMIX

1. My Sunday Feeling [Side 1]

2. Someday The Sun Won’t Shine

3. Beggar's Farm

4. Move On Alone

5. Serenade To A Cuckoo

6. Dharma For One [Side 2]

7. It's Breaking Me Up

8. Cat's Squirrel

9. A Song For Jeffrey

10. Round

Tracks 1 to 10 are the STEREO VERSION of the debut album "This Was" released 4 October 1968 in the UK on Island ILPS 9085. February 1969 saw the album released in the USA on Reprise RS 6336 in Stereo only. The UK had a MONO variant of the Vinyl LP (Island ILP 985) which is presented on CD3 in its 40th Anniversary 2008 Remastered CD form.

 

ASSOCIATED RECORDINGS

A STEVEN WILSON STEREO REMIX:

11. Love Story

12. A Christmas Song

Tracks 11 and 12 were (originally) Non-LP A&-B sides of a 29 November 1969 UK 45-single on Island WIP 6048 in Mono – here they are presented in STEREO – for Mono Originals see Tracks 13 and 14 on CD2

 

Tracks 13 to 16 are PREVIOUSLY UNRELEASED

13. Serenade To A Cuckoo (Take 1, Studio Outtake)

14. Some Day The Sun Won't Shine For You (Faster Version, Studio Outtake)

15. Move On Alone (Flute Version, Take 6, with Vocals Added, Studio Outtake)

16. Ultimate Confusion (Take 1, Studio Outtake – no other version exists)

 

CD2 (59:53 minutes):

FURTHER ASSOCIATED RECORDINGS (BBC Sessions, Original Mixes & Ads)

BBC Sessions Tracks 1 to 9

1. So Much Trouble

2. My Sunday Feeling

3. Serenade To A Cuckoo

4. Cat's Squirrel

5. A Song For Jeffrey

Tracks 1 to 5 are live-in-the-studio Mono recordings made for John Peel's "Top Gear" Radio program on BBC 1, recorded 23 July 1968 in London (broadcast August & September 1968)

 

6. Love Story

7. Stormy Monday

8. Beggar's Farm

9. Dharma For One

Tracks 6 to 9 are more live-in-the-studio Mono recordings as per 1 to 5 recorded 5 November 1968 in London (broadcast December 1968)

 

Original Mixes and Radio Adverts:

10. A Song For Jeffrey

11. One For John Gee

Tracks 10 and 11 are their second 45-single released 13 September 1968 on Island WIP 6043 in the UK in Mono, both tracks Non-LP at the time

 

12. Some Day The Sun Won't Shine For You (Faster Version)

PREVIOUSLY UNRELEASED Mono Version (Stereo variant, Track 14, CD1)

 

13. Love Story

14. A Christmas Song

Tracks 13 and 14 are their third 45-single released 29 November 1968 in the UK on Island WIP 6048 in Mono, February 1969 in the USA on Reprise 0815 with A Song For Jeffery on the B-side (there are STEREO remixes of 13 and 14 on CD1)

 

15. Sunshine Day

16. Aeroplane

Tracks 15 and 16 are their debut UK 45-single issued 16 February 1968 on MGM Records 1348 with the band miscredited as Jethro Toe – both sides Non-LP

 

17. Blues For The 18th

Track 17 recorded 22 October 1967 for The John Evans Smash in London; first issued 1991 as Track 1 on the German-only Maxi CD-Single "The Derek Lawrence Story: The Sampler" on Line Records LICD 9.01138 E

 

18. Love Story

Track 18 is a US-only Promo 45-single in Stereo for FM Radio airplay

 

19. US FM Radio Spot No. 1

20. US FM Radio Spot No. 2

Tracks 19 and 20 on the American promo-only 45-single on Reprise PRO 312

 

CD3 (76:41 minutes):

ORIGINAL UK ALBUM MIXES

1. My Sunday Feeling [Side 1]

2. Someday The Sun Won’t Shine

3. Beggar's Farm

4. Move On Alone

5. Serenade To A Cuckoo

6. Dharma For One [Side 2]

7. It's Breaking Me Up

8. Cat's Squirrel

9. A Song For Jeffrey

10. Round

Tracks 1 to 10 are the Original UK STEREO MIX prepared in August 1968 for the Vinyl LP Island ILPS 9085 – Tracks 11 to 20 is the MONO MIX

 

DVD (NTSC, Region 0 (All Regions):

Tracks 1 to 10 - Original Album remixed by Steven Wilson to 4.1 DTS and AC3 Dolby Digital Surround

Tracks 11 and 12 - Love Story and A Christmas Song in 5.1 Surround

Tracks 13 to 16 are 96/24 LPCM Stereo

Tracks 17 to 26 are 1969 US Stereo Mix at 96/24 LPCM Stereo

 

I have had the 2008 UK-issued 40th Anniversary Edition 2CD set for years now and the Peter Mew Remasters for that done at Abbey Road were sensational – amazing clarity on both the Mono and Stereo versions. Here, revered Audio Engineer STEVE WILSON has done his twiddling magic with the Stereo variants and again – a noticeable upgrade with huge feel and breathing around the instruments. Although in truth there isn't a whole lot of new for diehard fans, the Stereo and Mono variants of "Some Day The Sun Won't Shine" are blistering and audiowise – up there with the best of them. I would have to agree that CD3 feels a teeny weeny bit superfluous to requirements - an original Stereo mix of the LP you don't really want and a Mono Mix you probably won't play over the richer Steve Wilson Stereo remix. But it is cool to have them.

 

The packaging though – oh my God – a 96-page booklet inside the Hardback Digibook that makes many other reissues look like whimpering brats. You would expect the UK and American LP labels to be reproduced (they are as is every 45-single), but this thing has discographies, trade adverts, band chronology, day-by-day movements and gig dates, rare concert posters, photos from Ian Anderson's own archive, memorabilia from around the world – the kind of splurge to make fans weak at the knees. They even produced the lyrics not just to the LP but the 45s including their mega-rare debut Sunshine Day. There are notes from Steve Wilson, photos of a 2008 reunion with Mick Abrahams (who left after the album and formed the much-loved Blodwyn Pig) and Ian Anderson explains all the songs – even the outtakes. Wow. To the music...

 

Highlights - the opening track "My Sunday Feeling" (lyrics above) is classic Tull - rock with a flute jazz tint. Speaking of which - the track "Serenade To A Cuckoo" first appeared on Rahsaah Roland Kirk's 1964 album "I Talk With The Spirits". Kirk's flute technique of humming and mouthing as you play the instrument clearly blew away the young Ian Anderson, because he's been aping that style ever since (it's also the only time a cover version has appeared on a Jethro Tull album).

 

The bluesy "Beggar's Farm" is so clear now as are Clive Bunker's drums on "Dharma For One". The Stereo Mix of "Some Day The Sun Won't Shine" absolutely leaps out of the speakers, while the harmonica and guitar duo intro on "It's Breaking Me Up" perfectly compliments the slinky bass line by Glenn Cornick. "Cat's Squirrel" just rocks like a monster too. The additional BBC stuff is very good (the band was still fresh) as are the properly remastered versions of the early Tull singles (most of which were non-album until the 2LP set "Living In The Past" in 1972).

 

The Blues-Rock sound that permeates much of this forgotten debut was never going to be enough for a mind like that of band-leader Ian Anderson and on their next platter "Stand Up" in 1969 (a No. 1 LP) – the JT sound and their particular brand of Prog Historical Rock was born.

 

For sure there are far better albums in their voluminous back catalogue (hence the four stars), but it is only the churlish begrudger that would say "The 50th Anniversary Edition" of Jethro Tull's debut "This Was" isn't anything other than exemplary. Love Story indeed...

"The Complete Album Collection" by TIM BUCKLEY – Seven Studio Albums Plus One Outtakes Compilation Covering 1966 to 1972 - Includes the albums "Tim Buckley" (October 1966 US Debut), "Goodbye And Hello" (September 1967), "Happy Sad" and "Blue Afternoon" (March and November 1969), "Lorca" and "Starsailor" (June and November 1970), "Greetings From L.A." (August 1972) and "Works In Progress" (October 1999 Rhino-Handmade CD-Only Compilation of Outtakes Recorded May 1967 to July 1968) - musicans featured include Lee Underwood, John Balkin, Joe Falsia, Maury Baker and many more (October 2017 UK Elektra/Rhino 8CD81-Track Clamshell Box Set with New Remasters and Mini LP Repro Artwork Card Sleeves) - A Review by Mark Barry...

 

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"...Happy Sad..."

First up – any self-respecting Tim Buckley fan will cringe at the word 'Complete' used in the title of this Clamshell Box Set from Rhino.

 

Without saying so, it covers his output only between 1966 and 1972. Worth pointing this out because Buckley issued two further albums that are not here and hard to find on CD Reissue - "Sefronia" and "Look At The Fool" originally released September 1973 and September 1974 in the USA on Discreet Records – the latter being his final studio set before his tragic passing in June 1975. A more accurate subtle would read – the Straight/Warner Brothers Years.  

 

Blessed with an angelic ring-them-bells voice that would literally make women swoon and Male Sopranos nervous - Tim Buckley's artistry has nonetheless always been a strange thing in collecting circles. Despite his stunning set of pipes and beautiful song arrangements across the first five albums – his catalogue especially after 1970 has been dubbed difficult, un-listenable and even sexist (the lyrics on his 1972 set "Greetings From L.A." will make you both blush and reach for the vomit bag). Like Nick Drake or Jo Ann Kelly or Duncan Browne – Tim Buckley is the very definition of a cult artist beloved by fans and put in a shrine (if some had their way).

 

And yet I've seen the superlative March 2001 Rhino 2CD Anthology "Morning Glory: The Tim Buckley Anthology" fall as low as 75p on some online sites – which if juxtapositioned against his original British sixties vinyl albums - they easily command fifty, sixty, seventy pounds. Masterpieces like "Happy Sad" on orange-Elektra, the gorgeous shimmering hurt of "Blue Afternoon" on Straight that has influenced every Alt Band ever and the wildly uncompromisingly difficult Jazz-Rock madness of "Starsailor" when our Tim was mainlining Captain Beefheart and slapped Double-Bass mayhem are so hard to find clean copies of. But let's deal with what we do have...

 

UK released October 2017 – "The Complete Album Collection" by TIM BUCKLEY on Elektra/Rhino 081227933852 (Barcode 081227933852) is an 8CD 81-Track Clamshell Box Set (no Booklet) with Mini LP Artwork Card Repro Sleeves for Seven Studio Albums and One CD compilation of Outtakes. 

It plays out as follows:

CD1 (34:33 minutes):

1. I Can See You [Side 1]

2. Wings

3. Song Of The Magician

4. Strange Street Affair Under Blue

5. Valentine Melody

6. Aren't You The Girl [Side 2]

7. Song Slowly Song

8. It Happens Every Time

9. Song For Jainie

10. Grief In My Soul

11. She Is

12. Understand Your Man

Tracks 1 to 12 are his debut album "Tim Buckley" – released October 1966 in the USA (December 1966 in the UK) on Elektra Records EK-4040 (Mono) and Elektra EKS-74040 (Stereo) - same LP catalogue numbers for both countries. The STEREO MIX is used for this CD.

 

CD2 (42:47 minutes):

1. No Man Can Find The War [Side 1]

2. Carnival Song

3. Pleasant Street

4. Hallucinations

5. I Never Asked To Be Your Mountain

6. Once I Was [Side 2]

7. Phantasmagoria In Two

8. Knight Errant

9. Goodbye And Hello

10. Morning Glory

Tracks 1 to 10 are his 2nd studio album "Goodbye And Hello" – released September 1967 (December 1967 in the UK) in the USA on Elektra EKL-318 (Mono) and Elektra EKS-7318 (Stereo) - same LP catalogue numbers for both countries. Reissue copies (about October/November 1967) have the catalogue number Elektra EKS-74028. The STEREO MIX is used for this CD

 

CD3 (44:41 minutes):

1. Strange Feelin' [Side 1]

2. Buzzin' Fly

3. Love From Room 109 At The Islander (On Pacific Coast Highway)

4. Dream Letter [Side 2]

5. Gypsy Woman

6. Sing A Song For You

Tracks 1 to 6 are his 3rd studio LP "Happy Sad" – released March 1969 in the USA on Elektra Records EKS-74045 (Stereo only), July 1969 UK with the same Catalogue Number.

 

CD4 (39:47 minutes):

1. Happy Time [Side 1]

2. Chase The Blues Away

3. I Must Have Been

4. The River

5. So Lonely [Side 2]

6. Café

7. Blue Melody

8. The Train

Tracks 1 to 8 are his 4th studio album "Blue Afternoon" – released November 1969 in the USA on Straight STS-1060 in Stereo - reissued January 1970 in the USA on Warner Brothers WS-1842. Issued February 1970 in the UK on Straight STS-1060 in Stereo.

 

CD5 (39:30 minutes):

1. Lorca [Side 1]

2. Anonymous Proposition

3. I Had A Talk With My Woman [Side 2]

4. Driftin'

5. Nobody Walkin'

Tracks 1 to 5 are his 5th studio album "Lorca" – released June 1970 in the USA on Elektra EKS-74074 (Stereo) and October 1970 in the UK on Elektra 2410 005 (Stereo). Although it doesn’t say so on the artwork, Side 2 of the album was recorded live at The Troubadour in West Hollywood on the 3^rd and 4^th of September 1969.

 

CD6 (36:06 minutes)

1. Come Here Woman [Side 1]

2. I Woke Up

3. Monterey

4. Moulin Rouge

5. Song To The Siren

6. Jungle Fire [Side 2]

7. Starsailor

8. The Healing Festival

9. Down By The Borderline

Tracks 1 to 9 are his 6th studio album "Starsailor" – released November 1970 in the USA (January 1971 in the UK) on Straight STS 1060 (Stereo) – reissued July 1971 in the USA on Warner Brothers WS-1881.

 

CD7 (39:39 minutes):

1. Move With Me [Side 1]

2. Get On Top

3. Sweet Surrender

4. Nighthawkin' [Side 2]

5. Devil Eyes

6. Hong Kong Bar

7. Make It Right

Tracks 1 to 7 are his 7th studio album "Greetings From L.A." – released August 1972 in the USA on Straight/Warner Brothers BS-2631 and October 1972 in the UK on Warner Brothers K 46176. Produced by Jerry Goldsmith – it didn’t chart. Session players included Kevin Kelly on Keyboards, King Errison and Carter C.C. Collins on Bongos, Strings Arranged by Joe Falsia with Vocalists Clydie King, Lorna Maxine Willard and Venetta Fields

 

CD8 (66:32 minutes):

1. Danang (Takes 7 and 8 Intercut) – 6:31 minutes *

2. Sing A Song For You (Take 11) – 5:44 minutes

3. Buzzin' Fly (Take 3) – 6:44 minutes

4. Song To The Siren (Take 7) - 3:28 minutes

5. Happy Time (Take 14) – 3:14 minutes

6. Sing A Song For You (Take 8) – 2:40 minutes

7. Chase The Blues Away (Take 3) – 4:01 minutes

8. Hi Lily, Hi Lo (Take 7) – 3:37 minutes

9. Buzzin' Fly (Take 9) – 5:07 minutes

10. Wayfaring Stranger (Take 4) – 4:24 minutes

11. Ashbury Park Version 1 (Take 8) – 2:47 minutes *

12. Ashbury Park Version 2 (Take 14) – 3:22 minutes *

13. Ashbury Park Version 2 (Take 25 Labelled Master) – 3:28 minutes *

14. Dream Letter (Takes 17-16 Intercut) – 5:13 minutes

15. The Father Song (Take 3) – 2:45 minutes

16. The Fiddler (Rough Mix) – 3:26 minutes **

NOTES: 

Tracks 1 to 16 are the US-only CD Compilation of Previously Unreleased Outtakes called "Works In Progress" – released October 1999 on Rhino Handmade RHM2 7705 (Barcode 081227770525) – initially a numbered limited edition of 2,500 copies (reissued as a 7,500 numbered edition). These outtakes were Produced by JERRY YESTER, ZAL YANOVSKY and JAC HOLZMAN - Tracks 1 and 2 recorded 4 March 1968; 3 and 4 recorded 5 March 1968; 5 to 7 recorded 17 June 1968; 8 recorded 19 June 1968; 9 to 11 recorded 18 June 1968; 12 to 14 recorded June 1968; 15 recorded 14 July 1968; 16 recorded 22 May 1967. All Remixed and Remastered by BILL INGLOT and DAN HERSCH.

* = Tracks 1, 11, 12 and 13 are Fragments from the song that ends Side 1 of the "Happy Sad" album - "Love From Room 109 At The Islander (On Pacific Coast Highway)"

** = Track 16 is an Instrumental Version of "Phantasmagoria In Two" from the "Goodbye And Hello" album  

 

As there is no booklet – let's talk about what's here and what isn't. The inclusion of "Works In Progress" is a seriously good bonus, really showing his genius in the best of lights. But any fan would also crave the "Dream Letter/Live In London 1968" set put out by Demon Records of the UK in June 1990 as a double-album (DFIEND 200) and 2CD Set (DFIENDCD 200). Recorded 7 October 1968, but unreleased until 1990 by Demon, it caused a major stir as a historically important find. A huge collectable among fans ever since, Rhino quite right included three tracks from it on their "Morning Glory..." 2CD Anthology in 2001. Having it here as a gatefold 2CD Mini LP Card Repro Sleeve would have been a 'dream' for many.

 

Also M.I.A. - Rhino Handmade did a 2CD Reissue of his 1966 debut "Tim Buckley" issued in January 2011 in the USA. That gem gave us the Stereo and Mono Mix of the album for the first time and a very tasty 22 unreleased on Disc 2 that included rough recordings of his first band The Bohemians. I have reviewed this sexy little beast – but again - sadly not here. There were also rumours of multiple-disc Deluxe Editions for both "Happy Sad" and "Blue Afternoon" due from Rhino Handmade, but after that branch of Rhino shut – no more was heard. There is a Mono Mix for "Happy Sad" that is unavailable anywhere – and again – no show. 

 

So what do we have? The Clamshell Box Set houses 8 Mini LP Repro Artwork Card Sleeves – none have inserts, but three are gatefold sleeves as per their original albums - "Happy Sad" (March 1969), "Blue Afternoon" (November 1969) and "Greetings From L.A." (August 1972). The last of those three came with a Postcard punch-out die-cut sleeve on original 1972 issues, so not surprisingly that difficult to reproduce original style has not made the transition. But, these are full LP artwork – front and rear – and not like those bordered single sleeve versions you get in the cheap "Original Classic Albums" 5CD capacity wallets. The CD labels too try to ape their originals, but "Blue Afternoon" and "Starsailor" both have a Warner Brothers label (the reissue) rather than the proper Straight Records original.  

 

The sticker on the cover (and no where else) states Newly Remastered – and they sound it too – probably the Bill Inglot and Dan Hersch Remasters used for the "Morning Glory..." Anthology – or Bruce Botnik versions - the Audio Engineer used for the Rhino Handmade debut? Who knows – but they sound great. There is a huge leap in the Audio quality when you go from the self-titled debut to "Happy Sad" and although "Blue Afternoon" is a notoriously quiet album – here it feels fuller – those lovely Bass Notes and Six-String Acoustic Strums – his vocal acrobatics – yum yum. To the tunes... 

 

It's thrilling after all these years to hear gems like "Once I Was" and "Buzzin' Fly" sound this good. Sure there's hiss on some tracks, but the music is alive and clear and tracks like "Happy Time" and the ethereally atmospheric "Song To The Siren" make the hairs on the back on my neck stand up. You can chart his journey from straight-up Folky on the lovely "Wings" through the Harpsichord 60ts Pop of "Pleasant Street" on to his exploration of vocals and jazz rhythms on "Strange Feelin'". Buckley's 12-String Guitar and Lee Underwood's Lead Electric underpin the mournful "Chase The Blues" (a little hiss on this one), while the duo appear again on the beautiful live cut "I Had A Talk With My Woman" recorded at the Troubadour in West Hollywood in September 1969 for the "Lorca" album. I can only imagine what it must have been like for that audience to hear this extraordinary vocal come out of that microphone – "I Had A Talk With My Woman" is showcase - amazing stuff.  

 

Side 1 of "Happy Sad" cemented his young brilliance in my mind – the stunning threesome of "Strange Feelin’", "Buzzin’ Fly" and the huge near eleven-minutes of "Love From Room 109 At The Islander (On Pacific Coast Highway)" – four outtakes/fragments of which turn up on Disc 8 - "Works In Progress". The sound effects on "Carnival Song" are very clear, the bass and instruments really warm as are the so-quiet acoustic notes that open "Hallucinations" – both from the "Goodbye And Hello" – a record that saw him experimenting with instruments and his vocal phrasing. "Once I Was" is a wee bit hissy in places yes, but how pretty is its wailing Harmonica ache – so very Fred Neil (a high compliment). Even though its very left-speaker concentrated (as it was originally Produced) – the sonic attack of all those acoustic strings and conga rhythms on the fabulous "I Never Asked To Be Your Mountain" is amazing – a truly glorious racket and all of it imbibed with the feeling that something sensational is going on here. And in December 1967 in the USA, Elektra put out what is my fave 45-single by Buckley – the magisterial anthem to homelessness called "Morning Glory" with the lovely "Once I Was" on the flipside – EK-45623 in my Top 100 best singles lists with a bullet ("...tell me stories...I call to the hobo...")  

 

I know people rave about it, but I have to come clean about the extraordinarily difficult "Starsailor" LP – a wild Jazz-Fusion Avant Garde set that I feel did for him. Despite its smiling/beguiling photograph front cover of the handsome marriage-age troubadour, what waits within is anything but pleasant valley Sunday. I have always found "Starsailor" to be bloody hard work - listenable pieces including the cod-French "Moulin Rouge" and the Zappa-esque "Monterey" - all sounding great as the remaster really lifts them up. As much as I find the whole LP an avoidance I must make ("Come Here Woman" and "I Woke Up" feel like they are deliberately trying to grate) – there are some who worship at its Trout Mask Replica feet. Having said that you have to acknowledge the beauty of the uncharacteristic "Song To The Siren" that ends Side 1 - among his most ethereal of songs – a gorgeous magical swooping acoustic track that has influenced songwriters for decades since. 

 

Like Springsteen's "Nebraska" or Jackson C. Frank's self-titled debut from 1966 or Terry Callier's "New Folk Sound" also from the mid 60s on Verve Folkway - I like stripped back and bare-lonesome. Although there are instruments on both "Lorca" and "Blue Afternoon" - both LPs feel 'light' on the ear - a sort of trippy peacefulness about the music. I would say that with stuff like "The River", "So Lonely" and "The Train" from "Blue Afternoon" - it's a near perfect Tim Buckley album. Hardly surprising then that Rhino picked no less that 6 of its 8 tracks for representation of their "Morning Glory" 2CD Anthology. 

 

But then you get the loverman Funk of "Greetings From L.A." which has amazing grooves on it and top class Production values - until you clap ears on the lyrics which are all sex-obsessed and not in a good way. The band is on fire for "Move With Me" - the opening cut on Side 1 (Clydie King, Venetta Fields and others ladies of distinction providing the Soulful backing singers). In fact with its radio-friendly saxophone Al Green Funk-groove, Warner Brothers tried it as a US 45-single in October 1972 with Side 2's "Nighthawkin'" on the flipside, but both it (WB 7623) and the album tanked. The crying shame is that tracks like the six-and-a-half minute "Sweet Surrender" and "Nighthawkin'" have great guitar groove ideas and fantastic vocal gymnastics, but the lyrics about lady's reputations and hurting each other as a turn-on and hunting redneck blood thrills in taxis feel oddly like they're on the wrong side of the argument. The acoustic clap-and-chug of "Hong Kong Bar" lifts things somewhat – and even at seven-plus minutes doesn't feel like it's overstaying its groove-driven welcome. But the LP ends on the whip-spank-beat me lyrics of "Make It Right" which again musically sounds like a great Rock-Soul-Funk discovery - until you hear the deeply disturbing words.

After the mishmash of 1972, Disc 8 that cuts back to 1967 and 1968 Elektra recordings is an embarrassment of riches that lifts up this Box Set big time.  The gorgeous 5CD "Forever Changing..." Box Set (issued 1999 in Hard Back Book Form and LP-Sized Super Deluxe) covering the history of Elektra Records uncovered the magnificent 1967 outtake "Wayfaring Stranger" – a Traditional song Buckley covered. Well it is here in all its glory on CD8 "Works In Progress". Tim strums – he soars – he wails - I can say one word on this fantastic find – wow!  

 

Tim Buckley was a musical genius, a mercurial talent, a song-smith and truth be told probably a bit of an idiot when it came to career choices and substances that would take such a light so quickly.  

 

But flawed or not and even it this 8CD missing too much variant - "The Complete Album Collection" is a winner. Hopefully in the future, we will see the real Complete Box Set and man will that be something to behold... 

 

PS: Vinyl lovers should know that Elektra/Rhino reissued this Box Set in the USA and EUROPE on 7 VINYL LPS in July 2019 - but Warner Brothers 603497856268 controversially didn't include the "Works In Progress" set (CD8). 

"Complete Albums 1965-1980" by PAUL BUTTERFIELD including THE BUTTERFIELD BLUES BAND and BETTER DAYS - Musicians Include Mike Bloomfield, Elvin Bishop, Geoff Muldaur, Amos Garrett, Merry Clayton and many more (November 2015 UK Elektra/Bearsville/WSM/Rhino 14CD 140-Song Clamshell Box Set of Remasters with Mini LP Repro Card Sleeves and Rare/Previously Unreleased Material - A Review by Mark Barry...

 

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"...All These Blues..."

 

Winners and losers on this one – 14CDs with 140-songs including collector-friendly stuff like Rare and Previously Unreleased August 1969 Woodstock recordings tagged on at the end (CD14) as "Live In White Lake, N.Y. 8/18/69" - a reissue of a rare July 1995 Rhino US CD compilation that gathered up the then Previously Unissued December 1964 original band sessions including both guitarists Mike Bloomfield and Elvin Bishop called "The Original Lost Elektra Sessions" - and an unannounced 'Extended Edition' of their official "Live" album from 1970.

In a nutshell - you get all of his Elektra albums in glorious Stereo from December 1965 up to September 1971 and the ones that followed on Bearsville in the first part of the Seventies as the band Better Days and then just as Paul Butterfield (some of those gems were produced by Todd Rundgren, Geoff Muldaur and Hi Records legend Willie Mitchell) – an impressive haul in any man's language. Hell, even the "Live" set from 1970 turns out to be the whole double-LP on CD1, but it also sports an additional 8 session outtakes on CD2, unissued material that showed exclusively on a now long-deleted US-only Rhino Handmade 2CD reissue in 2005. And this is without saying so either on the front cover sticker or rear box track list.

So as I say – at a huge 140 Tracks - impressive and comprehensive. But where are the details? The lack of a booklet that could easily stretch to 50-plus pages covering his 15-year career is a downer – especially given his genre-groundbreaking place in Blues Rock History and the sheer number of cool session men and women who played on these albums (Clydie King, Merry Clayton, David Sanborn etc).

But – that said – even when the content starts to taper off big time by the time we get to the decidedly weak Bearsville albums of the Seventies and beyond - "Complete Albums 1965-1980" is gorgeous to look at – a fantastic ballsy listen because all are the 1990s Rhino Remasters done by Dan Hersch and Bill Inglot and the Mini LP Repro Card Sleeves are just the dinkiest things (gatefolds include "In My Own Dream", "Live", "Better Days" and "It All Comes Back" - inserts in several too). Much to boogie to...here are the details...

 

UK released November 2015 - "Complete Albums 1965-1980" by PAUL BUTTERFIELD (including The Butterfield Blues Band and Better Days) on Elektra/Bearsville/Warner Strategic Marketing/Rhino 081227951855 (Barcode 081227951955) is a 14CD 140-Song Clamshell Box Set of 13 Remastered albums (one is a 2CD double-live set) that plays out as follows:

 

CD1 (38:07 minutes):

1. Born In Chicago [Side 1]

2. Shake Your Money-Maker

3. Blues With A Feeling

4. Thank You Mr. Poobah

5. I Got My Mojo Working

6. Mellow Down Easy

7. Screamin' [Side 2]

8. Our Love Is Drifting

9. Mystery Train

10. Last Night

11. Look Over Yonders Wall

Tracks 1 to 11 are the LP "The Paul Butterfield Blues Band" - their debut album released December 1965 in the USA on Elektra EKS 7294 in Stereo (May 1966 in the UK with the same catalogue no.)

 

CD2 (44:55 minutes):

1. Walkin' Blues [Side 1]

2. Get Out Of My Life, Woman

3. I Got A Mind To Give Up Living

4. All These Blues

5. Work Song

6. Mary, Mary [Side 2]

7. Two Trains Running

8. Never Say No

9. East-West

Tracks 1 to 9 are the album "East-West" by The Butterfield Blues Band - released September 1966 in the USA on Elektra EKS 7315 in Stereo (December 1966 in the UK same no.)

 

CD3 (45:45 minutes):

1. One More Heartache [Side 1]

2. Driftin' And Driftin'

3. Pity The Fool

4. Born Under A Bad Sign

5. Run Out Of Time [Side 2]

6. Double Trouble

7. Drivin' Wheel

8. Droppin' Out

9. Tollin' Blues

Tracks 1 to 9 are the LP "The Resurrection Of Pigboy Crabshaw" - released January 1968 on Elektra EKS 74015 in the USA (February 1968 in the UK same no.)

 

CD4 (36:30 minutes):

1. Last Hope's Gone [Side 1]

2. Mine To Love

3. Get Yourself Together

4. Just To Be With You

5. Morning Blues [Side 2]

6. Drunk Again

7. In My Own Dream

Tracks 1 to 7 are the LP "In My Own Dream" - released August 1968 in the USA on Elektra EKS 74025 in Stereo (September 1968 in the UK same no.) The card sleeve is a gatefold to repro the original LP

 

CD5 (42:09 minutes):

1. Love March [Side 1]

2. No Amount Of Loving

3. Morning Sunrise

4. Losing Hand

5. Walking By Myself

6. Except You

7. Love Disease [Side 2]

8. Where Did My Baby Go

9. All In A Day

10. So Far So Good

11. Buddy's Advice

12. Keep On Moving

Tracks 1 to 12 is the LP "Keep On Moving" - released October 1969 in the USA on Elektra EKS 74053 in Stereo (November 1969 in the UK same no.)

 

CD6 (77:47 minutes):

1. Everything Going To Be Alright [Side 1]

2. Love Disease

3. The Boxer

4. No Amount Of Loving [Side 2]

5. Driftin' And Driftin'

6. Intro To Musicians [Side 3]

7. Number Nine

8. I Want To Be With You

9. Born Under A Bad Sign

10. Get Together Again [Side 4]

11. So Far, So Good

Tracks 1 to 11 are the 2LP-set "The Butterfield Blues Band/Live" – released December 1970 in the USA on Elektra 7E-2001 and February 1971 in the UK on Elektra EKD 2001. A gatefold card sleeve - see also CD7 for more details

 

CD7 (69:30 minutes):

1. Gene's Tune

2. Nobody's Fault But Mine

3. Losing Hand

4. All In A Day

5. Feel So Bad

6. Except You

7. You've Got To Love Her With A Feeling

8. Love March

Tracks 1 to 9 first appeared as Previously Unreleased outtakes on the 2004 USA-only 2CD Reissue of the 1970 album "The Butterfield Blues Band/Live" on Rhino Handmade RHM2 7874 (limited to 2,500 copies only)

 

CD8 (39:03 minutes):

1. Play On [Side 1]

2. 1000 Ways

3. Pretty Woman

4. Little Piece Of Dying

5. Song For Lee

6. Train Man [Side 2]

7. Night Child

8. Drowned In My Own Tears

9. Blind Leading The Blind

Tracks 1 to 9 are the album "Sometimes I Just Feel Like Smilin'" – released September 1971 in the USA on Elektra EKS-75013 and September 1971 in the UK on Elektra K 42095. This Mini LP Card sleeve includes a 2-sided page insert that repro's the original 1971 LP inner bag - band photo on one side - photos/reviews of their preceding six albums on the other side

 

CD9 (58:55 minutes):

1. Good Morning Little School Girl

2. Just To Be With You

3. Help Me

4. Hate To See You Go

5. Poor Boy

6. Nut Popper No. 1

7. Everything's Gonna Be All Right

8. Lovin' Cup

9. Rock Me

10. It Hurts Me Too

11. Our Love Is Driftin'

12. Take Me Back Baby

13. Mellow Down Easy

14. Ain't No Need To Go No Further

15. Love Her With A Feeling

16. Piney Brown Blues

17. Spoonful

18. That's All Right

19. Goin' Down Slow

Tracks 1 to 19 are the CD compilation "The Original Lost Elektra Sessions" by The Paul Butterfield Blues Band – originally released July 1995 in the USA on Elektra Traditions/Rhino R2 73505 (Elektra Traditions/Rhino 0349-73505-2 in the UK and Europe). Originally Produced by Elektra's Paul A. Rothchild – the abandoned Previously Unreleased Stereo recordings were made December 1964 for their first album, finally receiving an airing in 1995. The Band included Mike Bloomfield and Elvin Bishop on Guitars, Jeremy Arnold on Bass and Sam Lay on Drums with Butterfield on Vocals and Harmonica. Mark Naftalin plays organ only on "Love Her With A Feeling". The mixing and remastering waa done by Dan Rothchild and Joe Gastwirt. This CD compilation was also reissued 2013 on Wounded Bird WOU 3505 in the USA – but both have been deleted years.

 

CD10 (37:24 minutes):

1. New Walkin' Blues

2. Please Send Me Someone To Love

3. Broke My Baby's Heart

4. Done A Lot Of Wrong Things

5. Baby Please Don't Go [Side 2]

6. Buried Alive In The Blues

7. Rule The Road

8. Nobody's Fault But Mine

9. Highway 28

Tracks 1 to 9 are the album "Better Days" by Paul Butterfield (aka "Paul Butterfield's Better Days") – released January 1973 in the USA on Bearsville BR 2119, February 1973 in the UK on Bearsville K 45515 (Produced by Paul Butterfield and Geoff Muldaur). This Mini LP Card sleeve is a Gatefold and includes a double-sided three-way foldout insert that repro's the original 1973 insert

 

CD11 (39:05 minutes):

1. Too Many Drivers [Side 1]

2. It's Getting Harder To Survive

3. If You Live

4. Win Or Lose

5. Small Town Talk

6. Take Your Pleasure Where You Find It [Side 2]

7. Poor Boy

8. Louisianna Flood

9. It All Comes Back

Tracks 1 to 9 are the album "It All Comes Back" by Paul Butterfield's Better Days – released November 1973 in the USA on Bearsville BR 2170, January 1974 in the UK on Bearsville K 45517. Has songs written by Bobby Charles, Geoff Muldaur and Rick Danko.

 

CD12 (35:38 minutes):

1. You Can Run But You Can't Hide [Side 1]

2. (If I Never Sing) My Song

3. The Animal

4. The Breadline

5. Ain't That A Lot Of Love

6. I Don't Wanna Go [Side 2]

7. Day To Day

8. Here I Go Again

9. The Flame

10. Watch 'Em Tell A Lie

Tracks 1 to 10 are the album "Put It In Your Ear" by Paul Butterfield – released December 1975 in the USA on Bearsville BR 6960 and February 1976 in the UK on Bearsville K 55509 – Musicians include Garth Hudson and Levon Helm of The Band, David Sanborn, Eric Gale and Fred Carter. This Mini LP Card sleeve includes a one-sided page insert that repro's the original 1975 LP insert

 

CD13 (35:08 minutes):

1. I Get Excited [Side 1]

2. Get Some Fun In Your Life 

3. Footprints On The Windshield Upside Down

4. Catch A Train 

5. Bread And Butterfield 

6. Living In Memphis [Side 2]

7. Slow Down 

8. I Let It Go To My Head 

9. Baby Blue

Tracks 1 to 9 are the album "North South" by Paul Butterfield – released January 1981 in the USA on Bearsville BSK 6995 (no UK issue).

 

CD14 (70:17 minutes): 

1. Intro (1:07 minutes)

2. Born Under A Bad Sign (13:39 minutes)

3. No Amount Of Loving (6:13 minutes)

4. Driftin' And Driftin' (12:09 minutes)

5. Morning Sunrise (8:01 minutes)

6. All In A Day (9:04 minutes)

7. Love March (10:08 minutes)

8. Everything's Gonna Be Alright (2:51 minutes)

Tracks 1 to 8 are called "Live In White Lake, N.Y. 8/18/69". Tracks 2, 4 and 6 are PREVIOUSLY UNRELEASED - Tracks 3, 7 and 8 first showed 2009 in the 6CD 40th Anniversary Box Set "Woodstock 40 (3 Days Of Peace & Music)" on Rhino 8122 79859 7 (UK and Europe). Although the title confusingly doesn't mention 'Woodstock' - this November 2015 CD represents the first time the 'complete show' has been represented on CD.

The Clamshell Box Set is sturdy enough and the 14 Mini LP Card Sleeves are full covers back and front and not those bordered versions you get in the cheaper "Original Album Classics" 5CD Capacity Wallets that look slightly naff. There are gatefolds where there should be and inserts too (see notes above). There is no Mastering Credits - but its obvious on Audio that these are the 90s Rhino Remasters – they kick like a mule and in glorious Stereo too. You could argue that the Mono variants of the first few 60ts LPs should have been added in for this box and some kind of booklet or poster included celebrating the band – but let us deal with what we do have...

 

Down through the years the musician list is impressive and varied – guitar maestro Mike Bloomfield originally combined with Elvin Bishop for the Sixties, Mark Naftalin and Ted Harris on Keyboards, Jeremy Arnold, Bugsy Mough and Rod Hicks on Bass, Bill Davenport, Sam Lay, George Davidson and Phil Wilson on Drums with regular guests like Horn Players David Sanborn, Gene Dinwiddie, Keith Johnson, Steve Madaio and Trevor Lawrence with Ralph Wash on Guitar, Amos Garret on Bass, Merry Clayton, Bobby Charles, Maria and Geoff Muldaur on Vocals, Bobbye Hall on Congas and many, many more. Paul A. Rothchild from Elektra and Todd Rundgren from Bearsville have produced too.

 

Outside of diehard fans of primo Blues Rock that have to have it all, for many casual divers the cheap-as-chips and just as tasty March 2010 Rhino/Elektra "Original Album Series" 5CD Capacity Wallet is enough to open accounts and go no further. It contains the December 1965 groundbreaking debut "The Paul Butterfield Blues Band" through to the October 1969 "Keep On Moving" LP (essentially CDs 1 to 5 here) - but this fab box set finally offers fans and the curious alike a whole lot more – and some of it (not all) is absolutely worth the stretch of your wallet. That expanded Rhino Handmade 2CD-variant of "Live" recorded March 1970 at The Troubadour in Los Angeles shows a band cooking – four brass players led by Guitar, Keyboards, Bass and Drums – tight and proud and Butterfield taking centre-stage.

 

Although it’s no audiophile recording, the 1969 famously explosive Woodstock set sees the band jam through twelve and thirteen minutes Blues-Rock winners (like Canned Heat on speed) much to the applause of the crowd – this 2015 Box Set being the first time the full show has been issued on one CD (see notes above). The card sleeve artwork for sure isn’t exactly the most inspiring 60ts art representation in the world, but at least we have the set.

 

I've also always had a soft spot for 1971's lesser-heard but expertly produced "Sometimes I Just Feel Like Smilin'" album with its array of Vocalists - Butterfield of course on the Funky "Play On" - Rod Hicks giving it some Shuggie Otis shuffle on the so-cool "1000 Ways" (edit out that mad start and you've a killer Funky-Funky Soul-Rock groove). Super-session-ladies Clydie King, Merry 'Gimme Shelter' Clayton and Venetta Fields beef up the Soul (these fab girls were used by Steely Dan!). Check out the sound quality on the wildly Chicago-funky instrumental "Song For Lee" that finishes Side 1 - it'll lift your speakers out of their complacency. Gene Dinwiddie leads off 'this is New York City!' vocal soulfulness of the sexy "Trainman" - another deep album gem. This incarnation of The Butterfield Blues Band even had Bobbye Hall of Bill Withers' band on Congas and Bongos - nice.

 

DAN HERSCH and BILL INGLOT – two top quality Audio Engineers long associated with Rhino and their handling of the vast WEA catalogue did the Remasters in the 90s. The music is incredibly bluesy and ballsy –truly stunning Paul Rothchild Sixties Production values coming at you on every disc. The instrumental "Thank You Mr. Poobah" for instance willy have your speakers for breakfast. The opening guitars on "Walkin' Blues" are the same – back in the mix – but still powerful. Don't get me wrong – these CDs aren't amped up for effect – they're just beautifully handled, sonicaly obvious too that the original master tapes are in tip-top condition. And throughout, you get Butterfield's deep and muscular harmonica slaying all in its path.

 

Sixties highlights are many and varied – their Soulful and Brassy cover of Marvin Gaye's "One More Headache", the wailing Blues of Otis Rush's "Double Trouble" and the huge Albert King power of "Born Under A Bad Sign". I love the slinky cover of Abbey Road's "Come Together" (Beatles), the bass line that opens the slightly jazzy "Last Hope's Gone" – a sort of precursor to Blood, Sweat & Tears debut album "Child Is The Father To The Man". Elvin Bishop provides the witty "Drunk Again" with lyrics like "...ain't got a dime and smelin' like a brewery…". Another tremendous chugger is "No Amount Of Loving" from the "Keep On Moving" album - a tune they'd return too for the fantastic 2LP "Live" set.

 

The problems start to come in when Butterfield began producing watered-down and weedy versions in the Seventies – the two by his band Better Days offer some gems like the very Allman Brothers-sounding "Too Many Drivers" and the nasty Sly Stone Funk of "It's Getting Harder To Survive" (sung by Ronnie Barron), but by the time you reach "Put It In Your Ear" in 1976 on Bearsville and especially "North South" in 1981 (I reviewed these on an Edsel CD Reissue years ago) – he was no longer charting and there were obvious reasons why. 

 

"Complete Albums 1965-1980" by Paul Butterfield has in itself been deleted a good few years now and increased alarmingly in price. Sure there's no booklet and there should have been, but if you can get this 14CD 140-song beast for the right amount of dosh - don't hesitate...